INTERVIEW: Dom Fricot

INTERVIEW:

1.jpeg

Dom Fricot

_______

IT is to the shores of Dom Fricot…

2.jpeg

who discusses his latest gem, Help Is Needed. I was eager to discover the story behind the song and what we can expect from his sophomore record, Deserts (out on 23rd March). He chats about his musical development and whether songwriting is a way of translating anger; working with David Vertesi on his new album; which artists have inspired him – some new musicians he vibes to.

I ask whether the Canadian artist will come to the U.K. and see us; how he spends time away from music; what advice he would offer fresh artists; how music came into his life – what tour dates he has in the pipeline.

______

Hi, Dom. How are you? How has your week been?

The week has been great. I’m currently living in the Netherlands, rehearsing and writing. My cousin just came to visit me from Switzerland and we had a great time biking around. It’s an absolute paradise for cyclists here.

For those new to your music; can you introduce yourself, please?

My name is Dom Fricot (used to be 'Dominique Fricot', but I shortened it for this album). I’ve been releasing solo albums since 2012 and, more recently, joined an international collective of singer-songwriters called Folk Road Show. (Think C.S.N.Y.-meets-Fleet Foxes). This March 23rd, I’ll be releasing my third studio effort, Deserts. The album kind of honed in on this post-Genesis Peter Gabriel/Phil Collins sound.  

Help Is Needed, your new song, seems like a cry for help and declaration for calm. Was there a particular event that compelled you to pen the track?

I penned it shortly after the shootings at the Bataclan, while the Syrian refugee crisis was happening. I wasn’t there, but I had been in Paris a couple days before it happened - so it felt very close.

Do you feel songwriting is a way to channel frustrations and making sense of the world? Do you think things will improve before long?

I totally think that’s what songwriting is; at least for me. Songs seem to most often emerge out of emotional wounds or mental frustrations. Do I think things will improve before long? I think there are a lot of forces right now pushing society in the right direction, but there are obstacles that we have to overcome when it comes to any of the major issues: gender-inequality, gun control; racism, economic disparity etc. The list goes on.

I think the obstacles are pretty daunting - and what I’m trying to point out in my song is that it’s an all-hands-on-deck scenario.  

sing.jpeg

Your sophomore record, Deserts, is out on 23rd March. What sort of themes and ideas go into the album?

The album is a lot about nostalgia and looking back on hard memories with a new perspective. When I first began writing songs, it was in the wake of my father’s passing at the age of sixteen. At the time, the songs were just about regret or pain and longing. I actually had a strange moment while recording this record because, all of a sudden, I had a bout of depression. It didn’t make any sense to me. The weather was great, I was healthy and I was living my dreams...

I’d taken a month off work to make this album and, all of a sudden, I was having so much trouble just getting out of bed. In the middle of it, I discovered, via Google...I’d made a conscious decision to forget when it happened: it was on exactly that day, sixteen years ago, that my father had passed away. I didn’t intend for the songs to be about my parents, but there is a lot of my mom and dad on there.

3.jpeg

Echoes is the memory of having my dad as a soccer (‘football’ to you, I suppose) coach and hating the pressure - but now missing those times. Measure Up is another one about him where I reflect on how I can’t really imagine comparing myself to my dad. He just always seemed like this giant of a personality; saving money for seven years to move to Canada from Mauritius and, later, building my childhood home by himself with a couple friends to help him out. The album has a lot of looking back. But, also, a bit of my mother’s social justice via Help Is Needed - and I think she would have despised it as a piece - but Meredith Clark is kind of a dark look at the issue of consent.

You worked with David Vertesi on the album. Why did you want to work with him? What qualities did he bring to the recording?

Dave really brought an ambitious approach; giving this album a focus.

In our first meeting, he was very clear that he wanted me or us to have a goal for this record. He personally wanted to make this record sound different than anything I’d done. I’d originally wanted to work with Dave because I’d really liked what he’d done with other tracks for Vancouver artists that I’d heard him produce - and I just knew he had knowledge of genre and modern music far beyond my breadth of awareness. In the end, I think he knocked it out of the park. He pushed me, vocally, in new ways that I’d never been pushed before and he made me make uncomfortable choices with the songs that I ultimately loved.

I think that’s a key role for a producer: to get the artist to see their work in different ways and take risks that they normally wouldn’t.

9.jpeg

How did music come into your life? Was there an artist or album that spurred you to create songs?

It seems pretty common, but I remember listening to Smells Like Teen Spirit at full-blast, on-repeat in the back of a friend’s car when I was about ten-years-old. I started playing the guitar and decided that I wanted to be a Rockstar and write songs. I immediately sat down with a pen, and the five chords I knew and gave up in an hour. A couple years later, with a bit more emotional maturity, I started listening to Dave Matthews - and it was like the clouds parted and I understood how songs were written.

It seems, to me, Canada is a better country to create music than the U.S.A. Do you feel you have a better climate to write the sort of music you want?

Mmm…I don’t know about that.  

I’ve never lived in the States - so I can’t say for certain. I just notice certain spaces or places have a little more electric charge when it comes to creativity.

bemnd.jpg

IN THIS PHOTO: Bend Sinister

Are there any new artists you recommend we check out?

From my hometown of Vancouver, there are a couple artists that are really making waves that I think you should hear. Bend Sinister has a sort 1970s Prog-Pop sound that is pretty fire. I’d also watch out for Youngblood or We Are the City - if you haven’t heard of them.

Both great artists.

Young.jpg

IN THIS PHOTO: Youngblood/PHOTO CREDIT: Kezia Nathe

Can we see you tour soon? What gigs do you have coming up?

I’ll be releasing the album with a tour across Canada in March. You can find my list of tour dates on my website. I’m pretty excited about some of the highlight shows: Mar 10 in Toronto at the Burdock; Mar 18 in Calgary at the Ironwood and Mar 30 in Vancouver at the Fox Cabaret.

Will you be playing the U.K. on your travels? Have you ever been over this way?

I currently don’t have any tour plans for the U.K. - I’m hoping to get over there in the fall, though. I’ve been to London a couple times and played a couple Sofar Sounds shows last year. I was also there in 2014 and 2015 for a couple of spot dates - on my way to tour continental Europe with the Folk Road Show.

I always really enjoy playing for U.K. audiences, actually.

5.jpeg

What do you hope to achieve, personally, in 2018?

I always have a tough time setting the goal...

As a footnote to all the music stuff; I’d like to find a more permanent place to live. I’ve been very nomadic and transient for the last three-and-a-half years (with solo tours and the Folk Road Show). I’d like to settle somewhere closer to my sister’s - and my nieces and nephews.

Musically, I think this is the best album that I’ve ever made and I (just) want to get it into the ears and hearts of the people that I think would really love it. I don’t need to play Wembley, but I’d like to use whatever modern means to get the music into their hands - whether it’s through a few different Google or Spotify playlists or playing an opening slot on a tour for an artist that would make complete sense with my vibe.  

4.jpeg

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Now, you mentioned the U.K...one of my favourite memories was the first time I played London. I was at a venue called The Slaughtered Lamb, I believe. It was a Sunday night and, straight after I played; this ‘chap’ came over and said: “Hey, you should really come say hi to my friends. I don’t want any of your CDs, but I’m pretty sure they do”. I went and said 'hello' and sold some discs. After the show, they all came over to ask what I was doing that night. It was already 11 P.M. or so and I thought the night was over - but they assured me it wasn’t. They packed me in an Uber with them to go for dinner at a friend’s place. We ended up in this amazing two-bedroom apartment right on the Thames in Wapping.

They pulled out my guitar and told me I had to entertain. This isn’t usually the way I liked to be forced into things, but it was all done in a very tongue-in-cheek way. We ended up drinking wine and singing songs into the wee hours of the morning. Now; we’ve all experienced campfire sing-alongs, but what stuck out most for me was how random this was to share that experience with a bunch of very friendly strangers - all because of music, really. They told me I was now part of their ‘Wapping Massive’.

I’m still in contact with a lot of those people today.  

What advice would you give to new artists coming through?

Bite off more than you can chew and chew it.

Do you get much time to chill away from music? How do you unwind?

I like to hike or, as I mentioned; riding bikes here in the Netherlands is an absolute dream. I hadn’t taken a vacation in ever and, last year, I took myself on two four-day vacations: one to Croatia and one to Mexico. I learned it’s important to treat yourself like that every so often.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Well; any song…

I think you should honestly play Wendell Walker by Andy Shauf. Another absolutely incredible Canadian artist. If you have a time restraint; try, maybe, You’re Out Wasting. But, I was a pretty good sport; so I think you can handle the eight minutes of Wendell Walker (smiles).

Besides…it’s totally worth it.   

_______

Follow Dom Fricot

6.jpeg

INTERVIEW: Bad Pop

INTERVIEW:

BP 5.jpg

Bad Pop

_______

I have been chatting with the dynamic…

BP 2.jpg

and sensational Bad Pop. Chris from the band talks to me about the new track, On Your Own, and what comes next. I ask him about Bad Pop's start and what they have planned regarding gigs; if the (Canadian) guys are coming to the U.K.; the music/artists that inspire them – whether Chris and the guys have favourite memories from their time in music.

Chris discusses their creative process and how his week has been; what advice he would give to new artists coming through; why Canada produces so many great artists – if the band gets the chance to chill away from their busy music lives.

______

Hi, guys. How are you? How has your week been? 

We’re great! You’ve got Chris on the laptop...

For those new to your music; can you introduce yourselves, please?

We’re Bad Pop: an off-kilter Canadian Rock band. We make quite the racket, lots of loud noises - that sometimes sounds like songs. 

On Your Own is the new single. What is the background of that song?

On Your Own is a bit of different song for us. Catherine sings on it; it was largely created in the studio. I’m intrigued as to how people will respond to it. 

Previous singles Bad Pop and Same House were a big success. Did you expect them to be so acclaimed and popular?

‘Popular’ is such an abstract thing, nowadays. 

I’m glad when people like it: we certainly do. It’s funny because Bad Pop was supposed to sound like a Pop song that kind of pokes fun at popular music. I guess it worked! 

Will there be more material from you guys this year? 

There’s a ton of stuff that will be coming out soon - including our first full-length in the fall! 

BP 3 - Square.jpg

How did Bad Pop get together? Was there an instant connection there?

We had played together in other bands; so we already had chemistry going into Bad Pop. There is an excitement and danger to how we play that’s very exciting. I think that’s when we’re at our best: when the thing could fall apart and go off the tracks at any moment. 

Which artists and musicians were you inspired by growing up?

I always loved artists that were a bit subversive, and yet, had a good sense of humour to them: Devo, Talking Heads, Ween; the Coen brothers, The Kinks; The Beatles and Paul Thomas Anderson. 

weaves.jpg

PHOTO CREDIT: Brendan George Kokomo

Are there any new artists you recommend we check out?

Weaves and The Wet Secrets. 

I interview a lot of Canadian artists. Why do you feel the country is providing so many great bands/artists? 

In my experience; the grant system we have in Canada helps develop artists. It encourages, with financial support, artists that are unique and have something interesting to say. It also helps that we look, sound and can pass as Americans - but definitely aren’t. It’s a position that allows us to thoroughly understand and be submerged in their culture - yet, also be removed from it so we can satirize and critique it from a very close, yet slightly removed, place.

B&W.jpg

Can we see you tour soon? What gigs do you have coming up?

Last year was pretty nuts for us. We spent most of it away from home playing around the world. So, for the next little while, we’re going to be at home working on a new record.

Do you think you’ll come to the U.K. this year?

There’s talk of being there in the fall. We’ll keep you posted! 

What do each of you hope to achieve, personally, in 2018?

Aaron is going to train for a boxing match. (This isn’t a joke). I want to push myself to keep writing more ambitious, challenging music.  

Have you all got a favourite memory from your time in music – the one that sticks in the mind?

Playing the Primavera Sound festival in Barcelona was a pretty amazing experience. I vividly remember looking out at the sea of people and wondering if I’ll ever get to do something this cool again. 

BP 4.jpg

What advice would you give to new artists coming through?

Don’t worry if you’re talented enough, or smart enough or good enough. Nobody is. Just honestly express what makes you unique. That’s what people connect with and remember: that it’s your flaws that make you interesting. 

Do you get much time to chill away from music? How do you unwind as a band?

We’re all in our thirties and have adult lives that we have to balance. 

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Range Life – Pavement

Baby Bitch – Ween

Farrar, Straus and Giroux (Sea of Tears) - Destroyer

_______

Follow Bad Pop

logo.jpg

INTERVIEW: Kira May

INTERVIEW:

k1.jpg

 PHOTO CREDIT: Adnan Khan 

Kira May

_______

IT is always exciting discovering colourful…

2.jpg

and vibrant songwriters whose stories and personalities capture the heart. Kira May, certainly, is one of those artists who warrant massive acclaim! She talks to me about the video for her new single, Muscle Memory, and whether this will lead to more material; how she has developed and changed since her debut E.P., Health (2014). I ask about her influences and what the scene is like in Toronto – and why it is so thriving in that part of the world.

She lets me into her future plans and whether a tour of the U.K. is a possibility; the experience of working with Allison Johnston on her latest video; albums that have affected her hard – if there is a fond musical memory that lodges in Kira May’s mind.

______

Hi, Kira. How are you? How has your week been?

Hello! It’s been busy, but exciting.

For those new to your music; can you introduce yourself, please?

I am an experimental Pop artist from Toronto who works predominantly with voice. Using my voice, I make loops; pads, textures and samples to compose and perform my songs.

3.jpg

Muscle Memory is your new single. Can you tell me the story behind the song and the video?

Muscle Memory is about storing overwhelming experiences in your body and unconsciously developing behavioural patterns that are intended to keep you safe. But, as you grow older and further away from the original event; those defences can sometimes cease to serve their original purpose and become misguided, even harmful - keeping you stuck in the past and preventing you from engaging with the present. This song looks, specifically, at this phenomenon within personal relationships.

What was it like working with director Allison Johnston on the video? Did she bring a new angle to the song, would you say?

Allison Johnston is THE BEST.

I explained what the song meant to me and said something like: “I want to be covered in colour” - and she brought that idea to life. We had many brainstorming sessions with Roxanne Ignatius (Artistic Director) and Megan Fraser (Makeup/Hair/FX Artist) to test all of our weird ideas - and the concept kept getting better and better. Allison captured an angelic and, simultaneously, bizarre version of me.

Will there be more music down the line do you think? What are you working on?

Muscle Memory is the lead single from a full-length album called Sense. The album will be out in the spring. Sense is a collection of ten songs that explore panic and depression – and it follows the narrator’s journey (to try and) transcend these things.

Your debut E.P., Health, was released in 2014. You stepped back from music after that. Was it a hard time coming back to music after taking time out?!

I was making music the whole time but I was slow to do anything with it because I was afraid to. I was afraid to record it; I was afraid to ask musicians to play with me…the whole process was a slow and gigantic struggle...in spite of being surrounded by amazing and supportive people.

I had to deal with my personal issues before I had the wherewithal to work on any of this properly. But, now, I feel ready and excited to release Sense - and I already have a follow-up album written and demoed…

4.jpg

How did you get started in the industry? Were there particular artists that inspired you to take up music?

I have been singing since I could talk - but I’ve also had a phobia of singing in front of people since the earliest days of my conscious life. I discovered what music meant to me in the late-1990s when I fell in love with, basically, every Canadian Alternative-Rock band. Then, when I was in high-school, I heard Björk for the first time - and my whole life blew apart. But; I didn’t have the courage to play a tiny set in front of people until 2011.    

Toronto is a thriving area for new music! What is it about the city that compels such fantastic artists?!

I think that there are a lot of amazing artists in Canada, but it so happens that most of the opportunities for them are in the bigger cities like Toronto and Montreal and, so, musicians from all over the country flock to these epicentres.

petra.jpg

 IN THIS IMAGE: The artwork for Petra Glynt's single, Up to the People

Who are the new artists you recommend we check out?

It’s hard to narrow this down!

I’m a huge fan of Toronto’s Omhouse and Petra Glynt (now based in Montreal) - both of whom released albums recently. There’s Indie-Jazz artist, Tara Kannangara - who is about to put out some top-notch new music.

Delta Will is putting out new music this year...and there’s the amazing Witch Prophet.

tara.jpg

IN THIS PHOTO: Tara Kannangara

If you had to choose the three albums that mean the most to you; which would they be and why?

Also very hard…but I’ll try:

Björk - Homogenic

This album continually teaches me to let go of fear.

Matthew Good Band - Beautiful Midnight

This was my coming-of-age record! I’ve listened to this maybe more than any other record. It’s incredibly nostalgic!

Kanye West - My Beautiful Dark Twisted Fantasy

This album changed the way I think about sound-making and storytelling.

Can we see you tour soon? What gigs do you have coming up?

No confirmed dates, yet - but I will definitely be supporting the record when it comes out in the spring.

Do you think you’ll ever come to the U.K. and play?

I would love to come to the U.K. to play! No plans yet…but it’s definitely on my mind!

6.jpg

PHOTO CREDIT: Olga Lipnitski

What do you hope to achieve, personally, in 2018?

I want to write music with new collaborators and expand my abilities as a songwriter. I want to continue to develop courage and fearlessness; particularly in the realm of creativity. I want to learn more about the First Nations, Métis and Inuit communities in Canada - and pay close attention to Truth and Reconciliation efforts. I want to speak out when I see something unjust.

I want to be kind...

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I have a particular fan who is in touch with me from time to time to tell me how good my music makes him feel - and how excited he is for new work. I think about him on those really rough days when it’s so important to know that there’s a stranger out there who really cares about what you’re doing.

What advice would you give to new artists coming through?

My best advice would be to follow your gut, your intuition. Make the work that feels important and natural to you. Be yourself! Authenticity, sincerity; honesty and courage are the things I find the most moving in art.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I choose Higher Ground by Missy Elliott (back in 2001). THOSE VOICES.

_______

Follow Kira May

5.jpg

INTERVIEW: President Street

INTERVIEW:

One.jpg

President Street

_______

I was given the chance to speak with Pete…

Two.jpg

from the Australian band, President Street. He talks to me about the new single, Yeah I Know, and how the band got together. I was eager to discover whether there was more material planned and whether the band favoured a D.I.Y. approach to music-making – and what sounds/artists they count as influences.

Pete explains what gigs are coming up and new artists to get hot about; what we can expect from the forthcoming E.P., Involuntary Actions; what they all hope to accomplish this year; some helpful advice for new artists – whether a U.K. jaunt is part of President Street’s plans.

______

Hi, Pete. How are you? How has your week been?

Hey! It’s been great, thanks!

For those new to your music; can you introduce yourself, please?

Hey. I’m Pete from President Street. We’re an Aussie outfit. We recently released our debut E.P., Involuntary Actions, which we’re very humbled to say got some nice traction in the U.S. college radio scene - and, so, we’re now getting ready to let you peeps in the U.K. have a listen.

Yeah I Know is out on 6th April. Can you tell me about its origins and background?

Yeah I Know is a song about betrayal. Funny enough, I wrote this song at a time when I was hanging out with a couple of film-writer buddies of mine - and I was quite intrigued by the three-act structure that they typically use for their scripts. So, I tried to incorporate that idea into Yeah I Know by capturing the three stages of betrayal: suspicion being the first act, then moving into that quiet stage of acceptance in the second act…before changing into anger for the final act.

(Of course, we need to keep the construct of verses, chorus etc.).

I tried to capture the different emotions by focusing on different sounds in the three acts. In the first act, the focus is on the Mellotron choirs; then we strip the music back for that moment of acceptance before the energy picks up and we let the guitars get a bit dirty and angry in the final act.

It is the first track to be taken from the E.P., Involuntary Actions. What sort of stories and ideas will one find from that E.P.?

We explore a few different ideas in the E.P., both in terms of sound and stories - but, I suppose the key theme is that I’m trying to express emotions through the music. In terms of sounds, we tried to not stay in one lane too much. So, we go from high-tempo/high-energy tracks like I Gotta Move On and Looking for a Sign to the much more raw and emotional vibe of IGK - with Forward Stride sitting somewhere in between.

I Gotta Move on is a song about waking up to the realisation that you’re in a dead-end relationship - and giving yourself the kick you need to finally make the move you know you gotta make.

Forward Stride and Looking for a Sign are both really a bit of self-reflection around the internal struggles that most songwriters/musos go through. Forward Stride is a song I wrote in a late-night moment of self-doubt. As I was moping about, I realised I had one of two options: either give up or get up and move forward. So, I got up and went into the studio and came out at about 4 A.M. with Forward Stride. Looking for a Sign is a song (about the realisation) of being an artist in the world of social media and pop culture - and asks the question about what success looks like.

IGK is about the insecurity of new love - and that feeling of uncertainty about whether it’s reciprocated.

five.jpg

That will be released here on 13th April. It has been getting love in the States and picking up traction. Is it quite humbling, knowing it captures so many people?!

Oh my, god Yes! We were so stoked to get the traction that we did for that E.P. - especially given that it went out over there with no support and it was all about whether people connected with it or not.

Yeah, we’re really humbled.

Do President Street take a D.I.Y./self-made approach to music? Do you feel it’s important to retain your own style and voice?

Yes, absolutely. We’re fully-independent and full-D.I.Y. We really feel that’s important for us to be able to keep the focus on what we think is important: songwriting and musicianship.

Of course, that has its challenges - but we think it’s definitely worth it.

You are based in Australia. How does the music scene differ to the U.K.’s sounds? Is there quite an active scene where you are?

We have a really great grassroots music scene in the inner cities over here - and that tends to drive a lot of the sound coming out of Oz. So, I think there’s probably less of a ‘produced’ element to much of the music coming out of Oz (versus the U.K.).

But; it’s hard to say, though; as sounds and trends in music travel around the world super-fast nowadays.

Four.jpg

How did you guys all get together? Do you all share the same tastes?

It was pretty random. It’s a combination of intros from friends - and also finding each other through ads and the Internet. So, we’re really diverse actually and we’ve definitely got a variety of musical influences and tastes between us.

jak.jpg

IN THIS PHOTO: Jakubi

Who are the new artists you recommend we check out?

I definitely recommend Jakubi - and I also love what The Preatures are doing.

Preatures.jpg

IN THIS PHOTO: The Preatures

If you had to choose the one album that means the most to you; which would they be and why?

It’s an oldie…but it’s Sign o’ the Times by Prince. I love the diversity of what he does on that record and the variety of sounds. Plus, that ‘I don’t give a ----' attitude of his comes through strong, I reckon!

Can we see you tour soon? What gigs do you have coming up?

We’re hoping to do some gigs in the U.K. the second-half of 2018.

Is the U.K. going to be part of your future plans? Do you play over here quite a lot?

We definitely hope so! We haven’t been over yet - but watch this space.

What do you hope to achieve, personally, in 2018?

I’m really excited about the new tracks we have ready to come out in 2018 - and that is a real focus for us. We are definitely hoping to connect with people through our music and getting over to the U.K. to do some shows in the second-half of the year is high on our list, for sure.

Three.jpg

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Definitely. It would be the first time hearing Yeah I Know being played on the radio. That is something that you dream of and it didn’t disappoint. It was mid-morning on a Monday - but what a great Monday morning it was!

What advice would you give to new artists coming through?

Honestly: most of the clichés exist for a reason. I think having the strength to walk your own path and not try to replicate is crucial - but a bloody difficult thing to do. Also, it’s a D.I.Y. world out there, so you gotta get across a lot of different things these days – and writing music is just one of them!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Nobody Better by Jakubi would be awesome. Thanks!

_______

Follow President Street

six.jpg

INTERVIEW: After London

INTERVIEW:

main.jpg

After London

_______

A lot of new bands are coming through…

EP.jpg

and London is hosting a fair few of them! It is hard deciding which acts are worth a shout – those that will fade out of the mind and not return. There is no doubt After London are in the first category (emphatically): a stunning and fascinating young band that is already getting people talking. I ask them about their eponymous E.P. and the songs, they feel, are highlights.

The band look ahead to gigs and plans; they tell me about their influences and new artists worth a poke; how things got started for them and how their E.P. launch gig – at Hoxton Square Bar & Kitchen – went; how important London and its people are to them – and whether they each have a treasured memory from their time in music.

______

Hi, guys. How are you? How has your week been?

Frank: We are good, thank you! It’s been busy. Last Wednesday, we had our E.P. launch party at Hoxton Square Bar & Kitchen and, tomorrow, we go back into the studio to add the finishing touches to our next single...

For those new to your music; can you introduce yourselves, please?

Of course...hello! We are After London…and it’s nice to meet you (smiles). We’re a Rock band - and you can usually find us performing at one of the city’s live music venue. Come and see us.

Your E.P., After London, is out. What has the reaction been like to it? How did the launch go at Hoxton Square Bar & Kitchen (7th February)?

Jake: Seeing our fans sing and jam to the songs that we have been preparing for so long made the process so worthwhile.

Frank: Yeah, it’s been great. It’s just nice to have a set of songs out there available for people to listen to. We had a great turnout at our launch party and it felt really good to finally play our full E.P. live to an audience. Hoxton Square Bar & Kitchen is a wicked venue to play. Such a gem!

Is there a standout track on the E.P. for you? Which song means the most to you individually – or is there a band consensus?

I, personally, really like Bitter Man. It’s quite a big and powerful song, which I like.

Will: Agree. Bitter Man makes me wanna drive fast.

Jake: I’m a big old Dreams fan, personally: air-drummin’-guaranteed.

What were the main themes and ideas that inspired the E.P.’s songs?

Frank: These four tracks are pretty much the first songs we properly wrote together as a band.

Will: There are darker, heavier parts which were a tonne of fun to write – stuff you can break out to. There is also pretty, delicate and intricate part, too. It’s a diverse palette (like life!).

4.jpg

How did After London get together? Did you all know one another before the band formed?

Frank: It feels like we’ve known each other forever. That’s sort of the truth for me, Byron and Will as we’re actually family - but Will met Alex at uni. We started writing and playing as a Folk band but then slowly realised we were writing heavier Rock songs.

Then in came Jake who instantly filled the missing hole in our heart…and here we are, talking with you!

Jake: After searching for a band that satisfied me, musically as well as emotionally; I couldn’t have got any luckier than meeting these weirdos.

It seems like a busy time for you guys. Are you already working on new material – or gigging the E.P. as much as possible?

Will: We’re going pretty hard at it! We’re in the studio this week putting the finishing touches to our next single and, for sure, we’ll be following up the E.P. launch show with a gig at The Finsbury on 24th Feb. Come!

3.jpg

Your sound is fresh - but I am interesting learning your influences. Which artists have impacted you all?

Jake: We draw our inspirations from all over the place; venturing into as many genres as possible helps us really hone into our own sound. We draw influence from similar-sounding bands like Wolf Alice - but we have plenty of love for Fleetwood Mac!

How important is London itself to your music and development? Do the people inspire the music at all?

Frank: For us three; we grew up in a small town in Hampshire. There was never really that much to do - which was probably a good thing, as we ended up playing music or some of us were in bands and putting nights on. What’s wicked about London is that there is so much going on. There’s so much opportunity to be creative...which is pretty nice.

Jake: I was born and raised in London so it has definitely had an influence on my music. I think that’s because London is one of the most diverse places on Earth. I end up putting a bit of everything in there.

Alex: I’m from the sticks, too but, since moving to London, I can’t get enough of how much this amazing city has to offer - it’s like nowhere else.

dream.jpg

IN THIS PHOTO: Dream Wife

Who are the new artists you recommend we check out?

Frank: Dream Wife! Haha. I think I may be their number-one fan, but I really love them. Hey Heartbreaker is such a tune. 

If you each had to choose the one album that means the most to you; which would they be and why?

Frank: Whaaat…there are way too many...

As a band-favourite-album, I think, probably Rumours – Fleetwood Mac. It’s an all-round, eleven-song banger.

2.jpg

Can we see you tour soon? What gigs do you have coming up?

We’re playing The Finsbury on 24th February. I love this venue as it’s always a guaranteed good night out. More details for live shows to follow (smiles).

What do you all hope to achieve, personally, in 2018?

Our first U.K. tour!

Jake: Headline Reading/Leeds…

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

We once spent a solid thirty minutes writing a song dedicated to Squashies. We couldn’t stop. Best song we ever wrote.

Frank: Aha, yes! We were going through an experimental stage...

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Seeing as we’re close to Valentine’s Day; I’ll go for Wolf Alice – Don’t Delete the Kisses

Either that or Dream Wife – Hey Heartbreaker

Jake: Bernadette Carroll – Laughing on the Outside (I can’t get this bloody song out of my head – put on blog at own risk)

_______

Follow After London

5.jpg

INTERVIEW: Louis Antoniou

INTERVIEW:

3.jpg

Louis Antoniou

_______

THE music industry promises a lot of potential…

2.jpg

but how many artists deliver something original and captivating?! For that matter; how many artists shine and showcase a unique personality?! I have been talking with a genuine original: Louis Antoniou discusses his music career and the details behind his new single, You Ain’t the Girl. I ask about his influences and whether we can see him tour; which albums have made a big impression on him – and some new artists we should investigate.

The songwriter discusses his memories of last year and how You Ain’t the Girl differs from his previous song, Bad Apple. I ask whether he has any ambitions for 2018 and whether he grew up in a musical household – and whether humour/wit is an essential part of his musical chemistry.

______

Hi, Louis. How are you? How has your week been?

My week’s been good. Thank you, kind sir. Been busy getting everything ready for the release; band practice etc.

For those new to your work; can you introduce yourself, please?

I’m a 1960s-inspired, Alternative-Rock singer-songwriter. I’m merging the classic old sounds with the new Indie songwriting styles that I love.

You Ain’t the Girl is the new single. What can you tell me about its origins and story?

At the time, a couple of years ago, I was listening to a lot of Chuck Berry. A massive component of his style is that his lyrics tell a story, very much like Dylan - who also found inspiration from him very early on in his teenage years. You Ain’t the Girl is fiction, I think: there are elements of truth mixed in, I suppose. Although, when I perform the track or think about it; I have a clear image in my head of everything that’s mentioned, lyrically: I can feel the sticky dance-floor beneath my feet.

Perhaps it is a true story…

The lyrics are tongue-in-cheek and have already connected with fans! Do you think humour and honesty are important when it comes to music – and resonating with the audiences?

I’m always determined to get my personality, thoughts and feelings across in songs. Some people just wanna sing the cliché, manufacture Pop stuff...which is fine: there is a place for that, as we know. I feel like part of Amy Winehouse’s charm, and a reason why people, girls in particular, connected with her songs was that she sang about real-life experiences and got her feelings about these heartbreaks across - bluntly and with a bit of London sass about it. I guess I’m trying to the same and I deem it important for me, personally…and to further connect with fans.

How does it differ from Bad Apple, your debut track, in terms of scope and sound? Do you think you have progressed since that song?

They were both written roughly around the same time - but You Ain’t the Girl was very fresh and was not ready to be recorded. This track is more melodic - which lends itself to the storytelling style, I think.

Bad Apple was harder-hitting, ‘say-it-how-it-is’ kind of vibe. I think they both complement each other, side by side.

5.jpg

You Ain’t the Girl was one of five singles recorded at The Crypt Studios. Will those sessions manifest into an E.P.? What material do you have coming up?

I thought about doing an E.P. for these five singles, but there’s one track in particular called Masters of Distraction which doesn’t tie in with the other four tunes. (I like an E.P. to have a constant theme that flows throughout). That one track is a twisted, satirical outlook of the future - something else I like to write about. I have other songs ready to record which focus more on this type of song structure I plan on doing for the E.P. for. For the other four tracks I recently recorded; I was going to do an E.P. called 4 Love Songs Later - but didn’t want Gary Barlow calling me up giving me jip.

Do you remember how you got into music - and the artists that compelled you at a young age?

Growing up, it was The Beatles and The Rolling Stones. This probably sounds boring to most but this snowballed into other artists, and inspirations for my music today, like The Doors and Led Zeppelin. I would sit with my mates in the park at sixteen and we’d play Back Door Man through some shoddy speakers and I would take it all in. Discovering these bands led to me experiencing a heavy Blues phase; adoring artists like John Lee Hooker and Howlin’ Wolf. I like to think, with my love for current Indie/Alt. music too, that I have a cacophony of influences in my music. I like to take little bits of inspiration from all over the shop.

I know where it comes from and what it means to me but it might not be obvious to everyone else.

6'.jpg

Did you grow up in quite an eclectic musical household?

Upon reflection, yeah, I suppose I did. My dad loved Jazz-Funk and my mum, still to this day, obsesses over E.L.O.

I take it all in.

Last year was a busy one in terms of gigs and events. What are your highlights from 2017?

I think the boys and I enjoyed playing Y Not Festival for a number of reasons. We survived the mud - which was one thing. Funnily, the first and last gigs of 2017 still stick out to me. We played The Cavendish Arms back in Feb, our first real show as a four-piece, which we smashed. We were unbelievably tight. Then, fast-forward to November when we played The Camden Assembly and you can see the growth, the confidence and camaraderie develop over the year.

ben.jpg

IN THIS PHOTO: Mono Club/PHOTO CREDIT: Ben Davies

Who are the new artists you recommend we check out?

I’m big on Mono Club and Shame.

SHAME.jpg

If you had the chance to select the three albums that mean the most to you – which would they be and why?

You mean the most-interesting?!

Whatever People Say I Am, That’s What I’m Not (Arctic Monkeys) sticks out for me. Probably because that was the first real set of songs I learnt to play on the guitar.

Right now; Father John Misty’s Pure Comedy really resonates with me as an aspiring singer-songwriter. An album mocking the current political system in America: highlighting the need for a race of people needing entertainment…and being praised as one of the albums of 2017. What a legend.

I’m also big on Bob Dylan - so Highway 61 Revisited would feature in my top-three.

Is there any advice you would give to fellow artists coming through right now?

Don’t eat yellow snow.

7.jpg

Can we see you perform anywhere soon? What gigs do you have coming up?

I’m playing Fiddlers Elbow (Camden) in March, and then, Zigfrid Von Underbelly - a hell of a name - in April.

How important is the stage when it comes to bringing your music to life?

I’ve always been regarded as a live artist, rather than a studio artist. Of course, that’s about to change (with me) releasing five singles, but I think that statement in itself justifies how important the stage is for me. I like to make the live shows unique. I have big plans for future gigs, too. Every show I’ve performed differs from the last. It may be the same songs sure but fans know I provoke different emotions every time I perform them. Perhaps I'll jump into the crowd for one song; sometimes I perform a song acoustically. The stage and set-lists are vital for me regards portraying the artist I am.

That’s something I’ve learnt from Dylan...

live.jpg

2018 is here. What do you have planned in terms of personal goals and ambitions?

I really want to play a church gig. Correct me if I’m wrong, but I can’t recall a modern-day Rock outfit playing one of the church venues, tearing up the stage. I also have a series of poems I’m desperate to self-publish; focusing on the seven deadly sins in the modern-day world. I think I might do a Kickstarter campaign.

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Any…?

Let’s go for this heartfelt number: Melody Gardot - Baby I’m a Fool

_______

Follow Louis Antoniou

4.jpg

INTERVIEW: The Skinner Brothers

INTERVIEW:

main.jpg

The Skinner Brothers

_______

THERE is something rather saucy and sassy…

follow.jpg

when approaching The Skinner Brothers. Not only did they skip a few of my questions but they do not have a Twitter account – a folly that can lead artists to trouble! Fortunately, the boys have plenty of quality bang-age and controversy to get people in and leave them hooked. I talk to the band the band’s singer, Zachary, about their new debut single/video, Watchu, and what new material is coming – and what areas of the capital we should watch out for when it comes to new music.

I learn about the band’s influences and what it was like supporting The Libertines; why the Dublin Castle holds some pain memories; how the guys hang away from music – leaving the interview with a right-on Norman Cook-led epic.

______

Hi, guys. How are you? How has your week been?

I can, quite truthfully, say that I’ve stayed in a different bed each night this week. So, everything is really, just beautiful…

For those new to your music; can you introduce yourselves, please?

We’ve got Piff Spice on the Bass Guitar, Chino Pola on the Drums; Slade Gabbici on Lead Guitar and me (Zachary Charles Skinner) on Vocals.

Watchu is your debut single. What was the inspiration behind the song?

I used to run a night every week in the Dublin Castle in Camden. It was all fun and games until I got barred for dedicating one of the nights to Charles Manson - I was surprised anyone even knew who he was. He has some really good songs -  check him out...

It is a funky and taut track. Was it quite hard getting it that slick yet deep?

I think it’s all about the bass and the drums: it gets low and it gets high. As long as you can dance to it, everything is sweet.

The video looked like it was pretty cool! Who came up with the idea of the video?

The idea came naturally between us. We wanted something a little like Lock Stock' and that poker episode of Only Fools and Horses mixed together.

Will there be an E.P. later this year?

The B-side to Watchu will be coming out in March - and we have the second single coming out in April.

longue.jpg

I believe you supported/toured with The Libertines. That must have been an awesome time! What were they like?!

Touring with The Libertines was a real treat. Growing up in the '00s; we were all big fans of those guys - so it was really nice of them to give us the chance to get up on the big stage!

What sort of sounds did you all grow up listening to?

It varies between members – but, to list a few:

KISS, Red Hot Chili Peppers; The Jam and Frank Sinatra.

vid.jpg

Who are the new artists you recommend we check out?

There is some pretty fresh stuff coming out around New Cross and Peckham right now. I recommend a trip down to the 5 Bells Pub because there is always something going on there at the moment.

How do you all spend time away from music? Any hobbies or favourite ways to chill?

I like London at night - particularly West End/Soho. That area is really beautiful. As long as I’m not bored, everything is great. The way people act in this town seems to be a stimulus for a story or two.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Just one, son: Freak Power - Turn On, Tune In, Cop Out

Thank you

_______

 Follow The Skinner Brothers

boys.jpg

INTERVIEW: The Trouble Notes

INTERVIEW:

4.jpg

The Trouble Notes

_______

I have been talking with the Berlin-based band…

EP.jpg

The Trouble Notes - and asking about their latest single, Lose Your Ties. The album of the same name was released yesterday and it shows, from the off, what a force they are! I ask the guys about the songs on the album and what comes next for them; whether there are going to be any tour dates on the horizon – and whether they will come over to the U.K.

They discuss their favourite music and great memories from their careers; why London is not as foreign as you might think (to them); how important the stage is to The Trouble Notes; any advice they would give new artists emerging – they recommend some cool artists to investigate in closer detail.

______

Hi, guys. How are you? How has your week been?

Hey! Actually, it’s been a pretty busy week for us. We have our album release next week (16th February) - as well as the first concerts of our release tour, which starts in Hamburg! Needless to say, we’ve been in the rehearsal room a lot preparing - and we’re on our promo game. It’s been a lot of work, but it is an exciting time for us!

For those new to your music; can you introduce yourselves, please?

Yes, so. We are a trio consisting of Bennet Cerven on Violin, Oliver Maguire on Percussion and Florian Eisenschmidt on Guitar. Our music is incredibly hard for us to define because we try to bend genres and fuse cultural traditions with our music. When we have to, we call it ‘music for travel’ - because we spend nine-ten months per year on the road traveling and touring.

Each of our songs is meant to be a kind of cultural bridge that we’ve written during our time on the road - mixing the musical style of the different places we visit and creating a kind of soundtrack to our journey.

Lose Your Ties is the new single. What is the story behind the song?

Lose Your Ties is a pretty personal song for us because it is literally meant to be the story of our origins. I (Bennet) used to work at a firm on Wall Street in N.Y.C.; wearing a neck-tie every day and feeling completely unfulfilled with what I was doing. This song is about the very moment that I decided to up and quit, take my violin and a bag of clothes; board a flight and start this journey. We all found one another along the way: each of us ‘losing our ties’ to whatever held us back from pursuing our passions. The track is about the transformation from the moment you first hear that little voice in your head telling you to uproot yourself and change your life - to the final act of taking the risk and embracing your newly forged path.

That is really one of the main messages behind our music: realising that many of the obstacles that we face have been put there by ourselves. Often, at times, we are the very people that hold ourselves back…

5.jpg

It is taken from the album of the same name. Can you reveal the stories and inspirations that go into the record?

If Lose Your Ties is the story of the origin: the other songs are each a kind of soundtrack to the experiences we had in our first years together. There are eleven songs on the album - and each song has a story and particular mix of style that makes it unique.

Barquisimeto, for example, is about our experience traveling to Venezuela in 2016. In the months leading up to our departure from Europe; the Venezuelan economy was seriously faltering and security warnings were being issued to everyone wanting to travel there. Crime was spiking, people were experiencing massive supply shortages and, at a distance, Venezuela seemed like a very ugly place to visit. But, upon our arrival, everything began to change. We were welcomed with open arms by people eager to connect with us and share their culture and beautiful homeland with us. We wrote the song, specifically, to trace the emotions we felt: from the fear of the unknown to the good-natured vibes of our Venezuelan family.

Is there a particular song from the album that stands out as being especially memorable?

Perhaps the most successful song of ours until this point has been Grand Masquerade - also included on the record. The song was the one we played on the streets of Strasbourg that went mega-viral, amassing something like seventy-five-million views worldwide! But, it’s the story behind that song that we feel resonates with so many people. We believe that at some point in your life, you are forced to mask something about yourself from others. Be it political views, sexual orientation or religious beliefs; there is something that you feel others should not know.

The song is about the decision we make on whether or not to remove the mask and reveal what we are hiding - or walk around forever in a kind of masked conformity.

Lose Your Ties follows the hugely successful E.P., Soundtracks from the Streets. Were you surprised by its success and how many people latched onto it?

Honestly, yes.

Soundtracks from the Street was made as a kind of ‘street album’ that we could bring with us to sell while we were busking and playing street music around Europe. Obviously, we had sold a lot of copies in the street - but it was last fall when some of our videos went viral that it shot up the charts, peaking at number-five in the U.S.A. (and in the Latin and World Music charts!). It was a very pleasant surprise for us - and something we are truly thankful to a lot of new fans who saw its purchase as a way of supporting us.

Now; we need to repeat that whole process with Lose Your Ties.

TR.jpg

What is the music scene like in Berlin? Is it a great place to make/perform music?

Berlin has been our base for the past four years and has certainly had its influence on our music. As far as musical cities go, it’s a complicated scene. The city is obviously extremely famous for its Electronic music scene and offers some of the very best in the Jazz and Classical music world. But, much like other large cultural cities, the music market is a bit over-saturated. There are many great venues here and talent from all over the world comes to perform - so the people of the city are spoiled with good music.

That means you have to work twice as hard to get people to come to your concerts: a challenge that we took head-on…

opal.jpg

IN THIS PHOTO: Opal Ocean/PHOTO CREDIT: Kathleen Mary Lee

Who are the new artists you recommend we check out?

Ollie: I have (really) been listening to a lot to Opal Ocean. They’re a guitar duo from Australia.

Florian: Kallidad (from Australia) is also a killer band. They are a dope mix of Spanish guitar and Heavy Metal style. Plus, easily some of the nicest dudes we have met while on the road.

Bennet: There is also Yatao - a duo here in Berlin that brings the hang drum to the next level. I'd definitely recommend Time for T., as well, great friends and incredible musicians. Their music is kind of tropical-Indie-Rock.

yats.jpg

If you each had to choose the one album that means the most to you; which would they be and why?

Bennet: For me, it is Rodrigo y Gabriela’s 11:11

They were a massive inspiration to me - and part of the reason that I left my old career and came to Europe. In a way, I was following in their footsteps. That was the record that I had on-repeat in the months before I made the big change!

Oliver: Fugees - The Score

It was the first album I really loved when I was a wee lad. Lauryn Hill’s vocals and memorable raps: it brings me the feeling of the 1990s each time I hear it.

tour.jpg

What gigs are forthcoming? Where can we see you play?

The 2018 tour season kicks off this month! We’re pretty much planning to be touring the whole year. In February, we’re in Germany; followed by March in France. Then, in April-May, we split between France, Italy and Germany. This summer is already filling up with festivals - and we are hoping to get some U.K. dates in their in June/July and then, in October-November, we’re making our way across the pond and touring the U.S.A.

Will you be coming to the U.K.? Have you performed over here at all?

A little-known fact at this point is that Ollie and I (Bennet) actually met in his native London. For our first few months together, we lived together in West London and performed all over the city. At least once per year, we make our way back to London and perform a couple of concerts; usually once in the West and once in the East. The city has always been good to us and it remains a kind of ‘hometown’ for us - and is dear to our hearts. We have done a small tour of the U.K. in the past - but it’s a country that we are eager to explore much more. The tour schedule is really filling up for the year but it looks like we’re going to get over to the U.K. in the summer.

The exact dates are still in the air.

2.jpg

Is live performance something you all love? Do you feel most alive there?

We are definitely a live band. There is a kind of energy that we emit, feeding off the crowd: that makes our live shows a real experience for everyone in the room. That definitely comes from all the years of busking. In order to be a good street musician, you have to be a very strong performer - to make your presence felt, transmit energy and captivate an audience. Over time, it’s something we have become very good at and we love doing it. That’s probably another reason people connect with us so much on stage: because we genuinely have fun and get lost in the moment.

What do you all hope to achieve, personally, in 2018?

We suppose you could say that 2017 was a bit of a ‘break-out’ year for us because of all the videos that went viral and online success that we’ve had. But, somehow, we have a feeling that 2018 is going to be our biggest year to date. Our focus is going to be on the stage show - since people still often see us as a ‘street band’. That’s not to say that we do not still want to stay in the streets from time to time: we LOVE busking and it’s a huge part of our identity. However, we have aspirations of bringing the songs and vibrations of the different streets that we have played on to the bigger stage. This is a goal for 2018: to build a killer stage show where the audience can transport themselves to different parts of the world with each song – all together from the same room!

Bennet: Aside from our musical goals; I’m involved in a few working projects that will help make life a bit easier for the independent artists. We’re focusing on some Blockchain solutions to help decentralise the industry and give the individual artists a bit more control over their work.

6.jpg

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Ollie: Definitely performing in front of my family in London! Every time we go back to London, my whole family comes out and supports and, for me, that is just bliss.

Their support lights a fire for me.

Bennet: It’s very difficult to pick just one: we have had the opportunity to play in so many beautiful and historical places. I think, for me, the dream was always to travel; so when I have had the opportunity to perform in packed squares in the shadows of some of the most beautiful buildings in our history, it is a special experience. There’s a particular memory in Verona that often sticks in my mind. We were playing at the base of an ancient Roman gate on a Saturday evening with a huge crowd of people in front of us (and watching from their windows). Afterwards, so many people came to us and remarked what a magical moment it was.

We’ve had numerous moments like that - and I cherish every single one of them.

What advice would you give to new artists coming through?

I think one of the things that we want to be known for in the music world is being one of the hardest-working groups around. We do nearly everything independently: we financed our album, booked our tours; travelled…everything. It was all a huge risk, but we believed so strongly in our music and enjoy playing so much, that the challenges can all be overcome. A lot of young artists today write a few good songs; send out some demos and expect labels and bookers to come and help them get them in front of a crowd.

We feel you have to create your opportunities, get out into the streets and go play. Connect with people. Inspire and be inspired. We all have our own way in this world: find yours and do everything you can to bring yourself where you need to go. Once you’ve found your own path, the rest will follow…

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Rodrigo y Gabriela – Tamacun

Time for T – Long Day Home

Opal Ocean – Mexicana

_______

Follow The Trouble Notes

band.jpg

INTERVIEW: George Simpson

INTERVIEW:

4.jpeg

 PHOTO CREDIT: Jay Hillyer 

George Simpson

_______

HIS music is already known and…

singl.jpeg

adored by BBC Radio 2. George Simpson has performed on Jeremy Vine’s show and, himself, shows immense promise. I ask him about his new single, Finding Myself (officially released on 23rd February), and working with Kezia on the track. He reveals plans regarding forthcoming material; the artists who have inspired his sound and direction; how it feels to have his music acclaimed by big sources – and some new artists who strike his mind.

Simpson talks about his start and upbringing; playing in Melton Mowbray, Leicestershire; which albums mean the most to him; whether he gets more inspiration from new or older artists; what he hopes to achieve this year – and why he came to music rather late.

______

Hi, George. How are you? How has your week been?

I’m good, thank you! Very busy planning out my releases and album tour! A bit stressful - but in an exciting way!

For those new to your music; can you introduce yourself, please?

Yes, of course. I’m George, George Simpson. I’m from the heart of the U.K.: Melton Mowbray in Leicestershire. I’ve been writing songs for about ten years - and have been releasing music for five years.

A lot has happened in the past five years!

Finding Myself is out on 23rd February. Tell me about the background and where the song came from?

Last year, after having released a few albums previously; I wanted to find some inspiration and a slightly new direction and, having watched the Nashville series; I fell in love with Country music. So; I guess Finding Myself shows this, stylistically! The song is about my first love and how it turned sour. I was living in Leeds at the time, I was nineteen, and it was the first time I had to collect my thoughts, move back home and start again to ‘find myself’.

3.jpeg

 PHOTO CREDIT: Jay Hillyer

Kezia features on the track. Did you write the track alongside her? What was it about her voice that led you to feature her?

I wrote the song and I wanted it to be a Country duet and my producer, Ben Haynes (from Spondon, Derby), had produced some of Kezia’s work. I loved her voice when I first heard her - and we both thought she would be perfect on the track! Her voice is so powerful, distinct and she is (just) great!

Your music has got love from some of BBC Radio 2’s biggest D.J.s! Is it quite daunting and flattering knowing they back your work? Does it spur you on?

Yes it does - although they aired my previous singles a few years ago now; it gives me confidence that, although I am independent, the sky is the limit with what you can achieve on your own!

Do you think there will be more music coming later this year? What are you working on?

Yes. My third album, Hearts and Gold, is out in April. The title-track will be my next single (also out in April).

5.png

PHOTO CREDIT: Mike LB

I know music didn’t impact you until your teens - you didn’t start recording until your twenties. Why was it quite a late revelation for you?

Yes, that’s right.

Like I mentioned before; I released my first single five years ago (when I was thirty!). So, it really late! I picked up the guitar when I was eighteen and joined a cover-band at twenty-two as a singer; playing in pubs and functions etc. - but it’s only in my late-twenties when I got into writing. As soon as I could play an instrument, the writing began! I was always sporty and that took up all of my time. There was no desire to get in to music any earlier - which is unusual for musicians I guess.

Music is one of those things where people look back and wish they had started when they were young.

Do you get inspiration from new artists – or are you more compelled by older sounds? Who are your main influences?

My influences are really varied. From a writing perspective and as a singer, George Michael is one of my older influences. More recent influences, from a writing perspective, are the likes of James Bay and Jason Mraz; London Grammar, RHODES - naming a few. I love HAIM and generally modern, commercial music. I’m a song-lover.

If it’s a great song, I love it no matter what the style.

how.jpg

IN THIS PHOTO: Howard Rose

Who are the new artists you recommend we check out?

The new artists I follow and like, without naming obviously-famous commercial acts that we all have heard of, are: Howard Rose. He is an Alternative-Soul-Rock singer-songwriter with a blistering voice. Also; the Folk singer-songwriter, Daniel Duke (from Northern Ireland), who has the most calming and soothing voice (and beautiful songs). Check those guys out!

An artist who hasn’t quite made the big-time is RHODES. But I love his music. Cinematic Pop; epic tracks that I get lost in! Love it!

RHO.jpg

PHOTO CREDIT: RHODES

If you had to choose the three albums that mean the most you; which would they be and why?

With albums; I’d have to go back to the ones with pure nostalgia: 1990s albums when I was listening to loads of albums.

Stereophonics – Word Gets Around

Me and my friends would sit around singing along to every word. Great times! 

(There is one! God this is hard! I’m not going to think too hard about this - but I’ll give three different examples!).

Second; for just being able to listen to it through and getting lost in time: RHODES – Wishes

Huge, epic production- really, really emotive – love it! Love to drive to it.

main.jpeg

PHOTO CREDIT: Jay Hillyer

Fleetwood Mac - The Dance!

Sitting in the back seat as a kid on the way to Devon with my parents with the album blasting out, with us all singing along! Happy memories - and what a great album.

Can we see you tour soon? What gigs do you have coming up?

Yes, you can! I’m currently planning a tour - but the album launch is in my hometown of Melton Mowbray on 19th April. There are numerous of dates around the U.K. in April and May - and I’ll keep you posted on those!

What do you hope to achieve, personally, in 2018?

I’d love to move forward in the industry! Things have changed: streaming is the thing, now, where it wasn’t as much a few years back. So, I’d like to move forward and gain new fans and listeners – increase my fan-base this year and really try and market myself well; to let people know who I am and hear my music! I’d love to get a really good support slot with a reputable act; get out and enjoy playing my music again!

8.jpeg

PHOTO CREDIT: Scott Choucino

Do you get time to chill away from music? What do you like to do when you’re not creating?

Yeah. I keep fit and go to the gym every day! That is a good release. I love cooking and also (just) going out eating and drinking when I’m not writing! I still play a bit of football, too. I don’t watch much T.V., though.

I’d rather write songs!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Ahhh, yes I have loads, actually!  They would have to be live shows! Three that stand out to me, were performing on BBC Radio 2’s Jeremy Vine show live on air. That was an experience! Seven-million listeners - so pretty intense! Also; my second album’s launch at Melton Mowbray Theatre – 350-seat, sell-out crowd; me playing new songs with my band. That was incredible. I'll never forget that!

I’ve also supported Dirty Sanchez with one of my previous bands, Maslow, on their tour. They were crazy - and we shared backstage with them. It was also quite random to have us playing a support set to their fans that weren’t really there to see live music. So; the whole thing was random but special - and magical in a weird way! One of the guys necked a bottle of vodka before going on stage (Dirty Sanchez)!

I’ve got loads more - but those three stood out!

6.png

PHOTO CREDIT: Mike LB

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Ah, thank you! Could you play Do Something Beautiful - Colour Colour. This is Howard Rose’s band (who I mentioned earlier). It will give anyone a morning lift when they hear it!

_______

Follow George Simpson

7.jpeg

INTERVIEW: Annie Taylor

INTERVIEW:

bands.jpg

Annie Taylor

_______

THIS is not the first time I have…

single.jpg

encountered and featured the Swiss band, Annie Taylor. Even though they are without a Twitter account – I am going tough on artists without one! – I was interesting seeing what Teach Me Rock ‘n’ Roll, their new single, was all about. I learn more about their next moves and what the music scene is like in Switzerland; the artists/albums that have inspired them – and whether they will come to the U.K. this year.

I was eager to discover how the band came together and which new artists we should keep an eye out for; how they view their (busy) 2017 – and what they can tell us regards future music. Band member Gini picks up the questions - and reveals the inner-workings of Annie Taylor...

______

Hi, guys. How are you? How has your week been?

Hey, Sam! We are tired, but happy, and driving back to Switzerland right now. Yesterday evening, we played at Lady*fest in Saarbrücken (Germany) which was a lot of fun - but also combined with a lot of shark-blood shots! Anyway; it was a pretty exciting week for us - with a lot of girl power! We played at OOAM festival with our besties Las Robertas (Croatia); Japanese band, Tsu Shi Ma Mi Re and the Swiss band, Mama Jefferson.

For those new to your music; can you introduce yourselves, please?

Psychedelic, Grunge-Pop, baby!

Teach Me Rock ‘n’ Roll is your new song. What is the story behind it?

This song is an homage to people who influenced or impressed me in a way. It’s pure admiration for being who you are and being proud and celebrating it. Personally, I think this is the true Rock ‘n’ Roll attitude.

Will there be more music coming along this year – an E.P., perhaps? 

Since we started to play shows last March, we were really busy with playing live. There is an E.P. planned for this year but it’s hard to estimate the releasing date. There will be a first recording session this spring, though.

9.jpg

How did Annie Taylor come to be? How did you all find one another?

Cyril and I met on a plane when we both were kids. For, like, fifteen years we didn’t know or even talked to each other! But, somehow, we started to be social media friends when we met as kids. Out of the blue, Cyril contacted me in 2016 and was asking about making music sometime. This is how it all started. We got along really well - and Adrian was playing drums in our living-room. Soon after this terrible first session; I convinced a good friend of mine, and actual bass player, Michael to give it a try - and he ended up being our bassist. Unfortunately, just after forming the band our drummer, Adrian, moved to London.

We are very happy now - playing our shows with the really awesome, big-hearted guy called Dimos.

2.jpg

2017 was a huge year for the band. Did you expect the sort of opportunities and feedback you received?! How crazy is it looking back?!

We are very grateful for all the opportunities we got in the first year playing together! Basically, all we wanted was to play music and, sometimes, a show. If there are people coming to our shows and liking to our music - this the best feedback which we could get! There are also a few really exciting things coming up for us this year.

Which musicians inspired you all? Were your childhoods quite musical?

I remember, exactly, the moment when I knew I had to become a musician! A few years ago, I went to one of my favorite band‘s (Wolf Alice) shows and it hit me like no other concert ever before. I knew I really wanted to be their support band one day - and that was what made me pick up my guitar again. I played guitar before, but most of the times I was making children‘s songs for adults and playing them just for myself. Dimos had a similar experience: he started to play drums because of the drummer on The Muppet Show!

Zurich is where the band is based. What brought you all there? Is it quite an active scene?

This is our hometown - which spoils us every day! We are very lucky having a few really awesome venues like Mascotte Zurich or Gonzo in town. They have amazing bookings; bringing bands such as  The Black Angels, Hinds and Death Valley Girls into town.

cover.jpg

Who are the new artists you recommend we check out?

A few days ago I saw, for the first, time Thu Shi Ma Mi Re, who played like there was no tomorrow! So, if you’re not under their spell now you should definitely check them out! They also have a really funny video clip (called something in Japanese) which I have no clue what it means.

5.jpg

If you each had to choose the one album that means the most to you; which would they be and why?

We all have a very mixed taste in music but, somehow, we find a common wave to play at. Lou Reed’s Transformer is an album who inspires Cyril almost every day. Cyril is super-into analogue recording and, of course, he loves the way the album was recorded.

Bassist Michael’s favourite album of all time is Motörhead. He admires Lemmy a lot.

Dimo’s pick is Elder by Lore. He loves how the drums are recorded and how the whole album takes you on an epic journey.

My favorite album at the moment is Wolf Alice‘s new masterpiece, Visions of a Life. Just by writing down the name of the album, my heart starts to beat a little bit faster. The songs are so diverse and incredibly sensitive and smart. Their song, Sadboy, makes me feel every possible feeling. That’s awesome!

10.jpg

Can we see you tour soon? What gigs do you have coming up?

Yesss! In March we’re going on a fifteen-day Euro-tour which is ending in Zurich (together with L.A Witch). Basically, we will play in Italy, France and the French part of Switzerland.

Do you think you’ll hit the U.K. at some point in time?

Hopefully soon but, since we are working on an E.P., there are no plans for going to the U.K. yet.

4.jpeg

What do you all hope to achieve, personally, in 2018?

Since we had a lot of fun the past year, we are hoping for a lot more fun evenings filled with good music and new friends! There is a lot more to learn in playing music together - so I’m curious what is waiting for us.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Wolf Alice - Sadboy

_______

Follow Annie Taylor

8.jpg

INTERVIEW: Ebru Ellis

INTERVIEW:

1.jpeg

 Ebru Ellis

_______

SHE is a vibrant and restless artist putting out…

3.jpeg

some incredible music right now. Ebru Ellis talks me through her latest single, Blocks, and how it came together. I ask whether there is more material coming; what it was like working with Nathaniel & Nait on her new cut; what it was like, in fact, working with Sam Smith and Craig David; the artists who have inspired her to make music – whether she has any tour plans for the coming months.

Ellis discusses her role in the London Community Gospel Choir and how early music came into her life; some new artists that are striking her ear; the three albums that are most important to her – and some personal goals she hopes to achieve before the end of 2018.

______

Hi, Ebru. How are you? How has your week been?

I’m really good, thank you…

Ok. So, my week has been a mixture of trying to get back into the U.K. time-zone after coming back from my trip to Las Vegas (which was amazing!); getting to grips with requests regarding a Blocks music campaign - whilst preparing to start rehearsals for a live performance U.K. radio promo tour.

For those new to your music; can you introduce yourself, please?

Hi, everyone! My name is Ebru Ellis and I am a singer/songwriter from London who has a love and passion for music and people. Oh, and food: can’t forget my love for food!

Blocks is your new single. Tell us about the story behind that track...

Blocks is really (just) a song of encouragement for anyone who has had or about to face setbacks while pursuing their dreams. It’s about not allowing other people or situations determine what your identity should be and whether you are good enough or not. Self-belief is really important - as that will be the fuel to help you overcome any kind of negativity or delays.

It is a powerful and restless song. It sounds like it is destined for success! Did you know, when listening to it back, it would sound so urgent and fresh?!

Thank you! I didn’t really focus on how it would sound during the creative process until I poured my heart and soul into it - and then listened back to it only to realise how happy I was with it. You have to allow the creative process to take place - otherwise, planning for it to sound a certain way can make the song become too mechanical; lack transparency and emotion.

What was it like working alongside Nathaniel & Nait on the track?

Being friends with my management’s production company; it made the process of working with them absolutely organic. They are so amazing and gifted. I’ve never worked with a team before where we clicked from the get-go - and there was so much chemistry. I felt free to be myself to show great ideas and the crap ones too and I think that is really important when writing songs.

They understood me as an artist and, as a result, we wrote my E.P. in four days.

2.jpeg

Has it been tricky transitioning from (providing) backing for the likes of Craig David and Sam Smith to stepping out alone?

Not at all! Working with such incredible artists gave me an insight into the life (of what it takes) to work hard and focus to make it. It also gave me a better understanding of what it is like being a female in the industry.

What were those experiences like? Was it pretty daunting singing alongside such big names?

No. I didn’t find it daunting in the slightest. I was super-excited and grateful to be given those opportunities. Every little experience helps you grow in your craft: it looks great on your biography and people have more respect for you.

You are an honorary member of the London Community Gospel Choir. Have you sung alongside them? How does it feel to have that honour?

I’ve loved the London Community Gospel Choir since I was seventeen-years-old and they’re like my singing family and friends. It is an absolute honour to sing with them when I get the call. The standard is high so, to get in, you’ve got to be on your ‘A’-game. They are all so incredibly talented - and it always stretches me vocally because they sure do not hold back!

Will there be more music coming? Can we expect an E.P.?

Oh, for sure! My E.P. will be out this year and I cannot wait for everyone to hear it! There are some real banging tunes on there - that are songs straight from the heart - and at least one song that everyone can relate to, and own, as their anthem.

4.jpeg

Are there particular musicians who inspired you growing up? How early did music come into your life?

I grew up listening to the likes of Destiny’s Child, Whitney Houston; Mariah Carey, Celine Dion; Jill Scott, Aretha Franklin…and the list can go on. Top of the Pops was my favourite show for hearing new music and discovering artists! I would get £1 a day as pocket money for school and, instead of spending it on penny sweets like other kids, on some days I would save it and buy singles - which were on cassette at the time for 99p!

Although I don’t remember when I started; I just know that, on a daily basis, it became such a big part of my world. I would sing getting ready for school; I sang on the way to school, I would sing in class and, obviously, sing when I got home - to the point where every day my parents would shout up to my room: “Ebru; that’s enough now!”.

So, maybe I came out of the womb singing instead of crying. I must ask my mum! L.O.L.

sin.jpg

IN THIS PHOTO: Sincerely Wilson

Who are the new artists you recommend we check out?

You have to keep an eye on the likes of Sincerely Wilson - who recently sang alongside Wretch 32 - and has such a smooth, sultry voice (and his range is ridiculous!). You can check him out on YouTube. You will also love Ricardo Williams if you love real R&B. His new single is currently being played on Radio 1xtra. His vocals will make you pull some ugly faces - and get you all up in your feelings!

come.jpg

If you had to choose the three albums that mean the most you; which would they be and why?

Destiny’s Child – The Writing’s on the Wall

This album helped mould my love for R&B music - and I loved how the whole album told a story!  

Spice Girls – Spice

This album helped me in search of my identity as a young girl and assured me that it was okay to be myself…and that diversity is a beautiful thing.

Christina Aguilera – Christina Aguilera

This album meant the world to me because Genie in a Bottle was the first song I ever sang as a solo artist (when I was thirteen-years-old). I saved up my money to buy this album and cannot tell you (the amount of) times I played it over and over again. Her vocals stretched me to another level!

Can we see you tour soon? What gigs do you have coming up?

At the moment, I’m in preparation with my band for a promo tour up and down the U.K. - specifically for radio. However, I will definitely be doing shows later on this year as I am already in the process of rehearsing with a live band. I will be sure to post dates, once confirmed, on my social media (so keep your eyes peeled!).

What do you hope to achieve, personally, in 2018?

Well. Being a proud female British artist; I hope to achieve lots of success and acceptance with the release of my style of music. I would love to see development and growth of my fan-base - even more so this year. I hope my songs will personally inspire and influence others that might have, or about to face, setbacks in life. I’d also love to tour in quite a few countries and engage with people from cultures around the world.

5.jpeg

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Most of my favourite memories are usually made in the studio! Firstly, that’s where I discovered my true love for coffee - because I needed something to keep me awake during the fourteen-hour writing and recording sessions! L’OR is a great choice for instant coffee by the way - and I’ve discovered the trick to making a microwave coffee taste like coffee-shop coffee. After you add the milk to the coffee; microwave it for a minute so that when you add the water: it gives you a nice froth on the top.

Sshh…don’t tell anyone - and you can thank me later! Haha.

On a serious note, though; one time I was losing my voice in the studio after recording so much and I was feeling insecure about hitting a high note. I prayed that my voice would recover quickly. I decided to relax for a few moments and start again and it was one of the best emotional performances I have ever given in a song!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

H.E.R. - Best Part (ft. Daniel Caesar)

I absolutely love this song because the music is so stripped back that you can really hear the emotions in the vocals. I don’t know how, but it makes me feel like I’m in love (even though I’m not yet) every time I listen to it! Now that is what you call the power of music!

_______

Follow Ebru Ellis

6.jpeg

INTERVIEW: CROATIA

INTERVIEW:

main.jpg

CROATIA

_______

THE sheer breadth and range of Canadian artists available…

5.jpg

on the market keeps me pretty busy! CROATIA’s Matt and Justin tell me whether there is a story behind that name; what it is like playing music around British Columbia; what they have planned for the coming months; how the quartet all came together – I ask them about their new track, Make Circles. The guys talk about their upbringings and the albums/artists that compel them; if we will see them come to Britain – and whether there are any new artists worth a closer examination.

I was eager to know more about their current E.P., Half Dreams; what they hope to achieve this year; if there is any advice they would give to upcoming artists – what it was like working with Rob Willey on their latest video.

______

Hi, guys. How are you? How has your week been?

Justin: Busy, busy, busy! We had our single release-show recently - which was the biggest local show we’ve ever put on. Now, I’m leaving the country for New Zealand (sorry, guys).

Matt: We’re kind of glad Justin is leaving for a month so we can hit our studio and write some new music while he is gone - he’s going to have a lot of lyrics and vocals to write when he’s back! It’s really important for us to take short breaks and re-focus solely on songwriting. Shows are great, but we have a hard time being creative while rehearsing.

For those new to your music; can you introduce yourselves, please?

Justin: We’re CROATIA. We play dark Synth-Pop. We’re from Victoria (British Columbia), Canada. We all love the name ‘Dave’.

CR.jpg

Make Circles is your new track. What is the story behind the song?

I kept finding myself in these terribly cliché romantic situations over the course of a few months - that I didn’t foresee at all. The song is, basically, about being completely weirded-out, excited; terrified and (just) entertained about the whole thing all at once.

What was it like working on its video with Rob Willey (and Tall Grass Films)? How come you selected him to visualise your latest single?

We were really flip-flopping on what song of ours we would release as the first single off of our E.P. - and which one we would be able to pull off in a straightforward and appealing way with a video, given our timeline. We had heard good things about Rob from other artists - who had worked with him in Victoria – and, upon contacting him with about a month-timeline; he not only made himself available but was genuinely excited to work on the video idea with us.

He’s a Rockstar.

Make Circles is taken from the E.P., Half Dreams. Are there particular themes and inspirations that forged the songs?

Not at first. But, as soon as we decided on the songs to be released, I’d say a few themes popped up: a general feeling of achieving a lot of personal and artistic goals WHILE simultaneously questioning your entire life course is the main theme overall I’d say.

You are from British Columbia but are named ‘CROATIA’. How come you went with that band-name?

Matt: I’m part-Croatian; so I was always convincing my friends to check out all these crazy Croatian athletes who aren’t overly-professional but always seem to win things. I’m a big fan of Croatian MMA guys like Stipe and Cro-Cop; so the country of Croatia was always an inside joke. Eventually, we just kept saying the word so much that it birthed some new strange meaning - and we decided to use it as our band-name. It’s a beautiful word: it has more vowels than consonants. It’s also a beautiful country so, hopefully, we will get to play some shows there one day!

6.jpg

Is it quite a busy and active scene in Victoria (British Columbia)? What sort of sounds are coming from there?

Justin: Yeah! Victoria has quietly become one of the epicentres of music and art on Canada’s West Coast over time. So, so, so many bands across genres and styles are popping up all of the time. We also have a pretty diverse amount of promoters covering different levels of musicianship and fame which brings a lot of interesting music to town, despite us being on an island. Some of our favorite bands from Victoria that are worth checking out are Bridal Party, Diamond Cafe; Bodies, Smash Boom Pow; Layton Kramer, Peach Pyramid; Peach Pit, ACTORS; Douse, Art d’Ecco (and bands like that).

Did you each grow up in musical households? Which artists came to your ears at an early age?

I grew up playing piano at an early age - but wasn’t from a particularly musical family. I did grow up with a TONNE of 1980s Pop and Rock as a kid, though, thanks to my dad. I was also obsessed with Pop music when I was younger - when music video culture was so rampant. I think that definitely swayed my music tastes. Primarily, I find myself influenced by Soul, R&B and Post-Punk.

Matt: Steve (Synths/Programming) and I grew up in families that were constantly listening to music - so that really helped. But, overall, none of us has serious musicians in the family. Our friends and families are really supportive, thankfully.

close.jpg

IN THIS PHOTO: Close Talker/PHOTO CREDIT: Rachel Pick

Who are the new artists you recommend we check out?

Justin: Close Talker from Saskatoon (Canada) are an absolutely phenomenal Indie band with one of the best live shows I’ve ever seen. Been playing their latest record, Lens, on-repeat. Charlotte Day Wilson (Toronto) has also been a constant for me, lately. Seriously; some of the most inspiring R&B out at the moment...

Matt: Diamond Cafe from Victoria BC. This dude is the real deal! Search for 'It’s Been a Mess Without You'.

Diam.jpg

IN THIS PHOTO: Diamond Cafe

If you each had to choose the one album that means the most to you; which would they be and why?

Justin: The Mars Volta - Deloused in the Comotorium

When you’re an angst-filled teenager there is enough heartbreak, hooks; meaning, musical genius and aggression to get you through just fine. Also; I’ll never be able to release anything that complicated ever for fear of losing my mind.

Matt: Frank Ocean - Blond

I grew up listening to bands - and not many modern solo artists. Sometimes, the personal message can get lost in a band setting as four people compete to share their message. Blond was the most personal and intimate album I’ve ever heard: I feel like I know everything about Frank Ocean’s life after listening; despite the fact that he’s a very quiet guy. The production and musicianship are unreal as well.

;ives.jpg

Can we see you tour soon? What gigs do you have coming up?

Justin: We will be announcing a few Western Canadian dates fairly soon! Follow us or something...

Do you think CROATIA will come to the U.K.? Might we see you at some point?

Definitely! Nothing in the plans as of yet but that would be incredible. Honestly, the U.K and the rest of Europe are looking a lot more feasible as tour stops for us than our neighbours to the South at the moment. Haha.

What do you hope to achieve, personally, in 2018?

Personally, I just want to write the best material I can and stay inspired. We’re always pushing ourselves and keeping each other in line when it comes to ideas, lyrics etc. (That may not be the best we can come up with). It’s nice to write with people who aren’t afraid to say how sh*tty they think a certain chorus or melody is. Haha.

8.jpg

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I played a Punk house show a few years ago in this hilarious Punk ‘mansion’; complete with pillow fight mosh-pit, ten ripped-up couches in various spots to sleep on; giant beer bottle slingshot aiming into various yards…and a nineteen-year-old popping a champagne cork into their eye right as midnight struck.

Professionally-speaking; probably the festival spots I’ve played but, personally…that night, without question.

What advice would you give to new artists coming through?

Just don’t stop making your music or art in general. I’ve thought of giving up music so many times in the past for various reasons, but couldn’t imagine if I actually did. There are a-thousand highs for every low: there are a lot of lows starting out. Haha.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Close Talker - Waking Up

Matt: Diamond Cafe - It’s Been a Mess (Without You)

_______

Follow CROATIA

2.jpg

INTERVIEW: PBSM

INTERVIEW:

5.jpg

PBSM

_______

MY international curiosity takes me out of America…

single.jpg

and to the untapped market of Denmark. The Copenhagen duo PBSM discuss their formation and the story behind the new single, Dance Floor. I ask whether we can see some more material later down the year; why the video for their new track included dancer Adrianne Haslet; what the music scene is like in Denmark – and whether they’ll come and play over here.

The guys talk about treasured musical memories and the artists they are inspired by; how they have come on and matured as a songwriting unit; why 1980s Pop plays a big part of their musical lives – they recommend some new artists to get your ears around.

______

Hi, guys. How are you? How has your week been?

Apart from freezing - all good! We've actually been fooling around in the studio with a new drum machine and synths as well as trying out some new ideas and staying sharp! Seems as if some new songs are starting to form…

For those new to your music; can you introduce yourselves, please?

Sure. We are an Alt-Rock two-piece from Copenhagen - or actually, rather, a ‘power duo’! Lauritz sings and plays the guitar; David plays the bass - and there’s a German drum machine taking care of the beats. This may or may not be the reason why we sometimes are referred to as a Danish/German duo - apart from the fact that we used to live in Berlin at different times; which was when PBSM started as bouncing ideas back and forth.

Also, we like pointy shoes, up-tempo Rock songs and 1980s aesthetics.  

Dance Floor is the new single. What is the story behind that one?

Well. Much of our music is inspired by the nighttime and the city - alienation and how you can be anonymous and blend in. Dance Floor is kinda the essence of this and how you should ignore and challenge your comfort zone - and don't let insecurities take charge on how you live your life. It's sort of about coming to terms with who you are and accepting what you are capable of...

Here it is, finding peace on the dancefloor: forget about time and place being sucked into the music, the rhythm - being present - and how this translates to something genuine; regardless of your skills on a dancefloor...as well as becoming a happy place just because you are able to let go.

Adrianne Haslet features in the video - she lost a leg during the Boston bombing. What was the reason for approaching her?

We think that music is so much more than just something you listen to on the radio or while doing something else: it is communication of human emotions and something you connect to. We really wanted to underpin the theme of the song as well as adding something to it - instead of just have something visual synced up to the song. It should be something special. So, we teamed up with Copenhagen-based production company Mellow CPH and started brainstorming how to translate this to moving pictures. Obviously, we wanted to use a dancer and we came across Adrianne and decided to reach out to her - since she is the perfect example of both overcoming the odds but also accepting the situation you are in.

In her case, we think it is even worse because she has been used to be able to do things with both legs and then has to adjust - she must be the most mentally strong and determined person we've ever met! Inspirational! We thought it was too much to ask for but did it anyway - and were surprised when she told us (strangers) she loved the song and was more than happy to fly out and participate.

Was it emotional watching the video back – accompanying a track that, I imagine, you did not envisage behind visualized that way?!

That was a pretty special feeling! From the first frame to the last, it just seems right: a perfect match. It is hard to explain. Of course; you have your ideas on how it will turn out but seeing how Adrianne acts, dances and moves to the music adds to the total experience of the songs - especially the lyrics. We are really grateful that she wanted to let us be part of her story as well as her being part of the song. It turned out better than we ever hoped for and we are really proud of the result.

2.jpg

You recently released your second E.P., Dance Floor. What themes and ideas influenced the songs? Do you think it differs a lot from your debut?

As we already sort of mentioned; the E.P. revolves around the city and the night: going out, blending in; being incognito and anonymous - like a shadow that dives in and out of bars. (It’s about) Being social without being social and never be able to get under the skin of this massive organism the city is. It provides you with a bunch of opportunities but it can also consume you in its chaos and in random meetings and situations. Having spent a lot of time abroad - living and traveling - these themes seem to be always popping up when we make music. This and love.

The first E.P. was more gritty Rock and Roll and the Dance Floor E.P. more dark and cold.

1980s Pop and synth. music seems to be a big love of yours. What is it about that decade/style that appeals?

It is hard to coin exactly what it is since we think it is many things. One of the reason is the analogue approach to music – so, the sound of the music of the 1980s is different from today: more dynamic and more skill was required rather than plugins and copy/pasting on a computer. So, the process of making music is something we have copied from that period and, also, why we have a build an analogue studio in Copenhagen.

You can also hear that a lot of effort and time has gone into making records in the 1980s - sort of craftmanship - and the guitar was ever-present in both the underground scene to big Pop records as well as guitar solos which can be heard on our track, Edge of Town, for example. It is especially dark and cold-sounding music that we are drawn to - and this sound/vibe can both be found in fun and happy songs as well as melancholic songs full of despair from that period. 

4.jpg

How did you guys get together? I believe PBSM started as a long-distance collaboration…

Coming out of different bands; David moved to Berlin and, being childhood friends growing up in the same town in Denmark, we started to bounce ideas back and forth. It was a totally new way for us to work with music and really liberating to be set free from the four walls of the rehearsal room and just record something send it over - not knowing what would be returned some days or a week later. We instantly thought it was an amazing approach and we wrote a bunch of songs that way.

Since then, we've (luckily) also been able to work together as a short-distance collaboration as well and we often hang out in our studio in southern Copenhagen.

You are a Danish duo. What is the scene like in Denmark – Copenhagen, especially?

Well. Denmark is really small (really); still, a lot of people are involved in music even though it is hard to make it. That being the premise people are involved in a lot of projects and there's a lot of creativity and energy - and always new and excited bands and constellations popping up. Still, the overall music scene is dominated by chart-topping acts and international music is highly influential.

That being said; we are often more curious on what is going on in other countries, especially the U.K. and U.S. - since there is so much more Alternative and Indie music coming out of there.

J.jpg

IN THIS PHOTO: J Bruno/PHOTO CREDIT: Niels Vogensen Biasevich

Who are the new artists you recommend we check out?

Speaking of Danish artists, you should definitely check out our label-mates J Bruno - but also acts such as Communions, Lowly; Kellermensch, MATTIS; LISS, MOLLY and Yung. 

MATTIS.jpg

IN THIS PHOTO: MATTIS/PHOTO CREDIT: Tue Blichfeldt

If you each had to choose the one albums that means the most you; which would they be and why?

F*ck! There are so many! Right now, the newly-debut album by British Punk band Shame is getting a lot of spin. Before that; Dopamine by Børns was on-repeat. It's a really hard questions and every time you think of one album, another one pops up – ‘What about this one, then?!’ We both listen to a lot of different music all the time and have especially a shared love on the British Post-Punk, New Wave era - with bands such as Gang of Four, The Sound; Wire, Joy Division; New Order, Tears for Fears (and many more)…

Then, there is something for different moods as well - it all comes in periods. But, I guess if I (David) had to choose one it would probably be In Utero by Nirvana: an album I recently revisited and haven't listened to for years. Still, I remember it was a really powerful experience to be introduced to as a kid - a feeling I can still recall when listening to it.

As a guitar player; I (Lauritz) can always return to Jimi Hendrix. I spent hours and hours in my teenage bedroom trying to figure out what he was doing. Total obsession. My favourite album is Electric Ladyland. It’s a bit of a strange mix of different styles of songs - but you find some many little gems along the way. One of my favourite passages is 9:00-9:45 of the very long and very psychedelic track, 1983 (A Merman I Should Turn to Be).

Can we see you tour soon? What gigs do you have coming up? Will you come to the U.K. this year?

We are currently working on a showcase at the SPOT Festival held in Århus this spring - and are right now also looking into where 2018 might bring us.

Hopefully the U.K. as well!

1.jpg

What do you both hope to achieve, personally, in 2018?

Connecting with more people with our music and release some new songs - and come to the U.K.! Playing a bunch of shows outside of Denmark is definitely a major goal for 2018.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

David: I think most of the memorable experiences come from concerts and what happens in and around that - and the people you meet and connect with. It can be the shows we play - which is just like a drug - or as a spectator. I guess my favourite memory would be crowd-surfing to a Garbage concert as a teenager. It's such a great feeling to be pushed around on a sea of hands!

Lauritz: I have a great memory from a late-night Grinderman concert at the Orange Stage at Roskilde Festival. We had had a good party all day, but arriving at the stage, I got lost from all my friends. In the love-spreading atmosphere of the festival, I met another guy/stranger who was in the same situation. We shared some good organic Danish space tobacco and watched Nick Cave and his buddies tear the night apart. Nothing crazy: just good music and in a great setting.

What advice would you give to new artists coming through?

Well; first of all, we ourselves are quite new. But, that being said….write songs…a lot of songs. Then write some more. Record yourself all the time; experiment. Work with a lot of people and write songs with a lot of different people. Make sure you have something on your mind that you want to express through your music.

An honest message will, hopefully, always resonate with some people out there. 

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

David: Neu! - Hallogallo (it was always played in one of my favourite bars in Berlin)

Lauritz: Kellermensch - Bad Sign (just watched them live and got hooked on this track – poetic and hard-hitting)

_______

Follow PBSM

3.jpg

INTERVIEW: Disco Shrine

INTERVIEW:

9 (1).JPG

Disco Shrine

_______

FROM a Canadian duo: it is to a hot American artist…

1 (1).jpg

who has an exciting and original sound. I was eager to speak to Disco Shrine about that name (for a start...) and how she came up with the single, Up in the Air. She discusses her Iranian heritage and what it's like being based in L.A.; which artists and sounds drove her to go into music; some of music’s new artists making her stand up and take notice – how busy the next few weeks/months are in terms of touring.

She gives me a glimpse into her plans and goals; whether there is more material coming our way; why he family and roots play a part in everything she does; how that unique sound comes together; if we can see her play the U.K. this year – how she detaches and chills away from music.

______

Hi, Disco Shrine. How are you? How has your week been?

Hi! I'm great! I just had my single release-show at School Night and it was beautiful and magical - and so many people were there. I couldn't have asked for a better way to start the week...

For those new to your music; can you introduce yourself, please?

Hi. I'm Disco Shrine. I'm an Indie/Electro-Pop artist from L.A.

Up in the Air is your new track. What is the story behind it?

Up in the Air is a song I wrote that was inspired by my parents immigrating to America after the Iranian Revolution. It's about finding the strength to leave your whole world behind in search for a better one. 

I know there is a very personal relevance to the messages – immigration and your parents fleeing from Iran to America. Is their struggle something that motivates you to create music? Has it driven you in any way?

Absolutely. One thing my mother always taught me was that I can accomplish anything I want if I work hard for it: that's such a beautiful possibility to have. Unfortunately, there are so many people in other countries that don't always have that luxury. Every time I'm on stage, I remind myself how blessed I am to have the freedom to be on that stage following my dreams - and how different my life would be if my parents didn't make that possible for me.  

10 (1).JPG

How does it feel knowing they had to flee? 

I think it's extremely bittersweet.

So much of me clings to the Persian part of me, but I don't have a lot of the actual context of what it means to live in a world where Farsi is the primary language and the things I eat and cultural traditions I practice aren't weird – quirky, things my American friends make fun of me for.

So, in some ways, I secretly wish I could have experienced life in Iran. But, at the same time, L.A. is definitely my home…and I wouldn't change that for the world. 

3 (1).jpg

Is there more music coming down the line? What are you working on?

Yes, definitely! I've spent the last year locked up in the studio writing – so, it's time for all of the gems to come out this year. 

Your name, ‘Disco Shrine’ is a bit cheeky. I notice playfulness in your music. Do you feel it is important to balance humour and the serious?

Haha. I love that you describe it as ‘a bit cheeky’. But, yeah; the name is meant to be an oxymoron because, on one hand, you have a ‘Disco’ which is a very fun, loud and energetic vibe. Then, you have a ‘Shrine’, which is quiet, peaceful and passionate - and promotes inward reflection. This was definitely purposeful. I knew I wanted Disco Shrine to be fun, upbeat Dance music - because life is too short not to dance. But, at the same time, there are so many important issues in the world and to have a platform where you can bring these issues to light and not use that platform is just a waste of a voice. 

7 (1).JPG

L.A. is where you are based. How promising is the city regards new music? Is it somewhere you feel settled and understood?

Yes, yes, yessss. It's funny because everyone in L.A. hates L.A - especially people who grew up here. But I am a born-and-raised LA Valley Girl (hair flip) and I like totally love L.A. Like, I'm in love with L.A. I've lived in other places but, something about L.A. always pulls at my heart-strings. I think a big part of it is that my musical and creative journey started here. I remember, as soon as I got my driver’s license at sixteen, I was always going to concerts and open mics - and started becoming a part of these small D.I.Y. music scenes in L.A. where everyone was so supportive of each other’s music. That's when I picked up guitar and banjo and, basically, started playing music.

I used to always write songs in the car and sing to myself when I was stuck in traffic. (It's the only thing traffic is good for!). I also think there's a very strong and diverse music scene in L.A. There's something for everyone here: you just have to know where to look. But, the great thing is that it’s always changing and there's always new people moving to the city - so it never gets boring and you're always on your toes! 

11.JPG

I believe you used to host traditional Persian jam sessions! You bonded with guitar and banjo and would entrain friends and family. When was the moment you transitioned from bedroom-recording artist to a proper L.A. artist – where ‘Disco Shrine’ was born?

It was after I graduated from College. I went to UCLA and, at the time, I was working in entertainment publicity and had a bunch of different jobs lined up for me once I graduated. But, music was always a huge passion of mine and something I always found myself going back to. So, I decided that a desk job would always be there but, if I didn't pursue music, I would regret it forever.

That's when I decided to take music seriously and make it my main priority.  

4 (1).jpg

Can you tell me a bit about the music you grew up with? Which artists made an early impression on you?

I actually grew up on some pretty classic Rock artists. My mom was obsessed with artists like Bruce Springsteen, Jonny Cash; Tom Petty, U2. (Fun Fact: my mom took me backstage at a U2 concert when I was a baby and Bono kissed my forehead.) So; Classic-Rock is, weirdly enough, where my roots are at. Something I love most about these artists is their songwriting abilities: the way they paint a picture so vividly through their words and sound. It's so inspirational. At the same time, though; I had my older sister feeding me Madonna and Kurt Cobain in the 1990s - so my music taste is all over the board. 

j.jpg

IN THIS PHOTO: Jaden Smith

Who are the new artists you recommend we check out?

Some of the artists I've been really into lately are Elohim, Jarami; Jaden Smith, Porches; Chela and Muki! Chela and Muki are my ultimate 'girl crushes'.

Check them out A.S.A.P. if you haven't yet. 

chela.jpg

IN THIS PHOTO: Chela/PHOTO CREDIT: Gina Nero 

If you had to choose the three albums that mean the most to you; which would they be and why?

This is the hardest question ever - and I don't feel like I can fully answer it - because different albums mean the most to me at different times in my life. So; here are a few albums off the top of my head:

U2 - The Joshua Tree

This album was, basically, the soundtrack to my childhood.

Youth Lagoon - The Year of Hibernation

It got me through a really hard break-up.  

Lauryn Hill – The Miseducation of Lauryn Hill

I just love her so much and love the messages she preaches. 

6 (1).JPG

Can we see you tour soon? What gigs do you have coming up?  Will the U.K. be part of your touring plans?

Yes! I'm going on a mini-tour! Nothing planned for the U.K. at the moment - but it's definitely a possibility:

2/5: Los Angeles, School Night (single-release party) * live show 

2/16: Seattle, Beyoncé vs. Rihanna D.J. set 

2/17: Seattle, Dance Yourself Clean * live show 

2/23: New York, Dance Yourself Clean * live show 

2/24: New York, Candi Pop D.J. set 

3/15-3/18: Austin (Texas), SXSW 

3/30: Washington DC, Beyoncé vs. Rihanna D.J. set 

4/6: Boston, Beyoncé vs. Rihanna D.J. set 

4/7: Chicago, Beyoncé vs. Rihanna D.J. set 

4/13: Phoenix, Beyoncé vs. Rihanna D.J. set

Looking back on your time in music so far; are there favourite memories that come to mind?

I think the best memories I have are when I'm playing shows. I recently just played at The Troubadour and that was a huge shocker moment for me - just because the first-ever show I went to was at The Troubadour - and so many amazing artists have played there.

It was definitely a ‘wow’ moment. 

8 (1).JPG

How do you spend time away from music? Any hobbies or favourite ways to chill?

I'm always still going to concerts, supporting my other musician friends or dancing! Love dancing. I still write sad Folk songs that will never see the light of day (for fun). I love going to parks and relaxing in the sun. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Chela - Bad Habit (smiles)

_______

Follow Disco Shrine

2 (1).jpg

INTERVIEW: Freedom Baby

INTERVIEW:

main.jpeg

Freedom Baby

_______

THIS is another day where I am hopping…

1.jpeg

all around the musical world! I am going from the U.K. to a Canadian duo that are turning heads and making an impression. Eric and Brianna are Freedom Baby. Although they play as an eight-piece, live: the core duo is the heart and bones of Freedom Baby. I ask the guys about the track, When We Go, and whether more songs are on their way. They discuss their past and musicians who have compelled them; if they are coming to the U.K. – and why Toronto is such a fervent and productive landscape.

I was curious to discover what advice they would provide upcoming songwriters; the albums that have impacted them hardest; where their name came from; why 2017 was such a crazy one – the memories (from their time in music) that stand out and resonate.  

______

Hi, guys. How are you? How has your week been?

Eric: Swell!

Brianna: Great! Released a song. Played a show.

For those new to your music; can you introduce yourselves, please?

We are Freedom Baby, from Toronto, and we play Indie-Rock with some orchestral elements. Eric and I write and arrange - and we play live as an eight-piece! Woah!

Eric: Really rockin’.

Can I ask whether there is a particular story behind the name, ‘Freedom Baby’? Where does that come from?!

Man, oh man. Names suck. We spent literally two months trying to come up with a band name. We went through books, magazine and newspapers. We brainstormed about common themes that pop up in the music - and tried to find something that worked. Nothing did. One of my friends, who is this very seamlessly cool guy – like, doesn't have to try, people-gravitate-towards-him-kind-of-cool - came up with the name. 

Thanks, Tyler. You’re cool.

Talk to me about When We Go and the origins of that song…

This was the first song where we kind of decided: ‘Okay, let’s not do bedroom Electro-Pop vibes: let’s try to make full-band songs that people can yell along to’.

Brianna: I think the way the song sounds - beginning soft and sweet and expanding into something much bigger - reflects the way we approached this new stuff we’ve been working on. It began with just the two of us and then grew as we decided to bring in bigger elements like horns and strings - and now I feel we have a much richer sound.

I believe it came together quickly – starting with a single instrument and building from there?! Is that the first time you have written a song that way?

Eric: I think, that’s kind of how they all start when you’re beginning the writing process.  But, stylistically, this was the first for us where we had the approach of a snowball rolling down a hill getting bigger as it rolls.  

5.jpeg

There is an E.P. coming. What sort of themes and ideas do you investigate throughout?

There’s a major thread of ‘Where do I fit into this world?’ and ‘What things am I going let bring me down and what will pull me back up again?’.  

Eric and Brianna. Tell me how you got together and what it was that brought you together?

Brianna: We met at a show a while back; so, I guess our connection began with music and grew from there.

Eric: Now, we’re in love...sweet, sweet love.  

2.jpeg

It seems like 2017 was a busy one where you made strides! Was it important to make those strides and transition from part-time to full-time passion?

Without giving you too much of a hockey player response; I just think that we made some huge steps and just kept our eye on the prize. We knew we had to get into the zone by the end and just made sure we had fresh skates on the ice-skating for the puck - and just kept the passes going.  

What is the scene like around the Toronto area? Is Canadian music, in your view, among the best in the world right now?

I feel like I’m always a few years behind on bands, now. I love Canadian music: Wolf Parade, John K. Samson; Leonard Cohen. Canada is the greatest country in the world...next to England. But; they’re both similar. The Queen rules... 

Literally.

Brianna: Toronto is a great scene for music - if you find the right people to connect with. There is so much happening in this city; so it’s an inspiring place to be.

Remy Boydell.jpg

IMAGE CREDIT: Remy Boydell

Who are the new artists you recommend we check out?

Eric: I’ve really been digging Car Seat Headrest lately. I don’t think they need any help from me getting recognized. But, that new long song they released, Beach Death or whatever it’s called (Beach Life-in-Death), is super-great.

Brianna: A few that have stood out to me recently are Big Thief and (Sandy) Alex G. They both have a really beautiful vulnerability - and are great storytellers. Violents’ new album with Monica Martin also got my attention recently. They have some beautiful orchestral arrangements infused with Electro-Pop.

Plus, Monica Martin’s voice is from another world.

Violents.jpg

IN THIS PHOTO: Violents

If you had to choose the one album that means the most to you each; which would they be and why?

Eric: Are you crazy?! I can’t answer that question! There’s like childhood nostalgia albums, coming-of-age Punk albums; the 2000s’ Indie-Rock bloom. Give me a break! It’s like when someone asks: “What’s the best day you’ve ever lived?” As sweet as my eighth birthday party at the swimming pool with the private room and pizza party and eight of my best friends was; it’s the normal days that put the greats into perspective. We need both. 

The short answer is probably ‘Fred Penner’.

Brianna: I also don’t know how I would answer that. Something that makes me feel the entire spectrum of human emotions at the same time: so, probably an album by Sufjan Stevens.

6.jpeg

Can we see you tour soon? What gigs do you have coming up?

We’re playing on March 16th at the Drake in Toronto. It’s our E.P. release-show and we’re giving away some stuff - and it’s gonna be a lovely evening.  

Eric: We’re also playing in a place called Hamilton.

Do you think you might visit the U.K.?

As soon as someone says “Hey, come play in the U.K.” we’ll do it. We need a bit of money, first, and we need to see that people want us there. My mom’s from England. So, if we play Sheffield, we could definitely get nine or so relatives to a show. But, we absolutely, 100%, wanna play every pub in England.

What do you each hope to achieve, personally, in 2018?

Brianna: I want to keep making music that we feel really good about - and to play to different crowds and learn from those experiences.

Eric: I’m really excited to connect with people over music. Whether it’s ours or just in general.  

Have you both got a favourite memory from your time in music – the one that sticks in the mind?

Brianna: Honestly; just singing and playing piano in my parents’ basement for hours when I was young - and realizing that it was the greatest feeling where things felt right - even if no one was listening. Getting inspired by singers, figuring out what kinds of music sparked for me. My parents have always been super-supportive of pursuing music so. I think being able to have that creative freedom and figure out what my strengths were, at a young age, is what made music a really special thing for me.

Something that I knew would always be a major part of my life.

4.jpeg

Eric: I grew up in the North and would only come to Toronto for shows. My parents would drive me up and I’d go see Punk rock bands play at The Opera House and The Phoenix - and all these mid-size Toronto venues and I’d love it so much. Then I went a saw Against Me! and I have no idea what venue it was - maybe The Drake Underground or something smaller and dingier than what I was used to. There were no bouncers between them and the stage; there was no separation. So, people could jump up on stage whenever they wanted and I remember this shift in energy in the room - and having a ‘holy sh*t moment’ of like ‘This is the greatest moment of my life’.

I remember crowd-surfing onto the stage and singing the second verse of Rice and Bread next to (at the time) Tom Gabel, now Laura Jane Grace, and making eye contact with each other - and me completely messing up every word to the verse. Then, leaping back on top of the crowd who were all laughing at me.

I ruined the song...

What advice would you give to new artists coming through?

Brianna: It’s a rollercoaster; so just keep in mind why you do what you do and it will be the most rewarding!

Eric: Go to shows: small shows, big shows. Play, literally, anywhere. Do coffee shops; put yourself in situations that expose your weaknesses as an artist - and sharpen those dull points as much as you can. Lean into what makes you unique and what it is that you love doing. Don’t try to write a Pop song if that’s not what you want to do. 

Brianna and I don’t care about ‘making it’ as much as we care about just doing what we love. Hopefully, other people love it, too.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Brianna: Wallowa Lake Monster - Sufjan Stevens

Eric: Against Me! - Rice and Bread. Listen to how fast that second verse is - and take pity on me for messing it up in front of my teen hero

_______ 

Follow Freedom Baby

3.jpeg

INTERVIEW: Connor Adams

INTERVIEW:

8.jpeg

Connor Adams

_______

I am always interested in genuine songwriters…

6.jpeg

who lay their hearts out there. That is not to say Connor Adams lacks bite and attack: his music matches passion and drive with a sense of calm and control. I was eager to talk about his new single, Adventure, and the video for it. Adams tells me about his music tastes and whether there is new material brewing; if there are any tour dates coming up – and whether he has set any goals to achieve this year.

Connor Adams shares his thoughts on last year and the albums that mean the most to him; what advice he would give to new songwriters; some great artists we should all pay more attention to – and why he wants Adventure to reach as many ears as possible!

______

Hi, Connor. How are you? How has your week been?

Good, thank you! Busy as ever. A lot of rehearsing for a hometown show I’ve got coming up on 16th Feb. It is my third time playing the John Peel Centre in Suffolk - but this is the first time I’ve played the venue with a band. Super-excited!

For those new to your music; can you introduce yourself, please?

Sure thing! My name is Connor Adams. I’m a twenty-two-year-old singer-songwriter from Ipswich. I tour all around the U.K.; promoting my tunes to the world - my latest tour was supporting The Darkness…which was crazy-fun! I’ve been in the music business since I was seventeen and have self-released an E.P. called Locked Doors under the name of ‘Connor Ryan Adams’.

I woke up the day after its release and it was no. five in the iTunes Chart - a mad moment. Haha! Now, I’m known as ‘Connor Adams’ (goodbye Ryan). I’m set for the first national release of my brand-new E.P., Open My Eyes, in June.

5.jpeg

Adventure, the new single, is released on 16th March. Can you talk about the origins and history of that song?

Do you ever dream of packing a bag and travelling to a place in the world that you’ve never seen before? I was struck by that feeling, whilst looking at the miserable British rain one day; so, I wrote a song about it. It was never meant to go on the E.P. but I sent it through to my producer and he said it was a must.

Now we’re here: a month after its release as the first single. Madness!

I like the video for the track. It is quite simple but seems to convey a lot of emotion. Whose concept was the video – and what was it like to film?

Thanks! We were originally set to film the video in Hawaii - but then I looked at my bank balance and decided Felixstowe beach would do the job! Haha

On a serious note: the video that we now have is better than any video we could have made in Hawaii. It’s perfect for the song because it shows myself in the typical, horrid British weather - dreaming of getting away on an adventure.

I’d done video shoots before, but none like this. I had a blast!

It seems like you had a busy and rammed 2017! You worked closely with Rupert Matthews. Is that going to spawn more material, would you say?

Definitely! Rupes is the producer I worked with on all six tracks of Open My Eyes. I’m super-proud of what we’ve created together - the guy is a genius! I took everything that I could from working with Rupe. His knowledge of music is unbelievable. He’s made me stronger as a musician and a writer - and I’m sure we’ll be working together again in the future!

9.jpeg

How do you think you have grown and changed as an artist since 2016’s Locked Doors? Have you grown in confidence would you say?

I’ve definitely grown in confidence; purely through taking every gig that was thrown at me. I just went out there and, well, got on with it! I’d say my music has matured as I’ve grown a staggering two years older, musically and lyrically. I’ve met a lot of great friends in the music industry who push me as an artist every day!

Tell me about the music you grew up on… Were there particular artists who inspired you to get into music?

Well, first of all, my dad is the biggest Foo Fighters’ fan going - so that was always playing around the house. So, obviously, I became the biggest Foo Fighters’ fan - Dave Grohl is the man! My brother would always play Eminem, so that brought me into a different side of music. Then, I guess Mum would have Shania Twain going in the car - so I had a load of different genres, always on the go.

There was never a time where music wasn’t playing in my house!

4.jpeg

Music means many different things to various people. Can you define how it moves you and what it means?!

There’s no other way for me to let go of a bad feeling than to put pen to paper and make a song out of it. It’s the same with every feeling - it’s a release process that I do every day. I’m so thankful for it. Life without music doesn’t exist for me.

It is everything.

Saint.jpg

IN THIS PHOTO: Saint Raymond

Who are the new artists you recommend we check out?

Saint Raymond, Gavin James and Dan Owen.

Big fan of these guys!

Gsavin.jpg

IN THIS PHOTO: Gavin James

If you had to choose the three albums that mean the most to you; which would they be and why?

Bullet in a Bible - Green Day

It was the first record I ever bought.

Multiply/X - Ed Sheeran

It is one of the (only) albums where I genuinely love every song.

Lastly; Stereophonics - Decade in the Sun

Kelly Jones is one of my favourite writers. Plus, his voice is pretty epic…let’s be honest; we all want that husky ‘smoke a thousand fags’ sound. Haha (without smoking them).

1.jpeg

Can we see you tour soon? What gigs do you have coming up?

You sure can!

16th February - Open My Eyes Live, the John Peel Centre

In the Round tour with Jerry Harmon and Steve Young: 12th April the John Peel Centre; 16th April, King Tut’s, Glasgow; 17th April, The Castle Hotel, Manchester; 18th April, Henry Tudor House, Shrewsbury; 19th April, The Slaughtered Lamb, London.

27th April - Connor Adams Live - the Cult Cafe Bar, Ipswich.

18th and 28th May - Supporting Emma Stevens at The Slaughtered Lamb, London and, also, Castle Hotel, Manchester.

All dates can be found through my social media (ConnorAdamsMusic).

I know you are appearing with Jerry Harmon on the In the Round tour. Have you worked with Harmon before? Are you looking forward to it?

I’ve never worked with Jerry - but I am certainly looking forward to it!

What do you hope to achieve, personally, in 2018?

There’s a list!

Recognition throughout the U.K. and beyond.

To play to a crowd of 10,000-plus.

A tour outside of the U.K.

For every single person in the world to have heard Adventure. Haha!

There’s many more…but these are a few that come to mind!

2.jpeg

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Walking on stage at the Norwich UEA; seeing all the artists that have played the venues on the wall. That show, in general, was pretty special for me.

What advice would you give to new artists coming through?

Take every gig offered to you at the start. Write as much as you can; carry a notepad or use the notes on your phone. Just go for it…why not?!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Of course, hmmm. Let’s throw it way back….

Dreams - Fleetwood Mac.

Absolute banger! Thanks, guys; hope you enjoy my record, C.A.!

_______

Follow Connor Adams

7.jpeg

INTERVIEW: Tishmal

INTERVIEW:

main.jpeg

Tishmal

_______

THERE are very few artists who can provide…

7.jpeg

such a vivid, unique and personal interview. Tishmal tells me about her eponymous E.P. and the themes/stories that inspired it; what it feels like having it out in the open; working with talent like Mason Porter on the E.P. – how her Native background, and family morals, go into the songs.

Tishmal talks more about principles held dear to Native Americans and what it is like living in modern American; if there are going to be any gigs coming up; what the differences are between San Diego (where she grew up) and Utah (where she is based) – and whether she will come to the U.K. this year.

______

Hi, Tishmal. How are you? How has your week been?

Hi! This past week was great. I have been preparing for a show at the end of this month and I’ve also been able to do a lot of songwriting. I’m always so happy to be songwriting!

For those new to your music; can you introduce yoursel, please?

I am San Diego native, currently living in Provo, Utah and loving the music scene and people here. My music is ethereal, electronic and raw. People have compared me to Lana Del Rey, Florence + The Machine and Lorde - which I take as humbling compliment. I am a fan of all those artists. 

How does it feel knowing your (eponymous) E.P. is out there?! Was it a fulfilling and exciting experience?

It’s so surreal! Only a small group of people had heard my songs before releasing the E.P. - and it feels good to know the songs are out there for more people to connect with.

What are the main themes explored and tackled throughout?

There are themes and metaphors drawn from my lucid dreams and nightmares that I have. The songs ask difficult questions - a lot of which I don’t have the answers to yet. 

How cool was it working with Mason Porter (Haarlem, Goldmyth) and Christian Darais (The Brocks) on the E.P.?

They are super-talented dudes and I love their work. Mason and Christian are both so easy to work with and they are so creative. We have similar tastes in music: I really trust and admire their production choices. Being in the studio is always a good time. I feel super-lucky to have them on my team.

It seems ‘Tishmal’ is a very important symbol – a Native name given to you by your father. What is the meaning of it? Do you embody a different persona as Tishmal – compared to ‘Rachel Brockbank’?

My dad gave me the name Tishmal when I was about twelve. It means ‘hummingbird’ in Chamtela (A.K.A. Luiseño); the language of my tribe, Payómkawichum, or the ‘People of The West’. We have the tradition in my tribe and in my family to be given a Native name. Having a Native name is one of the many ways we remember, honor and claim our culture. 

I don’t know if Tishmal is a different persona - but I definitely feel like Tishmal comes from a deeper, rawer part of me. Maybe, in a sense, it’s Tishmal who writes the songs. 

2.jpeg

How vital and influential was your San Diego upbringing? Was it easy fitting in there and ‘belonging’? What lessons and memories do you take from the city?

I love Southern California and especially San Diego. I believe that geographical places can hold energies that affect us. Growing up in the ancestral lands of my Native heritage connected me to my identity and the land around me: the plants, the smells; the climate – from a young age. I’m super-grateful for that sense of belonging. I miss it.

I also miss being able to wear flip-flops every day of the year!

Utah is where you are based now. What are the main differences in terms of vibe, music and people?

In San Diego, there wasn’t much of a music scene where I lived. Also, at the time I lived there, I was pretty shy and didn’t perform my songs very often. 

The music scene here is such a supportive and positive environment. I have really felt this team mentality from everyone - and this vibe and attitude that success rises with success. I love it! I think we can all agree that Velour Live Music Gallery in Provo plays a big part in that positivity. 

5.jpeg

Which artists inspired you most growing up? Can you remember the first single and album you ever bought?

When I was like six, somehow, I got a hold of one of my sibling’s Walkman C.D. player. It had The Jackson 5’s Greatest Hits album inside the C.D. player. I went outside and hid in my backyard to listen without anyone finding out. I played it all day, over and over, until I wore out the C.D. player batteries. I was in love with the young Michael. I also grew up listening to The Beatles and Heart - thanks to my dad’s love for Classic Rock.

I grew up having family jam nights, singing and playing through those songbooks.

Kllo.jpg

IN THIS PHOTO: Kllo/PHOTO CREDIT: Hayley Louisa Brown

Who are the new artists you recommend we check out?

I don’t know if these artists count as ‘new’ or not - but some of the new artists I am loving lately are Kllo, Dark Rooms; Zola Blood, AURORA and Hannah Epperson.

AUR.jpg

IN THIS IMAGE: AURORA

If you had to choose the three albums that mean the most you; which would they be and why?

Oh; this question is so difficult to answer! Wow. I cannot pick three, but I will try…

So. Brandon Flowers’ Flamingo album became the soundtrack to a really transformative and hard time in my life as a teenager - this album was my escape.

A compilation album, The Very Best of Daryl Hall & John Oates (by Hall & Oates), taught me a lot about song forms, hooks and Pop music.

6.jpeg

Junk by M83 is a more recent album that I was (and am) enamored with - it has moments that take me back to my childhood and moments where I feel like I am in outer-space; floating in the future. 

Can we see you tour soon? What gigs do you have coming up?

I will be playing shows locally and I am planning a tour through Idaho, Utah; Nevada, California and Arizona this summer with my band. Of course, I would love to go further with touring when the opportunities arise…

8.jpeg

Will you come to the U.K. soon? Have you played here before?

I don’t think I can express how much I love London - and the Tube! Why don’t we have an underground like that here in the States!? I went to the U.K. for the first time two years ago and fell in loves – so, yes; I really hope to play in the U.K. soon! I have this dream of playing an acoustic show with London Grammar and Fyfe. 

What do you hope to achieve, personally, in 2018?

This year, I am planning the release of more music; release another music video, open for some bigger acts and, most of all, just connect with more people. I also hope to really try my hardest in all of this. I don’t want to look back and think: ‘What if I had just worked just a bit harder?’. 

Do you get time to chill away from music? What do you like to do when you’re not creating?

When I am not working on music, I love being outside in the mountains; at the beach, among flowers: any sort of nature. I love yoga. Also, my husband and I have recently gotten hooked on The Great British Bake Off – so, we have been staying up late to binge-watch.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I recently played a show and was feeling really hesitant going back into the crowd: just so shy and nervous. I was hanging out by the side of the stage when this group of super-young kids came up to me and wanted to talk and take pictures. Knowing my music had inspired those young kids meant so much! It helped me remember that my music is for them - and I love knowing people are resonating with the songs.

I wish I would’ve known more local artists when I was in grade-school - but there wasn’t much of a music scene where I grew up. 

1.jpeg

It seems your upbringing promotes peace and connection to nature. Donald Trump, as your President, is the opposite of all that! Do you think he is eroding and pimping-out the land you love and grew up in?

I am sad to say Trump is definitely not the first to take away sacred land. There is a long, terrible; inexcusable, sad history of U.S. government and Native relations. It holds a lot of weight and pain in my heart. I can’t believe some of the things that are happening in history today with Bears Ears, the Dakota Access Pipeline and the other countless battles over stolen lands and broken treaties. Now, more than ever, we need allies and people to speak up for what is fair and right.

This country is still occupied by Native American people - we are resilient and we will continue to fight to protect what’s sacred.

4.jpeg

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I have been jamming out in my car to Right for You by Lil Silva. Enjoy! Thanks for having me!

_______

Follow Tishmal

9.jpeg

INTERVIEW: Æ MAK

INTERVIEW:

1.jpg

Æ MAK

_______

IT has been cool speaking with Aoife McCann of…

single.jpg

the Irish band, Æ MAK. She talks about their single, Glow, and how that song came together. I was curious whether she grew up in a musical household; whether the guys will be touring at all this year; how important art/visuals are to their music.

I learn more about the band's creative process and what the Irish crowds are like; the albums (Aoife) vibes to; how amazing 2017 was (when the band supported Warpaint); what advice she would give new artists coming through – and why this week has been an especially memorable/tipsy one.

______

Hi, Æ MAK. How are you? How has your week been?

Hi. We’re really good, thanks. This week has been a slow one! We’re recovering from a long week of recording in Leeds/a long week of hammering back too many brown ales. It's an exciting week too, of course! Glowin'. 

For those new to your music; can you introduce yourselves, please?

Yes. So we are a four-piece Electronic, Art-Pop band based in Dublin. There’s myself, Aoife McCann, on Vocals; Daniel McIntyre on Production and all things Synth; Peter Kelly and Dylan Povey on Drums and Percussion.

All about that rhythm...

 

Glow is your new single. What is the story behind it?

The creation of Glow was a turning point for Æ MAK. It is the start of a new chapter, sonically, and it is also the first song conceived through a new writing and production process - that started between myself and Dan last summer. It is a beacon for us, embodying what Æ MAK now is after going through a line-up change and a tough year. 

I wrote Glow after an argument I had with someone close to me. It relates to the frustration I, and everyone gets, when you see traits in others that you recognize and dislike in yourself. So; it's about denial, self-acceptance and turning to the ones that you love to accept the good and bad parts of yourself again. I brought the song to Dan and he created the soundscape. He brought it to life. Through our shared musical vision and love of Dance music, we created Glow. The first of many songs we are making together. 

The artwork for Glow is striking and eye-catching! How important is it projecting stunning visuals? Do you think image and music are closely interwoven?

It is so, so important to reflect our music with striking and stylistic artwork - it deserves it. Performance and art are at the core of Æ MAK. You have to make conceptual artwork alongside your music to enhance the world you are striving to create. Through Æ MAK, I aim to build an otherworldly realm for our audience to get lost in; to escape in. 

2.jpg

Can we expect to see new music? Will there be an E.P. later this year?

We will be releasing lots of new music throughout the year. We can't wait to share it. We're not sure in which form yet - but there is, most definitely, a long rainbow-stream of boppers coming in 2018. 

Your music brings light into an ever-darkening world. Do you feel it’s important to keep that hope and ray of guidance burning?

It certainly used to; dark brooding Æ MAK songs are coming, don't you worry.

But, yes; it is important to exude hope and positivity, of course, as both performer/writer - and the listener needs that getaway. It's also important to write about the upsetting and challenging parts of the human condition. If done through an emotive, bright Pop melody then even better. 

Did you grow up around music at an early age? Which artists made an impact on you as a child?

I did. Both of my parents are massive music fans and taught me everything they know about the world of Rock & Roll and Folk, which is a lot. The Clash's London Calling, The Rolling Stones; Talking Heads and R.E.M. would have reverberated off the walls day in, day out. I loved E.L.O...and Christina Aguilera, of course. 

sigr.jpg

IN THIS PHOTO: Sigrid

Who are the new artists you recommend we check out?

You already adore her, I'm sure but...Sigrid. Holy lord. She is a ray of hope within the Pop music industry. What a songwriter! She's going to be an iconic star we all rave about to our grandkids: the real deal. 

Aldous Harding. She's not a new artist but she's new to me. I am giddy over her.  Paving another road for all of us fierce and theatrical female performers. Her songs are so simple and beautiful; her lyrics feel like they're from a hypnagogic land. Someone's obsessed. Check out her newest album, Party.

ald.jpg

IN THIS PHOTO: Aldous Harding

If you had to choose the three albums that mean the most to you; which would you choose and why?

Simon & Garfunkel – Bridge Over Troubled Water (1970)

This was the soundtrack to my childhood and early-teens thanks to my mam and dad - along with countless other iconic albums like Pet Sounds and Sticky Fingers. The melodies and harmonies are ingrained into the lining of my heart. This album, 100%, influenced all my writing when I first began in my late-teens. This is strongly reflected in our first Jungle-Pop E.P., I Can Feel It in My Bones. 

Fleet Foxes – Helplessness Blues (2011)

Toss up with their debut album in 2008.

Robin Pecknold. Tears. Love. Help. Can’t deal...Every lyric. Every melody and harmony-line. Still trying to suss which cog I am, in which great machinery...serving something beyond...okay, sorry. I listen to this album every day. Every day. It fills me with sadness AND hope.

Little Dragon – Season High (2017)

We are all currently in love with this album. It has had a big influence on the synth sounds and production on our new songs. To me, it embodies how I feel about my youth and ours and our mate’s experiences. A yearning for more. It also makes us dance our butts off every day. 

live.jpg

Can we see you guys tour soon? What gigs do you have coming up? 

We have lots of festivals coming up this summer that we’re excited to announce. We also have some exciting shows in the works. We’ll be baring all soon.

What do you hope to achieve, personally, in 2018?

Me, personally; I’d like to become a real adult person and learn how to cook a nice stew; learn how to pay big important bills and post big, important letters. Soon, I hope: twenty-five is just around the corner. 

2017 saw you support, among others, Warpaint! What did you learn from the gigs and big moments last year?

Yes, that was amazing - very surreal, but I think we learned that we can actually do this and we’re a lot better than we thought. We learned that people connect with our music and performances. People actually want to come and dance at our shows.

So; that feels super-fuzzy. 

lie.jpg

Have you got a favourite memory from your time in music – the one that sticks in the mind?

We played Other Voices festival, December-time, 2016. It was one of the best weekends of our lives, musically and as a band, in the Irish music scene. It’s in the beautiful seaside town of Dingle, Co. Kerry. The sense of community and true love of music is magical there. We were very hungover so were in a fuzzy dreamlike state - this definitely enhanced the connection we had with the audience there. I think I morphed into some kind of tribal witch that night.

That festival is really special.

What advice would you give to new artists coming through?

Find the right people to surround yourself with; people who bring out the best in you, creatively and as a person; be it collaborators, musicians; management…it takes time - but never settle for the wrong fit. Also; f*ck worrying about what people think: in the end, we'll all be dead.

Be whoever and whatever the hell you want to be - and be the best at that.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Ha! Okay. Myself and Dan are drooling over Lorde’s Supercut right now. Spin it! (Smiles).

_______

Follow Æ MAK

4.jpg

INTERVIEW: RubēHill

INTERVIEW:

main.jpeg

 PHOTO CREDIT: Connor Fyfe

RubēHill

_______

THE incredible RubēHill reveals the story behind…

bocks.jpeg

his new single, Apartment, and how he manages to create his own style. There are shades of Gorillaz and LCD Soundsystem in his work – the Canadian songwriter talks about those artists. I ask whether there is going to be any more material soon; what tour plans he has up his sleeve – if we might see him in the U.K. at some point.

I ask how his career got started and which musicians made an impression; the new artists he recommends we check out; some albums that have been influential in his life – and whether the name, ‘RubēHill’ signifies a unique personality and persona.

______

Hi, RubēHill. How are you? How has your week been?

Hello! My week has been great; thanks for asking. It’s been pretty cold, overall - but I got to put a new song into the world early in the week and I’ve been buzzing since. How has your week been?

For those new to your music; can you introduce yourself, please?

Hello, new listener! I hope you like the music… 

It seems like ‘RubēHill’ is a persona and reinvention. Where does that name come from?

It’s definitely a persona. I did musical theatre in high-school and always felt more comfortable playing a character. I never liked the idea of my personal self being the main representation of the music I made. Using a different name was the easiest way to avoid that. I just happened to be reading Flannery O’Connor’s A Stroke of Good Fortune at the time when I was trying to come up with an alias and, sure enough; I really resonated with the main character, whose name happened to be Ruby Hill. 

You are making leaps to create your own style and sound. Is it important you break from the expected and provide something unexpected?!

Perhaps all too stubbornly, yes. Confronting existentialism for the first time in grade-eleven Philosophy class kind of turned the blender in my brain on for a little bit – and, since then, I haven’t been able to make music without having an intense feeling of ‘Well, if existence is so finite and weird; why not just make your art weird?'. I still like to cling to familiar elements and respect what has come before me: but you can definitely do both. My main goal is to just always be surpassing myself. The break from the unexpected happens as a result of just trying not to be frightened when something sounds a little off-kilter, as long as it has intention and integrity.

Surprise is stimulating.

Apartment is your new track. What is the story behind it?

The first lyric of the song came from a conversation I had with a friend who had been on a partying spree. I remarked “You’ve been on a bender since I met you”, and was suddenly inspired enough by the line that I wrote it down and set it aside for a beat I had been working on. I changed up the lyric and decided that the song would take place inside the head of someone who has just woken up in their apartment.

I wanted the song to represent the way in which thoughts become dangerously limited when we inhabit small spaces. Writing those thoughts into a song allowed me to step back from my own thought patterns and observe them as an outsider - and it’s provided me with a lot of clarity. Songwriting’s great that way.

It brings in shades of LCD Soundsystem and Gorillaz. Were these artists in your mind when creating the song? How easy was it to get the track together?

Astute observation! Yes, both of those artists have influenced me heavily, amongst others. The song started off with a drum loop inspired by LCD Soundsystem’s song, Someone Great, and I had no idea it would turn into the thing it turned into. Frank Ocean’s Blond had just come out and I was blown away with how unconventional a lot of the song structures were. His pairing of this with bare emotional lyrics really struck a chord with me. I had also just begun listening to the Gorillaz and that drove me to realize that I could incorporate Funk and Electronic elements into my songs - while still retaining the melancholic chord progressions that I’ve always used. Blood Orange’s Freetown Sound did a similar thing for me. The final part of the process was the pitched-down spoken-word bit I do at the end, which was recorded after a day of listening the third Run the Jewels album on-repeat.

This song required a very specific convergence of influences at a very crucial time. It was easy to create for the song because it all happened naturally - but difficult in between writing sessions because I battled pretty frequently with whether or not it was any good.

other.jpeg

PHOTO CREDIT: Connor Fyfe

Will there be more music down the line? Can we expect an E.P.?

I currently have a good number of complete or near-complete songs that I plan on putting out sometime soon. It’s just a matter of when and how.

How do you think your music has evolved through time? Do you think you are in a place where you feel most comfortable and free?

I’ve evolved over time mostly through immersing myself in specific musical phases. It’s really helped me to be well-rounded but, at the same time, it made it hard for me to find my own voice for a really long time because I was always trying to be like other artists. I still take influence from other artists’ ideas - but I no longer want my music to sound like anyone else. This acceptance of my own voice and the creation of the RubēHill persona has definitely led to me feeling freer and more comfortable as a creator than I ever have.

Tell me about your musical upbringing? Which artists and albums were you raised on?

Growing up, so many people in my life were such huge music lovers that I was just always exposed to all kinds of music. I’m pretty sure I remember hearing Miles Davis’ Kind of Blue when I was four. My parents exposed me to a lot of really funky stuff. I played trumpet in elementary-school and wanted to be Dizzy Gillespie really badly. At the same time, I was always a sucker for the hits and distinctly remember really hoping Smooth by Santana came on every time I listened to the radio.

When I started playing guitar, it was because my uncle took me to see Roger Waters live in concert - and my twelve-year-old self decided that I wasn’t going to make the Comfortably Numb solo sound cool on trumpet.

Who are the new artists you recommend we check out?

I’ve just recently put Brockhampton's Saturated III into rotation and it’s totally blown me away. Would definitely recommend. Weaves are a band from Toronto that (just) deserve so much attention. Their sound is so gutsy and so wild. I would say the same thing about the band Algiers from Atlanta, Georgia. My friend Sam has a project called Mute Choir - and I truly believe his upcoming debut album is going to change the world; so look out for that one.

Mute.jpg

IN THIS PHOTO: Mute Choir/PHOTO CREDIT: @louisa nicolaou

If you had to choose the three albums that means the most you; which would they be and why?

This is so tough. My answer will probably change tomorrow - but I’ll take a crack at it anyway.

Caustic Love by Paolo Nutini

I went through a particularly rough bout of existential dread one summer - and Iistening to this album every night before I went to bed helped get me through it. It’s a great record. 

Channel Orange by Frank Ocean

This record changed the way I looked at music and I don’t really know how to describe it past that. 

In Rainbows by Radiohead

It’s a perfect record. There isn’t a single sound out of place and there isn’t a single moment where it feels lacking or overdone. It’s so lush yet so sparse; so aggressive yet so gentle. I heard it for the first time in grade-eleven and haven’t gotten sick of it yet.

2.jpeg

Can we see you tour soon? What gigs do you have coming up? 

I’m playing a gig in Toronto in February with an awesome artist named Alex St. Kitts, whose been a heavy musician in the scene for quite some time (and whose project is called the Projektor). It’s going to be fun. I don’t have any immediate plans to tour outside of Canada, but that definitely doesn’t mean I don’t want to…

What do you hope to achieve, personally, in 2018?

I hope that 2018 is the year that I get to hold a vinyl version of the first RubēHill record in my hands and go “oh, wow”.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

When I started playing guitar I would frequent local open mics - because I didn’t have a band to play with but really wanted to play with other people. There was this one Blues/Jazz club where I used to get up and jam with a very seasoned Blues singer named Andy Earle, who kind of took me under his wing at the jam and taught me a lot about playing and, more importantly, listening. One particular night, I decided that if my thirteen-year-old self was to sing Every Day I Have the Blues - even though I did not have the blues even every other day. The singing was so brutal.

Andy turned to me after the song, laughed, and said: “Listen, kid; you have to sing it like you mean it. You get up here saying “Every day I have the blues” but it don’t sound like you have the blues’”. I was mortified in the moment: but it was such an important lesson and it has stuck with me to this day.

sea.jpeg

PHOTO CREDIT: Con Fy

What advice would you give to new artists coming through?

Encourage your friends: friends prop each other up and create movements. Movements change the world. Stick together and everyone's work will be better and healthier. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Brockhampton - Boogie

_______ 

Follow RubēHill

block.jpeg

INTERVIEW: Aphrose

INTERVIEW:

Aphrose2.jpg

Aphrose

_______

IT has been a wonderful experience chatting…

Aphrose1.jpg

with the Canadian songwriter, Aphrose. She discusses her current single, Move On, and the tale behind it. I ask whether there is more material coming; which artists have compelled and shaped her music; whether women have to work harder (in the industry) to get the same acclaim as men – if she is coming to the U.K. to perform.

Aphrose talks about her upbringing and if she feels she’s changed since her debut cut. I ask what it was like working with producer Scott McCannell on Move On; the albums that mean the most to her; how she creates such vivid and genre-straddling music – what she hopes to achieve, personally, in the coming months.

______

Hi, Aphrose. How are you? How has your week been?

Hey, M.M.S.! I’m well, thanks. My week has been going really great so far!

For those new to your music; can you introduce yourself, please?

Hello, everyone. My name is Aphrose. I am a Soul singer based out of Toronto, Canada.

Move On is your new single. Is there a story behind it at all? What inspired it?

Yes, there is certainly a story behind Move On...

It was written a little while ago and, though it was a favourite of mine; other songs and projects were prioritized over it. I rediscovered Move On in one of my old song notebooks and knew it was time to record it. The sentiments of the song aren’t directed at any one person in particular - but it’s a story that most, if not all, women can relate to. It’s a song of empowerment, of realizing one’s own self-worth and moving on.

Sonically, I was inspired by Phil Spector’s Wall of Sound, Amy Winehouse’s lyrical honesty and Quentin Tarantino soundtracks.

SINGLE ARTWORK.jpg

I know the song breaks barriers and frees us from limitations! Do you think, as a woman in music, that message is especially personal? Do you think there are too many obstacles placed before female artists?!

Yes! 100%! I genuinely believe that women have to work twice as hard as their male counterparts to ‘prove’ their worth and ability and to be taken seriously - not only in the entertainment industry but in all walks of life. Society has historically objectified women as lesser beings: valued for their desirability over talent and skill. Women, for their part, have mostly been socialized to accept this inequality - but the tides are changing.

The time for remaining passive amidst injustice is coming to an end...

Aphrose4.jpg

What was it like working with producer Scott McCannell on the track? What did he bring to the production?

I started working with Scott last year and it’s been such a fun journey so far. Scott specializes in analogue production methods - which give the song a warm, vinyl-like sound you would hear on a record. Move On was the very first tune we worked on together. I played the song on keys and sang over top and told him that I was hearing a Wall of Sound-type aesthetic - and he knew exactly what I was going after. We cut the demo in like, two hours to his four-track cassette recorder! It blew my mind how fast he worked and how many instruments he could play.

When we finished the demo; we knew we had something really cool and couldn’t wait to get the band in to cut it for keeps to tape.

Do you think you have strengthened and changed since the debut single, The Middle? Did you consciously try and create a different-sounding song with Move On?

I feel like I’ve strengthened as an independent artist, definitely. I have learned a lot since the release of The Middle and will continue to learn. But, as much as I’ve grown, there are still some unifying elements that are present within both songs, such as having lots of layered background vocals and heavy bass throughout.

Move On is a tribute to the Soul sounds of the 1960s that I love; whereas The Middle is more of an ode to the Neo-Soul sounds I love from the 1990s/early-2000s. Both those musical eras deeply influence my overall sound.

1.png

I believe a video will be released on 19th February. Can you reveal what sort of themes and ideas will be explored in the video?

Yes. February 19th is the video release-day! I’m so excited to share this visual with everyone. There are themes of defiance and resistance as well as themes of unity and solidarity - all themes that are significant in today’s social climate.

Will there be more material later this year?

Definitely. I am working on releasing an E.P. later this year. Stay tuned!

I hear Soul, Gospel and Pop in your work: music that crosses genders, races and time periods. Did you grow up in a diverse neighbourhood and, as such, have exposure to an eclectic range of sounds?

Yes. I grew up in Scarborough - a borough of Toronto - which is the most diverse city in the world. I feel really blessed to have had the opportunity to connect and learn from people of all ethnicities. My background is Trinidadian; so I grew up listening to a VERY eclectic range of sounds such as Soca, Calypso; Reggae, Chutney; Parang, Motown; Pop, Gospel; Classic Bollywood and even Country music!

As a child, I listened to whatever my parents listened to and, despite how uncool I thought that music was at the time (because all my friends were listening to boy-bands and Alternative-Rock); I’ve grown to realize how much those genres have shaped me as a musician - and I’m eternally grateful to my parents for exposing me to such a wide array of sounds.

2.png

You have worked with names like Daniel Caesar and Nikki Yanofski along the way. Have you learnt quite a lot from these people?

Most certainly. Witnessing the drive, work ethic and teamwork behind an artist’s success has been a cherished lesson - showing me, not only what it takes to get to where they are, but also what it takes to stay there. From Daniel, I learned that it’s possible to find success using unconventional means, such as not signing to a major label. From Nikki, I learned that at the end of the day, after all the bells and whistles, raw talent will always shine through.

fran.jpg

IN THIS PHOTO: Francois Klark

Who are the new artists you recommend we check out?

Francois Klark (@francoisklark) is an emerging Toronto artist that I have had the pleasure of working with. His sound is a mix of Jon Bellion-meets-Kevin Garrett. Check out Spaceman.

Lydia Persaud (@lydiapersaud) is another emerging Toronto artist who I admire greatly. Her sound is a cross between Soul and Folk. Check out Everything.

YUKA is my favourite band in Toronto. They are a Funk/Soul outfit fronted by the incredible Claire Doyle. Check out Make Up Your Mind.

yuka.jpg

IN THIS PHOTO: YUKA

If you had to choose the three albums that mean the most you; which would they be and why?

Oooh…this is a tough question! I have so many favourites but, ok - let’s see if we can narrow it down…

Lady Soul by Aretha Franklin

She is my all-time favourite singer and that album has SO many bangers (I mean; ALL of her tunes are amazing). But, my favourite song of hers is Ain’t No Way - and it’s on this album.

The College Dropout by Kanye West

This album is amazing; every song is so dope - even those hilarious interludes! Never Let Me Down is one of my favourite tracks on this album. The spoken-word bit at the end makes me cry, without fail, EVERY TIME.

Channel Orange by Frank Ocean

I am amazed by Frank’s writing and production styles. He is so eclectic and weird (in the best way possible!) and every track is beautiful on this album. My favourite is Bad Religion. I think I listened to this album twice a day, every day for like two-months-straight when it first came out!

Can we see you tour soon? What gigs do you have coming up?

Touring is in the works, for sure. Specific dates T.B.D. I have an upcoming gig in Toronto at Lee’s Palace on February 23rd. I’m opening up for two amazing Toronto-based bands: Yuka and Gold Complex.

What do you hope to achieve, personally, in 2018?

I hope to travel and bring my music to places around the world and reach new fans. I also hope to collaborate with more artists and create new experiences.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Another hard question!

I’ve been really fortunate to perform in some amazing venues across North America and play some really fun shows. One memory that stands out is being the frontwoman for The Daft Punk Tribute: an eight-piece band that recreates the works of Daft Punk live. We had the honour of playing a sold-out show at the renowned Le Poisson Rouge in N.Y.C. - and the vibe and energy that night was next level…and gave me the affirmation I needed to know that music was my calling.

4.png

What advice would you give to new artists coming through?

Keep hustling. It’s a grind; especially when you are self-managing and wearing many hats such as manager, P.R.; social media marketer - as well as creating your own music. It can be so exhausting. Just putting yourself out there.

There is a fine line between persistence and annoyance - and you have to ignore feeling self-conscious about crossing that line. That has been one of the hardest lessons for me to learn thus far. Most importantly: keep creating and believing in your art.

The right people will find it…

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Awesome! City of Angels by Miguel. I love his new record.

_______

Follow Aphrose

5.png