INTERVIEW: Molly Marrs

INTERVIEW:

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Molly Marrs

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I have been finding out about Molly Marrs...

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and her latest track, All of Me. She explains the inspiration for the song and what comes next; the artists who inspire her and whether there are tour dates coming up – Marrs reveals an artist she would like to tour with if she had the chance.

I ask when music came into her life and whether she gets time away from her busy schedule; what advice she would give to those coming through and how she feels being on the stage – she ends the interview by suggesting a cut from a Pop favourite.

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Hi, Molly. How are you? How has your week been?

Hello. My week has been great! This rainy weather has allowed me to stay in a few days to work at home - so I’ve been keeping myself busy making sure everything has been ready for this release.

For those new to your music; can you introduce yourself, please?

Hey guys! I’m Molly Marrs; a singer-songwriter here in Los Angeles. I’m a Texas native and I’m out here to share my story to as many people as I can through my music. 

(You can watch my mini documentary here).

 

Your new single, All of Me, is out. Is there a tale behind the song?

I wrote this song at a point in my life where I had let other people’s opinions matter more to me than my own. It ultimately led me down a lonely road of constant struggle and unhappiness. I found myself in a toxic environment that was getting me nowhere. It was both damaging to my personal life as well as my business relations.

At this point, I had found myself in a vicious cycle of betrayal and un-loyalty and it really tested my character. I finally came to the realization that I deserved better and needed to move on and cut ties. I completely started with a new slate and rebuilt my team organically from the ground up.

Here I am two years later and happier than I’ve ever been. I feel like I'm finally able to be confident in my work and I'm doing it independently. To me, that’s the most valuable accomplishment.

Do you foresee more material this year? Might there be an E.P.?

Yes! I’m currently working on some more stuff that I’m super-excited to be releasing soon.

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You have worked with a lot of different artists and producers. Do you think this has made your own work stronger?

Yes. I feel like I've learned something from everyone along the way.  

Having gained support from Boyz II Men and Fergie, how does that make you feel?!

Shawn Stockman was great. It was honestly a blessing and privilege to have worked with such an iconic talent in my first project out here in Los Angeles. Making friends and finding genuine people in the music industry is very rare and unheard of...but Fergie has been that one exception.

To see his success journey, and how humble he truly is, it amazes me! I value all of his advice/teachings but one thing I admire the most is his honesty. He’s been supportive, looked out for me and I had never met someone like that until now. So, I definitely feel honoured and grateful to have him apart of the team.

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When did music come into your life? Did you have favorite artists as a child?

Music has been a part of my life for as long as I could hold a microphone. I remember for Christmas one year when I was seven, my dad had bought me a small PA system. I would wheel the speaker outside plug it in on the front porch and then run inside the house to sing for all my neighbours and the cars driving by. I listened to a lot of artists but I think my all-time favorite would be Christina Aguilera.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

My favourite memory would be when I performed at Hakkasan in Las Vegas in November.

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Which three albums mean the most to you would you say (and why)?

I honestly don’t have one! I love all kinds of music across all genres: it’s hard to pinpoint just one.

If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to support Selena Quintanilla! Growing up, my mom would always play her and tell her all her wonderful stories. When Jennifer Lopez released the movie Selena, I watched it non-stop.

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What advice would you give to new artists coming through?

My advice to any new artist is, regardless of what anyone says, no one knows you better than yourself. If you don’t feel 100% confident or passionate about a project, a deal, or even lyrics to a song, don’t release it. If you’re unsure about a contract and have questions, seek advice and never assume anything. 

This industry does extremely well at telling others what they need to be, rather than taking what's already there and enhancing it. Everyone is going to have an opinion regardless - so might as well make yours the most important.

Do you think there are going to any tour dates coming up?

Hopefully, soon! Just trying to take one day at a time and enjoy the journey.

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Is the stage somewhere you love to be? Can you describe the feeling when you are up there?

It’s electrifying and my heart is full of pure happiness. Nothing else matters but that moment right there...regardless of the genre, I’m about to about to deliver a passionate message and I love being able to connect with others that way. Music truly is the universal language and that’s what makes it special.

Anyone and everyone can relate to or connect with a simple song. It’s always a privilege to be able to perform and I look forward to it every time.

 IN THIS PHOTO: Alina Baraz

Are there any new artists you recommend we check out?

I really like Alina Baraz and Lolo Zuoi.  

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 IN THIS PHOTO: LOLO (Lolo Zuoi)

Do you get much time to chill away from music? How do you unwind?

Time away from music? No, very unlikely. If I'm not in the studio myself, I still have to listen to something. To be honest, it’s hard for me at a time to sit in complete silence. Especially if I'm home alone making dinner, or working on my laptop; I will always have a candle lit and background music going on.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I’m a huge Ariana Grande fan! She’s just dropped her new album thank u, next so it’s got to be a track from there

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Follow Molly Marrs

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INTERVIEW: Peter and Kerry

INTERVIEW:

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Peter and Kerry

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MY last interview of the week...

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is with Peter and Kerry who have been talking with me about their great new single, They Know God (But I Know You), and how it came to be. I ask if there is going to be more material coming later this year and how the duo has evolved together – they recommend rising artists to look out.

I ask them which albums mean the most to them and whether there will be tour dates; how they found one another and whether they get time to unwind away from music – they select some great songs to end the interview with.

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Hi, guys. How are you? How has your week been?

Kerry: Very good, thank you. I’m just moving into a new studio so lots of packing and unpacking but very exciting.

Peter: Yes, also very good. I’ve been working with a good friend of mine on some of her new music in my studio which is super-fun.

For those new to your music; can you introduce yourselves, please?

Peter and Kerry: Sure. We are Peter and Kerry, a duo based in London and on the South East coast.

Are you managing to stay warm in the winter weather? Does it inspire musical ideas?

Kerry: Yes. I suppose so. Cold weather does make me sad.

Peter: Both my home and working space are very cold environments.

They Know God (But I Know You) is your new single. Can you explain the story behind it?

Peter and Kerry: They Know God (But I Know You) is about the strength both given and received in close relationships. We were on a little writing retreat recently, sat around the piano and it just flowed. We wrote the song very quickly.

How did you find one another and start playing together?

Peter and Kerry: We were both signed to the record label Tape Club Records and it was suggested we try collaborating on a song or two, so we hot-footed it to Pete’s dad’s house, instruments in hand. It was just supposed to be a one-off thing, but we ended up recording what was to be our first E.P. Clothes, Friends, Photos that weekend and never stopped writing together.

Do you feel there will be an E.P. coming later in the year?

Peter and Kerry: Who knows. At the moment, we just want to take the pressure out of goals, plans and strategies and release singles as and when we finish a song. But anything could change.

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How do you think you have progressed as a duo over the last year or so?

Peter and Kerry: We had a really long chat after our hiatus about what we wanted and we both agreed that it was to enjoy making music again and not feel pressured by industry ‘rules’. So, we did just that: we started making music for ourselves again which is a huge progression for us.

In terms of music, do you share tastes? Would one find similar albums in your collections?

Kerry: Most definitely. It was through our love of similar music that we first bonded in friendship. I mean, there are a couple of artists we heavily disagree on, *ahem*, The Pretenders.

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Kerry: For me, playing Le Botanique in Brussels is still up there as one of my favourite gigs of all time. Everything just fell into place.

Peter: There are way too many. Lots of innocuous, everyday things that I take for granted like being able to play/sing songs for friends in a fun situation like a dinner party; then, much bigger things like recording in Abbey Road or playing in Shepherds Bush in front of 1,800 people...or having audience members sing words back at you. They are all great feelings.

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 IMAGE CREDIT: Carina Crenshaw/www.sugah.de 

Which one album means the most to each of you would you say (and why)?

Kerry: Ani DiFranco - So Much Shouting, So Much Laughter

It got me through some angsty times during adolescence and it’s the album that made me really want to hone my craft.

Peter: This is unbelievably difficult. It might be The Beach Boys’ Pet Sounds because it got me to think so much deeper about music arranging. Or Michael Jackson’s Thriller because it was the first album I owned as a kid. Or Radiohead’s Kid A because it led to a huge interest in Electronic music (from Pop/Rock music).

If you could support any musician alive today, and choose your own rider, what would that entail?

Kerry: Very tough question…probably Erykah Badu. Rider would just be an endless supply of Old Fashioneds and margaritas.

Peter: Stevie Wonder! Could the rider please include Ottolenghi to cook us some food?

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What advice would you give to new artists coming through?

Kerry: Try to keep one foot in the present, because having both feet in the future doesn’t allow you to acknowledge your achievements.

Peter: I would absolute most certainly agree with Kerry’s advice.

Do you have tour dates coming up? Where can we catch you play?

Peter and Kerry: Not yet but watch this space!

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 IN THIS PHOTO: Kadhja Bonet

Are there any new artists you recommend we check out?

Kerry: Kadhja Bonet

Peter: Anna Leone’s My Soul I was my song of 2018.

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 IN THIS PHOTO: Anna Leone/PHOTO CREDIT: @__gracerivera

Do you get much time to chill away from music? How do you unwind?

Peter: I work within music in some form every day but love to go running and organise my thoughts then. And dancing.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Peter and Kerry: Oh my god, there are way too many. Let’s go with Noname – Don’t Forget About Me and ROSALÍA - PIENSO EN TU MIRÁ (Cap.3: Celos)

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INTERVIEW: Ed Poole

INTERVIEW:

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Ed Poole

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I have really enjoyed getting to know Ed Poole...

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and discovering how his new song, Knives, started life. He discusses the song’s awesome video and reveals the music that captivates him – Poole selects a few albums that mean a lot to him and highlights some rising artists worth exploring.

I ask when there might be some tour dates and whether he gets chance to chill away from music; what we will get from his upcoming album, Envelop/Erase; how important it is being on the stage and whether Poole has a favourite memory from his time in music – he ends the interview by selecting a great song.

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Hi, Ed. How are you? How has your week been?

My week has been great, thanks. Busy but great!

For those new to your music; can you introduce yourself, please?

Hi! I’m Ed Poole. I’m a singer/songwriter based in Liverpool, U.K. - although I’m originally from Huddersfield, West Yorkshire. I’ve been writing, releasing and performing music on my own since 2012. I’ve released two E.P.s called Winters and in the Company of Old Friends.

I recently signed to a new indie label in Liverpool called Doing Life Records who have helped me put out a split-E.P. (with my friend Seven Years Behind) and two standalone singles since 2016. I’ve played all over the U.K. and I’ve been lucky enough to open for some of my favourite artists, such as Kevin Devine, Get Cape Wear Cape Fly; The Xcerts and Vinnie Caruana.

I like movies, coffee; sport (some of it) and food (all of it)!

The music video for Knives has been released. What is the tale behind the song?

I wanted to write something that sounded really catchy and fun but also a bit more personal, lyrically, than I had done before. I demoed it a few times and, during that time, it went through loads of different versions. I eventually hit upon the dry 808 beat that drives it along which was something I hadn’t really tried before and it really excited me.

It’s about my own personal experiences of feeling a bit helpless and overwhelmed. Sometimes, I feel like you aren’t able to chase the demons away by yourself and you’re scrambling around in the dark.

Ultimately, however, the only way to find your way out is to learn to trust the inner-voice that comes from a place of self-confidence, rather than self-doubt.

The video was filmed in Liverpool. Was it a great video to shoot?

Yeah, it was a lot of fun. We filmed it one Saturday afternoon in my bedroom! I wanted to do something that was relatively quick and easy to shoot as well as being fun and representative of the song. I think we achieved that! We put a camera on top of a foot stool, a stack of books and a biscuit tin and just let it roll.

The hands you see popping into shot throughout belong to Simon (from Doing Life Records) and my wife, Nic. The hardest part was not bursting into laughter during takes because all of us had the giggles, throughout. It’s safe to say they enjoyed throwing sponge balls at my head.

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Envelop/Erase is your upcoming album. Do you think there are common themes and ideas that unite the songs?

Certainly. The idea that there are certain societal pressures - that have grown stronger over the last decade or so and have been exacerbated by social media - that can lead a person to feel as though they must outwardly project an idealised version of themselves as opposed to the ‘real’ version. I wanted the album to explore the idea that, when these ‘idealised versions’ are placed on such a pedestal, they can consume a person’s true identity and ultimately lead to loneliness and dissociation: kind of a long-winded way of saying “Oi! There’s nothing wrong with being boring, sometimes. Enjoy it!”

Also, I thought longer and harder about lyrics - something I usually struggle with - than before and made a conscious effort to be more open and honest about my personal feelings and experiences than I’d perhaps been before. I think this has resulted in the most honest set of songs that I’ve ever written. Hopefully, this comes across when people listen to it!

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Is there a song from the album that you count as a favourite?

I keep changing from one to the other but I would have to say Knives. I think it best encapsulates what I wanted the whole album to be about, both musically and lyrically.

What do you think of the modern scene? Do you listen to a lot of new artists?

I think it’s much harder to build and maintain a strong music scene in the modern day. We are losing venues at a faster rate than in the past and there are, of course, more methods of entertainment available which may contribute to fewer people going out to check out local gigs. That being said, new venues still spring up all the time and there are so many incredible artists out there making music, right now. We just need to support and look after them (venues and artists alike).

Personally, I try to keep up to speed with new music as much as possible and I’m always open to new recommendations. Where I am, in Liverpool, we have a really exciting scene at the moment.

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I’d have to say my first experience of playing 2000trees Festival which was back in 2013. I was due to play an unplugged set (after hours) and was absolutely bricking it. Probably the most nervous I’ve ever been before going on stage. It was in the area which is now the Forest stage and it was packed with drunk festival goers. I was convinced I’d have empty tins of Strongbow bouncing off my head. As it turned out, they were all incredibly quiet and listened intently throughout the set. The buzz I felt afterwards was phenomenal! 

Which three albums mean the most to you would you say (and why)?

By the Way - Red Hot Chili Peppers

This is such a nostalgic album for me. When I listen to this record, I can literally close my eyes and remember almost everything I did in the summer of 2002, just after I left secondary school, being soundtracked by this album. Growing up, I was a huge Chilis fan and, whilst some of their output hasn’t aged all that well, this one seems to get better the older it becomes.

The '59 Sound - The Gaslight Anthem

This album was the first time my wife ever recommended any music to me, just after we had started dating. It had just come out and has been a favourite that we have shared ever since.

Sprained Ankle - Julien Baker

I can’t think of another artist that has had a more significant and immediate impact on me than the first time I heard Julien Baker. Everything about this album punches me right in the guts (in a good way). I love how minimal it is yet it sounds so huge at the same time. How she can tear you to pieces and then pick you back up all within the same song never fails to astound me.

If you could support any musician alive today, and choose your own rider, what would that entail?

I’d support Bruce Springsteen and my rider would contain a signed photo of Bruce, three cans of Beavertown Neck Oil IPA and a packet of Imodium Instants.

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What advice would you give to new artists coming through?

Practice hard, gig as much as you can and be polite and kind to everyone you meet on the road!

How important is it being on the stage and performing to people?

To me, it’s incredibly important. The best feeling I get from music is from playing gigs. As much fun as it is to write and record, there’s no feeling like performing live. I’m convinced I’ll be doing it forever, in one capacity or another. I couldn’t give it up.

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Do you think there are going to be any tour dates coming up?

There certainly are! I’ll be heading out for a few shows with my friend, B-Sydes, in February. B-Sydes and I have known each other for a while and I’m hugely excited to be able to get out on the road and play some shows with him.

16th February - Cambridge, Relevant Records Café

19th February - Worcester, Paradiddle’s Café Music Bar

22nd February - Manchester, Gulliver’s (supporting Andy Oliveri)

23rd February - Album Launch Show @ Liverpool, Outpost

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 IN THIS PHOTO: SPQR

Are there any new artists you recommend we check out?

In terms of Liverpool-based artists, I would strongly recommend checking out SPQR, A Burial At Sea and COLOUR. From elsewhere in the U.K., there is an amazing band called PEAKES (from Leeds) who I highly recommend. I think Lizzy Farrall is cool, too.

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 IN THIS PHOTO: PEAKES

Do you get much time to chill away from music? How do you unwind?

I am a huge fan of sitting and doing nothing - literally, just sitting. I cannot stress enough how relaxing a good sit can be. You can dress it up by adding a beer, glass of wine; cup of tea or whatever but the act of deciding you are done for the day and having a sit down is just the best.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Barbados by Lizzy Farrall, please!

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INTERVIEW: Ferera Swan

INTERVIEW:

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Ferera Swan

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WITH Second Time out in the world...

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Ferera Swan has been telling me about the track and how it came together. She reveals how she got started in music and what her favourite memory is; what she thinks of the modern scene and how she has evolved as an artist.

Swan reveals whether more music is coming later this year and how she relaxes when she has time; which artist she would support on tour if she had the chance and the advice she’d give to any musicians coming through right now.

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Hi, Ferera. How are you? How has your week been?

It’s been going pretty well! Thank you for asking (smiles).

For those new to your music; can you introduce yourself, please?

I am a singer-songwriter and a composer. I’ve released two albums in the past (an R&B one and a Pop album) and rebranded last year. As an artist, I’ve found my voice by sharing my journey through music. As an adoptee, I’ve found my purpose through using my voice to serve others. I’ll be releasing my new single, Second Time, on February 1st!

Second Time is new. What was the inspiration behind the song?

Second Time was written for my birth mother over ten years ago after our reunion where we ultimately experienced the loss of each other all over again after a very complex relationship filled with grief, pain and (what I've now come to realize) love.

Might we see some more material later in the year?

I'll be releasing my new single, Second Time, this Friday, February 1st!  I'll be working on a lot more writing and recording this year, so I'll have some more music for everyone following the release of this single. Stay tuned! (Smiles).

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Can you recall the exact moment music struck you? Did you grow up in a musical family?

I started piano lessons when I was three years old and felt instantly connected to the music...it felt familiar, like it had already been a part of me all along.  

Looking back at last year, do you think you evolved as an artist? What are your impressions of 2018?

2018 was filled with a lot of personal growth, discovery; reflection, redefinition and transition…I think growth directly affects the music we create and what we’re able to share through our art. When we evolve as people, I think the music naturally does, too.

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What do you think of the modern scene? Do you listen to a lot of new artists?

There are a few I like but I find myself craving more vulnerability in not just the content but also the production.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I’ve got two so far. In high-school, I won a district composition contest for writing my piece for orchestra and piano titled Serenity and it was premiered by four orchestras and a pianist. I really struggled as a teenager adoptee navigating through emotions, etc. and I remember feeling proud, along with a sense of worth, when I won. I think that’s when I realized that we can turn our pain into beautiful things like music that can truly make a difference.

The second favorite was my last C.D. release party - so much fun in one night!

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Which three albums mean the most to you would you say (and why)?

This one is really, really hard...I don’t think I can answer that in one answer!

If you could support any musician alive today, and choose your own rider, what would that entail?

Sara Bareilles. All I need is a piano and I’m good to go!

What advice would you give to new artists coming through?

Be authentically you and people will be able to feel it; the honesty will reflect in all you do.

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Do you think there are going to any tour dates coming up?

Yes! I’ve got a handful of cities in mind. (Smiles).

How important is it being on the stage and performing to people?

If being on stage and performing is the way you know that you reach the hearts of others in need the most powerfully, then that’s where you need to be.

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Are there any new artists you recommend we check out?

No one comes to mind at the moment!

Do you get much time to chill away from music? How do you unwind?

I love the outdoors and being in nature. I also enjoy cooking and working out (not at the same time) and spending time with my fur babies!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Misery Chain - Chris Cornell (he’s my fave!)

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INTERVIEW: Georgia Meek

INTERVIEW:

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Georgia Meek

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THE excellent Georgia Meek...

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has been telling me about her new single, Pray, and what it is all about; what we can expect from her upcoming E.P., Pop Culture, and how 2018 was for her – Meek recommends a new artist to watch and tells me what she has planned regarding touring.

I was eager to know which albums and artists are important to Meek and how her studio sound differs to that we hear on the stage; the advice she would give to artists coming through – she ends the interview by selecting a pretty cool track.

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Hi, Georgia. How are you? How has your week been?

Manic! I’m currently sitting at my laptop on the Monday of release week, which feels daunting to say the least. Haha.

For those new to your music; can you introduce yourself, please?

I’m a singer/songwriter/producer based between Surrey and London. I make Electro/Indie-Pop with a feminist punch.

Pray is your new track. Can you reveal how the song came together?

It was summer...I was working from a shed somewhere west of London. I remember the day I wrote it because it was one of those days last year where the heat was nearly unbearable. We had to keep turning the fan on and off to record.

It was around the time when my boyfriend (now ex-) had been putting me down a lot for going out. He didn’t like the fact that I liked to party and used to get super-jealous and paranoid every time I had a drink without him. It had got to the ‘self-fulfilling prophecy’ point, where I’d started drinking more to avoid tackling my relationship issues.

I’ll let the song tell you the rest...

I know the track is from your upcoming E.P., Pop Culture. Are there particular themes addressed throughout?

Being the deep thinker that I am, the birth of Pray was the beginning of a multitude of questions and protests within my internal conversations. I started to ask myself, ‘Why am I avoiding all of these issues in my life? I write about overcoming things like sexism and abuse in my past, yet I still can’t seem to get past basic problems like managing relationships, money and my health’.

It then struck me, that, everyone I know my age is in the same predicament. We put so much pressure on ourselves in our twenties to set ourselves up for the perfect life, whether that be finding a partner, getting that dream job or climbing a social ladder.

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The reality is, all this pressure is setting us up for failure. We are creating a generation of alcohol-dependant, mental-health sufferers.

Did you know that anxiety and depression in twenty-somethings is literally at an epidemic? In the U.K. in a year there are an average of 360,000 new diagnoses of cancer. Can you guess what the number is for anxiety diagnosis? 8.2 million.

Is there a song from the E.P. that struck you especially hard? Which was the most interesting to record?

Definitely. And it’s a song that directly addresses the route of all my anxiety issues - an uncontrollable and deeply disturbing fear of death. The song is called Bones:

“Cold, like the fragments of my bones

Disintegrating on their own, into the depths of the unknown

Dark, can’t hear the beating of my heart

I beg the lord I’ve left my mark

And disappear into the dark”

How was 2018 for you? Looking back, how important a year was it?

Unbelievable, I’m still pinching myself. The support on Bare was so uplifting, especially from fellow D.V. victims.

I feel like I really found my voice in the industry and have since signed with a label, manager and booking agent – so, if you’re reading this and are someone who streamed/downloaded or followed me in 2018, sincerely thank you from the bottom of my heart.

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Do you remember the first moment music came into your life? Can you recall the first artist you became aware of?

When I was in reception class at school, there were some cubicle toilets round the corner in the classroom. I sat down for a wee and started singing Away in a Manger because we’d been getting ready for a Christmas nativity. When I finished singing and stood up to flush, I heard everyone round the corner in the classroom start clapping. Can you imagine how embarrassed I was as a five-year-old. Haha.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Now! Signing my first deal! That and waking up one morning to 200,000 streams on my Spotify.

Which three albums mean the most to you would you say (and why)?

Not a lot of albums on a whole do, but I definitely have three tracks…

Groove Armada - At the River. Because it reminds me of happier, simpler days.

The Jam - English Rose. I lost my dad when I was sixteen and he always used to pick up my acoustic guitar and noodle the riff.

Primal Scream – Loaded. Because it is literally impossible for me to be sad when I listen to it - in fact, I may just put it on now and dance around my kitchen for a bit.

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If you could support any musician alive today, and choose your own rider, what would that entail?

I’m officially Billie EIlish-obsessed, like most other people in the world right now. I really want to give you a cool, alternative answer but this is the honest one. Haha.

And can I put a studio set up on a rider…?

What advice would you give to new artists coming through?

HAVE A PLAN AND STICK TO IT. Be organised. But also I’m going to quote myself because I still mean every word of it:

“Trust your own sound and don't let any idiots tell you that you need to change or 'define' it. I was confused for a long time because people would say things like: “I don't really get what genre you are writing in” or: “Who is this music for?” Let your answer always be: “For me and anyone else who fuc*ing well likes it”. Individuality is dying - remember that the next time someone questions who you are”.

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Do you have tour dates coming up? Where can we catch you play?

I’m at The Slaughtered Lamb in London on 15th February and tickets for my headline show in Guildford go on sale on 4th Feb 4th - that’s on 27th April at The Star Inn.

I’ll also be a headliner at Dart Festival in Plymouth, plus lots more exciting things in the summer that I can’t reveal just yet.

How does your music differ on stage compared to how it is laid down in the studio?

We try to keep the sounds as close to the tracks as possible but there is undoubtedly an added punch that comes with my passion for performing live.

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 IN THIS PHOTO: Your Smith

Are there any new artists you recommend we check out?

I’ve been raving about a girl called Your Smith recently. I think she’s a great writer, super-catchy.

Do you get much time to chill away from music? How do you unwind?

Nope! Hahaha. I think the last time we spoke, I said I listen to other people’s music a lot when I’m not making my own - that’s still true but 95% of my time is spent working on myself.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

As I’m now listening to Loaded by Primal Scream, I think we should just leave it here…I dare you to hit play and not feel a little bit more positive

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Follow Georgia Meek

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INTERVIEW: LEISURE

INTERVIEW:

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LEISURE

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I start the week by finding out about the New Zealand band...

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 PHOTO CREDIT: Ravi Chand

LEISURE and their latest single, Easy Way Out. Jaden from the band takes up the questions and tells me about the track; what the music scene is like in New Zealand and how they got together – he reveals what we can expect from the band’s approaching album.

I ask if there is an album that means a lot to him; whether there are gigs coming up for the band; if there are any rising artists we need to get behind – he ends the interview by selecting a pretty cool track.

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Hi, guys. How are you? How has your week been?

Very well, thank you - though sorry it is only I, Jaden. N.Z. has a heatwave, so we're taking it easy.

For those new to your music; can you introduce yourselves, please?

We're LEISURE, a five-piece sensual, relax-o band from New Zealand.

Easy Way Out is your new single. What is the story behind it?

We wrote it on a writing trip in Huia, New Zealand. We hired a place on Airbnb and had two makeshift studios going. The song is about pushing through the muck with a Cod-Reggae soundtrack.

I believe there is an album due later this year. Can you reveal the stories/ideas behind it?

Yes. We have just finished the record and the idea was to expand on where we've been but stay true to ourselves and enjoy the ride. 

How did LEISURE find one another? Was it an instant chemistry?

I had met all the guys over my years working in the N.Z. music industry. Once we all got together and made music it all happened pretty easily. Our first single, Got It Bad, was one of the first songs we wrote.

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 PHOTO CREDIT: Ravi Chand

I cannot imagine there is a huge music scene in Auckland. Would that be a misconception?

Yep, totally: we have a very good music scene.

When you were growing up, what sort of music inspired you?

We all have different influences, which come through in our LEISURE tunes, but we all appreciate honest music with good songwriting and no B.S.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I think, for me, it would be our very first writing trip, where the band formed. But, we also recently performed at the Auckland Town Hall back by the seventy-two--piece, Auckland Philharmonia Orchestra.

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 PHOTO CREDIT: Connor Nestor

Which one album means the most to you would you say (and why)?

It's hard to have just one, though I'd say Carole King - Tapestry. It never gets old and always puts a smile on my dial.

If you could support any musician alive today, and choose your own rider, what would that entail?

Not sure how to answer that...

What advice would you give to new artists coming through?

Do what makes you happy and focus on your craft.

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 PHOTO CREDIT: Ravi Chand

Do you have tour dates coming up? Where can we catch you play?

Yes. We're heading to Australia and have U.K. dates to be announced soon.

As you are all men of LEISURE; what leisure activity would you select as your favourite?

Somewhere at an isolated beach house, hanging out and making music.

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 IN THIS PHOTO: HIGH HØØPS

Are there any new artists you recommend we check out?

Our guy Jordan from LEISURE, a.k.a. HIGH HØØPS, has a solo record out. A couple of the boys are working with a young kiwi artist called BENE; also Lord Echo from Wellington.

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 IN THIS PHOTO: BENE

Do you get much time to chill away from music? How do you unwind?

Yes. Personally, I spend time at my house working on the garden.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Personally, I've been enjoying Phoebe Bridgers’ Funeral

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Follow LEISURE

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INTERVIEW: Maya Lavelle

INTERVIEW:

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Maya Lavelle

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IT has been great speaking with the epic Maya Lavelle...

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about her new song, House on a Rocky Road, and how it came together. I ask about its video and shooting that; which artists and albums are important to her and whether there is a new artist we need to get behind.

Maya Lavelle discusses her upcoming album and reveals whether there are tour dates coming; which artist she’d support on tour given the chance and the advice she’d offer rising talent – she ends by selecting one of my favourite tracks ever.

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Hi, Maya. How are you? How has your week been?

Jolly good, thanks! My week has been pretty exciting with a new release coming up.

For those new to your music; can you introduce yourself, please?

I just moved to London from Amsterdam. I would love people to join me on this peculiar journey and experience the twisted reality portrayed with my music, to escape boredom. To convey the stories of remarkable characters and quirky places, I blend Classical and Electronic music styles that merge into Electronic, Cinematic pop.

House on a Rocky Road is your new track. What inspired its creation?

From my experiences whilst living in Amsterdam, London and Los Angeles, as well as traveling through Asia and Africa. Amsterdam inspired me daily in writing my music. The amazing architecture and gothic buildings, the mystery behind the Red Light District; plenty of undiscovered dark corners, the quirky vibe of the coffee shops; old wooden sailors’ pubs, the graveyards of bicycles; beautiful art galleries in the nine streets, Vondelpark (which is 5 minutes’ walk from my studio) and, most importantly, positive people who appreciate freedom and love to celebrate life – they were triggering  a lot of my ideas.

I also get a lot of inspiration from going to the cinema, theater and through literature. In fact, just the illustration and reading the first few pages of The Graveyard Book by Neil Gaiman spawned the idea that later evolved into House on a Rocky Road.

What was it like putting the music video together?

This video was shot in an old quarry and abandoned mine, which is today a remote cave. To perfectly portray the atmosphere of my songs, I tend to end up on difficult terrains for shooting the video because those are usually the ones that look the most mysterious.

I must say it was challenging to shoot in such warm weather, covered in dust from the erosion and bleeding from being stung by giant horseflies. Switching to the second shooting location in the middle of the night, in the middle of nowhere, with a crew and cast of over seventy people wasn’t an easy task. But, everything went smoothly thanks to working with a very talented and professional team.

I understand there is an album approaching. Can you reveal anything about song themes/titles etc.?

My debut album, Hobo, took just over five years from concept to completion because of creating very rich arrangements in perfect counterpoint to convey the journey of peculiar places and edgy characters that you will find scattered throughout the album.

All the characters are lonely searching for love and care - just like Hobo and they all meet in House on a Rocky Road in Darkwille County.

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Were there experiences and particular stories that influenced the songs on the record?

Zombie Town represents a post-apocalyptic future we are heading towards by neglecting the outcome of global warming - and I wrote this out of great concern from current events that are taking place. Ben is a song about my dog that passed away and I wanted to bring him back to life, which I kind of did through the song.

Hobo is a song about a man who failed to fight the system and who lost everything but his soul. The character was inspired by what I recognised in the eyes of a stranger I met whilst walking down Sunset Boulevard in Los Angeles.

You hail from the Netherlands. What music did you listen to as a child and when did you decide to pursue it as a career?

As a child, I would listen to very diverse music from Jazz to Electronic to Classical and film soundtracks. I only saw one path for myself: music. It was like I didn’t have a choice. I went to music school when I was six and started playing piano and, soon after, I was writing piano compositions and songs.

Do you think there is a way to describe your sound – or do you feel like it is hard to categorise?

Phantasmagorical!

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I have many good memories...but one of my favourite was when I won an award on the Young Composers Meeting in Apeldoorn, the Netherlands, for one of my compositions. I enjoy when big ensembles perform my music live.  

Which three albums mean the most to you would you say (and why)?

Kate Bush - The Kick Inside

Dead Man’s Bones - Dead Man’s Bones

Björk – Utopia

Because I still didn’t get bored of them, even after playing them hundreds of times.

If you could support any musician alive today, and choose your own rider, what would that entail?

AURORA. My rider would be to have a French bulldog puppy in the dressing room.

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What advice would you give to new artists coming through?

I don’t think I can give any advice, because everyone has a different path, but you’ll need to grow a big capacity for hope and not let anyone else tailor your destiny.

Do you think there are going to be any tour dates coming up?

When my album is published in June I am hoping to tour.

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IN THIS PHOTO: SEVDALIZA

Are there any new artists you recommend we check out?

She is not a new artist, but you should check out SEVDALIZA if you don’t already know her

Do you get much time to chill away from music? How do you unwind?

I feel like music is like one of my organs. If it wasn’t there I would fall ill. I relax by watching T.V. series/films and going to the theater.  

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Kate Bush - Babooshka

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Follow Maya Lavelle

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INTERVIEW: Karolina Rose

INTERVIEW:

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Karolina Rose

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MY interview of the day...

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is with Karolina Rose who tells me about her new E.P., Invicta, and the sort of themes/stories that inspired the songs; whether she has a favourite cut from the E.P. and which albums are most important to the songwriter.

Karolina Rose talks about moving from Wall Street to music and where she heads next; her love for Kate Bush and which rising artists we need to look out for – she selects a song I definitely adore and can get behind to end the interview with.

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Hi, Karolina. How are you? How has your week been?

Hello! I’m doing well, thanks. I’m on my way to rehearsal. I have a release party this week at Muchmore’s in Brooklyn.

For those new to your music; can you introduce yourself, please?

Hello. I’m Karolina Rose. I am indie singer-songwriter based in Brooklyn. These days, I like to focus mainly on dark, dreamy music.

Invicta is your new E.P. What inspired the songs and the themes addressed?

Invicta is a mix of songs that had to do with my mindset at the time - changing careers and transitioning to a polar opposite pursuit; finding courage to pursue one’s calling/dreams/whatever name you want to give it (Crystal Gem, Going to Berlin), exploring the power of a new love (Move with Me and Love Crazy); attraction to the unknown (Downhill) and exploring dream states (Goodnight, Mr. Moon).

Do you have a favourite song from the E.P.?

It’s between Goodnight, Mr. Moon and Downhill (smiles). They both hit upon a very strong mood and it makes them stand alone for me. Goodnight, Mr. Moon is sort of divulging the secrets of our dream state to process life.

Downhill is that simultaneous feeling of excitement and fear when pursuing something entirely new and unknown. It’s walking right through it and cutting it with a knife.

I believe you left your job on Wall Street before getting into music. What was the reason behind leaving that job when you did?!

It’s something I felt I had to do. Pursuing music has been a gradual evolution for some time and, at some point, I realized my thoughts were entirely consumed by music...so I felt I had no choice but to dive in and walk away.

Do you think you learned anything from your time there that you have brought into music?

My life was enriched in learning and growth with all the lovely people I worked with and I still miss them. I reach out to them often and perhaps in this way I still hold onto to a piece of that world.

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When you were growing up, what sort of music did you listen to?

I listened to a combination of Alternative, Pop; Hip-Hop, Dance music and Polish and French music. I absolutely love Czeslaw Niemen from Poland - check out the legendary tune Dziwny Jest Ten Swiat. The live performance in Sopot in 1967, when he is dressed in a white suit with a bowl haircut, is amazing. It’s hard to find so here’s the only link.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I think the first time I heard the crowd singing back my tunes. I was taken aback. That mutual feedback feeling is really something.

Which three albums mean the most to you would you say (and why)?

So many artists I could mention...

I’d say The Miseducation of Lauryn Hill is quite the masterpiece that I go back to.

Kate Bush’s Hounds of Love - her art has a poetic innocence and goodness that I live for.

Lungs and Ceremonials or any album by Florence + the Machine. I think listening to Florence lent to making me feel empowered to be a singer when I was in the Wall St.-music transition phase.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Kate Bush or Debbie Harry!

I’d request a few beautiful plants, an oil diffuser; lavender, very authentic Japanese green tea with pottery set; lots of champagne, some cozy throws and textures and things.

What advice would you give to new artists coming through?

Brace yourselves. Haha, I don’t know. Maybe that living your dream is just lots of work that you can enjoy (a good amount of the time).

Do you think there are going to be any tour dates coming up?

Nothing I can announce yet. Follow me on Spotify, Songkick; Bandsintown or join on my website for the latest updates on that.

Might you come to the U.K. and perform this year?

Oh, I would really love that! I hope so! I’ll be sure to invite you (smiles).

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 IN THIS PHOTO: Blak Emoji/PHOTO CREDIT: Kathleen Reynolds

Are there any new artists you recommend we check out?

Sure! Some of my favorite artists and friends making music I love are Blak Emoji, Janita; Whitney Tai and Mothica.

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IN THIS PHOTO: Janita/PHOTO CREDIT: Anthony Friend

Do you get much time to chill away from music? How do you unwind?

Haha. Not at the moment, I’m obsessed. I unwind with movies; anything I can do to spend time in nature, art exhibits or going to friends’ shows.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

This Woman’s Work - Kate Bush

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Follow Karolina Rose

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INTERVIEW: Jacob Henley

INTERVIEW:

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Jacob Henley

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WITH Train Rider out today...

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I have been speaking with Jacob Henley about its creation and what he has coming up; what it is like putting his debut track out there and which artists he is inspired by – Henley reveals albums that are important and influential to him.

I ask what it was like working with Ralph Murphy on Train Rider and which new artists we need to look out for; how he relaxes away from music and whether Henley will tour soon – he picks a good song to end the interview with.

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Hi, Jacob. How are you? How has your week been?

Hello! BUSY. Ahahaha. Over the last few months, my whole world has been releasing this single it seems. It’s been a battle but it’s going to make having it out into the world so much sweeter.

For those new to your music; can you introduce yourself, please?

Well. My name is Jacob Henley and I’m a singer/songwriter from Canada, now living in Dublin, Ireland. If I had to describe my sound I would describe it as ‘Guitar-Driven Pop’, with influences such as James Bay, Shawn Mendes; John Mayer, Hozier - with nods to the artists I grew up listening to such as Leonard Cohen, Joni Mitchell etc. I’m a big fan of songwriters; I’ve always been a big fan of songwriters and the craft of taking real life stories and turning them into songs. I just love writing songs whether it’s for myself or others. It’s always been a love for me.

Train Rider is your debut single. Is there a history behind the song?

I wrote Train Rider about three years ago. I was taking a train to Toronto from where I live and I was enjoying the scenery of the ride (the train runs right beside Lake Ontario) and I saw a man and woman exchanging looks and smiling from across the seats. They didn’t know each other but they were smiling and seemed to catch themselves looking at each other, before looking away quickly, realising they’d been caught.

I wondered, in my head, if those people would work up the courage to talk to each other or if they would just let it pass them by. It sparked the influence and the song is really a story of finding love in unexpected places and taking chances.

You wrote it alongside Ralph Murphy. How did you come to work with him?

I actually started the song with my cousin Andrew Dawson (Gold Complex) who’s a writer and fantastic artist in Toronto and my friend Ryan O’Shaughnessy who is also an incredible writer and artist. We all met in Toronto at Canadian Music Week and one day we got together and wrote Train Rider in Andrew’s back garden in downtown Toronto. We then sent the song to my friend and mentor Ralph Murphy in Nashville who worked his magic on the song and finished it off!

Train Rider is your debut track. Are you excited to see how it’s received? What comes next?

This song has been a battle. I’ve been planning to release music for the last three years - but, for some reason, it didn’t work out or it didn’t feel right. In hindsight, I’m glad that I waited. I have grown so much in that time as a person and I feel like I am more sure of who I am now than I was back then. It’s got to feel right when you are releasing music in the world and I feel like I’m finally in a place where I can put this song out into the world. I’m excited to see how people feel about the song for sure! Every artist wants their music to be enjoyed and every artist wants their songs to be played.

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However, with Train Rider most of all, I would love it if someone related to the song or if it made them feel. The thing I love about music is the feelings it gives me. I remember the first time I heard Suzanne by Leonard Cohen; I remember the first time I heard Guiding Light by Foy Vance; I remember the first time I heard Thunder Road by Bruce Springsteen – I remember exactly how I felt at those moments. I would love for people to have that reaction to my music, like I had to those artists’ music.

I’ve got plans to release more music this year and am currently in the process of recording my next single. The plan is to play as many shows as possible and get my songs out there! 2019 is going to be a busy year and I wouldn’t have it any other way.

You began life in Canada but are based in Dublin. What inspired that move?

I’m from a small town called Newcastle, Ontario (Canada). It’s a small town outside of Toronto. I moved to Dublin about ten months ago for music but I’ve been writing/performing in cities across North America and the U.K. for years - cities like Nashville, Toronto; Montréal and London.

I went to Dublin in 2015 and as soon as I left I had this desire to go back. I went back in September 2017 and as soon as I left that time and landed in Canada, I knew that I wanted to move back there. I don’t know how to explain what inspired the move but all I can say is that it felt right. I’ve been so productive here and have met so many like-minded musicians and writers that this is where I want to be right now. I adore Canada and it will always be my home, but Ireland just feels right for me right now.

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What is the Dublin music scene like? Is it a great place to create?

Incredible. I think that the Irish music scene in general is pumping out so many incredible artists and songwriters. There is so much talent in this country and it’s steeped in their culture. Everyone and their mother can sing. Ahahaha. There’s something about this country that is so inspiring. I find that Ireland and Canada are very similar. Canada has pumped out so many great artists and songwriters but they are often overlooked and I feel like Ireland are the same. However, I feel like that’s changing with the power of the Internet and Spotify etc.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

There are so many. But, one for sure that always pops in my head is when my friend Neil Sanderson (Three Days Grace) saw me playing in my hometown pub in Newcastle, Ontario (when I was fourteen-years-old) and he said “Hey, kid! Wanna go to Nashville at the end of the month?” and I did what any kid dreaming of being a Rockstar would do and said “Let me ask my parents!” Ahahaha. We went down and met Ralph Murphy - it all kind of started there.

Do you have a list of artists who you draw influence from? What sort of music did you grow up around?

I come from a very musical family. Not everybody plays but everyone loves music and loves a variety of music. My dad is an incredible performer and great singer so I drew a lot of influence from him. But, I remember growing up and there were always loads of singer/songwriters playing around the house like Leonard Cohen, Joni Mitchell; Neil Young, Carole King; Bruce Springsteen etc. so I was heavily influenced by artists like that.

But, recently, I listen to a healthy dose of everything. Whether that’s James Bay, Shawn Mendes; Julia Michaels, Ariana Grande or any of the music that is doing well in the charts - I find myself listening to all of that. HOWEVER, I always go back to my old favourites.

Which three albums mean the most to you would you say (and why)?

The first Leonard Cohen album, for sure. I’ve never had an album that has moved me more than that album. It is such a masterpiece and his songwriting is so visual. Forever my favourite.

I’d say Foy Vance’s Closed Hands, Full of Friends album. Again, such a visual album and so perfect.

Then I would have to say Abbey Road because every songwriter has to have ONE Beatles album on their list and the whole album is a masterpiece.

Also, just a bonus…I would have to say Songs in the Key of Life by Stevie Wonder. MASTERPIECE.

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If you could support any musician alive today, and choose your own rider, what would that entail?

That’s a tough one. I don’t really know! I’d be grateful to open up for anyone. Maybe a bar or two of chocolate back stage wouldn’t go astray…ahaha

What advice would you give to new artists coming through?

Well. I would say this: put in the work. Go out and gig as much as possible, promote yourself on social media; write as MUCH as possible with as many different people as possible, put yourself in situations out of your comfort zone. Go to a conference, network; write with someone out of your genre. But, most importantly, be a good person. Good people are remembered for the right reasons.

Do you think there are going to any tour dates coming up?

I have plans for gigs coming up, starting with Train Rider’s single launch on 11th February at The Workman’s Club in Dublin with support from Tim Chadwick and Josh Gray. But, there will be more over the coming months and they will all be posted on my socials and website.

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 IN THIS PHOTO: Gold Complex

Are there any new artists you recommend we check out?

Gold Complex, Ryan Mack; Tim Chadwick, 1000 Beasts; Laura Elizabeth Hughes, Ryan O’Shaughnessy; Kolumbus, Josh Gray; Orchid Collective and Zapho - those are just a few of my friends who I think are incredible.

 IN THIS PHOTO: Laura Elizabeth Hughes

Do you get much time to chill away from music? How do you unwind?

I watch A LOT of ice hockey. Ahaha. You can take the boy out of Canada - you can’t take the Canada out of the boy. I love walking around the city, spending time with my friends and writing. It’s important to enjoy your breaks - it keeps you fuelled for your work.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Lord (It’s Okay) - 1000 Beasts

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Follow Jacob Henley

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INTERVIEW: Lily & Madeleine

INTERVIEW:

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Lily & Madeleine

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IT has been enjoyable speaking with the duo...

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Lily & Madeleine who have been telling me about their current single, Analog Love, and how that came together. I ask them what we can expect from their upcoming album, Canterbury Girls, and what they have planned moving forward – they select some rising artists worth watching out for.

I ask how they found one another and why they moved to New York; which albums mean the most to them and whether we might see them tour very soon – they reveal whether they’ll come to the U.K. and end the interview with some great music.

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Hi, Lily and Madeleine. How are you? How has your week been?

Madeleine: We're good! Just keeping busy and trying to stay warm in Brooklyn, N.Y. 

For those new to your music; can you introduce yourselves, please?

Madeleine: Sure! I'm Madeleine, Lily's older sister. We're from Indiana and just moved to N.Y.C. about a year ago. We write indie Folk/Pop music and recorded our most recent record, Canterbury Girls, with Daniel Tashian and Ian Fitchuk in Nashville, TN where our label New West Records is based. We both play keys and Lily also plays guitar. 

When did you decide to record music to together? Was it a natural move for you both?

Madeleine: We started writing and recording when we were both in high-school and it started out as just a fun project. After signing to Asthmatic Kitty Records and releasing our E.P., suddenly we realized that we could write and play as a career and began pursuing a career in music since then. 

Lily: We had been singing around the house and writing little jingles our whole lives. Since then, we've made four full albums together!

 

Analog Love is your new track. Tell me how that track came to be.

Madeleine: We wrote Analog Love with our friend Lucie Silvas in Nashville a couple years ago. We usually don't start with the title of the song first but Lucie had the idea for the title and we went on from there. The song is about finding an uncomplicated and reassuring romantic relationship. Lily and I are often on tour, therefore our relationships must be long-distance. The distance can get frustrating, so finding a solid, real, ‘analog’ relationship was the inspiration there. 

Lily: We also don't write a lot of love songs because it can be hard to capture that emotion of longing without being too melodramatic. I think writing Analog Love was one of the only times I could express those feelings without being overwhelmed. And Lucie was amazing to write with, as always!

It is from the upcoming album, Canterbury Girls. What sort of themes and ideas might we find on the album?

Madeleine: Canterbury Girls is the most intimate and powerful project we've ever made. Each song tells a story of heartache, triumph; pain and, finally, self-love. 

Lily: I think the album is really about perseverance. We talk about the concept of ‘emotional baggage’ on a lot of the songs, but the album as a whole sends a message of staying strong and open while still processing your pain and acknowledging that you deserve better. 

You moved to New York early last year. How important was it to locate there and be in one of the world’s most inspiring places?

Madeleine: Our move to N.Y.C. was kind of random. We knew we wanted to leave Indiana but we weren't sure where to go. I was living with a boyfriend at the time and wasn't even sure I wanted to leave my relationship and my whole life behind. Lily gave me the strength to leave that toxic relationship and move to one of the most inspiring and exciting places. We found an apartment on Facebook and put down a deposit that day.

We flew out here with few belongings and have spent a year exploring, writing; eating, being lonely; meeting new friends and finding new inspiration. New York is incredible. 

Lily: Honestly, I just wanted to get out of the Midwest, make a new change and take a step forward in my life! I was between L.A. and New York, but we decided New York made more sense. 

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When you were all growing up, what sort of music inspired you?

Madeleine: I remember getting my own iPod Shuffle when I was young and listening to Enya, Simon & Garfunkel; Green Day and Shania Twain. I loved anything with a catchy melody and harmony.

Lily: I liked listening to artists that made music I couldn't fathom creating myself. Singers with unbelievable vocal ranges like Celine Dion and really interesting songwriters like Arcade Fire and The Shins. 

Do you think it is hard for female artists to get noticed in 2019? Have you found obstacles placed in your way because you are young women?

Madeleine: Certainly, some people don't take us as seriously because we're young and female. But I've found there's a lot to learn about the industry and, when people give us the chance to show our worth, we're able to learn so much more. 

Lily: Eh, yeah, of course. But, sometimes, it's fun when people underestimate you because it can be sooo satisfying to prove them wrong. 

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Madeleine: We toured with Joshua Radin in Europe in 2017 and it was an amazing experience. We got to see so many beautiful cities and play to wonderful people. I can't wait to come back to Europe. 

Lily: We got to play with the Indianapolis Symphony when I was like sixtteen or seventeen. It was crazy to hear a song I wrote being arranged and played by such fantastic musicians. I hope we'll get to do that again sometime. 

Which one album means the most to each of you would you say (and why)?

Madeleine: The album, I Want That You Are Always Happy, by The Middle East is very special to me. I originally found it at the library and borrowed it because the cover art was so strange. Turns out it has fourteen beautiful, original and emotional tracks. I listened to the album many times while going through a tough transitional period in my life and I think it brought me peace in that time. 

Lily: I bought Sound & Color by the Alabama Shakes for my car cd player and listened to it for hours while I drove all over the Midwest. Gimme All Your Love is SERIOUSLY one of the best songs ever in my opinion. It never gets old. And the album has a really nice range of genre influences and mood switches that keeps your attention and makes it perfect for a long drive.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Madeleine: I would love to open for Kacey Musgraves! Her live shows look so fun and she is so talented and beautiful! My dream rider would include fancy French pastries and endless coffee. 

Lily: Yeah. Kacey or Kehlani. Kehlani has an incredible voice and I'd love to watch her show from backstage and drink champagne.

What advice would you give to new artists coming through?

Madeleine: Write from the heart; don't try so hard. You have all the words within you. I would also say that to be successful you must be more than just an artist. You need to know how to book shows, made merchandise; create a budget, hire other musicians if needed; promote your music online, create connections in the industry. Being your own business owner will make you an even better artist in the long run. 

Lily: Artists on the come up think way too much about their image. Don't be afraid to look stupid or be yourself because, if you focus too much on copying current fashion or music trends, it's just gonna seem inauthentic and cheesy. Be ugly and weird and as quiet or as loud as you want to be. 

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Do you have tour dates coming up? Where can we catch you play?

Madeleine: We don't have any U.K. shows booked yet but we're working on it. For now, you can catch us in the States on the East Coast in Feb/March and on the West Coast in late-March. (We're hoping to come to U.K./E.U. after that...stay tuned.) 

Lily: We WILL be there soon!

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 IN THIS PHOTO: Lennon Stella

Are there any new artists you recommend we check out?

Madeleine: I'm LOVING Lennon Stella lately. She is a young lady writing and recording in the Nashville Pop scene and she first started out with her younger sister. Her music is fun and also poignant. She just released an E.P. late last year. 

Lily: We saw a woman named Cassandra Jenkins perform in Manhattan last week and I thought it was just amazing. She had a beautiful string section with her during her live performance and when I listened to her studio versions on Spotify the songs were just as amazing!

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 IN THIS PHOTO: Cassandra Jenkins

Do you get much time to chill away from music? How do you unwind?

Madeleine: Lily and I try to rehearse every day but, when we need a moment to relax, we love to knit and crochet while watching Netflix. Knitting is also nice to do on tour because it's meditative yet productive. 

Lily: Yeah. Madge and I love working on a knitting/crochet project and bingeing a new series. I also like playing video games and taking longgg walks in New York while listening to an album or a podcast. 

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that)

Madeleine: I choose Months by The Middle East from their record, I Want That You Are Always Happy

Lily: I choose Dreamlover by skinny legend Mariah Carey

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INTERVIEW: Charlotte Black

INTERVIEW:

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 Charlotte Black

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THIS week begins with a chat with Charlotte Black...

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who has been telling me about her latest single, Los Angeles, and what inspired its creation. I ask if she is already working on new material and which artists/albums have been most important to her; whether there are new artists to look out for and what the future holds.

Black talks about last year and tells me whether, as a rising artist, it is hard to get noticed; whether she gets time to chill and what advice she’d give to approaching artists – she ends the interview by selecting a track.

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Hi, Charlotte. How are you? How has your week been?

Hey, Sam. I’m great, thank you. I’m actually in Sydney as we speak and the weather is delicious! It’s been amazing having a hot January! 

For those new to your music; can you introduce yourself, please?

I’m a Pop singer/songwriter from Edinburgh, currently based in London. I absolutely love intricate storytelling lyrics and aim to let my tracks be as vulnerable and true to me as possible. I’ve been on the music ‘releasing’ scene for about a year however I’ve been songwriting for such a long time. 

 

Los Angeles is your new track. Can you tell me about its background and story?

So. Los Angeles is about a summer romance that was that little bit of magic; the story being encapsulated in L.A., the city of dreams. It’s about longing to be back in a time and place with someone: Los Angeles being the metaphor for the person. 

Do you think there will be more material coming? How far ahead are you looking?

Absolutely. I’ve got a new song coming in the next two months. I’m even more excited about it than I was about Los Angeles! Then, I’ve got a few more in the process of being produced. It’s going to be a busy year! 

Looking back on 2018; what are your impressions and memories of the year?

2018 was actually one of the best years I’ve ever had; not only for music but it was a strong year of self-development. I really gave myself space to discover exactly what direction I wanted to take my music in and now I feel really excited for the future!  

When you were growing up, which artists guided and compelled you to get into the business?

I grew up listening to ABBA and Joni Mitchell. Then, as I got older, I fell in love with Hilary Duff, Avril Lavigne and Taylor Swift - who were all a huge part of my inspiration of becoming a singer/songwriter. 

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Oh. It was definitely being playlisted on New Music Friday in several countries after my most recent release. It was such an incredible feeling to be placed alongside artists in such big fans of.  

Which three albums mean the most to you would you say (and why)?

This is a tricky one. First of all would be Taylor Swift’s Speak Now as that totally represents my teen. She’s the most relatable writer so I’d say that album was profound for me.

Secondly, it would be the A Star Is Born Soundtrack. i absolutely love every track on there.

Aaaaand probably Taylor Swift’s new album, Reputation - I found it fascinating watching the development of her writing and her career. This album represents so much courage and strength which I absolutely love.

If you could support any musician alive today, and choose your own rider, what would that entail?

Taylor Swift, one-hundred times over. I love her energy whilst performing and think she’d be incredible to work alongside and support. I think there endless amounts I could learn from her, she’s unstoppable. 

What advice would you give to new artists coming through?

I’d say, that if you’re writing/producing songs, make sure you’re creating tracks that you love, that you’re proud of and that are true to who you are as an artist. It’s so easy to produce what you think other people will like but, from experience, I’ve realised that the work that’s truly me is the work that people really respond to. 

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The music industry is getting bigger and more competitive. Is it hard for a new artist to get noticed and have their work heard, do you think?!

I think it’s always been a challenge, especially because the market is so saturated now with so much talent! It’s much easier nowadays to release as in independent artist which means we’re all aiming for the same spot on these Spotify playlists. However, I think if you put in your 10,000 hours and work as hard as you possibly can your work will be heard and celebrated.

Do you have tour dates coming up? Where can we catch you play?

Nothing set in stone yet. However, I’ve got my live band set up so it should be very, very soon. 

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 IN THIS PHOTO: Foxgluvv

Are there any new artists you recommend we check out?

I’d definitely recommend checking out Foxgluvv. She’s full of sass and confidence and I just love her whole project. And Josh Piterman. He has the most beautiful voice! 

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 IN THIS PHOTO: Josh Piterman

Do you get much time to chill away from music? How do you unwind?

I love to travel. I try and go away as often as I can as all of these new places I visit end up being huge inspirations for my writing process. There’s something about a new city that always inspires me. For example, Los Angeles is about my time I spent there two years ago. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Ooo. I’d love to hear Dutch Melrose - Jazz, on The Drive Home. He’s a good friend of mine from L.A. and his music is incredible

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INTERVIEW: Sincere Deceivers

INTERVIEW:

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Sincere Deceivers

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I have been speaking with Sincere Deceivers...

about their latest track, Hot Handed, and how it all came to pass. I was curious to learn why the Yorkshire natives relocated to London and what sort of music drives them – they recommend a new artist to look out for that is primed to go far.

The guys reveals the albums special to them and when we can see them perform; which artist they’d support on the road if they could and whether they have plans for more material – the members each choose a song to end the interview with.

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Hi, guys. How are you? How has your week been?

Matt: Great, thanks. We launched our new single last week, so mainly recovering from that!

For those new to your music; can you introduce yourselves, please?

Dom: Of course. We’re a London based three-piece. Matt is on acoustic guitar and lead vocals, Tim on electric guitar and I play cello and do backing vocals. We make kind of layered, Folk-infused rock.

Hot Handed is your new single. Is there a tale behind the song at all?

Matt: Yes. It was inspired by two separate sets of events going on around the time of writing. The first was watching friends - and in particular Tim - get married and the other was seeing the impact of dementia on my grandparent’s relationship. I suppose it was an attempt to give some advice that I’m not qualified to give – make the most of special relationships, pursue them in good faith and hope for the best...because you never know what might get in the way down the line.

The song is quite unconventional in terms of its lyrics. Do you feel too many artists lack that original approach to songwriting?

Matt: I feel like it’s an aspect that sometimes get ignored or overlooked in the quest for killer melodies and hooks, but these things are definitely not mutually exclusive and there’s plenty of cracking songwriters out there trying to use words inventively to say something. 

You are Yorkshire natives but live in London. How did Sincere Deceivers find one another?

Tim: Matt and I were at college together back in Yorkshire and played in early line-ups of the band before heading off to various places for uni. After a break for a few years, we both ended up in London again and then roped in Dom, a friend of Matt’s, to make us a trio.

What is life like for a young band in London?

Dom: Unfortunately, I’m not sure we can get away with describing ourselves as young anymore - but London is a great city. There’s certainly lots of music going on and we’ve met some great people along the way. I play in a couple of other London based bands too.

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Do you have plans for more material a bit later this year?

Matt: Yes! We’ve written a few new ones over the last six months and we’re keen to get back in the studio. Watch this space.

When you were all growing up, what sort of music inspired you?

Tim: Matt and I were listening to a lot of Pop/Rock bands before we started playing together: The Beatles, obviously; Dylan and singer-songwriters like Tom McCrae, Damien Rice and Folk music like Kate Rusby. My parents introduced me to local folk songs from a young age.

Matt: I remember Urban Hymns by The Verve being one of the first albums I bought and thinking that was pretty cool. Rock music with an epic strings section. Bright Eyes were a formative discovery.

Dom: Muse; dad’s Pink Floyd and lots of choral stuff.

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Tim: We launched our first E.P. together at St. Pancras Old Church and that was a special night.

Which one album means the most to each of you would you say (and why)?

Tim: Jeff Buckley - Grace

Because it’s the perfect combination of balls-out Rock and Roll with plenty of guitar wizardry, but so much emotion.

Matt: That Buckley album is special. I thought about this for a long time without anything definitive popping in my head. The album that has been on the heaviest rotation for the last seven years is Given to the Wild by The Maccabees. I just seem to keep going back.

Dom: Neutral Milk Honey – In the Aeroplane Over the Sea

It’s shonky, lo-fi; surprising and mad but also emotional moving and intelligent. It’s when I realised you could get away with anything in music as long as you liked what you’re doing.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Matt: I’m gonna hijack this one: Scott Matthews. Because I think he’s one of the best singer-songwriters of the last decade and he seems fun. I quite like a sneaky scotch before we go on stage and I think Scott would enjoy one with us after the show too.

Dom: Can I have some Tangfastics, please?

Do you have tour dates coming up? Where can we catch you play?

Dom: We’re plotting getting out and about over the next few months. But, we will be back in London for a headline show at The Finsbury for Lost in the Manor on 7th March.

What advice would you give to new artists coming through?                           

Tim: I’m not sure we have much helpful advice about coming through, but we have been doing this a while and you can get caught up in the gigging and releasing - but then we try and hold to that reason you started, which is normally that you love making music.

Matt: Also, look after your ears in loud rooms. Mine are getting crunchy.

 IN THIS PHOTO: Amy May Ellis/PHOTO CREDIT: Emma Freemantle

Are there any new artists you recommend we check out?

Matt: The awesome Amy May Ellis played with us at our single launch. We met her through Folkroom Records. They put on amazing fortnightly shows in London with some great acts, including Louis Brennan, Tom Hyatt; Kirsty Merryn and Winterfalle to name a few.

Do you get much time to chill away from music? How do you unwind?

Tim: Following my beloved Huddersfield Town.

Matt: I quite like walking.

Dom: Eating food.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Dom: Jungle - House in LA

Tim: Lau - Toy Tigers

Matt: Sylvan Esso – Slack Jaw

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INTERVIEW: Katy Tiz

INTERVIEW:

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Katy Tiz

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MY final interview of this week is with Katy Tiz...

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who has been talking about her latest, single, Life (ft. Ed Drewett). I ask what is coming up next and why the British songwriter located to America; how she views 2018 the sort of music she grew up around.

Tiz recommends a new artist to look out for and tells me the albums that mean the most to her; whether there are going to be tour dates coming and which artist she’d support on the road if possible – she selects a recent track to end the interview with.

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Hi, Katy. How are you? How has your week been?

Really great! I’m currently in London and it’s getting a bit cold so I look like penguin at wrapper up walking the streets.

For those new to your music; can you introduce yourself, please?

Hi! I’m Katy Tiz. I’m a singer songwriter and a part-time grilled cheese chef.

Life is your latest track. Is there a personal story behind it?

There is. This song has been in my life for over four years. I’ve always believed in it and it’s actually the first song that I’ve released that involved my bros (red triangle pro), so it’s a big tick in the box for me! 

I love the video’s concept/look. Did you have a lot of input regarding its direction?

Thank you! I had this concept in my head because I wanted it to be P.O.V. The only part of Life Ed and I sing to each other is the last chorus so I wanted it to tell my side of the story from his eyes. I worked with Jasper Soloff, who is just a dream. We chatted it through and he really supported what I wanted and made it come to life. We shot on 16 mm film. It was amazing!

Might we see more material coming this year? What are you working on?

Yes, you shall! I was in the studio last week. I’m feeling really inspired at the moment. It’s something I can’t force so I’m loving it.

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2018 must have been a pretty busy year. Do you think you learned anything about yourself as an artist during 2018?

Yes, absolutely. I learned to stop second guessing myself. I’ve also learned how important it is to continue driving forward.

Give me a sense of the music you grew up around and when it came into your life.

Well. I used to sit in my room for hours and listen to India Arie and Alicia Keys. Believe it or not, I was really shy. I just loved listening to music and daydreaming but I wouldn’t step out of my room and sing. EVER.

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 PHOTO CREDIT: Phil Knott

You are British but live in America. What was the reason for relocating and what is the music scene like where you are now?!

I’m all over the place now - and I love it because I get to work with people based all over. I really love their influence when we are in the studio. Every city brings something completely different and it keeps me on my feet. 

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

The very first phone call I got from America for my first record deal. I remember calling my brother in absolute disbelief. We were both so confused and stunned. He told me to go out, turn my phone off and have the best night of my life just in case it wasn’t real. And it was the BEST night of my life.

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Which three albums mean the most to you would you say (and why)?

Alicia Keys - Songs in A Minor

Because she just open my eyes to music and singing.

Lauryn Hill – The Miseducation of Lauryn Hill

Because it reminds me of an amazing time in my life and becoming a proper adult.

And Spice Girls – because I am British and they are royalty. 

If you could support any musician alive today, and choose your own rider, what would that entail?

That’s a hard one...

I’m gonna go with P!nk. She’s incredible. And my rider would consist of my actual body weight in fries. (They don’t actually have to be hot because I love cold fries).

What advice would you give to new artists coming through?

Take a moment when you need it to remember why you do what you do and who you are. Listening to your own music, even the really rubbish stuff. Be your own biggest critic and biggest fan.

Might we see some solo dates a bit later this year?

Yes. I hope so! 

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 IN THIS PHOTO: Reyn Hartley

Are there any new artists you recommend we check out?

Reyn Hartley. He has a song out called Snitch and it’s sick. I listen to it in the gym and walk around like I think I’m a gangster. I can’t wait to hear more music from him.

Do you get much time to chill away from music? How do you unwind?

I love driving - it really helps me unwind. I know that is weird but I love it. I used to drive for hours and hours at night. But now I don’t have a car. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

 Ok. Battle by David Guetta (my bros wrote it!)

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INTERVIEW: Jolé

INTERVIEW:

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Jolé

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IT has been great learning more about Jolé...

and his incredible world. He has been discussing his latest single, Seldom Seen, and revealing its inspiration. I was eager to learn when music arrived in his life and whether there are particular records that have informed him and inspired what he does – he recommends some approaching artists to follow.

I ask whether there are tour dates and, if he could support anyone on the road, who that would be; whether he has a favourite memory from his career so far and how he chills away from music – he chooses a great, if underappreciated, song to end the interview with.

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Hi, Jolé. How are you? How has your week been?

Hey! I’m good, thanks. My week has been great. It snowed, so that was fun!

For those new to your music; can you introduce yourself, please?

Sure. My name is Josh and I go by ‘Jolé’, which was a nickname at school…I write lo-fi- Pop with Folky elements.

Seldom Seen is your new track. Is there a story behind it?

I wrote this song at a time when I was trying to hold down about four jobs and do music. It’s a song about trying to escape the troubles of everyday life and when you just don’t want to be seen. Cheerful!

Are you planning on more material for later in the year?

Yes. Definitely. I believe this year will be a busy one!

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2018 has ended and I wonder how you view the year that has just gone. Do you think you grew as an artist throughout?

2018 was a really great year for me. Although I didn’t release any music as Jolé, I was constantly writing and also working behind the scenes to build up the team that I work with now. I am super-lucky to have had the opportunities given to me in 2018 which set me up for 2019. I definitely grew as a songwriter and artist; I have been learning a lot! 

You have spent a few years with various bands but are now solo. What do you think you have learned from the time in those bands?

How to cope with touring...

I haven’t done it for a while but we were pretty much constantly on the road for five years. It was great fun with my best mates but it definitely takes its toll! I feel a lot more prepared for it now.

Give me a sense of the music you grew up around and when it came into your life…

My first experience of music would have to be Van Morrison. Apparently my mum and dad used to play his music when my mum was pregnant with me. They would play him and The Beach Boys when I was quite young. When I was a bit older, I remember going through their record collection and really taking a liking to Abracadabra by Steve Miller Band. I used to listen to the seven-inch on-repeat. The first album that really grabbed me was Parachutes by Coldplay. I remember hearing it for the first time at my cousin’s house and falling in love with it.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I went to Budapest over summer to play a couple of shows which was pretty ace!

Which three albums mean the most to you would you say (and why)?

Coldplay - Parachutes

(For the reasons I mentioned earlier).

Sufjan Stevens – Carrie & Lowell

This is one of the most heartbreaking, beautiful albums I have heard. I saw it live and it was the best.

The Beach Boys – Pet Sounds

I love the sounds on this album and my first show I went to was Brian Wilson playing it in full!

If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to support Beck! My rider would be just be stacks and stacks of flapjack and sweet (I have a sweet tooth), Mezcal and fresh lime.

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What advice would you give to new artists coming through?

Be nice to everyone. It’s a small world.

Do you think there are going to any tour dates coming up?

Yes. Definitely. Should be releasing some soon!

Is the stage somewhere you love to be?

90% of the time, yes!

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 IN THIS PHOTO: Matt DiMona

Are there any new artists you recommend we check out?

Really enjoying a guy called Matt DiMona at the moment. Harvey Causon is wicked; King Princess is awesome too!

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 IN THIS PHOTO: Harvey Causon

Do you get much time to chill away from music? How do you unwind?

Not really! I love my job so it’s hard to switch off but I love to listen to podcasts and read too. That’s probably how I tend to relax.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Let’s say….Ed Prosek – I Was Wrong. I’ve been listening to that a lot recently

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Follow Jolé

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INTERVIEW: Lauren Ray

INTERVIEW:

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Lauren Ray

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TODAY’S interview is with Lauren Ray...

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who has been telling me about her new single, Irreplaceable, and what its background is. I ask about her musical tastes and albums that are important to her; what we can expect from her forthcoming album, Woman in the Arena – Ray selects some rising artists to watch out for.

I was keen to know whether there will be solo tour dates and how she feels about supporting Paul Carrack (Mike and the Mechanics) on tour; how she unwinds from music – the songwriter picks a great song to ends things with.

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Hi, Lauren. How are you? How has your week been?

Hello! I am very good, thanks. My week has been pretty busy (but great) with my new single being released; the album being announced and the tour supporting Paul Carrack starting.

For those new to your music; can you introduce yourself, please?

I am a singer and a songwriter living in London. I write songs at the piano about my experiences with romantic, platonic; family, lost, unrequited and toxic love. I recorded my first album in Nashville, releasing it in 2016 - and I have just recorded my second album here in the U.K. which will be out in May.

Can you reveal how your new single, Irreplaceable, came together? Is there a story behind it?

I wrote this song with a writer friend of mine, Noraay, who we also wrote Dull Ache and What Would You Do? together. This song is about two relationships: one with someone who makes me feel completely irreplaceable and another with someone previous who made me feel otherwise. This was subject matter I’d wanted to write for a while and it was great having another perspective there to help shape it. We wrote it in a couple of hours and I quickly knew what I wanted for the sound but didn’t think this would end up being the first single.

Julian Emery produced. What was it like working together?

I’ve wanted to work with Julian since I heard Lissie’s debut album ten years ago - so it was pretty amazing to have the opportunity to work with him on my own music. He completely respected my ideas for each of the songs and then brought so much of his own vision to the table that these songs became so much more than I could have imagined on my own.

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I understand there is a new album, Woman in the Arena, out in May. What can you say regarding the themes that are explored throughout?

I tackle stories of love, loss; death and infidelity in ways that I hope speaks to those that listen.

How do you think you have changed as a songwriter since your debut record?

I have definitely grown as a writer. I really wanted to push myself of this new record and write more honestly than ever before and then put them out there with a different energy.

When you were young, which artists were you drawn to? Did your parents influence your tastes at all?

I mostly listened to whatever was on the radio growing up. So, for my time, it would have been a lot of Spice Girls, Destiny’s Child; Lauryn Hill and Norah Jones. I was definitely drawn to female vocalists more than the boybands of the day. My mum listened to Fleetwood Mac and a lot of the music from the ’70s, so that probably influenced me too.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

The day I sat down and played my finished first album from start to finish and then seeing people buy it in HMV was mind-blowing.

Which three albums mean the most to you would you say (and why)?

Ooooh. Hard to choose - as there are so many incredible albums that I love - but I will pick these three albums because they remind me of being young and being inspired by female writers so they will always mean a lot:

Lauryn Hill – The Miseducation of Lauryn Hill; Alanis Morissette – Jagged Little Pill and Sia – Colour the Small One

If you could support any musician alive today, and choose your own rider, what would that entail?

A few of my top choices today would be Coldplay and Leon Bridges (just so I could see them play each night too).

What advice would you give to new artists coming through?

If you love it, work hard at it – then get a lawyer to check contracts when opportunities come knocking.

You are supporting Paul Carrack (Mike and the Mechanics) at the moment. How did you come to work with him?

My team put me forward for the opportunity and I guess Paul and his manager thought I would be a good fit for his audience. It’s such a great opportunity and it’s been amazing getting to see Paul perform each night.

Might we see some solo dates a bit later this year?

Yes! I will be touring my new album when it’s out so keep an eye out for those. I will definitely do a handful of shows with a small band and then I will do more solo/acoustic shows.

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IN THIS PHOTO: Emilie Nicholas/ PHOTO CREDIT: Pernille Sandberg

Are there any new artists you recommend we check out?

Emilie Nicolas! She isn’t necessarily new but I love her. Also check out emawk who I discovered the other day.

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 IN THIS PHOTO: emawk

Do you get much time to chill away from music? How do you unwind?

Like most other independent artists, I have side hustles and side-jobs to keep the bills paid and the music coming out but, when I’m not doing all of that, I love going for walks; I love cooking and just hanging out at home with my partner.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I’ve been listening to his Good Things album on loop recently so play Leon Bridges – Shy

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Follow Lauren Ray

INTERVIEW: Emmi

INTERVIEW:

Emmi

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IT has been a while since I have included Emmi...

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on my site but it is always a great experience! She has achieved a lot since I last featured her so I was keen to ask about her recent E.P., Lovers, and the music that will follow; what life is like now she is based in New York and whether she has any particular albums that mean a lot to her.

Emmi discusses her plans going forward and how she would sum up last year; whether there is a routine regarding her songwriting and which rising artists we need to get behind – she ends with a recent song that is new to my ears.

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Hi, Emmi. How are you? How has your week been?

Hey, Sam! My week has been grand, thanks. Just got back to New York from a little time with my family in Oz. Did my taxes. Bought a new keyboard. Life is good.

For those new to your music; can you introduce yourself, please?

Sure! My name is Emmi. I make music. I used to only do that for other people until a few years ago when a (wine-infused) conversation with my mum woke me up to the realisation that I had an itch to be an artist in my own right. Once I was aware of the itch, I realised it wouldn’t go away until I, well…scratched it. So, I started releasing tunes from my bedroom.

And, because the Internet is a brilliant surprising beast, great stuff happened: a tweet from Taylor Swift; a role in a movie; features in Europe. So much cool stuff. So, I figured I maybe had a place at the table of music and went away a while to come up with a big plan and get a team. And now I’m back…with said plan.

I understand you have recently moved to New York. What prompted that decision and how is life there at the moment?!

It was half a personal circumstance and half a career choice. I really connect with music makers in the U.S. And I realised I was spending months in London gathering inspiration (it’s genuinely my favourite city in the world) only to return to L.A. like a coiled spring and write a hundred songs at once. And I’ve always wondered what kind of damage I could do if I spent some actual time in the U.S. – and I didn’t have to leave every time things got exciting.

So, here I am. But, living in New York and commuting to L.A. makes more sense of my character. I’m a story teller. And perhaps it’s a form of masochism but I need the cold streets and the rude people; mad people, lovely people and the full complement of human beings and all the struggles and victories that go along with that to draw on.

I want to feel I’m living on the ground, if that makes sense. You get that in London. And you get that in New York. It’s fuel to me. But, I find after six weeks in L.A., the quinoa and palm trees and perpetual sun and air-punching and “You go girl!”s  start homogenising my style. So, I got to get back to reality and get some frost back in my bones, you know?

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Lovers is your latest E.P. I like the fact the songs seem to tell a story. Did a particular relationship inspire the songs or was it something you had been planning a while?

Not any one relationship, no. (Sorry not to be saucy and give you gossip). It tells the story of a relationship from start to finish, but the fictional story it tells is made up of my experiences across a couple of relationships in my past so it’s totally honest in that sense. And specifically those moments in relationships I went through that felt confusing or scary to me at the time, but that are pockets of relationships and love I don’t think get enough air time in Pop music. The awkward meeting (instead of the ‘I’m hot, you’re hot: let’s get together’ script we are so often sold in Pop culture)…

The ‘making it official’ conversation. The fear of allowing yourself to love again or, God forbid, be happy after you’ve been hurt. The question of monogamy and the boredom of long-term relationships. All of it. I always run on the belief that, if I’ve felt it, I’m more than likely not the only one. So just write it.

Do you have a personal favourite song from Lovers that strikes you hardest?

I think the most honest ones for me were Scared Stupid and The Way We Used To…

Scared Stupid is the closest to talking about my anxiety I have ever come. About my inability to fully enjoy any pleasure or joy in my life because of how quickly I play out the worst possible scenario in my head and talk myself out of the present. So, although that tune is a bit tongue in cheek and melodramatic, it’s a fairly honest monologue.

The Way We Used To was a song I’d been trying to write for a while. We don’t talk about long-term relationships in Pop. (Perhaps because it’s not sexy?). But I wanted to change that given I would say half of the world’s population are in one. It’s about the war between loving someone deeply with a long history but simultaneously wishing to be ‘new’ to someone. It’s human nature to want to be exciting. To want that rush. That’s why people throw themselves out of planes or go on rollercoasters. To feel ‘alive’. And being faithful to someone is the decision to fight that desire with the wisdom that all that sh*t is fleeting and love doesn’t get a second chance. I wanted to write a love song from the perspective of someone who has those instincts but doesn’t act on them. Making it a little sadder, when the lover she is singing to perhaps does act on their own similar instincts later in the story.

But, honestly, Stay Awake the last track on the album is like a child to me. I wrote it six years ago. On the floor of a studio in Hamburg. I can’t explain it. But, it’s special. So special.  Live, you really feel that. We wrote it about two stories at once. One: A young couple, newly in love, not wanting to say goodnight because they just want to spend every waking minute with each other. Two: An old couple at the end of their lives together, not wanting to say goodbye. I guess the point is, when it comes to love goodbye, will always be too soon. That one felt it dropped out the sky and wasn’t from me at all. The best ones always do. And I’m just so glad it’s out.

Might we see any more similar playlists/E.P.s? What can we expect in 2019?

Yes, sir! I announced a trilogy in September: Lovers. Players. Dreamers. One/three, Lovers, is out now – so, you got two more coming! And they all have a different concept. A different visual world. Different characters, almost. (Perhaps a throwback to my past as an actress). I don’t like to make promises, but I’d say you can expect playlist-two, Players, this year, if not three. And you can expect a full-length album this time. Each playlist gets bigger and bigger. Both in size and grandeur of concept and overall ambition. So, sit tight…

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Last year was a busy one for you! How do you feel about 2018 looking back?

I see it as a little more of a personal development year than anything. There was a lot of me running around London in a super hero cape with mates and a handy-cam acting a dork. It was an indie, fun and exploratory kind of year. Perhaps that doesn’t sound like personal discovery to most…but it was a part of a new era I’m entering that I like to call the ‘fu*k it’ era. To be totally unashamedly myself and just create music; get it out and stop taking myself so damn seriously. We did it with practically zero budget and this release was almost a dialogue between me and my fans. No grand push or promo. Just a quiet release, like…’Hey I’m back. Thank you for being here! Here’s some music. And a promise I’m not going anywhere’.

And it’s been really fun getting to know them all personally; overcoming my fear of the Internet and myself and just generally getting this thing started. Good to be back. 2019 will be the year things grow…

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Every songwriter is different. How do songs come to you? Do you set time aside to write?

I tend to write in sessions, which normally means a song in a day (fully produced etc.). Such is the world of Pop! But it’s good for me. I can agonise on a piano for months on my own. I’m terrible at making decisions. But, perhaps it’s because I’m such a social creature or perhaps it’s the pressure of the moment: songs just come easier to me in the studio.  And they generally come from the music. I carry a notepad around with me…and I write little thoughts and words down all the time. So, when I walk into a session I normally have a phrase or a story to tell on those pages. (Or several).

And it’s about gauging my mood and the mood of the room to see what the right direction is. Talking it through will often give the producer the heartbeat of what we are about to create before we begin. The emotional colour, perhaps. But, sometimes, I walk in with an empty notebook and I say…“I have nothing! Zilch!” And they can pull up a sound or a beat or just be noodling on the guitar while we catch up and there it is! A story hidden in the space between the notes of a piano…or in a word someone says. No one day is the same…

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I have a song with Norwegian D.J. Sonny Alven called Our Youth. I wrote it in about half an hour over Skype once; recorded it, sent it off…and didn’t give it another thought. Suddenly it was going out with my voice on it, which was great! And I was aware it was going well over there…but didn’t truly understand what that meant until I actually flew out to Norway to perform it live. That was really special. I was at a music festival and people were lining up outside to get into our tent. I had to do a line check before we started and I sang the first line of the song and gave a thumbs up to the sound engineer and started to leave the stage.

But, as I walked off the stage, I heard singing. So, I took out my in-ears and the crowd there (thousands of them) were singing the rest of the song back to me! Word for word! And, I was like…Oh my God. These are my words. They are singing my tune and my words. That’s the first time that had ever happened to me. That was special. We did the song on T.V. in front of 60,000 people too. That was a trip!

Which three albums mean the most to you would you say (and why)?

Too many to count but, if you twist my arm…

Alicia Keys - Songs in A Minor

This was the first album I was bought that was ‘Pop’. I was obsessed with The Beach Boys and Jazz music - and music of my own generation just wasn’t of interest to me. But Mum bought me Alicia in an attempt to get me down with the kids and it was my awakening. I learnt the entire album by ear that summer. And suddenly Pop wasn’t such a dirty word anymore: it was a joyful umbrella that could mean whatever you wanted it to. The next album I bought was Craig David’s Born to Do It, so I’d say that was a drastic about-turn.

Tapestry - Carole King

This one requires no explanation: superb songs, sung honestly.

The Beach Boys - Pet Sounds

A little after I obsessed myself with Jazz, I discovered The Beach Boys. And it was a world of all American vibes that had nothing to do with my existence but I wanted to be a part of. The harmonies I’m sure play a lot into how I make music now. (These guys, The Seekers; ABBA, the Bee Gees and The Supremes). They were my summer obsession for five months when I was about thirteen.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Oh, my goodness. Tough call. I love Bruno Mars. I’d love to support him. And my rider would be to be allowed to watch side of stage every night. I aspire to that kind of performance level and mastery. P!nk. For similar reasons. Alicia. Obviously. Ellie Goulding. I love her...

What advice would you give to new artists coming through?

Get a great lawyer. Learn to say ‘no’. Don’t try to please people. Figure out your WHY as an artist and reference it in EVERYTHING you do. Expect nothing. Entitlement will ruin you. Just make you happy. And write your legacy. My manager once told me to plan “how I’d like to fail” and I think that’s the soundest advice I ever got. Failure will happen. Even if you win. But, ask yourself: Would you like to fail as you or as someone else? What could you make your peace with easier when all is said and done? Authenticity is very difficult to regret.

Do you have tour dates coming up? Where can we catch you play?

I’m hoping to announce some U.K./U.S. dates soon. But nothing in stone yet.

Are there any new artists you recommend we check out?

I’m a big new fan of Hobo Johnson. A Rap artist with a mind that I can’t get enough of. College-style band just got slick! Also, check out Radiant Children. Caught their show in L.A. recently and they are fire. Loving new Bhad Bhabie. Billie Eilish. King Princess. Lots of great stuff coming through right now…

It’s an exciting time for music.

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 IN THIS PHOTO: Bhad Bhabie

Do you get much time to chill away from music? How do you unwind?

I love going to Jazz nights. I swing by little bars or Birdland here in N.Y.C. whenever I can because that escape does my soul wonders. I draw. I watch old movies. Also I love video games. So, I try to game wherever I can. But I can’t own an Xbox of my own, because literally I’d get nothing done…then there’s whiskey.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Thanks for your time, Sam! This is new and gorgeous…

Let Me Down Slowly - Alec Benjamin (ft. Alessia Cara)

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INTERVIEW: Sun K

INTERVIEW:

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Sun K

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I have been speaking with Kristian of Sun K...

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about the band’s new single, High in the City, and its background; how the band got together and whether the band are influenced by any particular artists – Kristian selects an album that is especially important and meaningful and ends the interview with a great track.

I ask whether Sun K will be touring and what defines the Canadian music scene; which rising acts we need to get behind and, away from the music, there is any chance to chill out and kick back a little bit.

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Hi, guys. How are you? How has your week been?

Heyo! It's just Kristian here answering this. I’m doing pretty good. The week has been great. We're really excited to have the music video for High in the City out with our new tour dates. Plus, the Leafs and the Raptors both won last night, so, ya know...

For those new to your music; can you introduce yourselves, please?

We're Sun K and we're a Toronto-based Rock 'n' Roll band.

Where did the name, ‘Sun K’, come from and how did the band get together?

Sun K started as a moniker for myself (Kristian) when I was doing solo stuff. It's meant to be a shout-out to the true forefathers of Rock ‘n’ Roll - the Blues and Jazz gods that inspired music of the '60s/'70s and beyond. When I was really digging into the history of music in the twentieth century, I kept coming back to artists like Robert Johnson, Son House; Sun Ra, Bessie Smith...

High in the City is your latest track. Is there a backstory behind this one at all?

This track has actually been kicking around in my demo box for years. I had a Samba version at one point; a lo-fi bedroom Psych-Pop version... I was doing some co-writing with Colin MacDonald from The Trews for this record and, when I showed him this tune, he told me it was a hit and I had to put it on the new album. Lyrically, it's about falling in love with your city and also about...err, how do I say this tactfully (?) - enhancing your mood with some of Canada’s perfectly legal and delectable Jazz-cabbage.

Do you feel there might be an album later in the year?

We'll have new content to share soon but I don't see a full album coming until 2020. 

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Are there any particular artists that inspire Sun K’s sound would you say?

Our first record was a bit more Folk-driven with influences like Neil Young, Wilco and Lou Reed. This record is more rockin’ with more Psych influences - we were listening to bands like The War on Drugs, Tame Impala; Ty Segall and Kurt Vile. I've been pretty into artists like Tyler, the Creator and Post Malone lately, so who knows what L.P. three will sound like.

What would you say are the best qualities of the Canadian music industry?

It's so small that everybody knows everybody. Usually, it's a good thing...

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Meeting Cone for the first time when he ‘discovered’ me playing to a completely empty bar is pretty high up there. Also, opening for The Sheepdogs to ten-thousand people on N.Y.E. was pretty rad. Opening for Houndmouth last year as well was definitely a big highlight. Looking forward to making more memories!

Which one album means the most to you would you say (and why)?

Shuggie Otis - Inspiration Information. It was the soundtrack to my wife and me falling in love.

What advice would you give to new artists coming through?

Make sure you want to do it. Have as much fun as you can but keep your head on straight. Make as many connections as you can and take every piece of advice with a grain of salt. Most importantly, don't get distracted by all the other BS - keep creating, keep writing; keep perfecting what you do. The rest will fall into place. And, if you don't want to do it, cut your hair and get a real job.

If you could support any musician alive today, and choose your own rider, what would that entail?

Tame Impala. My rider would have socks...always need fresh socks on tour. And a portal into Kevin Parker's mind.

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Do you have tour dates coming up? Where can we catch you play?

We've got the High in Your City tour comin’ up in Feb/Mar that spans Ontario, Quebec and the East Coast of Canada.

Might you come and play in the U.K. later in 2019?

We would love to! Know any English bands that would take us on the road?

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 IN THIS PHOTO: Jade Bird/PHOTO CREDIT: Francesca Allen

Are there any new artists you recommend we check out?

Jade Bird is spectacular. So is boygenius. Steve Lacy from The Internet is a new find for me as well.

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 IN THIS PHOTO: boygenius/PHOTO CREDIT: Getty Images

Do you get much time to chill away from music? How do you unwind?

Nahhhhh, not really. Even when I'm doing other stuff I'm still listening to music. I've been getting really into plants hahah and have a sweet little indoor garden that really helps me chill out. My unwinding situation is a little bit like what goes down in our new music video, less biking though..

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Aht Uh Mi Head by Shuggie Otis please and thank you

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INTERVIEW: Natalie Shay

INTERVIEW:

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Natalie Shay

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MY final interview of the weekend is with Natalie Shay...

who has been talking about her new single, Yesterday. I ask how the song started life and whether she might release more material later this year; how she got started in music and whether there are particular albums that are important to her.

Shay recommends a rising artist to look out for and reveals where we can see her play; what her favourite period from her career has been and the advice she would offer artists emerging right now – she ends the interview by selecting a pretty cool song.

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Hi, Natalie. How are you? How has your week been?

Hey! I’m well. This week has been crazy, but in a good way!

For those new to your music; can you introduce yourself, please?

I’m Natalie Shay. I’m twenty and from London. I play guitar and the music I make is kinda Indie-Pop/Rock. 

Can you reveal the story behind your new single, Yesterday?

Yesterday is about being in a one sided relationship. The song is written from the point of view of when you’re finally realising that this is a waste of time; nothing is ever going to happen and that you can do better. 

It has already been received well and featured on Spotify playlists. How humbling and important is it knowing that?

The song got featured on nine New Music Friday playlists, including the U.K. It also just hit 50,000 streams! I never expected any of this because, as an unsigned artist, there’s a certain level of uncertainty when releasing a song. This has been such a brilliant response and has made all the work worthwhile. 

Do you think there will be more material coming this year?

Definitely more material this year. Not sure what or when but watch this space. 

Have you got a plan of attack for this year? What do you want to achieve by the end of the year?

This year, I plan to play more festivals; write and release more music. But, most of all, work with a lot of new people. 

How do you think you have grown and changed as an artist since your early days?

When I started music, I wore a flower headband and played Country songs that were six minutes long. I wouldn’t say I’ve really ‘progressed’, as I’m doing something completely different now, but I’ve definitely grown up and think that my music has matured with me. 

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Was there a particular moment you knew you wanted to be a songwriter? Did you grow up around a lot of music?

My dad’s a huge music fan but not a musician. He got me classical guitar lessons from the age of five so I’ve always been playing music and doing musical theatre. I think, after I got accepted into the BRIT School, I finally believed in myself doing music as a career.  

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

This is the honest truth: this whole week has been the best part of my entire career. 

Which three albums mean the most to you would you say (and why)? 

Little Comets - Life Is Elsewhere

Because they are the best songwriters in the world and I cannot fault a single song they’ve released. 

Taylor Swift – Fearless

The album that made me start writing songs. 

Kate Nash - Made of Bricks

The first ‘big girls’ album I ever got - even though my mum wouldn’t let me listen to any of the songs with swear words in until many years later. 

If you could support any musician alive today, and choose your own rider, what would that entail?

I would support Little Comets. Best band ever. They inspire me so much and they’re so humble and good people. As a rider, I’d choose twenty bags of Mini Eggs and a pint of milk. 

What advice would you give to new artists coming through?

Advice: stay true to yourself. Only make the music you enjoy making because - then it’s far more rewarding when it does well.  

Do you have tour dates coming up? Where can we catch you play?

My first headline show is on 2nd February in London at Thousand Island. There are still a few tickets left so grab one fast. Ticket link on my website or just search ‘Natalie Shay tickets’. 

 IN THIS PHOTO: Jade Bird

Are there any new artists you recommend we check out?

I would recommend checking out Jade Bird. She went to school with me and she’s incredible and doing so well. 

Do you get much time to chill away from music? How do you unwind?

I hardly ever unwind. Music is so time-consuming (but I love it). When I do unwind, it’s just by hanging out with friends. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Little Comets - M62

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INTERVIEW: Tarantola

INTERVIEW:

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Tarantola

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IT is not often I get to interview...

a six-piece band that plays Gypsy music and is influenced by the circus. That is the case today as I talk with Tarantola about their single, Rogue Rouge Circus; they discuss their future musical plans and what is coming up; how they found one another and which rising acts we need to follow.

I ask if there are tour dates coming up; the albums the band are inspired by; what advice they would give to musicians coming through and whether they get any time to relax away from music – they each select some great music to end the interview with.

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Hi, guys. How are you? How has your week been?

Hi, everyone! We are good and feeling very exited for the upcoming release! Our week was amazing...also very busy as we are preparing next Saturday’s show! Plus other projects we are working on for the future releases.

For those new to your music; can you introduce yourselves, please?

Hailing straight from the boot of Italy…Tarantola is a London-based Folk-Rock/Gypsy band that brings ‘Taranta’, the traditional music of Salento, to the British music scene. 

We are six energetic musicians who come from different corners of the world including Italy, Spain; England and Brazil who share their diverse musical influences with captivating circus performances exclusive for their upcoming album entitled Rogue Rouge Circus - containing four singles that will be released one by one monthly from next Friday, 18th January, 2019.

Each song is an episode of an intriguing and provocative story about all the mysteries, relationships and adventures behind the circus curtains, which you can watch and follow in the next live shows . 

Rogue Rouge Circus is your debut single. Is there a story behind it? How did it come to be?

Rogue Rouge Circus is the first episode of four. It talks about the circus as a metaphor for the routine of life; for the limits that we create by ourselves in life and the wrong belief we don’t deserve anything better; getting stuck with the same job, the same relationship; the same place and the same environment. As for all the other songs, it comes from an idea of Mauro, our singer and songwriter, who had this vision about the circus and its meaning.

Are you already planning more material? Might we see an E.P. soon?

We already planned more releases during this year. Rogue Rouge Circus is an album (CONCEPT) entirely dedicated to circus and a live show related to this, both visually and sonically entertaining. We will release one song each month. All of them are connected together to form at the end an E.P., formed by four singles.

We also have many other songs we are already performing live that will be officially released later on this year, perhaps in autumn/winter. They are slightly different from these ones being released in the next couple of months. They have a different approach to songwriting and content and we are very excited about them!

Do you already have plans for 2019? What can we expect from you guys this year?

We will keep exploring new genre and themes. We love to try out new musical territories and make our sound even bigger and more powerful. We intend to perform in many countries such as Italy, England; Spain, Greece and Portugal etc. We are looking forward to perform more in the U.K. out of London, especially festivals. Step by step, we will get to that point. We work really hard to prepare everything and to make sure we are 100% ready to take on bigger challenges. We want to make the show always more entertaining and exciting and reach big stages and big festivals!

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How did Tarantola form? Were you all bonded by similar musical tastes and ambitions?

Tarantola was born from an idea of Mauro while he was in his homeland Salento in Italy. Once he got back to London, he met Paolo and after a year they started this adventure. Tarantola was meant to be the connection between our Italian home and London and a strong need to expand and carry in another reality the legends, the story and the culture and music of South Italy. One year later, Edoardo joined the band and, after with new members arriving and a few leaving, we have finally reached the perfect formation that you can see today. All the musicians have a different music background - as we came from different parts of the world – but with the same ambitions and desire to express our music!

The reason why we chose a very multicultural band is to give first of all a clear message that we love intercultural connection and also because we wanna expand the limits of our music by being inspired by different cultures - and the only way to do so is by playing with people who come from different backgrounds.

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Could you describe your sound and aesthetic to anyone new to your work?

Our sound is authentic tambourine rhythms grooving with enchanting whistles, sax and violins…reminiscent of the circus, the sea; the tradition, the legend and the mysticism belonging to "brown skin people" of the Mediterranean lands. We also have a strong Hard-Rock input and all this blends together creating an explosion of energy on stage that you simply cannot resist to!

We have circus performers in our show which is very important in order to create a feeling of wonder in the audience during our show…even though we want to promote equality, make our audience sing along and dance with no rest; make sure that perfect strangers become your best friends, sharing a laughter; a cheering, a cry and a shout; deep feelings of love, hope; of wonder and joy altogether in the same place.

There is not a lot of colour and festivity in Pop right now. Is it time, do you think, that the scene embraced sounds like yours?!

We believe that Gypsy is the new Pop! We love colours and emotivity even though we chose to be represented mainly with red and black. The red stands for passion, love; sex and friendship mixed with the black that stands for depression, routine; alcohol, orgy; violence and bad habits inside the circus. Our stage costumes are mainly red and black to give more intention and significant to the metaphoric sense of this colours. Our songs are energetic and uplifting but there is always a deep contrast with the lyrical meaning as they carry important social, moral and cultural messages.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Surely the summer of 2017 when we toured Central and South Italy on a full D.I.Y. tour, organised in the previous months just ourselves - thanks to our contacts, friends and families. It has been an amazing experience that taught us a lot in terms of living together as a family-band, playing to big crowd of hundreds of people and facing last-minute issues on the road.

Also, I have to mention the slot we have been offered at the KOKO in London in May 2017: performing in such a legendary venue was a great! I believe that finally recording these singles (May - August 2018) for the Rogue Rouge Circus E.P. has been an important accomplishment for us all and we are really excited for you to be able to listen to them very soon!

Which one album means the most to each of you would you say (and why)?

This is a tough question to be honest! But certainly our most important influences are artists such as Gogol Bordello, Manu Chao, Dubioza Kolektiv; Ska-P, La Pegatina; Goran Bregovic, Che Sudaka; the Italian Kalascima and Sud Sound System. But, as mentioned before, we all come from different musical background. I would say here records such as Crash and The Central Park Concert (Dave Matthews Band); Gypsy Punks: Underdog World Strike (Gogol Bordello); Happy Machine (Dubioza Kolektiv); Baïonarena (Manu Chao); Eureka! (La Pegatina); El Vals del Obrero and ¡¡Que Corra La Voz!!  (Ska-P).

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If you could support any musician alive today, and choose your own rider, what would that entail?

Supporting Dubioza Kolektiv would be just fantastic for us at this stage. I think  playing together in the same bill with a great upcoming act such as the Rock’n’Roll band The Second Sons would be interesting!

What advice would you give to new artists coming through?

Always believe it! Even though it is difficult, believe it and make step by step accomplishments. Surely, aim high; work hard, have a strong belief in what you do every day; choose the right people to work with in your (any) project and make sure you sharpen your skills. Oh, and, as everyone in the music industry says, make contacts and be kind!

Do you have tour dates coming up? Where can we catch you play?

We are playing the Hootananny in Brixton, London on Saturday, 19th January. We are headlining The Monarch in Camden Town, London on Saturday, 23rd February.

On top of these two gigs, we are working on confirming some more in the near-future! Stay tuned for that!

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 IN THIS PHOTO: Kate Lomas/PHOTO CREDIT: Tiposilvijah

Are there any new artists you recommend we check out?

Surely The Second Sons. Then, emerging artists we personally know such as Maike, Hide Your Mother; Killit, Twiceful Minds; Kate Lomas, Begut; Rival Karma, Cristina Hart; Marianna Zappi, Big Peyote and Romances.  There are many more, though: London is bursting with talented musicians and interesting original acts. I might be forgetting some here.

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IN THIS PHOTO: Cristina Hart

Do you get much time to chill away from music? How do you unwind?

Ah! Not much! Well, we are a band of six pieces so there’s always one of us working for the band sake. We all have different ways to unwind, actually. Some of meditate and do relaxation; some of us have different projects going on...we are a hard-working band, especially at this stage! Though, we of course love to hang out ‘outside the band mindset’ for a pint or to watch football matches or to go to gigs.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Edoardo: Roots and Culture - Mikey Dread

Mauro: Maché bécif – Dub Inc.

Paolo: Don’t Leave I Lonely - Mellow Mood

Kimberly: Tigancusa esti frumoasa  - The Gypsy Queen

Bruno: No Rain - Blind Melon

Serena: Stop It - FISHER

Nacho: The Rhythm Changes - Kamasi Washington

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INTERVIEW: Teri Eloise

INTERVIEW:

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Teri Eloise

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MY last interview of the week is with Teri Eloise...

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who has been talking with me about her recent single, Lose Myself, and how that came together. I ask her about her Trinidadian heritage and how that affects her music; which albums she holds dearest and what she has planned for this year.

The songwriter recommends some approaching artists to look out for and looks back at a busy 2018; how she chills away from music and which artists she’d support on tour if she could – she ends the interview by selecting a new track.

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Hi, Teri Eloise. How are you? How has your week been?

Hi. I’m great. Thanks for asking. My week has been pretty busy. I’ve been working on a lot of music and planning some new stuff for the near future!

For those new to your music; can you introduce yourself, please?

Yes, of course. My name is Teri Eloise. I’m twenty-one-years-old, born in the U.K. and raised in Trinidad and Tobago. I’m a singer, songwriter; producer and a visual artist. Basically, all I do is create!

How did Lose Myself come together? Is it based on personal experiences?

When I started writing Lose Myself, I wasn’t really planning on writing what would be my next single. At the time, I was quite lost, trying to figure out myself and my future and I was dealing with some conflicted feelings. I remember one night there was so much going on in my head, so I thought why not write down some of these thoughts and feelings to help get some clarity and ease my mind? I played a chord progression that I was working on and the words started pouring out along with a melody.

The song pretty much wrote itself. I didn’t really know what I wanted Lose Myself to sound like either; I just started playing around on the keys and layering it with instruments and sounds that I thought sounded good. It’s one of the first songs in which I took such a big role in producing, so it’s something I'm very proud of and it’s always going to be an extremely special song to me.

Do you already have plans for 2019?

Definitely. I’m working on a lot of new music right now. I’ve also got a couple collaborations that might be happening and then, of course, once I have more music out I’m going to start doing some live shows. It’s all really exciting!

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How do songs form and come to mind? Do you spend time specifically writing or wait for inspiration to hit?

It really depends on my mood or the weight of my emotions - or if I’m extremely under pressure! Usually, lyrics would pop up in my head at the most random times and I’d have to jot them down in my phone so I don’t forget. With that, I’d have some lyrics or a concept to expand on. A lot of times, I’d work on the music first and then start writing. Whatever comes naturally.

Do you feel your Trinidadian heritage is important regarding your sound and how you approach music?

Absolutely. Growing up, I was surrounded by so many different kinds of music - I listened to everything from Calypso, Soca; Reggae to my dad’s old Heavy-Metal L.P.s, to my mum’s old-school R&B C.D.s - and the list goes on. The music and culture of Trinidad & Tobago is so vibrant and rich; it’s influenced my artistry a lot but not to the point where I’d limit myself to one sort of sound.

I think, growing up, listening to so many different genres...t real- ly helped expand my musical knowledge to the point where I just love incorporating elements of different genres into my music.

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When you were growing up, which artists guided and compelled you to get into the business?

Growing up, I really admired artists like Bob Marley, Michael Jackson; John Lennon and many more but I chose those three names because not only did they have incredible music; they had a message of peace and love. It taught me at a young age how much good you can do with music. That heavily inspired me to get into the business and take music more seriously.

2018 has just ended. How do you think it went and what was the most important lesson you learned?

2018, for me personally, was the year of taking a step back and just healing. I spent a lot of time on my own; sort of learning to enjoy my own company and learning how to love myself more… and the outcome was great because I released two songs that represent my growth!

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Working in the studio and bringing my music to life. Those are always the most special musical moments for me. Ten.

Which three albums mean the most to you would you say (and why)?

The first one would be Michael Jackson’s Thriller. I remember getting the 25th Anniversary Edition when I was ten-years-old and listening to it every single day. It’s definitely influenced my style and it’s an album that inspires me to this day.

Chapter II by Ashanti and Dangerously in Love by Beyoncé were two other really special albums to me. My granddad actually got them as a present for my sister and I which makes it even more special. Those were two albums that were always on-repeat when I was younger and inspired me a lot musically and vocally.

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If you could support any musician alive today, and choose your own rider, what would that entail?

It would be so cool supporting someone like Rihanna. My rider would probably be really simple and boring like water, some food; maybe a humidifier, some peppermint tea…I have no idea!

Do you have tour dates coming up? Where can we catch you play?

Yes. It is being discussed! Right now, I’m so focused on the creative side of things like writing and recording more music. So, when I have a few more songs out this year, live shows are definitely going to happen.

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 IN THIS IMAGE: IAMDDB

Are there any new artists you recommend we check out?

IAMDDB and Nina Nesbitt.

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 IN THIS PHOTO: Nina Nesbitt

What advice would you give to new artists coming through?

Stay true to yourself and to be honest in your music. Don’t compare yourself to others because this is your journey. Also, just have fun and remember why you started! It’s a lot of work but, if it’s your passion, it definitely won’t feel like it.

Do you get much time to chill away from music? How do you unwind?

I’m always making music these days so it’s a hard one to answer, but recently I’ve been enjoying cooking a lot…I love learning new things, acquiring new skills. I also love spending my time with the family, having drinks with friends; just trying to stay calm and enjoy my youth!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I’d love it if you played Dancing with a Stranger by Sam Smith and Normani!

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