FEATURE:
Revisiting…
Reneé Rapp – Snow Angel
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I want to jump straight in…
and get to some interviews with the amazing Reneé Rapp. Many might know her first as an actor. Having just appeared in the film remake of Mean Girls, there is a lot of buzz and praise around this wonderful talent. Also completing tour dates for her debut album, Snow Angel, it has been a busy past year or so. I am going to come to some press around Snow Angel, as I think it is a tremendous album that is underrated – not getting the acclaim and spread that it deserved. I wanted to start off with this High Snobiety interview. Among discussing her mental health, we also an insight into this incredible actor and artist who is very much she wants to be. A huge name and queer icon who has a legion of love and fans behind her:
“Today, she attributes much of the stability she’s found on this tour to her team. In the past, her team’s were, shall we say, a little toxic. “I had so many people telling me what was wrong with me for so many years… I'm in a much more supportive space.” While she notes her privilege as a cis white woman, and the things that shape her experience in the industry, Rapp explains she has really struggled with standing up for herself – especially earlier in her career.
“A lot of people will be like, ‘Wow, she's such a bitch. She comes across so bratty.’ And it's actually just me advocating for myself… if me asking for basic respect is bitchy and going for what I want is bratty, then okay, I would love to be a bitch. Because then I'm really enjoying saying what I want and living how I want to, to serve and support myself, and the people around me. That's actually great to me — hot take.”
PHOTO CREDIT: Morgan Maher
I had so many people telling me what was wrong with me for so many years. I’m in a much more supportive space.
But getting to a place where she’s surrounded by a supportive team that both respects and pushes her hasn’t been easy. “I also have been fortunate enough to craft my business and my team with people around me who keep me in line, absolutely, but I've tried to bust my ass to make sure that I can call shots.”
Beyond her supportive team, Rapp is grateful for her queer community, and the platform it has given her. Coming to terms with her sexuality as a kid in North Carolina, she remembers moments where she had to battle her own internalized homophobia, and deeply empathizes with the infinite spectrum of ways people come to love their own queerness, an idea she explores in the video for “Pretty Girls” directed by the one and only Cara Delevingne.
“When I was a kid… I was coming to terms with bisexuality or whatever you want to fucking call it, I remember saying out loud, ‘Well, I would really want to kiss a girl, but I don't think I could ever marry a girl.’ I remember saying that as a really young kid, and I think a lot of people do.”
The song and corresponding video focus on the classic queer experience of wondering “Are they into me into me? Are they into me to experiment? Or are they My boyfriend said it would be cool if we made out into me. Which, truthfully, is an experience most of us gays have been on both sides of.
PHOTO CREDIT: Morgan Maher
“I've done some shit I'm super not proud of,” Rapp admits. “And I've also done some things where I've been like, ‘Yes, this is amazing for me and this is very empowering.’ But I've also done shit out of true exploration and trying to figure out who I am and what I want. And I don't know, for me, that's never ended.”
These days, things are certainly different for Rapp. ”I've said to my partner, ‘Look, I've never loved being bisexual so much in my life as I have in this relationship. Because I feel so happy here.’”
Rapp’s relationship with her mental health, her body, and her queerness, have greatly informed the ways in which she looks at the fashion world.“I feel my best when I feel good. And that's coming from somebody who's been told, ‘You need to cover up’ or ‘You need to lose weight’ or ‘You look too frumpy’ or things like that for my entire adult life so far in a professional setting… I love fashion and I love versatility, and I love how it can make you feel on different days.”
She laughs when I bring up my favorite maybe-controversial topic: dressing gay. “It's such a joke, and probably such a bad joke, but I always say my style changes depending on how gay I want to feel that day.”
But for Renee (and for many of us) weighing feeling comfortable and safe, expressing different parts of ourselves via fashion while still feeling affirmed and authentic, also requires acknowledgment of the ways conforming to gender stereotypes, and being perceived by the world, has shaped our experiences.
“I really enjoy when I dress hyper-feminine or appear hyper-feminine, and then people are very confused. I quite love it. It didn't use to serve me when I was a kid though, because I was like, ‘Wait, I'm gay.’ Which is such an interesting complaint, because growing up in the South, I was blessed and lucky to present in such a way that I wasn't actively looked at through a specific lens.”
For Rapp, this perspective makes for an openness to experimenting with her own style and expression. “I could think that I don't like something one day and then somebody could wear it and make it look really fucking cool and style it really well. And I think it's sick. I am so for anything”.
I want to come to a couple of the positive reviews for Snow Angel. It is an album that I would recommend people check out. A top ten album in the U.K., Snow Angel was the first introduction for many to this awesome and original artist. Reneé Rapp is an artist who deserves a lot of respect. Her debut album was among the finest and most important of last year. The Guardian spoke with Rapp back in August about her new album. Having quit the Broadway musical of Mean Girls to protect her mental health, she was in candid and open mood when it came discussing her psychological wellbeing:
“Snow Angel, the debut album by US musician and actor Reneé Rapp, doesn’t pull its punches. Three songs in, the 23-year-old is airing out an old friend with exaggerated, vitriolic vim: “You’re the worst bitch on earth,” she sings over Poison Poison’s breezy acoustic pop, “I hate you and your guts.”
Over the course of Snow Angel – which puts her firmly in the realm of emotionally candid young pop singers such as Billie Eilish and Olivia Rodrigo – Rapp also criticises herself and ex-partners, writing raw, sophisticated songs in an attempt to make up for a childhood in which she was told she was “too emotional” by everyone around her. She has long been cursed with “really caring what people think, in a way that does not serve me”, she says. So, whenever she is worried about sending the wrong message with her music, she tries to remember: “I’m not making art to say this is my moral high ground and this is what I believe and agree with – I’m making art to be like, damn, this is what I’m feeling right now,” she says. “That doesn’t mean I’m proud of those feelings, but they are what they are – and that’s just art at the end of the day.”
Rapp anticipates criticism about Poison Poison. “Some people could listen to it and say: ‘How the fuck could you write a song like this? Why are you tearing down other women?’” She stresses that the issue is one of “women tearing down women in front of men. Trust me, I have not been out-girlbossed.”
It makes sense that she would be drawn to the subject: over the course of her relatively short career, she has made something of a muse out of mean girls. Rapp got her big break in 2019, playing the role of Regina George in the Mean Girls musical on Broadway; until recently, she was a lead on Mindy Kaling’s HBO show The Sex Lives of College Girls, playing the wealthy, preppy closeted lesbian Leighton. (Today she can’t discuss her film and TV work due to the ongoing Hollywood strikes.) On her popular TikTok account, where she has more than a million followers, she often adopts a disaffected, eye-rolling persona, speaking with the ironic detachment of the coolest bartender at the local bar you are a little too scared to go into”.
I am going to end with some reviews. DORK outlined why Snow Angel is not a typical album from an actor-musician. Full of personality and potential, it is an amazing debut from Reneé Rapp. It is one of my favourite albums from last year. I cannot wait to hear what a second album may offer:
“Oh, so you’re an actor who dabbles in music, are you? Or perhaps a musician with a flair for acting? We’ve seen plenty of those. What’s so special about you, huh, Reneé Rapp?
Well, quite a lot, as it turns out! Within the first few beats of the opener ‘Talk Too Much’, it becomes evident that ‘Snow Angel’ isn’t merely a vanity project or a superficial brand addition. Instead, it’s a record that bites back with genuine fervour. Raspy, rambunctious, and seamlessly blending both vulnerability and strength, it firmly establishes the tone, marking Rapp as an undeniable force to be reckoned with.
The album’s mood may ebb and flow – transitioning from the tropical undertones of ‘Poison Poison’ to the sassy, confident strides of ‘So What Now’ – but there’s a palpable authenticity to ‘Snow Angel’ that distinguishes it from the pack. It’s a deeply personal record that wears its journey with pride, showcasing a raw, unflinching honesty at every turn. ‘The Wedding Song’ delivers verses laden with plucked strings reminiscent of Panic! At The Disco’s iconic ‘I Write Sins…’ before erupting into a powerful, anthemic chorus, while ’Pretty Girls’ is a shimmering, high-definition mega-bop that even Carly Rae Jepsen would approve of.
It’s the album’s title-track that really stuns, though. A piano-driven slow-burner, it goes from heart-wrenching and crystal-sharp to a brash, bombastic hymn of defiance. “I tried so hard, I came so far,” Rapp asserts. Holding nothing back, it’s the perfect representation of both an artist and an album that puts real substance behind the shine. Reflective, audacious, deeply emotional, and relatable with it, Reneé’s got nothing left to prove. Clear a space in the A-list, Reneé Rapp has arrived.
4/5
TOTAL SCORE”
The Line of Best Fit were also full of praise for the terrific and endlessly playable Snow Angel. With Rapp co-writing all of the twelve tracks (a Deluxe version was released with an extra four tracks – all of which she co-wrote), there is a lot of the personal in the songs. That comes through when you listen to Snow Angel:
“On an app full of Gen-Z teens constantly thinking about climate change, relationships, or the, well, everything, happening right now, it’s no surprise pissed-off anthems like Olivia Rodrigo’s “good 4 u”, newly released “vampire” or GAYLE’s “abcdefu” struck a chord. Even pop songs with a powerfully delivered chorus or bridge – Mimi Webb’s “Red Flags” or Taylor Swift’s sleeper hit “Cruel Summer” – are enough to take anger out on.
That’s where Reneé Rapp comes in – an intelligent songwriter turning the direction inward, towards herself. Her breakout “Too Well” soundtracked self-hatred upon seeing someone with a new partner: “I get so sick of myself,” she yells atop a pulsating beat on her 2022 EP Everything to Everyone.
Her debut full-length, Snow Angel, follows the same angst and pent-up energy that all pop songs must have, anxiety so explosive it results in some of the year’s best moments. The title track, cleverly picked as the album’s lead single, harbours the assurance “I’ll make it through the winter if it kills me,” eventually exploding into a stadium-ready outro. “I met a boy, he broke my heart,” she says, a lyric so simple it wouldn’t work anywhere else but in an emotion-driven scream. The aptly-titled “I Hate Boston” follows the same sonic pattern, documenting how one failed relationship can sour an entire location. “The whole thing is haunted,” she sings as the song builds into an inescapable crescendo.
Her astute writing – devastatingly funny, and shocking in a way Samia explored on her sophomore album Honey – comes into play several more times, particularly on the bossa nova “Poison Poison.” “Yes, I am a feminist,” she prefaces, “But bitch, you’re making it so hard for me to always be supporting all women.” The shock value – “is she… allowed to say that?” Twitter users might ask – is genuinely reflective of the undue hatred you might feel for someone existing. “Fuck you, you dumb bitch,” she ends. Another swing on the album is towards those who don a queer persona in the name of quirkiness – on “Pretty Girls,” she tells an experience knowing women who, after a couple of drinks, will kiss other women for fun, but forget about it the next morning. It’s easy to understand why Rapp, openly bisexual, disdains this sort of behaviour. “Keep on pretending, pretty girl,” she acknowledges through clenched teeth.
Snow Angel is also delicately tender when Rapp chooses to be. On its opening track, she examines her anxiety in relation to pseudo-obsessive-compulsive signs (“If I see a blue car today, we’ll probably have to break up”); on “Gemini Moon”, a similar track about dissonance, she admits, “I talk shit then I bite my tongue.” She pretends to be calm on “Tummy Hurts”, where she envisions a past partner’s lineage with a new family: “Someone’s gonna hurt their little girl like their daddy hurt me.” On the closing track, an ode to turning one year older, she laments that her birthday wish – to get better, in some intangible, encompassing way – remains the same.
Snow Angel is exuberant, hilarious (“I just want some recognition for having good tits and a big heart” is a standout line) and not afraid to go there. Rapp has big feelings, and she’ll let you know about it. It’s an oddly assured debut, tender and strong at the same time – and its greatest strength is that Rapp is as good of a songwriter as a performer of her own emotions”.
I want to revisit the stunning Snow Angel. I think that some were a bit mixed towards it. Perhaps assuming that this was another actor trying their hand at music, unaware that this is a complete and compelling album that is unlike anything else. One that needs to be played and shared more today. If you have not heard Reneé Rapp’s Snow Angel, then take some time out…
AND check it out.