FEATURE:
Sexy M.F.
Prince and The New Power Generation’s Love Symbol at Thirty
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THERE are a few things…
to address before exploring Prince’s Love Symbol album. For a start, the album was just a symbol, so I am not sure how it should be written in words! Also, where do you rank it among his other albums? Many fans would put it in their top ten, yet some critics place it lower. Not his very best, it is a superb album that contains some of his best material. I think Prince’s output in the 1990s is very underrated. Following the mixed and slightly patchy Diamonds and Pearls in 1991, Love Symbol is a more consistent and tauter album. Sexier, more varied, and memorable as a listening experience, Love Symbol was released on 13th October, 1992. I wanted to mark thirty years of a classic. This was the second of two albums that featured his backing band, The New Power Generation. Maybe not as acclaimed as it should be, I want to bring in a few features that look back at the mighty Love Symbol album. Reaching five in the U.S. and one in the U.K., it is a golden disc! I really love Love Symbol, and I remember hearing it first as a child. It is an amazing album! It would be nice to think there is a thirtieth anniversary vinyl edition coming, but it seems unlikely there is. Albumism revisited Love Symbol on its twenty-fifth anniversary in 2017:
“Recorded just a few short months after the Diamonds and Pearls sessions wrapped, the Love Symbol album once again featured his New Power Generation band. On balance though, Love Symbol is equally a solo effort, with Prince taking on all musical duties on half the songs, whilst the NPG provide the backing for the other half.
Conceived as a concept album, with full narrative via the way of reporter Vanessa Bartholomew (played by actress Kirstie Alley) trying to remove the veil of Prince’s mystique whilst also pressing him on his “scandalous” new relationship with a 16-year-old girl (and by way of introducing Mayte), many of the original narrative elements were trimmed or dropped entirely to make space for more music. Not a bad decision, but the result is a confusing narrative that feels piecemeal and at times confusing, which distracts from the overall listening experience. But hey, you don’t buy a Prince album for segues anyway, right?
So what about the music? And how does it stand up 25 years later?
Written and recorded during a time when gangsta rap was on the rise and harder, more controversial social commentary was hitting the airwaves spearheaded by N.W.A and the Ice-T fronted Body Count, Prince decided to surround himself with his own posse of (not-so-convincing) rappers and dancers lead by Tony M, in either an attempt to reflect the changing musical landscape or appear in sync with it.
This, and the continual persistence of rave music (through techno and acid), cause a strong, cross-style musical influence on the album evident in the driving beats of “The Max” and “I Wanna Melt With U,” the hip-hop edge of “The Flow,” and the ironically titled “My Name Is Prince” (made even more so by the unpronounceable symbol that adorns the album’s artwork).
As a collection of songs, the Love Symbol album isn’t as cohesive and focused as its predecessor, but it is more musically adventurous. And even though not every path takes us to the Princely Promised Land, they are journeys worth exploring. If all that it yields for the casual listener are timeless tracks like “Love 2 the 9’s,” “And God Created Woman,” and “7,” then it deserves to be played again and played often”.
This was a fascinating period for Prince. For 1994’s Come, he was in a dispute and unhappy relationship with his record label, Warner Bros. Come would be Prince's final Warner Bros. album under his name. From then, his name would be represented by the ‘Love Symbol’, and he would be referred to as ‘The Artist Formerly Known as Prince’. Love Symbol seems like an altogether happier and more balanced album. One where you could feel the creativity and brilliant emanate from every song. On 13th October, 2017, The Current celebrated a brilliantly autobiographical album from the genius Prince and The New Power Generation:
“Always playing ambiguity like a symphony, Prince put a gold male/female symbol on the jewel case of what eventually became referred to by most as the Love Symbol Album. The dawn of the '90s was an insanely ambitious time for Prince. Hot off of the double platinum Diamonds and Pearls, much of Love Symbol was conceived and recorded around the same patch of time and with the same musicians, the New Power Generation.
Hotter than truly any other artist in pop and on MTV at the time, Prince found himself at the top of the mountain creatively, amid a tumultuous relationship with Warner Bros., having just signed again with the label for another deal that he was soon to chafe under. Love Symbol marks a period of personal and professional transition for Prince, who felt the label was putting too much of a clamp on his creativity, trying to dictate the pacing and length of his releases. Thus, the high concept Love Symbol “rock opera” — the final record Prince would release under his original name until 2000 — famously covered as much musical territory he could pack onto one CD.
During a flurry of writing and recording music, promoting and touring behind Diamonds and Pearls, Prince created the music on Love Symbol as a soundtrack for a film he was developing. The straight-to-video 3 Chains o’ Gold (which also featured Kirstie Alley) illustrates the story, in Love Symbol’s lyrics, of Prince rescuing an Egyptian princess played by his then-muse and future wife, Mayte Garcia. Love, passion, sex, and togetherness are themes throughout the record.
It’s not a shock the public didn’t really get it, and that the label didn’t know what to do with the album. Love Symbol initially garnered modest sales and a muted critical reception. Star Tribune music writer Jon Bream called it "a royal disappointment," suggesting that the album's rap elements sounded derivative. “Prince used to be hip," wrote Bream. "Now he’s just another hip-hopper.”
For others, though, Love Symbol stands as a soulful, sexy, spiritual and overflowing masterpiece, and a balanced collection of songs. Anchored by the singles that some fans place among Prince’s greatest songs, Love Symbol bobs and weaves musically between love ballads and his own patented brand of raunchiness.
“Sweet Baby,” “Damn U,” “And God Created Woman” all ooze with sexiness and flavor. Prince even took a rare dip into reggae territory with “Blue Light.” Eschewing radio-friendliness, Prince launched the album with the funky and frank “Sexy MF” as a first single. The James Brown homage remains a defining Prince floor-filler to this day.
The artist also incorporated the popular New Jack Swing sound (previously used to great success by his Minneapolis peers Jimmy Jam and Terry Lewis) on “I Wanna Melt with U,” “The Max,” and the boastful “My Name is Prince.” In full rap mode, Prince attempted to drop the gauntlet for anyone who questioned his creative strength and dominance. Performing the song on The Arsenio Hall Show the following February, Prince famously burned Bream’s review on stage. Ouch!
It’s a Prince signature song, “7,” that stands as the spiritual climax of Love Symbol and has endured as a high point of his '90s output. The song ties the theme of the album, essentially his own life story at that time, together. As depicted in the famous video — a still of which graces the cover of Love Symbol — Prince rescues his princess, Mayte, from her father’s assassins, who are dressed as corporate executives. They dance together and lead a group of children through streets of gold. (The video also features the onscreen debut of Prince's dove Majesty.)
In her book The Most Beautiful, Garcia fondly recalled the filming as the moment they fell in love. “We changed during that shoot," she wrote. "There was a moment when I looked at him with tears in my eyes. All I could say was, ‘This is everything I love.’”
Overtly metaphysical in its self-reflection and spiritual awakenings, Love Symbol has cemented itself as a pivotal album in Prince’s career. Prince paints a picture within the record’s grooves that 25 years on feels uniquely autobiographical. While gangster rap, "new country," and grunge dominated 1992 commercially, Prince followed his own path and brought self-awareness to new heights with Love Symbol. It remains, in content and concept, the year’s most beautiful”.
I think it is important and interesting pulling in different features that approach Prince’s fourteenth studio album. I think that Love Symbol is one of Prince’s best albums. Sexy M.F., My Name Is Prince and 7 are among his finest singles. So confident and hard-hitting, this is an album that demands your attention. The Quietus went deep into Love Symbol in 2017:
“For Prince, most boundaries were blurred: he could not conceive of freedom as anything other than sexualised. With all the talk of intersectionality in the last decade, it is startling to come across an artist who simply equated sexual denial with cultural and racial oppression. Staying independent meant being lascivious, as much as tattooing the word "slave" on one’s face with an ascendant "V". Liberty, intelligence, creativity - these were principles of eros, so interrupting the status quo involved a necessary defiling of the body ("I put my foot in the ass of Jim Crow"), as in 'My Name Is Prince'. But even here there was room for impish good humour: in the midst of his tirade, Prince cries, "When U hear my music, you’ll be havin’ fun / That’s when I gotcha, that’s when U mine!" This song is the kind of surrealist dream in which a major threat consists of being subjected to fun - a musical subjection, since Prince leaves most of the violent taunts to rapper Tony M.
'My Name is Prince' ends with two male voices trying to work out what a woman just did ("She came!" "Where?" "There!"). With that ringing in our ears, the next track, 'Sexy MF', is presented as the "there", the coming, even though it is tantalisingly slow in getting to the point. While Prince launches straight into seduction mode, he begins with a sly feint of keeping things purely cerebral ("It’s U I wanna do / No, not cha body your mind U fool"). According to the first verse, this song is about the "R.E.A.L. meaning of love", and if a woman assumed otherwise, that was her own dirty mind at work. Prince was fond of pulling these counter-intuitive moves, acting affronted at having his virtue questioned. At the inference that his motives might be less than pure, he would come back with shocked retorts of the "get your mind out of the gutter, Missy" variety, before getting down to lewder and lewder requests.
In '7', Prince’s multi-tracked vocals come together like pillars, upholding a vision of "streets of gold" after the fall of a regime. It is a song of praise, carried by stately Middle Eastern themes, but this anthem is also a death warrant: here, Prince’s fixation on counting is an unabashed glee in seeing his opponents crushed. The serene intonation of the chorus is deceiving; we hear drawn-out assertions that "we’ll love through all space and time, so don’t cry", but tears are quickly resolved with a curt statement: "One day all 7 will die." The seven assassins are not merely token obstacles to love; there will be a genuine joy in watching them suffer, literally one by one. The singer counts out the feet of the enemy army as they march to the slaughter: “words of compassion, words of peace” can’t silence the desire to “smoke them all” and see blood spilled. Along with the seven assassins, six traitors will be killed, and the song relishes their deaths by counting them. Although the second last line of each stanza suggests tolerance, we always close on an image of death (“watch them fall”).
That Prince could write a song of such magisterial calm driven by schadenfreude shows up the contradictions inherent in his talent: the ability to create elevated work from what others might regard as petty grievances, to transform hokey sentiments into singular imagery. For Prince, the chronically musical performer - he could hardly turn out a phrase that was unmemorable - it was often a matter of felicity as to what he might fuse together. On this album, he laced a hard-edged assault with humility, mixed flashy and elemental imagery ("like Evian and the deep blue sea"), and reserved his sleaziest lines for a sophisticated jazz number.
The story of Love Symbol allowed him to play out all of his ideal roles, even if they occasionally came into opposition: avenger, trickster, peacemaker, lover, aesthete. What other performer evokes such a range of fictional archetypes, from Des Esseintes, the collector of exotic sensations, to the Wizard of Oz, whose gaze simply filtered out colours which failed to harmonise? Like the Scarlet Pimpernel - another dandy known by a single symbol - Prince reconciled spiritual devotion with the glamorous life, presenting himself as a soulful libertine. Along with the pleasures of the harem, he wanted to experience repose, commitment, conjugal bliss - nothing less than the whole world at once”.
On 13th October, we mark thirty years of Prince’s Love Symbol. Whether you see it as one of his all-time best or something promising but flawed, one cannot deny a certain gravity and importance surrounding the album. I personally rate Love Symbol highly. It is a wonderful album that I cannot believe is almost thirty! A perfect time to spin this amazing album, there is no doubt that Love Symbol is…
A sexy M.F.