INTERVIEW: Panski

INTERVIEW:

 Panski

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IT is back to America and an Atlanta (Georgia) resident whose latest…

E.P. is released in two days. A Road Less Traveled sees Panski reinvent established songs and provide them unique revision. I learn why Panski decided to release an E.P. of covers and whether there is a standout in the pack. He discusses platforms like SoundCloud and limitation for artists; what the music scene is like where he is – and working with stunning vocalists like Ellena Soule.

The American songwriter/producer talks to me about his love of music and the artists that helped shape who he is; the new talent he recommends to us – and whether we can see him in the U.K. soon.

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Hi, Panski. How are you? How has your week been?

I’m doing pretty well.

Just finished breakfast, so I started filling this out. My week’s been alright so far - I worked from home yesterday because of Irma.

For those new to your work, can you introduce yourself, please?

My name is Michael Kopanski. I’m a twenty-six-year-old artist/D.J./producer from Atlanta, GA. Over the last two years or so, my sound has evolved into a fusion of Country and Folk (with Electronic).

A Road Less Traveled, your E.P. out on 15th September, features reinvented cover versions. What was the reason for doing an E.P. or covers and which song is your favourite from the pack?

The main reason for doing covers is because SoundCloud has been flagging unofficial remixes - since the majors own a major stake in it. A way to avoid getting a strike on your profile is to not use any samples from the original - so it doesn’t get automatically detected by their system. In addition to this, nostalgia is the most important factor in the entertainment industry right now.

There are a lot of producers sampling songs from the ’70s and ’80s - or they are taking popular songs are creating their own versions. Klingande, for example, just released his cover of Pumped Up Kicks.

Where did that E.P.-title come from and what significance does it hold?

The title comes from a Robert Frost poem, The Road Not Taken.

I have been fortunate enough to come up in a producer community with a lot of folks chasing what’s popular in order to become popular. I have nothing against it but this is just not the path I’m choosing to take. I don’t want to be a carbon copy of what someone else has built: I want to build my own thing.

I am a fan of Sheryl Crow’s Soak Up the Sun. Is she someone important to you and was it quite a hard song to tackle?

I’ve always been a fan of this song...

The vibes of it are so happy and summery and, since I come from a Tropical-House background, it just made sense. The song was a little bit hard to tackle because in the original: there are two bridges which I was having a hard time fitting into my version.

I ended up scrapping them completely - and it worked out a lot better with the flow.

Talk to me about your involvement with Ellena Soule. You conspire with her on a couple of numbers. What was it like working with her and will you be working together again?

I got to know Ellena through my old collective, Tropikult (back in 2014-’15). She had done some covers and originals with other artists in my network and, since she lives in Nashville, it’s not too far of a drive.

We’ll likely be working together again on something, for sure.

Were all the songs recorded in the same studio or was there quite a lot of moving around? How many other musicians did you bring in and what were the recording sessions like?

I recorded two of the songs at the same studio in Nashville. I recorded some guitars at my home studio. I worked with a lot of musicians online and they (just) sent me stuff to work with. I always love being in the studio - whether it’s mine or someone else’s.

Will there be more genre-crossing works like this? Are you working on something for future-release right now?

There aren’t any artists who are trying to bring the Country sound to EDM.

This is what I believe makes me stand out so I’m currently happy with the lane that I’m in. But, I do plan to dive deeper into the Pop side of things. No matter how the track sounds, you’ll be able to tell that it’s a Panski track.

Atlanta, Georgia is your base. What is the music scene like there and what type of sounds can one experience if we were to visit?

The ‘turn up’ culture is very much alive in Atlanta. We book a lot of Trap and Dubstep artists - and that can make it hard for a House D.J. like myself. Local acts like Halogen, Teriyaki Noise and I are trying to make it more of a House scene.

But, in general, D.J.-ing is phasing out - so I am hoping to get my live act going sometime next year.

Who were the artists that shaped you as a musician and connected with you at a young age?

This is a hard question to answer - because I’m literally a fan of all types of music...

I got my first DAW when I was in middle-school. I wanted to make rap because Atlanta was the city of Hip-Hop in the early-2000s. I gradually became a fan of Reggae in high-school and I always thought I’d do something similar to the Dirty Heads. For Electronic, specifically, I first realized I wanted to produce when I heard Avicii’s Levels.

When I started to hone my craft, I discovered Thomas Jack, Kygo and Matoma...I knew this was the lane for me. The chill and beachy vibes fit well with my love for Reggae; Matoma was doing Tropical remixes of old Rap songs - so it just made sense. When I got a Tweet from Kaskade - praising one of my remixes - I knew this was what I wanted to do.

Are there any tour dates approaching? We can we come see you play?

I have my E.P. release-party on September 15th here in Atlanta. I have a lot of singles and remixes planned for 2018 - so I am hoping to get on some slots next year.

Any plans for you to come and do a few U.K. dates?

I was out there last summer networking and making some connections. I would absolutely love to come back.

Who are new acts you recommend we check out?

I would suggest checking out my buddies BUNT. - because they have a great sound and are making music similar to what I’m making.

IN THIS PHOTO: Youngr

I also love Youngr. I’m sure you’re familiar with him - as he’s from the U.K.

If you had to select the three albums that mean the most to you; which would they be and why?

Slightly Stoopid’s Everything You Need

It is an album (with songs) that I will literally never get tired of hearing.

Blink-182’s I Miss You

This is the album that got me through my awkward teenager phase.

Kygo’s Cloud Nine

It serves as inspiration for me because of where he started.

What advice would you give to artists coming through right now?

These are in no particular order - but here are some things I have learned along my journey…

Hone your craft; open up your DAW and work on something every single day. Reach out to artists with similar followings and genres - and be supportive of them. Be as genuine as possible and don’t get bogged-down on how others’ careers may be advancing. You don’t have control of what happens to them: you only have control of what you do for yourself.

Don’t compare yourself to anyone: compare yourself to the person you were yesterday. Don’t expect anyone to help you out. Nobody owes you anything; so make things happen for yourself in a respectable fashion.

Finally, and for a being good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Here’s something obscure:

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Follow Panski

 Twitter:

https://twitter.com/PanskiMusic

Facebook:

https://www.facebook.com/panskimusic

Instagram:

https://www.instagram.com/panskimusic/

SoundCloud:

https://soundcloud.com/panskimusic

Spotify:

https://open.spotify.com/artist/6au2tFFIEY6IeOdw4Ulxgj

INTERVIEW: Christina Johnston

INTERVIEW:

 Christina Johnston

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THIS is a rare opportunity to focus on a Classical artist…

and a step into foreign territory. I have reviewed Classical artists before and always find something new – every time I come across an artist from this genre. Today, I get to talk to Christina Johnston and her album, Blessing. It is released on 22nd September (through Tadlow Classics) and is a stunning work. Johnston discusses the songs included and what one can expect from the record.

I ask about Johnston’s influences and how she got into Classical music – and whether it is hard maintaining a staggering, wide-ranging coloratura soprano voice. She has a range of tour dates throughout September and October (one can see here) and will bring her incredible music to new crowds.

Christina Johnston talks about her new video, The Nightingale, Alabiev, and why she tackled that song; what it has been like touring continents – and performing to various presidents and esteemed representatives – and what her touring schedule looks like this autumn/winter.

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Hi, Christina. How are you? How has your week been?

Hi, I am very well, thanks.

My week has been very busy but productive.

For those new to your work, can you introduce yourself, please?

I am a Classical singer with a very high range - I can sing over four octaves. I trained at the Guildhall School of Music & Drama in London and then went onto debut at the Prague State Opera. Since then, I have sung in many operas, musicals and on film-scores.

I want to bring Classical music to the general public and show how beautiful it can be.

You are a coloratura soprano. Can you explain a bit about that vocal-type and when was it you first realised you had such a beautiful and powerful voice?

The literal translation is ‘to colour the notes’. My voice type is quite rare: I am part of the few coloratura sopranos that are able to sing above high F (F6) with great ease. These coloraturas are sometimes referred to as sopranos acuto sfogato.

I found out I could sing this high when I moved to Prague and was studying at the Opera House there.

Does it take a lot of hard work and training to maintain your vocal prowess? How many hours a day will you sing, typically?

It does take a lot of hard work and training...

Being a singer is like being an athlete. I am a vocal-athlete and, if you don’t train, your muscles get weak. On the other side, if you train too much, you over-work your muscles and wear them out. It is all about balance and understanding your body. I make sure I have rest days but when I train I can sing up to six hours in a day.

However, I try to rest as much as I can not to over-strain the voice.

Who were the artists you grew up listening to and inspired you to go into Classical music?

When I was little, I listened to so many genres but, when listening to Classical music, I loved hearing Maria Callas. I wanted to be as great as she was. I then began listening to Natalie Dessay, Rita Streich; Joan Sutherland and Mado Robin.

I want to know about the album, Blessing. What kind of songs can we expect on the album? Are there originals or will it be interpretations of operatic numbers and classics?

The songs on this album are ones I have performed over the years and fallen in love with - or that have really touched my heart and made me feel something. I chose pieces that I felt would make people feel at-peace and fill them with joy. There are two new songs that are crossover songs - almost film-like.

My producer James Fitzpatrick and I chose these because I wanted there to be a range of styles on the album - to give people a collection and I also fell in love with them the moment I heard them.

What was it like recording the album and will there be any singles/songs released ahead of time?

I had so much fun recording the album. The orchestra was amazing to work with and most I know from the opera. There was a huge sense of comradery and togetherness. We were a team trying to create something beautiful.

There are currently no plans to release a single ahead of the album release but you never know - perhaps next year…

I saw a video of you performing The Nightingale, Alabiev. Where was that filmed and what is about that piece that inspired you to perform it in that setting?

This was a part of my concert in Framlingham Church, Suffolk in June this year.

The song is actually one of my favourites as I can show what my voice can do. It is a tough song but fantastic to perform. I really love performing in churches as they have such wonderful acoustics and I believe there is something magical about the setting of a beautiful church building.

Like Ed Sheeran and Laura Wright; you attended Framlingham College. What is it about the college that produces such great artists? Did you learn a lot from your time there?

The school is a fantastic place and gave us all such encouragement and support. They also help the students by giving them so many opportunities to perform not only in the school but outside - so you can get a lot of experience and develop as an artist.

The most important thing for me was how wonderful the teachers were: so supportive and encouraging and really helped build my confidence as a singer.

I know a lot of Classical artist’s cross genres and tackle Pop/mainstream songs. Is that something you will go into – or do you want to retain a sense of purity in your music?

To be really honest, I love singing any genre - as long as it touches people’s hearts.

I have actually already sung for a Trance artist in the past and I sing for film-scores too. I will, though, keep the genres separate and maintain a sense of purity in each genre I sing.       

You have toured Europe, Asia and South America – Presidents and State Official are some your biggest fans. How does that make you feel and what has it been like taking your music to different continents?

It is an honour and humbling feeling to be liked by the general public or Presidents.

My job is to make people happy and to entertain so, when people are pleased after I sing, I feel happy that I have done a good job. It is wonderful when you sing in another country and you get such positive reactions!

I am just so happy that people like what they hear!

Are there any live dates and performances coming up?

I have my tour starting the day after my album, Blessing, is released. I will be doing ten concerts from September 23rd to October 14th - singing in beautiful churches and cathedrals in cities from Norwich down to Chelmsford.

IN THIS PHOTO: NAO

Who are new acts you recommend we check out?

Definitely NAO! She is a fantastic singer and writes all her own music!

Classically-wise; I would recommend violinists Vladimir and Anton (I hope I can sing with them one day soon!).

If you had to select the three albums that mean the most to you; which would they be and why?

Michael Bublé – Crazy Love

Because it was the album my husband and I listened to during our first few months together. He was in Prague and I was in London - and we used to listen to it at the same time

Delirious – Deeper

This album means a lot to me because I listened to it a lot after my father died.

Maria Callas – Popular Music from TV, Film and Opera

This album, because it was the first album I got for my twelfth birthday - to do with Classical music - and I loved listening to it! It is the reason I love Classical music and wanted to be a singer like Maria.

What advice would you give to artists coming through right now?

Never give up on your dream...

It is such a tough business and sometimes you feel like you are running at a brick wall - but keep working hard, keep getting better at what you do; be patient and never give up.

The door will open at the right time.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Bright City - Maker of the Moon

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Follow Christina Johnston

 Official:

http://www.christinajohnston.co.uk/

Twitter:

https://twitter.com/christinajvoice

Facebook:

https://www.facebook.com/TheChristinaJohnston/

Instagram:

https://www.instagram.com/TheChristinaJohnston/

YouTube:

https://www.youtube.com/channel/UCvUibmdRdppbcqKAuEM_eUA

Spotify:

https://open.spotify.com/artist/1nQQKKHqQPryT8vjh85T3V

INTERVIEW: Angus Powell

INTERVIEW:

 Angus Powell

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I was interested finding out about the creator of…

the album, Before the Grey. Angus Powell explains how the songs came together at various times – documenting the times and experiences at different intervals in his life. I ask which song Powell thinks defines the album; the themes that run through the album – and whether there are any tour dates on the horizon.

Music from Angus Powell has been played on big U.S. shows like Bones. He explains how that kind of exposure feels and what it has been like growing up in Mid-Wales – and whether that sense of isolation and detachment helped his creative process or not.

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Hi, Angus. How are you? How has your week been?

Hello. I'm good. My week has been great, thank you.

I’m in Wales at the moment working on a couple of new tracks

For those new to your work, can you introduce yourself, please?

Sure. I'm Angus - writer, traveller and dog-lover.

Tell me about your debut album, Before the Grey. What inspired it and what kind of stories/situations go into the songs?

Before the Grey is a collection of songs that I’ve written at different stages of my life. Some are pretty old and have evolved over the years – but the roots stay the same. People ask me what ‘before the grey' means? The ‘grey’ is the unknown. I think everyone has a grey place: a place we’d all rather didn’t exist. For me, I can go dark sometimes - turn in on myself. When I’m there; nothing very productive happens.

These days, I know when I’m on that road - so I can usually turn it around before it's too late (‘before the grey’). 

Is there a particular song from that album that stands out in the mind or is particularly personal?

All the songs on the album are pretty personal: most on levels I’ll probably never explain - but Passenger is a song that I feel quite close too. I guess it's about my journey really: keeping a focus when everything around you feels like it's crumbling. 

You were born in England but grew up in Mid-Wales. What was it like living in a derelict mill-house? Did the mountains and the nature around you inspire you to write and pursue music?

Totally. I had a great childhood; we had so many adventures. It was safe back then. You could go anywhere and, as long as you were back for meal-times, nobody worried. I write a lot with these memories in mind: the freedom and the openness.

I like to think that song the productions reflect this: wide open spaces, lush textures and ever-changing colours. 

How important was your time at a Welsh bilingual school?

I think the Welsh language is beautiful.

At the time, that schooling was the only option - so it was taken for granted. There a certain melodic quality to Welsh words and phrasing…like a poem.

I wish I got the chance to use it more in life – it’s slipped away from me, a bit. 

I know, as a child, you would listen to your parents’ record collection and obsesses over certain artists/songs. Which albums did you bond with and were there particular songs that struck a chord?

They had such a mixed collection…

One album that I still have and still look at regularly is Jeff Wayne's War of the Worlds. I was listening to this long before I even knew what a horror film was - I was totally captivated. The record artwork pulled me in: in fact, it scared the hell out of me. Every now and then, I put it on sometimes in the car – I still know it word-for-word. It's funny. Going back to it now, with an understanding of composition and production…it’s a masterpiece; a world of sound with so much detail. 

Jeff Wayne sucks you into his world.

You have spent time in Wales and London. There have been hard times and adventures. How many of the songs on Before the Grey are inspired by your travels and relocation?

All of them, I guess, has elements from those things. I’m not someone who can wake up and say “I'm going to write a song today”. Ideas start and develop over time. I mentioned before; I travel a lot - and so do these ideas. I wrote most of Shiver and Lines whilst travelling through Indonesia. The ideas were there before I left the U.K. - but the songs changed throughout my time away. I love that.

Every time I play them, I go back to a beach in Lombok where I'm sat with my baby, Taylor, at sundown watching the fishermen – better than any photo!

Tell me how you came to meet Danny Benair and have your music used in T.V. and film?

It’s a long story…

I spent a long time researching music supervisors: who worked on what; watching T.V. shows and listening, specifically, to the music - then jumping to the credits. I sent out so many emails; staying up through the night to try and be in-line with L.A.-time. I kept on hitting the same wall: ‘We don’t accept unsolicited emails or submissions’. I ended up creating a manager and company name - and tried again. I got in touch with Danny, who was really supportive from the start. We spoke on the phone (where I came clean about the ‘pseudo-manager’) and things evolved from there. Experience has taught me that there are many sharks in every ocean: Danny is one of the good guys.

I feel really lucky to have him onboard.

How does it feel hearing your music in big shows like Bones? What are your favourite memories of hearing your music on the screen?

It's rather surreal; especially as I recorded a lot of the songs in my bedroom with a pretty basic kit - I had no idea where they would, ultimately, end up. Watching Elementary was pretty unbelievable - Lucy Liu and Jonny Lee Miller, actors I'd been watching all my life, with my song playing in the background...

Weird.

Your music has been streamed over two-million times on Spotify. How important are sites like Spotify and getting your music to so many people?

I’ve seen a huge shift from downloads to streaming. 

Spotify and other sites like it make music so accessible. It's all about playlists. As a listener; I’ve discovered some gems through listening to other people’s playlists.

What tour dates are coming up? Where can we come and see you play?

I’m in talks with a couple of promoters at the moment.

We are planning some gigs from later in the year - and some select festivals next year. It’s important to get the venue right because the songs are atmospheric and emotive. The stage needs to match.

I’m excited.

Who are new acts you recommend we check out?

I'm mainly listening to playlists of lots of different acts at the moment - so can't really put my finger on anything specific.

There are lots....

If you had to select the three albums that mean the most to you; which would it be and why?

All of these three affected me in different ways, and still do in some ways…just because they do!

Tracy Chapman – Tracy Chapman

Dido - No Angel

Nirvana - MTV Unplugged in New York

What advice would you give to artists coming through right now?

I'd say just keep hold of ‘you’. Don’t be afraid to take dents: make mistakes and be confident in who you are. 

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Nelly Furtado – Try (not what you were expecting, right?!).

I first heard this when I was driving. I had to pull over – everything about this song is stunning

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Follow Angus Powell

 Official:

https://www.musicglue.com/angus-powell

Twitter:

https://twitter.com/anguspowell

Facebook:

https://www.facebook.com/Anguspowellmusic/

SoundCloud:

https://soundcloud.com/anguspowellmusic

Spotify:

https://open.spotify.com/artist/2SWjKSdvZK4SKu0m6LcMtl

INTERVIEW: All the Colours

INTERVIEW:

 All the Colours

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ANYONE looking frantically around the music horizon for…

some chunky, decent Alt-Rock would do well to wrap their ears around Melbourne’s All the Colours. I chat to the trio about their latest belter, Heartbreaker, and splitting their time between L.A. and Melbourne. I ask about the local scene where they are and what we can expect from their latest album, Vol. 3. The guys talk about music inspiration and how they chill away from music; whether there are any tour dates approaching – and a few of the acts they recommend we check out.

I get an insight into the band’s ethos and the way they view modern music; why they have a love for the 1970s and 1990s – and what it was like working with Zach McSweeny on their latest video.

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Hi, chaps. How are you? How has your week been?

I’ve either been lazy or really busy: it’s hard to know, living in L.A., to be honest - chances are it’s the former, though...

For those new to your work, can you introduce yourself, please?

We are All The Colours from Melbourne: three gentlemen in their 30s who love guitars, drums; bass and distortion. We decided we should be described as Alt-Rock cos it feels the most fitting - those two words mean a lot to us.

I don’t think there has been a lot of great Alt-Rock in the last decade: it’s a difficult genre to get right presently without sounding like the Foo Fighters.

Heartbreaker is your current song. Can you remember how that came together and what the background is?

It’s a song I (Joshua Moriarty) wrote - but it didn’t sound like anything until we all got in a noisy room and played at each other for a few hours. It’s about a simple concept I think we can all understand: being trapped in an addictive relationship where you are unsure if going back for more is helping you or making you worse.

The video has a trippy vibe! What the hell is going on in it and how much fun was it to shoot?!

This video was the most fun of any we have done...

Keeping it playful and unregimented was the key which meant we could just throw things together and ‘yay’ or ‘nay’ them quickly if it wasn’t working. It was about composition and creating these surreal atmospheres and environments. We had a great location where we were recording for the week – so, we invited Zach (the Director) up to stay and a few models to tag along (and just went for it).

Zach McSweeny directed. What was he like to shoot with?

We love Zach.

He has a can-do attitude - which really helps to keep things moving. We have made quite a few videos with him now - so we understand how to work together and get the best results.

We love you, Zach!

Vol. 3 is your forthcoming (third) album. How does it differ from your previous work and what are the new themes and ideas you bring to the music?

We have an ethos for Vol. 3 which is to write songs that we would have wanted to play on guitar when we were teenagers. It’s about nostalgia and a perfect distortion sound: trying to capture our memories from the 1990s but through the lens of being in our early-30s, now - and, also, seeing what is going on in the world around us.

I guess we want to capture sophisticated simplicity.

How did All the Colours come together? Did you guys know each other from way back?

Myself and Jono (Toogood, Drums) have been friends since we were kids - and have always been working on music together. We met Josh (Mann, Guitar and Vocals) through the Melbourne music scene and were always fans of his work. After Miami Horror finished up touring in 2012, I settled back in Melbourne and we knew it was the right time to start something. We had plenty of ideas and we haven’t really stopped since.

We all have different schedules so we have breaks here and there but there is always something pulling us together - and sense of purpose when we get together.

Last year was a bit of a quiet one for you. What was the reason for that and when was the moment you got back together and planned out your 2017?

I was busy with Miami Horror and moved to L.A. - so we didn’t have as much time together but, even in that year, we did manage to tour Australia with Eagles of Death Metal (which was a blast). We met those guys at their studio in Joshua Tree, where we recorded Vol. 2. We also started laying the tentative plans for Vol. 3 - which is now really starting to take shape.

Your music mixes aspects of the 1970s and 1990s. Is that, essentially, bringing together the music you grew up with – and the music your parents played around the house? What is it about the decades, and Rock, that appeals to you guys?

I think those two decades had a lot in common...

Soundgarden were the 1990s’ Led Zeppelin: Pearl Jam loved Neil Young. There is a similarity there and a path that you can trace.

Both decades had a rebellious nature and they loved guitars (as do we).

The band is based out of Melbourne. It is the one place in the world I long to go to. Can you tell me it’s complete crap and I shouldn’t fantasise about it!? Is it as good as I think it is?!

The band is now two-thirds in Melbourne and one-third L.A - I’m going to try and make it two-thirds L.A. and see how we go after that. Melbourne is a wonderful city: some of the best food and drink in the world; an A-class arts and music scene - it really can rival anywhere else in the world. Don’t sweat it though: it’s still going strong so you have plenty of time to get Down Under and check it out.

What is the music scene like there? Are there a lot of similar bands? What is it like trying to score gigs in the city?

I don’t think there are a lot of similar bands to us at all, to be honest.

I think a lot of the world is still heavily into Electronic music and Melbourne is no different. There is a strong Punk scene in Melbourne - but not so much in the Rock category. We have felt a bit out on our own - but that’s not a bad thing. It can be tough when if you don’t fit into a scene that’s already happening. you are a bit of a loner - but the great thing about that is you have to work harder and get your own thing going.

There is really cool music coming out of Melbourne all of the time: bands like King Gizzard and the Lizard Wizard, Client Liaison; No Zu and Total Giovanni are all doing really fresh stuff.

What tour dates are coming up? Are you coming to the U.K. soon?

We would love to come to the U.K.!

I’m heading over to London in November to record a bunch of interview for my podcast (thebottomofitpodcast.com). At the moment, though, all plans are about record number three and how to get that done.

Touring isn’t our main priority at this point, unfortunately.

How do you guys chill away from music? Is it quite easy to detach or do you spend your downtime involved in music?

Music never stops...

I think for me though it’s the music I choose to listen to in my downtime that helps me relax. If it’s not modern then I don’t have to think about all the competition and palaver that goes along with the current scene and all the trends etc. I like to listen to composers from yesteryear like Henry Mancini and Les Baxter - that’s the stuff that really helps me to chill.

IN THIS PHOTO: King Gizzard and the Lizard Wizard

Who are new acts you recommend we check out?

If you haven’t heard King Gizzard and the Lizard Wizard then you should get on board that one.

The new Cornelius album is boss. He’s been around a long time but is still relatively underground.

There is a band called Lo Moon based out of L.A. who, I think, are great - and Dhani Harrison is releasing his debut record - which I have heard (and actually played a little bit of bass on, too!) and really dig.

That’s plenty to wrap your ears around.

If you each had to select the one album that means the most to you; which would it be and why?

Joshua Moriarty: The Blood Brothers - ...Burn, Piano Island, Burn

This album gives me shivers still to this day. There is so much energy and passion in every single moment on this record: it sounds like madness but there is a deep artistic expression throughout. It’s a reminder for me to always stick to my guns no matter how much your art may offend.

Josh Mann: The Dark Side of the Moon

I'm sure if you've heard it or not but this experimental group in England (during the seventies) recorded it. Do yourself a favour and check out Us and Them/Any Colour You Like on vinyl, through a nice stereo. I'm pretty sure it's the best recording ever made. 

Jono Toogood: (because Josh already took ...Burn, Piano Island, Burn) Kollapse by Breach

Although it's been a while since I've listened to it: it is one of those once-in-a-lifetime records. It is incredibly diverse and opened me to a new world of approaching music when I was younger and in need of it. Over, like, twelve songs; it visits chaos, intense darkness; beautiful melodic transitions and intense “landscape doom." Shiiiiet...gonna go put it on now and go for a stroll in this approaching storm…

What advice would you give to artists coming through right now?

If you believe in what you are doing then just keep going and keep working and keep completing the plans you set for yourself. Eventually, things should work out and, even if they don’t, at least you know you did your best and created something you believe in.

It’s pretty simple stuff, really.

Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that)

Josh Moriarty: Loveless – Lo Moon

Josh Mann: I Predict a Riot – Kaiser Chiefs

Jono Toogood: Hellionaries by TRAP THEM

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Follow All the Colours

 Twitter:

https://twitter.com/All_The_Colours

Facebook:

https://www.facebook.com/Allthecolours/

SoundCloud:

https://soundcloud.com/allthecolours

BandCamp:

https://allthecolours.bandcamp.com/

 Spotify:

https://open.spotify.com/artist/2dgA16P7YoQQWR74DKZCiP

INTERVIEW: EERA

INTERVIEW:

PHOTO CREDIT: Alice Rainis  

EERA

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THE majestic and mercurial EERA announced the release…

 PHOTO CREDIT: Alice Rainis

of her debut album, Reflection of Youth – it is out on 3rd November via Big Dada. She has shared two new tracks: the sublime I Wanna Dance and Christine. I ask about the tracks and the origins of both. She discusses her album and working with Nick Rayner; what it was like working at a dairy farm in West Wales – and locating to Cork to record. EERA explains why the songs were recorded in the small-hours and why there is such a variety of sounds between tracks – a sign of an artist searching for answers and exploring her limits?!

She talks about tour dates and the artists influential when growing up; advice for any new artists out there – and the good and bad aspects of living in London (where she is now based).

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Hi, EERA. How are you? How has your week been?

Yeah, it’s been a very exciting week - since I finally released two of my songs off my upcoming album! 

For those new to your work, can you introduce yourself, please?

Sure. My name is Anna Lena Kirsten Bruland and I'm currently based in London - but I'm from a small town in Norway. I started EERA in 2015 and released my first E.P. back then - and now, I finally get to release my debut album. 

PHOTO CREDIT: Jodie Canwell

Reflection of Youth, your upcoming album, is out on 3rd November. What provided the inspiration for the songs and how much did you learn, about music and yourself, when recording the L.P.?

I just wanted to create an album that was very honest and true to myself. I have to admit that it feels a bit scary to release an album like this, but then again it's the most natural for me. 

I Wanna Dance and Christine are two new tracks. What can you tell us about the story behind each of those numbers?

I wanted to write a very ‘straight-to-the-point’ song (I Wanna Dance) where the message was very clear. I still find the so-called ‘standard’ things in life hard to concur: love, money; feeling free from worries. This song is about just wanting the simple things in life so that you will feel free enough to dance. 

Christine is about my sister and our relationship - that we always encourage each other to stay strong and (also to) believe in ourselves. 

In terms of sounds; there are a lot of differences between both tracks. Was it important to create contrasts and variations in order to give the album a sense of character and narrative?

I guess that just comes from me listening to a lot of different music.

My writing usually evolves around the Indie-Rock world but it varies from very heavy Rock to ‘quiet’ songs with synth. elements - so, I always wanted to combine these two worlds.  

I also get very much inspired by sounds and making sure that there's elements of surprises in each tune. 

You worked with producer Nick Rayner on Reflection of Youth. What was it like working with him and will you two be working together again?

Nick is amazing.

He found the EERA that was hidden within me and helped me to get all the sounds out from my head. When I first started working with Nick, I walked in with very simple demos; guitar and vocals. He really pushed me to start arranging everything myself.

So, when I walked into the studio with this album, my songs were much more evolved. 

PHOTO CREDIT: Alice Rainis

I believe the album was recorded at a dairy farm in West Wales and a studio in Cork. Why those locations and was there a sense of quiet and peace that meant you could knuckle-down and work?

Yeah. I just wanted to get out of London and really focus on the album. I was very determined that I didn’t want to focus on anything else whilst recording. 

Many of the songs were recorded in the small-hours. Was that the best time to record – to reflect the sense of reflection and investigation in the lyrics?

I love how quiet it is around me at night-time - and that no- one will disturb you. Perfect atmosphere to write for me.

PHOTO CREDIT: Jodie Canwell 

How do you feel about the record listening back to it? Do you notice a lot of changes and differences from your earlier work?

Yeah, absolutely.

I feel like this album is a lot louder and more confident than my E.P. Having said that, though; I still feel like I’m searching for my so-called ‘sound’. Maybe that's something that I will always search for?

You are based in London but raised in Norway. What was it like living there? How do expectations and society vary there and was it quite a different way of life growing up in Norway?

I loved growing up in Norway andI really miss the nature over there and also living by the sea. I wouldn't be surprised if I move back one day. 

However, it was definitely the right choice to move to the U.K. at an early age to pursue my music career. It's a lot more opportunities here for an Alternative artist like myself. 

PHOTO CREDIT: Jane Jimenez

How important are London and her people? Do you feel settled in and want to remain in the U.K.?

I have a love/hate relationship with London which I think a lot of people have. I love that it’s a busy city - but I also hate that it’s a busy city. Ha! I came to London with one goal; get a team to work with me and I'm so happy that I've managed to find the best team for me to work with. 

I don't feel settled - even though I've been here for ages. I'm still searching for the city that suits me, I guess. 

Can you remember the artists you grew up listening to – that inspired your step into music?

Yeah.

I started listening to Norwegian singer-songwriters: Thomas Dybdhal; Kings of Convenience and Ane Brun - but things quickly changed when I was introduced to Queens of the Stone Age: Rated R was on repeat. After that followed Interpol; then PJ Harvey; then Deerhoof…the list goes on.

What tour dates are coming up? Where can we come see you play?

I'm playing a show at Beyond the Tracks festival in Birmingham on 17th September. Following that, I have two in-stores: one at Rough Trade Nottingham on 7th November; the other, at Rough Trade East on 9th November. 

How is the rest of the year shaping up? Will you get a chance for a break or is it pretty busy until 2018?!

I hope it will be very busy!

I guess I’ll have to wait and see how well my album will be received...

Who are new acts you recommend we check out?

I love my mates in ALASKALASKA - I think they're awesome. Also; The Mantis Opera - they're insane, live! 

IN THIS PHOTO: ALASKALASKA/PHOTO CREDIT: Steph Wilson

If you had to select the three albums that mean the most to you; which would they be and why?

This is such a difficult question - since there are way more than three…

I guess, Rated R - Queens of the Stone Age

It is important for me because it was when I realised that I love grungy, loud guitars! Ha! Simply put... 

I guess, also, Radiohead - 15 Step (from In Rainbows)

They introduced me to synth. sounds and Electronic elements.

The last one has to be Offend Maggie - Deerhoof

I remember being mesmerised by all the different details and surprises during their songs. Loved it. Since then, I've actually seen them play live seven times. Clearly obsessed.  

PHOTO CREDIT: Jane Jimenez

What advice would you give to artists coming through right now?

To work extremely hard and not expect fame and success over night. Believe in yourself and be patient. 

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Can I please choose two? It's too difficult to pick just one.

Black Hearted Love - PJ Harvey and John Parish

My Purple Past – Deerhoof

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Follow EERA

PHOTO CREDIT: Alice Rainis

Official:

http://www.eera.co.uk/

Twitter:

https://twitter.com/EERAmusic

Facebook:

https://www.facebook.com/eeramusic/

Instagram:

https://www.instagram.com/eera_annalena/

SoundCloud:

https://soundcloud.com/eeramusic

Spotify:

https://open.spotify.com/artist/1kr9ySHpN45SVd5nJVbIbc

INTERVIEW: The Rah’s

INTERVIEW:

PHOTO CREDIT: Mike Briggs 

The Rah’s

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IT has a while since I have investigated a…

raw and ready Rock band. The Rah’s are a cheeky and fun quintet hailing from Prestonpans – and are one of Scotland’s finest young bands. I find out more about The Time Is Now – a call-to-arms and anthem for energy and change. The boys explain why there is a need for rebellion; why they feel Rock is alive and well, still – and how Pop music does not engage them the same way (as Rock).

I ask the band about their touring plans and what life is like in Prestonpans. They chat about their coming-together and what it was like recording at Maybank Studios alongside Producer James Darkin.

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Hi, guys. How are you? How has your week been?

We are all good. Excited for this release!

Musically, it has been productive. Work-wise, absolutely draining.

For those new to your work, can you introduce yourself, please?

Well, basically, we are a bunch of good mates with a passion for bringing live music back to our area; creating our own songs and image on the way - and enjoying the adventure that it brings.

Prestonpans is your base. What is it like living there? Is it quite a busy music scene or do you have to go into Edinburgh to find a bit of musical action?

Living here is pretty standard: nothing exciting about it, but it’s our home. There is (just) your basic pub entertainment, really: to see bigger bands/gigs then aye you’ll need to head into Edinburgh for that - even though the music scene isn’t up to much at the moment.

The venues are shutting down left-right-and-centre.

The Time Is Now is your new single. What can you tell us about it?

The Time Is Now was written a good few year back.

Our loyal fans will know the original version (from our 2013 E.P., Living the Dream). We decided to give the song another visit - to hype it up. Taking it to James Darkin was just what it needed - the final product we wanted.

It is a direct and charged song. How inspired are you by what is happening around the world? How do you judge where we are at the moment and the state of affairs?

The song is directed at every single person who ever had a glint of hope in them - to spark a change from the smallest thing in your life to an all-out rebellion. The current state of affairs makes it the perfect time to release this beast!

The world needs a drastic change!

What was it like recording in Maybank Studios alongside Producer James Darkin?

It was a new environment for all of us: we’d never recorded there before and it was James’ first time in bonnie Scotland. From the minute we met him, we got the feeling we were in for a treat. With his wealth of experience - from working with some of the world’s best artists - he opened our minds to ideas we normally wouldn't consider.

His input combined with ours made for a perfect match. The song was recorded with no click track involved to get the proper feel for a live, raw sound.

How would you say you’ve changed since your last track, Sweet Talker, and, say, your earlier E.P.s? Do you consciously set out to depart from what has come before?

We've always learned from our experiences along the way and we've definitely matured.

We accepted that the song wasn't up-to-scratch before - so we gave it a completely new feel. The music we have been making, recently, has been moving a lot more toward the Rock genre - from Sweet Talker-type sound we had before. The changes have kinda been gradual with no intent; sorta flowing naturally.

We’re all on the same wavelength now. 

Sweet Talker, I believe, was recorded in Bradford. Being a Scottish band; what was the reason for recording there?

Our manager had some contacts point him in the direction of Peak Studios.

The producer, along with the studio, was highly recommended. We are always up for a change of scenery - as being away from home always inspires and opens your eyes to new ideas.

Is there going to be more music later this year/2018? How fertile are the creative juices right now?

We have plenty more tunes brewing at the minute...

All of us can’t wait for our next session in the studio. It’s something we absolutely love: it gets us through all the long hours of practice. We’re looking into recording one more song this year and, as always, are buzzing to let everyone hear it! 

The Rah’s formed in 2011 through a deep friendship. What was the reason for starting the band and how did you meet the newest recruit, Chris?

At first; it all started as a little muck around. We all had a love for music but never really thought anything of it. We had a few practice sessions and the whole idea grew on us.

So, we thought we’d try our hands at it…after all: who wants a nine-till-five taking up the best years of life!?

What have been the biggest changes from your inception in 2011 to now, would you say?

Matured for definite - musically and mentally.

Our influences haven’t changed but we’ve definitely explored and studied music a lot since then - so we have opened a whole new bible of influences.

The likes of Arctic Monkeys are promising new material this year. It seems solid and dependable Rock bands are coming back strong. Do you sense something in the air or are people looking for music direct and meaningful?

Well, Rock music will never die. I’m sure Alex Turner said that himself: it’s inevitable. The Pop music of today is meaningful to some, but not so much to us. Being in a band makes you look into music a bit further than the standard music listener.

Pop music these days is only meaningful because the melodies are catchy; the majority of the lyrics are written by other people so to the artist singing and performing it seems pretty meaningless. I mean, fair enough making millions – but, having it spoon-fed to you and not showing any passion/input/talent towards the making of the music is very frustrating for bands like us.

Among your future tour dates is a gig at The Dublin Castle on 16th September. Are you excited about that one and, after dates in London, Liverpool and Manchester – will there be any more after that?

There will be plenty more to come this year…that is all we have confirmed so far. Also, more studio time - so more new music coming your way!

Who are new acts you recommend we check out?

Blossoms, Jagwar Ma (not-so-new  - but, possibly, for people in U.K.); Neon Waltz; Medicine Men; Saint PHNX; The Shimmer Band; Rituals; Morganway; Louis Berry; superfood; Tijuana Bibles…. The Rah’s.

Dig in!

IN THIS PHOTO: Tijuana Bibles/PHOTO CREDIT: David Muir Photography

If you each had to select the album that means the most to you; which would it be and why?

Red Hot Chili Peppers - By the Way

It has absolutely everything in it.

The Beatles - Abbey Road

Inspiring.

Kasabian - Empire

Banging!

Tame Impala - Lonerism

Takes you away from reality.

What advice would you give to artists coming through right now? 

Stick at it; dig deep: no matter how bad you think you are doing, just keep going - especially if you are enjoying it! Take everyone’s comments in but don't let them effect your decisions drastically: it’s for you to choose what music you create and if it sounds good to you - play it with pride!

Finally, and for being good sports, you can each name a song and I’ll play it here (not one of yours as I’ll do that).

YAAS!

Jack: The La’s – Feelin’

Neale: Blossoms – Blow

Jordan: Black Rebel Motorcycle Club - Weapon of Choice

Andy: Temples - Mesmerise

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Follow The Rah’s

Twitter:

https://twitter.com/therahsmusic

Facebook:

https://www.facebook.com/therahsmusic/

SoundCloud:

https://soundcloud.com/therahsmusic

Spotify:

https://open.spotify.com/artist/5mNQ5IIvwRhcLKP0QSZNOq

YouTube:

https://www.youtube.com/channel/UCks2udwJN0vKiFpCrezcoaQ

INTERVIEW: Siobhan Wilson

INTERVIEW:

 Siobhan Wilson

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THIS is a busy and hectic time for. Siobhan Wilson.

Her album, There Are No Saints, was released a couple of months ago and has been getting a huge amount of love. With the video for Dark Matter in the ether; a lot of eyes and ears will be on Wilson and her stunning music. I speak with the Scottish-born songwriter about her latest album/video and what tour dates she has coming up.

Wilson talks about the acclaim she has been receiving; spending time in Paris and whether her music has changed since 2014’s Dear God. She picks an artist we should check out and what advice she would give any new songwriters emerging.

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Hi, Siobhan. How are you? How has your week been?

Hiya.

The best thing that happened this week was getting played on BBC Radio 2. The worst thing was that my goldfish King Alfred died.

Everything in-between has been fine.

For those new to your work, can you introduce yourself, please?

I'm a singer-songwriter, musician; artist and writer who lives in Scotland but floats about a bit in Paris, in studios - and more remote parts of Scotland.

There Are No Saints, your recent album, has been gathering a lot of press since its release. How would you define the album in terms of the themes addressed and the stories included?

I think all albums are defined by passages of time. The time they take to write; the time spent in the studio; he time when people listen and reflect; the events that inspire songs; he way the songs become a version of the past. It's like a gathering together of a few years of my life: a huge release that took a lot of work, and now, I feel like somebody new.

By the time you've made an observation, everything has changed anyway. It's a bit like a photo or like putting your hand through water and letting the sounds ripple out - you wouldn't capture everything and it wouldn't be a true representation of the real experience.

Has it been flattering seeing sites like The Line of Best Fit backing and promoting your music?

It's been a surprise: I didn't expect it.

I care a lot about the music and it makes me happy when other people do too. I just think: "Well, what else is there to do?"

BBC Radio 6 Music has compared your voice to a nightingale. It seems like they are a station that has taken you to heart! Do you hope to perform for them one day and are you a fan of the station?

I played a session on Mark Riley when Vic Galloway sat in for him. It was so much fun! I felt like a Pop star. I loved being in the studio with all the big mics - and Vic made everyone laugh. I listen to '6 Music in my spare time; so it's surreal to be there.

I've got another '6 Music session in November but I've not announced it yet...it will be epic!

Dark Matter is your latest video. What is it about the song that meant you wanted to release it as a single? Can you remember writing it and why you were compelled to put pen-to-paper?

I wrote it very fast, I think - in an hour or two one afternoon. It started off despondent and depressed: really long strums and about half the tempo. It was dragging on and boring - like everybody would drown inside the song if they listened to it for too long and the world would disappear inside itself. Chris McCrory really brought it to life with percussion and his good attitude (and good vibes). 

The label released it as a single because they liked it. I like all the songs equally and always like the weirder ones. When it comes to picking singles, I'm not introspective enough to pick a song that represents me or a whole album. I let somebody pick who is good at seeing that.

The video is colourful, to say the least. What was it like filming and who came up with the concept?

Mario Cruzado did an awesome job. He's really sensitive to colour and light. He is going to do some brilliant things.

My favourite bit of the day was when I got to smash plates! 

I believe, of all the album tracks, Disaster and Grace, is your favourite. Why that track?

Right now it's There Are No Saints (the title-track). It changes all the time...

Song, By Toad Records is the label you are with. What are they like to work with and are you allowed the freedom to create the music you want to release?

Yeah. You can have lots of freedom and they are clever about that. They encouraged me to put the record out and they are nice humans.

You were brought up in Morayshire but moved to Paris. What kind of music did you listen to as a child and how important and influential was that move to France?

I think more Classical and Folk music when I was a kid - then some Jazz and Electronic music in Paris.

What did you learn from that time in France and do you hope to return there one day?

I just spent most the summer there.

I go all the time but mostly just a couple days at a time. It's a total change of scene and it's not that far away from Scotland. It's a romantic place but also a practical get away for me.

it's refreshing to be somewhere new that's not too far away.

How would you say your music has evolved and developed since, say, 2014’s Dear God? Have you improved and grown more confident since then, would you say?

I don't know. I think it's hard to measure. I definitely enjoy being on stages more than ever.

What tour dates do you have coming up? Where can we come see you play?

I'm on tour for most of this month and really excited about it!

8th September - The Blue Lamp, Aberdeen

9th September - The Drouthy Cobbler, Elgin 11th September - The Castle, Manchester 

12th September - 81 Renshaw Street, Liverpool

16th September - The Bothy, Glenbuchat

17th September - The Basement - Live Music & Comedy Venue, York

18th September - The Tree House Bookshop, Kenilworth Arts Festival

19th September - The Musician, Leicester

20th September - Sands Films, Tuned In London 

21st September - Kitchen Garden, Birmingham

22nd September - The Hall, Lancaster

24th September - The Voodoo Rooms Bar - Restaurant & Function Rooms, Edinburgh

28th September – Tolbooth, Stirling

Do you take other musicians on the road with you? Do you have anything outrageous on your rider - or is it quite modest?

Yes, I take my friends on tour with me and I'm very happy to have them there with me. My rider is really modest and boring. I don't want anybody to make a fuss. The French have got it sorted.

When I'm in France, I do what I'm told. I appreciate really good food and when food isn't good, I'm like, "Oh well, let's not dwell on it." It's the worst thing in life - talking about the food that you're eating and how you're not enjoying it.

I'm going to start asking for five lottery tickets to bring a flash of hope to the team's eyes.

Who are new acts you recommend we check out?

The Van T's (in Glasgow) are cool. 

What advice would you give to artists coming through right now? 

Don't wait for other people to give you work: try to make your own. If you ever feel like you're a girl surrounded by guys: do everything you can to employ some women.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Can you please play Just Like Honey by The Jesus and Mary Chain?

___________

Follow Siobhan Wilson

Official:

https://www.siobhan-wilson.com/?ct=t(Siobhan_Wilson_September_tour9_7_2017)&mc_cid=712b0cd0c2&mc_eid=811e7bccd3

Twitter:

https://twitter.com/SiobhanIsBack

Facebook:

https://www.facebook.com/siobhanwilsonmusic/

Instagram:

https://www.instagram.com/siobhanisback/

SoundCloud:

https://soundcloud.com/siobhanwilson

Spotify:

https://open.spotify.com/artist/4EDH5c8x5E958c3AUwqvlp

INTERVIEW: Violeta Skya

INTERVIEW:

 Violeta Skya

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WITH its intoxicating sound and alluring video…

there is an arresting and memorable quality to Kiss Me’s video – the latest track from Lithuanian-born artist, Violeta Skya. That video was constructed by a talented team - Music Production - Jose Cubides; Videography - Jay Kristoffer; Model - Janis Zeilins; Video Assistance - Polina Lobasova; Video Editing - Valeria Meng; Colour Grading - Philipp Morozov – and shows what a talent Violeta Skya is. I speak to her about the song and its origins; what it was like shooting the video – how she finds London (now she is based here) and whether it differs vastly from Lithuania.

She talks to me about influences and the artists who made an impression on her young; whether there is an E.P. on the horizon – and how her time studying at BIMM (British and Irish Modern Music Institute) has strengthened her music.

PHOTO CREDITS (unless stated otherwise): Jay Kristoffer

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Hi, Violeta. How are you? How has your week been?

Hi, Sam.

It has been an extremely busy, but exciting, week. I am so happy there is a lot of positive extensive feedback about Kiss Me from music industry people – and I make new contacts. Also, I am finishing material for my next release - as well as planning a lot of exciting things related to my current release. There are few exciting surprises on the way.

Additionally, I’ve been contacted by several musicians from Chicago (I am going to visit the U.S. in a few days) and might be having some acoustic performances there - which take a lot of planning too.

For those new to your work, can you introduce yourself, please?

I am a singer/songwriter based in London - but originally from a Lithuanian-Slavic family. Music is my biggest passion, my love and my main goal.

Kiss Me is your debut single. Can you tell us about its creation and what inspired the song?

The idea was to make a dark Dance track. I wanted to express one of the wild sides of my personality - which I am sure everyone can identify with.

Its video is quite racy and intense. What was it like filming it and was it quite nerve-wracking shooting some of the ‘sexier’ scenes?

Actually, shooting was so much fun and everything came very naturally. I felt really relaxed and comfortable with the model Janis Zeilins. We were dancing to the song, freestyling; letting ourselves go with the flow - so we ended up contributing loads of new ideas as well.

He definitely was the perfect match for this project. Also, we became friends and support each other now.

Kiss Me is a very current and accessible track. Do you take a lot of influence from mainstream artists or are you more drawn to the underground?

The idea was to make a (Dark dance) track with some Vogue vibes. I am inspired by Madonna, Kylie Minogue and Michael Jackson. I wanted to express some misty, sensual, yet empowering, feelings.

I have to say; this track is quite unique and different from my other music - so I decided to release it as the debut single...

...but it’s why I love it.

What is your opinion on modern music and chart acts? Do you feel there are a lot of positive role models and strong artists out there? Do you have a goal/dream you hope to achieve in music?

Yes. There are definitely some very talented artists as well as some great new acts - such as Dua Lipa and Camila Cabello.

My goal is to ‘make it’ on the music scene - to be a successful and well-recognised artist and be able to do what I love the most for a living.

Was it quite hard putting the song together? How does the music coalesce? Do you start with lyrics and add music or get caught by a beat – and the words flow around that?

It was a really enjoyable process as everything came very naturally - as the atmosphere in the studio is always very friendly and relaxed. This song was written with my producer, and dear friend, José Cubides. When I arrived at the studio, I had a beat and the idea in my head; he added a catchy bass-line and we took it from there. 

The melody and lyrics were written really fast and organically and, when I showed the idea to José, he loved it.

PHOTO CREDIT: Sandy Kohlmayer

Vilnius, Lithuania is where you started life. How does life in London compare to Lithuania? Is there much of a music scene in Vilnius?

London is a completely different world with all the possible opportunities and numerous events here. For me, London is the capital of music in Europe - and the place where I want to be. However, I love Lithuania - which is and always will be my home - and there definitely is a music scene with some prominent, very talented and unique artists.

What kind of music did you grow up surrounded by? Is it true you are a classically trained pianist? It seems music arrived in your life early?

I grew up in a multilingual environment; surrounded by many different types of music, such as Lithuanian, Polish; Russian Pop music - as well as listening to world hits and the most-prominent artists of that time. Also, I was studying Jazz at Vilnius Conservatory and had a chance to listen to a lot of Classic-Rock as it’s my dad’s favourite genre.

So, when I was growing up, I had many opportunities to listen, as well as perform, a lot of different music.

Once you arrived in London, in 2014, you studied at BIMM (British and Irish Modern Music Institute). How important was that time and how important was your time there shaping who you are as a musician, now?

It was an incredibly important time at BIMM, as I was in great music environment where you can learn so fast; network with other musicians; get motivated and receive many opportunities outside the university as well. I used those years to experiment: go through many styles more in-depth; sing in several bands; collaborate with producers; write top-lines; write my own music and look for my unique style - which I think I finally found.

Are you looking ahead at a new single or E.P.? Can we expect another Violeta Skya song before the end of this year?

I would like to go step-by-step for the moment: I want to see how fast is everything going with this single and then make the next decision from there. However, I have been recording plenty of new material. I want to release soon and definitely think there would be some exciting releases this year.

Do you have any hobbies outside of music? Do you get much chance to explore Britain and see new parts?

I really like fashion, modelling and photoshoots. Also, I have other interests, like living a healthy lifestyle and psychology.

I love travelling and definitely would love to explore Britain more.

PHOTO CREDIT: Sandy Kohlmayer

Who are new acts you recommend we check out?

I really like Zak Abel and Mabel.

If you had to select two albums that mean the most to you; which would they be and why?

I’m Breathless: Music from and Inspired by the Film Dick Tracy – Madonna

It’s her second soundtrack album - which made me mesmerised. It was one of the first albums to inspire me to become a singer.

Crazy in Love – Beyoncé

Beyoncé is one of my all-time-favourite artists. When this album came out, it was really a ‘banger’ - with five hit singles. I was watching all her live performance at that time, too. Beyoncé is such an outstanding vocalist, incredible performer and an icon. Also, I love her attitude and work ethic.

What advice would you give to artists coming through right now?

I think one of the most important things is to be honest and real with your music and songwriting. Being sincere is essential: people can sense that and gravitate towards the 'read deal'. Also, always persist and be brave enough to go for things - which may scare you the most.

As Jared Leto said: “Work is the bridge between dreams and reality”.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Erykah Badu – Next Lifetime

I don’t know why this song came to my mind first.  I just love everything about it. It’s very sensual.

___________

Follow Violeta Skya

PHOTO CREDIT: Jaro Michalko

Official:

http://www.violetaskya.com/

Twitter:

https://twitter.com/VioletaSkya

Facebook:

https://www.facebook.com/violetaskya/

Instagram:

https://www.instagram.com/violetaskya/

SoundCloud:

https://soundcloud.com/violeta-brodovskaja

Spotify:

https://open.spotify.com/artist/37ejdU331mtt2i5obvvWsz

INTERVIEW: Amy Lawton

INTERVIEW:

 Amy Lawton

________

I realise, I have interviewed quite a few…

female artists this past week. Part of the reason (I have done this) is to redress the balance of male-heaviness that was appearing on my blog: the other, to recognise some incredible artists producing sensational work. Amy Lawton is one such artist who is worth serious passion and attention. She discusses her single, Undone, and whether there is going to be more material before the end of the year.

I ask Lawton about song inspiration and what it was like being featured on Deezer; what it was like touring with Jack Savoretti – and whether artists like Suzanne Vega, who she has been compared to, were crucial in her early years.

_________

Hi, Amy. How are you? How has your week been? 

Hi, I’m good thanks.

My week has been good so far. I had a couple of gigs and in the studio - the rest of the week working on new material.

For those new to your work, can you introduce yourself, please?

I’m a twenty-year-old from Manchester - who’s been writing songs since I was eleven. I’ve been gigging and working on music in London for the past few years.

I’ve been lucky to meet and work with some great people in the industry so far.

Undone is your new single. What can you reveal about its beginnings and story?

I was inspired to write Undone when an ex showed up at one of my gigs, uninvited.

It was an unusual situation, so I wrote a song about it. In fact, I started writing the lyrics to the song that night at the show.

As a twenty-year-old making her first steps into music; how are you feeling about the song and the reaction it is getting thus far?

It’s been a great reaction so far...

It’s really encouraging and it’s been great to put some music out there.

Does it encourage you Deezer have featured it in their ‘Brand New UK’ section prominently?

Yes. It was really great to get the playlist.

Deezer has a great reach - so it’s nice that lots of people are hearing it. It’s always good to get some positive affirmation and know that the song is connecting with people.

Its Country-Pop sounds are sure to lift the spirits! There is pain and a sense of struggle alongside that energy. Is it hard writing something personal whilst keeping it light and accessible?

A lot of my songs have a bitter-sweet flavour to them.

I like to juxtapose a happy, upbeat sound with lyrics that are heartfelt, meaningful and personal. This isn’t difficult for me as it’s always felt like a natural way to express what I’m going through.

Will Undone have a video in the future do you know?

Yes.

The video was shot about a month ago so it should be out in the next couple of weeks - it’s something else that I’m looking forward to sharing with everyone.

Listening to your voice and artists like Suzanne Vega come through. Who are the artists you were hooked on as a child and motivated you to get into music?

My dad used to play Suzanne Vega when I was younger - so she was definitely an inspiration. I was always into singer/songwriters who played guitar, like Tracy Chapman, but I also found inspiration from artists like PJ Harvey and Marina and the Diamonds.

Before Undone; you cut your teeth playing at venues like Ronnie Scott’s Jazz Club and The Bedford. How important were those London gigs – and what did you learn from those experiences?

I think all gigs are important and it’s always good to get experience and try out your music in a live environment.

Obviously, London is a great place to do that - especially in those legendary venues.

Your biggest show was supporting Jack Savoretti (last year) at London’s Cadogan Hall. What is he like to play alongside and how did that time affect your writing and ambition?

I enjoyed playing with Jack...

As an artist, I find him inspirational as he’s worked so hard to get where he is. Getting to play at Cadogan Hall gave me a taste of what it’s like to play to larger crowds – which, I guess, fuelled my dream even more. I was so excited when I came off stage after getting a good response to my own music.

I couldn’t wait to write more to play to people.   

Will there be an E.P. later this year? What are your plans going forward?

Yes.

I am planning on releasing another single - followed by an E.P. this year. I’ll be spending more in the studio, too.

Who are new acts you recommend we check out?

I like Lewis Capaldi at the moment - and Zach Said was someone I enjoyed seeing live recently.

IN THIS PHOTO: Zach Said

If you had to select the three albums that mean the most to you; which would it be and why?

Marina and the Diamonds’ The Family Jewels; These Streets by Paolo Nutini and Red by Taylor Swift were all albums which I loved every song on.

What advice would you give to artists coming through right now?

My advice would be to (just) stick with it and keep going - if you have a setback don’t let it prevent you from moving forwards again.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Kacey Musgraves - Late to the Party

___________

Follow Amy Lawton

Official:

http://phonofile.link/amylawtonmusic-undone

Twitter:

https://twitter.com/amylawtonmusic

Facebook:

https://www.facebook.com/amylawtonmusic/

Instagram:

https://www.instagram.com/amylawtonmusic/

YouTube:

https://www.youtube.com/channel/UCWXV3W3pPXJf1RnzsfjsLdQ/videos

SoundCloud:

https://soundcloud.com/amylawtonmusic

Spotify:

https://open.spotify.com/artist/3Z9pPrfELSOEIpIGqusQ3w

INTERVIEW: Rider

INTERVIEW:

 Rider

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ONE sees Rider, and the spirit she has, and imagines her starring…

PHOTO CREDIT: Ollie Rillands/Shapeshifter Films

in an American Indie film. The U.S-born songwriter is based over here but definitely has a lot of American passion, humour and musical heritage – someone who has grown up with a range of influences and in different locations. I ask her about the new song, A Little Light. She talks about the song’s tough story and how, when the track was conceived, she had gone through a confusing and dislocating time. Rider chats about future music and gigs; the albums and artists that have helped guide her through her music career (so far).

I ask her about her evolution and progressing from penning radio jingles to, in a few days, performing at one of London’s best small venues – and what she has learned along the way. Rider talks about producing her own material and the influence her family had on her music/outlook on life.

_________

Hi, Rider. How are you? How has your week been?

I’ve been great - and thank you for having me!

For those new to your work, can you introduce yourself, please?

I was born in America but have lived in the U.K. since I was about five-years-old. I’ve lived all over England - as well as South West Wales, too. I grew up in a musical family and started writing my own songs around the age of eight - mostly by playing around on the piano and singing something that would stick.

I started to produce my own songs - using my dad’s music studio - from about the age of thirteen-fourteen - and I’ve been hooked ever since! I’ve worked in London, recently; recording vocals for radio, T.V. and film - but have always worked on my own music in my spare time.

I’m a dreamer, I’m an airhead: I’m serious; I’m crazy and I love a good-ol' deep-chat about anything - space, nature; quantum physics or spirituality.

Wow, that sounds like I’m writing for a dating site! That’s me, though...

That name, ‘Rider’. Is that indication that you push forward and have energy to keep dreaming? Was there a time or moment that inspired the name – or is it the embodiment of your passion and determination?

It means many things to me but, yes: it’s definitely a reflection of how I feel about my life and my outlook towards it.

It just sums me up well!

A Little Light is your new single. Can you tell me about the song and the story that compelled it?

It echoes a difficult time in my life from about three-four years ago. I basically found myself in a love-triangle. I also wasn’t sure if I was turning gay or that I was just bi. I felt lost...

To sum up the story; it goes like this:

I was in the middle of a hard break-up with a guy who I had been with for years - but I had also fallen in love with a girl who I had been seeing for a while - even though she lived in America. Every time she came to visit, we would act as if we were together. Eventually, I met another guy who completely changed my life! We started to hang out a lot and he just made me feel better about everything! He knew about this other girl and my hard breakup with my boyfriend and respected me - but we were both falling in love.

It was so hard for everyone involved. So, even though it was a real transitional time in my life, he was literally my ‘little light’ - that helped me get through the emotional mess I was in.

It seems like the song, in title and sound, is a relief and redemption after a fraught patch in your life. Are relationships and matters of the heart the biggest motivator for your creativity or was there something unique that led to A Little Light’s creation?

You’re right!

I would say the past four years of my life have definitely fuelled the need to write about my relationships - and the ups-and-downs of love. It’s what really affects me - more than anything, really! Perhaps that’s because I think a lot with my heart...or that I’m, simply, a girl - and us girls love to chat about our relationships. I’ve always been in one, too. The last time I was single for more than a week was when I was sixteen-years-old! I’m not sure if that’s a good thing or not...

I’ve wondered what it may mean - or maybe I’ve just been lucky enough to find amazing guys to be with at those particular times in my life.

Love is definitely the driving force behind my songs.

PHOTO CREDIT: Ollie Rillands

What was the video like to shoot? Can you tell me about the concept and how representative the visuals are the messages and truth of the song?

It was a lot of fun!

I feel it definitely tested my acting abilities. The bathroom scene was amazing because I had to make myself cry (after having to imagine sad things in my mind) and then, sitting topless in the bath - in front of the camera crew - was pretty funny. I wanted it to all be as real as possible, though, as if I was reliving my memories. It worked and I felt pretty exhausted after it. I love acting and will do anything to express and evoke what the song’s about - it has to be real to me!

The kissing in the alleyway scene was also a laugh to film because people were walking by sometimes and would stop in confusion and stare. It made it more exciting to film, though. All in all, it was filmed over two days: the first being the indoor shots and the second the outdoor shots.

The visuals, throughout, are VERY reflective of what actually happened to me. We wanted to create that massive divide between the happy times and the bad; light and dark. At that time, three-four years ago, I was a mess (from each day to the next). One minute, I felt the happiest I've ever been: the next, crying my eyes out like my life was ending. It was so weird and real hard to deal with.

Looking back, though: I was totally stuck in my head about stuff and just too scared of hurting anyone.

Does A Little Light mean there will be more material soon? What are your plans regarding an E.P., for example?

There’s definitely more material to release!

For the moment I’m just enjoying releasing singles and music videos across Vevo, Spotify; Apple Music etc. - I love to see people’s reactions/connections to them.

There is certainly enough material for an album - which may well be surfacing next year.

You’re an artist who writes and produces their own material. How important is it having that control and direction and do you think more artists should take this approach?

I am and I think it’s vital I keep writing and producing on my own - because I’m able to fully create what’s in my head. I’ve worked with other producers in the past and, although that has its unique benefits, I feel they can never fully create what I hear. I think if you’re able to produce your own music then, yes, I highly recommend it! No one can copy your way of writing or what sounds you want to use and how.

It’s the best!

You are U.S.-born but are based in the U.K. What was the reason for relocating and do you notice a big difference between the music scenes in both countries?

I moved to the U.K. when I was about five-years-old because my dad took a job over here - so I don't have much experience working as an artist in the U.S. From what I’ve heard on the radio though - whilst visiting family over there - the U.S. is definitely more varied and accepting of different types of music (more than the U.K.) - that’s no surprise since it’s a massive country with millions more people. The U.K. market is a lot smaller. Perhaps that’s a positive thing, though, because you’d get noticed over here more easily. I’m not entirely sure.

Either way; I’d love to break America and tour it a hundred-times-over (as well as the U.K.).

What was it like when you first arrived here? You moved about a bit. Was it difficult finding your niche here or was it a case of exploring the country? What were the best early memories you had of this country?

I was so young - but I remember my first primary school.

I also had a feeling that things were smaller in general - like our car, our house; other people’s houses. The weather was also a little different. Things like that were a little strange to me but when you’re as young as five-six years old…you adjust really quickly.

Before releasing music; you appeared on a number of jingles on big radio stations. What was that experience like and how beneficial was that time and exposure to your confidence?

Working as a session singer over the years and recording all sorts of things - not only radio jingles have helped me develop my voice in ways I couldn't do otherwise: all the experiences have been incredibly valuable! I’ve constantly been asked to sing like so-and-so; mimic this-and-that-artist and, through that, I found my true voice. Some say being able to mimic other artists can be a curse because you can lose sight of who you really are as a singer - but it’s done the opposite for me, actually, and helped me understand what’s the most natural way for me to sing.

Also; a lot of radio jingles require of a lot of tracking-up (layering up vocals and harmonies) and that’s helped me with my own vocal production.

Your music has been played at the opening and closing ceremony of the London 2012 Olympic and Paralympic Games. Are these your career highlights and how did it feel hearing your sounds being projected to so many people?

True!

My music was played on T.V. during the showing of the Olympics and Paralympic Games. But, because I don’t really watch T.V., I didn't even hear it while it was being played. I found out at a later date so I didn't get that instant buzz feel of hearing it live.

Still; I do feel a lot of pride knowing it was played.

Tell me a bit about your music idols and inspirations. Who are the artists that have been most instrumental and important to you?

I grew up as a Christian and used to listen to a lot of Amy Grant (whom I still adore). Her album, called The Collection (from 1986), was almost on constant-repeat in my bedroom. I would say the production on those tracks has greatly influenced me from a young age.

I’ve gone through phases of listening to certain artists on repeat like Prince, Michael Jackson; Third Eye Blind, Faith Hill; Céline Dion, Leann Rimes; Donna Lewis and the Goo Goo Dolls. Each of these artists, I feel, has all influenced me at certain stages in my life - there’s tonnes, though! Also, growing up in a musical family, I used to hear my dad and brother improvise on the piano all the time - they are my number one influences, to be honest. I do feel being exposed to a lot of Classical music whilst growing up too has influenced me.

I would go to many concerts from as young as I can remember - with full orchestras performing. I grew up singing in many choirs too - so that’s definitely influenced my creativity with vocal arranging and naturally understanding harmony etc.

 It’s been a rich musical upbringing and I’ve been inspired by all of it!

You play The Water Rats on 19th September. Are you looking forward to that gig and what can we expect in terms of songs and set?

Oh, my word…I am seriously looking forward to the gig!

Set-wise, they’ll be some little surprises along the way: some emotional ups-and-downs and some serious rocking-out. It’s an all-killer set - so I really hope to see you there. Come along!

We’ll be on stage at 8 P.M.

What other tour dates do you have coming up? Where can we see you play?

Apart from my gig on the 19th September; we have another gig lined-up at The Camden Assembly (London) on 30th October. Come to it!

Tour dates will follow soon, though!

Who are new acts you recommend we check out?

You should really check out The Kondoors. These guys have THE most incredible voices and write the most beautiful songs. They’re real soulful and their song, Forgiveness, makes me cry every single darn time! They’re amazing!

IN THIS PHOTO: The Kondoors

Another is a band called Fickle Friends. I really love their vibe and energy. Their production is so upbeat and has that happy '80s feel to it - I can’t get enough them!

Check out LANY, too - man, I love these guys so much! I went to see them live at KOKO (in London) some months ago and I fell in love with them instantly. They have that sunny and dreamy quality to their production and songs - which instantly makes me feel happy and relaxed.

IN THIS PHOTO: Fickle Friends

If you had to select the three albums that mean the most to you; which would they be and why?

Wow: this is tricky to answer…

Ok; my first album is Songbird by Eva Cassidy

The album holds a lot of weight for me - so many memories. I used to listen to it on-repeat during my A-levels - and throughout my years at uni. Eva’s voice is beyond perfection.

My second is an album by Sting called All This Time

It’s actually a live recording of a concert he held on the 11th September, 2001 - the same day the Twin Towers were hit in N.Y. The songs he performed on this album and the rich arrangements created are so sublime.

One word: inspirational.

My third album is a tough decision - because I have so many more - but I think it has to be Amy Grant’s The Collection (released in 1986). This album takes me right back to my early-childhood years. I instantly get that feeling of warmth, safety; home; being with Mum, Dad and my brother; America, being naive…everything. It makes me feel everything! It’s so hard to describe.

Have a listen!

What advice would you give to artists coming through right now?

Be self-sufficient: learn as much as you can and keep learning about the industry you’re about to get into.

Read the fine print….

Practice.

Follow your vision: don't let anyone change what you truly desire to be.

Dream big - and then dream bigger than that!

Be nice.

Finally, and for a being good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

I Love You Always Forever by Donna Lewis (one of my (most) favourite songs of all-time).

Thank you so much!

Your girl,

Rider x

___________

Follow Rider

Official:

http://www.sapienrecords.com/rider

Twitter:

https://twitter.com/ridermusicpage

Facebook:

https://www.facebook.com/RiderMusicPage/

Instagram:

https://www.instagram.com/ridermusicpage/?hl=en

YouTube:

https://www.youtube.com/channel/UC_8fHwfPAhcObjV9B9c6mEg

Spotify:

https://open.spotify.com/artist/5G2EghUKgFfKXlghzyBVM6

INTERVIEW: Maria Moss

INTERVIEW:

 Maria Moss

________

IT has been an eye-opening and fantastic experience…

finding out about Maria Moss. The Spanish-born songwriter talks about how languages and different cultures feed into her music - and the difference between Spain and London (where she is based). I find out more about her latest single, We Will Dance; whether there is going to be more music in the pipeline – how Latin and Arabic twists are integrated into her art.

Moss talks more about her influences and proudest moments; the message she would offer her (many) fans and, as We Will Dance’s video captures the singer-songwriter on the road - what it was like shooting (the video).

_________

Hi, Maria. How are you? How has your week been?

Hi, Sam! I am very well, thanks.

My week has been crazy! I have just come back from my holidays in Colombia and I have been very busy preparing the official video for my new single - that will be released around October/November.

I have been promoting and doing interviews (to promote) We Will Dance. We are also preparing a tour and some festival appearances.

For those new to your work, can you introduce yourself, please?

I am a singer, songwriter and a dancer, based in London. I fuse Pop with R&B; Dance and Soul – plus, Latin and Arabic elements. I was born in Tarragona, a small city in Catalonia, Spain. I have been singing since I was three. At the age of fourteen, I won the 'English Key’ prize singing When You Believe, by Mariah Carey and Whitney Houston, on Cantamania, a Catalan T.V. programme (TV3-Salou).

By the age of sixteen, I was already singing professionally and touring Catalonia. As I wanted to pursue my musical career, I decided to move to Madrid - and then London - where I have just finished studying BA Creative Musicianship in BIMM London. Since 2015, I have performed around Spain, the U.K. and the U.S.A. 

Even though I have collaborated with different artists and producers, it was not until this January when I released my first E.P. called Old Times. New songs will be released around October/November - with a completely new branding.

We Will Dance is your new single. What is the story behind the song?

We Will Dance is based on my own experience when I was travelling around the U.S.A. and Europe in 2015.

I felt so lucky to be able to see all those places, meet and play to people and learn from their cultures. I felt so inspired.

Since then; I travel frequently - if my music schedule allows it.

The video follows you around various locations. Was the video shot whilst you were on tour? What was it like shooting it?

Even though the song was inspired while I was on tour, the video was made while I was on holidays - in places like Berlin and Canary Islands - and arranging business meetings and music sessions in London and Tarragona.

We Will Dance is the second track taken from the E.P., Old Times. Was it a good experience recording the E.P.? Will there be another release from Old Times?

Old Times took me a long time to write and record as I wanted the songs to be good - and I had the pressure of having some good material out. I had a lot of fun and it made me learn a lot about my artistry, my music; the music industry and myself. 

As I have evolved since then; my new music released soon will be different. I am not going to release any other single from Old Times - but I may do a remake of Not Enough in the future.

How do you think We Will Dance differs from the previous release, Light? Do both songs address similar subjects, would you say?

While Light is a ballad about acceptance: loving yourself, illuminating your own path and fighting for your dreams: We Will Dance is a song about freedom, travelling the world and enjoying (things).

You are based in London but born in Spain. How does the music scene differ here (compared to Spain)? Is there a big difference between the people?

This is a very difficult question - and I will answer it from my own experience...

In London and the U.K., there are so many active signed and unsigned artists working towards their dream. You can feel the music industry is vibrant; radio presenters look for new artists; people go to concerts of unknown artists because they want to listen to new music; music tastemakers go to concerts to pitch new artists; music stakeholders may contact some of them to offer help; many artists will have to play for free in order to be in the spotlight, etc.

While in Spain, due to the economic crisis and, maybe, a difference in the music industry foundation, the radio just plays the songs on the charts. I feel that not many music industry tastemakers go to underground venues to see unsigned artists and people don’t go to see unknown artists that much - as they may not want to spend money or they prefer other activities.

Can you tell me how you got into music? What kind of artists did you grow up listening to? What were your first successes and memories when you stepped into music?

When I was three-years-old, I decided I was going to be a singer and a dancer. I am not sure how I came to that conclusion, but since then, I have loved performing arts and music. Thanks to my mother, I grew up listening to Aretha Franklin, Whitney Houston; Mariah Carey, Michael Jackson and Tina Turner. I also loved the Spice Girls, Destiny’s Child; Christina Aguilera and Britney Spears.

When I was a teenager, I discovered and loved The Black Eyed Peas, Alicia Keys; Linkin Park and Evanescence. I have always listened to so many styles of music.

I remember how I felt when I won the ‘English Key’ prize on Cantamania, a Catalan T.V. programme, in Salou. I was so nervous when I sang the son - but I felt so comforted when Roser, the presenter and singer, said that she was my fan.

You speak different languages and have seen your music shared and loved around the world. How connected are you with the world and is traveling/touring international something that makes you happy?

I only speak English, Spanish and Catalan - but I also understand a bit of German, Italian and Portuguese. I would really love to speak more languages!

My passions are music, travelling and dancing: touring and travelling around the world for a living - it would be my life dream. Currently, I travel and go on tour whenever I can but, if I could do it more regularly, I would be the happiest person in the world – as, to me, it is very important to meet people; learn from new cultures and discover new places.

How important is it to see your music get big radio-play and shared on social media?

Seeing people liking my music and sharing it on social media and having my songs played on the radio makes me very happy. I love seeing that my music can make some good to the world.

If my songs energise people and push them to work for their dreams, be more positive and enjoy life - my mission will have been accomplished.

I hear Latin and Arabic twists in your music. How much of that is because of your family roots and do you believe putting passion and dance into your music is the best way to make it connect with people?

I have always been attracted by Latin and Arabic influences, Hip-Hop, Soul and Pop - that is why I love mixing elements to make the music more interesting. Perhaps, the fact that I am a Spanish singer and dancer, helps with the whole idea of mixing styles.

I believe that music has to, first, be connected with who you are as a person. When people see honesty: they can connect with the music more easily.

 What message would you give to the fans that follow you and take your songs to heart?

I want people to build a positive feeling. I want to help people to achieve self-esteem and acceptance; to be brave to work for what they want; to live the moment.

Who are new acts you recommend we check out?

I recently discovered Lianne La Havas, Dua Lipa and Ella Eyre.

Of course, I love my friends’ music: Carry Lyanne, Ina Shai; Katie Waygood and Andrea Di Giovanni.

IN THIS PHOTO: Ella Eyre

If you had to select the three albums that mean the most to you; which would they be and why?

Monkey Business by The Black Eyed Peas

Because I remember how much I loved it when it came out when I was a teenager.

Loud by Rihanna

As I really loved the new branding of Rihanna.

El Viaje de Copperpot by La Oreja de Van Gogh

They are an amazing band from Spain - with a really unique style and fantastic lyrics.

What advice would you give to artists coming through right now?

Learn to be yourself; find what makes you unique; do what you think it is best. Work hard; read the small print; pay attention to the detail; believe in yourself and be brave.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

I really love the song called Vivir Mi Vida by Marc Anthony - that talks about being positive, enjoying life and leaving the suffering behind.

___________

Follow Maria Moss

Official:

www.mariamossofficial.com

Twitter:

www.twitter.com/maria_MOSS_

Facebook:

www.facebook.com/mariamossofficial

Instagram:

www.instagram.com/mariamossofficial

SoundCloud:

www.soundcloud.com/mariamossofficial

Spotify:

https://open.spotify.com/artist/6KZs2lJQM6k6r3JdDFohTH

YouTube:

https://www.youtube.com/channel/UCKTa8e290nWIiV58NmlKDKA

INTERVIEW: KTEE

INTERVIEW:

 KTEE

________

EVERY day brings something different to my thoughts...

Today…I have been getting to know more about Austrian-born singer-songwriter, KTEE. She is based in Dublin now but has had quite a packed and adventurous life thus far. I ask about her early music memories and the artists that she holds dearest. KTEE talks about her new single, Rollercoaster, and what it was like shooting the video. She discusses future music and whether there are any tour dates coming up.

I was eager to learn about her brand of Pop and what compels her process; the inspiration behind her latest track and when she knew music was the career for her – that one moment where everything slots into place.

_________

Hi, KTEE. How are you? How has your week been?

Hi, you! My week has been good so far...

I have been working on the lyrics for my next single: I won’t tell you yet what it is about, sorry (still a work-in-progress). Unfortunately, I got a bad ear infection today so - today has been quite painful.

Ouch.

For those new to your work, can you introduce yourself, please?

Hi. I am KTEE. I am a Pop-singer from Austria and I just released my newest single, Rollercoaster - which compares a rollercoaster ride with the ups-and-downs a couple can experience in a romantic relationship.

The video for Rollercoaster has been released. It seems like it was a blast to film. Was it as fun as it looks?

Yes.

It was really great fun, although, it was really cold most of the time. We expected it to be a bit warmer in Spain in April - but it wasn’t. So, driving around in the convertible and experiencing a very cold wind was not that cool - but everything else was really super-fun. It took us two whole days and (actually also) a pool scene was planned - in which the male model and I were supposed to jump into. I think that would have been a great scene. Unfortunately, there wasn’t enough time left, so we had to cancel that scene. Secretly, I was relieved since it was soooo freakin’ cold.

The whole team was just so relaxed and nice. We all enjoyed those days in Barcelona.

Where did you film the video and what was the fondest memory from the shoot?

Since we wanted something to represent the ‘speed’ of a roller coaster - and some movement in the video - we found the idea of filming in an actual roller coaster too cheesy. We came up with the idea of including a road-trip into the video. Since it was, firstly, very cold in April (in Austria) - and we wanted a city that could offer both beach and city - we chose Barcelona as a film setting.

The fondest memory from the shoot was when we were filming the beach scenes. Despite the coldness, it was really cool to shoot there. We were fooling around, having fun - and I even fell into the water. This was really, really cold (I even caught a cold from this) but it was worth it, because we had a blast. One funny moment was when we parked the car in a no-parking zone at the beach to film the last scene (when we say goodbye to the car and leave at the end of the video) and, while we were filming, we saw a police car coming towards us. We really wanted to finish filming the scene because the place was perfect - so we didn’t move until the police stood right in front of us to call us off. The cool thing is, the police car is actually in the music video (you can see it in the last scene).

Afterwards, we actually regretted the fact  we didn’t run away from the policemen -  just for the sake of the scene (you know, stealing a car - and being caught by the police in the end and running away from them - would have been the perfect ending for the music video, don’t you think?).

Was Rollercoaster easy to put together - and will it lead to an E.P./album?

Well. My co-writer and I were in Croatia/Rovinj to write some good songs. It was our last day there and we had the feeling that nothing creative was going to come anymore. So, we were about to give up when my co-writer played that cool riff on the guitar - and my creativity came to life. I immediately found the melody to the verse – and, also the bridge and chorus line was (just) there hidden in my brain somewhere waiting to come out. So, the melody was quickly found but the lyrics were quite hard to find. I think there are three versions of Rollercoaster’s lyrics now; so it took me/us quite a long time to write the lyrics. I wanted something easy and catchy but also something that is kind of cool and metaphoric.

One day, I was sitting on the sofa watching T.V. when I suddenly, out-of-the-blue, sang the chorus line “Love is a rollercoaster ride/It goes up, up, up, and down” – and, from then on, it was easy to find the rest of the words. When you know the topic and you have a great hook-line the rest isn’t that difficult anymore.

Of course, we are working on some more songs and we are planning to release an album.

Life, for you, began in the small town of Maria Neustift, Austria. It seems like you spent hours signing and practicing music. Was that because there was little else to do or did the lack of distractions mean you could focus on performance?

Well. I would say both are true.

Maria Neustift is really, really small and I didn’t even live in the ‘center’ of the town. Basically, you can say I lived in the woods, about fifteen minutes away from civilization (by car). I was surrounded by nature and animals (we had deer in front of our house!).

There weren’t many kids my age so there was a lot of time to spend alone in my room. Of course, I played with my siblings (I have one brother and one sister) but I really focused on practicing singing from early on. My mum gave me her old bulky radio and some cassettes - and I recorded myself again and again and tried to sound like Celine Dion (she was my first favourite singer). I also practiced with the songs of the musical, Dance of the Vampires. I still know all the songs by heart.

I didn’t have the chance to receive professional voice training because there were no singing coaches. So, I HAD to teach myself - which was a hard journey (I made a lot of technique mistakes; ruined my voice once....) but it all led to the way I sing now - so I am kind of proud of myself. Of course, later, when I moved to Vienna, I had an amazing vocal coach and she helped me a lot!

Thanks, Natascha!

What was the reason for packing your bags and moving to Dublin? What differences did you notice between Austria and E.I.R.E. in terms of music and people?

After school, I wanted to see the world after being stuck in Maria Neustift - that’s the reason why I went away. I don’t know why I chose Dublin: I guess I saw some nice pics on the Internet.

I love Pop music and mainstream: so neither the traditional Austrian nor the traditional Irish music made (and make) me wanna dance and cheer. I am not the biggest fan of the sound of the accordion, the Irish flute and fiddle.

So, actually, maybe this was the reason why I locked myself in my room in Dublin - to write my own songs.

Can you take me back to those early years in Austria? What music were you typically listening to and learning from? Were your family quite musical?

When I was a very small child, I experienced the effects of the so-called ‘mere-exposure effect' so, since my parents listened to Schlager music (difficult to describe what that is but it is a music genre that many Germans and Austrians like), I liked those songs as well (just because I didn’t know that there was something else out there). I have to admit that, today, I kind of hate this music genre.

Later, I became a huge fan of Céline Dion: my first C.D. was a Céline Dion album. I always recorded myself singing those songs and analysed my singing skills.

I also practiced with the songs by Beyoncé (she was my heroine when I was about eighteen-years-old) and I always wanted to sing like her.

And, of course, Jessie J - she has been very inspirational for me.

Was there a moment you knew you wanted to be a songwriter – or was there a single artist that motivated that desire?

No. It wasn’t really an artist that motivated that desire. It was lovesickness. I wrote my first songs when my heart was broken. I just grabbed a guitar and started to sing....those weren’t very good songs but they helped my soul to heal.

Since then, I haven’t stopped writing. 

Comparisons have been made between you and modern chart successes like Dua Lipa and Zara Larsson. Is it quite flattering getting those comparisons or are you keen to forge your own identity and be recognised on your own terms?

Of course. It is flattering to be compared to those great artists/singers but, in the long-run, I am very keen to forge my own identity - and the actual goal is that, one day, other artists are compared to me (instead of the other way round).

What tour dates are coming up? Where can we see you play?

Since we are currently working in the studio - writing and producing new songs - there are no upcoming dates at the moment - except for some small, unplugged gigs in Vienna.

But, follow me on Facebook or Instagram - or visit my web page regularly - and I’ll keep you posted.

Who are new acts you recommend we check out?

Oh, yeah. Have you heard about this Austrian singer KTEE? She is great.

Jokes apart: I am such a mainstream-lady, so I guess, whatever artist or act I would name here, you’ll know them already.

PHOTO CREDIT: Aaron Jiang

If you had to select the three albums that mean the most to you; which would they be and why?

Sweet Talker - Jessie J

I am a huge Jessie J fan: she inspires me in so many ways and this album is simply fantastic. I, basically, listen to it every day.

4 – Beyoncé

It’s not her newest album, but this album just means a lot to me - because, all of her songs and the power of her voice. It (just) gives me goosebumps.

Grace - Jeff Buckley

His music is not comparable to the music I usually listen to - and I haven’t listened to this album for a long time now - but it was very important to me when I was younger. There was a time in my life I wasn’t that happy, and my heart was broken, and, you know...just not the best months in my life...

Jeff Buckley’s Grace gave me some kind of comfort (although; many songs are very sad...).

What advice would you give to artists coming through right now?

Find your sound; stay true to yourself; be critical with yourself and your music (at first, it always seems as if the song you have just written is the song the world was waiting for – but, from a distance, it might look different) - so be critical and be ready to learn (and to improve and develop). 

Most important: never give up. It can be a very long and hard road and there will probably be times in which you’ll be devastated, sad and desperate, because you only get ‘nos’, or you aren’t even heard or taken seriously.

But, if this is your dream: DO NOT GIVE UP - no matter what.

Finally, and for a being good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Tell Me You Love Me by Demi Lovato (I love that song).

Thank you for the interview!

____________

Follow KTEE

Official:

https://www.kteemusic.com/

  Facebook:

https://www.facebook.com/KTEEsings

Instagram:

https://www.instagram.com/kteemusic/

YouTube:

https://www.youtube.com/channel/UCLr-Hb2Qj7mGIqxD5vEkHng

Spotify:

https://open.spotify.com/artist/16RDAkL9ygzmY49DzTXJCp

INTERVIEW: Annie Taylor

INTERVIEW:

 Annie Taylor

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I think Cold Reading was the last Swiss band I featured here…

but I always knew, without much pause, another would come along. The growing Swiss music scene is something that is rather unexpected and fascinating. With that in mind; it was great discovering the guys of Annie Taylor. I ask them about that name and its incredible backstory; how the members got together through time and what Switzerland is like for music – since it is a small country and, traditionally, has not produced a lot of stars.

The band discusses the forthcoming single, Wasted Youth – it is not released until Monday – and the story behind it. I ask how it differs from their previous track, Partner in Crime, and whether there are more recordings in the future. They reveal their touring plans and whether we might see them in the U.K.

_________

Hi, guys. How are you? How has your week been?

Hey. We are feeling great!

Just returned from France - where we played some shows. It was our first time over there, and wow, is was a lot of fun: music, wine; the sea, my birthday party (Gini’s); new friends and a huge police control (not so much fun).

The dog was really cute, though…

For those new to your work, can you introduce yourself, please?

We are a four-piece band from Zurich, Switzerland - who likes to play Girl-Grunge; Psychedelic-Rock (and some kind of Garage).

We released our first single, Partner in Crime, at the beginning of this year. Cyril is the guy who loves to play Psychedelic tunes on his twelve-string guitar; Michael is a good dancer while playing the bass; Adrian spanks his drums (harder than his girlfriend) and I sing and play guitar.

The reason we formed a band was friendship - which Adrian, Michael and I had before we met Cyril.

I believe the reason you have ‘Annie Taylor’ as your band-name is down to the woman who jumped Niagara Falls, in a barrel, in 1901. What was the reason behind that inspiration? Does her feat symbolise and signify a similar leap of bravery from the band?

Yeah, that’s right!

We were looking for a strong name which encourages ‘Girl Power‘. There are a lot of impressive women around! I really liked the stories and history behind Marie Curie, the female Pope; Sophie Scholl and so on - but their names didn’t sound like a band…

Also, there was this story from ‘Lawchair Larry‘ (Larry Walters) who flew with his lawn chair and a bunch of balloons through the L.A. sky. But, then we found the ridiculous biography of Annie Taylor; jumping in a barrel off the Niagara Falls. When we read that she sent her cat down first - in another barrel - is was clear we had to honour her!

Wasted Youth is the new single. What is the story behind that one?

Don’t you ever feel like you're wasting your time while working in a full-time job; paying rent for a flat; forgetting about things you love - cause you’re so caught up in stuff which is automatically encircling you?!

Well, during the past few years, I think all of us figured out, in their own personal way, that this is not how we want to spend our youth. So, by saying ‘wasted youth‘; I am not talking about partying all the time or getting fuc*ed-up: it’s more about finding what you love and live your life the way you want to live it - without anyone telling you if it’s right or wrong.

I guess, in Switzerland, it’s very common to live this way (you learn it) growing up - the whole thing about a full-time job and having a successful career. So, this is why, maybe, some people could see this way of spending time - or our generation-goals as a ‘waste of time‘…

How would you say the song differs to the previous release, Partner in Crime? To me, you sound more confident. Is that something you have noticed with your music?

Partner in Crime has a totally different subject: it’s about this (kind of) friendship you can’t find with everyone. You know, it’s about this person you can fully trust in whatever you are doing - and just feel real, honest and comfortable with. So, I guess that why it has a different vibe...

We wanted Wasted Youth to have a bit more ‘drive‘. Also, when we were rehearsing this song, it got more and more angry. I suppose we wrote it with a bit more piss off attitude - which made the reverbs and fuzz work together, as if to say, "Do what you love!“.

When Wasted Youth arrives, on 11th September; you share the stage with L.A. Witch. How excited are you guys about that?

You can’t imagine how great it is to play with one of your favorite bands, twice in a row - while (also) your new single is released! IT’S AWESOME!

L.A. Witch is one of our favorite bands and they stand for a lot of things we want to achieve with our music. It’s great we got the chance to play with them in our hometown too - I am sure this is gonna be a lot of fun!

There is an album approaching, too. What can you reveal about its songs and the sort of themes explored throughout?

We haven’t decided, yet, if there is gonna be the release of our first album or (only an) E.P. There is still room for new songs – we want to produce a diverse album without losing our style. I think none of the songs sound the same: this is probably because they were written in different time periods and moods.

Some of them are really dreamy and mellow and have this space-Psychedelic touch which definitely comes from Cyril. Others are more Grunge or Garage - which make you move your feet.

I believe you spent time in an air-raid shelter this year. Was that so you could close off distraction and retune your music? What is the reason for the band changing your sound and starting again?

This air-raid shelter is the perfect place to disconnect from the world and just dive into music.

We recorded parts of our album there and, after spending weeks in this dark-hole, we felt sometimes like zombies who survived an apocalypse. The air-shelter itself wasn’t really giving us something unknown to figure out...how we gonna write songs? I feel more like the mood I was in, while writing the skeleton of the song, pushed the ambience (of a track) in its direction…

Hailing from Switzerland; is there a big music scene where you are? How easy is it to get noticed in the country?

Actually; there are some really cool bands coming from this tiny place.

We are, also, really lucky with the bands passing through, while touring Europe. It’s not hard to get to know people, and make friends with, someone who works in a bar - which hosts bands from time to time. So we were very lucky and grateful that we could play at some cool places after we just formed.

Switzerland is a town! This is probably why it’s easier to get noticed than in other places - everybody knows everyone.

 Can you tell me how you all got together in the first place? What was it about one another that led to the formation of Annie Taylor?

Well, I just told you: Switzerland is a town!

BUT, the funny thing is, Cyril and I met in Miami when were around twelve-years-old. His and my family were waiting for the flight back home to Zurich - where we got to know each other. Of course, being near-puberting teenagers; we had shared MySpace contacts and, later, Facebook. From time to time, one of us would 'like' the other‘s picture...but we never talked, wrote or met ever since…

It took me by surprise when he contacted me while I was diving in the Indian Ocean! As soon I was back in town, we met and started to play togethee. Adi kind of had no choice but join the band – 'cause he was (and still is) one of my closest friends, who shared the flat by that time. So, all we needed now was a bass player!

Michi is one of the funniest guys I know and I really wanted him to be in the band. The only problem was, he already was playing in a band (King Zebra) and he didn’t wanted to start again from the beginning. Luckily, after a few evenings in a bar, I could convince him to listen into one of the demo. songs.

Since then, he is full-on!

Are there any tour dates approaching? We can we come see you play?

There are some shows coming up in Switzerland before we start touring Europe in March. Right now, the bookings for the tour are in progress - so I can’t give you any 'save dates'…

Any plans for the band to come and do a few U.K. dates?

Playing in the U.K. is definitely something we are planing for 2018.

While touring Europe in March; we won’t be able to play some shows in the U.K. It seems like England is a great place to play - so we are very excited to get some more time over there.

IN THIS PHOTO: Voodoo Beach

Who are new acts you recommend we check out?

When we were recording and shooting the material for our first single in Berlin; we went to a few shows in town.

There was this band Voodoo Beach playing - who all of us really liked.

If you each had to select the album that means the most to you; which would they be and why?

Gini: Fleetwood Mac - Rumours

Cyril: The Doors - The Soft Parade

Michael: Motörhead - 1916

Adrian: Bill Evans - Explorations

What advice would you give to artists coming through right now?

Be who you are: do what you do.

Finally, and for being good sports; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Las Robertas - Not Enough

____________

Follow Annie Taylor

  Facebook:

https://www.facebook.com/annietaylorband/

Instagram:

https://www.instagram.com/annietaylorband/

YouTube:

https://www.youtube.com/channel/UCiDZn25GaaIV6-Zu_uekMFw

SoundCloud:

https://soundcloud.com/annietaylorband

BandCamp:

https://annietaylor.bandcamp.com/releases

Spotify:

https://open.spotify.com/artist/3oR0fg4OcsTKOjVY17u1e0

INTERVIEW: Gráinne Duffy

INTERVIEW:

 Gráinne Duffy

________

THE next few months are busy and exciting…

when it comes to Gráinne Duffy’s music. I speak to the Irish singer-songwriter about her love of the Blues and how music has infused her soul and heart – and when it first came into her life. She talks to me about the latest track, Where I Belong - and the album of the same name. Duffy talks about her home in County Monaghan and how, she feels, she has developed as an artist in the past couple of years.

I ask which three albums are most important to her; the inspiration behind Where I Belong and a few of the new artists everyone should include in their regular rotation.

_________

Hi, Gráinne. How are you? How has your week been?

Very good thank you! All-go!

Getting new strings on and sorted for some festival shows in Norway and Ireland.

For those new to your work, can you introduce yourself, please?

Sure. I’m an Irish singer and guitarist (from Ireland) - and I play a mix of Blues, Soul and Rock-styled music; mostly self-penned.

Where I Belong is your new single. What is the story behind the song?

Well. I think, in a time of world disharmony; it is a cry for some peace and calm in the midst of so much talk of terror. We have a beautiful planet around us and we should be grateful every day the sun comes up - and goes back down on it.

It is a song (kind of) about taking a moment to enjoy the harmony of nature.

It boasts a raw and instant vocal. How hard do you have to work to keep your voice that bracing and powerful? Do you have a regime preserving the voice?

Well. I do some warm-up before my gigs.

I try to sing at least an hour a day - but it is usually more as I love singing, anyway! I think it is just the natural inflection of my voice to be husky, but I did grow up in a family of nine - so I had to learn to shout to get heard!

That helped too.

Is there going to be a new E.P. or album towards the end of the year?

Yes.

We are releasing the album, also titled Where I Belong, later this year. I am very excited and proud of this album.

Keep your ears peeled for the release date…..

Do you remember when music arrived in your life? What is your first memory of music?

Well. ..

My dad always loved Country music and he had lots of records of country artists like Johnny Cash, Willie Nelson; Patsy Cline and Dolly Parton – so, I had a good education of music that way. Then, my sister dated a drummer and they used to listen to music all-day-long like Led Zeppelin, Fleetwood Mac and The Rolling Stones...that is when I fell in love with music.

We had no T.V. at home and so we had to get records for Christmas presents - and we loved getting the records no-one else had. I started listening to more R’n’B, Soul and Blues then, in my teens, after hearing Peter Green’s Need your Love So Bad.

That was it for me, really: the love affair began.   

Did you grow up in a very musical family? How important was your parents’ tastes with regards your own music?

No. Not a musical family, but my mother always encouraged us to do what we loved - so my sisters and I had a band and used to gig every weekend.

I also sang in my local choir growing up - and that was my first introduction to singing solo. My sister’s band was my first experience in live performance in a band setting, with an electric guitar, an amp; singing all my favourite songs in a live setting - and it felt great.

It seems Blues plays an important role. Are the legends like B.B. King instrumental and what is it about the genre that appeals to you?

Yes, of course.

Blues and B.B. King are so important to me and the history of the Blues. It is the raw emotional power of the Blues: the way in which a few notes in a Blues melody or on the guitar can be so emotionally powerful.

I love that honesty. 

You were raised in County Monaghan and live in Ireland. What is the music scene like where you are and is it quite easy getting gigs and bringing your music to a range of different audiences?

Well. We are very lucky to have a great history of show bands in Co. Monaghan - so there was a history of music here and the live gig scene has always been a good one, thankfully. Thin Lizzy played in my local town, which is a small one….

 There is also a really good Blues festival, Harvest Time Blues Festival, in September and that really was so pivotal for me - as it was a local festival for the Blues and it brought in great artists from all over the world, to my doorstep. It was host to Van Morrison and Peter Green (to name but a few).

Gigs were always a drive-away but, luckily, my family owned a garage growing up - so we had a van and the wheels to get around very quickly.

Last year, you recorded with Justin Stanley and Adam Ayan. Between them, they have worked with some of the biggest musicians ever. What was that experience like and what did you learn from them

It was truly amazing as an experience for me.

They are both true professionals and so creative and inspirational to work with. We wrote along with Justin while in the studio on L.A. That was really fun and exciting as we had never done that before. He really knows how to draw the best from you - in terms of writing and performing in a very relaxed way, which I loved.

Adam, also, was great to work with as he has so much experience in mastering and knew exactly the sound we were looking for on the record.

Overall; it was a very special and rewarding experience, for sure.

Over the years; you have released two popular albums and performed around the world. How would you say you’ve developed as an artist and what has been your fondest memory from your time in music?

Yes. I have had some really amazing experience so far and have been so lucky with where my music has brought me - from Asia to The North Pole; sharing stages with some of my heroes - including Billy Gibbons, John Mayall; Sinead O’Connor, Keb’ Mo’ and many others.

One of my fondest memories was playing three days at Glastonbury - as it is such a special event in music and to be part of it was really amazing.

But, every day brings a new discovery in music; writing a new song; meeting a new musician; getting inspired by a new song…..

Can you reveal the tour dates coming up and where we can see you play?

Alongside our general tour dates - in Norway, Denmark; Romania and a tour in Germany - we are doing our album release in September, in Ireland - playing 20th Sept. (The Sugar Club, Dublin);  21st Sept. (The Black Box, Belfast) and 22nd Sept. (The Spirit Store, Dundalk); 19th Oct. (Nells, London) and, on 20th Oct., we will be playing Under the Apple Tree Session for Bob Harris.

All very exciting for us...

Who are new acts you recommend we check out?

Well. I love some of the American Alternative-Country acts like Sturgill Simpson and Chris Stapleton.

I also love a fab Irish band Relish - who are releasing a new album next year.

IN THIS PHOTO: Relish

If you had to select the three albums that mean the most to you; which would it be and why?

Fleetwood Mac – Rumours

All the songs are perfect: the recording is perfect and the performances are superb. Timeless!

Amy Winehouse – Back to Black

A modern-day masterpiece: amazing-sounding album, great feel - and Amy’s vocals and delivery are perfect.

The Rolling Stones – Exile on Main St.

Again…a perfect album. Great songs and guitar-playing, singing; playing on all songs, throughout. It encapsulates a moment in time.  

What advice would you give to artists coming through right now?

Work hard, believe in yourself: respect people working hard with and for you…and have fun.

Finally, and for being a good sport, you can name a song and I’ll play it here (not one of yours as I’ll do that).

Dreams – Fleetwood Mac

Thank you ;-)

____________

Follow Gráinne Duffy

Official:

http://grainneduffy.com/

  Facebook:

https://www.facebook.com/Grainne-Duffy-177122089063003/

Twitter:

https://twitter.com/GrainneDuffy

Instagram:

https://www.instagram.com/grainnelduffy/

YouTube:

https://www.youtube.com/channel/UCwSSlXUndbFwBULqGrwjYKg

SoundCloud:

https://soundcloud.com/grainneduffy

Spotify:

https://open.spotify.com/artist/6Uz1iG3enjltFOqqwAhQ2Y

INTERVIEW: Carry Lyanne

INTERVIEW:

 Carry Lyanne

________

HER blend of sophisticated melodies and…

mellow Indie/Electronica makes Carry Lyanne an intriguing proposition. I speak with the London-based artist about her music and most-current track, India. She talks about its story and what it was like filming its video. I ask about influences and whether artists such as Kate Bush and London Grammar are important – musicians she has been compared to. I learn more about Carry Lyanne’s upcoming E.P. and how instrumental London is to her creative process.

On the subject of touring; she talks about upcoming gigs; the new artists that are making an impression (on her) and why her lyrics go deeper than most – discussing human behaviour, sexuality and youth.

_________

Hi, Carry Lyanne. How are you? How has your week been?

Hi, Sam! I’m great.

I had a very busy week in the studio working on my debut E.P. - which is coming out in Octobe! It’s a lot of sleepless nights and hard work - but I’m enjoying every single part of it and can’t wait for people to hear what I’ve been working on.

For those new to your work, can you introduce yourself, please?

I’m an Italian-born, singer-songwriter currently living and breathing London’s hectic music scene. I’ve just graduated from BIMM (British Institute of Modern Music) and I am about to release my debut E.P.

I mainly write mellow Indie/Electronic/Pop music. However, when it comes down to songwriting, I believe there are no labels…let the inspiration flow!

Can you tell when you first discovered music? Was there an artist that inspired you to write and follow a passion?

My mom and dad have always been music lovers: so music was always being played around the house. I remember being very young and saving my pocket money to go buy C.D.s (yes, C.D.s were still a thing!). Christina Aguilera was definitively one of the first artists to make me think I wanted to have a singing career.

Her way of singing was so raw and emotional. Stripped is still one of my favorite albums.

 

Before releasing your debut single; you released a series of cover version on YouTube. Do you think those videos have cemented your sound and made you more confident as a performer? Are there any songs you covered that are especially important?

I think, nowadays, artists cannot ignore the power of platforms such as YouTube.

Covers can give you a lot of visibility: however, competition is fierce - so one must work hard in order to stand out of the crowd. I have recently covered Attention by Charlie Puth - which you can check out on my YouTube channel - but my favorite cover is No Diggity - which I have recorded at Abbey Road Studios.

India, your debut single, was released earlier this year. What compelled that song in terms of its story and were you humbled by the fact it received praise and radio-play?

The song is meant as a fictional conversation between this girl, named India, and I.

I know that she is in love with me - but she wouldn’t admit that to herself. So I am, basically, encouraging her to be true to her feelings. I wrote this song reflecting on how diverse love can be for everyone - as I strongly believe there’s should be no rules when it comes to love.

I was very happy that so many people could identify with it and that it had the chance to be played on the radio.

The video looked like it was really interesting to film. Can you tell us about the experience and what it was like making it?

I developed the concept for the video with Mike Briggs, who has filmed and directed it.

The video was shot in Essex, where we managed to glimpse a beautiful sunset on camera - which added impact to the video. Apart from performing the song; I had to do some acting scenes with Sam Simmonds (India’s boyfriend) and Caroline Wilde (India).

That was pretty fun and I have learned a lot by working with such a great team.

On the subject of videos; I hear there is a new one in-the-works? Can you reveal anything about it and the concept of the video?

Yes!

This new video has been filmed as part of my E.P. release and, if you head to my Instagram page, you will be able to get a preview! I have teamed up with two super-talented people - so the result is astonishing! It was filmed by Jay Kristoffer and edited by Catharine (Amoroso Films). The song is about that moment in love when you open your eyes and realize a relationship has come to an end.

However; the video is quite cheeky and, instead of depicting the pain of unrequited love, it seems to be saying ‘Look what you’ve missed out on!’.

Do you see yourself releasing an E.P. this year or are you working on getting the new song out? If there is an E.P.; what can you say about the songs and themes you’ll explore on it?

I am releasing a three-track E.P. in October.

I produced it with the talented Gabriele Mazza.I feel every track has something to say to the listener. I sing about love - but mostly about life and about finding yourself and your inner-voice. After my father died, two years ago, I started reflecting a lot about the meaning of life - and I have learned to appreciate the bad and good things that life has to offer.

So; this E.P. is a deep-flow of emotions: ranging from anger, love; melancholy and happiness.

Your songs dig deep and explore subjects such as sexuality and youth. How much of your material do you take from your personal life/relationships and do you think more artists should eschew obvious subjects and write deeper songs (like you do)?

I take a lot of inspiration from real life - especially from the people I meet. I find humans so fascinating and inspiring! I don’t necessarily consider my music to be deeper than other musicians’. I (just) think that, as long as you write authentic music, people will be able to connect with it.

London is your base. Have you always lived here and what is it about the capital that attracts you? Do you get a lot of inspiration from people around you?

I moved to London three years ago to study music. I love the city!

This is where I have started writing my own music. I just find it so inspiring: it almost feels like everyone has got a story to tell. I have met people from all around the world who have definitively contributed to my inspiration.

Also; the music scene is buzzing and so diverse.

Your music has been compared to the likes of Kate Bush and London Grammar. Are they idols of yours? Do you find it flattering getting those comparisons or is it quite daunting?

I find it very flattering!

I know Kate Bush is a huge name in music; especially here in the U.K. I must admit I was aware of her but I’ve never listened to her music before. I think both Kate Bush and London Grammar are great artists.

What tour dates are coming up? Where can we come and see you play?

I’m performing an acoustic set with my guitarist, Gabriele Cogo, at Biddle Bros on Friday, 8th September. I’m on at 8.30 P.M. - so make sure you come join us! It’ll be fun!

IN THIS PHOTO: Zella Day

Who are new acts you recommend we check out?

Zella Day, Rex Orange County and Bryde.

IN THIS PHOTO: Bryde

If you had to select the three albums that mean the most to you; which would it be and why?

Stripped - Christina Aguilera

One of the first albums to inspire me to become a singer-songwriter.

Nine Lives - Aerosmith

Aerosmith are one of my favorite Rock bands of all times. (Steven) Tyler is such an outstanding vocalist and an icon...plus; this album was a gift from a special person in my life.

Born to Die - Lana Del Rey

This album was revolutionary: I remember listening to this thinking ‘Where the hell did you come from?’ Lana has a strong influence on my songwriting. 

What advice would you give to artists coming through right now?

When times get tough and you feel like investing all your money in music; playing to empty venues; staying up all night - writing isn’t worth it - just remember why you are doing this in the first place. There’s a quote that says “If you give up, it means you never wanted it”.

Every time I feel down, I read it, and it reminds me of how much I love making music and how good it makes me feel. One of my favorite quotes from Conrad Hilton also says: ”Success seems to be connected with action: Successful people keep moving. They make mistakes but don’t quit”.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

American Money by Børns!

____________

Follow Carry Lyanne

Facebook:

https://www.facebook.com/CarryLyanne/

Twitter:

https://twitter.com/CarryLyanne

Instagram:

https://www.instagram.com/carrylyanne/

YouTube:

https://www.youtube.com/channel/UC8713LtOe7fU8eyfP9zd_WQ

SoundCloud:

https://soundcloud.com/user-244003950

Spotify:

https://open.spotify.com/artist/76ZXOEXXrfi8Bs0nPo6H2Q

INTERVIEW: REWS

INTERVIEW:

 REWS

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REWS are a mighty force in music and have played…

some exceptional gigs this year. In their career, so far, they have performed at Glastonbury’s John Peel Stage; rocked crowds around the world and had their music spun on BBC Radio 1. Shauna Tohill and Collette Williams have a close and kinetic bond that makes their music such a physical and seamless thing – accessible enough for anyone but instilled with plenty of swagger and flex. I speak to REWS about their new single, Shine, and how they met one another.

They talk to me about their hectic schedules; whether there is an album approaching and how they both got into music – and recommend a few new artists worth watching out for...

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Hi, girls. How are you? How have your weeks been?

Hello, there!

Aw. It has been a busy week, but all fantastic…and you?

For those new to your work; can you introduce yourself, please?

We are REWS: a high-energy, Alternative-Rock/Pop duo consisting Shauna Tohill and Collette Williams!

Aswad and Take That have taken a ‘shine’ to a certain song-title. I am guessing your Shine is a bit different?! What provoked the song and can you remember the moment it was written? Was it easy to put together?

Haha! They certainly did!

Our Shine is slightly different. It is actually one of the first songs that we completely collaborated on. It began with a jam but, lyrically, it was inspired by the observation of a love interest that couldn't be figured out. It’s, like, when you want to know someone but you can't figure out how to make them notice you (and come out of their shell and 'shine') – but, coming to the conclusion that they are the only one who can make that choice...

All you can do is your best and hope until you need to draw the line. It was a disjointed process, writing, as it came in different stages - and we tried a few different techniques but took around two weeks to finish.

It was fun!

What was it like shooting the video for that song? How involved do you get in the conception and production side of shoots?

What a fun-crazy, glitter-time! We had glitter coming out of every orifice for two weeks!

We worked with two amazing creative videographers (Jonny Finnis and James Chisholm). We rocked out sooooo hard that we also couldn't move for a few days with muscle strain/whiplash. Haha!

We are always involved in the conception and creativity so we brainstormed our ideas with the team and the video director - and were over the moon with the video.

Is there a REWS album afoot? What can you reveal about the kind of albums one might expect to hear on the L.P.?

Indeed there is!  

It's called PYRO and will be out on the 3rd November, 2017!  We can't wait to release it! 

Hmm...expect explosions of colour in your ears - and your face to be melted?! You might want to dance along at times, too.

There's something for everyone on the album.

I have been following your music for a long time. How do you think you have evolved as a duo over the last year or so? Do you find yourself growing more confident?

Aw, thank you! That’s really good to know!

We feel that, over the last year, we have become more of a unit. We are more confident in our abilities and what we want to deliver as a duo - as well as what we are saying through the music we write and play together. We are still evolving - as everyone does - but we think we are on the right path. 

How did REWS come together and what was the moment that made you both realise you were meant to make music with one another?

It is a long story but, basically, we were introduced by chance...

We both moved to London at the same time - both of us looking for someone to play music with...

Shauna: I met a friend of Collette's who recommended we hook up and, through the powers of the Internet (particularly SoundCloud) hunted Collette down and hoped she would be up for it. I knew before I met Collette (through our online convo.) that we were going to be a good team - as we shared a lot of interests - but our jam solidified that for me - and we've just been getting to know each other more over the years. 

Collette: I got a message on SoundCloud from Shauna explaining that she wanted to find like-minded musicians to, potentially, start a band together (with). I was seeking the same thing and felt an instant musical connection which, then, bloomed into a friendship and exciting musical journey.

Many have compared you with Royal Blood. Is that a flattering or do you want to be known on your own terms? Do you think the media are too quick to compare artists with other acts?

Shauna: It’s interesting...

We do feel flattered but, equally, want to also have our own wings to fly upon. I think media need to compare artists with other acts so they have something tangible to tease people into listening to someone - as the music world has so much new music to offer! 

Collette: Yeah, I mean; they've been really successful and have helped put duos on the musical-map.

It would be great to follow in their success but our music is a little different and, dare I say it, perhaps a little more accessible to a wider audience - as it's Rock…but has Pop sensibilities. 

I am seeing more female duos/bands come to prominence. Do you think it is important we promote female acts more and does it give you heart knowing you’re inspiring many new artists to get out there and show what they are made of?

Shauna: Yes.

I think it is really important to promote and encourage anyone with talent - particularly female acts who are doing something different! It certainly does give us heart knowing that we are inspiring new artists to get out there and be themselves! We love it!

That’s why we do what we do in many ways!

Collette: It's important to inspire people full-stop, regardless of gender. One of the most rewarding parts of being in a band is when a young fan comes up to you, after a set, and says they've started playing an instrument - and they really want to be in a band because of their idols etc. 

Collette. When did you take up drumming and are there particular idols/performers that inspired you to do so?

I started drumming when I was fourteen - after singing for years and playing the violin/guitar.

I just felt like there was something else out there that would really fulfil me musically…and drums was my calling. I loved Rock music and the energy it exudes - and really needed an instrument to reflect that. I always found myself honing into the beat on tracks and air-drumming along - or coming up with my own grooves.

I grew up listening to the likes of Fleetwood Mac, The Police; Eurythmics and the Sex Pistols - so it was a really eclectic mix. I was particularly inspired by Dave Grohl; Cindy Blackman and Travis Barker. I always joke that Animal from The Muppets is my biggest inspiration – hence, why I always go mental at gigs. Haha.  

Shauna. I am fascinated by your range of lyrics and the way you mix personal with the oblique. Again…are there artists that have influenced you heavily? 

Thank you. That has made my day!

There are quite a few artists that have influenced me to write really honestly – but, adding in creative, metaphorical twists - including Tori Amos, Daughter, Biffy Clyro and Little Dragon. I must also admit that reading (particularly doing the 'artist way' course) helped me to unblock that creative flow and I try to allow myself to (just) spill whatever comes to my hand onto the page - and then get a feel what fits with the music and concept of the song.

For Shine; Collette and I actually had our second process of trying this together, which was fun. 

Recently, you have performed some incredible gigs – including dates in Belfast. Have you got a favourite memory from 2017? What is it like hearing your music chanting and sung to at gigs?

Shauna: For me; my favourite memory was playing Glastonbury’s John Peel Stage with Collette. Seeing the amount of support (and people we had there) plus feeling their weight, physically, in their cheering was quite something - especially when they are singing and dancing to your music!

Collette: Likewise…I almost stopped playing at one point as I was so overwhelmed by how many people were there watching us! It was probably the biggest moment in our career to date and was so awe-inspiring.

BBC Radio 1, among other stations, has backed and celebrated your music. How do you react when you hear your music played on stations like that?

Every time; we feel overwhelmed and grateful.

We also feel our confidence grow with the increase in the support - but we still have to pinch ourselves and stay centred! 

PHOTO CREDIT: Mick Rees Photography

It seems there is a real sisterly bond between you, Collette and Shauna. What do you two get up to when not recording music? It seems like there might be a cheeky, Rock ‘n Roll side to REWS that is indulged away from the stage…?

Shauna: Haha! We are actually probably the least Rock ‘n’ Roll band... normally!

But, when we get a chance to hang out - we do enjoy rockin' out at our favourite bands' gigs; sneaking into awards ceremonies; eating delicious food and having a cocktail (or three). We spend a lot of time just laughing at stupid things, T.B.H. 

Collette: Haha, yeah. The basis of everything we do is to have fun!

We like exploring new things; going to gigs; shopping; comedy nights - and being a pair of wise-cracks!

How is the tour diary looking? What dates do you have coming up and will you get a chance to have a breather before the end of the year?!

Shauna: We have a jam-packed diary with tours coming out our ears - but we are really excited about it all! As for down-time …we will have some time at Christmas!

Collette: Yeah. We have an announcement coming soon in regards to tour - so keep your eyes peeled. It's pretty much all-go but we'll both get some time with our families for Christmas (which will be great). 

IN THIS PHOTO: Vukovi/PHOTO CREDIT: Stuart Simpson Photography

Who are new acts you recommend we check out?

Shauna: I'd say; check out Dead!, Fizzy Blood and Vukovi.

Collette: I second Vukovi - and Marmozets are great. Fatherson and Fjokra.

IN THIS PHOTO: Marmozets

If you each had to select the one album that measn the most to you; which would it be and why?

Shauna: Hmmm... it might have to be Avril Lavigne - Under My Skin

It helped me through a really hard time in my life - during teenage years and when my family broke up. 

Collette: I would say Red Hot Chili Peppers - Californication

It was the first physical album I got for Christmas and really got me excited about music. I learned all the words; studied Chad Smith’s drumming style - and imagined being married to Anthony Kiedis. Haha.

What advice would you give to artists coming through right now? 

Shauna: Keep focused and work for what you believe in - and do it for the right reasons. It’s not an easy world and there are so many conflicts you will experience along the way. But; if you stay true to yourself, it is possible.

Also; it’s important to keep your priorities right and surround yourself with people who you care about - and who care about you. 

Collette: Treat others as you'd like to be treated. Even the biggest bands had to start out somewhere - and you will work with many of the same faces in your career. People remember the divas - and negative news travels fast. Remain true to your beliefs and fight for what you believe in.

Be as versatile as you can: bands that can drive themselves; have a car; understand live sound and can advance their own shows will go far - and be very attractive to labels. 

Finally, and for being good sports, you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Shauna: Favourite song of the day is Daughter - No Care

Collette: Great Scottish band: Fatherson - Always

____________

Follow REWS

Official:

http://www.rewsmusic.com/

Facebook:

https://www.facebook.com/wearerewsmusic/

Twitter:

https://twitter.com/rewsmusic

Instagram:

https://www.instagram.com/rewsmusic/

YouTube:

https://www.youtube.com/channel/UCqrzf8MKEmBbbyo3wpzkQGQ/videos

SoundCloud:

https://soundcloud.com/rewsmusic

Spotify:

https://open.spotify.com/artist/4B06m6NJ8e5AnzIZNtZtta

INTERVIEW: The King’s Parade

INTERVIEW:

PHOTO CREDIT: Juan José Ortiz Arenas

The King’s Parade

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I think I reviewed/interviewed the boys of The King's Parade…

a couple of years ago – but they have accomplished a lot since then! I thought, that being said, it was worth checking back in and seeing how things were shaping-up. They talk me through the single, Mother Tongue, and what it was like filming the video. Haze, their new E.P., is getting tongues wagging and picking up a lot of buzz – I ask the band how they are taking the acclaim and whether they have grown in confidence since their debut-days.

Looking ahead; the chaps reveal tour dates and what we can expect; the music that has inspired all of them and, as I had to ask, where that band-name comes from. They discuss how the band came to be and what kind of music they take inspiration from.

_________

Hi, guys. How are you? How has your week been?

Hey!

Pretty swell. We’ve had a busy week of recording - and we’re preparing for a secret gig in Central London this Thursday!

For those new to your work; can you introduce yourself, please?

We’re The King’s Parade: a four-piece Alt/Soul outfit from London. We’ve been jamming and living together for four years - and have just released our second E.P.!

Mother Tongue is your new song. What can you tell me about the song and how it came together?

The song came about after going back home for a bit to clear my head.

I grew up in France, and heading back there and seeing where I grew up, reminded me how much has changed over the years. Mother Tongue is about realising you’re losing touch with where you came from. It’s always difficult to get the balance right between moving forward and sticking to your roots.

Ultimately, the person you were will always be within you and it’s important to be aware of that.

The video, shot in black-and-white, looked like it was quite fun. Are videos something you enjoy doing as a band?

We love making videos!

it’s always exciting to see how we can translate what we do musically to film - and we get to work with some amazing people. The difference with this video is that it’s the first time that we’ve shown our faces.

We’ve always been slightly sceptical about doing it because we’re a bit camera-shy, I guess…it felt like the right time (and song) to do it for.

Mother Tongue is taken from the E.P., Haze. It has gained huge praise and featured on some impressive radio stations. Did you expect it to do so well and why do you think the E.P. speaks to so many people?

We’ve been overwhelmed by the response so far...

Of course, we were hoping people would like it as much as we do but it’s always amazing to see how much music can affect people and move them. The more you write and share music, the more you realise that the things you’re writing about are feelings shared with so many people - even the tracks that seemed so personal to you.

We can’t wait to show our fans what we’ve been recording this summer.

Are you looking ahead and writing new material? Are fresh songs forming or are you keen to tour this E.P. first?

Fresh songs are forming all the time, which is great news…ha!

Sometimes, it’s hard to get the balance right between touring/playing and heading into the studio to record new tunes. Generally, though, we’ll know when it’s important for us to keep showing the world what we’re working on.

We don’t want to slow down at all!

Can you take me back to 2012 and your earliest days? How did The King’s Parade come together? Who chose the band name and what is the meaning behind that?

We all met at uni. in York.

Sam (Keys) and I did the same course (Music Tech) and we started playing together to make some cash on the side. We really liked the idea of starting something more serious and, soon enough, our courses were not our top priority. Sam knew Tom (Bass) from back home and Chris (Drums) was already playing with a few bands around town - so we poached him (haha).

Our first rehearsal was in Chris’ bedroom and we instantly all got along. The first song we jammed was Vagabond - and it ended up being the title-track of our first E.P. There’s never been any talk of stopping since then!

PHOTO CREDIT: Arie Van Der Poel

Choosing the name was a long process! We had all kinds of ideas including ridiculous anagrams using the first letters of our names. In the end, we chose ‘The King’s Parade’ because we always used to joke about how strict Chris was about rehearsal times. We would jokingly bow down to him and how we were his ‘Parade’.

Pretty silly really, but we love it!

In your music, I hear snatches of Detroit, Memphis and New Orleans; bits of Alabama Shakes and Leon Bridges. It seems America and its music has a big impact. Would that be fair to say?

Definitely fair to say!

We’re influenced by so many different musicians but we all have a common appreciation for Soul and Blues. The States have produced so many incredible voices and musicians.

We’re looking forward to the day we can bring what we do over there.

PHOTO CREDIT: Wunmi Budo

Who are the artists you all grew up to – before you came into music?

All sorts!

My mum was a Beatles, Led Zeppelin and Queen fan. My dad was into his Jazz and Blues - so he was listening to Ray Charles, Aretha Franklin; Ella Fitzgerald, Nina Simone…etc. In-between all this, I was listening to the Chilis, Linkin Park and Jeff Buckley. So, it’s fair to say, I was exposed to a fairly broad selection.

Luckily for me...it was only the good stuff.

Is it true you used to play on a Hawaiian cruise ship? How did you get roped into that and was it, like you cheekily allude to on social media, your Beatles ‘Hamburg days’ rite-of-passage?

Yes, it’s true!

It’s the first thing we did after we came out of uni. We wanted to make some money to move down to London - but we couldn’t face the idea of not playing together for that amount of time. We thought, the best thing to do, would be to apply to be the house-band on a cruise (and we got it!). Haha.

Well; it was definitely a rite-of-passage! The playing was non-stop and we had to nail a hell of a lot of tunes. Playing every night for three-months-straight definitely makes you tight, if nothing else!

Since then, you have done less impressive gigs like Secret Garden Party and some big festivals. Is touring and performing at big events something you all love doing? How important are these gigs when it comes to testing and strengthening your music?

Yep. It was all downhill from there!

Playing those gigs is what we work towards. It’s the best feeling. At the end of the day, you can’t beat the feeling of seeing people react to your music right in front of your eyes. Our fans are amazing - which helps a lot, too!

Listening back to your slightly old material like Vagabond (E.P.); it seems Haze, and your new single, shows you have incorporated new sounds and got tighter as a band. What would you attribute this to?

We all live together in London and play, basically, every day in a shed - in our garden. Over time, we’ve experimented with new sounds and ideas. The songs are evolving all the time - as all art does. With these progressions and changes come new sounds and textures.

PHOTO CREDIT: Wunmi Budo

Can we see you on tour anytime soon? Where might we be able to catch you?

Yes!

We’re heading off to Germany at the end of the month for a few days to start touring our second E.P. We’ll be tackling the rest of Germany - as well as the U.K. - and others later in the year. You can check out all our live dates on our website.

Until then, we’re playing a secret show this Thursday in Central London (see Facebook) - and we’ll be playing an intimate show at The Hospital Club on 6th September - with some amazing friends of ours.

Are there any new artists you recommend we check out?

Too many to name!

We have our own Spotify playlist - where we put up all the new artist we love listening to at the moment - and it’s updated weekly.

Go check it out on our Spotify page!

If you had to select the one album (each) that means the most to you; which would they be and why?

Olly: Jeff Buckley - Grace

Possibly the main reason I started writing and playing.

Sam: Ben Folds - Songs for Silverman

My brother introduced me to this and I became completely obsessed. I learned every part (not that I could play all the instruments...) which sparked an interest in recording when I tried to re-record the album by myself - not to be heard by a wider audience.

Tom: Alabama Shakes - Sound & Color

It’s just that one album I can listen to over and over again without getting bored: I learn something new every time I listen to it. An absolute cracker!

Chris: Radiohead - Ok Computer

The first album that really caught my imagination, lyrically.

What advice would you give to any new artists starting out right now?

If you genuinely believe in what you do: you have nothing to worry about. It’s a long road but persistence and hard work will get you where you want to be. If you love what you do, you’ll stop at nothing.

Finally, and for being good sports; you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Olly: Go on then…Jeff Buckley - Lover, You Should’ve Come Over

Tom: Over My Head by Alabama Shakes (those vocals, though!)

Sam: Always love when this song comes on! A classic but, hopefully, this will introduce it to someone out there: Go Your Own Way by Fleetwood Mac

Chris: Sweet. I'll go for Subterranean Homesick Alien by Radiohead

____________

Follow The King’s Parade

Official:

https://www.thekingsparade.com/

Facebook:

https://www.facebook.com/thekingsparade/

Twitter:

https://twitter.com/thekingsparade

Instagram:

https://www.instagram.com/thekingsparade/

YouTube:

https://www.youtube.com/channel/UCSHOW4mAYp8pk48OHpd8i1Q

SoundCloud:

https://soundcloud.com/thekingsparade

Spotify:

https://open.spotify.com/artist/2LW1ekjQ6U5UyxcD5crwXk

INTERVIEW: Frida Sundemo

INTERVIEW:

 Frida Sundemo

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MY fascination with Swedish music is hardly helped…

PHOTO CREDIT: Joel Humlén and Linnea Sundemo

when I encounter someone like Frida Sundemo. Her new single, Gold, is out tomorrow and it seems her album, Flashbacks & Futures, is going to be a cracker! She discusses the album and how influential space – and the cavernous mystery of our universe – strikes her creative heart and compels her imagination. Sundemo talks about composers like Hans Zimmer and John Williams; how producer Joel Humlén helped add new dimensions to her work – and what tour dates she has approaching.

I learn about the artists/albums that affected Frida Sudemo at a young age and what the music scene in Sweden is like. She talks about past successes – and what it feels like hearing her music featured on T.V. – and whether there are any plans on coming to the U.K. very soon.

_________

Hi, Frida. How are you? How has your week been?

Hi, there!

It’s been really good, thanks - a mixture of baths in the ocean and preparations for the album release.

I just shot the music video for my next single, Gold! 

For those new to your work, can you introduce yourself, please?

I’m an artist, producer and songwriter from Sweden who’s been making music for some time now. I’m in love with symphony orchestras as well as minimalistic Techno music - and pretty much everything in between. 

Flashbacks & Futures is out on 6th October. What kind of themes and inspirations go into the album?

I’ve gotten a lot of inspiration from sci-fi movies: 2001: A Space Odyssey, Interstellar and Gravity. It’s about the small human in a gigantic universe.

I’ve written the music for big orchestras - even though the final sound of the album isn’t exactly that. But I love to dream big, think big and write big: as long as the small and fragile finds it place too. 

I know (outer) space is something one hears throughout. The compositions have that stellar, quasi-intergalactic grandeur. How influential is space and its mystery to the scores and lyrics?

A lot.

I’m happy to hear you get that feeling! I love writing music to video clips of space. Sometimes, I just search for ‘travel through space’ - or something like that - on YouTube.

Other times, I put on a specific, inspiring part of a space movie. 

Is the universe something you have always been interested in? Were there any films or people who fostered that love?

I have a special memory from when I was about twelve-years-old.

I was in the Scouts and we were just about to fall asleep under the bare sky one summer night. I was looking at those millions of stars up there - and realised that we’re actually traveling through space then and there.

It was really overwhelming and I found it so cool that I (along with the rest of the population of the Earth) am a space inhabitant. 

I hear elements of Hans Zimmer in your work. How important are composers like him and the work they have done?

It’s really important to me. I just love it so much and get so much inspiration from them!

John Williams and Hans Zimmer are my heroes (since childhood) and Thomas Newman is a more-recent favorite.

I love it how they maximize the beauty and the mightiness without compromising. It’s like really good Pop music - but in another genre, obviously.

Are there any particular songs from the album especially meaningful and important to you?

They all are; in their own ways, of course.

But, the prelude and the title-track mean a lot to me - and say a lot of the process of writing the album. Circles is special to me, too - and To The End and Back which my awesome sister, Neamo Kid, is featured on. 

What was it like working with (producer) Joel Humlén on the record? What does he bring to your music?

We’ve been working together ever since the Indigo E.P. in 2013 - so we know our ways in the process, I’d say. He’s such a multi-talent and creates the most beautiful melodies, lyrics and harmonies.

He’s also a very good (and fast) producer and shares my love for the mix of cinematic orchestras and Electronic music. 

PHOTO CREDIT: Joel Humlén and Linnea Sundemo

You are a Swedish artist so must be influenced a lot by the people and place around you? How important is Sweden and its energy? What is the music scene like there right now?

There are a lot of people to look up to in the industry, which is great. I think that helped me believe in myself - especially when I started out producing.

It’s really inspiring that more and more female producers and songwriters are on the rise. 

Can you reveal the artists and albums you grew up listening to? Was there a particular musician that sparked that love of music?

My first album was Very by Pet Shop Boys. I bought from my big brother - the same brother showed me Hans Zimmer a few years later.

I also listened to Depeche Mode, Green Day; Weezer, The Strokes; Oasis, Coldplay; Phoenix and many more. 

Since 2010 – when the debut album Dear, Let It Out was released – you have performed in films and had your music played on big T.V. shows. You signed to Cosmos Music and delivered terrific singles like We Are Dreamers and It’s OK. What are the best memories from your career and does it seem crazy the success and evolution you have seen?

Wow, thank you!

It’s hard to pick certain moments but everything from signing my first record deal, to getting thrown into the shooting of the movie, Kill Your Friends; to live shows with amazing people in the audience.

Sometimes, it strikes me when I find myself in a strange place somewhere in the world - that I wouldn’t have been there if it wasn’t for my music.

That is awesome. 

Are there any tour dates later in the year? Where can we see you perform?

I’ll do some closed showcases in N.Y.C. this September – but, also a charity show called Give a Home. It’s a collaboration between Sofar Sounds and Amnesty – in order to support refugees all around the world.

Apart from that, I’ll do shows in London and Sweden later this fall (but haven’t set any dates yet!). 

IN THIS PHOTO: Ólafur Arnalds

Who are new acts you recommend we check out?

I have to admit that I’m not the best person to check out new music (even though I get inspiration from it when it happens!).

But, if you haven’t heard Ólafur Arnalds yet, you should definitely check him out! 

If you had to select the three albums that mean the most to you; which would they be and why?

Citadel Band by Loney, Dear

When I first heard it, it inspired me to write and produce music like no other album had done before. Ignorant Boy, Beautiful Girl is still one of my favorite songs in the world. 

Parachutes by Coldplay

I remember the day when my brother sent me Yellow.mp3 (a song by a cool Indie band from the U.K.). I fell in love with the whole album, instantly, and I still listen to it every now and then (but on my vinyl player instead of on WinAmp. Haha). 

OK Computer by Radiohead

No words needed. 

What advice would you give to artists coming through right now? 

To dream big and to have fun - and to not overthinking things (but trust their gut-feeling). 

Finally, and for being a good sport, you can name a song and I’ll play it here (not one of yours as I’ll do that).

Regra Três by Dóris Monteiro

It’s my happy-song! 

____________

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INTERVIEW: Sally Caitlin

INTERVIEW:

 Sally Caitlin

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THE past couple of years have been exciting and productive…

for Sally Caitlin. The Manchester-based songwriter talks about her E.P., Experiments, and her latest track, Déjà Vu – it is a fun and memorable video that brings the song’s messages and story to life. Being such a talented, yet developing songwriter; I wonder how she got into music and whether there were any particular artists that inspired that choice.

Sally Caitlin discusses Manchester as a base and whether she feels rooted there;  what gigs and plans are approaching and why she left a degree in Chemistry to record uplifting and deep Pop music – a revealing and passionate interview from one of Manchester’s bright young songwriting talents.

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Hi, Sally. How are you? How has your week been?

Hi! My week has been great, thank you.

I started filming the video for my next single - which was really fun!

For those new to your work, can you introduce yourself, please?

I’m a singer-songwriter from Manchester who makes Electronic-Pop music with a bit of an edge. I like to write about my own experiences - and use my music as a way to give my fans an insight into my emotions and experiences.

Tell me about the song, Déjà Vu. What inspired the track and was there a particular moment/person that was in your mind?

Déjà Vu is the third track on my Experiments E.P. and is, probably, the most summery and fun song (from the E.P.). I wrote it last summer after I found out that one of the people closest to me had been lying to me and hiding a lot of things. It was a total shock for me and came just after the breakdown of the relationship I had been in. 

Writing the song was easy for me as I could use the conflict and the break up to draw from - and I was able to channel all my frustration and anger into my music. It was very therapeutic actually!

The video looked like it was a ball. Whose concept was it and is performance, in a video, something you took to pretty easily?

The video really was great fun to make: partly because of the concept but mainly due to the team I was working with! I was working with Cosmic Joke, a production company from Manchester, to film videos for all the tracks on my E.P. – so, they pitched all their concepts to me and I loved them! I’m obsessed with neon lighting and I have light-up shoes; so I was very excited to wear those for Déjà Vu. 

I’m definitely not a natural in front of the camera, though, as it seems to take away all my confidence - making me feel very awkward! However, the guys at Cosmic Joke were so great with coaxing me out of my shell!

Déjà Vu is from the E.P., Experiments. Was it easy putting the songs together or was it quite emotional? How much of the music was inspired by relationships and the ups-and-downs of them?

Songwriting, for me, is a great way to release negative emotions and create something positive from them – so, although the songs are quite emotional, I found writing for the E.P. very enjoyable, not difficult. I always write about my own experiences and, for the Experiments E.P. (and the album that will follow); I wanted to do a concept record with a narrative running between the tracks. 

The E.P. chronicles different stages in a toxic relationship - and is inspired by more than one person from my life.

Take It All and Lead Me Down are from the E.P. – and songs that really show your range and full talents. What has the reaction been like to those songs and is it quite confidence-boosting hearing great feedback?

Take It All and Lead Me Down were the first songs that I released with my new, more mature sound - so I was, originally, very nervous about the feedback. I knew this was the direction I wanted to take my music in but I didn’t know how the fans I already had would react. 

Luckily, it seems like the response has been very positive - which is encouraging moving forwards. I’m always pushing myself to make better music and I use the feedback I get from fans and blogs to inform my decisions.

I have recently started to produce my own tracks; so I think the best is yet to come!

You released the single, Stuck in Limbo, not long after completing your degree in Chemistry (at the University of Nottingham). What promoted that drastic career move and, in a way, is there a link between what you learned in the degree and your songwriting process?

I made a deal with my parents about having a backup plan - and that’s where the degree came in. I never intended on pursuing a career in chemistry despite loving science - as my heart has always been set on music. It is great to have the security of a degree, though, and I learned a lot. 

In terms of my songwriting process; I am very methodical and logical in the way I approach writing – which, most likely, came from pursuing music and science together for years.

Can you remember the artists that inspired you at a young age? What kind of music were you raised on?

When I was really young, I loved all the Pop princesses like Britney (Spears) and Christina (Aguilera) but, as I grew older, it was artists like Nirvana, Fleetwood Mac and Pendulum who shaped my tastes – very varied, I know!

I think I would credit John Mayer for my interest in songwriting though – as, when I discovered him at the age of fourteen, you couldn’t get me off the piano!

Manchester is where you are based. How important is the city and what is it like for a young songwriter there?

It’s obviously a hugely important city in terms of music and also industrial history... 

It’s a great place to be based in general as the vibe is so vibrant and friendly I really love the city (not the weather) and feel very lucky to come from such a well-known music hub. 

However, I think it is a better place to be for an Indie/Rock band than a Pop artist - which can be difficult as I don’t have what you’d call the typical ‘Manchester sound’.

You have gained a lot of exposure and love from stations there. How important is that local representation and do you think it is the most fertile and important music city in the U.K.?

Local representation is always key as it helps you build that home fanbase - which is essential!

I love radio interviews and performing live acoustic sessions and I’ve been lucky enough to have had the opportunity quite a few times in the North West. I do think Manchester is an important music city and always will be, however, I think for my genre of music; I think London is where a lot of the exciting things are happening. 

I’m looking at moving down in the near-future - which pains me, as I’m a Northern girl.

What tour dates are coming up? Where can we see you play?

I’m playing at Salford University’s Eco Africa event on 22nd September, and then, at Underbelly in Hoxton Square on October 11th. At the moment, I’m filming a lot of videos and working on a new stage set-up; so I am not gigging as much as usual - but I’m looking forward to booking as many as possible when everything is in place!

Already, you have achieved a lot and accrued thousands of fans. Are there dreams as-yet unfiled? Are there any big ambitions and plans ahead?

For me, it’s always been about reaching as many people as possible with my music; so there are huge ambitions that I haven’t even come to close to fulfilling yet.

My ‘end-goal’ is to be a major touring artist - but I am nowhere near there yet - so I make small targets and focus on completing those and keep pushing forward. 

My next big event will be the release of my album next year - so that’s a big focus right now.

IN THIS PHOTO: China Lane

Who are new acts you recommend we check out?

China Lane are a Manchester band I see busking on Market Street a lot and they are great!  They have been played on BBC Introducing and are now supporting Sigma (so seem to be smashing it!).

If you had to select the three albums that mean the most to you; which would they be and why?

John Mayer – Where the Light Is (Live in Los Angeles)

I love live albums and this one was how I discovered John Mayer and his amazing songs. It’s probably the reason I started writing more seriously and I credit where I am today to this album.

Pendulum – Immersion

I’m a huge Pendulum fan and I love the way they mix strong melodies with the heavy drops. They were amazing live (when I saw them) and I found this album was what got me more interested in more Electronic music.

BANKS – Goddess

I’m obsessed with BANKS: I think she is an actual songwriting genius. I like songwriters who see things in a different way to me and write lines I would never have thought of.  I think BANKS is great at that - and the dark production on her tracks is just perfection to me. She has massively influenced my upcoming album and helped me solidify my identity as an artist.

What advice would you give to artists coming through right now?

Work out your end-goal and then work out the steps you need to take to get there - focus on the smaller steps instead. Don’t beat yourself up if you don’t reach a goal and keep pushing. 

Try and soak up knowledge from everyone around you – as I think learning from your mistakes and other people’s successes and failures is the key in this industry.

Finally, and for a being good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Ooohhh.

It’s got to be BANKS – Beggin for Thread!

_____________

Follow Sally Cailtin

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INTERVIEW: Elijah James and the Nightmares

INTERVIEW:

 Elijah James and the Nightmares

________

HOUSING an eight-piece band must be, I imagine…

quite a feat. Seeing them on stage quite a spectacle. Interviewing them via email, that said, is a lot more feasible and less tangible. I speak with the group about their E.P., Live at Elevator Studios and working with Tom Roach on the project. They discuss how it all came together and, indeed, how Elijah James and the Nightmares came to be. I learn more about the demands of a large band and how various players add to the mix; the albums they all hold dearest and some new artists they recommend to us.

In addition; the guys chat about their upcoming E.P. launch at Parr Street Studio2; what the mood in camp so far is like and what the future holds for them all.

_________

Hi, guys. How are you? How have your weeks been?

Elijah: Hey there. We’re doing pretty good, thanks.

We're excited about our E.P. launch on 8th September - that is fast-approaching. August has been spent preparing for that, really - sorting out all the merchandise and C.D.s.  

For those new to your work; can you introduce yourself, please?

We’re Elijah James and the Nightmares: an eight-piece Alternative-Rock band from Liverpool, U.K.

We’ve just completed a live E.P. entitled Live from Elevator Studios - which we are releasing on 9th September. It features a range of instruments; some of which include violin, tenor horn; saxophone and clarinet.

Matt: I'm Matt Kearon and I play bass in Elijah James and the Nightmares.

James: James Cudworth: Guitar and Woodwind. I also have a little keyboard - which I noodle about on from time to time.

Rach: I’m Rach and I play the tenor horn.

Gareth: Gareth. I am the drummer.

Emily: Hello. I am Emily and I play the violin

Nat: Hi. I'm Nat and I play keys.

On a Stage (Live from Elevator Studios) is your latest video. What was it like filming it and what was the reason for choosing that space?

Elijah: We chose to record in Elevator Studios for a few reasons: one being the fact that everything I’ve listened to that’s been recorded there sounds really great. It also has a magnificent and massive live-room which was ideal for our band - especially because we were recording it all live. This helped with the filming aspect of the video, also - as it provided Dom and Sacha (from Half Cut) the ability to move quite freely and easily around the room - to capture some more interesting angles.

The experience of filming it was, admittedly for me, a little daunting as I hadn’t ever done it before. Dom and Sacha are true professionals and great guys to work - with which made the experience much easier and more natural.

Matt: Filming was great -  it was the first time we had ever recorded together and this was the first song we recorded. To have the videographers there as well just created a bit of a buzz and a load of energy - I think that really shows in the videos and the recording itself.

Gareth: Well. I’ve been lucky enough to record in Elevator on a few occasions: once, also, recording videos and it really is a great space with a really interesting vibe. It always feels nice and open there - which is useful when you’re trying to squeeze an eight-piece band in!

That Girl of Mine – at the same location – is out, too. Are there going to be more videos coming in the next few weeks?

Elijah: That Girl of Mine is one of two videos we filmed in the studio - the other being On a Stage.

On a Stage came out on 18th August and That Girl of Mine came out on August 25th. Tomorrow; the E.P. will go online to stream - for the week leading up to our launch.

These songs, as I suspect, will form part of your Live from Elevator Studios E.P. Can you tell me about the filming and why you chose to release an E.P. like this?

I’m currently in the process of working on a full-length L.P. and, because I’m doing the whole thing myself, we needed something that we could release whilst I was working on that. We decided to record a live E.P. as we wanted to capture the way the band sounded as we performed.

It didn't need to be polished or edited: it just needed to be us in a room. Credit goes to Tom Roach who engineered that day and managed to capture just that.

What were the influences, in terms of themes, that compelled the music? How much of 'the personal' went into each song?

In terms of the writing process for these songs; there’s an obvious mix for me - of more personal songs and songs that inhabit fictional characters and worlds. This method of writing was something I wanted to experiment with as, in the past, songwriting for me acted as a kind of personal therapy - in which, writing songs helped me deal with various things like anxiety and depression.

That, however, is not to say the stories in the songs are a-million-miles away from how I was feeling at the time of writing them - they just remove me as the main protagonist.

You are launching it at Parr Street Studio2 on 8th September. Are you looking forward to that night? Who else is on the bill with you?

We’re greatly looking forward to the E.P. launch and we’re elated to say we’ve managed to get our good friends Shy Billy and The Mono LPs to support us on the night.

I think, however, I’m more excited to sit at the merch. stand and show off our first batch of T-shirts (than anything else)!

Gareth: Yeah. Studio2 is a great venue: one of many in Liverpool that are really keen to support the local music scene. We’ve played there once before and really enjoyed it - so we’re looking forward to being able to headline there.

Hopefully, we can really make this space our own!

Tom Roach recorded the E.P. What was it like working with me and the supporting players that helped add to the sound?

Elijah: Tom is an incredible engineer and just so happens to be also one of the nicest guys we’ve met! Working with him is just so stress-free. He creates an environment in which you can feel totally comfortable – which, when recording I think, for me, is the most important thing.

Matt: Tom was an incredible engineer: he really got to know us, made us all feel so at ease and he just understood, straight away, what we wanted.

There are eight of you in the band. Can you tell me how Elijah James and the Nightmares came together and how it easy it was to gel in those early days?

Elijah: In theory, we’re still very much in the ‘early days’ - our E.P. launch will be our second full-band show. That said, however; for me, it’s all felt very easy and natural from the first day we started practicing. We all knew each other before in some way through various other friends - and have all been involved in other projects around Liverpool for a few years.

It just turned out everybody was available at the time I was hoping to start something up.

Matt: I was the fourth ‘Nightmare’ in - after James, Simon and Gareth - and that gave us the base of the band. We all gelled really quickly - I think it helped because, by this time, E.J. had the songs at such an advanced stage. It was really easy to get to know them.

Then, when Emily, Rach and Nat came in; it just clicked instantly. That first practice we had with all eight of us (which is a mammoth task to arrange in itself) sounded incredible - it really felt like something special.

Each of you has a different talent and plays a different role. Is it quite hard writing songs as a unit? What is the songwriting process like?

Elijah: In terms of this collection of songs, I had already written the majority of the parts before the band was together. That said, we’ve already been working on a couple of new tracks and it’s been very easy.

I think the fact everybody has, in some way or another, worked together before on other projects has definitely helped make the writing process feel unconstrained.

Gareth: Elijah seems to have a really good talent for creating musical landscapes in his head. Generally, the rest of the band’s job is quite easy - as we’re mainly just trying to bring those ideas to life. There’s always room for experimentation, though, and it’s always great when a new song gets brought in - because Elijah's writing comes in such a variety of styles.

Who are the artists you all take influence from when recording your music?

Elijah: I’m a big fan of songwriters like Neil Young, Joni Mitchell; Elliott Smith, Mark Everett; Nick Cave and Sufjan Stevens.

Lyrics are my thing: good poetry that I relate to.

Matt: I’ve always loved the D.I.Y. ethic of The Cribs.

I feel they always stuck to their guns and done what they've wanted to do, their own way. Their new album was recorded live, in five days, and just went top-ten – and I think that really refreshing; it shows you don't need huge labels and tonnes of radio-play to be successful-  you just need to roll your sleeves up and work hard at what you love… and, eventually, it will pay off!

Rach: Tom Waits, Eels; The Beach Boys, Arcade Fire; The Beatles, Radiohead.

Bands and artists who are distinctive but can also have a completely different sound from album-to-album - or even song-to-song.

As a tenor horn player; there are a lot of players who influence me but Sheona White is exceptional; she just has the most beautiful sound – I feel like I have to run and practice after listening to her.

James: After recording the E.P.; I think we all agreed that the live recording method worked well for us. The recording approach of classic session artists such as The Wrecking Crew and, even, The Funk Brothers influenced the way I felt about getting in the studio together.

I’d also been watching a lot of VULFPECK videos before we went in and, even though the sound is completely different, it really got me in the mood for a live session.  

Gareth: When I go into the studio, I always think about those artists and albums that manage to capture a really solid aesthetic that compliments the songwriting.

Albums like London Calling or Rumours are classics: more recently; Goodness by The Hotelier and the latest Band of Horses record stood out to me. I’m really looking forward to recording more with the band to try and achieve similar things.

Emily: I am a Classical violinist by day so am inspired by people like Nicola Benedetti and Itzhak Perlman - who are at the absolute top of their game. I also love listening to live Stephane Grappelli stuff - as it’s so complex and always pitch-perfect whilst maintaining a whimsical, scrappy feel.

Nat: I have always loved playing Blues piano - especially anything that has hailed from New Orleans; therefore, the likes of Dr. John, James Booker; Allen Toussaint and Professor Longhair have given me plenty of material to try and emulate when playing.

I broadened my horizons a little now: generally, anything catchy with some great vocals and musicality. I love playing the Hammond organ; experimenting with the different sounds you can create when altering the draw bars, Leslie, and percussion - allowing you to change the whole feeling of a tune instantly.

How is the tour diary looking? What dates do you have coming up?

Elijah: We currently have a gig booked in October that hasn’t been announced yet. We’re also in the process of booking more towards the end of the year around the U.K.

IN THIS PHOTO: COLOUR

Who are new acts you recommend we check out?

Other than the two bands we have supporting us (Shy Billy and The Mono LPs); from Liverpool, I’d recommend SPQR, COLOUR; Astles and The Cheap Thrills.

Matt: I really liked The Magic Gang and superfood when I saw them at festivals over the summer. Not necessarily a new act, but The XCERTS’ new song Feels Like Falling in Love is the perfect Pop song.

IN THIS PHOTO: The Magic Gang/PHOTO CREDIT: Rosaline Shahnavaz 

Rach: AbiChan, Blaenavon; Astles, George Cosby and The Magic Gang.

James: Have a listen to Holy Moly and the Crackersss: they have a great, unique sound and unbelievable energy on stage.

Gareth: I’ve been listening to the new Charly Bliss record a lot. It’s got a stunning energy to it that you don’t find that often.

IN THIS PHOTO: AbiChan

If you each had to select the one album that means the most to you; which would it be and why?

Elijah: Joni Mitchell - Blue

That record’s my miracle cure.

Matt: Sleep is for the Week by Frank Turner

If I'm ever stuck for something to listen to; it's always the first album I go to - I feel like I can relate to every song on that album. It, basically, soundtracked my teens and early-20s.

A close-second would be A Grand Don't Come for Free by The Streets - for the exact same reasons!

Rach: If I have to pick just one, I’d go for Eels - Blinking Lights and Other Revelations.

I think it’s a masterpiece; not to mention an emotional rollercoaster. There’s a song for every mood and it’s just so personal. I could listen to it over and over.

James Cudworth: Bruce Springsteen’s The River

Oh man: what a great album. Steve Van Zandt’s approach to production really captures the energy of a live performance. I feel a connection to every song. I remember first getting given the record by my dad. I was signed-on at the time, looking a job straight out of school - and the stories about the struggle of work and relationships, in economically trying times, really stuck with me.

Gareth: It has to be Paul Simon’s Graceland

The songwriting is something else and the arrangements have such beautiful variety. I remember it being on in the car growing up and it’s always been a go to record for me. More recently, Tellison’s Hope Fading Nightly is a real masterpiece - for the disillusioned millennial that hides away in us all.  

Emily: So difficult! Probably, at the moment, A Larum by Johnny Flynn – although, it probably changes daily. Other strong contenders are Frank by Amy Winehouse; Salad Days by Mac DeMarco - and, basically, anything by Kate Bush.

Nat: Tough one. I love live albums. Just hearing how the audience is reacting to the music and, of course, what's happening on stage can be hair-raising! Because of this; James Brown (and The Famous Flames) Live at The Apollo or Johnny Cash At Folsom Prison win it for me!

What advice would you give to artists coming through right now?

Elijah: Just stay as true and as honest as you can towards whatever it is you set out to achieve from the beginning.

If it’s not everything you think about, day and night...it’s probably not worth it.

Finally, and for being good sports, you can each name a song and I’ll play it here (not one of yours as I’ll do that).

Elijah: Joni Mitchell - A Case of You

Matt: The Xcerts - Feels Like Falling in Love

Rach: Eels – It’s a Motherf*cker

James: VULFPECK - Animal Spirits (for those feelgood vibes)

Gareth: Enemies - Indian Summer

Emily: Randy Crawford – Street Life

Nat: Donny Hathaway - The Ghetto

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Follow Elijah James and the Nightmares

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Facebook:

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