Track Review: This Modern Hope- The Abyss

TRACK REVIEW:

 

This Modern Hope

 

 

The Abyss

9.6/10.0

The Abyss is available at:

https://soundcloud.com/thismodernhope/the-abyss-private

RELEASED: November, 2015

GENRES: Indie

ORIGIN:

London, U.K.

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IT is good to come back to an artist who I am familiar with...

and return to Rob Payne.  Being familiar with his alma mater (The Bedroom Hour) I was curious to see how his solo project compared/fared.  Before I introduce the man and act in question, there are a few themes that come to mind.  I have been fascinated by the issues of the solo realm, London music and atmosphere in music.  Having mused (to psychotic lengths) in past reviews, it seems like the solo market is still a little unbalanced.  I shall not labour the point too much; suffice to say there are few acts that have stuck in my mind this year.  I think one of the issues is they (solo artists) look at the mainstream and follow examples like Ed Sheeran and James Bay etc.  I have respect for those acts to an extent- although I do not like their music- and feel they have a lot of ambition and passion for their craft.  It is all well and good following and being inspired by artists.  When your music sounds too close to existing acts then it seems pointless endeavouring on your own career.  We have heard too many acts that are just replicating others.  It means the listener is not given any real originality and individuality at all.  What Sheeran and Bay provide is acoustic guitar-driven Pop music that delves into love and introspection.  This has been a staple of music for decades and in a time where there are all manner of possibilities- when it comes to sound and genres- there is no real excuse to stick to these well-defined and narrow confines.  Those artists that take time to forge something characterful and innovative will gain the fan-base and stand out in the mind.  I feel when you play in a certain way- acoustic and stick to certain themes- there is a danger you become rather dull and uninteresting after a while.  I am not suggesting artists need to throw everything into the mix- and lose concentration and focus- but there is so much available to put into music.  I know solo acts are alone and have a hard time of things- with no band members at their disposal- and maybe money (lack thereof) is hindering musical progression?  Perhaps so, although I find there is too little imagination out there and a certain market expectation.  I guess fans want to hear insights into relationships and something they can relate to.  That being said, playing music that concentrates on those concerns need not be stagnant and uninspiring at all- far from it!  The solo arena is showing too many examples who come to music and give nothing but a lazy shrug of the shoulders.  It may seem like a tangent but it brings me to my featured artist.  Being familiar with The Bedroom Hour- a London-based act with embers of Elbow who sadly disbanded this year- I know how great Rob Payne is.  A superb voice with a distinct style and compositional flair, it was great investigating This Modern Hope.  The ‘band’ moniker does not seem like a coincident: it is almost a message to fellow musicians and a sign that music can get better and more fascinating.  Before I raise a couple more points, let me introduce my featured act:

“This Modern Hope, the new solo project from West London musician and producer Rob Payne, is ready for takeoff and poised for success. Drawing on influences such as Death Cab For Cutie, Doves and his brother's record collection, This Modern Hope's sound is classic yet fresh, switching seamlessly from up-tempo, driving rock to stirring ballads, Rob's soulful voice floating effortlessly over the melodies as the beats flow. Lyrically deep and with a heady vocal intricacy, the songs come straight from the heart and leave a lasting impression that words can't describe.  With a strong musical pedigree, masses of talent and a little help from some friends, This Modern Hope's tunes are ready to be heard”.

Payne is based out of London: an area and part of the country that is offering some of music’s most fascinating examples.  It is not really the London bands that are most intriguing to me right now.  I am finding the solo acts out of the capital are some of this country’s finest.  I have had the pleasure of reviewing some tremendous solo talent this year.  From Electronica females to some great male Hip-Hop; it seems London is causing some serious waves when it comes to the solo peeps.  I have speculated the reason behind this transformation- last year was quite fallow by comparison- and maybe social media has played its part more efficiently.  Whatever the reason behind the revival, I have been fondly looking at the capital for solo inspiration.  What is staggering me most about the solo market (not just London but everywhere) is those artists that ensure atmosphere and passion is put into the music.  Too many musicians tend to put little consideration into the composition and making things interesting and detailed.  Music that sticks in the mind and demands repeated listening is that which contains detail, nuance and ambition.  Rob Payne is a London-based treasure that made some huge footsteps when part of The Bedroom Hour.  That (sadly bygone) band put me in mind of Elbow- when it came to the vocals especially- but also when it came to compositions.  Not just a band who followed the pack; lush strings and moody electronics mixed with terrifically economical riffs and something taut and tense- I was sad (as were so many others) when the band called it time.  Payne is not replicating his former band in This Modern Hope.  What has remained is that configuration of stunning compositions and slice-of-life lyrics.  Tapping into modern concerns and romantic misadventures- with some insights into his own soul- we have an artist that wants his music to be heard and inspire.  The compositions- from the songs that have been released thus far- show a young artist with a need to climb among the mainstream mass and define himself as a genuinely fresh example.  The Abyss will be released on Christmas Day- perhaps the least Christmas-y release ever but something that will no doubt warm souls- it sees Payne provide something hugely atmospheric and memorable.  The track Tear Me Down was unveiled earlier this year and was one of the earliest opportunities for listeners to witness This Modern Hope.  That track was a confident and stunning insight into a musician with a definite agenda and special talent.  I am predicting some good things in 2016 (for This Modern Hope) and would be great to hear an E.P. or album produced.  What we can guarantee is a string of dates and a chance for the U.K. to hear Payne bring his music to the masses.

I have reviewed This Modern Hope before (the track Home back in April) and the best modern-day comparison will be with their most current tracks.  When looking into The Abyss, one must look back at Tear Me Down.  The track begins with a shimmering and fascinating introduction which sees swaying strings ache and pervade.  The percussion is tight and taut as a subtle and grand piano line rouses through the mist.  Wistful and yowling strings linger in the background whilst you get carried away in the waves and momentum of the foreground.  Having built up quite a head of steam, our hero steps to the microphone with some angst-ridden opening sentiments: “Break off a piece of me”.  Our man counts his sins and is “part of your process now”.  Perhaps struggling from the wreckage of a relationship, you can sense that anger and dissatisfaction in the vocal.  The vocal itself is instilled with so much passion and soul that it is often easy to overlook the lyrics’ heartache and troubles.  Those anxious words melt seamlessly with the chorus; it remains lighthearted enough so the track does not get bogged-down and too bleak.  What you get is a song that shows Payne in fine voice and at the top of his compositional prowess.  From that Bedroom Hour-esque introduction you get the sound of a man that has new issues and agendas- funneling them through the supportive medium of music.  The sweetheart at the center of Tear Me Down is desirous and lusted-for.  She may not believe our man be he definitely wants her.  Whatever troubles or history they have had- or whether this is a new romance- there is a definite need and cohabitation that cannot be broken.  Perhaps the duo has been through the mill and there are residual feelings that refuse to die.   Whatever the truth, the commitment and urgency of the vocals cannot be understated.  Bits of Guy Garvey’s solo work peeks out in the mantras of Tear Me Down.  You can hear shades of the Elbow front-man in Payne’s tortured and love-seeking drama.  What Payne does is provided a unique insight into his world.  With a meaty and mighty guitar coda ending the song (similar to its opening) and you have a song that will appeal to Indie-lovers and those which prefer their music compelling and dramatic.

  The Abyss shows a different side to This Modern Hope.  Whereas Tear Me Down was more lyrics-focused- and looked at that desire to get the girl- here there is more emphasis on texture and composition.  As the title may suggest there are images and sentiments of mortality and space.  Because of this more effort is expended to ensure that composition elicits appropriate imagery and vivacity.  You get a more developed and complicated composition; the lyrics are stunning and striking; that vocal just as compelling.  Both songs do different things- yet are equal in terms of quality- and show different aspects to Payne and his personality.  What both songs show is a young talent with a fantastic ear for musical evocation and eventfulness.  You have so much passion, nuance and wonder in every note; you can tell it was created by a man with huge appreciation and love for what he does.  Distinguishing himself from his peers; each track has a different personality and contains bags of electricity and honesty.  Over the course of a few months- between the releases of both tracks- you can see a little development and change.  Essentially, This Modern Hope want to go in with a unique and consistent sound- so that they don’t come across as freewheelin’ and unfocused.  That said, the two tracks both offer something new and separate.  This bodes well for any future releases as the consistency and depth (of both tracks) is tremendous.  The Abyss is a brave and daring number that shows Payne is free of fear and limits- how many musicians can promise that?

I was very excited to get my reviewing fingers on The Abyss: a song that has been garnering some very positive assessments from the online community.  The opening seconds are appropriately cosmic and frightening.  Some echoed and distinct electronics give you the impression of uncertainty and floating into the heavens.  Perhaps you get sucked into that vivid and spacey thought process, our hero lends some softer guitar to balance the composition out.  Taken it into Alternative (and safer) territory it is a perfect blend to ensure the introduction summons the biggest reaction- and evolves to create anticipation and excitement.  The soft guitar-strumming sits aside from the foreground which has some yowls of guitar and something detached and machine-like.  It is strange in a way that the composition shows so much emotion but could be the representation of emotionless machinery.  Perhaps scarred by a relationship or just in an uncertain place; what the introduction does is gets you imagining and wondering.  My thoughts regarded life’s uncertainties and the fears of stepping into the world alone.  Having said goodbye to his band brothers- embarking on a solo venture- you can sense a little uncertainty and fear for sure.  Maybe there is just a bleak period (in Payne) that needs to be exorcised and explained.  Most modern acts are keen to dispense with the introduction as quickly as possible- radios like songs to get to the vocals quickly- so you hear few building and scenic songs around.  Those musicians more concerned with quality and emotion (as opposed to airplay and hollow claims) create the best music.  The Abyss has an atmosphere and beauty that is hard to describe in words.  One of those songs that need to be played live- to experience its full majesty- you get so many movements, emotions and images within the space of a few seconds.  When the vocal does come to play- nearly a minute into the track- the listener has already had their mind transported to somewhere fantastical and far-off.  Payne arrives at the microphone with a pleasing falsetto (that puts me in mind of Noel Gallagher) containing ample warmth and intention.  Something is taking him away (perhaps the abyss and life itself) although our hero is “not ready”.  Unwilling to be sucked into a premature submission, that aching and yearning defence is something that gets right into the soul.  Dripping with emotion, few listeners will be able to evade that haunted and soul-bruised uttering.  When the opening words do come, you begin to work on your own interpretations.   “I wasn’t to know” are words that indicate that our hero has been taken by surprise and may be documenting a love affair.  Perhaps things have turned sour through no fault of his own; that ominous composition gives you shiver of the good kind.  Payne lets his voice hover and hold- in order to get across the importance of his mindset- drifting into the cosmos.  Conveying so much purity and emotion is not an easy track; our man manages to sound authoritative, natural and hugely stunning.  Whereas there are troubles and contradictions amassing, it seems there is a central figure that is “there for me”.  Our hero is perhaps struggling against the tide of life and has something/someone he can cling to.  Whether this is a lover or loyal friend I am unsure; what is sure if that need to be anchored and find some answers and peace.  Between the vocal offerings are swathes of compositional beauty.  This is a song that says a lot in its lyrics (the few of them) but says more in its composition.  Our hero says what he needs to say before letting his music represent the full extent of his thoughts.  Like the introduction, the between-the-verses music is scintillating and dramatic; not to mention evocative.  Those electronics and strings melt to create something inescapably intense and amazed.  Awe-struck and drifting, the listener is left to immerse themselves in the notes and follow the music on its plight.  Each of us can relate to the song’s sentiments- about loneliness and uncertainty; those forces we all struggle against- and will have our own way of dealing with those pressures.  What The Abyss does is provide an outlet for us to express; a song that taps into our darker moments and provides some comfort and companionship.  A song that is universal in its themes, there is a lot of beauty and tenderness to be found.  Although the official release will be December 25^th- and not something most of us would think of at Christmas- it is a song that provokes you to dig into your mind and reflect.  A song that demands people reach out to people and help- it is a powerful and mesmeric.  Our man returns to the microphone to claim his sins have dissolved and he feels the abyss.  Like its sister-song (Tear Me Down) there seems to be sin-cleansing that is occurring.  Whether a broken relationship- and the cheating and heartache that occurs- or some personal troubles; our man has burdens on his shoulders he is determined to eradicate.  Of course it is not just Payne that brings the comfort and reflection.  His band manages to evoke such a range of emotions and directions, hats go off to each of them.  Whilst the percussion is strong and heartbeat; the guitar buzzes with pain, nervous energy and insistency.  What strikes me about the song is the vocal itself.  The scant lyrics are hugely effective in the messages they promote- our man is wrestling against life but wants to make things better- but the way they are delivered is the most impressive.  Words are help and elongated to give the true essence of floating into the darkness and abyss.  Whilst all my words may lead you down shadowed paths- and think the song is a depressive thing- the truth of the matter is this: The Abyss is nothing to be afraid of.  What the song does is promise redemptiveness and positivity.  Our hero has felt heartache and uncertainty but is determined to redeem things and start afresh.  The composition is such a wonderfully rousing and atmospheric thing it will move you with its strength and passion.  Most of the song is instrumental, so it is a chance to see This Modern Hope display their compositional chops.  A lot of Indie/Alternative bands- when they tackle something or decide to get cinematic- often lose the plot and wander into aimlessness and banality.  Payne is a seasoned musician that has/does work with some terrific musicians.  Bringing his talents and insight to This Modern Hope has resulted in a stunning track that is hard to forget.  By the closing notes- and the epic swathes that precede it- you continue to wander and wonder as to the song’s ending.  It is clear the hero is going through change and asking questions; there may be uncertainty to the future.

Congratulations must go to Rob Payne who has penned a song that is among his finest work.  His comrades in This Modern Hope- the fellow musicians and producers that have helped forge the sound- should get commendation and respect.  The production is clear and polished- although not overdone or too shiny- which means the song fully comes to life.  No instrument or vocal is mixed too low ensuring you get a perfect balance and can hear every component.  It is vital the vocal is not faded down so that you can understand the words and hear that passion in full flight.  Similarly, the composition is so impressive and domineering, you cannot relegate it to the background.  The musicianship throughout The Abyss is staggering: so much time and attention has been paid to ensure that every line and note promotes fascination and self-reflection.  From start to finish you get a masterful song that never relent its majesty and grandeur.  Differing from Tear Me Down- a song that has more subtly and a different agenda- we have an act that is effortless no matter how big (or small) they want to be.  One reviewer/commentator stated The Abyss was a cross between Doves and Pink Floyd.  Whilst I have mentioned Noel Gallagher (vocals) and Elbow (composition and lyrics) there us truth is that summation.  One can hear elements of Dark Side of the Moon’s cosmic and staggering ambitions.  This Modern Hope summons a modern-day representation of Floyd’s grand-scale dreams and humongous compositions.  Pink Floyd’s greatest moment saw them take the listener somewhere special.  Few modern musicians take the trouble to pen such deep and compelling songs.  Doves did/do produce music that conveys modern-day concerns through haunting and epic vocals- listen to their album Lost Souls- whilst making it accessible and populist.  This Modern Hope take ‘70s Prog.-Rock with ‘90s/’00s Manchester-based Alternative to create something tremendous.  A unique and stunning song, ensure you investigate This Modern Hope- and surrender to The Abyss.

With his social media numbers still growing- although scandalously short of what he deserves- This Modern Hope is an act to watch in the coming year.  There are so few accomplished and memorable acts that provide something atmospheric, haunting and emotional- without it becoming heavy-handed and suffocating.  There is plenty of beauty, hope and light to be heard within the music.  What This Modern Hope offer is a chance to escape and reflect; get away from the stresses of life and immerse yourself in something quite spectacular.  Too many musicians do not resonate in the mind and has such a slight and tedious sound.  For every twee-voiced acoustic artist out there we have a musician that is willing to be different and fresh.  Rob Payne amazed me during his stint with The Bedroom Hour and he sounds more assured and confident here.  I know how hard the last year has been for the young musician- the band splitting and the financial and commercial pressures of getting his solo endeavor off the ground- but that grit and graft will translate into rewards and success.  The coming year will be a chance for him to expand his horizons and get a new release out into the ether.  An E.P. would allow the public a chance to hear This Modern Hope in full flight- whether the funds would be raised via Kickstarter is to be seen- but I for one would love to hear more from the London act.  Before closing this review, it is apt to reintroduce the concerns around solo music; the potential London is showing; the importance of injecting something atmospheric into your music.  Without being foreboding and dark-hued, This Modern Hope ensure their music bristles with beauty, shiver and something twilight.  Modern-day sounds- when it comes to solo acts- either have very vague and generic compositions or something quite hard and heavy.  Few artists go in the middle and create something symphonic, emotional and epic- well, not with much conviction or originality at least.  Maybe that type of music can get you down after a while- if you immerse yourself fully to its cause- although there is plenty of redemption, beauty and positivity to be extrapolated from (this music).  The Abyss is not as daunting as its title suggests alas.  The song not only provides something quite memorable but it points to a musician that understands the vitality of ambition and atmosphere in the music.  With London providing so many hungry and eager musicians, I was not surprised Payne decided to venture into the fray once more.  A talent that has always impressed me his new music will please fans of his past life- that with The Bedroom Hour- but also pull in new followers and supports.  With so many lesser musicians packing thousands of social media fans, I was staggered to see comparative few flocks towards This Modern Hope.  Let’s hope this changes and Payne’s music gets the following and respect it has earned.  The U.K. is lacking a little behind the U.S. when it comes to new music- the quality and diversity that they provide.  I tend to find too many are concerned with chart success and following critically-approved artists rather than forge their own careers and sound.  This means there is a grey mass of acts that all sound alike and are cynically designed to appeal to radio playlists and readers of Q Magazine.  Those that have the balls and intelligence to create something unique- that will stand the test of time and inspire the likes of me- will have a harder road to success.  Maybe the plaudits will come in years (rather than months) and they will have to escape and fight a little harder.  Perhaps that gauntlet is too challenging and frightening for many, yet some are sticking it out.  For new music to stand a chance of inspiring and succeeding we need to embrace those artists that are willing to make changes are expand their minds somewhat.  Of course ambition and originality do not always equate to quality.  With music becoming ever-more evident and popular, it is getting harder to determine which acts are going to last the course.  Rob Payne’s new outfit differs from The Bedroom Hour yet contains those some atmospherics and dramatic scenes.  The pristine and exhilarating vocals are in place and the music gets directly into the heart.  The Abyss is a song that does not want to push people away; it beckons you in and wants to immerse you in its colours and drama.  Take a listen to the song and support an artist…

 

WITH a lot more to say.

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Follow This Modern Hope:

 

Official:

http://www.thismodernhope.com/

Facebook:

https://www.facebook.com/ThisModernHopeMusic/?fref=ts

Twitter:

https://twitter.com/thismodernhope

Instagram:

https://www.instagram.com/thismodernhope/

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Music:

https://soundcloud.com/thismodernhope

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Videos:

https://www.youtube.com/channel/UCoezfwi011FeoW9kzzAqDaA

Track Review: Sameblod- Asian Mojito

TRACK REVIEW:

 

Sameblod

 

Asian Mojito

 

9.6/10.0

Asian Mojito is available at:

https://soundcloud.com/sameblod/asian-mojito

RELEASED: December, 2015

GENRES: Electro.-Pop

ORIGIN:

Stockholm, Sweden

The Nostalgia E.P. is available at:

https://soundcloud.com/sameblod/sets/nostalgia-ep

TRACK LISTING:

Fade Out- 9.5

Asian Mojito- 9.6

Echo- 9.4

Valencia- 9.5

My Fortune- 9.4

DOWNLOAD:

Fade Out; Asian Mojito; Valencia

STANDOUT TRACK:

Asian Mojito

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ONE of the best things about music reviewing is getting to...

discover acts that are new and exciting.  I spend a lot of time assessing U.K. acts so it is rare I get to venture elsewhere.  Today I am back in Sweden looking at a duo that is among the most exciting and uplifting in music.  It brings a few different points to my mind: the music coming from Sweden; the Pop market in general in addition to the sunnier side of music.  Over the past few years I have got to review a few Swedish artists.  From Say Lou Lou- technically they are half-Australian- to Anna von Hausswolff it has been a pleasure witnessing the stunning music of a wonderful nation.  What I notice about Swedish music is the expertise and confidence that comes through.  Whereas a lot of young artists here start off nervously and few sound completely in control; in Sweden there seems to be an ingrained mentality and authority.  Whether it is the climate and landscape of the country I am not sure; it may be a different type of personality and community- I find Swedish music much more hypnotic, uplifting and unique.  I am familiar with a lot of great Scandinavian acts- from Nelson Can to First Aid Kit- and love every example that comes forward.  When reviewing international music I always love seeing what different areas/regions provide.  The U.S. is one of the most wide-ranging and varied nations in the world yet Sweden seem to be the most consistent and under-the-radar.  Perhaps not the first stop British reviewers and media outlets go to; Sweden is offering some of music’s most compelling and fascinating musicians.  Maybe there is less congestion and crowding there; the people more friendly and less stress about?  Whatever the reason behind it all you cannot deny there are some fantastic artists showing why Sweden should be in the public focus.  One reason why the country is leading a golden charge is its prolificacy and innovation in the Pop arena.  In the U.K. and U.S. - and most parts of the world for that matter- the Pop market is defined by some rather indeterminable quality.  We all are sick of the sugary and nauseated Pop music of boy bands and twee teen singers- the types you hear singing on John Lewis adverts every year!  The best Pop music comes from those with the balls to take the vocals, music and subject matter to new heights and different arenas.  If you focus solely on love and issues around relationships then you are far too limited and risk boring the audience very quickly.  Those acts that look at other aspects- from the population are large to specific items/people- yield the finest crops.  I have long grown tired of British Pop music for its lack of quality and the complete lack of intelligence that goes into it.  Sure, we have a few great Pop acts yet for the most part the scene is very under-developed and depressing.  We do much better when it comes to harder sounds- Alternative and Rock fort example- but there are some fine examples that could be fixtures in 2016.  I have reviewed the likes of NINA and Ivy and Gold- two London-based acts that mix Electronica and Pop- that are demonstrating determination, innovation and passion.  I get bored and sick of the lack of energy, originality and intuition of Pop musicians today.  Seemingly fixated with numbing the audience, there needs to be a spark and explosion in the market- there is a risk that Pop could sink into quicksand and never come back up.  Thankfully the likes of Sameblod are providing guidance and a rulebook that should be picked up by artists here.  Before I raise a new point, let me introduce the Swedish duo:

Sameblod are: Frederick and Mikael

“Wild arctic nature. Big city pulse. Fearless synthesizers, miles and miles of reverb, and delicate rhythms. Delicious Swedish indietronica from Stockholm by way of San Francisco and the cold northern regions of Sweden. Long nights of dancing and long hikes in the mountains.

Sameblod is one of Sweden’s most promising and exciting new acts - Frederick and Mikael in Sameblod released their debut album 'Braided Memos' April 20th, 2012”.

There is mystique and mystery behind the duo- very little biographical information is known about them- so it is down to the music to fill the gaps and do the talking.  It would be nice to know who influences Sameblod and what their plans for next year are.  With that being said their music at least raises some points about the importance of energy and colour in Pop music.  Too many artists use the genre as a way of exorcising demons and playing clichés to death.  You can sing about love and relations without succumbing to doe-eyed proffering and predictable sounds.  What Sameblod have shown is how much potential and quality can be gained from injecting fervency and sunshine into their music.  Their Nostalgia E.P. is out and contains five tracks that radiate with light, energy and plenty of intrigue.  The stunning songs are defined by their originality and stunning compositions.  Each track compels vivid images and daydreaming; a lot of thought and investigation.  Songs that demand repeated listens and long-term affection; here is a duo that has a good and bright future ahead of them.  The E.P. is being greeted with celebratory reaction and fans (new and old) are welcoming it with open arms.  Whereas most Pop acts lose momentum over the course of an E.P. there are no such concerns here.  From Fade Out’s bright openings to My Fortune’s lucky charms and you have a collection that will keep listeners hooked and invested in every moment.  I was keen to dive into the E.P. and select a song to review (Asian Mojito) and came away amazed by the depth and quality of the music.  A duo I was new to a few weeks ago, I will be following them very closely- seeing just what the next year has in store for them.

Sameblod have been on the scene a few years now- and have released a number of tracks already.  When considering their latest offering it is worth harking back to see how they have developed and changed.  What is clear is the passion and commitment they have at the moment.  Their earliest days saw them find their sound and solidify their direction.  UR Road was unveiled a few years ago and begins with a teasing beat and a twirling electronic sound that bond surprisingly well.  Almost infantile in its sound you have a song that is radiant and bright from the very start.  The composition itself is perhaps a little more interesting than the words- the vocals are mixed too low making it hard to decipher what is being sung- but that is compensation for the sheer energy and vitality of the music.  The pressing and thudding beats keep that insistence and passion bright whilst the electronics weave beautiful patterns and possibilities.  As the song nears its end we get something lovely little details and touches come through.  Whistles and giddy notes sit with skipping beats and plenty of colour.  A terrific early number- only let down by the poor vocal mixing- it showed the duo meant business and had a very distinct and stunning sound.

   Norwegian Summer shows a more heartfelt and emotive beginning (than UR Road) - well the first few seconds!  After that we get explosions of light and fire that brings the track right into the forefront.  The lyrics look at someone hiding things “that are growing”.  It seems like the worst days are gone- and the best ones are still ahead- which causes some fascination and intrigue.  Perhaps assessing a Norwegian Summer- the warmth and tranquility will replace the colder moments- the song promotes some conspiring and interpretation.  There are still one or two issues with vocal decipherability (especially towards the chorus) but is improved greatly from their earliest cuts.  Again it is the consistent beat that makes the song such a thing of beauty.  Our lead wants to take away the days without colour; improve things and make life better.  That optimism and belief makes the song an inspiring thing for those listening.  Too much of music gets concerned with sadder and heartbroken themes; Sameblod cast their net to greener pastures and aim for the sunshine.  Showing emotional and thematic consistency; the duo sound more confident and clear here- a step forward and a necessary development in their music.

   Forever arrived around the same time as Norwegian Summer and boats the same kind of introductionary fascination.  Tumbling and delirious beats splice with a soothing and emotive electronic swathe to bring a great shiver and warmth to the opening.  The song soon gets underway and displays that traditional sun-burst that marks out a Sameblod composition.  Entranced in the beats and electronics, you “hide from the things you fear at night”.  There is redemptiveness and protection at the song’s heart- something that is a staple of the Swedish duo’s artistry.  Few negative thought and intentions can be heart and there is a dedicated bond and connection at work.  Whether speaking of a sweetheart or friend, you cannot deny the loyalty and intentions of our hero.  The girl has had a hard life and struggled but our hero is urging change and a way to improve thing.  Urging her not to stop forever there is that motivational coda that is sing-along and indelible.  A message and emotion not often conveyed in music that optimism and uplift never tires at all.

   Suddenly was released a year ago- and was remixed several times as part of an E.P.- and stands as one of the duo’s most popular and assured numbers.  A harder and more urgent start comes to play- compared to their previous numbers- but you have that distinct and unmistakable sound.  Our hero is speaking to his girl and misses her face.  His girl got her way; she sighed when they fade away- perhaps there is something more negativity and jaded in this number?  Compared to the hopefulness of previous numbers there seems to be more emotion at play here.  The issues with clarity (especially in the vocals) are almost resolved which makes it easier to interpret and understand the track.  It seemed like the relationship was meant to last and would endure any test.  Perhaps time and circumstance has altered things but you cannot deny the emotion at work.  Our man lets it be known he is hurting and things have not worked out how they should.  Although there is some hurt and dissatisfaction in the song the composition remains as sprightly and open as ever.  The electronics and beats never seem suffocating or tense: juxtaposing those nervy and wounded sentiments makes the song even more interesting and fascinating.  Perhaps the drifting apart is a mutual agreement although one suspects there was an argument or difference of opinions.  Whilst the lyrics are story cause speculation and investigation it is the composition that digs deep and takes your mind somewhere else- the two work effortlessly alongside each other.  Marking a move forward for the band- in terms of subject matter and assuredeness- and you have a track that was rightfully celebrated and mixed (producers and musicians were keen to give their spin on the track).

   Flourish was released earlier this year and saw another change of direction for the Swedish pair.  The introduction itself is different from past endeavours.  Reminding me of Black Box’s Ride on Time- that oft-sampled and mimicked sound- and you have a track that could have been a staple of the late-‘80s/early-‘90s.   That introduction is more than a recollection of past glories.  Stunning little gems and details linger in the fray; the sound is detailed and nuanced- more than just a one-dimensional thing.  By the time our hero gets to the microphone we hear sentiments like “(I) couldn’t preach my words” and “need to let you go”.  It seems the love he is perhaps too intense and confessing this is more than he can go through.  Our lead has stress and problems and needs to let her/it go.  Whether it is just a relationship that needs cooling-off- or a particular tense time of things- you get that anxiety and strain in the vocals.  Being a Swedish Pop duo you are never going to get a whitewash of emotion and sadness.  The composition is perhaps the most vivacious and colourful the duo has come up with.  Flourish is the statement of someone needing to let go and change things.  People are telling (our hero) what comes next yet he wants to make his own way.  He knows his stresses and life and will not be dictated and controlled.  There is soul-bearing and sensitivity at work as our hero needs to control his emotions and take time to reflect upon things.  It is unclear what has caused this realisation although one suspects the vicissitudes of life have had their bearing on his soul.  One of the most assiduous and fascinating songs from the duo’s collection it showed a leap in quality and confidence.

With each release Sameblod grow in stature and meaning.  The earliest days were interesting and impressive yet there were one or two issues.  The vocals were often buried down in the mix and it made the songs hard to truly enjoy and understand.  The compositions too played along the same lines and were not as diverse as they are now.  The two-piece ensured the clarity and decipherability issues were rectified- they are now; everything is a lot crisper- whilst they push their sound and have become more daring and innovative.  Nostalgia E.P. grows upon this and boasts five tracks that match Flourish’s sense of ambition and wonderment.  Tying in emotional themes from their past work- love breaking down and more positive attitudes to life- and you have an E.P. that marks the peak of their achievements.  Everything has been building to this moment and the boys have done themselves proud.

A dizzying and Asian-themed blend of electronics strings welcome in a track that instantly gets inside the mind.  High and low notes swim frantically into a cascading waterfall that takes you by storm.  Summoning up that image of an Asian mojito and you have a song that is evocative and stunning before the first note is sung.  Before too long that drumbeat comes in to augment the fascination and add another layer to the intoxicating opening.  It is rare for a band/act to elicit so much quality and passion in an introduction.  Sameblod have always been masters of the craft yet have outdone themselves on Asian Mojito.  With our hero at the microphone he confesses he drinks with everyone; not liking it when they complain we have some curious and intriguing early sentiments.   Both oblique and direct, you start to imagine various scenes and predicaments.  The introduction puts your mind in a Tokyo bar- where you hear those sparkling and crackling notes in the background as you sip a mojito- and the characters that are assembled.  When the lyrics arrived our hero might be in the midst of the throng.  As our man proclaims a beautiful day and swims with dolphins- ironically images that seem like a drunken haze in their contradictions and oddity- and you start to drink in the various scenarios and views of the hero.  Our lead is looking inside his dreams and seems to be battling against certain people and thoughts.  When it all comes down to it that Asian mojito is called for (“keep them coming and coming…”).  As you become entranced in the images of paradise beaches and tropical retreats- matched against thoughts of skyscrapers and bustling metropolis crowds- you wonder what an Asian mojito consists.  It seems like a drink with a lot of kick to it- perhaps some wasabi mixed with lime and mint leaves? - and all sorts of possibilities present themselves.  Whatever is contained within the cocktail is surely having a desirable effect as our hero is propped at a bar- whether an Asian city bar or a beach-side retreat- and slipping into the night.  It seems like there are personal anxieties and troubles causing him to slip into the bottom of a cocktail glass.  Whether an Asian mojito is a metaphor for something else (or literal in its meanings) it is causing his mind to become more relaxed and less inhibited.  The chorus marks one of Sameblod’s most delirious and spellbinding creations.  Those electrifying electronics and beats are head-swimming and insatiable; you cannot escape the grip and theatrics.  That chorus promises so many images and colours.  Our lead has his only friend in hand; becoming more drunken and relaxed it seems like he is escaping his problems and retreating to somewhere safer and more comfortable.  Our lead asks for company- whether from the drink or a friend- as he will drive the oceans and it “feels like lotion when we dive in”.  As the words develop I get the impression of that tropical climb and the sand and sea underfoot.  It seems like the sun-bliss island is the perfect place for our man to be in.  Whether fighting struggles in life or entranced in a dream Asian Mojito is one of Sameblod’s most vivid and wondrous numbers.  Asian Mojito never relents its charge of charm and seduction; effortless making its way into every crevice and nook of your existence.  That Asian-Electro.-Pop blending is something very rare in music and it is stunning to witness.  The duo is always authoritative in everything they do but here they sound utterly unstoppable and steamrolling.  As the song comes to its end our man is sipping down his favourite drink whilst exploring ideas of the ocean, escape and tranquility.  When trying to explore an origin and inspiration for the song I feel like there is a loneliness and sense of dislocation.  Maybe so-called ‘friends’ are shunning the hero and not as supportive as they should be.  Few could argue against the passion and conviction within the song; a number that shows underlying anxieties and heartache.  The Asian mojito is the remedy that is sought; the way to drift into a fantasy and perhaps forget the troubles surrounding him.  Maybe I am over-reaching but always like to drill down to the nub of the song.

Sameblod have crafted a terrific number within Asian Mojito.  The rest of Nostalgia E.P. contains plenty of colour and vibrancy; perhaps no song is as urgent and memorable as Asian Mojito.  A lot of Sameblod’s material is noted for its frantic past and rushing vocals.  A few of the lyrics get buried on Asian Mojito although not too many to cause a big issue.  With the simplicity of the lyrics it is clear that that cocktail and its effects is the central message.  The vocals are among the most instantaneous and memorable the band has come up with- they summon up a myriad of emotions and intentions.  The composition is something of rare beauty and wonderment.  Such a busy and detailed beauty you can’t help but get lost inside its magic and mystique.  Colours and sparkling notes put your mind in busy cities and among neon light- whereas the lyrics put you in a tropical climb- and it is a wonderful concoction.   By the time you hear the song and let it do its work you are compelled to go back and investigate it again and again.  Ensure you check out a wonderful song from a fantastic duo.

Not being the most ardent Pop fan I have been fascinated to hear Sameblod do their thing and kick ass.  So much of Pop relies on introspection and a rather limited vocal/musical palette- it creates a low bar standard which others seem intent on limbering under.  There are some great U.K.-based acts out there that are putting energy, fire and colour into Pop although they are a rare breed indeed.  The Swedish two-piece has shown what can happen when you put some imagination into your music.  It is true Nostalgia E.P. is not wall-to-wall joy and upbeat- there is emotion and some darker moments- although the abiding take-away is that of a duo intent on putting fun and passion into proceedings.  Before I take things to a close it is worth looking ahead to 2016 and which Pop acts could make an impression.  I mentioned I have reviewed some interesting Electro.-based Pop acts that could be creating waves in the near-future.  For my money there are too few original and memorable Pop artists that deserve closer scrutiny.  This country does a lot better when it comes to Alternative and Rock bands; we have some interesting solo artists coming through but there is too little quality and overall consistency.  Sweden is one of those nations that few musical eyes cast towards.  When it comes to the press here they tend to focus on homegrown talents- perhaps venturing on hot acts out of the U.S. - and negate the great artists coming from Europe and further afield.  I understand that it is vital to foster and nourish the best we have here although that often creates homogenisation.  What Sameblod produce is definitely worthy of some serious admiration and love, no?  Their social media numbers are climbing and the feedback they are receiving- when it comes to their latest E.P. - demonstrates how effective and stunning their music is.  They have not had to reinvent the wheel to elicit that kind of reaction and affection.  Taking some core and standard elements of Pop- love and life’s struggles; interesting scenes and characters- they have ensured their voice is original and pure; the compositions are rich and vibrant- essentially they are putting as much intrigue and thought into the songs as they can.  This attention and consideration results in music that has spiked a lot of excited eyes and ears.  Make sure you pick Nostalgia E.P. up and discover a five-track release that ranks among this year’s most compelling and original.  Sameblod are a fairly new act out of the blocks and have their best moments ahead of them.  It will be great to see how they develop and progress in the coming years.  Clearly they will be performing across the globe- let’s hope they come to London and play down this way- and giving fans a first-hand chance to hear the songs in the flesh.  I am confident there will be another E.P. mooted and the boys will be seeing what they come up with next.  Sameblod are a duo that has a big sound and clear knowledge of Pop.  By sprinkling electronic elements into something genre-blending- hints of ‘60s Power-Pop with something ‘90s-inspired- you have music that hits you upon first listen and reveals new charms and layers the more you listen to it.  With winter being among us we all need something warmer that emits something sunnier and joyous. Nostalgia E.P. provides plenty of heart and emotion but takes the trouble to lift the spirits and rouse the soul.  Asian Mojito is one of the (E.P.’s) tracks that get less attention- when you compare it with the rest of the songs- but to my mind it is the finest track the duo has created.  The title alone had me hooked and fascinated; the music contained within is spellbinding and hypnotic.  Few Pop acts understand the importance of energy and mobility when it comes to their songs so I hope more follow the example of Sameblod.  It only takes a few seconds to be completely invested in their music.  With so few comparable acts around I will be sure to follow their plight and see what they come up with.  Take a few moments out of your day to study a duo that is being talked about in very fond terms.  You may be unfamiliar with the Swedish music scene; you may lack a great insight into the Pop market.  Once you get onboard Sameblod’s train of thought and you will have your perspectives changed.  Nostalgia E.P. and Asian Mojito are mighty fine ways…

 

TO end the musical calendar.

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Album Review: Jonnythefirth- Beautiful Beast

ALBUM REVIEW:

 

Jonnythefirth

 

 

Beautiful Beast

9.6/10.0

Beautiful Beast is available shortly

GENRES: Alternative; Rock; Blues

ORIGIN:

Yorkshire, U.K.

TRACK LISTING:

In My Dreams- 9.5

We the Ammunition- 9.5

Black Feather Blues- 9.7

How Do You Sleep? - 9.7

So Young- 9.5

Flowers and Bones – 9.5

Hold On- 9.6

Nothing Without You- 9.6

I Am a Mountain- 9.6

Love Can Build- 9.7

Searching for the Key- 9.7

Broken Bones- 9.6

DOWNLOAD:

Black Feather Blues; How Do You Sleep?; Love Can Build; Searching for the Key

STANDOUT TRACK:

Searching for the Key

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THIS is the first time I have reviewed an album in a while and I get to…

feature one of my favourite artists.  Before I mention Johhnythefirth it is worth bringing in some relevant points regarding male solo acts; albums from this year and Blues-Rock.  I have mentioned solo acts a lot and how limited they can be.  In the underground you have a fair few talented acts that are trying to do something original- for my money, there are too few that are standing out at the moment.  Having recently immersed myself in the music of 2003/2004 (weird but a good years no less) and the likes of Dizzee Rascal, The Streets and Alicia Keys unveiled stunning albums.  Over the last ten-or-so years, the mainstream has slowed and stagnated a little (when it comes to the solo realm) and the effect is taking its toll on new music.  Having so few genuine stand-outs in the mainstream is not encouraging for new acts coming through.  Too male solo acts are compelled to offer songs about love and relations; led by an acoustic guitar and wistful vocal- it seems to be the most popular configuration at the moment.  Even those artists that push the envelope lack necessary nuance and longevity.  It is a plight that is affecting the men of music (more than women) but is slightly worrying.  Those that have the most potential keep things varied and do something genuinely new.  It is great concentrating on love and relations- and doing acoustic numbers- but it is a cliché that is growing tired.  Jonnythefirth is an artist who is restless and never stays still.  One of the most innovative acts out there he is showing the male solo artists what should be done.  From his debut album-era Blues-Rock soakings his latest album expands his sound and shows a rare songwriting talent in full flight.  A U.K. version of Jack White, Jonnythefirth looks at older/quirky themes- coal pits and odd characters; there is a vintage wistfulness to his work- and is one of the most hard-working musicians out there.  As one half of Knuckle- a stunning two-piece reminiscent of Royal Blood- and a third of Crybabycry- a Yorkshire-based act fronted by Rosie Doonan- there is no rest is the pipeline.  Like White, Jonnythefirth’s most spectacular and memorable work comes when he goes solo- White’s work with The Dead Weather and The Raconteurs pales by comparison- and lets his individual voice shine.  Jonnythefirth came to my attention a few years ago when he released the album Broken Bones.  On that disc we got to see the young artist seduce through a 13-track album that promised much treasure and intrigue.  A confident and authoritative work it showcased a fond love of Blues, Rock and Alternative sounds.  These genres are often tried but few manage to really master them.

Although Jonnythefirth- in his debut album at least- had a leaning towards Jack White, his individuality and personality shone through.  Attesting everything from coal-mining to local villains, the album was rife with colour, heritage and modern-day contrasts.  Too many artists focus solely on love and do not really expand their sound and themes.  In 2015 there is no excuse to be so limited and narrow.  Johnnythefirth was exceptional early on and has stepped up his game on Beautiful Beast: an album that is tighter and more astonishing; sees the Yorkshire artist stretch his imagination and music to new heights.  This year has seen few genuinely great and memorable albums from anyone really.  Maybe an overstatement, I do not think there have been that many stand-out moments.  In terms of new music I have been hearing a lot of E.P.s and songs- few albums have come through.  The ones that have contain a few great tracks but that lack of consistency and nuance is quite telling.  Perhaps it is the financial pressures- the cost of producing an album is staggering- or a lack of imagination, but I hope 2016 brings the goods.  It seems that the innovation and surprise is dissipating: Jonnythefirth is an artist that seems incapable of limitation and quality-lack.  Whether more in the background (Crybabycry) or sparring with a bearded Ballwanks (Knuckle) he seems effortless and fully commanding.  As Knuckle’s guitar-playing half, Jonnythefirth proves himself to be one of the most assured front-men out there.  When going solo something else strikes my mind: there is that comfort and confidence that is hard to ignore.  Immersed in his own material he seems wrapped up in the words and everything sounds vital and electrifying.  It is great to see him release another album and when it is released to the general public- it will not be too long now- the reviews will be hugely positive I can tell you.  With a couple of tracks released at the moment- How Do You Sleep? and Searching for the Key are out- and you can just hear that confidence and ability radiate through.  With a lackluster music year stumbling to the finish line, Jonnythefirth puts some true potential back into the scene.  The next year will be an exciting one for the Yorkshire star.  In addition to the album release, there are sure to be tour dates and important gigs.  Continuing his work with Knuckle and Crybabycry, I am hopeful there will be new material from both- although there seems nothing confirmed at this stage.  What is clear is that none of the passion and ambition is missing from Jonnythefirth.  Like Jack White, Jonnythefirth can spend time with other bands without sounding fatigued or spreading himself too thin.  It is when he shakes off the additional bodies that we get the best material from the young artist.  Beautiful Beast showcases an exceptional songwriting talent with a load of years ahead of him.  I can see Jonnythefirth being a big festival fixture next year and being in big demand.  Make sure you investigate the cuts from Beautiful Beast (on SoundCloud) and get excited for what is to come.

Before I get down to a track-by-track assessment of the album, it is worth looking back and seeing how this latest release compares.  Broken Bones was where it all started really- the young artist released songs before but this was the debut album- and a huge expression of intention and ambition.  This 12-track album did not suffer any bloating or false economy- every track is essential; no fillers here sir- and gave the listener a great insight into Jonnythefirth and his mindset.  Just the Way I’m Feeling is a jubilant and rollicking opening featuring delirious horns and one of the catchiest choruses you’ll ever hear!  Fly Away is a chugging and machine-like stomp that is reminiscent of The Black Keys and The White Stripes.  So much grit and raw guitar work makes it one of the album’s most urgent moments.  Dirty Jokes is an instant firecracker that features catchy wordless vocals and a foot-stomping introduction.  A track that never loses its energy and delirium, it is another highlight that sees the hero our hero leaving “you all behind”.  Pitbull Blues is the album’s most snarling and animalistic number- hardly a shock given the title- that sees the sensitive hero let his emotions and passion explode.  With Sing for the Miners providing an acoustic-led emotional close and you have an album that offers huge diversity and quality.  Without missing a beat the album benefits from tremendous consideration and detail.  The track-listing is bang-on- each track is exactly where it needs to be to create a perfect balance- and there is no top-heavy/bottom-heavy issues- the end is just as compelling as the beginning.  What amazed me most was the confidence and authority that early on.  No weakness or nerves can be heard; like Jonnythefirth has been playing for decades!

Beautiful Beast is an album that continues where its double-d predecessor left off- although there has been a gap of 3 years- and shows no fatigue or lack of ambition.  Between albums we have seen the young talent produce tracks and put out material with his sister bands Knuckle and Crybabycry.  The public was aching for some solo material and expectations will not be disappointed.  Right from the opening salvo we get that same astonishing energy and passion that Broken Bones led with.  If anything the material sounds more urgent and confident than before.  When letting his voice soften and campaign Jonnythefirth sounds purer and more assured- showing himself to be a very versatile singer- and there is more of a leaning towards relations and personal investigation.  Broken Bones looked at political issues and character-driven stories whereas Beautiful Beast seems more personal and angered.  Whether inspired by personal events- relationship problems and the changing world- but the focus has shifted and a new agenda is on the table.  This actually works in favour it seems.  The jubilant and youthful passion of the debut was right and just what we needed.  Were that to continue here and it would not mark an evolution of step forward.  Jonnythefirth has aged slightly and he is concentrating on new ideas.  The latest album sees the Yorkshire master at his peak and more natural than he has ever sounded.  This is promising when it comes to future releases.  An artist that changes and mutates when needed- whilst keeping his core sound and personality intact- it will be fascinating to see how he develops.  Artists that spend time with other acts- Crybabycry and Knuckle are very distinct and different- would see lack of focus and concentration when it comes to solo work.  Jonnythefirth suffers no such fate and if anything brings those different strands and experiences into the fold.  Having spent time on the road with the two acts that extra confidence and assuredness into the studio.  With a leap being made and new ground being covered, I was excited to get down to reviewing Beautiful Beast.

The album begins with some entranced and languid electronic strings.  In My Dreams starts with our hero in poignant and mortality mood: “Take me to my grave/show me how I die”.  Letting his voice hover and stretch it is a stunning and emotional start to proceedings.  Our man is investigating his dreams and a man is coming to him (whether Death or a personal relation).  There is a lot of strain and anxiety that comes through in the lyrics.  The vocal remains focused and strong throughout- backed by a sparse and strummed electric guitar- and the listener will be gripped.  Just as a percussion beat kicks the song up, Jonnythefirth looks at funeral scenes and tear-shedding.  With nothing seeming right; there are those trouble dreams that haunt our man.  The mood expands as violin comes in to provide aching romance.  Swimming in a sea of confusion; Jonnythefirth puts out an aching plea and seems like he needs to prove himself.  When he says “I’ve got something to show you” his voice is at its tremulous best.  Maybe wracked by some doubts and fears there is that need to change things and turn his fortunes around.  Our man has been to the “depths of destruction” to reach an epiphany; he has sunk and is making his way back up.  The track never sounds too morbid or heavy-handed because of those passion and redemptive vocals/lyrics.  Sparks of electric guitar fuse with violin; the percussion keeps the heart beating and there is a hopefulness and beauty that shines throughout.  A heartfelt and stunning performance, it is a memorable and wonderful start to the album.  Showcasing Jonnythefirth’s urgency and memorability and we have a lead-off track that will stay in the mind for a long time to come- setting up the rest of the album wonderfully.

Following from the wonderful opening; We the Ammunition begins with firepower and a lot of energy.  Dizzying keys/electric guitar notes put me in mind of The Black Keys (their El Camino work) and gives the album a much-needed kick of Blues energy.  Our hero has been saved from the ocean and given a lifeline (by an unnamed figure) and has been given a “reason to live”.  Perhaps Beautiful Beast refers to life itself: it can be harsh and animal-like; it also offers beauty and humanity too.  After the sad and heartbreaking opening- where there were disturbed dreams and screams- we now have hope and life affirmation.  Kudos to the compositional elements which add so much vibrancy and emotion to the song- the percussion is especially meaningful and standout.  After the initial sentiments of redemption and hope, the composition is then allowed to go upfront.  The electric strings present a woozy and tumbling sound that create images and plenty of intrigue.  Our hero is “a liar” that seems to be on the brink of a relationship crisis.  It may be the case that his sweetheart is not as idea as she seems- she shoots and wounds just like everyone- and there is that sense that idealism and perfection are very far away.  Perhaps based on a relationship break-up; you get the sense of a man that has been affected by his girl- and showing his hurt and dissatisfaction.  Not able to see “the woods from the trees”, there is that feeling of civil war and balkanisation.  By the final moments- as those vibrating and buzzing notes end things- you start to take everything in and reflect- trying to get to the bottom of things.  Another wonderful and emotive track; it completes a stunning 1-2.

Black Feather Blues is right back in Broken Bones territory- separating the emotional balance to focus away from love/mortality/introspection.  From the opening yowl- our boy lets his inner-wolf howl out- and you get a grizzled and gin-soaked Blues guitar parable.  A feet-kicking and good-time swagger, Jonnythefirth goes back into the Wild West of Yorkshire- you can imagine a hoe-down in the coalmines as this song is played.  With his voice distorted you get that raw edge that makes the song even more authentic and dramatic.  “Our love is gone” as his woman put her spell on our hero- he is not cast in black feather and wondering where to go next.  There is wit, innuendo and vivid imagery among the stomping percussion and boozy guitars.  That buzzing and echoed voice tells of a bullet between the eyes; his girl has done him a favour now he is “going to die”.  Before you predict where the song is going, you get a delirious and stunning harmonica solo that gives even more chutzpah and spark to the song.  At every angle and moment you get a hell of a lot of energy and dance.  A contrast and distinct shift from the opening couplet (of the album) and you have an artist that is comfortable with anything he touches.  A ‘50s Blues excoriation that compels the fists to shake and the voice to reign; you cannot escape the sheer force of the song.  Few will be able to escape the black magic of the song.  The heroine has a heart “black as coal” and is causing distress in our man.  Now that things have gone sour (he) is not coming back- it seems this love has reached the end of the road.  In this number we get a tantilising slice of Bob Dylan- his Bringing It All Back Home period- and The White Stripes (who covered Bringing It Back Home’s Outlaw Blues) during their debut album.  The locomotive keeps chugging and grinding; the bass drives the song with a sheer force- that enraptured guitar never relents or demurs.  Towards the end, Jonnythefirth’s voice reaches fever-pitch and gets more pained- the full force of events taking their toll.  A scintillating joy-ride of love-gone-wrong emotions and you have a song that is one of the album’s highlights.

   How Do You Sleep? has been released on SoundCloud and goes back to the softer territory of the album’s opening couple.  An aching and emotive strum beckons in the track; a song that soon builds from the tender and emotive opening strings.  The album’s most intriguing number, its messages can be applied to political and love equally.  The opening line- “We’re fighting for what?”- is one of the moist relevant and prescient modern-day messages that can be ascribed to political turmoil as it could the inequities of love.  A song that could have come from Dylan’s early-career lyrics book; the song looks at being given a gun and sent straight to Hell.  Looking at needless war and the insanity of what it represents; Jonnythefirth ensures his voice is up front and can be heard clearly.  A somber and reflective song, the blood runs “all through the street”.  There is money and power; we are all “dead meat”.  As stones are thrown and (needless) war is waged; we all seem doomed and fated to a destructive end.  How Do You Sleep? is one of the album’s most stark and standout tracks: as relevant today as it was in the early-‘60s; those fears and anxieties perfectly document the feeling we all have at the moment.  Backed by ethereal and haunting vocals, you have a song that stays in the memory long after it has finished.  Innocent humans are felled; the news is a depressing thing- the state of the world is worrying and hugely disturbing.  Brothers and fellow man is killed- our man does not want to “march for country or king”- and you can hear that anger and fatigue come through in the performance.  A political song that hits the mark and is utterly compelling- peers and contemporaries are not as apt and intelligent when it comes to politics- and you have an artist who is authoritative and staggering whether he tackles love, politics, war or fantasy realms.  The song’s final manifestos look at the needlessness and pointlessness of warfare.  Given guns to hunt men like game; what the hell is the f****** point of any of this?!  A sobering and ever-relevant song that does more than act as a musical moment- it is a finger pointed to our leaders and ‘betters’.

   So Young is a song that does not stay in the crapulence of warfare and political insanity.  Once more we get some touching and soft string beginnings- reminding me of Nick Drake to an extent- as our man comes to the microphone.  A delightful and touching acoustic lead, our man is looking at the leaves.  Looking at the rain and we get a young man reminiscing about a time (perhaps better) that is on his mind.  The road is calling and it seems like there are concerns and fears in his mind.  Maybe wanting to return to better days- or unsure about his current plight and situation- and you feel like our hero wants things to improve and change.  Back to a time when he was young and care-free; there is a sense of regret and longing to be found.  Whilst the water is “falling on me”; the “blue skies are calling” and you have vivid images that soundtrack some emotional strains and a desirous need to return to days of the past.  Showing how versatile and effective Jonnythefirth is when accounting personal doubts- he does not suffer sameness and lack of imagination- and you have a song that many can appreciate and learn from.  One of the album’s most straight-forward and commercial songs; it is a song that showcases Jonnythefirth’s songwriting chops.  Our man has only memories and fond recollections; that need to revoke the past makes the song so heartbreaking.  That said, his memories are “all I need” so perhaps there is hope and satisfaction after all.  Not as wracked and anxious as one might imagine, it seems our hero might be okay in his current mould.  He has fond memories but has grown and is living a new life- perhaps things will work out for the best.  A song that inspires the listener to pen their own lines- “Water is thicker than blood/when you’re caught in the flood” was my ‘attempt’- you have a jewel that needs some repeated listens.

Flowers and Bones once more injects some needed sway and merriment to the album- and provides a nice switch-and-bait.  A waltz-like fairground sound welcomes the track and gets the listener standing to attention.  Our man is in political territory once more- although it is the politics of the street rather than universal warfare this time- and our hero has been in this position too many times.  Fighting and fisticuffs are reigning blood; the men are duking it out- a predicament that seems to be a definition of modern-day Britain.  Cryptic messages and memorable scenery- flowers up the nose and silly games being played- as Jonnythefirth is lost in doubts and confusions.  Having played this game, he is proud of the past and seems contented in his own skin.  Intoxicating by that oom-pah-pah swing, our hero lets it be known we are young “only once”.  Whereas previous numbers have looked at the need to go back to the past; here there is the message to live in the moment.  As fires burn and uncertainty rules, we are only young once- that need to grab life by the horns is paramount.  One of the album’s more minor players- although it has plenty of quality and plaudits- it sees Jonnythefirth in his most reflective and angry moments.  The composition is one of the most interesting and varied on the album.  Whereas other tracks are acoustic-based or exhilarating, here we get a mixture of emotions and colours.  There is a constant energy and momentum that keeps proceedings fascinating; the song never relents its voice or dies down at all.

  Hold On fades in and boasts one of the most interesting introductions on the record.  Spacey and echoed, there is a sense of entrance and fascination.  The hero is awake in his dreams and is laying his soul on the line.  Looking for certain someone- or perhaps they are looking for him- our boy is coming and will be there.  Letting his voice emote- one of the best performances across the album- there is a tear in the eye.  Sounding like John Lennon at times- and his solo work especially- you get waves of emotion and heartbreak.  It seems there are stresses, strains and obstacles to be faced.  Our man will be “right by your side/with a tear in my eye”; that declarative love and passion cannot be faulted.  Whether directed at a sweetheart or good friend, that noble sentiment and determination is hugely impressive.  With the composition being kept light and uncluttered- the voice is king here for good reason- you have one of the album’s most emotional resonate and pure moments.  Putting his feelings out there and sending a message across the waves, it will be interesting to see what inspired the song.  Leaving no room for misinterpretation Hold On is a song that shows how beautiful and emotive Jonnythefirth’s voice can be.  Seemingly expert when letting his voice emote- or rampant with lust when needed- it shows a sensitive and passionate side to the lad.  You get touches of ‘70s Lennon in the song which will draw in a new generation of listeners for sure.  With no cynicism or weak moments it is one of the album’s most compelling moments.

As we head into the final third of the album, Nothing Without You keeps that reflective and passionate voice firm.  The introduction sees acoustic strings create scenery and set the mood.  As the drum rolls and crackles, the song begins to build and expand.  Vivacious organ notes and percussion bond and get the listener swaying along with the sound.  A full-bodied and colourful composition, there is a return to the sonic innovation and sound of Broken Bones.  Before a note has been sung, the listener is hooked.  There are cracks on the skin of our man.  Deep memories linger and there is that central figure in the spotlight.  They are the pride and the reason he keeps on ticking- “I am nothing without you”.  Whoever the girl is, they are ensuring the hero keeps ticking and moving in life.  A pure love song with no agenda, you get our man putting his heart back on the sleeve.  The “clock on the wall” and “everything I hold dear” there is a purity and heartfelt tone that will appeal to everyone.  Whereas contemporaries can sound clichéd and predictable; here we get a song that sounds fresh and new- whilst exploring worn themes and over-represented subjects.  Caught in the midst of a vital and life-affirming love, that sense of lust and desire comes out in the composition.  Tumbling and shimmering strings mix with punchy and urgent beats to create something utterly compelling and entranced.  One of the album’s finer moments, Nothing Without You shows a sensitive side to the Yorkshire troubadour.  Showing how nimble and effective his pen can be; the song marks a step into love’s possibilities and positivity- addressing the subject with aplomb and a huge amount of emotional resonance.

  I Am a Mountain takes the album back into more energetic avenues.  Not as explosive as some numbers, it sees Jonnythefirth’s voice layered and at the forefront.  Our man is a mountain (for his girl) and goes into Country/U.S. Folk territory.  Projecting the sound of the Deep South and a good-ol’ sound; we see our hero take the listener into a new direction.  Whoever he is directing the song to, it seems that they need to grow up “or pack your bags”; go on their travels and make sure they pack bread- it inspires images and very vivid possibilities.  Yorkshire is directly references in a song with its heart firmly in the U.S.  A song that compels singalong and chanting, you cannot escape that chorus- something that sways and shouts with addictiveness and pure force.  Coming from “the land of coal”; she emanates from “the seaside town” you have two people from different climbs.  Our man’s face is weathered from the northern skies.  It is on this song where you get some of the most memorable and unique vocals- something that can only be penned by Jonnythefirth.  His girl comes from a harsh town and barroom brawls; he is beaten and exhausted by things.  I Am a Mountain is a song that is sure to delight live crowds with its catchiness and wonderful messages.  The composition is one of the most interesting on the record.  Violins come back in with a teasing and hissing percussion to create something that mixes U.S. Blues with Irish sounds; Bluegrass and Country mixes with Blues and Alternative- a song that causes the listener to smile and feel uplifted.  Certainly one of the most catchy and memorable tracks across Beautiful Beast, it shows how versatile and wide-ranging Jonnythefirth is.  One of the album’s longest tracks- it clocks at over 4 minutes- it does not feel over-long or lacking focus.  A great way to welcome in the final third; I Am a Mountain has single potential and could be one of those songs that will be a live staple.

Love Can Build takes us down into romantic territories once more- with the love-gone-wrong message and pure emotion- and begins with a light and tender acoustic string-led sound.  That aching violin is back in again and bristles with shivers and purity.  Spellbound and entranced, you get hooked into that shimmering and gorgeous sound.  Johnnythefirth lets his falsetto back out again- and into Lennon territory once more- our man is definitely the one.  His girl and he are having arguments and it “breaks me”.  That need to rebuild and move on is essential and there is a definite crack in the dyke.  Hate is tearing things apart and things are getting a bit too much.  He thought his “faith was enough” but his girl broke it down “like a lumberjack" cutting through wood.  Hate can tear love down and eradicate all it stands for.  Love can mend the soul and balm wounds; it seems things are too late here and there is no way back.  His girl is with another love and our hero seems affected and deeply affected by this tryst.  It seems like (him and his girl) has a pure love that has turned sour.  His voice trembling with emotion and heartbreak, you cannot help but sympathise with our hero.  One of the album’s definite highlight; you cannot deny the intentions and truth of the song.  There are no fake emotions or commercial pandering: Love Can Build is a song that shows what a sensitive soul our man has.  Representing the sound/tone of the album- the softer side of Jonnythefirth comes through across the record- the song distills and represents our man’s soul at its more pure and affected.  Not an easy listen at times- it can feel draining putting yourself in his boots- it is a song that shows Beautiful Beast in all of its sides- from the beauty love has to the beastliness of break-ups.

It seemed like (up until this point) Black Feather Blues was a one-off apparition.  With Beautiful Beast having so many acoustic-led songs- and tracks that deal with emotion disenfranchisement- it is good to hear Searching for the Key.  Whilst not as exhilarating and raw as Black’; it is a track that gets back to that U.S. Blues-Rock template- and a little glimpse back at Broken Bones’ sound.  This is the second track from the album to be released online and it is small wonder it has received such high praise.  The early guitar noodling gives the listener a bit of a red herring- it is an inventive way to kick off and ensures there is a break-away from the acoustic openings of past songs.  An aching and cooing vocal- once more lets his high notes come into things- kicks off the song.  Our man is searching for the key and wanting to be free.  Our man keeps on “cracking stones” and seems imprisoned and shackled to life.  With his body a slave and his mind overwhelmed he is searching for a way to relinquish the tyranny.  That fuzzy and buzzy electric guitar comes into play to add vibrancy and passion to the song.  A lemon-zest slice of Blues; you get hooked into the guitar and its hornets’ nest of sting.  Whereas previous numbers have seen our man scarred and hurt in love- having his heart broken and been screwed over once too often- here we have a more positive and hopeful track.  Although he is doing community service for life, there is hope that love will bring about a rebirth and reinvention.  I am unsure whether a particular girl in is mind- or whether it is a general plea to the masses- but it is clear our hero is looking for a sweetheart to help ease the burden.  Echoed vocals mutates into a rapturous and explosive break-down of drums and guitars.  Heavy and pulsating, there is a monster riff that strikes across the heavens.  Our man lets his voice shout and screech through the mire.  The percussion pummels and punches whilst the guitar crackles and vibrates with snarling teeth.  One of the most rapturous and intense vocals on the record, it shows our man at the peak of his passions.  Searching for love- and his mind “like a disco ball”- you cannot shake off that intensity and overwhelming passion.  One of the album’s longest tracks- it never feels overlong or needlessly loquacious- it is a song that is utterly compelling from start to end- and marks as the album’s standout track.  So much buzz and paen has been paid to this song and it is not hard to see why.  Recalling his debut album’s sound and raw raggedness, it will also entice many new fans- it is a hugely electrifying track.  Recalling Grunge and ‘70s Hard-Rock- you can imagine Led Zeppelin tackling something like this- you get such a mixture of musicians and images.  Little shades of the guitar greats- Hendrix and White; Clapton and Kirk Hammett- come to mind as the song intoxicates fully.  Our man is a pile of broken bones; his girl will be that which sets him free.  “Love can build a home/if you can find the key”.  Our hero is searching for the key and previous songs are named-checked- including We Are the Ammunition and Nothing Without You (with Love Can Build)- which is a nice little touch.  It is clear Jonnythefirth has been affected by heartbreak and strains in the past.  At this stage he is looking for love and seeking something meaningful.  Beautiful Beast acts as a concept record: from the opening number to this moment we get a progression and definite story-line unfolding; emotional arcs that could fit into a stunning and emotive whole.  A track that is unpredictable and interchangeable- it alters course without a moment of notice- it is a huge and dramatic tracks that declares the necessity of love and all it can bring.  Wanting emancipation and freedom, you are campaigning to see our boy gets it- he certainly deserves love and comfort.  It is the album’s longest track but any shorter and it wouldn’t be as good- that is why it is Beautiful Beast’s most vivid, spectacular and animal-like jam.

Ensuring the album ends with some kick- and direct references his debut album- and Broken Bones arrives.  A cheery and upbeat guitar opening sees that momentum and pace continue.  Country-fied and skipping, the track sees our man with heartache and “black eyes from the girl who loves me so”.  Our hero has nobody fighting his corner and is stressed by the modern world- including headaches from mobile phones.  A song that harks to the past- with its old-time sound and sensation of U.S. Bluegrass- and taps into modern concerns; the river-flow pace and scatter-gun vocals are arresting and brilliant.  When our man was a little boy he thought he would be “the king of everything”.  Now he is grown he would rather be a fool than a king- maybe harking to political issues and ineptitude they display.  Having gained nothing from the town he was born; our man misses that “shitty town” and is headed back home.  Nose bleeds and black eyes seem secondary to the biggest issue of all: regressing to a town that is undesirable and crap.  People have abandoned our man- he has gained nothing from his hometown- and it ends the album with a few questions looming.  You wonder whether our man is running away from love’s woes and has abandoned his ambitions and desires.  Maybe he is feeling homesick and wants to revert back to a childlike state.  Perhaps the answer is simpler: he is out of ideas and just need to think things through.  Whatever the answer; Broken Bones is a fitting swansong and it will be fascinating to see how he follows it up.

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There will be a lot of people looking forward to a new album- even before Beautiful Beast has dropped- as the latest cut shows Yorkshire’s Jonnythefirth in fine form.  Whereas Broken Bones was Blues-Rock heavy and concentrated on heavier sounds; on Beautiful Beast we get a sonic and tonal shift.  Maturing and developing as an artist we are witness to a transformation.  Jonnythefirth keeps his voice and writing intact but instead goes for a softer and more emotional sound.  Broken Bones was a raw and White Stripes-esque affair that was more synonymous with its characters and heavier sound.  Not having abandoned that template at all- Searching for the Key and Black Feather Blues harkens back to that sound- our hero has opted for a more sensitive and tactile sound.  Whereas the debut album was a chance to get inside the imagination of a young man; here we are offered a chance to get inside the heart and soul of a man.  It is a change that has not resulted in any quality dips or issues.  There are one or two songs (on this album) that do not burn as pure and bright; for the most part Beautiful Beast is an accomplished and hugely impressive effort.  I know how hard Jonnythefirth campaigned to get the album funded- and how much effort he puts into his music- and that comes through in every track.  Due to the emotional balance and confidence on this record we get a natural development from Beautiful Beast- an album that surpasses Broken Bones whilst keeping its vibrant alcohol-soaked sound in place when needed.  The two tracks that are online now- Searching for the Key and How Do You Sleep? - perhaps best represent the sides of Beautiful Beast.  The former showcases a man with a sensitive soul and a need for love.  Doing this with some vibrant Blues-Rock sounds- and a composition which evolves into something monumental- and you have a great emotional balance.  The latter shows a political edge that is very apt at the moment.  Broken Bones had some political moments although nothing as intense and focused as this.  In a time where terrorism and hostility are a daily horror, the song is almost a soundtrack for our times (sadly).  It would have been nice to see a Just the Way I’m Feeling-type track on Beautiful Beast although it is a minor critique.  Jonnythefirth is in a different place now and has been through the emotional ringer.  There is plenty of positivity afoot but his soul and heart have been dented and betrayed the last couple of years- it is appropriate the album reflects this rather than trying to laugh it off or disguise it.  Whilst most contemporaries- who put out an album of heartbreak- would be boring and clichéd Jonnythefirth’s musical gifts and songwriting abilities transcend the songs to ratified heights.  That personal pen and voice dictate proceedings and ensure that the album sounds like an original and distinct creation- perhaps more so than the debut it seems.

Congratulations must go to our hero and the musicians that help create such a stunning record.  There is such a wealth of musical colour throughout the record.  Bringing in violin to the fold and you get plenty of romance and swooning passion- it is an instrument that is sadly lacking from a lot of modern music- that gives the album some of its finest moments.  Our lead’s guitar chops are at their best and hugely impressive.  From the monstrous riffs of Searching for the Key to the guttural and cigarette-strewn burn of Black Feather Blues; there is more depth and range now.  The more emotive and love-affected numbers see the acoustic guitar shine bright and linger in the memory.  The percussion beats are constantly impressive and essential.  Giving the record its tangible heartbeat and energy, the percussion is more developed and nuanced than on previous efforts.  Throw in some guiding and melodic bass; some wonderful keys and production values that are exceptional throughout and you have one of the most assured and impressive albums this year.  Not yet available to the public, ensure you snap up an album that is set to be one of the best you’ll hear.  Whether you are new to Jonnythefirth (or not) it will not matter: the music transcends boundaries, tastes and expectations- the Yorkshire lad has upped the game and shown just how what a musical talent he is.  With a mighty sharp pen- deftly able to convince when political, heartbroken and plain vengeful- it is worthy keeping your peepers on the bearded wonder.  Whereas the likes of Jack White are starting to fade slightly- The Dead Weather are not at their best; The Raconteurs may be over- it is stunning to see such a busy musician remain focused and consistent.  Whether Knuckle and Crybabycry continue working into 2016 it is clear Jonnythefirth will be a man-machine on a musical quest.  From its vivid album cover to the wealth of treasure throughout, Beautiful Beast is a staggering album that begs for repeated listens and a keen ear- an album that rewards those who adore music and all it stands for.

Beautiful Beast is a beautiful, bright and varied album that sees Jonnythefirth at the top of his game.  The genesis and birth of the album was a challenging one.  Like a lot of musicians, there was a Kickstarter campaign to ensure funds could be raised.  Due to generosity and plain common sense he hit his target and was allowed the chance to get into the studio.  With modern music being sticky and troublesome- the funds and commitment needed are extraordinary- it is a relief to hear the bearded wonder back doing what he does best.  I loved Broken Bones for its Blues-Rock passions and mix of emotions- from the uplifting Just The Way I’m Feeling to War Song’s swooning romance and unforgettable imagery-  but find Beautiful Beast to be even better.  The exceptional production values and songwriting standards are all intact yet Jonnythefirth seems more confident and committed than he ever has.  The material is more varied without losing focus; there is more a political edge (whether influenced by recent events) and the whole album sounds completely intoxicating.  Before signing off on this one- a relief for those who have made it this far I am sure! - it is worth circling to my main themes and predicting the future for Jonnythefirth.  Blues-Rock and Alternative sounds are difficult ones to tackle and I find a lot of artists/bands can get the mixture right.  That said, I have heard too few great examples coming through this year.  Too many artists tend to replicate other acts and go for stadium-sized anthems and Foo Fighter-esque jams.  What Jonnyhefirth does is produce songs that have that Blues-Rock heritage- the classic sounds the likes of The White Stripes and The Black Keys play- whilst giving it a modern twist.  It is not just the sound which is exceptional but the subject matter.  Pulling in some disreputable characters with political motifs; romantic disentanglement with personal introspection- you have a songwriter with a vibrant imagination and a clear passion for music.  What strikes me about Beautiful Beast- and indeed Broken Bones and subsequent work- is the compositions and vocals.  Jonnythefirth cannot be easily compared with other singers out there- keeping his accent intact and not making it sound American and fake- whilst the compositions bring in brass and Yorkshire bliss with some U.S. Blues grit- throw in some ragged and raw guitar sounds.  Make sure you snap up Beautiful Beast when it is released: the album is contradictory, stunning and beautiful as its title suggests.  The Yorkshire lad has done proud and produced an album that ranks as one of the best I have heard in several years.  The male solo realm produced too many acoustic-led artists that put their heart on their sleeve and leave it there.  Love is a subject matter that is hard to make original and completely fresh.  Those acts that use it is a spring-board- whilst concentrating on issues separate from this- are those that have the longevity and pick up the originality points.  The girls of new musical have been leaving the most indelible footprints on the music of 2015 and it seems like that make continue into the following year.  I am not sure what is happening with the solo chaps at the moment: there are a few genuine kings out there yet few fulfill any sort of real promise.  This review is not a passion piece but a genuine investigation of one of music’s most innovative and stunning solo talents.  Someone wholly passionate and in love with music; Jonnythefirth is an artist that understands the importance of originality, diversity and expanding the imagination.  Within Beautiful Beast we get political distress, personal quests and heartfelt pleas for love.  That sensitive-cum-raw outer skin is the mark of an artist who can paint in vibrant colours without losing authority; he can dim the lights without casting everything in pitch black- essentially he can cover a myriad of subjects/themes and make everything sound compelling and fresh.  I am sure the next year will be a busy one for Jonnythefirth- if he spends some time in the studio with Crybabycry and Knuckle- as he will be embarking on tour dates.  Beautiful Beast is an album that will see the Yorkshire ripper (in a musical sense not the serial killer) seduce and conquer the musical world.  A songwriter who gets more fascinating and strong with each passing release; someone who is going to be a huge name in years to come.  I hope he comes and plays a London gig soon- there are venues that will be lining up for sure- and it would be great to review/interview Jonnythefirth (and share a few beers) and catch up.  For those new to the music of Jonnythefirth ensure you do not miss out and get involved.  Few modern artists have the ability to stick in the mind and offer quality and amazement on every release.  Here is an artist that has produced an album that is rife with passion, nuance and glistening gems.  With that considered it seems…

BEAUTIFUL beast is a very rare species indeed.

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This Week's Albums: December 6th, 2015

This Week’s Albums

 

 

December 6^th, 2015

 

IT is a case of “Something old, something new/something ‘borrowed’, something…

 

that doesn’t rhyme”.  I do a D.J. gig every week at The Stoke Pub and Pizzeria (https://www.facebook.com/TheStokeGuildford?fref=ts); I have the opportunity to play four different albums: one that is ‘old’ (to my mind, anything pre-1985), something ‘new’ (released brand-new that week); something influential (and has inspired a genre/other acts) - in addition to dealer’s choice (any album I choose).  Having done this for over a year-and played everything from Graceland to Pearl Jam; FKA twigs to Beastie Boys- it is enormous fun.  I get to talk to people about music; play some awesome stuff- turn people on to some great/forgotten sounds- well, I try to!  I shall publish this every week; try and highlight some fantastic albums- maybe some you have forgotten about.

The Old:  Santana- Abraxas (1970)

 

8.5/10

A musical maturation from the early days; Abraxas mixed Jazz, Blues, Salsa and Rock into an explosive and stunning mixture of material.  Whether tackling Fleetwood Mac’s Black Magic Woman or going into instrumental territory (Samba Pa Ti for one) - everything sounds compelling and sensational.  Not just a chance for Carlos Santana to stand in the spotlight; a host of musicians come into the mix to add to the album’s diverse and accomplished sound.  Santana’s love of the guitar never ventures into aimless riffs and vague sentiments- there is so much texture and colour within the music.  With that love of Latin and Blues you get a cross-genre blend that sounds effortless and hugely original.  Abraxas was an album that stands as Santana’s peak- inspiring fellow musicians in its wake.  Black Magic Woman/Gypsy Queen and Oye Como Va stand as highlights- tracks that showcase the guitar chops of Santana and his band’s stunning musicianship.  Were Abraxas released today it would sound alien and out of place.  Arriving at the beginning of the ‘70s the album sounded utterly right and perfect.  Whilst Santana would go onto making more varied and collaborative albums- the likes of Supernatural stand to mind- he never made a finer one.  For that reason ensure you revisit this album and discover a guitar icon at his very peak.

DOWNLOAD: Black Magic Woman/Gypsy Queen; Oye Como Va; Se a Cabo

STAND-OUT TRACK: Black Magic Woman/Gypsy Queen

[youtube https://www.youtube.com/watch?v=95H1MegGgao&w=420&h=315]

The New: Coldplay- A Head Full of Dreams

 

6.5/10

In a week of weak albums- neither Amazon nor H.M.V. had Kid Cudi in stock- I was compelled to look at Coldplay’s latest effort.  It is a classic three-star album- not their worst effort but not up to their best- but the positives are encouraging signs.  Whereas Coldplay’s previous effort (Ghost Stories) was a somber and reflective work- after Chris Martin’s ‘uncoupling’ from Gwyneth Paltrow- A Head Full of Dreams is a vivacious and colour-filled about-face.  Latest single Adventure of a Lifetime is replete with carefree Funk and flute loops.  A sun-kissed and effusive track; it stands as one of the better cuts from the album.  Elsewhere the band go into R ‘n’ B territory- Army of One dabbles with surprising conviction and assuredness- and there are plenty of tracks to recommend.  A few Coldplay issues still remain.  Martin’s lyrics are still unspectacular and mindlessly clichéd whereas the band’s inability to progress/develop- there are wordless chants and inspirational quotes a-plenty- ensure it is business as usual- which does hinder any signs of evolution.  There is more ambition on this record yet it feels more like a band treading water.  There are some needless fillers and weak moment but there are positives too: A Head Full of Dreams shows the band is willing to stretch their sound and try something a little different.  Let’s hope their next album sees a more compelling exploration of this; a break from their clichés and routines- more of the magic that we witnessed on Parachutes.

DOWNLOAD: A Head Full of Dreams; Adventure of a Lifetime; Army of One

STAND-OUT TRACK: Adventure of a Lifetime

[youtube https://www.youtube.com/watch?v=QtXby3twMmI?list=PLpMUJrYyZ562JrYQ7O4R3kdhRSumv_mup&w=560&h=315]

The Influencer:  Pixies- Come on Pilgrim (1987)/Surfer Rosa (1988)

9.5/10

Few bands have been as influential as Pixies.  Surfer Rosa inspired Nirvana hugely in its quiet-loud dynamic.  A daring and audacious release; Surfer Rosa showcased the sensational guitar range of Joey Santiago; the punchy and tight rhythms of Kim Deal and David Lovering- supporting Black Francis’ animalistic and demented shrieks.  The humour and wit is evident throughout- including Bone Machine and Tony’s Theme- whereas Where Is My Mind? tackles softer Pop-inspired avenues.  A record packed with everything from epic explosions (Vamos) to the voyeurism of Gigantic; it is endlessly mind-blowing.  The E.P. Come on Pilgrim was released a year before Surfer Rosa and showed a band with a huge amount of authority.  The inexpensively-recorded E.P. - a result of a demo tape paid for by Black Francis’ dad- showed grit, raw passion and boundless confidence.  From the surfer-girl tribute Ed is Dead to the eerie and execrated Caribou- it is an eight-track collection that shows no weakness or repent.  Taking on harder issues and grey area- the incest of Nimrod’s Son and I’ve Been Tired’s sexual frustration- Come on Pilgrim is an essential and fascinating study of a band that would change the face of music.  From the likes of P.J. Harvey to The Smashing Pumpkins, few can deny the legacy and important of Pixies.  Surfer Rosa/Come on Pilgrim is a double-disc study that has often been studied/replicated but never bettered.

DOWNLOAD: Caribou (Come on Pilgrim); Nimrod’s Son (Come on Pilgrim); Where Is My Mind? (Surfer Rosa).

STAND-OUT TRACK: Caribou (Come on Pilgrim)

[youtube https://www.youtube.com/watch?v=3sW3zoANMp4&w=420&h=315]

The ‘Other One’: Yeah Yeah Yeahs- Fever to Tell (2003)

 

8.5/10

This Grammy-nominated record was considered one of the finest creations of the ’00s- hardly surprising when you really delve into it.  Before this album- this was the band’s first full-length foray- the New York clan produced E.P.s.  This allowed the public to see a group shift and grow in confidence.  Abandoning the Garage-Rock/Punk of their self-titled debut to something more focused and sharp (Machine).  There are a few issues on Fever to Tell- the sequencing means the tracks are poorly laid-out; the heavier sounds and ballads are not evenly-distributed and in the wrong place- whilst the 37-minute running time means it is not as urgent and concise as their E.P.s.  That being said, the highlights more than make up for it.  Black Tongue is a raunchy and swaggering number- with its images of “let’s do this like a prison break”- Date with the Night is a frantic and insatiable rush of a track.  With Karen O’s vibrant and not-of-the-earth vocals backed by Nick Zinner (guitar) and Brian Chase (drums) and you have a powerful and unstoppable trio.  Yeah Yeah Yeahs were not all about force and screwed-up sexuality.  Maps is a stunning beautiful and sentimental stand-out whilst Pin and Y Control show genuine heart and introspection.  Perhaps uneven and hard to take at times the album showcases an immense amount of originality and balls.  How many other albums promise that?

DOWNLOAD: Date with the Night; Black Tongue; Maps

STAND-OUT TRACK: Maps

[youtube https://www.youtube.com/watch?v=oIIxlgcuQRU&w=560&h=315]

Track Review: The Mono LPs- Christmas Time

TRACK REVIEW:

 

The Mono LPs

 

Christmas Time

9.5/10.0

Christmas Time is available at:

https://www.youtube.com/watch?v=Zlr5cinMhds

RELEASED: 28^th November, 2015

GENRES: Alternative; Indie

ORIGIN:

Liverpool, U.K.

© 2015 The Mono LPs. The Mono LPs have teamed up with Pancreatic Cancer U.K. to raise funds and awareness for the charity. All profits of the single go to Pancreatic Cancer U.K.

____________________________________

FOR today only it is time to look at a Christmas song…

albeit one with a difference.  There are a lot of different Christmas songs coming out at the moment- mainly from the music underground- and it raises an interesting point.  Historically, we always think of Christmas tracks as cheesy and quite offputting.  Having been hearing them for the last few weeks- they seem to be piped constantly in every shop- we have all had enough exposure to the songs we have heard for years.  I understand shops/businesses want to get people ‘in the spirit’; yet it seems to be overkill at the moment.  It is nice to hear the old favourites closer to the day but most people have had their fill already.  That said, when a new Christmas song comes along, it not only provides a chance to hear a new song- it allows you to still feel Christmas-y at the same time.  Before I mentioned my featured act, it is worth looking at the nature of Christmas songs.  Most of the tried-and-tested classics relate to togetherness this time of year.  Whether someone is driving home for Christmas (Chris Rea) or just celebrating the day in all its fun and frivolity (Slade; Wizard etc.) there seems to be a range of emotions and possibilities.  The Christmas songs I have always loathed are those without a message or true meaning behind it.  It is all very well producing something uplifting and embracing: if it does not interest you with its lyrics and themes then its appeal is going to be short-lived.  The likes of Wham! and The Pogues remain seasonal favourites; not only because of the quality of the song but what it says.  It seems like a strange point to labour yet the best and most memorable songs have a key message and something universal to them.  When it comes to Christmas songs, too few actually dig deep and put their mind to it.  I think we all get a little tired (of Christmas songs) because of those cheesy and rather obnoxious numbers that do not do anything but cloy and irk.  My featured act have not only produced a great Chritmas song- it is one with a great message that is modern and relevant- but the music and vocals are memorable too.  So many Christmas tracks suffer in one department- overly-emotive vocals or a stupid composition- yet the Liverpool band have taken great care to ensure their latest track possess quality in each department.  The Mono LPs consist of:

Ste Reid - Vox - Songwriter - Guitar

Vicky Mutch - Cello - Backing Vox

Chris Barlow - Bass

Daniel Beech – Drums

Before I raise a new point- and get down to the music itself- it is worth noting the band is raising funds for Pancreatic Cancer U.K. - no pressure to buy!  It is impressive and note-worthy finding musicians that generate music to help charities- it is something that does not happen too often.  This time of year is synonymous with giving and kindness so perhaps it is fitting that something like this has happened.  Perhaps The Mono LPs’ altruistic approach to music will rub off on fellow bands- we can only hope so.  Not just a commendable move, the song in question- which I shall get down to shortly- is one of the best they have produced.  The band market is busy and hectic at the moment- as I keep mentioning in reviews- and I always love seeing the variation and types coming through.  Liverpool is one of the most interesting areas for music at the moment.  Recently I have mentioned cities like Leeds and London- when it has to come to my reviews- and it seems like the north is hotting-up right now.  Liverpool has always been at the musical heart and produced some of our finest acts.  I have never visited the city but I know a lot of bands and act up there.  Everyone really says the same thing about the city: the heritage and communities there inspire great music.  I cannot speak for other areas; it seems Liverpool has a lot of great and supportive acts that is helping to inspire a great scene.  Vibing off the history and legacy of the city, many young bands are stepping to the plate and putting out some wonderful music.  The Mono LPs have had quite a busy time lately and are planning moves for 2016.  I love the sound of the band as they are one of the most original and immediate acts out there.  The direct and passionate vocals sit inside stunningly addictive and tight compositions.  The entire band has a great connection and sound that has seen them invigorate critics and draw in a lot of fans.  A few days ago the band put out Die a Little Death (Deluxe): a collection of live/studio recordings that drew in some of their past recordings.  A chance for fans to see the guys in a different light/setting; it is a collection that new fans should get hold of.  Bristling with memorable songs and wonderful moments it is clear the band is going to be a name to watch.  I put a lot of recommendations out there- when it comes to the bands who will hit the big leagues- yet it seems apt and appropriate with regards the Liverpool clan.  It is not just their consistency and quality that amazes me but the attention they put into their music.  Few other groups spend so much time to ensure their music differs from the competition.  It will be great to see the guys come up with a new E.P. in 2016: a chance for fans to witness something new; what is on the band’s mind at the moment.  As it is, it is well-worth checking out Christmas Time: one of the finest Christmas songs over the last few years; something that shows a lot of heart and spirit.

Before I get down to investigating Christmas Time, it is worth looking back at the band’s back catalogue.  Last week the band released live/acoustic versions of some of their biggest songs- including The Flame and Emilia.  6 a.m., Die a Little Death, Giving It Up and Emilia are the songs that stick in mind with regards The Mono LPs.

  6 a.m. is a tender and calming number that begins with hypnotic acoustic strings.  Our lead arrives at the microphone to produce an aching and evocative story.  Speaking to a lover, there is declaration and passion in spades.  Backed by an aching and romantic cello line the song is one of the tenderest and pure I have heard in a while.  Putting me in mind of Crowded House- and their Woodface period- the track boasts a hugely evocative and effective chorus.  Building and exploding in time, our man will “try to believe”.  You know there is some history and backstory to proceedings and are fascinated to know its origins.  A heartrending and shimmering love song; it is not just the lyrics and vocals that impress.  The entire band come together beautifully to create plenty of passion and drama- it is one of the most committed and compelling performances they have put to tape.

Having been released two years after 6 a.m. (which itself was released four years back); Die a Little Death saw the Liverpool group alter their sound slightly.  Keeping that lyrical fascination and depth intact, the abiding sound is more Blues-Rock and Alternative.  Rampant and rollicking, there is even a touch of Flamenco/Latin music to be heard- the percussion and rums flourish and dance.  A catchy and sing-along chorus is only the start of things.  Drawing in vocals from Vicky Mutch, it is a fully-rounded and nuanced song that shows how adept and malleable the band is.  The song looks at our hero feeling lonely- when he is with his girl; she says he is “good for nothing”- and there is a lot of anxiety and recrimination in the song.  Vacant eyes and hollow souls are looking in the mirror; a sense of loneliness and loss pervades the track and is hard to extricate one’s self from.  That catchy and rousing chorus is hard to ignore and Die a Little Death ranks as one of the finest tracks from The Mono LPs.

   Giving It Up- recorded a year ago- saw the band carry on from Die a Little’ and its sound.  Perhaps more taut and menacing than that track; we see Mutch join in the vocal work and the entire band produce something exhilarating.  The most spiked and swaggering track they have produced it is a song with layers and huge depth.  Those Blues-soaked guitars swing and strut around as our man lets his voice do his work.  There is sexuality, submission and false economy being surveyed.  Straying away from the pure aesthetics of love and relationships the band take in modern-life concerns and fairness- a rallying cry of sorts for those disaffected and underfoot.  The composition stands out on Giving It Up: one of the most memorable they have produced, the entire band sound completely in-step and focused.  One of the shorter songs in the band’s cannon- it clocks in at 2:30- the band shows their concision and economy.  Unlike previous numbers, this is one of the most Rock-driven and Alternative-themed tracks they have produced.

  Emilia is another granite-sliced and hard-hitting song.  With a shivering and quivering cello line running in the introduction, the vocal duo come together for something exhilarating.  Our man was left in the “pouring rain”- with no money for a bus or train- so is hitching a ride.  I get slices of The Black Keys, Led Zeppelin and legendary bands within the track.  The composition shows real emotional depth and intelligence.  The guitar lines and riffs mix beautifully with the classic elements- that quivered and spine-tingling cello keeps coming back.  An hot-bloodied and stunning track, it shows a natural development and confidence.  Perhaps the band’s finest-ever song; Emilia should be a staple of the airwaves.  Once heard it is impossible to forget and it seems like a song that would be a live favourite.  Over the months the band has gained confidence and get better with each new release.

It will be fascinating to see where this improvement takes them.   Christmas Time embraces their earliest days- and the softer elements of 6 a.m. - and injects some of their more recent Rock elements in too.  With such a staggering sound- and a great diversity and authority- I am sure 2016 will see something truly special come through.

Everything has been leading up to the shining star in the musical sky: Christmas Time is the latest song from the marvelous people of The Mono LPs.  The opening seconds are dedicated to some aching and seductive cello strings.  Putting my mind towards the likes of The Cinematic Orchestra- and their most assured and compelling numbers- and you have something instantly gripping and memorable.  Romantic and swooning, there is a lot of dignity and reverence in the opening moments.  Evolving from that solo string work, the band elicits a slight percussive hiss before transcending into a gorgeous piano coda.  Paced and elliptical; the sound augments that romantic edge and wistfulness.  You start to picture yourself in Christmas climbs and surrounded with candles and lights- the music video shows the band performing in a room abound with candles.  I instantly notice the production here which is among the most assured and captivating of the entire band’s work.  The introduction is crisp and clean without being polished; the piano notes shine through and the cello strings sound utterly beautiful.  The best representation of this production quality is in the vocal which gets straight to the heart.  Our front-man is at piano and laying his heart on the line.  The opening lines see his heroine breathe into the winter’s air- her cheeks are rouge and the scene is set.  I get pictures of the heroine and central figure- each listener will have their own interpretation- and the scenery is instantly set.  Perhaps snow-filled and silent, you get images of streetlights and a crisp night’s air.  Our hero is certainly entranced in his thoughts and paying tribute to someone very special.  Even though the sweetheart is being attested- and it is someone that seems very pure and loveable- she is “not around”.  As I piece things together- including the reason the song is recorded (to support pancreatic cancer) and those words- it seems like the loved-one is lost.  Instantly you may think of a lover or mother- someone very special to lead- and the fact that she is sadly departed.  Perhaps it is me over-interpreting with gloom shades yet the song has that haunting and touching sound.  Solemn and sensitive, you get enraptured in the words and cannot help but sympathise with our hero’s plight.  Among those tender and stunning vocals there is a shimmering and standout cello sound that cannot be overlooked.  Reminding me of Nick Drake- and his work across Five Leaves Left- you can compare it with Way to Blue and River Man.  It is a perfect and sparse combination that says so much with a few notes.  Were there a lot of guitars and percussion sounds in the fold then it might distill the beauty and intentions.  The song never sounds mordant or overwhelming at this stage.  Defined by its soulfulness and heart, you cannot escape the beauty that is emitted.  Our man recalls moments when he (and his subject) climbed a hill on the way to the chapel.  With that distinct accent coming through- The Mono LPs do not Americanise their vocals and retain their home-made sound- and the picturesque scenes; you get a very detailed and recognizable scene.  As the duo walk, the brass band plays on- and my mind starts to re-project the scenery.  It is quite a Christmas-y theme and tableaux that is unfolding- we can all imagine the sort of scene and images that are being presented- and it puts a smile on the face.  My thoughts stray away from remembrance and post-mortem tribute- not sure why it went there to begin- and we have a scene that puts you in the Christmas mood.  The Mono LPs have always been master of the chorus and there is no change here.  Not too unctuous and sickly, instead we get a composed and passionate chorus.  It is Christmas time- and we should sit and drink wine- as the song starts to get inside the mind.  Finding yourself swaying along to the song- and captivated by its heart and sound- it is a track that never relents or slips at all.  Such a gorgeous vocal and melody- Reid and Mutch combine in voice- as the lyrics look at remembering and the sun leaving the sky.  As the night leaves the day (the duo) reminisce about all they “used to say”.  Before you get too engrossed in that vocal, the cello comes back in to producing something gorgeous and wondrous.  A brief bit of percussion- tied to some acoustic guitar strum- adds to the energy and passion of the song.  As my mind drifted away from recollections of times past- and recalling someone who has passed sadly- I return to those themes once more.  Maybe our hero has a particular person in mind that he has lost- either romantically or has departed- and you cannot help but to suppress a tear.  Never succumbing to anything too heavy-handed or depressing, the song is nothing but beautiful and memorable.  Whereas most Christmas songs let the sickly-sweet rule the roost- with subject matters that do not really dig that deep to be honest- it is refreshing to hear a song that is concerned with real issues and something human.  Christmas Time is a song that can be appreciated and understood by all in its sentiments.  Whatever the truth behind the lyrics; you cannot help but to pick the words apart and see where they emanate.  Our lead looks at days when we “were all fine”.  By the closing moment that chorus comes back in as you cannot help be entranced and hooked by that chorus.  Having watched the music video- and seeing the band perform in a candle-lit room- it is a hugely touching and unforgettable song/video.  As the closing notes play- the cello comes in to produce something appropriately conclusionary and ethereal- and you end a song that is truly special.

If it weren’t for the chorus- and perhaps a few of the lyrics in the verses- the song could easily be about romance or… well anything else.  It is not a traditional Christmas song in any sense.  It does not look at gifts under the tree and kids waking up excited and deals with something more mature and important.  I mentioned the significance of messages and meaning in songs: Christmas Time pulls away from the cliché and shallow sentiments of the past to address something deeply personal and yet universal.  Some mystery and obliqueness linger in the lines- as to the true meaning/significance behind the words- but that only adds to the beauty and weight of the track.  Reid and Mutch are particular impressive on a track that has harder edged- the chorus is rousing and memorable as they come- but plays with something softer and more gentle.  A track whose lyrics and images are pure and heartfelt, it is that vocal that perhaps resonates longest.  One of the purest and most emotive the band has produced, you know how significant the song is to Reid.  When Mutch lets her cello play, you get the most impactful hit of beauty and serenity.  Able to conjure images, colours and soul; it is a tabluea that soothes the soul and is not easy to forget.  If you want to a Christmas song that differs from the predictable mass of sugar-sweet then check out Christmas Time.  A track that has deep meaning and  relevance- and is raising money and awareness for a very serious cancer- you have to tip your hat to the guys (and gal) of The Mono LPs.  One of the best bands coming out of the U.K., they are going to have a big future ahead of them.  Constantly wonderful songwriters, they have produced a sensational song that could rank with any of their previous work.

I love what The Mono LPs have done with Christmas Time.  The song is not just a one-off novelty that is meant to be loved in the moment and then discarded.  It is not a track that is effortlessly cheesy and saccharine- like so many other Christmas songs- but a track that can be enjoyed every year and will endure the test of time.  Let’s hope the band can raise lots of money for Pancreatic Cancer U.K.- I am sure they have already raised quite a bit already- as they are doing a great thing and should be commended.  The song itself departs from the band’s existing sound to create something more Pop-orientated.  Having lost none of their focus, identity and talent; the track is a catchy number that sees the band produce of their best works.  I opened by looking at Christmas number and their appeal- in addition to the music of Liverpool- and will return to that arena.  We have all had our fill of the Christmas classics- we are all being exposed to heavily right now- and know every word to every track.  Let’s hope Christmas Time makes it into the roster of classics as it is a modern take on an old theme.  There have been few great and credible Christmas number lately- it is not something many acts tackle- and most are content to just let the established songs do their work.  Whether acts don’t particularly like Christmas songs- or feel they wouldn’t be able to write a decent one- it seems an area that can be exploited.  I know it is a rather narrow subject topic but there is plenty of potential to create something stunning and solid.  The song does not have to be cheesy and expound the virtues of togetherness or fond recollections.  It can be quite broad in a sense and address anything from peace/unity to finding love (at this time of year).  A side of music that has plenty of potential, The Mono LPs have opened up a floodgate that should see more bands follow in their footsteps.  Whether they do is yet to be seen but I would love to hear some more original Christmas songs come out.  The guys will be busy promoting the song and trying to raise as much money as they can.  Popular and established in Liverpool, let’s hope 2016 sees the band embark on a U.K. tour.  I know money is always a sore subject and issue for bands; the tour does not need to be an extensive thing- just a chance for different crowds to witness their music.  It would be nice to see them come down to London- there are plenty of venues that would be hospitable- and seduce the faces down here.  Christmas Time has received an overwhelming and staggering response from social media.  The band has been posting tweets to say how thankful they are- there has been some great feedback- and it seems the song has hit a lot of people hard.  A terrific track that conveys an important message; so many people have provided their comments to The Mono LPs.  Liverpool is a city that has been vital in music’s development and progression.  From The Beatles in the ‘60s through to the ‘Britpop’ band such as Cast and The La’s- via the ’80s Punk bands like Echo & the Bunnymen- Liverpool has been hugely influential and important.  The city keeps on producing these great acts that can stamp their footprint on music’s landscape.  The Mono LPs have a terrific sound that is not often heard in the modern climate.  With some Pop sensibilities and melody, they inject plenty of hard-edged Rock and Alternative sounds into the mix.  Those emphatic and passionate lead vocals and backed by wonderful compositions.  The band is among the tightest I have heard and their back catalogue is hugely impressive.  Few bands mix male and female members- a point I mentioned when reviewing FloodHounds- and fewer have a cello player in their midst.  It may seem like a minor point yet a lot of bands are quite predictable and clichéd.  Away from the four/five male bands- where there is your guitar-drum-bass-vocal line-up- and there is not a huge amount of variation.  I would love to see more bands mix things up a bit and broaden their make-up.  When you provide variation and a new dynamic then you have greater possibilities with regards your sound.  The Mono LPs have proved how rich and vibrant their music is- due to the fact they do not do things like other acts.  Before I wrap things up I wanted to congratulate the band on a great release.  A song that is going to be gaining a lot more praise, Christmas Time is doing a great thing for a great charity.  The coming year will be an interesting one for the band who are sure to be thinking about getting back into the studio.  Having enjoyed their past singles/E.P.s, it is going to be exciting to see where they go from here.  The music scene is packing lots of bands into the public attention and it is interesting to see which acts will endure and succeed.  I hear too many bands with such an overly-familiar and uninspired sound- that has been done so many times before- so it is those original artists that will succeed.  The Mono LPs are inspired by a few acts but never wear their influences on their sleeves.  If they keep their passion, sound and quality firm then there is no telling how far they could go.  I am sure they will want to see the year in without having to think about 2016.  Make sure you check out the young band as they will be doing some great things next year.  If you have not purchased/heard Christmas Time then rectify this.  Not only supporting a great cause and raising awareness- the survival rate of those affected by pancreatic cancer has not changed in 40 years- we need to do something to change this.  Raising money, awareness and support is the logical and most important first step to affecting change.  The Mono LPs have created a great Christmas song that deserves to be heard, appreciated and supported- to ensure they can help Pancreatic Cancer U.K. continue their great work.  Take time out of your day to hear a song (and band) that will remain in the memory.  Unlike the schmaltzy and irritating Christmas ‘classics’, Christmas Time is guaranteed to…

 

GET into the mind in a very good way.

[youtube https://www.youtube.com/watch?v=Zlr5cinMhds&w=560&h=315]

____________________________________

Follow The Mono LPs:

 

Official:

http://www.themonolps.com/index.html

Facebook:

https://www.facebook.com/themonolps/?fref=ts

Twitter:

https://twitter.com/themonolps

 _____________________________

Music:

https://soundcloud.com/the-mono-lps

______________________________

Videos:

https://www.youtube.com/channel/UCVW0cuOdLw3zN3zVa5xXTHA

Track Review: FloodHounds- Twisting and Turning

TRACK REVIEW:

 

FloodHounds

 

 

Twisting and Turning

9.5/10.0

Twisting and Turning is available at:

https://soundcloud.com/floodhounds/twisting-and-turning-1

RELEASED: August, 2015

GENRES: Alternative

ORIGIN:

Sheffield, U.K.

The E.P. Bare Bones is available at:

http://www.floodhounds.com/music/

TRACK LISTING:

Bare Bones

Walk at the Door

Twisting and Turning

____________________________________

ONCE again it is good to be with a band…

that are among the most fresh and vibrant on the scene.  I have bemoaned the lack of original and impressive bands emerging from the scene.  With the year ticking to a close, I am hunting about to see which acts are going to be spiking the imagination in 2016.  As I look around, a few stick in the mind.  Being a new convert to FloodHounds, here we have an act that is capable of enjoying long-term success and a glistening future.  Before I introduce them I want to return to two common themes: Yorkshire music and the mixed-gender band.  Yorkshire is a music county that never fails to amaze me.  From Issimo to Allusondrugs- two names I bandy about when talking of bands- Yorkshire is one of the most fertile and productive areas of the U.K.  You cannot deny how much great music is coming from the north at the moment- perhaps tackling London when it comes to music.  I am never sure what is causing the influx of great music (in Yorkshire) but the communities and musical clans there are encouraging terrific things.  Perhaps there is less anxiety up here; the locals a bit friendlier and less oppressive?  Whatever you attribute the great music to; it is always a pleasure to hear another Yorkshire band come through the ranks.  I have been looking at London a lot and stating what a range of acts there are here.  I am always impressed by the duos and solo acts of London yet the band market is perhaps a little sketchier and less assured.  Yorkshire seems a lot sturdier and more dependable when it comes to the band market and the best sounds out there.  It is not just the consistency but the quality of band music too.  Whereas a lot of southern bands tend to stick purely to Indie and Alterative lines; over in Yorkshire/the north there ius more diversity and consideration.  Softer sounds and electronic elements come in; epic swathes and intimate moments combine- overall there is a lot more depth and intuition.  Perhaps I am over-simplifying, yet I find there is a bit more quality and consistency away from the south.  Before I raise a new point, let me introduce the intrepid FloodHounds to you:

“FloodHounds are a fast-paced 3-piece British indie-rock band from Sheffield. Their "gloriously guitar-heavy rock," takes you from British Indie/Rock to raw American Blues and hits you like a British Black Keys, crossed with The Rolling Stones, fed on a diet rich in Band of Skulls, The White Stripes, Blur and Kasabian. Floodhounds were picked, out of 1,200 unsigned bands who appliedfor a handful of emerging artist slots at Tramlines Festival 2015 and landed the coveted Leadmill supporting Fat White Family to rave reviews,seewww.exposedmagazine.co.uk/music/tramli…floodhounds/.  Make Noise Studios captured FloodHounds' live acoustic session for Tramlines 2015 - see it on YouTube at bit.ly/1KZRBGy.  BARE BONES, the title track of the band's second EP, has attracted Radio play from BBC INTRODUCING Sheffield, Sheffield Live and a host of other local/online radio shows. A third EP is due out in 2016. The band were also picked to represent Sheffield for national newspaper, The Independent's isessions series in January 2015. A video of the band recording of "Bare Bones" at Sheffield's iconic 2FlyStudios is atyoutu.be/24xT906F1kU. Storming local gigs at the Rocking Chair and Plug Sheffield, supporting October Drift, saw FloodHounds playing further afield this year, at the Live in Barnsley's 126-band Festival in June, and 3 successful London gigs in Camden and Shoreditch in April and supporting DJ sets by the likes of Gus from alt-J at 229 The Venue's Mayday Festival. At the end of 2015, the band made their debut in Leeds, Manchester and Huddersfield and are hoping to cover more of the UK in 2016. The band are hoping to cover more of the UK in 2016 and have recorded new music with early Arctic Monkey's producer Alan Smyth at Sheffield's 2Fly Studios, in November 2015. FloodHound's new 3-piece incarnation emerged in late 2014, when founder members Jack Flynn - the vocalist, guitarist and songwriter of the band - and bass player Rhys Owens, were joined by drummer Lauren Greaves”.

FloodHounds are comprised of a female and two guys.  It might not seem like a big point yet few bands actually mix gender nowadays.  Perhaps they never did so it is always great to see.  There are too many all-male bands on the scene it can become a little tired and cliché.  Having reviewed the likes of False Advertising- another near-neighbour of FloodHounds- it is great to see a mixture and balance in bands.  With so few all-girl bands out there- aside from Pop groups; you seldom find all-female Alternative bands- I do love seeing a band that strays away from the all-male model.  Perhaps it seems like an odd point to raise but music needs more surprise, diversity and dynamic.  If you have all men/women the sound and subject matters often are limited and samey.  Whatever your views of band make-up and balance you cannot deny the effect FloodHounds are having on the music world.  One of those new acts that are making some impressive waves, their Bare Bones E.P. shows just how stunning the music is.  Much more detailed, enriching and original than most of their peers, I predict some good things for the Sheffield band.  A lot of new bands seem to be too one-dimensional and limited when it comes to their early movements.  The Sheffield trio has gone to great lengths to ensure they stand out from the crowd and are not just seen as another-one-of-them-bands.  As we go into 2016 it is great to see a young act that is on the rise.  Whether they have plans for more tour dates- or will sojourn to the studio for another E.P. - but they are getting a lot of local love.  It would be great to see them in London very soon and rock the crowds down here.  Having read some social media feedback and reviews- when it comes to their new E.P. - it is clear the music is resonating and having effects on the listeners.  Too many acts are tired and uninspired so we should all be paying closer attention to FloodHounds.  With a tight and addictive E.P. out in the ether, there is definite momentum and public demand.  What impresses me most about the band is that mixture of originality and surprise.  The compositions do not just stand still and wander about: the music mutates and moves; it explodes and calms at will.  The vocals and lyrics have a very personal stamp to them and you cannot compare FloodHounds to too many other acts out there.  Inh a music scene that is bursting with some rather limp and vague bands, it is great to find an act that have distinction and plenty of energy.  I can see them playing the big festivals of the future and making their way into the mainstream.  Whatever they have planned for the coming years, ensure you check them out and investigate their new E.P.

When it comes to properly assessing FloodHounds it is apt to see how they have developed.  A couple of years ago, the band released the three-track E.P. FloodHounds.  Moving Pictures is a slinking and seductive song that gets out of the traps with Blues licks and calm vocal.  Moving things with “no direction at all” you wonder what is being attested.  Our man is taking his time and seeing what is going to happen.  There are some mysterious vibes and oblique words that make you think a relationship is being ascribed.  The riffs and composition are catchy and effective: bursting and swaggering along, there is so much confidence and vibrancy on display.  A tight and electrifying band performance there is the sound of a great ‘Britpop’ song- the likes of Oasis would be proud.  Motivation begins more sprightly and showcases a stomping and foot-stamping opener.  Barbwire and meaty, the opening salvo certainly raises the interest levels.  Our front-man lets his voice climb and pervade as he rallies against forces.  Bothered by events, it seems certain people are chipping at him and causing him fatigue.  Aiming to leave the city and see better things, there is that need for escape.  Wanting (a girl) to be his motivation that need for calm and stability is evident.  Another tight and focused jam, the song certainly sticks in the memory.  Memorable riffs, impassioned and tough percussion bonds with some guiding bass to back a passionate and heart-bearing vocal.  The Fall starts with tripping and spiraling riffs that sees our lead talks for being taken from the darkness.  A central figure is taking the fall for things and needs to keep an open mind.  Our man is offering words of advice and wanting to prove himself as well.  The track boasts some great little details and sonic diversions.  Elements of The Coral, Oasis and Arctic Monkeys can be heard although it is the band’s unique voice and direction that rides highest in the mix.  The entire E.P. proves how instant and tight the band is.  With no nerves or weak moments, it is an E.P. that showcases their full talents and how great their songwriting is.

Since the debut E.P. - and arriving at Bare Bones- the band have continued on this course and grown in confidence.  Whereas their debut was filled with great riffs, percussion and bass parts; some stunning vocals and catchy songs- now they have taken that even further.  More softness and introspection has come in.  The overall sound may not have differed too much although the subject matter and lyrics have incorporated new themes and ideas.  Having produced such a stunning and complete debut there was no need to radlicalise their sound and brings in new elements.  What FloodHounds have done is continue from where the E.P. left off and upped the game.  Now the band sounds even more urgent and passionate across the trio of tracks.  Whilst a lot of acts stuff E.P.s with songs- four of five songs that can tend to go on- FloodHounds are concerned with concision and focus.  Their songs are those memorable and brief cuts that stick in the mind long after they have finished.  Although they incorporate some great northern bands into some moments- the likes of Oasis, Arctic Monkeys and such- the abiding sensation is of a young band with their own voice and mind.  Seamlessly fitting together and compellingly tight, they have shown just how consistent they are.

The swansong to their Bare Bones E.P., Twisting and Turning is a song that is hard to forget.  A wave-crash percussion/cymbal bonds with murmuring bass notes to create a moody and smoky beginning.  Not sure what is coming next, the band keep you on your toes and build the intrigue up.  Not going straight in with guitars and noise; we have a song that is more textured and considered (than most Alternative tracks).  That percussion input starts to become a little more in focus and make its voice heard.  Smattering and punching through the mist, the song starts to build and accelerate.  That mixture of ‘90s- the best Alternative and Rock sounds of today- and Blues-Rock skins combine to create something instantly memorable and familiar.  Funky and teasing, the introduction soon explodes and ignites into something frenzied and rebellious.  Grizzled and gritty, each player seems to have equal weighting.  That drum work smashes and creates a hugely sturdy backbone.  The bass guides the song and keeps its disciplined whilst the guitar whips up a storm of colour and passion.  Before the vocal comes in, you get enraptured in the composition that ever relents or loses its magic.  A natural head-banging riff and tight-knit performance draws you in and makes you mind drift and imagine.  When our hero comes to the microphone, the early sentiments are curious indeed.  Our man is (asking his subject) to have a look around.  Things used to be “better than this”- whether referencing a town or situation in life- you start to picture your own version of events.  With his voice clear and focused, the performance is determined and strong.  Making sure his words hit the mark; our lead lets his voice whip a myriad of themes and possibilities.  When the words “open your mind/but don’t let your brain fall out” you get a mixture of humour and cutting bite.  It seems like an acquaintance or love is being spoken to; someone that has made some bad decisions or is stuck in a rut.  With those kind of words falling out, you imagine (the song’s subject) has made some bad choices and does not freely let their intelligence get in the way of logic.  The core/subject is mired in delusions and confusions; their ignorance and lack of wisdom galls out hero.  I get the impression an ex-love or relation is being spoken about, although I could be wrong.  That anger and fatigue is evident as the band creates an appropriate sonic backdrop.  Little Blues-Rock licks and bass rhythms combine with the sturdy and passionate drum work.  “Lock the doors/break the law…” is delivered with pace and consideration- words you sense are important to the lead- and there is that building sense of anxiety and discontent.  Keeping cards close to chest, there is never any historical explanation- what has caused this chagrin and events that have transpired.  Whoever is being talked about it seems they had grand ambitions- “you thought you could change the world”- but not are being forced to run for their lives.  It does not seem to be a purely relationship-driven investigation.  Maybe there is a musical aspect or someone close to the band.  The attention of focus will turn the world upside down and be on their way.  Our lead will be right behind them- whether a malevolent claim or a supportive shoulder- there is some contrast and mystique coming in.  Maybe there is a sense of empathy and support although one suspects the teeth are out and there are lingering resentments afoot.  The vocal does not needlessly explode or draw blood; instead it remains dignified and focused on the job at hand.  The band creates a whirling wind of energy that pulls in the varied emotions and stresses of the lyrics.  The composition does not simply strum and aimlessly wander; instead you get a catchy and kicking jam that   makes you smile and puts you in mind of Blues-Rock acts (like The Black Keys and The White Stripes).  Ensuring that melody and musicianship stand alongside lyrical originality and passionate vocals, Twisting and Turning does not relent its plight.  Our hero was young and naïve once; he ate up “every word that you sold”.  Maybe a woman leading him astray- and making promises she could not keep- or a wise elder who has come into disrepute.  My mind is always split between romantic ideals- and two parties in different places- or a musical plight- and our hero being fed falsehoods and deceived.  When the line is delivered with particular emphasis- “tempt all your followers to go and/follow you”- you cannot help but thing of some musical avenues.  Perhaps a false prophet or jumped-up wannabe; there is that recrimination and annoyance in the lyrics.  Maybe someone who is not what they are cracked up to be, Jack Flynn’s words seem his most personal and important (on the E.P.).  It is his vocal and guitar work that manages to convey this anger and irritation to the full.  Constantly supported by some exceptional production- that perfectly blends the instruments and ensures each note resonates fully- his bandmates perfectly support the lead’s plight and add huge force and nuance to proceedings.  Lines such as “light a match and watch it fade” are delivered you feel there is perfects over-ambition- a musician with ideas above their station- or maybe a relation that has fallen foul.  Throughout, there is that split-meaning and obliqueness that puts your thoughts in two camps.  The final moments see the instrumentation come into play- after the chorus comes around once more- and demonstrates how tight and close-knit the band is.  Those percussion sounds create a tense and nervy heartbeat; something that hisses and bites.  The bass creates melody and rhythm whilst driving the overt emotion and anger through.  Our lead’s voice-and-guitar combination aptly promotes a sense of hostility and judgment without being preachy or overly-cruel.  With that chorus making its voice heard one final time- and gaining extra relevance and potential- you have a song that leaves some questions hanging whilst answering a lot.

Twisting and Turning is a track that undresses and highlight’s a subject that has caused heartache and seems to have caused a lot of problems.  Initially I was thinking of a relationship that has gone sour perhaps.  As the song progresses- and the lyrics start to expand and progress- it seems like a male counterpart or colleague is being addressed.  It is that mystery and openness that makes the song such an interesting and dramatic thing.  Jack Flynn has written one of his most personal and memorable tracks to date.  A song that can be understood by all- we have all found ourselves with similar concerns- his pen and sharp tongue are at their finest here.  That inimitable and stunning guitar work ensures each word and thought is given the maximum degree of venom and potential.  Not just reserved to attack and drive, the guitars manage to go from Blues-Rock catchiness to something more restrained and calmed.  Rhys Owen lets his bass guide the song and ensure it does not become undisciplined and unfocused.  Creating melody and drive, the bass keeps the layers together and drives the vocal into the bargain.  One of his best performances on record, it would be good to hear more of Owen in the future.  Lauren Greaves ensures her drums are not pushed to the background with a performance that is packed with pummel, gravity and melody.  Managing to summon all sorts of possibilities and emotions- she is adept at changing course and conjecture to match the lyrics- you have a drummer with great imagination and strength.  The entire band combines wonderful throughout to deliver a song that is packed with nuance and stunning moments.  You will find yourself visiting it again and again to capture little bits and pieces.  Once the full force does take effect, ensure you investigate the rest of Bare Bones.  Special mention to the producer, engineer and sound guys who ensure the song is perfectly blended and put-together.  Each instrument and layer is perfectly realised to ensure it is not just the vocal that stands out- the entire sound is promoted and given a necessary spotlight.  Few bands get that balance right- ensuring the vocal is not mixed too low down and the sound is crisp- yet FloodHounds have a sound that is professional without being too polished and fake.  Plenty of grit and grime is allowed without the proceedings sounding amateur and insincere.  A terrific accomplishment from a young band with many years ahead of them.

I opened by saying how few bands stick in the mind and how few original ones there are.  In London and the south we have a few great acts, yet when it comes to those who stick in the mind, I feel Yorkshire and the north are really leading that charge.  I was amazed by FloodHounds’ debut E.P. and was surprised to see they have topped themselves this time around.  Bare Bones is even sharper and more addictive than the debut: bristling with ideas, confidence and commitment; you cannot deny these guys are on the way to something special.  With a sound that is ready-made for the festival stages, it will be great to see where they head now.  The band market is the most competitive and full there is at the moment.  Every week we are witness to new acts coming through which can make it hard deciphering which are worth sticking with.  Sometimes geographical proximity and media recommendations lead us to music; it is hard to really discover all the best acts out there.  Luckily social media can come to the rescue a lot and point you towards some real treats.  Twisting and Turning is a snapshot of a young band that mean serious business.  You can hear that determination and passion in every note and throughout every line.  A group that love music and have soaked in a lot of its best moments; who would bet against them going all the way?  Although these are the early days for them- and they have their best days ahead- it will be great to see them on the big stages.  Gathering a lot of kudos and support from the local crowds they have a sound that translates across the globe and can be appreciated by all.  Let’s hope the Sheffield three-piece carry this momentum into 2016 because if they do, they have the potential to be one of the best upcoming acts about.  Before finishing, it is worth going back to my original points about Yorkshire and mixed-gender bands- perhaps pulling in production and the nature of sound.  Yorkshire is once more showcasing just how much of a music hotspot it really is.  I am not sure whether it is the landscapes, communities or fellow musicians that have promoted this productivity and quality.  As mist eyes look at London- the media tends to focus here too- more eyes should be cast towards Yorkshire and the north.  Perhaps it is a coincidence, yet I would be fascinated to see why Yorkshire is producing so many great acts.  When speaking with Damien Hughes- part of the Leeds band Allusondrugs- I posed the same question.  He said there was less anxiety and strain up there.  The lesser population numbers- consider the crowd and bustle of London- there is certain levity and degree of space there that can translate to musical freedom.  The friendliness and community musicians show (in the north) is also a factor as is the lack of pressure from the media.  Whatever the reasons behind the trend, it is great to see FloodHounds come into the fold and do their thing.  With their boy-girl formation- bucking a trend of all-male acts out there- we have a band that certainly mean business.  Like Echo Boom Generation and False Advertising- two bands that have boy-girl make-up- the sound is harder and heavier.  Crafting riffs and memorable compositions is no mean feat, yet the Sheffield band makes it sound completely natural and effortless.  Kudos must go to the production, engineering and mixing of FloodHounds’ sound.  Few reviewers and fans take the trouble to investigate the actually sound of a record.  The people behind the scenes make such an impact on the overall sound.  FloodHounds’ music is tight, measured and wonderfully produced.  Without the expertise and guidance of producers and engineers, you would have a very different sound on your hand.  It is perhaps an odd point to finish on but it is vital when it comes to FloodHounds.  That radiant and wonderful sound- that mixes Blues-Rock stylings of The Black Keys with ‘90s glories- into something original and daring.  Ensure you take time out to listen to one of the best British bands coming through at the moment.  Twisting and Turning is a brief window into a young band with a lot more to say.  In a music world that is being crowded with bands and artists ensure you stay close to…

A group that will go a very long way indeed.

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Follow FloodHounds:

 

Official:

http://www.floodhounds.com/#homepage-section

Facebook:

https://www.facebook.com/FloodHounds/?fref=ts

Twitter:

https://twitter.com/FloodHounds

Instagram:

https://www.instagram.com/floodhounds/

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Music:

https://soundcloud.com/floodhounds

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Videos:

https://www.youtube.com/user/FloodHounds

Track Review: Bahjat- Stand Tall

TRACK REVIEW:

 

Bahjat

 

Stand Tall

9.4/10.0

Stand Tall is available at:

https://www.youtube.com/watch?v=a_K_3ozeMgQ

RELEASED: 27^th November, 2015

GENRES: Pop; Electronic

ORIGIN:

Malta

____________________________________

FOR today I get to focus on an act from a part of the world…

That has produced a lot of great music.  Malta may not seem like a musical hot-spot, yet there are plenty of great Maltese acts making stunning music.  I have been a long-time fan of Chess Galea- a Pop/Soul artist based out of Surrey- in addition to Dana McKeon- a London Beatbox act- and Chloe Boleti.  The island has fostered a great deal of amazing talent and it is not hard to see why.   The wonderful weather and climate- combined with the friendly people and great music there- is inspiring and compelling new acts.  A lot of the best Maltese acts are based in the U.K., yet the island still has a great number of native musicians.  Too long I have been solely focused on U.S. and U.K. acts and have been neglecting other areas.  When you look further afield and stretch your imagination, you can discover some terrific music.  In addition to Malta, areas such as Sweden and France are producing some stars of the future.  Before I introduce my featured act I wanted to talk about male solo artists and 2016 music.  The male solo realm is showing some inconsistencies at the moment.  I remember around the period 2002/’03 there were a lot of great U.K.-based acts coming out.  As the decade continued, more tremendous solo acts came through to show what they were made of.  For my money, the past few years have seen very few great (mainstream) male acts.  The likes of James Bay and Ed Sheeran seem to be indicative of the mainstream- two artists I am not fond of at all- and there is an awful lot of bland and clichéd music coming through.  Aside from the Folk/Pop artists, there are few great Urban acts; scant cause for celebration in Rock and Indie- where are all the great solo men?  It seems there is a drought at the moment and it is a little concerning.  Even in the underground I have seen fewer great male acts come through lately.  It is hard to produce something unique, original and meaningful- what with the competition and weight of music out there- yet artists need to expand their horizons.  Too many solo acts tend to play the same genres, and whilst this is okay and acceptable, there is not enough variation when it comes to subject matter and projection.  Bahjat is one of the most promising new artists coming through and is showing a great amount of heart and passion.  Separating himself from the mass of rather insipid musician coming through, it is refreshing to see someone with their own identity and direction.  Let me introduce Bahjat to you:

“Hello! Nice to ‘meet’ you. I’m a 20 year old guy living in a beautiful little island in the middle of the Mediterranean. I’m a very optimistic person when it comes to life. I appreciate little things that other people would not notice, because I think that it’s the little details that matter, in everything that we do.

I remember when I first picked up a guitar when I was 13 years old, learning how to play it was not a plan of mine… until I strummed one that I found in an empty hotel conference hall. I did not know anything about it, but I knew that I connected with it. I wrote my first song that night.

Writing and singing music is remedy to me. If I’m feeling terrible about something, and I write a song about it, the moment I finish the last line, I’d immediately feel better. It’s weird. I write about things I go through or stories that impact me, whether it be something positive, negative, exciting and pretty much anything that has to do with feelings. My friends tell me that I hide things away from them because I usually never speak about my personal life, but they don’t know that I just poured my heart out about something the night before. I kind of get over it, you know? It’s like writing in your diary but with melodies and chords.

I have been dreaming of calling music my full-time job since that day I wrote my first song. The idea of being able to share your music to the world and have it help people get through something, or just simply put a smile on someone’s face is, for me, the ultimate feeling. Performing to people who will forget about the things that affected them that day, and sing along with you until the very last note is what I want to do every single day of my life.

There is a lot more that I want to say, but I’ll save it for other times. I hope that you’ve managed to know me a bit better. Thank you for making me happy and I hope that my music makes you feel something.

Oh and I forgot to mention…. My name is Bahjat”.

The next year will be important one of new music.  The mainstream is not really emphasising too many standout acts right now so there is a great opportunity for the underground musicians to steal some focus.  Bahjat is at the start of his career yet has potential to go a long way.  Whether an E.P. or album is in his mind I am not too sure.  What is for certain is there will be demand for him to perform in the U.K.  Whether he will want to leave the beauty and sunshine of Malta- for the rather inclement weather over here- we can only hope.  This coming year is a little tough to call and I am not sure what we are going to be witness.  It is clear there will be some interesting bands coming through and artists I have reviewed- those established and making new plans- are shaping-up to be very busy indeed.  It is those brand-new artists I am curious about.  I hope we do see some great talent produced and make waves, although if this year is anything to go by, the mainstream will be a little underwhelming.  New music- musicians flying under the radar- will be more reliable and let’s hope some smashers come through.  Bahjat is taking each day as it comes but surely will have his eyes set to wonderful horizons.

Most of Bahjat’s past material has been cover versions, so it is hard to compare it with original material.  Stand Tall is a young man discovering his personal voice and lyrical style.  The best thing to do really- if you are a new fan of Bahjat- is to look at his YouTube channel (link is at the bottom of the review) and discover the artists that inspire him.  From the likes of Adele, Ellie Goulding and Calvin Harris; Bahjat has covered a spectrum of artists: taking on their music and making it his own.  Over the past few months his voice has grown in stature and confidence.  There is an extra flair and determination in the vocals to my mind.  Whether inspired by the subject matter- or just a natural progression in his voice- the latest cover versions show a shift and improvement.  If Bahjat had begun his career with Stand Tall- and not tackled the cover versions- the vocal and performance may not have been as strong and confident.  Having cut his teeth with some modern-day Pop numbers, he has had the opportunity to find his own voice and hone his talents.  Across every cover version you get a new perspective and insight- the original artist didn’t convey- and Bahjat’s versions are stripped-down and soulful.  Take the likes of Ellie Goulding and Jessie J and you have artists that rarely strip back their vocals and attempt something that tender and still.  Bahjat takes fiery and energetic songs and makes them more passionate and pure.  Stand Tall is a song that continues this vocal style and applies it to something new and different.  Demonstrating a natural affinity and talent, Bahjat has unveiled a song that is both contemporary and classic.  Stand Tall could fit into the Pop/Folk scene- although it has greater merit than most songs of the moment- yet has shades of past glories.

When it comes to the song in question, it begins with atmosphere and intrigue.  Tender and sparse electronic notes create a twilight and odd sense of danger.  Cosmic and velvety, there are contradictions and contrasts in the opening seconds.  At the heart of things is that sense of beauty and tranquility that makes the song gripping from the off.  When Bahjat arrives at the microphone, his voice is firm and committed.  Demonstrating no lack of intention and urgency- although it is soulful and measured- the early words cause speculation and curiosity.  “We have our differences sometimes” seems to be directed to a lover or friend.  Perhaps a ruction or argument has ensued- that has inspired these words to come out- and there is a sense of demure and apology.  It is clear the duo have different minds; they have unique perspectives and directions in life- making me think a relationship is being attested.  Whatever the proclamation relates to, that vocal-and-composition combination creates some passion and spark.  The vocal is resolutely dedicated and soulful whilst the composition marries rushing beats and harder-edged electronics.  Inspired by the likes of Calvin Harris- and contemporaries of Electronica and Dance- there is an edginess backing the lyrics.  Whilst our hero is laying his messages out there- and stating he and his heroine stand at different corners at times- he will always need her by his side.  There is a fondness and passion that radiates through the composition- as the song progresses it gets more hard-pressing and pummeling.  Punchy beats and hissing percussion builds that underlying tension and urgency as Bahjat lets his voice flow.  As the song becomes hotter and faster, those declarative messages begin to pour.  It is said “I tried to do it without you/but I couldn’t do it alone” is perhaps the song’s core message.  Knowing that his heroine will be there to catch him when he falls; you cannot deny that intensity and passion.  Letting the vocals weave and quicken and it is hard to deny the pure intention and romantic lust coming through.  The composition itself expertly supports the vocal and inspires its plight and direction.  The “roof that keeps me sheltered”, you start to picture scenes and possible conversations.  Maybe the hero has been down on his luck and doubting his own mind.  Whatever the turmoil and storm, there is someone there to catch him and make sure he is okay.  Without any cynical edge or negativity, Stand Tall is a song dedicated to the solid bond and loyal passions we all can experience.  Whatever storm is raging and however bad things can be (the duo) will always stand tall.  I am not sure whether the song is based on real events- and reflect on current bond or romance- yet there seems to be a lot of meaning and reality in the words.  It will be intriguing to discover the origins as Bahjat has never sounded as meaningful and urgent as he does here.  Past the 1:00 mark we get some wordless vocals and funky/bongo-style percussion beats that create a hypnotic rhythm and swirl that gets inside the mind.  Perhaps representing that effusive comfort and delirium; you get caught in the swirl and smoke of the beats- as our hero lets his voice sway and drift into the atmosphere.  Before you get invested in this parable, the song changes course once more and back to its original motives.  It is said (once again) the two have differences and different hearts.  Although they are defined by their own personalities- and have their own course in life- at the end of things they will support one another and come together.  Although our man must embark down a dark road- as we all do at some stage- he will keep the promise he made “from the start”.  Whether this was a promise relating to love or something simpler, you are committed to the song and where it will go from here.  By the time the chorus comes back around the composition and vocal becomes more intense and pressing.  That chorus explodes into life and hits the ceiling with its emphatic voice.  Whatever crap is being thrown at the duo- and for our hero especially- that union and bond is the thing that will get them through it.  As compelled as you are by the vocal and lyrics, the composition creates its own gravitational force.  Fixing electronics and rampant beats whip up a compositional storm that aptly backs the song’s passionate blood flow.  There are so many little details in the composition; it may require a few listens to get to the core of things.  Celebratory horns and tribal beats spar with vocal chants and a bustling carnival atmosphere.  Those wordless vocals and energy makes the song endlessly arresting and addictive.  Not succumbing to the worst instincts of modern Pop- the need to Auto-Tune the vocals or make the composition sound processed and plodding- and you have a song that is natural and open.  The heroine lights up the dark and is the treasure chest to which Bahjat clings.  The imagery and pictures mix teenage-like sentiments with something mature and intelligent.  It appears the lovers may be separated or in different places.  Perhaps the duo is in different parts of the world but they will always find a way together.   In the final moments, you get more of those rousing trumpet/brass notes that give the song such a sparkle and vitality.  Although our leads may sometimes be apart, by singing that particular song- something that is special and unique to them- they will find their way together.  The final seconds see Stand Tall get more rushing and urgent.  That composition augments and bursts as our man lets his voice press and spark through the notes.  Together the two will stand tall and fight everything that comes into their path.  That redemptive message is the last thing on the song and a terrific way to end things.

It is pleasing to hear a young artist embark on original material with such confidence and conviction.  Having covered a range of artists, Bahjat is a musician that knows the current scene and the type of sound favoured.  Rather than truck to market forces and come up with a carbon copy (of Adele etc.) we have a song that brims with original voice.  Whether based around a personal relationship- or casting his net to fictional realms- you cannot escape the energy and intentions of Stand Tall.  That redemptive and hopeful core is what separates the song from a lot of current fare.  Bahjat has created a song that shows a proud and hopeful heart.  The composition is one of the busiest and more complete I have heard in a while, whilst that central voice expertly highlights the words and sentiments of Stand Tall.  Throw in some wonderful production values and a vibrant core and you have a song that should gain radio play and serious attention.  There have been few stand-out Pop songs in 2015 so it is great to hear an artist that could be a contender in 2016.  I will be interested to see how his career progresses and what songs are on the horizon.  Take time out to discover a fantastic new artist that could well be a radio fixture in years to come.

Stand Tall is not only a statement of intent but a message to the listener and fans out there.  With its redemptive and inspiring codas, the song is sure to resonate with a lot of people.  Bahjat is an artist who always promotes love and kindness- his social media feeds pay testament to this- and it is rare to hear a musician lacking in cynicism and negativity.  This does not dampen the appeal of Stand Tall; there is music to recommend and be proud of- a song that stands among some of the best of the last few months.  It will be exciting to see what the next year holds (for Bahjat) and where he goes next.  The music scene is packed and competitive so it is tricky determining which acts will survive and which to look out for.  The following year should see some change and mobility in music- one can only hope at least- with the new musicians taking some market share from the mainstream acts.  B.B.C. have just published their list of names to watch in 2016- glad the likes of Billie Marten are among them- and this shows how much eager talent there is out there.  How that talent adapts to the mainstream and what they will produce is anyone’s guess.  The likes of Bahjat will be keen to get their name out there and keep the momentum going.  I can see him- in a few years perhaps- rubbing shoulders with the best up-and-coming musicians so we should keep our eyes in his direction.  I opened by looking at the male solo arena and the music of Malta.  The men of music are lacking behind their female peers.  The girls are the most innovative and original out there; the lads are falling behind slightly.  I am not sure why there is that gender gap.  Too many male musicians pick up an acoustic guitar and sing about love and struggle.  Scan around the mainstream, and how many artists fit in this mould?  There are a few exceptions, yet as far as I can see, there are too many that are narrow and predictable.  Even new music is seeing a mass of similarly-themed songs/artists emerge.  The girls are showing more direction and individuality so it is probably apt the boys have a look and take inspiration.  I hope this ‘trend’ and imbalance is rectified in 2016 as music needs a bit of an overhaul.  Nobody can deny how much passion and intention goes into music; this is epitomised by Bahjat.  One of those male artists that surpass expectations and peers, I will be interested to see what the next year holds in store.  I love reviewing British acts- going across to the U.S. too- but it is great discovering something international and different.  Malta is that little corner of the globe that should not be overlooked or underestimated.  When I see the likes of Chess Galea and Dana McKeon do such great work- with two very different and unique styles- it always makes me proud.  In addition to the exotic and stunning beauty, you get artists with a flair for originality and upbeat; something incredibly passionate and committed.  You cannot accuse Maltese artists of lacking energy and commitment.  At the heart of the music is an optimistic message and something redemptive on the whole.  Before I sign-off it is worth looking at Stand Tall and what comes next for Bahjat.  A relatively new artist to my ears, it has been great discovering something with potential and soul.  I hope he plays some U.K. gigs and comes see the fans over here.  To that end, perhaps an E.P. will come along in 2016?  Whatever is being planned it will be an exciting time for the young Maltese artist.  Stand Tall is a song that cannot really be overlooked and ignored.  Surpassing the efforts of (most of) his peers, you have a musician with a great future ahead.  With 2016 fast approaching, it is heartening to hear…

THE year go out with a bang.

[youtube https://www.youtube.com/watch?v=a_K_3ozeMgQ&w=560&h=315]

_____________________________________________

Follow Bahjat:

 

Official:

http://bahjatmusic.com/

Facebook:

https://www.facebook.com/bahjatmusic/?fref=ts

Twitter:

https://twitter.com/BahjatMusic

Instagram:

https://www.instagram.com/bahjatmusic/

 _____________________________________

Videos:

https://www.youtube.com/user/BahjatOfficial

Track Review: Them & Us- Like Poison

TRACK REVIEW:

 

Them & Us

 

 

Like Poison

 

9.4/10.0

Like Poison is available at:

https://soundcloud.com/thump/themus-like-poison

RELEASED: November, 2015

GENRES: Electronic; Bass

ORIGIN:

London, U.K.

The E.P., Chapter II: The Great Escape is available at:

https://itunes.apple.com/gb/album/chapter-ii-the-great-escape-ep/id1059783910

TRACK LISTING:

The Valentinian (Feat. Rik Mayall)

Can’t Keep Coming Around

Oh My God

One Day

Like Poison

Safe Place (Bonus Track)

____________________________________

ONCE more I am back at the feet of one of the most…

assured duos in the U.K.  I will get back to Them & Us shortly, but for now, I am reminded of a few different subjects.  The issues of duos, variation and Electronic music are back under the microscope.  When I look at the duos coming through at the moment- and something I have mentioned a few times before- there is so much diversity and difference occurring.  I have bemoaned the lack of innovation in the solo market at the moment- and something affecting bands heavily too- so it is down to the duos to cling back some originality and quality.  New music seems to be going through a depression at the moment and not providing as much wonder as you’d hope.  The past few months have seen the odd great act come through, yet for my money, there are too few fantastic and memorable acts.  It is left to look back at the established acts and artists coming through.  Duos are among music’s most assured and reliable formations.  In London alone you have such an array of genres and styles it is hard to get a grip on it all.  I have reviewed everyone from the likes of Gypsyfingers and Jo Kelsey Music (featuring Niels Bakx); some multi-coloured and emotional music that has stuck in my mind- caused me to seek out similar duos and see what they are about.  I have speculated before but I find the two-piece as solid and sensible a line-up as you can get.  Band mentality means it often tempting (for bands coming through) to have their voice represented by the frontman/woman.  A lot of times bands replicate their idols and stick too closely to others.  There can be so many voices in the creative decision that the resultant sounds are muddled and unfocused.  Solo artists have a similar problem whereby a lot of them- but not all of them for sure- tend to mimic and duplicate another.  Being the sole voice of the music the decision-making can often be unwise and unchecked.  What with the strain and effort of progressing- having few others bodies to promote the music- fatigue and issues can creep in.  The duo has that perfect balance and harmony.  There are not that many people clouding the creative process; there are more possibilities when it comes to genre/sound- compared to the solo act- and the whole procedure leads to great quality and originality.  One of the biggest issues with music can be the underwhelming lack of diversity.  There is so much stale and predictable songs coming through it can be quite depressing when listening.  It is hard to be truly original in modern music- given how much music has come before- but there are so many possibilities available then you should be able to produce something different.  The best bands, duos and solo artists are those that go the extra mile and subvert expectations.  Before I raise a new point, let me introduce my featured act:

Members:

Ami Carmine (Vocalist, Songwriter, Producer) Lee Michael (Songwriter, Producer, Beatbox, Bass)

“Comprised of Lee Michael (aka Killa Kela) & former Basement Jaxx vocalist Ami Carmine, their highly distinctive style has been described as ‘a Game of Tones,’ perfectly encapsulating their capacity to blend the ethereal, melodic & beautiful with huge beats and heavy bass.

Let Them & Us take you on the highest journey of musical landscapes, monster drops & vocal hydraulics, blended gracefully with enchanting visuals & theatrics”.

I have been a fan of Them & Us for a while now and am impressed by the mixture of force and passion in their sounds.  Sounding unlike any other duo out there you get a unique blend of sounds and styles.  With Carmine having worked with Basement Jaxx- and having a sensational and original voice- you get a little bit of ‘90s/’00s Dance/Electronic with something soulful and beautiful.  Completed by Michael’s Beatbox skills and production wonder and you have a duo that are among the most solid and promising in the U.K.  It is hard to compare the two with anyone else out there: their passion and songwriting quality sets them aside as a serious proposition for the future.  Whilst they employ (in their biography) my least favourite word in the English language- is there a musician that does not apply the word ‘journey’ to their music; like fingers down a blackboard to me- there is some truth in things.  Those heavy beats and epic soundtracks are perfectly met with acclaimed confidence and stunning vocals.  Most acts do not put so much consideration into the compositions and providing such a wonderful sound.  Them & Us put so much detail and colour into their compositions it is easy to get lost in the dizzying sounds and huge score.  The bond between Carmine and Michael is stunning and the duo seems like a perfect musical match.  Electronic music is often overlooked as a venture for the new music.  When it comes to new music, Folk, Pop and Rock are favoured: these are the genres critics look to and pull in the biggest bucks.  I am seeing quite a few Electronic acts coming through- that blend in Pop, Soul and Rock elements- and the likes of Them & Us are a rarity.  They have demonstrated how much energy; urgency and wonder can be elicited when you try something different and fresh.  Blending myriad themes and ideas into their ‘Game of Tones’-style projection and you have an act that are going to be around for years to come.  Having assessed their previous E.P. (Chapter I: And So It Begins…) I am excited to witness the long-awaited follow-up: the much talked-about gem Chapter II: The Great Escape.  I will be focusing on one track- and tying it into the E.P. as a whole- but what they have achieved is a step forward and progression.  Their strongest work to date, the E.P. shows consistent quality and some truly amazing moments.  Mixing in some narrative segments- Michael’s distinct tones and an appearance from the late Rik Mayall- and their stunning imaginations and you have music that ranks among the very best out there.

Before assessing Like Poison- and a capsule review of their E.P. - it is worth looking back and seeing how the duo has progressed.  The debut E.P. - Chapter I: And So It Begins… saw the London duo explode with intention and quality.  Across the E.P. there was so much cinematic scope and epic themes.  The lyrics tapped into relatable issues- emotional worries and relationship breakdowns- but there was optimism and redemption to be found.  Mixing stresses and anxiety with uplifting and happier themes the duo impressed critics and fans with the range and quality throughout.  Carmine demonstrated herself to be one of music’s most stunning and diverse singers.  Her voice- on the E.P. - could go from intimate and passionate lows to euphoric and delirious highs- often within the space of a single line.  Michael’s narratives and production skills perfectly combine and create something sensational.  The originality displayed by Them & Us is infectious.  Taking Electronic music to new places- blending in Pop and Soul sensibilities- the London two-some were so fresh out of the blocks.  On their follow-up there was not much room for improvement.  Most new acts have some shaky early moments and a lack of confidence.  When it comes to Them & Us what has happened is an increase in confidence and innovation.  Chapter II: The Great Escape contains more passion, emotion and wonder than before and marks them as one of music’s most important forces.  If you are a fan of older and new Electronic acts- from the likes of Basement Jaxx and Nero- then you will find much to appreciate within Them & Us’s music.  Having worked with Jaxx before, Carmine has that authority and knowledge of the genre.  She manages to employ some of Basement Jaxx’s finest elements- the seamless blend of genres and command of music- into something new and bespoke.  Whilst a lot of contemporary acts have a one-dimensional and uncultured approach to Electronic music; Them & Us are more concerned with epic proportions and sonic diversity.  Entrancing and committed to the maximum, you have a duo that is unconcerned with comparisons and fitting into moulds.  They do not hang onto the coattails of any other acts and are endlessly assured in their own skin.

When it comes to Chapter II: The Great Escape I have decided to focus on the track Like Poison.  The E.P.’s standout track, it is a great representation of the duo and shows how memorable they are.  The opening notes and moments see wordless vocals and electronics weave and create anticipation.  The beats get heavier and more pressing as our heroine arrives at the microphone.  With her voice dedicated and passionate, we get an intriguing opening sentiment: “I see you shine your light far away”.  Delivered with attention and ellipsis, the thought builds early images and possibilities.  My mind instantly goes to relationship quarters- someone beckoning the heroine from across the waves- and a new bond perhaps.  Employing unique sentiments and lyrics (to ascribe love) and the song sets its stall up early on.  Juxtaposed thoughts and intentions mix in the vivid landscape of the lyrics.  Words of multiple lifetimes and dissatisfaction mutate into elicit kisses and a strange desire.  The first verse sees the vocals presented with maximum attention to emotion and pace.  Rather than simply sling the lines out like most would- no consideration to changing pace, time and signature- Carmine lets her voice stop and start; glide and stutter to create something head-spinning and unexpected.  It not only emphasises the urgency and drama of the song but catches the listener by surprise.  I get the impression Like Poison relates to a love that is already burning.  Perhaps a boyfriend or sweetheart, you get the sense there has been eventfulness and a backstory between the duo.  Propelled by a whirlwind composition and stormy weather, the vocals become more tense and pressing leading into the chorus.  When the chorus does arrive we get a declaration of “breathe deep”: a thumping and chorused cry that radiates and spikes through the compositional clamber.  With some Pop sensibilities our heroine attests her love is like poison: speaking to her beau, there is that dangerous and toxic potential afoot.  From romantic-potential declaration, it seems like the song has cast itself in a different mould.  After the chorus completes- and some more tangled electronics and vocals do their work- our heroine comes fully into the spotlight.  The next verse sees our heroine state: “all over you is where I belong”.  The thorn in the man’s side, there is that essence of vengeance and need to take back some control.  Like a poison ivy, it appears there has been some conflict and argument.  It would be interesting to know the circumstances behind the song- and what inspired it for sure- yet our heroine remains quite composed and level.  Not letting her voice and emotions needlessly wanders, the words and direction remains true and solid.  Before that chorus comes swinging back into view our heroine ensures the hero is put in his place.  Not having asked Carmine and Michael the origin- and what influenced Like Poison- but there seems to be a particularly personal and relevant backstory.  The vocals and composition mix the current-day edge of Electronic and club music; tying it to a vocal that puts me in mind of late-‘90s/early-‘00s Pop regency.  Carmine sounds at her peak here and lets her full range come to the forefront.  Riding that composition wave, the track really starts to burrow into the mind.  It is hard to ignore the energy and persistent of the track: never subsiding or relaxing, there is a constant force that the listener will become intoxicated by.  Those hard and primal beats marry with swelling and hypnotic electronics.  The chorus is the most astute and fullest representation of these ideals.  Pummeling and punching; catchy and entranced, you cannot deny we have one of 2015’s most indelible choruses.  Before the song is completed, our heroine comes back into the fray once more.  Wanting to swim through the man’s bloodstream and veins- like a poison and toxic energy- part of my mind wondered if there was cynicism or negativity- or if there was some ambiguity.  Perhaps doubting my own interpretation, perhaps there is some lingering passion and desire?  The closing moments are dedicated to wordless vocals and a compositional swirl.  Carmine’s vocals still press and weave yet it is that composition that fires and blasts its way to the finish line.

Being familiar with Them & Us I was expecting something magical from the new E.P.  Like Poison is perhaps the duo’s most immediate and dramatic moment to date.  Consistently energetic and epic, the song ensures that few listeners will forget it.  That chorus is perhaps the most catchy and sing-along they have penned and showcases a real knack for memorability.  Confident and bold, the track gets the listener guessing and picking the lyrics apart.  Many will be familiar with the themes and sentiments Like Poison expresses.  Recrimination and heartache are common themes yet the London duo portrays these ideals in new light and with fresh vigour.  Original and ambitious you have a track that is sure to be a staple of club dancefloors and radio playlists.  Not an atypical sound of Them & Us- their latest E.P. has several tracks as memorable- and prove how consistent and stunning they are.  With Carmine’s voice and writing as scintillating and gripping as always, and you have a lead voice that has few equals.  Mixing in everything from ‘90s Pop sounds and modern-day Electronica; here is a vocalist that is always a pleasure to here.  Making Like Poison a delirious and additive treat; you cannot ignore the passion put into the performance.  Those beats and production values make sure the song is endlessly captivating and emotive.  Michael leads from the back and provides the song’s heartbeat and blood-rush.  Together the duo elicits a musical storm that demonstrates just how serious and magical they are.  One of this year’s most rapturous and enlivened numbers; ensure you do not pass it by.

A duo that is synonymous with grand, epic and sweeping sounds; you cannot deny the importance and talent of Them & Us.  When I heard their Chapter I’ E.P., I was amazed by the confidence and consistency it promoted.  I had never heard anything like it- and haven’t to this point- and was blown away by the range of sounds and ideas they packed in.  Not compromising identity and originality, what the E.P. provided was a glimpse into a stunning act.  It would have been hard to follow that E.P. but Them & Us have surpassed their previous effort.  The initial confidence and sound is all in place; the duo sound even more scintillating and inventive on Chapter II: The Great Escape.  Carmine’s vocals are at their most soulful and beautiful- climbing to ecstatic heights when needed- and Michael’s production is at its very best.  His bass and Beatbox elements seem more in the fore- a Beatbox version of the album will be released this week- and the duo seem at their most solid and impassioned.  The kinship and understanding between Carmine and Michael results in an E.P. that bursts with life and energy.  From the Spoken Word-driven opener The Valentinian- where it’s “hard to play hero looking up at Ground Zero”- and you have an instant smash.  Michael lets his voice bustle and hustle for attention.  Projecting images of undeserving Gods and mere mortals; strife and modern-day anxieties and woes.  Oh My God features a pounding beat and mutating composition that supports a stunning lead vocal.  Carmine delivers one of her most urgent and memorable leads to date over a song that looks at broken love and heartache.  Speaking to the song’s hero, there is a space and gap left (in our heroine’s life).  Dealing with separation and soul-break and you have a song that is among the most relatable and accessible the duo has created.  The composition is a primal and pounding beast that perfectly soundtracks the song’s intentions.  One Day allows Carmine to let her voice soothe and entrance.  The vocals tangle and entwine; they build and multitrack to create something dizzying and head-spinning.  A fizzing and explosive club-bound smash, the song pulls in every critical acclaim and expectation.  It is a song that makes you want to dance; a rave-up smash that mixes cinematic and hard with something beautiful.  Similarly, the song mixes the explosive vocals of Nero with the serene and soothe of Lana Del Rey.  One of the E.P.’s highlights, it is a track that could garner a lot of radio play.  The bonus track Safe Place melts scuffling and riffled beats in with hurricane electronics and a commanding lead vocal.  Our heroine wants to be lead to her safe place and find some sanctuary.  The composition is the busiest and most insistent on record and never relents its charge and energy.  The entire E.P. showcases how talented and diverse Them & Us are.

I opened the review by assessing duos, range and Electronic music.  When you think of those subjects you get a mix of ideas and opinions.  I am sure there are a lot of great under-the-radar solo acts and bands- among the mass of rather indeterminate quality- but for my money, it is the duos that are providing the best long-term investment.  Seemingly entranced in each other’s company- the friendships and relationships between the leads enforce some stunning music- and you have sounds that are natural and assured.  Some duos do lack original bite, yet on the whole it seems, there are some terrifically new and wonderful examples coming through.  On December 12^th the duo play the Electric Ballroom in London.  It will be a chance for the crowds to hear the new E.P. in the flesh and in the live setting.  Them & Us provide cinematic and theatric visuals in their shows and put on quite an epic performance.  It will be wonderful to see the new songs performed and fleshed-out on stage- and curious to see what visuals and scenery is used- and everyone should go and see the duo.  London is producing some of music’s most important and mesmeric duos- and the most wide-ranging too- so it is not surprising Them & Us are being talked about in fond terms.  Their previous E.P. was celebrated and heralded by critics for its originality and wonderfully assured songs.  Now that Chapter II: The Great Escape has arrived we have another chapter from the London two-some.  Even stronger and more electric than their previous outing it suggests a very prosperous charge and future.  It will be fascinating to see what 2016 provides- whether they decide to produce an album perhaps? - and plenty of live dates will be forthcoming.  On that note, I would love to see the duo travel the world and take their music to international faces.  The demand will surely be out there- from Australia to the U.S. - and their sound translates to all countries and audiences.  I can guarantee their will be U.S. crowds that would snap them up- having spoken with U.S. bands and promoters- and the same has to be said of Europe and Australia.  Whether financial constraints will dictate their movements have yet to be seen but it would be great to see them travel the globe.  Before I sign-off this review, it is worth mentioning Electronic music and its potential to cross genre borders and transcend boundaries.  At the moment the genre has some exposure in the mainstream yet is synonymous with club music and late-night raves.  Listeners and readers will have expectations of D.J. sets and sweaty clubs; Ibiza raves and something quite cliché.  What Them & Us show is how versatile and accessible Electronic/Electronica can be.  Mixing in Pop and Soul shades into the blend and you have a sound that is hugely memorable and palatable.  The duo ensures that emotion and quality goes into every note- rather than the aimless smash-and-grab of their peers- and for that reason they can affect a change in expectations and fan-base.  With so few new acts coming out of the blocks with such a degree of potential and originality, we should all ensure Them & Us are supported and promoted.  As I revisit Chapter II: The Great Escape, let’s hope the following year sees Carmine and Michael continuing their charge and plight.  Perhaps London’s most spectacular and epic duo, ensure you check them out…

AND watch a young duo with many years ahead of them.

[soundcloud url="https://api.soundcloud.com/tracks/231391542" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

_______________________________________

Follow Them & Us:

 

Official:

http://www.themandusofficial.com/

Facebook:

https://www.facebook.com/themandusofficial

Twitter:

https://twitter.com/itsthemandus

Instagram:

https://www.instagram.com/them_and_us/

 ___________________________________

Music:

https://soundcloud.com/themandusofficial

_________________________________

Videos:

https://www.youtube.com/user/ThemandUsOfficial

 

Feature: The 450th Post- The 1990s Playlist

FEATURE: 

The 450^th Post:

 

The 1990s Playlist

_______________________________

AS I reach the 450^th post it gives me the opportunity to…

focus on a decade of music that provided so much quality and joy.  The 1990s remains music’s very finest time: an historic time that saw some of the finest music come forth.  It would be near-impossible to put all of the ‘90s best into a playlist- what with the sheer range out there- but I have had great pleasure selecting my favourite tracks.  Mixing Grunge and Dance with ‘Britpop’ and everything in-between, it showcases (I hope) just how varied and stunning the 1990s was.  Looking forward to years of continued writing, but for now, a chance to kick-back and reflect on a marvelous time for music…

[youtube https://www.youtube.com/watch?v=videoseries?list=PLHuzJLVjHOwnE5Npo5JftcDf9wAkIQtDO&w=560&h=315]

Psychoacoustics: A New Music Venture

Psychoacoustics:

 

   

A New Music Venture

______________________

THE WEBSITE:

Idea of the site:

There are quite a few music websites at the moment, between the iPhone, Facebook and the Internet. Most of them offer roughly the same things- music sharing, free downloads, and Internet radio access. There are a lot offering the same things, and quite a lot of things are not being considered. The idea of Psychoacoustics, is to pull all the existing qualities of these sites, together, as well as offering new features, and great networking opportunities- for free. The plan is to top Spotify, iTunes and the biggest sites, by offering what they do, plus much more besides. Specific areas and pages on the site will be named after musical figure, albums and events. For instance, a lyrics section will feature Bob Dylan’s name and be themed around here. It is sort of like a music Disneyworld- different zones and characters. This makes it more interactive and interesting than most music sites and is engaging.

Interface:

By accessing www.psychoacoustics.info, (website currently under planning/construction), you will be able to access the site. From there, there will be a home page. On the home page is a main design. It is an animation of a studio, called Psychoacoustics. It is designed like Abbey Road, and there is constant movement on the page. There will be a bank of about 200 different musicians, who will walk into the page and interact with each other; leave and enter the studio, and keep the user amused. The icons as well as the animation will be colourful and interesting and better designed than most of the music websites out there. The icons and options displayed on the homepage are as follows:

Chat:

There is a chat/Skype option where you can interact with any of your contacts or friends. This can be done via a Facebook-style message service, or Skype. When you add contacts- like Facebook or Twitter- you can chat with any of them at any given time.

Mail:

Your personal inbox; you can mail your contacts, as well as any musician or venue.

Search Engine:

This is a bespoke, specialist search engine. It is similar to Google but responds to questions and searches effectively, returning only relevant websites. It also can record via and audio, so if you were searching for a song title or name of song, it would be able to locate it. The search engine is able to answer specific music questions and ties together information and resources from Yahoo, Google and Bing.

Updates/Events:

This is a diary of important music events and updates specific to the user.

Music Player:

You will be able to create a playlist or jukebox of up to 2,000 songs.

Personal Profile:

You can create your own avatar, and enter all of your information. It is similar to Facebook, but more detailed, and upload photos, videos, and designs. I will go into more detail later, but on your personal profile, is all of your information, favourites, and links. The profile works like Twitter and Facebook but more in depth with fewer faults. I have described the social side of things in a previous mail.

Reception:

This tab is in shades of whites and grey.

Contacts:

This details all e mail and phone contacts for every department.

Inquiries:

Up to 6 different contact email and phone numbers depending on the query

Address:

This is the address of the H.Q. and map.

Social media:

This gives links to the Twitter and Facebook sites, as well as YouTube.

Feedback form:

Provide feedback on the site.

Suggestions box:

If you have any ideas for futures or designs, then let us know and will take into account.

FAQ and Troubleshoot:

If you have trouble with any part of the site there is support. Also an FAQ if you have a question and can report abuse or any issues day or night.

1. Studio and Rehearsals:

This is an animated studio and rehearsal rooms (about 3 studios with control rooms and one rehearsal space). Unlike sites where there are lists of features, you access the features via icons; so for instance you would click on a T.V. or a guitar to access the relevant feature. The tab on the interface is red, and will consist of different shades of red. The specific names and designs for each feature are to be decided, but are as follows:

Music video:

Here you can pitch ideas for music videos to bands, acts and labels. You can protect your idea and sell it for money or use it to gain points and exchange for a reward in the future. There is also a music video store, where you can access any video from any song, and search by genre, artist or time period. Also, there is software where you can put ideas into and create videos through animation, film or various other techniques and apply them to your own songs.

Album cover:

Here you can view any album cover, and search for it like the music videos. The features here allow you to design covers using animation, photography or a photography edit where you can mix and edit images and merge together to create incredible designs. From here you can publish them or share, or pitch ideas to bands looking for ideas.

Photography:

This is like Instagram where you can upload photos or designs and edit them, using hundreds of options. Here too you can search for photographers and view images, websites and famous images from music history.

Music video player:

This utilises YouTube where you can view music videos for free and have a favourites list, or share the video to social media.

Song dissect/mix:

On this page, you can take any song- from rock to classical and dissect it. You can see what notes are played, and what instruments are played. This helps when writing songs and can learn easily about music. Also you can take sections of various songs and mix them together, and edit the sounds to create new songs.

Entrepreneur:

Here there are guides, links and ways to set up your own record label, festival, or music magazine. You can interact with others online, and get funding in order to set up your own business, and then network on site to attract users and business. Also you can invent new music ideas and instruments; design them on this page and pitch them.

Broadcast:

There is software where you can design and broadcast your own podcast and radio station. Broadcast over the site or YouTube, play your own songs and broadcasts and get fans and followers as well.

License:

On here you can sell songs to T.V. and film companies and productions.

Band sites:

I will explain more on the registration but when bands and artists sign up they can create their own website and include a wealth of information, and make it easy to promote and get fans.

Sounds and Sampling:

This is a sound library with thousands of sounds, effects and mixing options.

D.J:

If you are a D.J., here you can mix tracks, scratch and broadcast your own set, via the site and promote your gigs.

Home Studio:

This is software where you can record vocals, instruments and effects and then send your songs to fans or broadcast the tracks online. There is also software for tuning instruments as well.

Recording and Production:

This allows you to record songs professionally and easily, and provides every technology a modern studio would. You can record vocals and instruments, mix and layer them, and create a professional sounding track. From there you produce the tracks, and broadcast them, and burn them onto C.D. It also allows for album covers to be printed and gives links to sites where you can buy C..D. case and additional software.

Rehearsal and Live Room:

These are simulations of studio spaces where you can play live or rehearse. Via Skype you can jam with the rest of your band or solo and be seen by contacts and have your performance saved and shared. There are options for recording. There are guitar, drum, piano, vocal and orchestra options where you can simulate any guitar or piano etc. and get the most realistic sound possible. Unlike software where it is flattering, here you have to know how to play. Like Wii it reacts to touch and you can simulate yourself playing, as if it were real. From there you can either mess around or record the sounds, or join with others or your band members, and jam together. You can tune the instruments and it is as good as the actual instruments. You can do the same with vocals and record as many tracks as you like, and access different mics, and effects. It is able to work with recording so you can record full songs and albums using this.  It is not to replace real life but more act as an easy way to share and record demos for when you are in the studio.

2. Bar and Venue:

The venue is downstairs of the studio and the bar upstairs. It is animated like the rest of the site and acts as a portal for socialising and broadcasting. The tab for this is green and appears with different shades of green on the interface.

Radio player:

You can access tens of thousands of digital stations from around the world and stream them live, as well as access archive broadcasts and songs.

Links:

There are links to all music magazines and publications, as well as music websites as well.

Donate:

Like PledgeMusic where you can donate to get album made, and respond to pitches. Artists can offer rewards or treats, and get a % of funds raised. Can network and swap and record vocals or write as well.

Share:

Due to revenue coming from advertisers and labels, the site can pay royalties to artists whose songs are downloaded; it means that songs can be downloaded free, but artists get paid.

Food and Drink:

Links to music venues, as well as music bars and cafes, anywhere in the world, and you can get alerts of any local to you as well as any events that are happening, and share them on the site.

Leagues and Competitions:

There are various leagues for new bands and directors etc. that are updated and points given to the winners. These charts reflect download amounts, most hits as well as popularity too and there are leagues and competitions for new and unsigned bands.

Music Fantasy League:

This is like football fantasy, but you choose a 5-piece band. You have to choose at least one drummer, and one singer, and can choose from any musician from history. You also select 2 songwriters as well and an album and song. There are various points awarded to each depending on how many times they have been downloaded and mentioned, and there is an overall league that updates each week.

Read and Write:

You can publish blogs and reviews of bands and gigs, and albums and publish them and share them, as well as gig reviews and album reviews.

Social:

There is a dating website and connection site for musicians, as well as connects and promotes music charities. There are event postings and updates for your local area as well as internationally. You can also tie all of your contacts and friends in from other social sites into this one.

Connected:

Once you have created a profile you can search for potential band members or venues. When bands or acts register, like a dating website you answer various questions such as favourite music, bands and albums. If you are looking for someone you can either type in a search and the site matches people for you, or you can click on a map. From here you can click on any country or city and search for any member located in that area and contact them. There are sections where you can connect bands and venues, labels to acts and band members and bands together. If you make a successful match, you gain points that can be exchanged.

Actors:

This links actors to bands looking for people for music videos, and also can join actors together, who can share links and tips with regards to music, and best contacts and agents.

Contacts:

I have explained all of the social side, but the site works more like Twitter where you can ‘add’ any band or musical act, and follow their progress and updates. There is a LinkedIn style site too where you can connect with employers or contacts and build up a network of fans and followers which gives you greater opportunities.

Live:

You can broadcast live shows and gigs and stream concerts here and share them.

3. Living Room:

This tab will appear shades of yellow. The living room will consist of a sofa, chairs, jukebox and notice board as well.

Music download:

Like Spotify, you can download any track for free, and either play them, or create your own playlists and sections. You can compile songs into albums and burn a C.D., or you can share songs via your phone or social websites. There are also links to Spotify and iTunes, as well as music apps too.

Promotion and Distribute:

You can listen to recommended music depending on your mood or find any new music depending on your tastes. You can then share them via social media, or you can promote new bands and artists, and share acts with promoters and venues, as well as labels. It works like Reverbnation but more in depth, and gives tools to find new music, as well as share and get your own voice heard easily.

Jukebox:

You can have a playlist of up to 2,000 songs, and play them, whenever you like.

Reference Library:

You can view information about every band, artist or album released. It is like Wikipedia where you can find out anything about music, and gives info about bands, videos, links and merchandise; which allows you access to new music, old music you may have forgotten about, and can access any information whenever you want.

Music Trends/Stats:

There are tables and graphs that show music trends, sales figures and stats relevant to you, that are updated daily.

Charts:

These are all of the charts from home and abroad, updated weekly, with links to all of the songs featured.

Search engine and lyric finder:

The search engine is also available here, but is a lyric finder, where you can type words or lyrics and it finds the song. Also you can input audio or video if you are unsure of the song or artists, and it will find out for you.

Pitch Zone:

If you have spare lyrics or ideas, you can pitch them and trade them with artists. You can earn points for anything that is bought from you, and you can pitch and find ideas for songs. Also you can pitch music, so if you have no lyrics you can match them, and also collaborate with people on site and join your music and lyrics together. From there you can create songs together and share them.

Music Notation and languages:

There is software where you can learn music and translate your music into musical notes, so that it makes it easier to write music.  There is a link to a language site where you can learn any one of 30 different languages for free.  This makes it easier to communicate with international contacts as well as write and sing in a different language.

4. Bedroom and Kitchen:

This tab appears as different purple and the bedroom has a bed, wardrobe and table, T.V. etc.; the kitchen is a smaller room connected to the room.

Updates:

You can access all of your updates, information and messages here- as well as directly from your personal profile.

T.V. zone:

This allows access to dozens of music T.V. channels as well as archived videos and shows as well, and relevant T.V. shows and performances.

Links:

There are links to music teachers, studios, websites and bars and venues; everything anyone could want.

Creative Zone:

You can chat with anyone; share ideas, stories, gig reviews as well as photography and videos etc.

5. “Acoustic Vinyl”:

This is a specially designed shopping site. The animation is designed like a large Rough Trade store and the tab will be a specially designed one.

Music:

Search by genre, period or artists and find music from them to buy. It pulls together Amazon, iTunes and all music websites so you can compare prices for the album and gives you the most choice you can imagine.

DVDs and Merchandise:

You can search for DVDs and merchandise from any band. This gives you links to shopping sites as well as band sites, so again you can find the best deal.

Others:

You can purchase band and festival tickets, music books, apps and instruments. You can also purchase gift cards too.

Stores:

There are links to shopping websites as well as info for independent stores, with website and address details.

6. Join/Log-In:

This tab is in shades of black and grey.

Registration:

Different registrations. For casual user, browsing, solo, band, promoter, venue, label and other. They ask for different details and different lengths but all very simple and easy.

Log-in:

It allows a simple log in and a feature where you can log in to all of your music and social accounts at the same time.

7. About Us:

This tab is going to be detailed in shades of orange.

Studio history:

There is information- fake of course- of how it was set up in East London in 1969, and the story behind it. There is a ‘mock’ Vevo-style video and video history of the studio and founders. It is comical and is also like a guided tour.

About the site:

This is a serious description of what the site aims to do and how it will evolve.

Press and links:

This displays any links to relevant sites and partners, as well as software sites so you can create your own music website.

8. Music Player:

This tab will be in shades of blue. This ties together all of available and your downloaded music so you can play it on-going and create smaller playlists.

9. Advertise With Us:

This tab is in shades of pink.

Adverts:

This is a separate page where all adverts from sites, and venues can be displayed. This means it doesn’t interfere with your profile or browsing but can access it any time from this site. Advertisers and sites pay to be published on the site. There are contact numbers and an online form if you want to advertise or subscribe.

10. The Garden:

Charity:

Each month a new charity is put under the spotlight.  The site would look at everything from mental health to homelessness.  There would be a chance for users to raise money for charities and use tracks to raise money.  Awareness is a big things and it will give a chance for those affected (by illness etc.) to engage and talk with others- get useful information that can help them.

New Music:

A site dedicated to new music and artist.  It breaks them down by genre, location etc. and makes it easier to discover great new music.  It is easier to share new music across social media and ensure it reaches the target audience efficiently.

Existing Music:

Whereas YouTube does not really break down music and make it easy to find; this site would break it down by decade and genre.  There would be sections for each genre, decade etc. and allow easy access to some unheard and rare music.  Artists and bands would get their own pages and you would be able to create playlists and a bespoke music channel- mix older music with new.

Music Map:

Cities and towns are broken down showing all music venues, cafes etc.  It would give a list of local musicians and places of interest.

Funding:

Making it easier for musicians to have their music funded.  Would be able to pitch more directly and include venues and other acts.  Allows music community to become involved in every stage and draw in big businesses such as Google etc.

 

THE BAR/CAFÉ:

Logo:

The logo will depict a gorgeous woman in a black dress.  In her left hand is a blue rose, whilst in her right, is a microphone.  There is a microphone stand in front of her, whilst we see a spotlight shine to the side of her face; whilst drops of rain are overhead and on the other side of her face.  She has brown hair and green eyes, with red lipstick.  To the side of her is a gramophone, as a vinyl plays.  She looks focused but relaxed; enjoying and entranced by the music playing.  The main logo will be centred, whilst either side of the logo will be ‘Psycho’ and ‘Acoustics’ in red lettering.  The letters will be in a stylised font, but easy to red; with the letters bordered in white to give a modern and striking design.

Intended Destination:

Hoping to have the premises located either Piccadilly Circus, Covent Garden or Soho.  Due to the size of the building it will need to be located in these areas; and are also locales that attract huge amounts of tourists and attention- providing the most possible custom.

Building:

Inspired by Café de Paris, the building will be very large as well as decedent.  The premises will comprise two floors; with the intention of each being large enough to contain all the incorporated properties of the business (see below).  Hoping to have it opened no later than 2018.

Opening Hours:

Mon-Fri:

8am to 12am.

Sat:

8am to 12am (when gigs are performed it will be extended to 1am).

Sun:

9am to 9pm.

Staff:

Around about 50 in total.

Policy:

It will be over-16s only: no babies or children allowed.  Dress code is not strict and open to the public.

Funding:

I know of websites similar to Kickstarter that provide funding opportunities for businesses.  I hope to pitch a business plan and raise as much of the funding from there.  Aside from a business loan, I am hoping to raise as much of the remainder of the funds myself.  I am not sure of the exact cost of the entire business, yet hoped that over the coming few years the entire amount can be raised.

Ground Floor:

Bar and Kitchen:

As you enter, to the left of the premises is the bar.  The bar will be very modern with a wide and long counter, in order to allow maximum custom.  The bar logo will be emblazoned above the bar, and will be unique.  As well as serving coffee (and tea, hot chocolate etc.) alcohol will also be served.  There will be a range of beers, wines and spirits- as well as an extensive cocktail menu.  The menu will be extensive.  There will be breakfast, lunch and dinner options- with a dessert menu.  The range will include British, American, Mexican, French, Chinese, Thai, Italian, Australian and Spanish food; from savoury to sweet.  The kitchen will be next to the bar, and will serve food from opening through to close.  There will be themed dishes and cocktails that will incorporate band names, lyrics and album titles etc.

Seating: 

There will be a large amount of sitting, to accommodate around about 100 people.  The seats will consist of sofas, leather sofas and chairs, as well as wooden chairs.  It is designed to be a relaxing and comfortable environment; it will not be cluttered or compacted- space and openness is a huge key.

Jukeboxes and Speakers:

This is one of the main features of the business.  The music will be the epicenter of the bar/café, and will be a constant.  As you enter, to the left and right hand corners; to the back left and right corners; as well as in the centre, will be two digital jukeboxes.  It will be free, where anyone can select a song.  There will only be allowance for one song per customer; with a continuous playlist being selected.  The jukebox menu will be interactive, so you can select a song by searching; or find by genre/decade etc.  There will be access to over 500,000 songs, and will include every genre and style.  There will be screens in the centre of the room (overhead) that will show which song is next- running order etc., and everyone will be able to hear the music.  There will be four speakers suspended from the ceiling- on each corner of a chandelier.  The music will not be so loud that you cannot converse, yet will be crisp and true.  Using latest technologies it will be possible to blend the sound of music and conversation so that neither becomes too distracting.

Stages:

As you enter, to the right hand side of the building is a small stage.  It will measure 15 by 20ft, and will host intimate performances.  At the back of the building will a main stage.  It will be 25 by 30ft, and will have a retro feel.  There will be a blend of modern, Gothic and American; giving the stage a unique feel.  The stage will host larger gigs; whereas in front of the stage, will be an orchestra pit that can host 30 musicians.

Décor:

The décor will be a main attracting.  On the walls will be paintings and landscapes depicting famous album covers, music photos, as well as band portraits and designs.  It will encompass a large range of artists and there will also be canvases on the wall.  There will be modified street signs and portraits, giving it a retro and classic feel all at once.  There will be a white wall as well, where lyrics can be written and designs drawn.  The entire interior will mix modern and vintage, with artifacts and designs reflecting this.  It will not be like Hard Rock Café where it is a sort of music museum or attraction; it will be subtle and will play second fiddle to the key components.  Overhead will be several chandeliers as well, providing a romantic feel.  At night these will be on, and soothing lighting will bathe the interior.

Access:

There are two methods of access from the ground to upper level.  There will be a staircase to the right of the entrance; in addition there will be a small lift giving disabled access (and to allow transportation of equipment, stock etc.)

Upper Level:

Store:

This is a store with Rough Trade in mind.  The store is split into different sections.  There is an extensive store that offers music by genre, decade etc. and has a large stock- similar to H.M.V.’s largest stores.  As with the lower level of the bar, there are paintings, designs and artwork on the walls- and ceilings.  There is also band merchandise and memorabilia, signed memorabilia, as well as musical instruments.  The idea is that there is everything under one roof that a musician, music fan or music lover could want.  There is a charming décor that mixes ’90s Seattle, modern-day U.S. as well as Rough Trade.  It is homely as well as modern and cutting-edge.  As well as being an all-inclusive store there is a profit-share initiative.  Schemes will be set up to allow a small percentage of profits going to independent record stores, as well as local bands.

Charity Office:

There will be a small office, next to the store, which will house the Psychoacoustic charity.  It will employ around 10 people, and is a charity which aims to raise money for musicians, struggling bands and children from difficult background pursue their goals.

Consoles and screens:

This will incorporate everything from the Psychoacoustics music website: http://musicmusingsandsuch.wordpress.com/2013/10/.  There will be about two dozen consoles arranged within the middle of the floor.  These allow direct access to the website.  As mentioned, the website aims to make it simple to create music, music videos; collaborate online and distribute music.  It incorporates all of the best features of the major music websites, and offers so much more.  People will be able to access the website through the consoles.  There will be two large walls which will display music videos, or can alternatively project images from any of the consoles- for instance is a music video has been created, it can be instantly projected.

Studio:

Dominating one half of the level will be the studio.  It is a medium-sized studio that will offer all the benefits and technologies of the biggest studios.  It will encompass a studio, rehearsal room, control room; as well as lounge and bedroom.  There will be an in-house engineer, producer and representatives and offer rates that are very competitive.  The hope is that is will appeal to new bands, but also drag in big names and established acts.

Garden and Tranquility:

In the center of the level will be a small garden.  There will be a water feature, as well as plants; aimed to relax and inspire.  There will also be a balcony that will provide a small garden as well as seating.

Décor:

There will be chandeliers as well on this level, but a more toned-down feel.  There is impressive lightning and a warm and relaxing vibe.  Again there will be leather chair and sofas- located near the consoles.

THE SOCIAL MEDIA WEBSITE:

In conjunction with the music website (itself); the website is going to be different from the likes of Facebook and Twitter.  Although I use both; I find they have huge limitations and drawbacks- primary among them is the emphasis on irrelevance and self-indulgence.  We all love to have a good vent; to put our thoughts onto the page- the Psychoacoustics site is all about music- nothing else.

Design and interface:

The home page will be designed like a hotel building.  It will consist a building with rows of windows- you can see a lift running up the middle.  The sign at the top of the hotel will say ‘Psychoacoustics’- it is a simple design that is easy to read and clear.  There will be 16 windows in total.  At the top left will be the most recent post/update- the bottom right will have the oldest.  Unlike Facebook, there will no adverts; no poor layouts or needless icons- it is efficient and organised.  Running down the left hand side of the screen- going vertically will be: Mail; Updates; Search; Map and Favourites.  Down the right will be Chat; Contacts; Profile; Events/Gigs and Edit.  At the very bottom left of the screen will be a video player- where you can watch YouTube videos or any other music-related video.  At the bottom right will be a music player where you can stream tracks- listening as you navigate.  The whole page will be a catchy and stunning design; with constant movement and animation, it will feel less static- and unmoving- as current social media.

Functions and Features:

The site shies away from the user’s personal thoughts and ponderings.  The idea is to promote music; connect musicians and music lovers- for that reason, the site is design to focus on music alone (rather than self-promotion etc.

The Search function allows the user to search for bands and music.  It connects with Google (and other search engines) to hunt for bands and new music.  Connecting in with YouTube, you can hunt for songs and music videos.  The Map allows you to track down bands and artists from particular regions.  The map will bring up every country of the world.  You can clicks into a particular region/city- from there will be a list of musicians (arranged by genre) who are on the site- so you can connect with and interact.  The Favourites tool allows you to save your favourite bits of music- arranged by song/album/act and update.

The Profile and Contacts section are the main focus.  When a person logs onto the site; they select whether there are a Music-Lover; Musician; Manager etc- the interface will then tailor to that person’s needs and desires.  There will be personal information you need to fill in- name, location, favourite band/genres/albums.  From there, the site can find recommendations- songs and other artists; and put you in touch.  A Song of the Hour uploads to your home page; facts and links are fed in- that are of interest to the user.  If you are a music-lover, you can just go on the site to find great music and acts.  The site recommends existing music and songs from YouTube; finds recommendations; builds playlists and selections for the listener.  If you are a Musician, then the site factors that in- connecting you with other bands; venues and contacts.

You can add Contacts to your profile- these will be fellow musicians/bands (or just other music-lovers with similar tastes).  The status updates will be music-related and aimed at promoting great songs and acts- rather than inanities and personal thought.

This Week's Albums: November 28th, 2015

This Week’s Albums

  

November 28^th, 2015

IT is a case of “Something old, something new/something ‘borrowed’, something…

 

that doesn’t rhyme”.  I do a D.J. gig every week at The Stoke Pub and Pizzeria (https://www.facebook.com/TheStokeGuildford?fref=ts); I have the opportunity to play four different albums: one that is ‘old’ (to my mind, anything pre-1985), something ‘new’ (released brand-new that week); something influential (and has inspired a genre/other acts) - in addition to dealer’s choice (any album I choose).  Having done this for over a year-and played everything from Graceland to Pearl Jam; FKA twigs to Beastie Boys- it is enormous fun.  I get to talk to people about music; play some awesome stuff- turn people on to some great/forgotten sounds- well, I try to!  I shall publish this every week; try and highlight some fantastic albums- maybe some you have forgotten about.

The Old:  The Replacements- Let It Be (1984)

 

9.5/10

One of the 1980s’ best albums; Let It Be is a post-Punk album that deals with everything from generational disenfranchisement to youthful self-consciousness.  Balancing itself between adolescent and adult concerns this album- compared with other works by the band- incorporates more humour and musical depth.  The diverse and melodic set of songs see The Replacements forge market expectations Paul Westburg’s voice sound weary yet essential; the album brilliant snapshots the experiences of growing-up and the strifes of the modern youth.  It is not surprise Let It Be is seen as one of music’s all-time greatest creations.  The throwaway and humourous moments- Tommy Gets His Tonsils Out and Gary’s Got a Boner- are just as important as the most urgent moments on the record.  Unsatisfied is a bridge between the band’s harder-edged past and current melodic sensibilities; the opening 1-2 of I Will Dare and Favourite Thing make an emphatic statement indeed.  Answering Machine is a strange and mesmeric swansong that completes The Reaplacements’ finest hour.  If you have not encountered Let It Be and its 11-track magic then realign this misdemeanour and discover a timeless and ever-relevant album.

DOWNLOAD: I Will Dare; Unsatisfied; Answering Machine

STAND-OUT TRACK: I Will Dare

[youtube https://www.youtube.com/watch?v=RJcCzWcgPsY&w=420&h=315]

The New: Anna von Hausswolff- The Miraculous (Out Now)

 

8.5/10

In a change to the listed album- this one is technically a couple of weeks old- I was compelled to investigate The Miraculous.  Having reviewed von Hausswolff in my blog (she is the only artist to score a perfect-10 from me); her sky-scraping and orchestral works are stunning to behold.  Whilst a little self-indulgent at times, The Miraculous begs some truly wonderful moments.  The angst-between-the-notes of Evocation is one of the album’s highlights.  Discovery leads with bass pipes before evolving into militarism drums territory; the vocals are among the most urgent and frantic on the album.  The strum-and-drang 11-minute Come Wander With Me/Deliverance finely boasts the combination of von Hausswolff’s choir-girl vocals and languid/epic organ work.  It is hard to pin down exactly what defines The Miraculous.  Von Hausswolff’s voice- which sounds startlingly like Kate Bush at times- is only bested by the stunningly imaginative and ambitious compositions.  Dragging Hard-Rock, Metal, Pop; Folk, Classical and Prog.-Rock into an astonishing album is not an easy trick to pull off- few of her peers manage to do this successfully.  What The Miraculous does is provide music (nearly) as apt as its title: an album that begs for repeated listens and a patient ear.  Give it time and its dark beauty will seduce fully.

DOWNLOAD: Discovery; Come Wander With Me/Deliverance; Stranger

STAND-OUT TRACK: Discovery

[youtube https://www.youtube.com/watch?v=Od_GujbtESk?list=PLKkWmlhvAT3vKYvcZUaZJLlsr7rS-F0uC&w=560&h=315]

The Influencer:  Run-D.M.C.- Run-D.M.C. (1984)

9.5/10

This groundbreaking Hip-Hop masterpiece saw Run-D.M.C. explode onto the scene in 1984.  The sparse beats and aggressive rhythms were a stark contrast to the lighter and ‘safer’ Hip-Hop/Rap of the ‘80s.  Whereas a lot of Hip-Hop collectives favoured the call-and-response/each-take-a-verse approach; Run-D.M.C. interweaves vocals and lines to create something truly dazzling.  It’s Like That (later to be remixed featuring Jason Nevins) and Sucker M.C.’s changed the face of Hip-Hop whilst Rock Box features stunning guitar riffs and a persistently persuasive beat.  Not quite as influential as The Beatles- many at the time saw them as a ‘Hip-Hop ‘Beatles’- the group’s influence cannot be understated.  Jam Master Jay’s scintillating scratching are backed by forceful and hardcore rhymes- ably and expertly backed by the taut and muscular musical backdrop.  Not just concerned with parties, boasting and insincere motives; we get a record that addresses urban concerns and the realities of the streets- in a way, Run-D.M.C. are a more accessible and palatable version of N.W.A.  Mixing reportage, objective fatalism with cutting-edge commentary and humour; we get an album that shaped the ‘80s and changed Hip-Hop forever.

DOWNLOAD: Rock Box; Sucker M.C.’s; It’s Like That

STAND-OUT TRACK: It’s Like That

[youtube https://www.youtube.com/watch?v=9Q9BMH_n3yw?list=PL7_creJTRlKnmw3tyRkLiIFve-zCkmcxN&w=560&h=315]

The ‘Other One’: TLC- CrazySexyCool (1994)

 

8.0/10

The U.S. girl group’s sophomore album was blighted with production issues- the alcohol issues of band member Lisa ‘Left Eye’ Lopes- producers Sean Combs, Dallas Austin and Organized Noise incorporated Hip-Hop, Rock and Deep-Funk into an album that tackled coming-of-age themes and new-found maturity.  Smooth, seductive and cool the album boasts numerous standouts: Waterfalls ranks as one of the ‘90s’ finest moments.  If I Was Your Girlfriend is a Prince cover that (perhaps ironically) surpasses anything the pint-sized legend produced during the decade.  Elsewhere, the steamy and unescapable lust of Red Light Special sees the girls at their steamy and alluring best.  Creep is one of the album’s highlights: looking at a boyfriend’s infidelity- the heroine, in turn cheats on him- it was nominated for two Grammys in 1996.  Kick Your Game is filled with funky beats and recurring themes of infidelity and lust.  Evolving from the Rap-only confines of their debut, SexyCrazyCool is a more accomplished and diverse album that perfectly blends myriad themes and genres (into a single album).  One of the trailblazing girl groups of the ‘90s, TLC influenced a host of modern-day bands and artists.  For that reason alone, CrazySexyCool is a must-hear album.

DOWNLOAD: Creep; Red Light Special; Waterfalls

STAND-OUT TRACK: Waterfalls

[youtube https://www.youtube.com/watch?v=8WEtxJ4-sh4&w=560&h=315]

Interview: Hannah Pisani

Interview:

 

 

Hannah Pisani

 

THERE are a lot of eager and impressive female solo artists coming through…

yet Hannah Pisani has the potential to be one of 2016’s most talked-about artists.  With a couple of recent singles under her belt, the next year will surely see her plan an E.P. and tour dates.  Already having performed in London, Pisani is one of the south’s finest emerging talents.  Having drunk-in Freak and Count For and you have an artist with a great maturity and ambition.  That voice is filled with richness, passion and beauty.  The composition tie-in Electro. bubble and spike with something Pop-based and melodic.  Breaking-away from the typical love song subjects- petty break-ups and immature utterances- Pisani injects a unique lyrical bent into her music.  Freak showcases an alluring and stunning vocal backed by clicked snaps and heartbeat percussion.  Building and atmospheric, the song is sure to soundtrack dance-floors and lonely night drives.  A track that can be understood by a range of listeners, it has great drama and evocativeness to it.  Count For has more soothing beginnings yet has that inimitable and distinct central vocal.  More uplifted and rampant than its sister, the track is a giddy Pop track that blends together punchy beats and an additive vocal coda.  Each track showcases a maturity and intelligence few peers possess and it all points to a positive future.  With a lot of solo artists looking to gain critical attention next year, my hopes are high for Hannah Pisani.  A stunning and eye-catching singer with a lot of ambition, I was keen to catch up with her and reflect on the past year…

Hi Hannah.  How has your week been?  What have you been getting up to? 

Hi Sam, it’s been good thanks!  I’ve been in the studio recording a new song which I’m very excited about releasing in the coming weeks

Can you tell us a little bit about yourself: where you are based; your style of music etc.?

I’m a 21-year-old half-English, half-Maltese singer/songwriter based in Farnham, Surrey which is just outside London.

The style of music I write is definitely Pop in sound.  Lyrically, I like to explore different topics that stray away from the typical ‘break-up’ and ‘falling in love’ (although these do feature in my music at points!)

You have released the singles Freak and Count For.  Can you tell us the inspiration behind those songs?

I would love for people to hopefully find their own meaning in my songs, but I will tell you a little about what inspired me:

Count For is a song I wrote in about ten minutes - the words poured out of me.  It’s about a relationship that was once amazing reaching its end on awful terms.  It’s that upset and, almost, mourning over how you used to be and all the great times you shared together - knowing now that it means nothing.

Freak is a bit of fantasy.  It’s about escaping the modern world and getting back to basics, where you can’t be reached 24/7 and you can’t reach anyone else 24/7.

[youtube https://www.youtube.com/watch?v=LaX_SPGITDE&w=560&h=315]

You are fairly new to music- and making your first moves at the moment- so must be looking ahead to the next year.  What will 2016 hold in store for you?

I’ve actually written songs since I was 13, but only felt ready to share my music in the last couple of years!  I have a whole catalogue of songs which I plan to take to my producers, and I look forward to releasing an E.P. in 2016.  And of course more songwriting; I’m always songwriting...

Music is a competitive and packed industry.  How would you say your music stands out for the crowd?

With the release of the third song, I think I’ll be demonstrating a great versatility in my sound.  All songs still fall into the spectrum of Pop, but some are Electro., some are Acoustic - I think this variety makes me a little different.

Also lyrically, as mentioned above, I like to touch on subjects that often aren’t mentioned in typical Pop, as Freak does.

Social media is an important tool for many musicians.  How has social media helped you connect with fans and music in general?

Social media is a great tool.  Thanks to it I have fans in different continents.  I would never have had that reach without the ability to put my music online, where it is accessible to anyone, anytime, anyplace.

What have been your particular highlights from this year?

Being played on the radio twice in one day was pretty great for me as an emerging artist.  I was played on B.B.C. South as their track of the day and also Eagle Radio and I was thrilled!

Which artists inspired you growing up and which current artists are important to you?

When I was really young, I remember my dad used to play a lot of ABBA - they definitely know how to structure a good pop song.

Generally though, I am more inspired by songs than artists (although I do have some favourites!).  Three songs which really stood out to me whilst growing up were Creep by Radiohead; Freshman by the Vervepipe and Unwell by Matchbox Twenty.  I loved how these songs talked about taboo topics like mental illness and dilemmas of the self.  They definitely inspired me to spread my wings a bit lyrically and tackle tougher topics.

Similarly nowadays, I am obsessed with Tove Lo! I love how honest she is in her lyrics.  Bebe Rexha is also great.  In sound, I’m likely to like anything produced by Max Martin- he really knows how to produce great Pop.

As a songwriter and musician, how do you write songs?  Do you set time aside and write or will an idea just come to you?

Both!  Sometimes I sit at my piano with the intention of writing a song.  But most of the time, I’ll be out and about or something will happen to me and the idea will pop in my head.  The other day I was waiting for the Tube whilst thinking about the same relationship that inspired Count For - and the idea came into my head of two lovers being “like strangers at stations” who barely talk anymore even though they get so physically close.  (Can I insert copyright here?  Haha)

 There are a lot of great female artists coming through at the moment.  Do you think there is inequality in the music industry and do you face any challenges being a female musician?

Ooft (sic.) I’m not sure.  So far in my journey, I don’t feel I have faced any setbacks as a woman.  If anything, I feel like there are more popular solo female artists than there are male artists; so it’s a little harder to get yourself heard.

For those who do not know much about you; could you tell us a secret- something nobody knows about you?

All my secrets are in my songs!

[youtube https://www.youtube.com/watch?v=RUCo8p0pf28&w=560&h=315]

I am a big fan of London and the music coming out of the city.  Is that an area you would like to play/live in the future?

I’ve played in London before at Raffles, Chelsea and really enjoyed it.  There’s so many great music venues in London and I would definitely be up for playing again and again.

Do you have any advice for any musicians coming thorough; those who are not sure if they have what it takes?

I’m not sure if I’m in yet in the position to offer advice, I’m still finding my way myself!  But I suppose to those who aren’t sure if they have what it takes: you don’t know unless you try!

Finally- and for being a good sport- you can select any song and I’ll include it here- why is it special to you? 

Let’s go for Tove Lo’s Moments. The video is ah-mazing.

[youtube https://www.youtube.com/watch?v=W8tbQgXyn1c&w=560&h=315]

______________________________________

 Follow Hannah Pisani:

 

Official:

http://www.hannahpisanimusic.co.uk/

Facebook:

https://www.facebook.com/HannahPisaniMusic/?fref=ts

Twitter:

https://twitter.com/hannahpisani

YouTube:

https://www.youtube.com/channel/UCIxhF7ti28C7sj8l6sOeMfw

SoundCloud:

https://soundcloud.com/hannah-pisani

Instagram:

https://www.instagram.com/hannahpisanimusic/

Track Review: Sarah Dashew- Roll Like a Wheel

TRACK REVIEW:

 

Sarah Dashew

Roll Like a Wheel

9.2/10.0

Roll Like a Wheel is available at:

https://www.youtube.com/watch?v=wXr9yA1liLk

RELEASED: 12^th November, 2015

GENRES: Indie

ORIGIN:

Los Angeles, U.S.A.

____________________________________

THIS will be the second consecutive review where I will be featuring artist…

who has appeared on U.S. T.V.  My featured artist has appeared in My Name is Earl (well, her music has) and you are sure to have heard one of her tracks.  Before I get to Sarah Dashew, I wanted to raise a few points today: consistency of solo songwriters; female acts and the range of sounds out there.  I have often raised a point about solo artists and what is out there today.  I often find solo artists struggle to make early impressions on the music scenes.  Over the years I have reviewed some great solo talent, yet find that it is the bands that make the biggest early hits.  The solo artist has to do all the work themselves and there is a lot of pressure and expectation.  With so many sole acts coming through, there are a lot of eyes being cast in the pot.  Critics, fans and media are searching around seeing what is out there; whether the current crop is any good at all.  Looking back at this year, there have been a few great solo acts that have come to my attention.  What I tend to find- that is most impressive about the solo artist- is the commitment and dedication they show.  Whereas a lot of bands have multiple members and support, that is not the case with the solo act.  I always find the lone singer/songwriter has the most heart and passion when it comes to music.  There is that need to find capital and funds; the business of getting gigs and lining-up work.  It is a hard task and I admire the strength and commitment they put into the work.  The range of sounds out there is perhaps a little limited (when it comes to bands) and I feel a lot of solo artists stick closely to Pop/Indie/Folk themes.  It is okay to do that yet it does not really provide much surprise and diversity for the listener.  My featured artist is an Indie artist that separates herself from the crowd.  Whilst I find a lot of her contemporaries lackluster and samey; here we have a songwriter that sticks in the imagination and presents something different.  Before I continue on my point, let me introduce Sarah Dashew:

“In less than ten years, Sarah Dashew has managed three critically-praised albums, successful tours, television spots, and a new full-length, establishing her as one of the music industry’s most consistent singer-songwriters. 

On Sarah Dashew’s latest full length, Roll Like a Wheel, one can hear her whole musical history: Texas tejano, Southern gospel, and blue-eyed soul, but now wrapped up in a distinct Los Angeles flavor. You can still hear James Taylor and Janis Joplin, but there’s clearly a Paul Simon, Graceland-era spirit to the proceedings: The rhythms of her city have combined to imprint itself on the album. “More than any other city has done before,” Dashew pronounces. That and finding true and everlasting love. 

“Estas Son Las Cosas” announces itself with blaring Mariachi horns then Spanish-sung verses, a clear homage to the eastside of LA, which she calls home. “Are You Listening?” continues the Spanish singing, this time to an upbeat pop-rock number, perfect for a dance or two. Then there’s “Roll Like a Wheel,” the stand-out track (from which the album gets its name) that almost sounds like a manifesto for both the album and her brilliant musical career: Keep the wheel spinning, keep the influences coming, and never stop. Not surprising from someone who grew up sailing around the world with her family. 

"Roll Like A Wheel is the culmination of my musical history thus far. It takes all my life and sounds from childhood to now, wraps it up in a package of Los Angeles flavor, and spins it into a journey of soul and spirit,” says Dashew. “Joy and healing. Reflection and anticipation. And all that comes down to love." 

This insistence has earned her songs spots on the hit NBC show My Name Is Earl, inclusion in the celebrity playlist of ABC’s Ugly Betty, rave reviews of previous albums, and successful tours throughout the U.S. and Europe with the likes of Cowboy Junkies, Michelle Shocked, Suzanne Vega, and Pancho Sanchez. 

Roll Like A Wheel is engineered by Eric Lilavois (Saint Motel, My Chemical Romance) and will be released nationwide January 22”.

Dashew’s music has scored some great T.V. moments and she has garnered some positive and effusive reviews.  In the U.S. there are quite a few great female singer-songwriters emerging and Dashew is making her name heard.  Whilst her career is in its infancy, the next year will see her release an album and take her music on the road.  I am well-versed when it comes to U.K. music yet with regards U.S. music- as I mentioned in yesterday’s review- it is an unknown quantity.  I am more familiar with American band music so I always love discovering great solo talent.  Dashew has a voice and direction I have not often heard and it is great to hear someone that is distinct and original.  I cannot wait to hear her forthcoming album and would be good to see her do some dates in the U.K.  Perhaps the limits of financial flexibility will put that on hold yet there are eyes and ears here that would love to see her.  With such a reputation and acclaim under her belt, that is going to create some great momentum into 2016.

When it comes to Sarah Dashew, it is wise for the listener to look back and see how far she has progressed.  The single Take Me In was unveiled back in 2008 and is an aching and tender track that gets inside the heart.  Brimming with soul and soothing vocals, it puts me in mind of the legendary Folk singers. Our heroine is looking for comfort and refuge- is she is spinning out of control- and need someone to hold her and “take me in”.  Backed by a tender piano support, it is a confident and hugely memorable number.

Where I Belong was released in 2010 and is a wholly bouncier and more sprite number.  Climbing to the “top of your heart” our heroine’s voice is more rousing and impassioned here.  Displaying some Country edges and huge spirit, it is a song that shows a different side (to Dashew) and has an addictive and happy-go-lucky composition.  Ecstatic and proud horns mix with rolling piano to create something redemptive, positive and inspirational.  Showcasing so much spirit and heart, it is a song that displays a natural move forward.  Dashew sounds more urgent and confident and proves what a nimble and flexible songwriter she is.

Dance With Me was Dashew’s last single and reconciles her past and current endeavours.  Showcasing the tenderness and softness of early numbers, the song sees our heroine at her most insistent and compelling.  Having a secret that is hard to keep, there is mystery and ambiguity in the song.  Keeping her cards close to her chest, you start to wonder what is being ascribed in the song.  At all stages it is that aching and beautiful voice that grips and seduces.

Dashew has progressed and developed as a songwriter but was stunning to begin with.  A lot of artists start a little shakily and unsure; they evolve and improve over time.  Dashew showed- when you listen to her early tracks- how much intention and potential was there from the start.  What she is done is solidify that confidence and quality and incorporated new themes and stories into her songwriting.  The compositions are more nuanced and her voice seems stronger and more assured now.  Roll Like a Wheel proves this and stands out as one of her finest and most memorable numbers to date.

When it comes to Dashew’s music she is influenced by the likes of Bob Dylan, Janis Joplin and Brandi Carlisle.  It is hard to compare Dashew’s voice and style with anyone else, but the above names are a good starting point.  She incorporates the range and Folk influences of Dylan with some raw edges and Joplin-esque touches.  When it comes down to it, Dashew is her own artist and cannot be readily compared to anyone.  You get a contemporary flavour and sound with ‘60s and ‘70s Folk/Indie touches in there.  The entire ensemble is an original and striking thing that will take the listener by surprise.

Roll Like a Wheel begins with plaintive and delicate electric guitars that gets the listener curious from the off.  Romantic and breezy, the initial words see our heroine directing towards an unnamed central figure.  Whether a friend or lover, she wants to go walk the desert.  It is hard to determine whether a relationship testimony is afoot or something based in friendship.  Whatever the initial intentions, you start to picture the scenes and the storyline unfold.  It seems that they- our heroine and her mate- have been through a lot and shared a great deal together.  There is one thing they have not learned, and that is to roll like a wheel.  Perhaps describing a relationship, it seems there have been some anxieties and stresses in the past.  Maybe I am misinterpreting but I feel there is an impasse where the sweethearts need to make a decision: the song is a declaration and a solution to the problem at hand.  By walking the desert and rolling like a wheel it eases the strains and is a way of dissipating strains that are currently being faced.  At this stage the composition rises and the vocal becomes more pressing.  When the wordless chorusing joins in the fray it puts me in mind of Paul Simon’s Graceland.  There is a sense and choir-like beauty to the vocal- you could imagine Ladysmith’ joining in to provide something ethereal and otherworldly.  Dashew takes a new approach to love and life with her original and fresh lyrics.  The vocals captivate and complete whilst the composition remains supportive and evolving.  Even in the sapling stages you are taken in by the beauty and vivid pictures of the track.  It is 95 degrees in the shade- as our heroine regretfully informs- and there is no real escape from it all.  You can see the duo pounding the desert floor and exchanging conversation.  With regards the origins and interpretation, by mind is still focused on relationship dilemmas and that need to fix issues.  The desert may be a metaphor for pressures and the heat of relationships.  Maybe stresses and tensions have reached boiling-point and that confrontational element is being documented.  The sweethearts have made some bad decisions and gone through tough times, yet there is a desire and loyalty that cannot be overlooked.  Wordless vocals and breathy notes augment that passion and beauty.  Within time those echoed and repeated vocals mix with some subtle horn notes and hissing percussive beats.  The song’s hero/subject is lonely and afraid and our heroine knows they are “not the only one”.  Between the vocal proclamations the compositions demonstrates its flexible nature and sense of occasion.  After the uplift and rouse of horns and keys, we now get something more contemplative and sensitive.  Soft guitar strings offer tranquility and a supportive shoulder; ensuring the song does not lose its momentum and purity.  After twilight there are silhouettes and love songs; all you are left with is the night.  Our heroine- to her beau and hero- wants eyes closed and minds open.  Surrendering to the night and the tranquility will offer peace of mind and lullaby.  At this stage it may not be a lover or boyfriend documented- perhaps a friend or someone struggling- but that is the strength of the song: Each listener will get a different interpretation and their own course of events.  Dashew lets her voice reign and glide wonderfully as she offers supportive arms and soul.  Those Graceland/Paul Simon comparisons come to mind strongly as the song reaches its final moments.  The combination of wordless vocals- that put me in mind of Under African Skies and Diamonds on the Soles of Her Shoes- and that striking lead remind me of that legendary album.  The final seconds ride that addictive and uplifting vocal; reintroduce the song’s title and emphasis the song’s messages.  Making sure the song ends on a high, Dashew lets her compelling voice strike and campaign to the very end.  Weaving in the mix of keys, strings and horns, it is an ecstatic and uplifting coda that will appeal and stick with every listener.

Being a recent convert to Sarah Dashew, I was amazed by the passion and layers of Roll Like a Wheel.  I have mentioned Graceland shades- and it is not hyperbole or over-exaggeration- but the quality and ambition is all in there.  Those lyrics have ambiguity and mystique but speak to everyone who listens.  Broad and redemptive, it implores resolve in the face of pressure and insurmountable strains.  Uplifting and positive it flies in the face of a lot of modern songs- that seem more cynical and downbeat- so it is nice to hear a song with free spirit and a real motivation.  Whether it is looking at a relationship quandary or a friendship moment I am not sure.  What we have is a track that will get you guessing and digging the lyrics and meanings.  Such a vivid and vibrant track, that wonderful and full-bodied composition gets you coming back for more.  It is Dashew’s voice that guides everything forward and adds serenity and passion to the track.  Roll Like a Wheel is one of the most instant and addictive tracks I have heard and demands repeated listens.  Once you get down to its nub you will unearth something of rare pedigree and divinity.  Make sure you check out of the U.S.’s finest songwriters of the moment.

Having been recently introduced to Dashew’s music, I have been lucky enough to review her current single.  I am often immersed in British music and rarely get a chance to experience anything beyond Britain and what we offer.  It is great to be in the U.S. (for a second day running) and witness a singer with a huge future ahead.  Having been playing for quite a few years, Dashew is growing in confidence and ambition.  With her album out early next year, it will give listeners a chance to see what is on her mind.  Having discovered her past tracks, I can see a development and a new confidence.  Growing with every release, it will be exciting to see what 2016 has in store.  Roll Like a Wheel is a bold and memorable song that will solidify her reputation as one of music’s most consistent and exciting propositions.  Before I conclude this review, I am going to go back to my early points with regards solo music and the range of sounds out there.  Dashew’s earliest sounds resonated with potential and intention so it is no exaggeration to say she didn’t need to improve or change her game.  What you find with a lot of solo artists is the weaknesses in the early stages.  Unsure of their direction and true sound, you get songs that sound a little uneasy and unfocused.  In time that confidence and assurance comes: The music will find its voice and an identity will be stamped out.  Too many U.K. solo artists do not linger in the mind and play the same kind of sounds.  Through adverts and T.V. you hear a lot of young artist- most of whom are female- that sound the same and have such an ineffectual and weak voice.  There is no emotional resonance or range; no passion or any originality or point.  I have said the band market is a little more assured and that is the case right now.  Perhaps strength-in-numbers creates flexibility and diversity in music.  Bands can do everything from Indie-Rock to Metal; across to Electro.-Pop and Hip-Hop.  The solo acts have potential yet they are a little more limited sonically.  For solo artists to gain foothold and market share there needs to be more diversity and originality.  Too many acts do not push their sound or do anything different (to what is out there).  This is a malady in the U.K. and it seems the U.S. is a little ahead of the game.  Sarah Dashew is an artist whose voice is stunning enough to distinguish herself from her peers.  The songwriting mixes love and life experiences that will appeal and resonate with the wide range of listeners.  Not one to be easily labelled or defined, you get music that seems free from anxiety and displays nothing but heart, passion and quality.  It is no surprise Dashew’s music has featured across U.S. T.V. and that is something that will continue.  The music industry is packed and growing so it is vital to celebrate those artists that do things differently and have that longevity.  There are so many musicians that quickly dissipate or they simply decline after a few releases.  Dashew has shown she gets stronger and more confident as she progresses.  With an album mooted for 2016, I will be fascinated to see what is included and what direction she goes in.  Her compositions include delicate piano and woozy horns; some stunning energy and introspective calm.  Whether we will see an influx of tremendous new songwriters it is to be seen, yet it is worth embracing those that show longevity and potential.  With the band market getting such attention and devotion, we need to shift focus to the best and brightest solo talent.  Residing out of L.A., Dashew is one of the city’s finest young songwriters.  In an area of the U.S. synonymous with musical richness and diversity, it is perhaps unsurprising the music (of Dashew) is so assured and fantastic.  I hope she will come to London and play crowds here as we hear few artists like her in the U.K.  It is left for me to recommend Roll Like a Wheel and embrace its beauty, messages…

AND mesmeric sound.

[youtube https://www.youtube.com/watch?v=wXr9yA1liLk&w=560&h=315]

___________________________________________

Follow Sarah Dashew:

 

Official:

http://www.sarahdashew.com/

Facebook:

https://www.facebook.com/SarahDashewMusic/?fref=ts

Twitter:

https://twitter.com/sarahdashew

Instagram:

https://www.instagram.com/sarahdashew/

_______________________________________

Videos:

https://www.youtube.com/user/sarahdashew

Track Review: The Slightlys- Desperate Measures

TRACK REVIEW:

 

The Slightlys

Desperate Measures

9.0/10.0

Desperate Measures is available at:

https://soundcloud.com/the-slightlys/desperate-measures

RELEASED: October, 2015

GENRES: Indie-Rock

ORIGIN:

Los Angeles, U.S.A.

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OVER the next couple of days I am reviewing music by U.S. actors.

Whether there is a mutual connection (reading my blog) or something else, I have been contacted by two separate high-profile agents.  It has been a while since I have been in U.S. waters to review some great music.  Concentrating on U.K.-born acts, it is a relief to travel across the pond and discover a new band to my ears.  Before I introduce the featured act, I am reminded about U.S. music- and particularly that of L.A. - and Indie-Rock artists.  Being ensconced in the U.K., it is always hard being made aware of U.S. music and what is happening over there.  There are a lot of blogs and reviewers out there, but unless you read all of them, it is hard to get a true idea of what is out there.  A compartmentalised and wide-ranging industry, music comes to you in dribs and drabs.  Without my blog it is debatable whether I would have discovered half the music I review.  Few can deny there are a lot of great British bands around, although for my money, there are even more top U.S. bands around.  Having assessed everyone from The Falling Birds (New York) to The Open Feel (L.A.), I have been exposed to a great wealth of terrific music.  Today I am tackling another band from L.A. which is an area that is among music’s most prosperous goldmines.  I have mentioned in previous posts- although feel compelled to mention again- how fervent and fertile L.A. is as a music hub.  I have never been before, yet know how hot California is right now.  Perhaps there are better communities and media outlets- that make it easier for musicians to connect- or just the natural atmosphere that inspires such great music.  It is not just the range of sounds available but the consistency.  If you want Hard-Rock or Metal then there’s a band for you.  If you fancy something sunny and Pop-hooked then you are sorted.  There needs to be some sort of website to house all the great Californian music out there so people like me- and listeners too- can get a grasp on what is out there.  Looking at The Slightlys (my featured act) it reminds me of the Indie-Rock acts that are out there.  In this country the genre seems to be faltering somewhat.  Over the past year there have been few Indie-Rock bands that have stuck in the mind.  Maybe it is one of music’s most tricky genres- when it comes to being unique and stand-out- so it is good to see some U.S. acts injecting some passion and originality into the genre.  Before I continue on my point, let me introduce today’s featured act:

“Pop n’ Roll band The Slightlys, has a penchant for insistent, hook driven, unapologetically catchy songs. Led by songwriter and frontman Finneas O'Connell (who found success as an actor with reoccurring roles on Glee and Modern Family and in movies such as Bad Teacher), the band consists of four teenagers born and raised in Los Angeles California.  The group met each other at a battle of bands at Club Nokia in 2012 while each playing in different bands with all losing the contest that year. In 2014 they came together to form The Slightlys and took home first place in that same competition.  The Slightlys soon released their debut single “Superhero”, which attracted widespread attention leading to a dedicated fanbase as well as offers to play such high profile festivals as The Warped Tour and The Twilight Concert Series along with iconic venues such as Club Nokia and The House of Blues.  In 2014, The Slightlys returned to the studio to record their debut EP with famed producer/engineer Eric Palmquist (Bad Suns, Night Riots, HUNNY).  The result is a collection of power pop anthems with melodic guitar riffs, catchy choruses and a driving insatiable rhythm section rarely heard in rock music today. The first single “Desperate Measures” is an angsty instant pop anthem featuring radio-ready hooks and close vocal harmonies. “A Warning” features O’Connell’s rich soulful tinged vocals over insatiably danceable drums. All in all songwriter Finneas O’Connell hopes his songs “inspire people to never stop working on the things they love and to remember that although being patient sucks, you’ll need to be patient if you want things to turn out right.”  EP is set for release in early 2016

The Slightlys is: 

Finneas O’Connell: Lead Vocals / Guitar Darius Dudley II: Violen / Bass David Marinelli: Drums Robby Fitzpatrick: Lead Guitars”.

Whether you have seen Glee or Bad Teacher- in which lead Finneas O’Connell has appeared- or not, the music will not fall within predictable margins.  Going into reviewing I was expecting something Glee-tinged- and not being a fan of the show it was a relief that The Slightlys have much more credibility.  Although the Indie-Rock sounds of The Slightlys is miles away from Glee’s endless sunshine and sugar, the music they play (The Slightlys) is infused with plenty of optimism and upbeat.  A lot of Indie-Rock still plays on the side of angst and endless riffs.  Too many acts are looking at the likes of Foo Fighters and replicating their sounds.  If not Foo Fighters, then there is still too much familiarity in the music coming out.  I listen to Indie/Indie-Rock bands and can always hear too much of other artists.  The mood tends to be quite downbeat and the compositions quite suffocated and tense.  Occasionally I will happen upon something more open and breezy- with a hard-edged skin and sense of passion.  The Slightlys have a little bit of Sunshine-Pop to their music which ensures proceedings are never too heavy-handed and foreboding.  The close kinship and tight musicianship results in music with catchiness and memorability.  Desperate Measures is the latest release from the L.A. band and has been gaining appreciative feedback in the U.S.  Few of us in the U.K. will be familiar with the band so it is great to introduce The Slightlys here.  What the L.A. band does is inject some quirky lyrical touches with teenage vernacular and something youthful and cutting-edge.  Their language and songwriting stands out from their peers and the compositions are filled with energy and commitment.  I hope the boys come play London and give crowds here a chance to discover something new.  We have few bands like The Slightlys here so it would be a breath of fresh air to hear them play.

On their Facebook page, The Slightlys have quite a list of influences:

“The Beatles, Cage The Elephant, Two Door Cinema Club, The Foo Fighters, The Airborne Toxic Event, My Chemical Romance, Arctic Monkeys, Green Day, Blur, The White Stripes, Imagine Dragons, Muse”.

If you are a fan of the above, you will find much to love within The Slightlys.  There is a mix of The Beatles’ ‘60s Power-Pop together with Imagine Dragons’ sunshine and a little of Green Day’s kick and snarl.  It would be unfair to compare the L.A. band to any listed above as The Slightlys have their own sound and direction.  What the band does is combine some flavours of the ‘60s and ‘90s; tie together some modern-day Indie and a sound of the L.A. Indie-Rock scene.  The band is a new endeavor so it is hard to compare Desperate Measures with any other track.  The initial signs are very positive and there are no early weaknesses or lack of originality.  The best way to assess The Slightlys is on Desperate Measures alone and see where they will head from here.  I know the band are planning their debut album and putting together the moves and motifs for that.  Whether there will be 10-11 Desperate Measures-esque numbers- or whether the band will expand their sound out- across the album it is yet to be seen.  What we can expect is a consistent energy and ambition across the record.  Establishing themselves as one of the best young bands coming out of L.A., I am sure a future album will cement their claim and showcase artists with big ambitions and intentions.

Desperate Measures begins with a nice drum roll and kick that leads to a breezy guitar sound.  Quite an urgent and catchy introduction, the song spares no time in getting off to the races.  Eliciting the sound of sunshine and the open road, you find yourself captivated.  Vibrating strings and punchy percussion mingle to build the mood and atmosphere brilliantly.  An instant grab, the song gets you invested and interested.  Mixing some Hrad-Rock slam with something more Pop-infused, you wonder where the song will go next.  When our lead approaches the microphone, the early words paint vivid pictures.  The words “You got me up and at ‘em/Got me jones-ing for your touch/I can’t stand, I can’t stand without you/You fit me like a crutch” paint pictures of pure sentiment and romance.  Never overplayed or saccharine, it is an original slant on a well-trodden topic.  The lyrics look at love and obsession but it is done in a very particular way.  Whilst a lot of bands employ clichés and vague expressions, The Slightlys delve deeper to project something different.  Our hero attests- when looking at his girl of choice- she has him in a daze.  Like a drug in his bloodstream, that passion and excitement is tangible.  Backed by a river-flow guitar jaunt, the song does not drop its energy and sense of motivation.  The early words spare no chances and go in hard and strong.  There is little room for ambiguity and misinterpretation as our man is in the midst of a very powerful love.  By the time the chorus comes around- “These desperate measures/You wear me out so well/These desperate measures/Keep torturing myself/For you and no one else”- that degree of longing and love is explosive.  The vocal keeps on rising and becoming more pressing as the lyrics progress.  The chorus is that intended to inspire sing-alongs and group chorusing.  What you get is something full-bodied and hot-bloodied indeed.  The band unites in song and ensures each word gets inside the skull.  It seems the central romance is causing fatigue and confusion in our front-man.  Whether the duo is united at the moment or it is a flirtation, you can hear that need and desire in the vocal.  The song itself- up until this point at the least- will find an audience in lovers of Indie-Rock and Pop.  Whereas the introduction was a sharp and anthemic thing, the song soon mutates into something more Pop-influenced and sunny.  By melting those two genres together, you get something that will draw in the fans of mainstream Pop whilst interesting those who prefer their music harder and heavier.  By the time the second verse rolls around, more of the story is revealed.  The wording puts you in mind of a teenage tryst: something school-based and innocent to say the least.  It seems the friends of family (of the lovers) are unaware and kept in the dark.  Maybe an ill-advised or uncertain bond, things are being kept secret.  The drug-like addiction of the passion- tied to the secrecy and tip-toeing being done- is causing pain and heartache.  The words “Count the days, I count the days and seconds/’Til we can stop playing pretend/Now you got me shakin’/Got me takin’ in too much” add to that tangible desire and teenage lust.  Maybe appealing to a younger audience sector- aiming for the pre-teen market- it is good to see love and relations given a new spin.  Away from the anxieties and dark sentiments of Indie-Rock love- and the subjects the bands usually tread- here there is something more positive and hopeful.  There is a little bit of Imagine Dragons in the song- especially when it comes to the chorus- and that bonhomie and chorusing is hard to ignore.  By this stage in the song, the secret has not been unveiled although our lead does not seem too suffocated.  It is the third (and final) verse that showcases the band’s lyrical quirks and individuality.  If you assess its words- “I’ll join your cult, I’ll drink your Kool-Aid/I’ll break my back, whatever you say/Walk ’til my feet start to bleed and just keep on walking/I’ll dye my hair, I’ll change my name/I’ll play along, just teach me your game/You don’t play fair, I’m aware but I don’t care I’m not stopping”- there are clear images and humour to be found.  It is evident our man is infatuated and there is no turning back.  Most bands tend to go for boring and lifeless images yet The Slightlys ensure their lyrics get inside the mind and make the listener smile along.  Backing and augmenting the lyrics is a guitar-bass-drum combination that ensures plenty of punch and life.  Emphasising that need and desire, the composition never relents or loses focus.  By the time of the final chorus introduction, the band throws in some echoed vocals and vibrating strings.  Ensuring that tension and lust raises the blood pressure, the final moments are dedicated to getting the listener hooked and fascinated.  By the end stages you begin to wonder whether things worked out or whether the secret is being kept.  It is a bit of a mystery and cliffhanger- perhaps something that will be resolved in future songs- but it sees our lead lays his heart on the line.  Bringing the song to a close and that energy and excitement never fades and relents.

It is a real band effort at work throughout Desperate Measures.  O’Connell provides a passionate and committed vocal that makes the lyrics sound essential and fully convincing.  Perhaps drawing in his acting work, the performance comes across as very real and genuine.  Making sure every sentiment and lyric is dealt with appropriately, you get a real gamut of emotions.  Dudley II provides excellent bass guidance- that blends well with the guitar of O’Connell- and it creates its own degree of rhythm and melody.  With Marinelli providing ample and prominent drum beats, you get a primal and real heartbeat.  Making sure the energy levels and fascination never relents.  Fitzpatrick provides energetic and spirited lead guitars which give the song a vitality and rush.  Together the band is tight and insistent throughout.  It is perhaps the lyrics that provide the biggest slice of intrigue.  Mixing teenage ideals with something more mature, it is a song that tackles romance and seduction in a new way.  Many listeners will be able to appreciate and understand the themes being explored throughout Desperate Measures- it is a song that appeals and aims to all listeners.

Having been recently introduced to The Slightlys it has been great hearing the U.S. band.  As I said up-top, it is hard to encounter and assess every great band coming out of America.  The media tends to focus on home-grown sounds and does not really cast its net too far away.  When you discover one U.S. band, it is often easy enough to seek-out and find comparable acts.  When I reviewed Brooklyn’s The Falling Birds- who are currently playing in the U.K. - I connected with some of their social media bands/friends and discovered more great music.  In the same manner, The Slightlys will have some great band friends and acts they support.  It is a slow way of discovering music but is the way social media works.  Before I finish up it is worth mentioning Indie-Rock acts of today and the music in the U.S.  I opened by stating how stale and uninspired a lot of Indie-Rock is today.  Too many bands are fixated with sounding like their heroes.  I have heard too many bands that replicate Foo Fighters and Biffy Clyro.  Too many acts rip-off Artic Monkeys and their ilk.  If musicians want to survive in this industry then they need to be original and themselves.  It is human nature to be inspired by musicians although that should not come at the expense of identity and personality.  Those acts that separate themselves aside and provide something fresh are those that stick in the mind.  The Slightlys have a little bits of other acts in their music is unique enough to stand aside from their heroes and influences.  L.A. is producing some great acts right now and 2015 has been a bumper year for the city.  Maybe it is the Californian sun or the hustle-and-bustle of the city.  Perhaps there are more opportunities over there but it seems the U.S. is edging ahead of the U.K. when it comes to the band market.  There seems to be more originality and freedom there.  I shall leave things assessing The Slightlys who have an exciting next year ahead of them.  Following the release of Desperate Measures the boys are heading into the studio to continue work on their debut album.  It will be exciting to see what the boys come up with and what direction they take.  Desperate Measures has a sunny feel and great hooks; lyrics that mix teenage thoughts with something distinctly Californian.  There is a distinct accent and geography to the song and the track could easily soundtrack a show like Glee.  That is not meant as an insult- not being a big lover of the show- but there is optimism and quirk that could score a Glee scene for sure.  I guess a lot of critical eyes and thought will look towards Glee and Bad Teacher- with O’Connell’s links with those shows- but you should separate the music and the acting.  A lot of actors have fronted bands, and if history is any indicating of quality, you wouldn’t expect a lot from The Slightlys.  Luckily that is not the case here and what we have is a group that promises a lot and is a definite name to watch.  Music is lining up its quarterstaff for the charge into 2016 and we should all be aware of the big names to watch.  I have had a hard time seeing which U.K. bands are worth watching: it is a lot easier when it comes to the U.S. and the major acts to watch.  The future is ahead of The Slightlys and although they have just begun their careers.  We shall see where the boys are headed and what they have in store.  It would be nice for them to come to the U.K. and play some dates here- that is if they can whip some funds together- as there will be a definite demand here.  It is hard to mix some sunny Pop with harder Indie and make it sound credible and original.  The Slightlys have a natural charm and urgency that makes you root for them; their music translates through music boundaries and has universality to it.  It is only left for me to point you towards Desperate Measures and ensure you check the song out.  One of the freshest and most unique songs of 2015 it is guaranteed to blow away cobwebs and leave a smile on your face.  When it is all said and done, what else do you really want from music?  It seems the L.A. band have a very…

SPECIAL recipe indeed.

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Follow The Slightlys:

 

Official:

http://www.theslightlys.com/

Facebook:

https://www.facebook.com/TheSlightlys/

Twitter:

https://twitter.com/theslightlys

Instagram:

https://www.instagram.com/theslightlys/

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Music:

https://soundcloud.com/the-slightlys

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Videos:

https://www.youtube.com/user/hollowpointeyes

Track Review: Svelte- I Don't Miss You

TRACK REVIEW:

 

Svelte

 

I Don’t Miss You

9.6/10.0

I Don’t Miss You is available at:

https://soundcloud.com/sveltemusicuk/i-dont-miss-you

RELEASED: 1^st November, 2015

GENRES: Electronica

ORIGIN:

Bristol, U.K.

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IT has been a fraught week to say the least…

With a lack of Internet connection, I have been forced to catch up and tackle reviewing head-on.  I have known about the work of Mary Spender before and love her voice to death.  When I heard about Svelte (a duo she fronts with Jacob) I was keen to dive in and investigate.  It brings to mind- when listening to the duo’s music- about a few things.  I am thinking of the importance of diversity, duos coming through and Bristol music- in addition to geographical sound break-down.  I have been listening to a lot of ‘90s music at the moment and bemoaning the lack of quality in some modern music.  There are few music-lovers that can deny the majesty of the ‘90s: the decade is music’s finest and cannot be topped in my view.  The range and diversity of music on offer (in the decade) is staggering.  From Grunge and ‘Britpop’ through to Pop and Dance, it was a decade that will never be equaled.  As the ‘00s drew in, music did suffer a slight dip- although some fantastic albums and acts came out.  It has only been the past decade that has seen a real drop in form.  Whether music is exhausted or the talent is not as startling; I long for the days of the 1990s and all it had to offer.  When I review great acts- and the finest music coming out- I see some potential and quality.  Our very best and brightest are those that do not simply put in the bare minimum effort.  Those musicians that had a great upbringing- tied to some excellent musical tastes- who really strike the imagination.  Blending genres and sounds together; doing something unique and imaginative- that is what gets the top honours and applause.  The ‘90s were so magical because of the variety and depth of music that was out there.  The phenomenal Dance/Trance movements and ‘Britpop’ regency was just the start of things.  It is near-impossible to reign-in and define the ‘90s for all it provided and stood for.  Musicians should take note and look at what came through then.  Too much of today’s music is stale and unadventurous.  Svelte are a duo that are just what the music world needs right now.  I have heard too many boring and lifeless solo acts come out; bands and groups that copy others for their own means.  When it comes to the Bristol two-some, you will struggle to compare them to anyone else directly.  Promoting a sound that marries harder Rock edges with Electronica bliss; stunning vocals and terrific compositions into a whole that is hard to beat.  Not too much is known of the duo and their biography: when they came together and who influences them; when they are playing live and what the future holds.  What I do know is they are busy recording and preparing a new single.  The duo have a nice little concept at their feet: they are going to be releasing a single on the first day of each month.  A lot of acts are too concerned with E.P.s and rushing material out there.  Svelte have ensured they have a steady stream of music coming without leaving gaps in-between.  With a new song arriving each month, fans get a chance to see how the duo’s developing.  This month saw the release of I Don’t Miss You: a song that ranks among their finest and shows just what a stunning act they are.  On December 1^st a new song will be unveiled and it will be exciting to witness.  Before I investigate the music itself I am reminded of duos and what they offer.  In previous reviews I have mentioned the dynamics and subject matter of various duos.  London two-pieces are among the most diverse and memorable.  Duos from other parts of the U.K. offer different sounds and themes and that really got me thinking.  Whether it is the relationship status of the duo- they could be partners or friends- or where they hail that moulds their sounds.  It is that music formation that provides some sensational music and wonderful interplay.  It is the harmony and bond of the duo that appeals to the musician and writer in me.  Whereas bands can be quite unwieldy and impersonal; solo acts somewhat lonesome and singular- the duos are a different prospect altogether.  Most tend to be a boy-girl make-up (there are some exceptions) and I always love hearing what they come up with.  Whilst a lot of their peers deal with Pop and Folk concerns, Svelte are more mindful and ambitious.  Commentators and reviewers have noted the myriad mix of genres and sounds.  That stunning and unforgettable central voice perfectly sits with vibrant and passionate compositions that are among the most original and daring out there.  Svelte are based out of the city of Bristol: a location that has provided some of music’s very best, it is not shocking to see another terrific Bristol act.  Perhaps inspired by Bristol legends Portishead and Massive Attack, the duo is adept at weaving ‘90s Trip-Hop/Electronica with something contemporary and fresh.  Bristol is showcasing some wonderful acts at the moment and some of the U.K.’s most ambitious and original examples.  Whereas London is perfects leading music’s charge it is Bristol that is providing the most interesting and impactful sounds.  I am a big fan of Electronica and its prowess so Svelte are a duo that I am keen to support and follow.  With a new song due in the coming days, it is a great time to get involved with the Bristol two-piece.  With few like-minded peers, they are an act that are giving music a kick and breathe of fresh air.

It would be all well to review the latest track and just leave it there you’d think.  For a more comprehensive investigation of the duo it is worth seeing how their latest cut stacks up against their previous fare.  Being a fairly new proposition, there is not a great archive of music to contrast and compare.  Both members have made music before Svelte- I am a particular fan of Mary’s solo work- and Svelte is something different altogether.

  Sleeping Tonight was released four months ago and begins with a buzzing and vibrating electronic slam.  A heavy and hard beats sees lyrics looking at clothes hitting the floor- not to be collected until next morning.  Looking at a central figure that is in a daze and drunken; we look at twilight tangling and unwise decision.  Mary’s voice is perfectly suited to ascribing a scene of ill-fated bonds and disenchanted ideals.  Soulful and rich, it marries with the strumming and stridulating electronics.  Riffled beats come in and tangle with hollow echoes.  A composition that develops and alters as the song progresses, it is a song that constantly keeps you guessing.  A memorable and sing-along chorus makes the song accessible and nuanced to the masses.  It is the interplay of the duo that really captivates and they blend their individual talents into the mix.  Such an energetic and snaking composition backs and propels a wonderfully striking and emotive vocal.

  Façade arrived a month after Sleeping Tonight and begins with a different tone and objective.  Lighter and more sleepy, the beats and electronics are more restrained early on.  Mary’s voice is more romantic and soothing than on Sleeping Tonight.  Feeling slightly exhausted and bereft, our heroine wants the ground to swallow her up.  Having her soul and identity taken away, that sense of suffocation and disability comes to the fore.  Lost and hopeless, you root for her and wonder what has caused this sadness.  Perhaps a relationship has broken down or a friend has betrayed her trust.  It looks at a boy who has left others “an empty shell”.  That inimitable and varied voice- that goes from a husky chocolate to something sensual and velvet- rules the track.  Whereas Sleeping Tonight saw the composition on an equal footing, it is the voice that takes the lion’s share of the honours.  Pin-sharp and haunting the one moment; meaningful and raw the next, it is a wonderful performance.  The beats are kept minimal yet provide a stormy and evocative backdrop to the song’s themes of betrayal and heartache.  A leap forward from their earliest cut; it shows how agile and varied Svelte is.

   Lipstick Melts begins with a passionate and intriguing compositional beat.  Mary’s voice is at its most sensual and direct; propelled by a punchy beat, the song is as stunning and picturesque as its title.  Our heroine’s world is “ending tonight” and gets the listener immersed in the song.  Rapture is arriving and perhaps a romantic explosion is due.  There is that sense of not letting go and separating.  Whether a relationship refuses to break or the lovers are not moving on, it is a song that begs for deeper interpretation and exploration.  Mary’s voice seems more confident and assured here whilst Jacob’s guidance and swathes are at their most daring and stunning.  The entire song perfectly merges classic Trip-Hop glories with something contemporary and modern-day.  Original and deeply personal, the song showcases the duo’s consistent songwriting and evolution ambitions.  Not sounding like any other track they have produced, few other acts are able to sound completely different and consistent at the same time.  Svelte change subjects and directions from track-to-track without compromising ideals and originality- each number shows a new skin and concern; a distinct theme and idea.

In October, the duo put Time (Put It All Together) out there and once more it signaled a new move and motivation.  Primal and urgent from the offset, it is a dominated and pressing electronic beat that gets into the mind.  Our heroine’s voice is both relaxed and passionate as we see blurry views and auto-focus being ascribed.  Trying to put their pieces together, there is a mystique behind early lyrical ideas.  Having wasted time on a central subject- a boyfriend or former lover perhaps- our heroine will not spend another moment “feeling blue” and “feeling used”.  The song develops into something more uplifted and spirited.  The electronics augment and raise- whilst being underpinned by a constant electronic burble- and the composition expands and ignites.  Detailed touches and elements come together- electronic guitar strings and processed vocals- to create an atmosphere that is heady and exhilarating.  Emotive and impassioned, the song is one of the duo’s most memorable and stunning.  Mary’s voice is at its most instant and wondrous here.  That busy and accomplished composition perfectly pushes and propels her performance whilst creating its own gravity and personality.

With every release, Svelte become more confident and stunning.  Seemingly at their most inspired, the last couple of months have seen them at their very peak.  With the talent on display- sensational vocals and tremendous compositions- they are capable of changing course and colour seemingly effortless.  I Don’t Miss You continues subjects of romantic concerns and separation whilst covering the topic with new life and a new angle.  The finest cut the duo has unleashed, it is the perfect summation of their joint talents.  It ensures future singles will be much-anticipated and celebrated and I can see some amazing numbers arriving.  At no stage has the duo ever slacked or dropped the ball and I would love to see an E.P. or future album arrive.  There is so much quality and range to be found so the options are out there for Svelte.  With a new single coming each month, it is a wonderful way to get constant Svelte music- something daring and amazing with each new venture.

Subverting my expectation from the off, I Don’t Miss You arrives with merriment and urgent rush.  Light and upbeat; busy and catchy, you get tripping and funky bass with echoed vocals and electronic motifs.  Unlike any introduction they have released previously, the listener is immediately taken somewhere different and new.  Our heroine arrives in the spotlight- after the insatiable and stunning opening phase- to give evidence and testimony.  The song is about- and the tale really concerns- “a claim to fame without the fame” and a story of “when you were young”.  The initial sentiments get my mind delving into possible interpretations and truths: maybe we are looking at a tabloid star or a fake star?  Perhaps it is a former lover that is bad news?  When Mary sings a “soldier without a gun” a photo-taking (during a summer holiday) there is an insight into a relationship and a break-up.  That lack of bravery and backbone- on behalf of the track’s male role- we get a window into a callous soul and someone that has caused pain and hurt.  It is clear there have been arguments and debates raging.  The chorus looks at the heroine strangely at peace and unaffected.  Not missing him/things as much as she should, it is evident the relationship was not as solid and meaningful as it could have been.  Many songs investigate relationship wreckages and the nature of the wake.  Whilst most singers and acts are filled with anger and accusation; we get a more dignified and mature approach to the subject.  As gripped as I was by the vocal and lyrics, the composition gets equal billing and does not demure into the shadows.  Not as heavy and pulsating as some of the past songs- Façade for one- the track lets a lighter and more open composition exploit the urgency and quality of the vocal.  It appears the song’s hero- although that seems like a grandiose word for someone not at all heroic- was looking for s life simpler and less complicated.  It seems like euphemism for commitment and seriousness.  When things were getting serious and deep he has retracted and run.  Someone in in for the wrong reasons- and maybe interested in only the physical- the first signs of purity and meaning have caused him to become immature and cowardly.  Not allowing this to cloud her soul and cause her true heartache, our heroine has a very pragmatic and dignified assiduity to her retorts.  Not casting blame or sounding too vulnerable, the lyrics are perfectly measured and delivered to project that sense of moving on and strength.  As the song develops, my thoughts look elsewhere.  Whilst the lead wanted a simpler love and relationship, it seems he could not stomach a simple life and existence.  When it comes to a “simple wife” and normal job, it seems he wants something more.  Our heroine has provided advice- to protect the man from hurt- and it may have backfired somewhat.  The two were looking for different things and different lives.  Having parted ways and separated there is not that recrimination and slander coming through.  Whereas our heroine is in her hotel room imagining possibilities and seeing the world- able to travel and cut loose a lot more- she is freer and happier.  Not being tied down and obedient- it seems her former beau wanted someone diligent and stay-at-home- there is that emancipation and new lease on life.  Our lead is at her very best and looking forward to new challenges ahead.  A healthy approach to love and break-up; I Don’t Miss You is a new take on a common theme.  It is that composition-and-vocal combination that really comes into play throughout.  Little details are thrown in here and there- from fragmented electronics to processed vocals- to create atmosphere and emotion when needed.  Svelte do not clutter the song and have made it simple enough to breathe and inspire.  From beginning to end it is a track that delights the senses but compels you to think.  A personal tale and survey, it is a song that many people can relate to.  Many women (and men for that matter) would have had that relationship that was due to shatter.  Perhaps it was not real love- or a relationship that would have gone the distance- where there is actual positives to take from its cessation.  Mary’s voice and talent ensure the lyrics are cliché-free and contain some real stand-outs.  With Jacob, the duo has created a song with a wonderful rich and vibrant composition tied to a true-to-life and emotional lyric.

Both parties bring their talents and skills together to create a wonderfully nuanced and memorable cut.  The vocal is consistently impassioned and urgent- two words I use a lot for good reason- and the conviction and drama are all there.  Not heavy-handed or too dramatic there is plenty of life and light to be found too.  Soulful and Pop-based; with a Rock-sharp tongue to boot it is a voice that is constantly stunning and agile.  The lyrics contain some lovely little sentiments and images- the idea of (the hero) being a “soldier without a gun” and the sense of plot and development stand out- to create something that will be played again and again.  The composition is probably Svelte’s best as it draws in their past heaviness and weight with something crisper and more developed.  Pulling in so much colour and so many different emotions, it is a sound that perfectly augments the centre whilst standing out on its own when needed.  Bringing those elements together, the production values are assured and polished.  Allowing both clarity and raw emotion, we get a production that perfectly suits the song and ensures each element comes together seamlessly.  The finest moment Svelte have created, I Don’t Miss You is a song that gives 2015 a mighty send-off- who knows what December’s single will contain?  All I know is that Bristol’s finest duo are in rich form and are in no danger of slowing any time soon.

Knowing Mary Spender and what an accomplished musician she is, it is no surprise Svelte are such a stunning force.  Jacob and Mary have a solid bond that comes through in their glistening and multi-layered sounds.  I Don’t Miss You reconciles Mary’s previous sounds and ideas with something more adventurous and multi-coloured.  I have checked their previous singles and Svelte seem to be getting stronger and more confident with each release.  From their initial unveilings, the duo has stepped up a gear and sound at their peak here.  On December 1^st we will get a new song and a fresh chance to hear one of Bristol’s best new acts.  The chemistry and intuition of the two players radiates in their music which reminds me of the ‘90s’ very best moments.  Music’s king decade boasted consistent quality and a range of sounds that has not been matched since.  Electronic motifs and Pop wonder sparred with harder Rock gems and everything in-between.  What Svelte have produced is something (a song) that mixes all these elements together with a vibrant sound of 2015.  Too many musicians and artists are concerned with playing it safe and honing themselves from the off.  Our duo is one of the most stunning and original out there and will go on to big things.  With so many artists out there at the moment, it is hard to decipher which will be the ones to watch in 2016.  There are some great bands and solo acts emerging, yet it is the duos that are sticking in my mind.  Before I complete the review, I am going to return to my original points about duos, geography and sound variation.  I feel the band market has reached a bit of an impasse at the moment.  There’s a few good bands emerging yet I find there is little innovation and originality to be found.  Aside from the likes of Everything Everything and Royal Headache- two of my favourite acts from this year- there are still too many that are too limited and stale.  Once upon a time ago we had acts that displayed vibrancy and stunning songwriting; a power punch of emotion and passion.  Something is missing this year and I hope 2016 unveils some genuinely great and worthy acts.  There are some impressive solo acts out there, but for my money, there are not enough.  It is the duos that will provide the best possibilities in the coming year.  This year has been a damp and disappointing one for mainstream music so we cast our eyes to new music.  Whilst it is hard to get a grip on all the fantastic acts coming out, we can at least swim through the mist and uncover those worthy of fond affection and support.  Svelte have hit about a great concept- when it comes to releasing a new song a month- and are no gimmicky act at all.  Their music ranks among the most refreshing and immense coming through right now.  If those gorgeous and passionate vocals do not get into your mind then that detailed and soul-hitting composition will win you over.  The duo pen lyrics and music that will resonate with many listeners and tap into the concerns and experiences of the average listener.  It is only left for me to see what the future holds for Svelte and how they compare to their contemporaries.  With Bristol heating-up as a musical centre, I am not shocked to find another tremendous act come out of the city.  Since the early-‘90s Bristol has been showcasing some of music’s most agile and innovative musicians.  Not just workaday Pop/Folk acts, Bristol is more interested in harder and darker Electronica layers; songs that are detailed and challenging.  I hope Svelte play London very soon as it would be a great chance for the capital to witness one of this country’s brightest hopes.  A duo that has their eyes set on the future, the connection Mary and Jacob share is electrifying.  In a live setting I can imagine something rather wonderful unveiled.  I am not so down on the music of 2015 yet I think something has to occur: a kick up the backside to get tongues wagging and musical minds inspired.  What we have at the moment is a mainstream that is rather average and unpredictable.  New music is perhaps providing more consistency and quality but there are still issues and concerns emerging here.  So many acts replicate others and do not really push themselves and their sound.  Whether that indicates a lack of talent and intelligence, I am not sure.  No matter because the likes of Svelte are providing plenty of salivation and insight into what 2016’s sounds will be.  After a stressful and frustrating past week, I Don’t Miss You is a song that has provided some solace and uplift.  There has been a glut of sensational music this past few months so it is wonderful to discover an act that are bringing the magic back.  I shall be keeping my eyes primed to Svelte’s social media feeds in the coming weeks.  When December hits us, that first day will see a brand-new Svelte number.  Whether it harks to their sapling single or carries from where I Don’t Miss You left off?  It may be dystopian and dark or it may be a joyous overhaul of emotions.  Who knows, huh?  That is the great thing about the Bristol act.  Such a diverse and fertile duo, they keep surprising and delighting with each release.  If you have not heard them then make sure you check out their latest track and dive into their past- they will be names to watch for sure.  For all uninspired bands and solo acts looking for a way to improve/alter their music then look no further.  Svelte show how it should be done and will compel and inspire others to…

PUT the invention back into modern music.

[soundcloud url="https://api.soundcloud.com/tracks/231036913" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

________________________________________________

Follow Svelte:

Facebook:

https://www.facebook.com/sveltemusicuk/?fref=ts

Twitter:

https://twitter.com/sveltemusicuk

 ___________________________________________

Music:

https://soundcloud.com/sveltemusicuk/

Feature: The November Playlist (Part Three)

FEATURE:

 

 

The November Playlist (Part Three)

THIS is the final part.

Enjoy…

Bird

[youtube https://www.youtube.com/watch?v=t0XbjRhYh-c&w=560&h=315]

Follow Bird

Official:

http://www.birdofficial.com/

Facebook:

https://www.facebook.com/birdinmusic/?fref=ts

Echo Boom Generation

[youtube https://www.youtube.com/watch?v=URS1RiMQuwc&w=560&h=315]

Follow Echo Boom Generation:

Official:

http://echoboomgeneration.com/

Facebook:

https://www.facebook.com/echoboomgeneration/?fref=ts

IV Rox

[youtube https://www.youtube.com/watch?v=J6L3Dq8qKcg&w=560&h=315]

Follow IV Rox:

Official:

http://www.ivrox.com/

Facebook:

https://www.facebook.com/IVRoxofficial/?fref=ts

Mrs. Skannotto

[bandcamp width=350 height=470 album=3754640385 size=large bgcol=ffffff linkcol=0687f5 tracklist=false track=1818193656]

Follow Mrs. Skannotto:

Official:

http://www.mrsska.com/

Facebook:

https://www.facebook.com/skannotto/?fref=ts

Night Wolf

[soundcloud url="https://api.soundcloud.com/tracks/192970979" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow Night Wolf:

SoundCloud:

https://soundcloud.com/nightwolfuk

Facebook:

https://www.facebook.com/nightwolfuk/?fref=ts

Hannah Boleyn

[youtube https://www.youtube.com/watch?v=CRCZEz03dWo&w=560&h=315]

Follow Hannah Boleyn:

Official:

http://www.hannahboleyn.com/

Facebook:

https://www.facebook.com/hannahboleynmusic/?fref=ts

Hannah Dorman

[soundcloud url="https://api.soundcloud.com/tracks/220217260" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow Hannah Dorman:

Official:

http://www.hannahdorman.com/

Facebook:

https://www.facebook.com/HannahDormanUK/?fref=ts

The State of Georgia

[soundcloud url="https://api.soundcloud.com/tracks/227805067" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow The State of Georgia:

Official:

http://georginalashbrook.wix.com/thestateofgeorgia

Facebook:

https://www.facebook.com/thestateofgeorgia/?fref=ts

The Bandicoots

[soundcloud url="https://api.soundcloud.com/tracks/180631468" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow The Bandicoots:

Official:

http://www.thebandicootsmusic.com/

Facebook:

https://www.facebook.com/TheBandicootsMusic/?fref=ts

Universal Thee

[youtube https://www.youtube.com/watch?v=ajnELdOYWqE&w=560&h=315]

Facebook:

https://www.facebook.com/universalthee/?fref=ts

ReverbNation:

http://www.reverbnation.com/universalthee

Svelte

[soundcloud url="https://api.soundcloud.com/tracks/231036913" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow Svelte:

SoundCloud:

https://soundcloud.com/sveltemusicuk/

Facebook:

https://www.facebook.com/sveltemusicuk/?fref=ts

Jade the Moon

[soundcloud url="https://api.soundcloud.com/tracks/232395348" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow Jade the Moon:

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https://www.facebook.com/jadethemoon/?fref=ts

SoundCloud:

https://soundcloud.com/jade-the-moon

Goldbirds

[soundcloud url="https://api.soundcloud.com/tracks/221852558" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow Goldbirds:

Official:

http://goldbirdsband.com/

Facebook:

https://www.facebook.com/goldbirdsband/?fref=ts

Fifi Rong

[soundcloud url="https://api.soundcloud.com/tracks/233324153" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow Fifi Rong:

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https://www.facebook.com/fifirongmusic/?fref=ts

SoundCloud:

https://soundcloud.com/fifirong

The Emsee

[youtube https://www.youtube.com/watch?v=cpULfKisk7Y&w=560&h=315]

Follow The Emsee:

YouTube:

https://www.youtube.com/user/emseeVideos

Facebook:

https://www.facebook.com/TheEmseeMusic/?fref=ts

Kobadelta

[soundcloud url="https://api.soundcloud.com/tracks/196793347" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow Kobadelta:

SoundCloud:

https://soundcloud.com/kobadelta

Facebook:

https://www.facebook.com/Kobadelta/?fref=ts

Play Erase Record

[youtube https://www.youtube.com/watch?v=Tsp96YRmocY&w=560&h=315]

Follow Play Erase Record:

Official:

http://playrecorderase.com/

Facebook:

https://www.facebook.com/PlayRecordErase/?fref=ts

Black Lady Soul

[bandcamp width=350 height=470 album=2502362403 size=large bgcol=ffffff linkcol=0687f5 tracklist=false track=3455032278]

Follow Black Lady Soul:

BandCamp:

http://blackladysoul.bandcamp.com/

Facebook:

https://www.facebook.com/BlackLadySoul/?fref=ts

The 48ks

[youtube https://www.youtube.com/watch?v=fGEvXi3E_Y0?list=UUReypWgvul5zBTrMCI1GRQA&w=560&h=315]

Follow The 48ks:

Official:

http://www.the48ks.co.uk/

Facebook:

https://www.facebook.com/The48ks/?fref=ts

Eliza Rickman

[bandcamp width=350 height=470 album=1610964857 size=large bgcol=ffffff linkcol=0687f5 tracklist=false track=3105990309]

Follow Eliza Rickman:

Official:

http://www.elizarickman.com/

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Chenai Zinyuku

[soundcloud url="https://api.soundcloud.com/tracks/176390087" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow Chenai Zinyuku:

Official:

http://chenaimusic.com/

Facebook:

https://www.facebook.com/chenaimusic/?fref=ts

Ruby Macintosh

[youtube https://www.youtube.com/watch?v=zMasN_huzRo&w=560&h=315]

Follow Ruby Macintosh:

Official:

http://www.rubymacintosh.com/

Facebook:

https://www.facebook.com/Ruby-Macintosh-262222443806442/?fref=ts

The Glass Child

[soundcloud url="https://api.soundcloud.com/tracks/165011269" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow The Glass Child:

Official:

http://www.theglasschildofficial.com/

Facebook:

https://www.facebook.com/theGlassChildFans/?fref=ts

The Tuts

[bandcamp width=350 height=442 track=534154444 size=large bgcol=ffffff linkcol=0687f5 tracklist=false]

BandCamp:

http://thetuts.bandcamp.com/

Facebook:

https://www.facebook.com/thetuts/?fref=ts

Alison Levi

[youtube https://www.youtube.com/watch?v=sN6LXNbWuF0&w=560&h=315]

Follow Alison Levi:

Facebook:

https://www.facebook.com/alisonlevimusic/?fref=ts

Official:

http://alisonlevi.com/

Steve Heron

[soundcloud url="https://api.soundcloud.com/tracks/218497896" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow Steve Heron:

Facebook:

https://www.facebook.com/steveheronmusic/?fref=ts

SoundCloud:

https://soundcloud.com/steveheron

This Week's Albums: November 23rd, 2015

This Week’s Albums

 

November 23^rd, 2015

IT is a case of “Something old, something new/something ‘borrowed’, something…

 

that doesn’t rhyme”.  I do a D.J. gig every week at The Stoke Pub and Pizzeria (https://www.facebook.com/TheStokeGuildford?fref=ts); I have the opportunity to play four different albums: one that is ‘old’ (to my mind, anything pre-1985), something ‘new’ (released brand-new that week); something influential (and has inspired a genre/other acts) - in addition to dealer’s choice (any album I choose).  Having done this for over a year-and played everything from Graceland to Pearl Jam; FKA twigs to Beastie Boys- it is enormous fun.  I get to talk to people about music; play some awesome stuff- turn people on to some great/forgotten sounds- well, I try to!  I shall publish this every week; try and highlight some fantastic albums- maybe some you have forgotten about.

The Old:  The Jimi Hendrix Experience (1968)

 

10/10

It goes without saying that this album ranks among the ‘60s’ very best.  The third album from the U.S.-U.K. force, it ranks as Hendrix’s most scintillating works.  Reconciling the electric Funk of Hendrix’s Band of Gypsys, the album benefits from a cavalcade of studio innovations- back-masking, chorus effect, flanging etc. - to create an album that defined the decade.  Aside from the obvious classics on the album- All Along the Watchtower, Voodoo Child (Slight Return) stand out- there are a host of gems.  Opener …And the Gods Made Love sees Hendrix mix spirituality and love with something raw and conflict.  It is not just the psychedelic and jaw-dropping guitar wizardry of Hendrix that sticks in the mind.  With Noel Reading and Mitch Mitchell providing stunning backing, you get an album that takes you somewhere truly magical.  A completely immerse experience from beginning to end it inspired a wave of Hard-Rock albums and bands.  Whilst others have tried to replicate Electric Ladyland’s sonic innovation and sheer quality; none have come close.  Not surprising the album ranks as one of music’s all-time best.  Audaciously accomplished and far-reaching it’s a record that does not dim with age or repeated plays- a masterpiece that keeps revealing new shades, colours and emotions.

DOWNLOAD: Crosstown Traffic; All Along the Watchtower; Voodoo Child (Slight Return)

STAND-OUT TRACK: All Along the Watchtower

[youtube https://www.youtube.com/watch?v=TLV4_xaYynY&w=560&h=315]

The New: Adele- 25 (Out Now)

8.5/10

It is one of the most hotly-anticipated albums of the year and with good reason.  After the mass-selling and huge acclaim of her previous album (21) Adele concentrated on family life.  Suffering from writer’s block leading up the album’s creations it was unsure whether 25 would ever surface.  Fortunately the young singer had a breakthrough in 2013 and the creative juices flowed.  Adele refers to the album as a ‘make-up’ creation; this shows on a lot of the numbers.  There is redemptiveness and love among the recriminations and doubts.  Although the album suffers some lags- Send My Love (To Your New Lover) and Love in the Dark could have sat on the studio floor- the album brims with confidence and intent.  Hello is an obvious lead-off track that has gained record YouTube views and sales figures.  Adele stretches words and vowels to create something mind-spinning and intoxicating.  The music and lyrics is a perfect match and at every stage she gives the material complete heart, soul and dedication.  That inimitable and dramatic voice makes tracks Remedy and Water Under the Bridge sound essential and gripping.  It will be fascinating to see where Adele goes from here but based on her current album the signs are promising.  One of this country’s most astonishing talents, it is a relief to hear Adele back- let’s hope there will be no more writer’s blocks!  If you want to discover a true singer show how music should be made, then ensure you get your copy of 25- an album that is flying off the shelves!

DOWNLOAD: Hello; Remedy; Water Under the Bridge

STAND-OUT TRACK: Hello

[youtube https://www.youtube.com/watch?v=YQHsXMglC9A&w=560&h=315]

The Influencer:  Aaliyah- Aaliyah (2001)

9/10

Few people I speak to are familiar with Aaliyah, which is quite galling.  Without her (and her self-titled album) the likes of Beyoncé would sound completely different.  A young artist taken too soon- she died in a plane crash after filming the music video for Rock the Boat- Aaliyah is an album that changed the game.  Drawing Funk, Hip-Hop and Electronica into the mix, the album showcases synthesized vocals and fragmented beats; manipulated vocals and choppy guitars came together to truly highlight Aaliyah’s unbridled talent.  More Than a Woman is the album’s true highlight: that catchy hook sees Aaliyah’s vocal ride in the mix.  Showing her sensual side to maximum effect, it boasts a truly spectacular vocal.  Throughout the album Aaliyah shows her mix of maturity and sexuality to great effect.  The likes of Justin Timberlake and Nelly Furtado looked at Aaliyah and its innovative production- without this album their careers may have gone very differently.  One of the best Soul albums of the decade (the ‘00s) its highlights- Rock the Boat, Try Again and I Care 4 U- see the combination of exceptional production- Timbaland and Bud’da were among the producers- blend seamlessly.  With so many singers indebted to Aaliyah it is only right you discover an album that redefined and changed the Pop/Soul landscape upon its release.  With its influence still being felt, there is no escaping its wonder and brilliance.

DOWNLOAD: Rock the Boat; More Than a Woman; Try Again

STAND-OUT TRACK: More Than a Woman

[youtube https://www.youtube.com/watch?v=pAbxS-6XsMY&w=560&h=315]

The ‘Other One’: Metallica- Metallica (1991)

 

9.5/10

I have featured Metallica in my D.J. sets before- their Master of Puppets was on the block- and it is great to come back to the legendary U.S. band.  Obvious stand-out Enter Sandman must rank among music’s most forceful and memorable tracks- those riffs and vocals are hard to forget- but the album is so much more than that one track.  Tracks Nothing Else Matters and The Unforgiven rank among Metallica’s very best- whilst displaying sensitivity in spots- and signaled a move away from the thrash and grab of previous albums; here they were embracing something less harsh and more refined.  Boasting intensity and true Metal production values- no gloss and polished studio crap- it was not an avoidance of past glories; simply a progressive step forward- the band almost invented a new genre (Progressive Thrash, if you will).  The album saw the band’s fanbase explode massively.  Whilst previous albums seemed bloated and directionless, the band streamlined and focused their attentions.  Making their music more commercial- whilst not compromising integrity and ethics- it sees them at their very peak.  They never recaptured the same dizzying highs in the careers, so for that reason alone, Metallica stands as a truly singular moment in Rock history.

DOWNLOAD: Enter Sandman; Holier Than Thou; Nothing Else Matters

STAND-OUT TRACK: Enter Sandman

[youtube https://www.youtube.com/watch?v=CD-E-LDc384&w=420&h=315]

Feature: The November Playlist (Part Two)

FEATURE:

The November Playlist (Part Two)

 __________________________________

THIS coming week I am going to be releasing a three-part feature…

That looks at some of the biggest names to watch.  I am going to be (in following parts) look at some great bands and solo acts; in total there will be around 75 different acts featured.  In a week that has seen some horror and violent atrocity around the world- in Beirut, Baghdad and Paris- and some unity and music distraction is much-needed.

Little Sparrow

 

[soundcloud url="https://api.soundcloud.com/tracks/211770739" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow Little Sparrow:

Official:

http://www.littlesparrow.org/

Facebook:

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Echo Arcadia

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Melinda Ortner

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Sarah Collins

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Los and the Deadlines

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Sir Gant and the Invisible Force

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Sophia Ben-Yousef

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Lydia Baylis

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Jonnythefirth

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Spy from Moscow

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Gemma-Louise Doyle

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Terrorista

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Gypsyfingers:

 

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Gelato

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False Advertising

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Emily Kay

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RKZ

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Issimo

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Allusondrugs

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The Moth Lantern

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Little Dove

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Archi Deep and the Monkeyshakers

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Josh Haynes

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Ivy and Gold

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Waiting for Wednesday

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Ellie Rose

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Track Review: The Mouse Outfit (Feat. Truthos Mufasa & Black Josh)- Sit Back

TRACK REVIEW:

 

The Mouse Outfit

  

Sit Back (Feat. Truthos Mufasa & Black Josh)

9.7/10.0

Sit Back is available at:

https://www.youtube.com/watch?v=kXLPWi1B5DI

RELEASED: 19^th May, 2013

GENRES: Hip-Hop; Funk; Reggae

ORIGIN:

Manchester, U.K.

____________________________________

HAVING had a good run of musicians coming to my attention it is…

great to see another come to the block.  Today I am reminded of a few different issues: among them is the variation and cross-pollination of sound; the bands and acts of the north in addition to Hip-Hop/Funk stylings.  To start with, I am amazed by some of the music coming through this year.  A lot of artists have taken the time to think about what goes into the music and its creation.  That said, there are too many acts and bands that are not being bold and varied.  I raise this issue, because a lot of bands and solo acts are simply producing simple and unimaginative tunes.  It is okay so long as those ‘simple’ songs are memorable and original.  The trouble is, not only are a lot of the songs unspectacular; what you find is they get stuck in a rut and never really push their imaginations.  When you limit and confine yourself you risk running out of inspiration and steam.  If you produce something narrow and limited then the fans will get bored and the music is a lot more forced.  Those with elasticity and freedom (to their sounds) are those with the greatest chance of success- and feel a lot more natural and relaxed.  I mentioned this as my featured act is among the best genre-splicing and creative I have heard.  I shall get to them but wanted to raise a sort-of ‘mini point’.  When it comes to experimenting with sounds and genres it can be a risky game.  What with the range of genres and sounds out there, you have to make sure what you are doing sounds true and meaningful.  If you just toss sounds and ideas together it comes off as unprofessional and insincere.  If it all hooks together- and you hit the nail on the head- the resultant music can amaze and inspire others.  Before I raise a couple of new points, let’s have a look at today’s act:

Members:

Chini - Production/Keys/Recording Defty - Bass/Videos Pitch - Production/MPC/Percussion Dr Syntax - Vocals Sparkz - Vocals Truthos Mufasa - vocals Joe Luckin/Adisa Allen - Drums Phil Ratcliffe - Guitar Sam Lewis - Sax Jack Tinker - Trumpet We also have occasional guest vocals from various MCs including Verb T, Black Josh, Dubbul O, Jman

The Mouse Outfit was founded in 2008 by Paul Hooley (Chini) + James Defty after they met at an audition in Manchester. They formed a band and began producing music with a number of local musicians + vocalists. Defty started a jam night, in order to meet local talent, called ‘In the Loop’ (where rappers would freestyle to live breaks from The Mouse Outfit band) Here, they began crafting a live show with hip hop and funk breaks combined with original grooves. The band started gigging locally and around the UK with various changes in line-up. Chini was a teacher at a music college in Manchester and noticed a talented student drummer Adisa Allen (Deese) who joined the band in 2010. After uploading a track to BBC Introducing they were asked to perform a session at BBC Maida Vale studios for the Mark Lamarr show on BBC Radio 6. Another of Chini’s students, Ian Garland (Pitch) joined in 2011 as a beatmaker. Pitch had been working with Dr Syntax and he soon started working with the band as well. ‘In The Loop’ regular Sparkz was asked to feature on a track and after recording several singles he also became a regular member of the live show. In 2012, Defty + Chini also began producing music videos after working with a local filmmaker Tom Doran. Defty took a greater interest in video and began filming + editing a stream of music videos. Chini continued producing music with local rappers + musicians and recording them in his studio over his own beats and beats from Pitch + the result was ‘Escape Music’ their debut album released in May 2013. The Mouse Outfit has remained independent and Defty and Chini continue to manage all aspects of the band including tours, merchandise, social media and promotion.

I was introduced to The Mouse Outfit by a music contact and peep- with a great standing and reputation- and baffled how they escaped my attentions for so long.  One of social media’s most ironic and jaded aspects is how great acts escape the radar.  Although The Mouse Outfit have a lot of fans and followers; it seems few people are sharing posts and spreading the word to others- thus ensuring newbies like me stumble on them by accident, sort of.  What the Manchester band offer is a myriad mixture of sounds.  From sweet-leaf bliss and peace to fuc***-up guerilla attack- across to mind-melting raps and riffs- you have a band that are getting rightful acclaim.  It brings me onto the subject of Manchester and the north.  I have mentioned how productive and fervent London is; it seems Manchester is not exactly slouching.  The northern city has always produced some of music’s very best- from The Stone Roses to The Smiths- but over recent years it is London that has been stealing some focus.  Whilst the capital is under the critical radar; Manchester gets a bit of a dim light when it comes to attention.  That is a shame, as The Mouse Outfit have a sound and talent that should not be overlooked.  Manchester is putting forth some of the U.K.’s best new bands and acts.  Due to the community music scene and the comradery the artists have; we are seeing a lot of relaxed and stunning music come through.  Less anxious and limited than most; the music of the north is among the most startling coming out.  Too many new bands and acts are getting hooked up with traditional genres and music configurations- guitar-bass-drums etc.- and not embracing something more interesting and unexpected.  The Mouse Outfit blend Hip-Hop hardness into Reggae mellowness; unite Rap’s street-wise and urgent messages with something electrifying and universal.  It is hard to really nail-down the sound (The Mouse Outfit) produce.  Safe to say you will find few other acts like them on the scene.  Having garnered a huge following across social media; the band are preparing new moves and a busy 2016.  One of the most inventive and exciting prospects in U.K. music; so many new faces and fans are flocking their way.

When it comes to looking at The Mouse Outfit in depth, it is pertinent to look at their back a catalogue- see what evolution has occurred and how they have developed.  Their E.P. Check Your Pulse was released in 2012 and was a blistering start to their music career.  Featuring Dr. Syntax; Get Ready starts with some heavy and military drums.  Mutating into horn blasts and screeched vocal- an ecstatic female voice- and you get an urgent and arresting start.  Something “busy brewing up” are some of the first words and you sense something quite dangerous and epic.  The fast-flowing rhythms are punctuated with horn blasts and rolling drums.  With M.C. Presto featuring on Who to Trust and you get another side to the E.P.  More laid-back and Hip-Hop based than other tracks; here is a song that features slick production values and a terrific central vocal.  Backed by tease and a sexy back-beat and you get a song that has a distinct kick and charm to it.

Shak Out was released shortly after (their debut E.P.) and featured Sparkz on vocals.  A low-down and elastic bass sound heralds a hard-hitting and determined Rap.  A street-savvy and attacking assault our hero has more energy than the Duracell bunny.  The raps are fast and high-energy.  Never stopping for breath or relenting, the song is a frantic and gun-fire attack that changes contour and sound as the song develops.  From the energetic beginnings, the song goes into Reggae territory with a more relaxed and seductive vibe.  Picking back up and continue its plight, the song has a great mobility and sense of the unexpected.

In 2013, the band united Sparkz and Dubbul O in one of the best songs to date.  A rolling and romantic piano line leads to a fresh and slick vocal that pays testament to vibing beats and exhilarating sounds.  Slicker Than Average is a song that sees “poisonous fumes” invade our heroes’ space and mindset.  Looking at some of the harsher aspects of life (and music) it is another song that alters dimensions and dynamic as it progresses.  Variating between free-flowing and hypnotic Rap; the track goes settles down into a more sedate and chilled groove.

This year The Mouse Outfit conspired with Bam (The Jungle Brothers) and produced What’d I Do?  A funky and feet-moving beat puts me in mind of classic Soul- James Brown and his peers- and unites with a commanding central vocal.  Profanity and home truths are laid down as the central vocal sees the hero swagger with braggadocio.  Doing “something right” that passion and energy bursts through the speakers.  Complete with attitude and intention, we see a rap that shouts its own name.  Boasting his credentials and musical flair; that confident lyric is juxtaposed with a smooth and memorable chorus declaration.  With Bam providing some restraint and contrast, it is a short track that stays in the mind.

Over the course of the years, The Mouse Outfit have changed their sounds to fit their ambitions and mood.  Ensuring the core sound remains true- keeping that cross-pollinating vibe strong- they address changing themes and new concerns.  By collaborating with so many artists you get new insights and voices coming to the parapet.  This allows the act to create restless and diverse music that is resonating with the listening public.  The musicianship and compositions are always daring and stunning to witness.  Whether fusing with Hip-Hop maestros and young rappers, The Mouse Outfit ensures their lead is giving a stunning backing.  The songwriting has grown in confidence and stature since their earlies days.  I find with each passing year the band widens their horizons and become more daring and brave.  It is the songwriting confidence and collaborative spirit that ensures that quality control is on the highest order.  I know The Mouse Outfit have released a double-vinyl release (that drew together a lot of their singles) but it would be great to hear a new L.P. next year.  They have plenty of ammunition and arsenal in their locker; seeing that spread across and album would give new listeners an insight into their mindset and future ambitions.

If you look at their SoundCloud account (https://soundcloud.com/themouseoutfit) it is stunning to see how many songs The Mouse Outfit have produced.  One of the most prolific and dependable acts in the U.K., there seems to be no end to their ideas and intentions.  Sit Back featured on Escape Music- the compilation they released in 2013- and is one of the finest tracks they have produced.  A perfect introduction for new listeners, the earliest notes really stand you to attention.  With Truthos Mufasa and Black Josh providing their support, you get some sedate and soul-soothing piano notes in the first instance.  Welcoming you in and teasing the senses; that captivating parable sound sees the beat notch up and the vocal come in.  Early words advise (whether the listener or a particular figure) “smoke dope” and go “watch cartoons”.  That idea of sitting back and chilling is prescient; that need to “slide into your heaven”.  You can picture the scenes and images as those words are elicited.  We will all have an idea of the type of person being ascribed.  Whether we are looking at Truth Mufasa or someone outside the circle, the commitment and urgency in the vocal cannot be overlooked.  You begin to smile as that arresting and captivating voice rides the beat wave and marries with that piano underpinning.  Uniting some Reggae-tinged vocal/vibe with a building beat and it is an opening salvo that will draw in every ear and mind.  Just as you think the song will continue along these lines, the Hip-Hop readiness and testament of Black Josh hoves into view.  Seamless linking together, the song changes its course and accelerates its heart.  We have “one for the mind/two for the money” (whether documenting dope or some other contraband) and there begins a riffling and rolling rap that catches you by surprise.  Making sure you can get your head around the words and idea- well, you may struggle.  Such is the fever and intention laid forth, you have to go with the flow and let the rap take you over.  Our hero has a spiked imagination and is an “extra-terrestrial” creating something daring and huge.  A resident of “M14”; there are dizzying scenes and declarations put to tape.  Filled with doubts and anger, there are so many ideas thrown into the melting point.  From profanity to religion; along to ambitions and the realities of the street, you are drunken by the hypnotic rhythms being put out.  Exhilarating and tornado-speed, it is a parable you go back to and unpick.  Our hero is filled with doubts and anger for sure.  He is separating himself from the crowd and trying to make his way, yet there are fears and stresses plaguing his thoughts.  As the walls start to close and that sense of suffocation reigns, it is the chorus that comes to the rescue.  That drop-smoking and relax-your-mind melting seems like sage advice given the circumstances.  Perhaps not the most medically-advisable solution to the issues at hand; it at least offers restraint and comfort for Black Josh.  The anxiety and passion with which he spits makes the song a sizzling and ballistic assault to the brain.  If the song continued along these lines- and simply extended the rap onwards- it would be tiring and rather overwhelming.  Breaking up the missives with something reflective and chilled and you get a song of contrasts and seamlessness.  It is never unnatural or strange- hearing those disparate sounds and elements come together- and you get a delicious fusion of Reggae and Hip-Hop.  Stating “you won’t know life ‘til you try to escape”, the blissed-out chorus gets a gradual kick-up through the gears.  Not returning to that rapid-fire scat of before; it is an ascent that sees a definite fear.  Looking at pissed and drunken visions- even tales of mermaid-kissing are in there- you feel like you are caught between a dope-fueled hallucination and a gritty insight into modern-day Britain.  There are a lot of street-level concerns and concrete ideologies; ravaged and wracked souls having to retreat from life.  Maybe assessing the population as a whole- people that are wasting their lives or self-destructing- or concentrating on a particular person; you get a real sense of reality and realisation.  It feels as though our man has seen too much and been through a lot.  As the song progresses, you get a drive-by view of fat-fried chicken and late-night drunkenness.  Each new verse offers fresh angst and anger.  Each presentation is salvaged by that reflective and caution-laden chorus.  As it is told- “it goes on and on…”- these realities continue unabated.  Ambulance sirens and pub debacles mix with stunned realisations and personal confessions.

Sit Back is a song that needs repeated listens to take everything in.  Such is the breadth and quality of the tune, you instinctively come back to reexamine and investigate.  That stand-out chorus becomes more relevant and impressive with each new view.  Those heady and head-spinning raps showcase some exceptional talents and lyrical genius.  Something that is not just reserved for lovers of Hip-Hop and Rap, you get a track that can be appreciated by all.  There is a definite funk that mingles with the edgy and straight-talking flows.  Each element works wonderfully together and nothing seems forced or out-of-place.  The production values are exceptional and do not give unsure focus to any aspect of the song.  The composition propels the vocal and gives it a wonderful backing.  Provoking such a sense of adventure and atmosphere; the beats are hot and the piano notes teasing and tender.  It is the songwriting and vocals that impressed me most.  Whether you absorb every word and sentiment- you would need to have listen a few times to pen them all down- it does not matter as it is that flow and energy that captivates the most.  The twin talents of Truthos Mufasa and Black Josh work wonderfully together.  It is almost like a father-son relationship with regards the chorus and verse.  Whilst the verses are heavy and angry; filled with anxieties and concerns, it is that chorus that brings it down to Earth.  Perhaps not the wisest fatherly advice you could hear- smoke some weed and chill- it at least advises relaxation and chance to breathe.  As a newly-bred convert to The Mouse Outfit, I have checked their songs out and that which best assesses their sound and appeal.  Sit Back is a song that is perfect for any season, reason and mood.  It compels the listener to pen their own tunes and write lyrics down (or maybe just me as a songwriter) but at the very least it gets inside the mind and compels something quite wonderful.  If you have not discovered a stand-out song from one of the U.K.’s most urgent and stunning acts, then make this the natural starting-point.

It is an exciting time for new music, in no small part due to acts like The Mouse Outfit.  I have been looking around for artists that are different and unique.  You get a lot of great act coming through, yet few differ from the pack.  I love Rock and Indie bands but find there are too many sound-alikes and a real lack of difference.  It has forced me to expand my horizons and looks at other genres.  Sit Back is a track that has been out for a while, yet shows the Manchester clan at their strongest and most arresting.  At the moment, the guys are performing across the country and conduction interviews/promotion etc.  Having just played Camden’s Jazz Café, they are on a real high.  The following year should see them producing new music and conquering new territory.  I am not sure how much of the world they have seen- when it comes to performing outside the U.K. - because they have a sound and passion that could translate well abroad.  I know finance is an issue that plagues every musician; The Mouse Project could well be future stars across the U.S. and farther afield.  It is vital we embrace and support the best new music out there.  When it comes to this Manchester outfit, the signs are all promising and exciting.  They have been performing for years and produced a string of dazzling and unforgettable moments- you feel their finest times are still ahead of them.  Before I finish up, I wanted to circle back to my original thesis: with regards Manchester, Hip-Hop/Reggae and new music at the moment.  Inventiveness and originality is something that is much-needed and lacking.  Aside from the originals and ambitious acts there are far too many that do not stick in the imagination.  Those that dip deeper and are braver get the biggest acclaim and remain in the mind.  The genres of Hip-Hop, Rap and Reggae are still genres that tend to be niche and under-appreciated.  Go into any music store and you have a proliferation of Rock and Pop- few aisle inches are dedicated to other styles of music.  Mainstream radio still strays away from going beyond safe and comforting borders.  With the likes of B.B.C. Radio 6 and others embracing the best of the underground, it is high-time other stations and outlets follow suit.  Music should be celebrated and promoted to the masses if it possesses quality and potential.  Too many stations are obsessed with what is mainstream and marketable: Music that rules the charts is not indicative of wider tastes and needs.  If you listen to The Mouse Outfit; they are an act that do not push people away and want to stay in a corner.  Embracing and pioneering, their music brings people into their dazzling and scintillating world.  The fast-flowing Raps fuse with jagged and pummeling beats.  The sun-drenched Reggae vibes unite with some Hip-Hop attitude to create music that defies expectations and easy labelling.  I know a lot of Ska and Reggae outfits that mix in elements of Hip-Hop and Rap yet none with the degree of success and wonderment of The Mouse Outfit.  Manchester is showcasing some wonderful musicians at the moment; it is an exciting time to be there and it will be wonderful to see what 2016 produces.  I cannot wait to see what the next year comes up with.  It is likely The Mouse Outfit will be creating a lot more buzz and excitement as we head into 2016.  I am not sure whether a new E.P. or album is imminent; I suspect they will be performing around the country and dropping a few tunes along the way.  It is only left for me to direct you their way and get involved in their multifarious and genre-splicing gems.  If you are a hardcore fan of the genres they play- Hip-Hop, Rap, Reggae etc.- then you will find authenticity and a lot of relatable sounds.  If you are not overly-familiar with the genres- or find the current crop rather off-putting and underwhelming- then you should not let The Mouse Outfit pass you by.  What the band provides is something wholly unique and brand-new.  They expertly cross-pollinate and tie-in genres to create something truly memorable.  For new music to inspire and motivate, we need to embrace artists that do things different and have their own voice.  Musicians with passion, energy and innovation are those that are going to survive and make it to the mainstream.  The Mouse Outfit are one of our finest acts and more people should latch their ears in their direction.  Too often one misses out on some truly wonderful music due to the worst traits of social media- sometimes great acts are not promoted and shared as often as they should.  Make sure you investigate The Mouse Outfit’s music and discover something fresh and alive.  Not just an underground act reserved for niche clubs and avenues they are a band that can…

TAKE the scene by storm.

[youtube https://www.youtube.com/watch?v=kXLPWi1B5DI&w=560&h=315]

_________________________________________________________

Follow The Mouse Outfit:

 

Official:

http://www.themouseoutfit.com/

Facebook:

https://www.facebook.com/themouseoutfit/?fref=ts

Twitter:

https://twitter.com/themouseoutfit

___________________________________________

Music:

https://soundcloud.com/themouseoutfit

_______________________________________________

Videos:

https://www.youtube.com/user/MouseOutfit

_____________________________________________

Gigs:

https://www.facebook.com/themouseoutfit/?sk=app_178091127385

Feature: The November Playlist (Part One)

FEATURE:

 

The November Playlist (Part One)

 __________________________

THIS coming week I am going to be releasing a three-part feature…

That looks at some of the biggest names to watch.  I am going to be (in following parts) look at some great bands and solo acts; in total there will be around 75 different acts featured.  Today I am kicking things off with some terrific musicians to watch out for in the coming year- and my favourite track of theirs.  In a week that has seen some horror and violent atrocity around the world- in Beirut, Baghdad and Paris- and some unity and music distraction is much-needed.

Ellene Masri

 

[soundcloud url="https://api.soundcloud.com/tracks/229966400" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow Ellene Masri:

Official:

http://www.ellenemasri.com/

Facebook:

https://www.facebook.com/masriellene/?fref=ts

Elena Ramona

 

[soundcloud url="https://api.soundcloud.com/tracks/206080437" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]  

Follow Elena Ramona:

Facebook:

https://www.facebook.com/Elena-Ramona-323928237668916/?fref=ts

Twitter:

https://twitter.com/elenaramona90

Yearbook

[soundcloud url="https://api.soundcloud.com/tracks/137768820" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow Yearbook:

Official:

http://yearbookoldbones.co.uk/

Facebook:

https://www.facebook.com/yearbookofficial/?fref=ts

NINA

[youtube https://www.youtube.com/watch?v=uJseFSFi3hg&w=560&h=315]

Follow NINA:

Official:

http://www.ninasounduk.com/

Facebook:

https://www.facebook.com/NinaSoundUK/?fref=ts

Jo Kelsey and Niels Bakx

[youtube https://www.youtube.com/watch?v=SxakzgJw2uY&w=560&h=315] 

Follow Jo Kelsey and Niels Bakx:

Facebook:

https://www.facebook.com/JoKelseyMusic/?fref=ts

Twitter:

https://twitter.com/jokelseylalala

Vinyl Staircase

 

[soundcloud url="https://api.soundcloud.com/tracks/227678622" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /] 

Follow Vinyl Staircase:

Official:

http://vinylstaircase.co.uk/

Facebook:

https://www.facebook.com/Vinyl.Staircase/ 

Chess Galea

[soundcloud url="https://api.soundcloud.com/tracks/195653597" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /] 

Follow Chess Galea:

Official:

http://www.chessgalea.com/

Facebook:

https://www.facebook.com/chessofficial/?fref=ts

Braver than Fiction

[soundcloud url="https://api.soundcloud.com/tracks/200950870" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow Braver than Fiction:

Official:

http://www.braverthanfiction.com/

Facebook:

https://www.facebook.com/braverthanfiction/?fref=ts 

Dana Mckeon

 

[bandcamp width=100% height=120 album=204923027 size=large bgcol=ffffff linkcol=0687f5 tracklist=false artwork=small track=3732555366]

Follow Dana Mckeon:

Official:

http://www.danamckeon.com/

Facebook:

https://www.facebook.com/DanaMcKeonMusic/?fref=ts

Jingo

[soundcloud url="https://api.soundcloud.com/tracks/225501024" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow Jingo: 

Facebook:

https://www.facebook.com/jingomusic/?fref=ts

Twitter:

https://twitter.com/JingoMusic

Ina Reni

 

[soundcloud url="https://api.soundcloud.com/tracks/206355654" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

 Follow Ina Reni:

Official:

http://inareninow.com/

Facebook:

https://www.facebook.com/ina.reni/?fref=ts

Lucas

[soundcloud url="https://api.soundcloud.com/tracks/156705961" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

 Follow Lucas:

Facebook:

https://www.facebook.com/LucasMusicSceneUK/?fref=ts

Twitter:

https://twitter.com/lucasmusicuk

Billie Marten

[youtube https://www.youtube.com/watch?v=KvH4EnCvdfE&w=560&h=315]

 Follow Billie Martin:

Official:

http://www.billiemarten.com/

Facebook:

https://www.facebook.com/billiemarten/?fref=ts

Jasper in the Company of Others

[youtube https://www.youtube.com/watch?v=-zCSEVFw_1I&w=560&h=315]

  Follow Jasper in the Company of Others:

Facebook:

https://www.facebook.com/jasperinthecompanyofothers/?fref=ts

Twitter:

https://twitter.com/JasperITCOO

Marisa Rodriguez

[soundcloud url="https://api.soundcloud.com/tracks/198477194" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow Marisa Rodriguez:

Facebook:

https://www.facebook.com/marisarodriguezmusic/?fref=ts

Twitter:

https://twitter.com/marisasingsalot

Gold Phoenix

[soundcloud url="https://api.soundcloud.com/tracks/183110381" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

 Follow Gold Phoenix:

Official:

http://www.goldphoenixband.com/

Facebook:

https://www.facebook.com/goldphoenixband/?fref=ts

Lauren Housley

[soundcloud url="https://api.soundcloud.com/tracks/213790879" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

 Follow Lauren Housley:

Official:

http://laurenhousley.co.uk/

Facebook:

https://www.facebook.com/laurenhousleymusic/?fref=ts

Meat Loving Vegans

[soundcloud url="https://api.soundcloud.com/tracks/224539617" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

  Follow Meat Loving Vegans:

Official:

http://www.meatlovingvegans.com/

Facebook:

https://www.facebook.com/MeatLovingVegans/?fref=ts 

Elizabeth Ajao

[soundcloud url="https://api.soundcloud.com/tracks/55315731" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

 Follow Elizabeth Ajao

Official:

http://www.elizabethajao.com/

Facebook:

https://www.facebook.com/elizabethajaomusic/?fref=ts 

The Updraft Imperative

[soundcloud url="https://api.soundcloud.com/tracks/162956080" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

  Follow The Updraft Imperative:

Official:

http://www.theupdraftimperative.com/

Facebook:

https://www.facebook.com/theupdraftimperative/?fref=ts&ref=br_tf 

ADI

[soundcloud url="https://api.soundcloud.com/tracks/225026336" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

 Follow ADI:

Official:

http://adiulmansky.com/

Facebook:

https://www.facebook.com/AdiUlmanskyOfficial/?fref=ts 

Fola

 

[soundcloud url="https://api.soundcloud.com/tracks/225870743" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

 Follow Fola:

Official:

http://www.officialfola.com/

Facebook:

https://www.facebook.com/officialfola/?fref=ts 

Manda

[youtube https://www.youtube.com/watch?v=fns0veohx58&w=560&h=315]

 Follow Manda:

Official:

http://mandaofficial.com/

Facebook:

https://www.facebook.com/mandaofficial/?fref=ts

Rouge United

[youtube https://www.youtube.com/watch?v=CyrEFgKDnVc&w=560&h=315]

Follow Rouge United:

Official:

http://www.rougeunited.com/

Facebook:

http://www.rougeunited.com/

Jen Armstrong

[soundcloud url="https://api.soundcloud.com/tracks/227497300" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow Jen Armstrong:

Official:

http://jenarmstrong.tv/official/Home.html

Facebook:

https://www.facebook.com/jenarmstrongm sic/?fref=ts

The Mouse Outfit

[youtube https://www.youtube.com/watch?v=xiir1qs7qqE&w=560&h=315]

Follow The Mouse Outfit:

Official:

http://www.themouseoutfit.com/

Facebook:

https://www.facebook.com/themouseoutfit/?fref=ts