FEATURE:
Music Can Be Such a Revelation
Madonna’s Into the Groove at Forty
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THOUGH it is has a later…
IN THIS PHOTO: Madonna in 1985/PHOTO CREDIT: Francesco Scavullo
U.S. release date, Madonna’s Into the Groove was released in the U.K. on 15th July, 1985. I wanted to mark forty years of a song that is seen as one of her defining cuts. Perhaps her very best track. A year before her True Blue album was released, Madonna had this run of incredible singles that pushed her work forward and cemented her name as the Queen of Pop. In terms of Into the Groove, this was not originally on a studio album. It initially featured in the 1985 film, Desperately Seeking Susan. Written and produced with Stephen Bray, it was inspired by the dance floor and Madonna's attraction to a Puerto Rican man. To mark forty years of a classic that is one of the defining songs of the 1980s, I am going to explore some features. In 2012, The Guardian voted for the best number one singles. Madonna’s Into the Groove came in first. They asked whether there had been a hotter summons to the dancefloor than this song:
“I was three when this single first came out and, by all accounts, grooving my chubby limbs and waddling across the kitchen lino, hypnotised by Madonna. That dishevelled perm, the armful of rubber, her lace leggings and – my God – this song. Had there ever been a hotter summons to the dancefloor than Into The Groove? It was the soundtrack to her first (and last) great cinema moment, and the beginning of my decade-long pop crush. Madonna was never the best singer or dancer, but she transcended the need to be either. Even now, when I'm (almost) 30, in a post-Gaga world, the chorus still gets me. It makes me believe the inane truth that "only when I'm dancing can I feel this free", and reminds me with that irresistible bridge – improvised on the spot by Madonna in the studio – that plenty of songs have celebrated both dancing and sex, but few have done it this well”.
In 2022, Dig! looked at the story behind Into the Groove. The bestselling of her U.K. hits, the single was the moment when Madonna’s name and fame spread to all corners of the globe. She became an unstoppable and peerless Pop artist! Even now, Into the Groove sound so infectious and fresh. You can hear artists of today who draw inspiration from the song:
“Work on the Like A Virgin album, produced by Nile Rodgers, had finished in 1984, but the continuing success of songs from Madonna’s self-titled debut album meant Like A Virgin’s release was delayed in order to allow singles such as Lucky Star to finally burn out. Meanwhile, Madonna was still writing material as her attention turned to her first major movie role, in Desperately Seeking Susan. A scene filmed at the Danceteria nightclub, in New York City, needed a song for the extras to perform to, and so the sequence featuring Madonna and her late co-star, Mark Blum, was recorded using a demo that she had to hand.
That demo was Into The Groove, and the original plan had been to pass the song to Mark Kamins, the producer of her first single, Everybody, to record with Cheyne (aka Cheyne Anderson), an up-and-coming dance act he was working with. (Cheyne would go on to top the US dance charts with Call Me Mr Telephone (Answering Service) and also contribute a cover of Private Joy, a cut from Prince’s Controversy record, to the Weird Science soundtrack.)
Outperforming its early promise
Released on 15 July 1985, Into The Groove entered the UK charts at No.4. A week later, on 3 August, it unseated Eurythmics’ There Must Be An Angel (Playing With My Hear) to claim the top spot and become the first of a record-breaking run of Madonna No.1s which would continue into the first decade of the 21st century with Hung Up, Sorry and her Justin Timberlake duet, 4 Minutes. Over time, Into The Groove would become Madonna’s best-selling UK single, shifting close to a million copies across that first year, and accumulating tens of millions of streams (and counting) in the digital era. Back in 1985, the song was added to a reissue of the Like A Virgin album in some markets, including the UK, where, claiming its place among the best Madonna albums, Like A Virgin would finally top the charts in September – almost a year after it had first come out.
Even greater success for Into The Groove came on the dance circuit – the track would top US club listings and become a perennial go-to cut for party DJs. The first official rework of the song came from Shep Pettibone, on the 1987 remix album You Can Dance, and the producer would remodel it again for Madonna’s phenomenally successful hits compilation, The Immaculate Collection, which was issued in 1990. Pettibone’s legendary You Can Dance Remix Edit is now almost as familiar as the original single release, and was picked for the tracklist of Finally Enough Love: 50 Number Ones, the 6LP remix collection celebrating Madonna’s extraordinary career”.
For a song written on a fire escape about a “gorgeous Puerto Rican boy” Madonna had spied, and first considered as a throwaway tune for another artist, then pegged as background music for a movie, Into The Groove has certainly outperformed its early promise, and it is now rightly regarded as one of the best Madonna songs of all time. Celebrating dancefloor escapism, its lyrics spoke to all manner of liberations and sealed Madonna’s reputation as an act with an almost unparalleled instinct for capturing an emotional rush that could be packaged into a perfect chart-bound single. These glorious four minutes and 44 seconds represent the true coronation of the world’s reigning “Queen Of Pop”.
There are paens to this song and articles from fans and writers who state how Into the Groove changed their lives. I am going to end with this article from Rolling Stone. As part of their 500 Greatest Songs podcast, they looked at how Madonna conquered the dancefloors and planet with this 1985 gem. I hope that the Queen of Pop celebrates the song when it turns forty on Tuesday (15th July):
“In 2004, Rolling Stone launched its 500 Greatest Songs of All Time list. Tabulated from a massive vote that had artists, industry figures, and critics weighing in, the list has been a source of conversation, inspiration, and controversy for two decades. It’s one of the most popular, influential — and argued-over — features the magazine has ever done.
So we set out to make it even bigger, better, and fresher. In 2021, we completely overhauled our 500 Songs list, with a whole new batch of voters from all over the music map. Our new podcast, Rolling Stone’s 500 Greatest Songs, takes a closer look at the entries from our list. Made in partnership with iHeart, Rolling Stone’s 500 Greatest Songs finds hosts and Rolling Stone staffers Rob Sheffield and Brittany Spanos discussing a new song each week, delving into its history and impact with the help of a special guest — including fellow RS colleagues, producers, and the artists themselves. It’s our celebration of the greatest songs ever made — and a breakdown of what makes them so great.
This week our hosts Brittany Spanos and Rob Sheffield look at an Eighties dance-floor classic from one of the all-time pop legends: Madonna’s “Into the Groove.” It wasn’t Madonna’s first single (that was “Everybody”) or her first hit (that would be “Holiday”), but “Into the Groove” is the one that instantly evokes Madonna in her raw, gritty early days. It’s a fast, in-your-face disco anthem that hits as hard as punk rock, from the hungry young Madonna, aiming to sum up the whole history of dance music in one song. “Into the Groove” is still the song at the heart of her lifelong bond with the club scene and the dance community. It’s the one where she sings right into your ear: “You can dance, for inspiration.”
Madonna is obviously all over the list, with three songs: “Into the Groove” placed at #161, “Vogue” was #139, while her 1989 hit “Like a Prayer” came in at #55. (“Like a Prayer” did even better on our recent massive list of the 200 Best Songs of the 1980s — it was right near the top, at Number Two.) But somehow “Into the Groove” is the crucial song for her disco legacy.
Our hosts go into the weird story behind the song: Madonna wrote it with collaborator Stephen Bray, a low-budget home recording inspired by spying on a hot neighbor dancing in his apartment in the Lower East Side. When Madonna was making the 1985 movie Desperately Seeking Susan, director Susan Seidelman needed one more song for the soundtrack, for the scene in the downtown dance club. “Into The Groove” not only became a hit, it summed up an era in the history of dance music.
Brittany and Rob delve into the timeless mysteries of “Into the Groove”: Why are we so obsessed with this song? Why does it loom so large over Madonna’s other hits? Why is it the gateway drug that hooks so many generations of Madonna fans? We also discuss some of the most bizarrely forgotten hits in her gigantic songbook, the ones that don’t get played on the radio as much as they deserve. (Nobody will forget “This Used to Be My Playground,” “Take a Bow,” or “What It Feels Like for a Girl” while we have anything to say about it.)”.
With one of music’s greatest music catalogues, Madonna’s Into the Groove stands out. Not only is it an amazing song. It is a moment in her career where she truly captivated the world. She even performed the song during Live Aid forty years ago today. That was an incredible moment! In 2016, when ranking Madonna’s fifty best singles, Rolling Stone placed Into the Groove second:
“Into the Groove" is the streetwise beatbox anthem Madonna kept trying to write when she was down and out in New York, the days when she squatted and ate out of garbage cans. As she explained in 1985, "It was the garbage can in the Music Building on Eighth Avenue, where I lived with Steve Bray, the guy I write songs with. He's Useful Male #2 or #3, depending on which article you read." Madonna and Bray – the ex-drummer in her punk band – knocked off "Into the Groove" as an eight-track demo. (Bray later said he came up with the "rib cage" and "skeleton" of the music, with Madonna writing lyrics and adding her own touches – in this case, the song's bridge.) Her movie Desperately Seeking Susan used it for the scene where Madonna hits Danceteria, but then it unexpectedly blew up on the radio. It still sounds like a low-budget demo – those breakbeats, the desperate edge in her voice when she drones, "Now I know you're mine" – but that raw power is what makes it her definitive you-can-dance track. "Into the Groove" has ruled the radio ever since”.
In 2018, when ranking Madonna’s singles (seventy-eight to that point), The Guardian put Into the Groove in seventeenth. Classic Pop shared their views on the forty best Madonna singles. Into the Groove came in second (only beaten by Like a Prayer):
“Fuelling box office receipts for Madonna’s big-screen debut in Desperately Seeking Susan, MTV staple Into The Groove was a standalone single to promote the movie and is the singer in the heat of her 80s pomp. Conceived on a humble fire escape and with her then-boyfriend Stephen Bray as co-writer and producer, the track was initially intended for producer Mark Kamins’ act Cheyne, but Madonna rightly thought it too good to give up.
Despite not getting an official US single release, its position on the B-side of the Angel 12” meant it rose to become a staple on the dancefloors of New York City and a No.1 hit on the Billboard Dance Chart – eventually honoured as their dance hit of the decade. Inspiration came from the “freedom that I always feel when I’m dancing,” explained Madonna to Time magazine, “that feeling of inhabiting your body, letting yourself go, expressing yourself through music”.
Having performed the track in her Live Aid concert set in Philadelphia, it was bound to fly. Released at the height of summer 1985, it landed straight into the UK Top 5, desaddling Eurythmics’ There Must Be An Angel (Playing With My Heart) to take No.1. Around a million sold in its first year, Into The Groove was soon added to the Like A Virgin album reissue, Madonna’s biggest-selling single in the UK to date and her first UK chart-topper. Into The Groove proved that music could indeed be a revelation…”.
Not only one of Madonna’s best songs, Into the Groove is one of the most important singles ever. Forty years later, and you cannot say that the impact and brilliance of this song has diminished and faded. It is a perfect Pop moment that shot Madonna to new heights! Such a seismic moment, this is a song still widely loved and played to this day. Released on 15th July, 1985 in the U.K., it is not a shock that Into the Groove was…
A worldwide chart smash!