FEATURE: Inspired By… Part Forty-Six: Janet Jackson

FEATURE:

 

 

Inspired By…

Part Forty-Six: Janet Jackson

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THERE is a sense of synchronicity to this…

as there is a new two-part documentary, JANET, that is being shown on 28th and 29th of this month. It is Janet Jackson in her own words, but it will also feature some of those she has worked with. One of the greatest and most inspiring artists ever, I am going to get to some biography in a minute. Prior to that, here is some more information about the much-discussed and hotly-anticipated JANET:

 “Janet Jackson is ready to speak her truth.

The iconic performer released the first teaser trailer for her upcoming two-part documentary, JANET, which is set to air simultaneously on Lifetime and A&E in January 2022. The new clip features a number of high-profile cameos from former collaborators and fellow creatives within Jackson's close-knit circle, including Paula Abdul, Missy Elliott, and Mariah Carey reminiscing on Jackson's impact as an artist and one of the most influential women in music history.

The upcoming documentary will also feature behind-the-scenes footage of Jackson in recent years as she looks back at her defining career moments and family upbringing. According to People, the documentary was more than "five years in the making" and began filming around the time of the death of the singer's father, Joe Jackson, in 2018. Janet will reportedly speak out on some of her most defining personal and professional moments, including her controversial 2004 Super Bowl performance with Justin Timberlake, her brother Michael Jackson's death, and becoming a mother.

"This is my story, told by me. Not through someone else's eyes," the "Miss You Much" singer says over nostalgic clips of her performing throughout the '80s and '90s, as well as growing up alongside her famous brothers as part of the Jackson 5. "This is the truth. Take it or leave it. Love it or hate it. This is me."

Here's everything we know about this highly-anticipated documentary special.

The documentary airs on January 28 and 29.

Lifetime dropped the first full trailer for the two-part documentary this weekend, seen above, along with its premiere date, which honors the 40th anniversary of her debut album. The 3-minute clip gives an overview of Jackson's life and defining career moments, with the singer narrating her own life story, saying that the doc is, "It's just something that needs to be done."

The clip also reveals several more cameos from members of Jackson's family and inner circle, including her mother Katherine, her siblings Rebbie and Tito, her ex-husband James DeBarge, and her past boyfriends Q-Tip and Jermaine Dupri. Several of her celeb peers and admirers will also feature, including Ciara, Janelle Monae, Teyana Taylor, Regina King, Samuel L. Jackson, and Whoopi Goldberg.

The full trailer shows Jackson addressing the Super Bowl controversy.

One tense moment of the trailer shows Jackson directly addressing her controversial halftime performance with Justin Timberlake, and her subsequent banning from that year's Grammy Awards. "They build you up and then once you get there, they're so quick to tear you down," the "Control" singer narrates.

After showing a newspaper headline reading, "Jackson Banned From Grammys after Super Bowl Stunt," a clip shows a member of Jackson's team telling her that Timberlake reached out, suggesting that he invited her to join his 2018 Super Bowl performance. Jackson's reaction to the news is unreadable, so we'll have to tune in to the doc to see the full story.

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This year also sees a big anniversary for two of her albums. The Janet Jackson album is forty on 21st September. One of her most celebrated albums, The Velvet Rope, is twenty-five on 7th October. Her most recent studio album, Unbreakable, came out in 2015. Let’s hope we get some more music from Jackson soon enough! Before ending with a playlist that collates artists who have been influence by her, here is some biography from AllMusic:

Janet Jackson didn't merely emerge from the shadows of her famous brothers to become a superstar in her own right. Starting with her breakout 1986 album Control, she became one of the biggest pop stars of the '80s. Through the early 2000s, she was able to maintain her stature with impeccable quality control and stylistic evolution. Her singles, expertly crafted with indelible pop hooks and state-of-the-art production, consistently set or kept up with trends in contemporary R&B, demonstrated by an exceptional run of Top 20 R&B singles that spans over 30 years. From platinum album to platinum album, Jackson's image smoothly shifted as it projected power and independence. In turn, she inspired the likes of TLC, Aaliyah, Beyoncé, Britney Spears, and Rihanna, all of whom learned a few things from her recordings, videos, and performances.

Janet Damita Jo Jackson was born May 16, 1966, in Gary, Indiana. She was the youngest of nine children in the Jackson family, and her older brothers had already begun performing together as the Jackson 5 by the time she was born. Bitten by the performing bug, she first appeared on-stage with the Jackson 5 at age seven, and began a sitcom acting career at the age of ten in 1977, when producer Norman Lear selected her to join the cast of Good Times. She remained there until 1979, and subsequently appeared on Diff'rent Strokes and A New Kind of Family. In 1982, pushed by her father into trying a singing career, Jackson released her self-titled first album on A&M. "Young Love," written and produced by René & Angela and Rufus' Bobby Watson, reached number six on Billboard's R&B chart, but the album didn't cross into the pop market. She was cast in the musical series Fame in 1983. The following year, she issued her second album, Dream Street, which didn't sell as well as its predecessor. Upon turning 18, Jackson rebelled against her parents' close supervision and eloped with a member of another musical family, singer James DeBarge. However, the relationship quickly hit the rocks and Jackson moved back into her parents' home and had the marriage annulled.

Jackson took some time to rethink her musical career, and her father hired her a new manager, John McClain, who isolated his young charge to train her as a dancer (and make her lose weight). McClain hooked Jackson up with producers/writers Jimmy Jam and Terry Lewis, whom she'd seen perform as members of the Minneapolis funk outfit the Time. Jackson collaborated with Jam and Lewis on most of the tracks for her next album, Control, which presented her as a confident and tough-minded artist (with a soft side and a sense of humor) taking charge of her life for the first time. In support of Jackson's new persona, Jam and Lewis crafted a set of polished, computerized backing tracks with slamming beats that owed more to hard, hip-hop-tinged funk and urban R&B than Janet's older brother Michael's music. Control became an out-of-the-box hit, and eventually spun off six singles, the first five of which -- "What Have You Done for Me Lately," the catch phrase-inspiring "Nasty," the number one "When I Think of You," the title track, and the ballad "Let's Wait Awhile" -- hit the Top Five on the Billboard Hot 100. Jackson was hailed as a role model and Control eventually sold over five million copies, establishing her as a pop star. It also made Jam and Lewis, whose considerable accomplishments were previously limited to the R&B world, a monstrously in-demand pop production team.

For the hotly anticipated follow-up, McClain wanted to push Jackson toward more overtly sexual territory, to which she objected strenuously. Instead, she began collaborating with Jam and Lewis on more socially conscious material, which formed the backbone of 1989's Rhythm Nation 1814 (the "1814" purportedly stood for either the letters "R" and "N" or the year "The Star-Spangled Banner" was written). Actually, save for the title track, most of the album's singles were bright and romantically themed. Four of them -- "Miss You Much," "Escapade," "Black Cat," and "Love Will Never Do (Without You)" -- hit number one, and three more -- "Rhythm Nation," "Alright," and "Come Back to Me" -- reached the Top Five, making Jackson the first artist ever to produce seven Top Five hits off one album (something not even her brother Michael had accomplished). Aside from a greater use of samples, Rhythm Nation's sound largely resembled that of Control, but was just as well-crafted, and listeners embraced it enthusiastically, buying over five million copies in the U.S. alone. Jackson undertook her first real tour (she'd appeared at high schools around the country in 1982) in support of the album and it was predictably a smashing success. In 1991, Jackson capitalized by jumping from A&M to Virgin for a reported $32 million, and also secretly married choreographer and longtime boyfriend René Elizondo.

Once on Virgin, Jackson set about revamping her sound and image. Her 1992 duet with Luther Vandross from the Mo' Money soundtrack, "The Best Things in Life Are Free," was another major R&B hit and reached the pop Top Ten. The following year, she also resumed her acting career, co-starring in acclaimed director (and former junior high classmate) John Singleton's Poetic Justice, along with rapper Tupac Shakur. Neither really hinted at the seductive, fully adult persona she unveiled with 1993's janet., her Virgin debut. Jackson trumpeted her new image with a striking Rolling Stone cover photo -- an uncropped version of the cover of janet. -- in which her topless form was covered by a pair of hands belonging to Elizondo. Musically, Jam and Lewis set aside the synthesized funk of their first two albums with Jackson in favor of warm, inviting, gently undulating grooves. Jackson took credit for all the lyrics. The album's lead single, the slinky "That's the Way Love Goes," became Jackson's biggest hit ever, spending eight weeks at number one. It was followed by a predictably long parade of Top Ten hits -- "If," the number one ballad "Again," "Because of You," "Any Time, Any Place," and "You Want This." janet.'s debut showing at number one made it her third straight chart-topping album, and it went on to sell nearly seven million copies in the U.S.

In 1995, Janet and Michael teamed up for the single "Scream," which was supported by an elaborate, award-winning, space-age video that, upon completion, ranked as the most expensive music video ever made. The single debuted at number five on the Hot 100. In 1996, A&M issued a retrospective of her years at the label, Design of a Decade 1986-1996; it featured the Virgin hit "That's the Way Love Goes" and a few new tracks, one of which, "Runaway," became a Top Five hit. Jackson also signed a new contract with Virgin for a reported $80 million. Yet while working on her next album, Jackson reportedly suffered an emotional breakdown, or at least a severe bout with depression. She later raised eyebrows when she talked in interviews about the cleansing value of coffee enemas as part of her treatment. Her next album, The Velvet Rope, appeared in 1997 and was touted as her most personal and intimate work to date. The Velvet Rope sought to combine the sensuality of janet. with the more socially conscious parts of Rhythm Nation, mixing songs about issues like domestic abuse, AIDS, and homophobia with her most sexually explicit songs ever. Critical opinion on the album was divided; some applauded her ambition, while others found the record too bloated. The lead American single "Together Again," an elegy for AIDS victims, was a number one hit. Also popular on the radio was "Got 'Til It's Gone," which featured rapper Q-Tip and a sample of Joni Mitchell over a reggae beat. "I Get Lonely," featuring Blackstreet, was another big hit, but on the whole, The Velvet Rope didn't prove to be the blockbuster singles bonanza that its predecessors were, which was probably why its sales stalled at around three million copies.

Jackson toured the world again, and stayed on the charts in 1999 with the Top Five Busta Rhymes duet "What's It Gonna Be?!"; her appearance in the video remade her as a glitzy, artificially costumed, single-name diva. In 2000, she appeared in the Eddie Murphy comedy Nutty Professor II: The Klumps, and her soundtrack contribution, "Doesn't Really Matter," became a number one single. Unfortunately, Jackson's marriage to Elizondo had become strained and the couple divorced in 2000, sparking a court battle over her musical income. Jackson returned with a new album, All for You, in 2001, which largely continued the sensual tone of janet. and The Velvet Rope. It debuted at number one, selling over 600,000 copies in its first week alone. The title track was issued as the album's first single and quickly topped the charts, followed by another sizable hit in "Someone to Call My Lover."

While Jackson spent much of 2001 and 2002 on the road supporting All for You, she also found time for some guest appearances, most notably with Beenie Man on his Tropical Storm LP and Justin Timberlake on Justified. By 2003 she was back in the studio, working once again with Jam and Lewis on tracks for a new album. Additional producers included Dallas Austin and Kanye West. The following year began with an Internet leak of the upbeat Austin production "Just a Little While." The singer's camp rolled with the punches, offering the track to radio as an authorized digital download, but the buzz this business caused was minuscule in comparison to the nightmare union of free exposure and bad publicity that Jackson's next adventure caused. Appearing during the halftime show of Super Bowl XXXVIII, Jackson performed "All for You" and "Rhythm Nation" before bringing out surprise guest Timberlake for a duet on his hit "Rock Your Body." But the real surprise came at song's end, when a gesture from Timberlake caused Jackson's costume to tear, exposing her right, pierced breast on live television to hundreds of millions of viewers.

The incident caused furious backpedaling and apologizing from Timberlake, Jackson, the NFL, CBS, and MTV, which swore no previous knowledge of the so-called "wardrobe malfunction," and led to speculation over how Damita Jo -- Jackson's upcoming album and her first in three years -- would be received. But while the controversy gave Jackson both grief and a bit of free advertising, it was also the impetus for a national debate on public indecency. A federal commission was set up to investigate prurience, the FCC enacted tougher crackdowns on TV and radio programs broadcasting questionable content, and suddenly everyone from pundits to politicians to the man in the street had an opinion about it. Later that March, the singer quietly started making the talk show rounds. She was still apologizing for the incident -- while Timberlake escaped unscathed -- but she was also promoting Damita Jo, which Virgin issued at the end of the month. Largely considered a disappointment, the album nonetheless sold over two million copies worldwide and earned three Grammy nominations. 20 Y.O. followed two years later, and though it was reviewed more favorably than Damita Jo, it was off the Billboard 200 album chart after 15 weeks. Jermaine Dupri, Jackson's love interest and the executive producer of the album, was so upset over Virgin's lack of support that he left his post as president of Virgin's urban division. Dupri moved to Island, and so did Jackson. In 2008, Jackson released her tenth studio album, Discipline, which became her sixth release to top the Billboard 200, despite another tumultuous artist-label relationship.

Although Jackson didn't release another album for seven years, the longest gap in her discography was filled with professional activity and major life changes. During the filming of Why Did I Get Married Too?, she learned of her brother Michael's death. Soon after, she and Dupri split, and she toured in support of Number Ones, a double-disc anthology promoted with the number one club hit "Make Me." She took the lead role in the big-screen adaptation of For Colored Girls, published a book, and remained deeply connected to various causes as a philanthropist. In 2015, she returned on her own Rhythm Nation label with "No Sleeep," a slow-jam Jam and Lewis collaboration that hit the R&B Top 20. It primed her audience for a tour, as well as her 11th studio album, Unbreakable -- another number one hit. Plans for the tour were postponed so Jackson could focus on family; she wouldn't return to the road until 2017.

In 2018, she issued the Top 40 hit single "Made for Now," featuring Daddy Yankee”.

To tie in with the JANET documentary, I wanted to put out an Inspired By… containing songs from artists who have been influenced by Janet Jackson in some way. She is an icon and peerless artists who has released some of the finest albums ever. As you can tell from the playlist below, Jackson’s mesmeric influence and legacy has hit…

SO many artists.