INTERVIEW: Rhys Lewis

INTERVIEW:

Rhys Lewis

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THE solo songwriter market has many players…

but few that continue to create progressive and impressive music. Rhys Lewis fits into that exclusive club. I have been speaking with the talented musician about his E.P., Bad Timing, and what inspired the songs; whether he has a favourite moment from it; which artists he counts as idols; how London is suiting his creative and personal flow – what advice he would give to artists.

I ask Lewis whether there are new artists he recommends; how he unwinds away from music; whether there are gigs coming up soon; where he goes from here – how important his fans’ love is.

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Hi, Rhys. How are you? How has your week been?

I’m very well, thanks! It’s been cold but great: can’t get my head around this weather! 

For those new to your music; can you introduce yourself, please?

I’m twenty-six. Originally from Oxfordshire but I been living in London for seven years now - and I’m a budding singer-songwriter! 

Your E.P., Bad Timing, is out. What are the inspirations behind the songs? Any key themes that influenced the songwriting?

I guess, for this E.P., the first two tracks came from the breakdown of my last relationship. It’s all still quite fresh; so it feels weird having songs out there that are so open about it all. Themes of disconnect and loss are at the heart of it - and the sadness that comes with having to sacrifice something you don’t want to give up. 

Do you have a favourite song from the E.P.? Is there one that stands out?

My favourite is Reason to Hate You.

I like that it’s just the song: no production; still quite raw. The lyrics sum up completely how I was feeling - so I’m glad they are still the main focus. I also recorded that one live - so I have quite fond memories of the session. 

The track, Bloodstains, is already out. Has it been good getting the song out there? What has the reaction been like so far?

It’s been amazing seeing the reaction people have had to my music.

People from all over the world message and say that one of my songs has been the soundtrack to their drive to work or helped them through a break-up; or the song they dance with their kids to in the living room. So it’s crazy to step back and realise that my music is playing in people’s lives.

In just over a year, I’ve had 20,000,000 streams on Spotify…which blows my mind. 

How did you get into music? Did you grow up in a very musical household?

My parents weren’t really that musical but my dad had a guitar - and both my parents listened to lots of great music. But, they were really encouraging (of me) trying music at school and, when I picked up the guitar at ten-years-old, that was it: I was obsessed!

Which artists do you count as idols? 

Blake Mills. He’s a GENIUS. You only need one... 

You are situated in London. Do you draw any energy and creative guidance from the people? Is it the best place to be for an ambitious musician?

I’ve definitely been affected by living here. One of my songs is about the bittersweet relationship I have with living here. One the one hand, there’s so much going on and it’s a very creative place; on the other, it’s crowded, expensive and creatively draining...! I don’t think it’s essential that you live in London as a musician: there are some great cities in the U.K. that have an equally-exciting musical community.

It’s just important that you find a place that inspires you to do your best work and maybe a place that promotes collaboration and creativity. If you’re making something exciting and shouting about it; the industry heads will find you wherever you are. 

 IN THIS PHOTO: Jade Bird

Are there any new artists you recommend we check out?

Jade Bird, Lewis Capaldi; Freya Ridings, Jalen N’Gonda; Franc Moody, Dermot Kennedy and Lily Moore. There are so many at the minute: I could go on for ages!

IN THIS PHOTO: Freya Ridings

Can we see you tour soon? What gigs do you have coming up?

I’m on tour in Europe in April - and then doing a small U.K. tour at the start of May! 

What do you hope to achieve, personally, in 2018?

I try not to set too many goals: I (just) aim for each year to be better than the last. So, releasing more music, playing bigger shows; passing my driving test and seeing my family more are all part of the plan for 2018!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Playing a sold-out show in Amsterdam to 600 people at the end of my European tour was definitely one of those pinch-yourself-moments. My family and friends were there too - so it was a special gig!

How important is the support of the fans and the love you get online? Do they motivate you to reach high and push on?

You know what; I never thought I’d say this but having that connection with fans really does inspire you and motivate you to do better. Especially when you’ve met a lot of those people on tour after a show: their words of encouragement and support really go a long way - and remind you that there are people out there that enjoy the music you’re making. Sounds cheesy, but you put your heart and soul into creating music and then labels - and whatnot - judge it based on streams and data.

So nice to have a connection with the people that judge it for what it is: music. 

What advice would you give to new artists coming through?

Write or play or practice or study every single day. Focus on making music that excites you, because if it doesn’t excite you, it won’t excite anyone else. Obviously, social media is important but you can’t truly build a lasting following without good music - so let that be the thing that comes first.

Do you get much time to chill away from music? How do you unwind?

I don’t get loads of time but, when I do, I like to play sport and stay active. I recently (just) got into chess, so I’ve been trying to get good at that - I’m still sh*t. Reading is also good. It stops me from staring at a screen - which is the main benefit, I think! 

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Follow Rhys Lewis

Official:

http://www.rhyslewisofficial.com/

Twitter:

https://twitter.com/rhyslewismusic

Instagram:

https://www.instagram.com/rhyslewismusic/

Facebook:

https://www.facebook.com/rhyslewismusic/

YouTube:

https://www.youtube.com/user/RhysLewisMusic?app=desktop

Spotify:

https://open.spotify.com/artist/4T2k9bgIoC8bbqjqiEl9vZ

SoundCloud:

https://soundcloud.com/rhyslewismusic

INTERVIEW: Hero Fisher

INTERVIEW:

Hero Fisher

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A new track from Hero Fisher is always…

reason for interest and celebration. The London-based songwriter talks about Lonely and whether there will be more material. I ask her how her music has changed and whether she has stepped up her game; whether, she feels, the stage is somewhere she feels free and connected; if we can see her tour this year – what sort of music she was raised on.

Fisher reveals what it is like getting acclaim from big names (including Blur’s Dave Rowntree) and what she hopes to achieve this year; how she spends any free time away from music; a favourite memory from her time in music – she ends the interview with a rather cracking song selection.

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 Hi, Hero. How are you? How has your week been?

Hi! I’m good, thanks. I’ve been walking around snowy London. It’s looking magical out there!

For those new to your music; can you introduce yourself, please?

My name is Hero Fisher. I grew up in France with Australian parents and am now living in London. I’ll be releasing my second album, Glue Moon, before the summer. I’m really proud of it and can’t wait to share it with you!

Lonely is your new track. Can you talk about the story and inspiration for it?

I think the song is about warped perceptions - and how our individual perceptions are the only reality we actually have.

Do you think they’ll be a video for the song? You create great and unique videos! Do you have an idea in mind for Lonely?

Thank you! I have made a video for this one. I, visually, wanted something meditative rather than narrative (for Lonely). The viewer just follows me along a drive; seemingly never-ending. It looks a bit like dream and is entirely open to interpretation:

Will there be more material this year? What are you working on?

Yes! We will be releasing a new single soon called Life Through Closed Eyes - along with a video directed by the wonderful Julian Broad.

Last year was a busy one for you. It seems like Lonely brings in new shades and ideas. Was it a conscious decision - to change things up a bit?

I initially wrote it as a kind of songwriting exercise - thinking someone other than me would sing it. But, it sort of just got darker and darker and it ended up fitting nicely in the album. I like to let songs happen organically: songs tend to take a shape of their own. I suppose I consciously make the decision to let the song lead the way.

I just decide whether to release it or not!

It seems you and music and perfect partners. What was the reason for taking up music? Did you feel like it was the best way to express yourself – in a way you couldn’t have done otherwise?

Thank you. Yes, I definitely feel like that! I struggle to talk about my music because I make music to describe what feels indescribable.

Which artists do you count as idols? Did you grow up around a lot of different music?

Yes. My folks played all sorts of sounds around the house as I was growing up. I fell hard for Bob Dylan pretty young - and Leonard Cohen, Billie Holiday; PJ Harvey, Radiohead; Edith Piaf, Nick Cave...

You have courted some praise from some big names. Blur’s Dave Rowntree has expressed his fondness! Is it encouraging realising receiving applause from high-profile names/sources?  

Yes. It’s a wonderful thing to be appreciated by artists I admire so much. I work hard to make the best music I can - so it’s always good to get the nod from anyone really!

Can we see you tour soon? What gigs do you have coming up?

We’ll be playing new songs from the upcoming album on the 15th March at St. Pancras Old Church and at The Great Escape on the 19th May. I hope we see you there!

PHOTO CREDIT: Brett Walker

I have seen you perform and can attest to your skills on stage. Is it somewhere you feel able to communicate fully and honestly with your listeners?

Thank you for coming to a show! I’d be lying if I said I didn’t get stage fright. It’s a real challenge for me - which is why I do it, I think! I’m still learning how to perform and probably always will be. But, when you’ve managed to channel what you’d hoped to and hold an audience’s attention…and made them feel something strong; it’s a magical moment.

I don’t know any other feeling like it.

What do you hope to achieve, personally, in 2018?

I very much hope the album will be loved - and that we’ll be able to tour Glue Moon for a while.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I would say recording the album in Monnow Valley Studio is a really happy time in my mind. It’s in the middle of nowhere with nothing but lambs and chickens; fields and trees, a little river running by. The night was so quiet and the air felt so clean.

I love the recording process. When we’ve brought together a solid and inspiring team of people and once we’re on a roll; it feels like a real achievement to have made it to that point!

What advice would you give to new artists coming through?

I would say don’t try to be anyone else. What will make you stand out is only you; your perception and the way you describe it. Don’t do anything you don’t want to do. Be flexible. Be kind. Be ruthless…

Don’t smash a burger just before a show or you’ll get sleepy.

PHOTO CREDIT: @sonyajasinskiphotograph

Do you get much time to chill away from music? How do you unwind?

I don’t really listen to music all that much: I like the quiet. I love to read. I’m really into Shirley Jackson’s writing at the moment. I recommend We Have Always Lived in the Castle.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Joan As Police Woman – Warning Bell

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Follow Hero Fisher

Official:

http://www.herofisher.com/

Twitter:

https://twitter.com/HeroFisher

Instagram:

https://www.instagram.com/therealherofisher/

Facebook:

https://www.facebook.com/herofisher/

YouTube:

https://www.youtube.com/user/TheHeroFisher

Spotify:

https://open.spotify.com/artist/2UTLIPgfUhvKa3m0poQrC0 

INTERVIEW: Soho Radio

INTERVIEW:

Soho Radio

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IT has been interesting speaking with Rachael Bird…

the Station Manager of Soho Radio. She talks to me about the station’s ethos and why it continues to grow; why she joined the station and some of the best aspects of working where she does – and the reasons so many independent radio stations are forming around the capital.

Rachael tells me about the Jäger Soho collaboration: Soho Radio working with Jägermeister and the initiatives that are taking place right now; why the two parties have a close and productive working relationship – and why this will continue for a long time to come.

I learn more about The Vinyl Sessions and unique aspect to that project; festivals and outdoor events that Soho Radio and Jägermeister are involved with; some memorable performances that have happened as part of The Vinyl Sessions – why the new follower/discover should keep their eyes peeled to the goings-on of Soho Radio and Jägermeister.

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Hi. Who am I speaking to? How are you? How has your week been?

Hi! I’m Rachael; the Station Manager of Soho Radio. I am very well, thanks - hope you are too! Typical week at Soho Radio: mental!

I am a fan of Soho Radio and the work done on the station. What, to you, defines Soho Radio and what it is all about?

Soho Radio is a platform for hugely talented artists, D.J.s and producers; with a community vibe and a family spirit. Our eclectic roster is made up of shows from the likes of music journalist Pete Paphides, Dub maestro Dennis Bovell; Hacienda legend Mike Pickering and Primal Scream bassist Simone Marie. Inspired by Soho’s diverse culture, Soho Radio draws together musicians, artists; filmmakers, poets and the generally curious from across the globe.

We love that our presenters can play anything and say anything.

When did you join Soho Radio and what, to you, is the biggest benefit of working for the station?

I’ve been here since the first day of broadcasting and I absolutely love it.

The benefit for me is being amongst a bunch of hugely creative people who all love radio just as much as I do - and are all supporting the work we are doing.

There are quite a few independent, rising London stations offering a great choice of music and talent for music lovers. Why do you feel radio is enjoying constant success and appreciation?

Online radio stations provide a platform for creative talents to spread their passion for music, culture; art, food and more. People don’t want to hear the same five songs from the commercial stations: they want fresh, exciting and engaging radio, which the online platforms are delivering, through their freedom of having no set playlists or guidelines. The online radio station market is thriving with the likes of Radar, NTS; Balamii (and more) all offering something slightly different, yet sharing the same ethos...

Tell me about the work Soho Radio is doing with Jägermeister. How did the collaboration come about?

Our collaboration on Jäger Soho consists of Vinyl Sessions, Jäger Music radio shows; events and live broadcasts from festivals around the country. We also host pop-up residencies at the Jäger Soho space in Soho Radio - we’ve had Goldie’s yoga company, Yogangsters; Notion Magazine, the AIM Label Lodge takeover and more.

The collaboration came about from a shared love of music between Soho Radio and Jägermeister - which helps solidify our partnership on Jäger Soho.

The Vinyl Session is something that intrigues me. It involves a band/artist coming in and playing a song or two. Tell me about the bespoke lathe and the recording straight to vinyl. That sounds like a tough thing to perfect! What was the reason behind that idea?!

The radio station incorporates a designated performance area with a bespoke vinyl lathe, hand-crafted explicitly for the sessions. Instead of just a normal radio session; here at Soho Radio, we cut each intimate live performance directly to vinyl and film it in 360-Virtual Reality to create an exclusive package; producing a unique physical and virtual representation of the live session.

The vinyl renaissance is truly underway and the Soho Radio Vinyl Sessions are an integral part of the revival: bringing exclusivity to the art through the incorporation of a radio station and vinyl-pressing facilities in one place. The project showcases technologies a century apart through the one-off nature of the vinyl recording; to the immersive experience of a virtual reality film.

What has been the most memorable performance in the series so far, would you say?

Seun Kuti & Egypt 80 was pretty special – we had fifteen musicians in the Jäger Soho space; all filmed in 360-V.R. It was our first dip into the vinyl-cutting process - definitely a good one to start with! Another one I will remember for a while was vocal musician Reeps One, who was joined by the London Contemporary Voices.

A mix of beatboxing and a choir – it sounded amazing!

In addition; there are outdoor festivals and events where Soho Radio and Jägermeister work together. What do you have planned for this year?

Jägermeister have an incredible experiential venue called the JägerHaus which they bring to selected festivals each summer. It’s made up of a number of different performance, entertainment and socialising spaces but, at its core, is a constant stream of incredible live music. This year’s festivals and line-ups are top-secret at the moment - but we definitely hope to bring our listeners some live broadcasts and exclusive band interviews from the JägerHaus this summer…so watch this space!

I know there are a few other brands and companies that have shown their support. Are these collaborations important in terms of exposure and spreading the message?

The support we get from brands and companies is great: it really helps to increase the Soho Radio exposure and spread the word. We want to continue to grow and develop our listener base and (just) play good music to the people. The advantage of being an online station is that our listeners are placed all over the world - not just Soho.

What else can you tell us about the partnership? Why should I, as a music lover, follow it closely?

Our Vinyl Sessions are one-of-a-kind – a showcase of technologies decades apart – and the array of reputable artists who are on-board to cut a session direct to vinyl is very exciting. Keep watch over the next year to hear the latest instalment of the sessions.

Finally, and for being a good sport; I’ll let you choose a song and I’ll play it here.

The Greater Experience – Don’t Forget to Remember

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Follow Soho Radio

Twitter:

https://twitter.com/sohoradio

Instagram:

https://www.instagram.com/sohoradio/

Facebook:

https://www.facebook.com/sohoradio/

INTERVIEW: Ellie Occleston

INTERVIEW:

Ellie Occleston

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I have been speaking with teenager Ellie Occleston…

as she discusses her new single, Splinters. I ask what comes next in terms of gigs and material; relocating to Spain from Merseyside; some of her treasured memories from music – and some great new artists we should all be more aware of.

Occleston talks about Michael Kiwanuka and Sir Elton John; how important London is regarding her music and ambition; whether she takes time away from music to relax; advice she would give to new artists emerging; whether Splinters, her debut single, is a nervous move – whether it was hard convincing her parents to come back to the U.K. and let her pursue a career in music.

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Hi, Ellie. How are you? How has your week been?

With the release of Splinters alongside my studies (I am still at school doing A-levels); it´s been complete madness but a lot of fun…

To be honest; the feedback and support I have had, and the love that´s been shown for Splinters, has taken my breath away - and it feels a bit like it`s happening to somebody else!

For those new to your music; can you introduce yourself, please?

Okey dokey. I would say I am somewhere between Indie-Pop and Indie-Folk with occasional undertones of Jazz and Soul – so not really a specific genre. I have really strong acoustic roots but recently started to experiment and arrange my music in a full-band setting…which has helped me further develop my overall sound in terms of both my songwriting and performance – and it also gives me versatility and scalability when I perform in different venues.

Splinters is your debut single. What is the story behind the song?

When I write songs, I try to use my personal view and experience to create something that people can relate to from different angles: whereas Splinters comes from what was a tough situation for me. I wrote it from a broader view of those situations we have all been in that eat away at you and, if you don't have a sense of perspective and positivity, it will end up being all-consuming.

Is it quite daunting putting out that first song?! How do you feel knowing it is going out to the world?

I am so excited to release this track and hope that Splinters resonates with people and they are able to find a connection with my lyrics and music. I am equally as nervous, however, but, as my grandad always used to tell me: "It´s better to be looked over than overlooked"

So here´s hoping...

How was it working with Jon Moon on the track? What do you think he brought to the song?

In a word: EPIC.

Jon has worked with a huge list of incredible people including Amy Winehouse, Florence + The Machine; Paolo Nutini, Two Door Cinema Club etc. - so I feel really humbled to have worked with him. He is so talented, experienced and such a nice guy - and he really listened to what I wanted in terms of creative ideas for the track and helped me capture them perfectly.

You started like in Merseyside and relocated to Spain. Was it hard acclimatising to a new culture and living there? Did you write a lot of music when you were in Spain?

Yes. At first; it was really hard in terms of culture and language - particularly as I attended a Spanish school. So, during that initial period, songwriting and music were my escape and rapidly became my obsession. Once I became bilingual, things were easier - but my love for songwriting and music, thankfully, persisted. I also think it was a great experience and opened my mind completely; giving me the freedom to feel comfortable with who I am and to put that authenticity into my music.

How did you end back up in the U.K.? Was it hard convincing your parents?

Obviously; the lifestyle and the weather are vastly different in Madrid compared to London, so you would think it was a hard sell. However, my family are really supportive, and so, when I explained what I wanted to do; why and how I could make it happen they relented – plus, about a year of me continuously asking probably helped!  

How important is London and the U.K. regarding your growth and music?

Super-important.

Since being back in the U.K., and London specifically, I have realised that it is one huge melting-pot of every kind of music you could imagine. Being exposed to a wide variety of new and different genres really made me think about the type of music I was making; being able to blur the boundaries that lie between ‘genres’ - and to combine their relevant appealing elements to create something unique and authentic to me.

Do you think they’ll be more music soon? What are you working on?

Yes. I recorded Splinters alongside some other new tracks at Sensible Studios in North London and, depending on how things go with Splinters (fingers crossed…); I plan to release a follow-up single soon. Whilst it´s just me and the piano on Splinters, I was lucky enough to have some stellar people on these other tracks - including Dale Davis on Bass (he was Amy Winehouse´s bassist and musical director); Jon Moody on Keys (who is part of the emerging and totally stunning band, FrancMoody), and Andy Mapp (Katrina and the Waves) on Drums. Sensible Studios is such an amazing place with a stunning music history: just so inspiring.

Also, while recording there, I had the pleasure of meeting Gary Powell (The Libertines) and JP Cooper (who ‘popped in’ for a chat) – it was totally surreal but they were such nice people.

Which artists are most important to you? Who do you count as influences?

I think it´s healthy and fun to listen to a whole range of music: I love everything from Classic Folk, to Hip-Hop; to Jazz and anything Indie. The types of artists I really connect to are those who tell their own experiences, from an angle unique to them but in a way that anyone can interpret it as they please. I think I have many influences, but if I had to name the most influential on me they would be: Palace, Joni Mitchell; David Bowie, Paolo Nutini; Tom Odell and Fleetwood Mac.

Can we see you tour soon? What gigs do you have coming up?

Currently, no tour planned - but I have some London gigs coming up in the next few weeks including (for the) Coffee Music Project (Soho); The Fix (Fitzrovia), plus a couple of other gigs in the pipeline. I am lining up some potential festival appearances.

IN THIS PHOTO: Rex Orange County

Which new artists do you recommend we check out?

Oh, there are too many to choose from! I’m really loving Rex Orange County at the moment - not sure if he´s emerging or already emerged but I have followed him for over a year or so - and it makes me so excited to see artists I love blow up! Others I´m really into: Crumb, Palace; Yellow Days, Cosmo Pyke…

IN THIS PHOTO: Palace

What do you hope to achieve, personally, in 2018?

It´s been an interesting and rollercoaster year for me already - and it's only February! A clear focus for me is to complete my schooling/A-levels as well as progressing in my music - and then to then take stock of potential opportunities so I can decide what would be the best way forward for me, in terms of both personal and musical development.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Hands-down, it has to be a songwriting masterclass run by Michael Kiwanuka at the Royal Albert Hall. Not only meeting him: he is a stunning musician and person. I got to share Splinters on piano – which just happened to be Sir Elton John´s Red Piano….

I was far more nervous about not damaging the piano than performing to one of my favourite songwriters!

What advice would you give to new artists coming through?

This is a tricky one because it´s different for everyone but, if I had to say one thing (it's only one as you can say it all in one breath!); I´d say perform as much as you can, accept the bad with the good; write as much as you can, listen to and watch as much different music as humanly possible… and just have fun!

Do you get much time to chill away from music? How do you unwind?

To be honest; the way I chill away from music is by listening to music! Instrumental music really relaxes me: I love Classical music and am currently really into Lofi Hip-Hop. I also love shopping: it´s very therapeutic! I also just love chilling with my mates and my sister.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Oh, exciting! It´s going to have to be… Live Well by Palace

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Follow Ellie Occleston

Twitter:

https://twitter.com/ellieoccleston

Instagram:

https://www.instagram.com/ellieoccleston/

Facebook:

https://www.facebook.com/ellieocclestonmusic/

SoundCloud:

https://soundcloud.com/ellieoccleston

Spotify:

https://open.spotify.com/artist/51SR0e1bOgf7GnALBp15CT

INTERVIEW: Three Kings High

INTERVIEW:

Three Kings High

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IT has been a while since I spoke with Three Kings High.

The Bristol-based band came to my attention with the album, They Think They’re People (2016). I have been catching up with them and seeing what they are to. The guys talk about new recordings and studio-time; they tell me about the Bristol; music scene and how they came together; the artists that inspire them; tour dates they have coming up – whether there is a good mood in the camp right now.

I ask about tour dates and whether they have a treasured memory from their time in music; what they would tell new artists coming through – the members choose an album that means a great deal to them.

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Hi, guys. How are you? How has your week been?

Joe: We’re good, thanks. It’s been a busy week: been recording and had a gig in London where we brought a fun bus of Bristolians over to the big smoke with us – so, still a bit fragile but truckin’ on.

For those new to your music; can you introduce yourselves, please?

I’m the singer/ranter/lyricists/gobs*ite in the band, Three Kings High: a six-piece Rock and Roll crew based in Bristol city. We make honest, working-class drinking anthems and, at times, sexy songs to knock boots to and regret the morning after.

Sam: I’m the lead guitarist and funky bouncer for the band.

Hawk: I’m the bassist and guitar-string-changer; silent assassin, drinker; driver (not together) and morale officer of the band.

Tell me how Three Kings High got together - and what those first jams were like?

Joe: I guess it started ten years ago when I moved down South from the North East and met up with Sam Otis (Lead Guitar). We knew each other from our Hip-Hop days: I had some records of Sam’s and he had mine. We were both M.C.s and worked with Veekay (the band’s producer) for a while making Hip-Hop - until we decided to switch it up. I had this idea that I wanted to be in a Rock and Roll band; I always did, to be honest. I guess I had a way with words and got into rapping as it was easier for me not being able to play any instruments.

Sam, on the other hand, tends to be able to play anything he picks up – so, he was a good starting point for experimenting in the beginning. I’d like to say we just had it in the pocket straight away when we got into rehearsals but it literally took years to find our sound. I definitely didn’t ever want to be an M.C.-fronted festival band: that stuff’s just not my bag.

But, because of who we were and our history; we got booked for those sort of nights a lot. I suppose it was our safety-zone knowing we could do that Hip-Hop crossover easily if we wanted – but, really, it’s only the last few years we found our sound and, although it’s still rooted in that Hip-Hop sensibility; it’s only the trained ear that will notice these days.

Bristol is where the band resides. What is the like there for new artists? Do you think it is an upcoming spot for ambitious musicians?

Sam: It’s a great place for new artists. Getting gigs in town is easy and promoters are approachable – so; a good start to get a name for yourself.

Joe: It was easy to get started in Bristol, to be fair, when we first played out we were all over the shop. The gigs were more like public jams but it was exciting - and good to get the opportunity to acid test our early tracks with a different audience each time. There’s some long-serving music venues that, if you put the work in, support you fully. Also, being an out-of-towner and from up Newcastle-way; I always felt pretty accepted here: maybe it’s the transient student crowds that Bristol’s used to that makes it quite open.

But; it’s not always this friendly when you find yourself in another city trying to make moves…

I know you are in (Bristol’s) Foxhole Studio working on new material. Is that a new album? What can you reveal about the songs and ideas you are laying down?

The new stuff is just better.

Not that I don’t stand beside our earlier work but we really found our groove with the last L.P., They Think They’re People, and have built and warped that sound to something new. However; we are all absolute arrogant megalomaniacs.  So; even if its dogsh*t, we still think it’s the absolute bollox!

Hawk: The new tracks in the pipeline are a lot more cohesive. Like Joe said; we seem to have found our groove on this one. They’re more explorative, instrumentally, and are generally just better-crafted songs. We’re really excited to get them out.

Is the mood good and excitable in the band’s camp right now? Is 2018 a year where you have big ambitions and developments in the pipeline?

Joe: Yeah. We’re all pretty hyped about 2018. We’re at the point, now, where our expectations are based in reality: it’s quite nice to come out of those inexperienced teen years where you think you’re gonna be the next number-one band within a month because your so fuck*ng amazing; get your arse kicked and humbled and come back better and more grounded. We had a year of great gigs and busy recording sessions - which is what we’ve always measured our success on.

A crowd’s response is, as you know the gauge. You can think you’re great but, if your reception is flat when you perform that new track, there’s nothing worse…and we haven’t had that for a long time.

We’ve grown a good team around us - after years of being with small labels and various booking agencies etc. We have some strong relationships, now, with publishers and P.R. companies - and it’s freed up some time for us to curate our own nights and even start up a small indie label of our own (Donut Records).

Your latest release is They Think They’re People. What has the reaction been like performing the album on the road?

It’s been great to perform. After our first L.P. Hail VeeKay, the producer, really cracked how to capture that live energy in our tracks. When we play, people’s reactions are always that we’re tight. I’m sure that might be the case, but, as well; I think it’s because we record our songs as though they’re live - which is a credit to the guys, as I said earlier: I’m just the gobs*ite taking all the glory: those lot are the ones that make our sound big on stage.

I'Il do my best not to ruin it!

That record was released in 2016. How do you think you’ve developed as a band since then? Were you at the point (now) where you needed to get back in the studio and capitalise on the success coming your way?

Sam: Yeah. We knew we wanted to keep running with the momentum we had when recording that L.P. Sometimes we get so caught up doing gigs - and writing becomes the in-between stages. We decided, at the end of 2016, we’d take a new tact and do a few months on and a few months off of the road. For me, writing and recording is the real creative part: performing is showing off, but I like the nerdy conversations about sounds and lyrics and giving that aspect the focus it deserves. All of us have our own ideas for tracks.

In that room; nothing’s off the table.

Members of the band hail from different areas of the U.K. Is the eclectic and broad membership a reason why the band is so layered? Is diversity the key to your success?!

Joe: The short answer is: ‘I have no idea’. It just worked for us. I think it’s more, perhaps, that we met as adults in our twenties, rather than kids from college - apart from Sam and Wookash who knew of each other and worked a little on some Hip-Hop releases. But; even then, I think it comes down to everyone being individual with their own backgrounds. Some are classically trained musicians, some Hip-Hop aficionados. Some Funk and Jazz-schooled and some just talk shi*e and hope no one notices there blagging it…

But, in a small way; I think maybe the regional U.K. differences do inform our background. For instance, up home, there’s a thriving Hardcore scene and, even if it’s not your bag; it’s hard to avoid knowing and hearing and learning about your city’s sounds and musical heritage - being exposed to Punk and heavy Rock, perhaps, morphs your ear to it more. Same for the South West’s Trip-Hop legacy and Electronica past - they eek in through osmosis, no doubt.

Hawk: I’d say it was more because of our diverse musical tastes than our whereabouts. We all come from such different backgrounds in that sense - but we all love most of the same stuff, too. It’s great to hear Sam and Joe go into wormholes about specific offshoots of Hip-Hop, or hear the crazy Math-Rock Wookash is zoning out to. We definitely have experts in different musical genres but without the single-mindedness that can sometimes blinker you into just one scene.

What sort of music did you all grow up on? Give me a sense of your childhood tastes…

Joe: Probably, like most people, my tastes were mainly informed by my parents - mainly my dad’s, with people like The Band, The Kinks, Bob Dylan etc. 1960s and 1970s Rock, really. Then, I discovered bands like Ocean Colour Scene, The Verve; was a bit of a mod until Hip-Hop got me - then it was all I listened to for about five years!

Hawk: I went through a short stage of being well into Hard House and Trance. Glad that’s over. The Blues has always been a part of what I’m into. As I mentioned earlier; it’s the reason I even started playing seriously. Jimi Hendrix, Nirvana; Led Zeppelin, Sublime, Rancid; NOFX - loads of different stuff. Me and my brother used to stuff loads of towels up our jumpers and pretend we were The Fat Boys. Good times.

IN THIS PHOTO: Wasuremono

Who are the new artists you recommend we check out?

Joe: Locally; I’d give Los Savages and Wasuremono a spin and, obviously IDLES. If you’ve been living in a cupboard the last few years and don’t know; IDLES had the best live show I saw last year…definitely worth a peep. Khruangbin are amazing. Caught them the other night in Bristol. Check out there 2015 album, The Universe Smiles Upon You, as an introduction. You won’t regret it.

Hawk: The Chats are killing it right now. There’s also a brand-new band coming out of Bristol called Alexander Sun which I’m really excited about. You probably won’t find much on them just yet - but watch this space on that one.

IN THIS PHOTO: The Chats/PHOTO CREDIT: Dougal Gorman

If you each had to choose the one album that means the most to you; which would they be and why?

An album that means a lot to me would have to be Unplugged by Eric Clapton. I haven’t listened to it in years but when I was a kid I nicked it off my old man and bought the music book; learnt to read guitar tab and taught myself to play it from start to finish. That’s how I learned to play.

Joe: The Last Waltz by The Band

It’s a live album of The Band’s farewell concert in 1976. Apart from them being at there absolute best, it seems as though it was the end of an era in 1976 - where a certain type of American rock star bowed out to make room for the late-1970s Punk. They were joined by a heavyweight list of their peers such as Muddy Waters, Van Morrison; Neil Young etc. I was brought up on that L.P. and. every Sunday when I was a kid; my dad would play the Scorsese documentary of the same name. So, I guess it’s nostalgic, too.

Can we see you tour soon? What gigs do you have coming up?

Hawk: We’re organising some tour dates with our new agents that will kick off in May. It’s something that will run along some releases over the year - and we’ll be adding dates amongst them to flesh it out…but its early stages. I’m also trying to start up a live night in Bristol and make that semi-regular: it’s important to us to stay relevant in our H.Q.

We also want to get back out to Europe again and are looking at autumn dates for that. But, right now this month, we’re recording for a release and making a video.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Favourite memory would be playing a bar and looking out seeing The Animals, The Troggs and the Yardbirds all in one room watching us. Pretty exciting!

Joe: Hanging out with the Troggs on tour was a big one for me - if only for the fact they were the soundtrack to my childhood. Something else that sticks in my head was when we were on one of our early U.K. tours and it was when E.L.O. first joined us as the backing-singer. It was about four years ago, the final gig was in London at Finsbury Park, and we smashed it! Crowd went mental. When we finished the last track, this big American bloke came up to the stage and shouted: “Who are you guys?”. The music had stopped momentarily while we packing away and the D.J. was getting set up - but we answered in unison: “THREE KINGS HIGH”.

Then, as though choreographed; Ghostbusters by Ray Parker Jr. came over the house system full-blast. The crowd went crackers; we played along and got people on stage with us – “Du du durr du, durrr du du du, du dud du/who you gonna call?/GHOST BUSTERS!”. Ha. It was cheesy as f*ck and maybe we were drunk at the end of a laborious set of dates but that was unadulterated fun - and it set the tone for us as a group. We just want people to have a laugh and get loose with us.

Later that night, we set fire to my shoes and watched them burn because they were possessed.

What advice would you give to new artists coming through?

Hawk: Don’t be too try hard and don’t take yourself too seriously.

Joe: QUIT AND DO SOMETHING ELSE. THERE'S TOO MANY OF YOU NAVEL-GAZING ASSHOLES. Na. I’d say, do everything yourself until it’s too busy to handle; rely on nobody apart from those who’ve shown there dedication.

Never wait for things to come to you…

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Joe: Has to be done…

The Band – The Night They Drove Old Dixie Down

Sam: Check your bum for grubs and check this out…

Cosmic Psychos - Fuckwit City

Hawk: This never fails to get me hyped!

Rio – Low Cut Connie

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Follow Three Kings High

Official:

http://threekingshigh.com/

Twitter:

https://twitter.com/ThreeKingsHigh

Facebook:

https://www.facebook.com/ThreeKingsHigh/

SoundCloud:

https://soundcloud.com/threekingshigh

Spotify:

https://open.spotify.com/artist/7tXgHSUjOssqKavQl2pXzs

YouTube:

https://www.youtube.com/user/ThreeKingsHigh

INTERVIEW: Findlay Brown

INTERVIEW:

Findlay Brown

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THE intriguing Findlay Brown was once labelled…

Yorkshire’s answer to Paul Simon. I was keen to ask him about Simon and whether his music is a big draw. Brown is an itinerant musician who moved to New York – and is now based in Copenhagen. I ask about his background and what inspired his upcoming album, Not Everything Beautiful Is Good.

Brown talks about his influences and what it was like appearing on David Letterman’s chat-show; which albums are most important to him; if there are any tour dates coming up – what his favourite memory from music is.

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 Hi, Findlay. How are you? How has your week been?

I'm good, thank you. It's been a little hectic. My son just turned four and he managed to have three different birthday parties somehow!

For those new to your music; can you introduce yourself, please?

I'm a singer-songwriter. Originally from England: recently moved to Copenhagen from New York. I'm about to release my fourth solo record. My music is very much influenced by classic songwriters from the ‘60s and ‘70s like Paul Simon and Harry Nilsson; soundtracks and Folk artists like Jackson C. Frank and Fairport Convention.

I would say it’s melodic and intimate - and sometimes cinematic.

Tell me about the track, Home. That was released before Christmas. What is the origin of that song?

Home is a little love song about my family. A simple day with my wife and son with nothing to do; nowhere to be: just enjoying those special moments together.

Will there be any more singles in the coming weeks?

Yeah. A song called When the Lights Go Out is released on 2nd March.

Not Everything Beautiful Is Good is out on 18th May. Can you reveal any of the themes and ideas that inspired the song?

Love, death; transcendence, the battle between good and evil - and traveling through black holes. 

The title suggests feelings of deceit and false smiles. Is that a reaction to the modern world and nefarious politics – or something more personal?

The line from the song - that the title is taken from - goes not "everything beautiful is good but everything good is beautiful" - and it's about a society that's entrapped by nihilism, celebrating greed and selfishness and other ugly characteristics where good things lose their meaning and value. It's about true beauty being destroyed, torn down or twisted in some way; whether it be in the arts or in our culture in general.

It's a lot to do with what Orwell wrote about and what concerned him.

You have already gained huge kudos and appeared on David Letterman. How important is it having those experiences under your belt?

It's a great experience to do those kind of things. Doing Letterman was especially exciting - knowing The Beatles had performed on that same stage in the ’60s.

I hear tones of Paul Simon in your work. Is he someone you grew up on? Which artists made an early impression on you?

I didn't grow up listening to Paul Simon but have become a huge fan in recent years. Music wasn't a big part of my life until my late-teens, when I discovered L.S.D. and the music from the ‘60s (that was influenced by psychedelic culture).

Bands like Traffic, Family; Arthur Lee and Love.

You are from Yorkshire – based in Copenhagen now. What was the reason for that move? How do the two musical worlds differ?

I moved away from Yorkshire when I was eighteen to Bristol where it was very much about Club music and Trip-Hop; then to London where Rock 'n' Roll music was having a bit of a comeback and there was some great Electronic music being made too! We recently moved to Copenhagen from New York to be closer to family - especially my son.

I was lucky to have some great musician friends to collaborate with in New York: there were some great Folk artists that I hung out with and put on events with. I worked on a record label called DPC with Tobias Wilner from the Danish band, Blue Foundation - and was introduced to a lot of the music community based here in Copenhagen through him.

IN THIS PHOTO: Mind Over Mirrors

Who are the new artists you recommend we check out?

Mind Over Mirrors.

Mark Maguire and I just got an album by an artist called Snow Palms which I really love. I listen to a lot of Ambient/Instrumental music at the moment.

If you had to choose the three albums that mean the most to you; which would they be and why?

What's Going On by Marvin Gaye

It is one of my favourite all-time records that I never tire of. It never stops feeling relevant - and his voice is otherworldly.

Scott 4 by Scott Walker

It is total perfection for me: the songwriting, string arrangements and the overall production. It has so much drama. Scott Walker is a totally original artist and I love pretty much everything I've heard that he's made - but I can't fault this album in any way…

Finally…any of The Beatles’ albums!

Can we see you tour soon? What gigs do you have coming up?

I'll be announcing some dates soon...

What do you all hope to achieve, personally, in 2018?

Enlightenment!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

The Letterman show, as I said before, is a highlight and there have been some other great shows too. I performed at a War Child concert at Brixton Academy alongside the Pet Shop Boys, Lily Allen; Brendan Benson, Keane and others. I came out on crutches because I had a broken leg from being run over by a taxi couple of weeks before.

That was pretty memorable!

What advice would you give to new artists coming through?

Don't compare yourself to anybody else and don't give up.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Don't You Know by Jan Hammer Group

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Follow Findlay Brown

Twitter:

https://twitter.com/findlaybrown

Facebook:

https://www.facebook.com/FindlayBrown/

Instagram:

https://www.instagram.com/findlaybrownofficial/

Spotify:

https://open.spotify.com/artist/5SxW5qi5l3VJnO0qzsI8Rs

YouTube:

https://www.youtube.com/channel/UCBw2gZUd-EDHGGYcv8K0ZXQ

PHOTOS:

Alex Lake

INTERVIEW: Brain Donation

INTERVIEW:

 PHOTO CREDIT: Sean Conroy 

Brain Donation

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THERE are areas of the world where I am discovering great artists…

PHOTO CREDIT: Sean Gallagher

and stepping away from London. Dublin is a city that has always produced fantastic artists: the new breed coming through retain that pride, innovation and strength. I have been speaking with Brain Donation about their upcoming E.P., The Second One, and whether we can expect some material from it soon; how the guys all got together; what Dublin is like for ambitious artists – whether there is a special reason behind the ‘Brain Donation’ name.

I learn more about the band’s creative process and how they have grown; what advice they would give to new artists; if they ever get time to relax away from music; some of the new and older acts that inspire their movements – what touring plans they have cemented already.

________

For those new to your music; can you introduce yourselves, please?

We are Brain Donation. We’re from Dublin and we play Alternative-Rock. Broad strokes aside; we make a sound heavily influenced by American Grunge music and British New Wave. We play with lots of energy and like to keep our music relatively simple - with the occasional overindulging musical hiccup.

Can I ask if there is a special story behind your name, ‘Brain Donation’?!

Well, when we first got together, AL already had the name and had done many childhood sketches (of logos) as a boy. In the end, we didn’t like the spelling of it so we just removed the ‘a’ from ‘deaf’ and spelt ‘leopard’ with two ps…and then we were good to go.

We actually went through a good few names at the start - but kept making the fatal mistake of telling them to people too soon and having them spoiled. We had quite a few gigs booked very early on so, eventually, it got to a point where we had to say ‘ok, whatever the next name we think of; that’s the one going on the posters’...

‘Brain Donation’ it is.

PHOTO CREDIT: Second Frame

The Second One is your upcoming E.P. What sort of ideas and stories compelled its creation? What are the main differences between this and your debut E.P.?

It’s definitely a more mature E.P. than the first one. Down to the finest detail.

We were only playing together for about two or three months when we recorded our debut. We recorded it ourselves in a friend’s house - and it was a very kind-of D.I.Y. job. It was also just odds and ends of songs we put together at the start.

Now we’ve been playing together for three years and we have our own little writing process. We tend to get the initial musical idea together in the rehearsal room and then we will take the ideas away and write lyrics and develop them a bit more. There’s always exceptions to that though. We demoed ten songs for this latest E.P. and we sent the demos around to our friends and to Ivan - who recorded the E.P. - to get a feel for what the best four songs would be.

Will there be any singles from the E.P. coming up? What do you have planned for the coming months?

We are releasing a video for every song on this E.P. - so there will be four singles. We’ll release one with the video and then spread the others out over the summer for promotional material for our festival dates and tour dates. We have been confirmed for a few festivals now in Ireland and, hopefully, we’ll be confirmed for a few more. We’re playing a good bit here and we are hoping to get over to the U.K. for some shows in the summer.

At the end of the summer, we will be going to Switzerland to play a few shows there as well.

PHOTO CREDIT: Second Frame

What was it like working with Ivan Jackman at Hellfire Studios?

Ivan’s great. Myself and Ollie had recorded with him while we were playing with another band and he mastered Brain Donation’s first E.P. - so we do always tend to have his ears on what we’re doing in some way shape or form. He has a Steve Albiniesque approach to the recording process: everything is done really natural-sounding, warm and roomy - which is exactly what we wanted.

How did you all get together? Was it a shared love of music and the same artists – or was there a special spark that brought the band together?

Myself and Ollie have been playing together since we were pups. Ollie and Alan played together in a band called Gypsy Rebel Rabble and they were playing a few shows in Berlin in 2013 - and myself and a few others went along for the trip. That’s when the three of us hung out for the first time and we all get along like a house on fire - but it was two years before Brain Donation materialised.

How the band came about was a bit unusual. Myself and Ollie had booked an Irish tour with our old band, The Stoney Brokes. About six weeks before the tour, that band broke up and, rather than fall out of favour with the promoters and bookers we were working with, we decided to get something together to do the tour. We actually, originally, were going to do a two-man acoustic thing - which is really funny now looking back because of what way the band went genre-wise.

Ollie told Alan about it and he said he wanted in - and it all just grew from there…

Dublin is your home. Is the city pretty active in terms of great music? What is it about the E.I.R.E. capital that keeps native artists rooted there?

Yeah; there is a lot of great music here. I’m sure everyone says their scene is full of great music but music is such a strong tradition here in Ireland - and we have such a vibrant festival circuit and live music scene.

In terms of being rooted now; I’d imagine it’s the same reasons that artists stay rooted everywhere. Home is home. I think a big thing is the support network we have here. We have so many bands and musicians and our population is quite small - so you do feel a great sense of community.

Are there any new artists you recommend we check out?

I’m really liking OTHERKIN at the moment! They’re doing a lot in the U.K. as well so, if you haven’t already checked them out, then I’d start there!

Can we see you tour soon? What gigs do you have coming up?

We have our launch in Dublin on 23rd March and a handful of gigs around Ireland. Then, we only have a few bits and pieces before festival season starts. We’re playing in Switzerland with our friends Dirty Sound Magnet (who you should also check out) in September - and they’re helping us book some U.K. dates for the summer as well.

PHOTO CREDIT: Sean Gallagher

What do you all hope to achieve, personally, in 2018?

Woman of the year…

We have lots of little tiny goals - but the main one is to finish the year with some press coverage. Because of the D.I.Y. nature of our beginnings, we never really did much of a press push or paid much attention to that side of it.

We are also changing how we release music. After this E.P., we will be making releases much more often, on a song-by-song basis. Record a song, make a video; do promo and tour, rinse and repeat. There has been two years between both of our E.P.s. - and we don’t want that to happen again - so our main aspiration is to finish 2018 in a positive routine of regularly releasing new material for people to hear.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

We went to Eastern Europe last September and played ten consecutive shows. It was the first time we did something like that for so long and it really was such a lovely time. You can rehearse every day of the week, but nothing will get you as tight as just playing loads of shows: we came back from the tour and we were just impossibly tight.

A personal favourite memory for me is going back to a house party with a bunch of complete strangers and arriving at the house to hear that the people who were there already were listening to my band.

PHOTO CREDIT: Second Frame

What advice would you give to new artists coming through?

Delegate. Ask for help. Ask for advice. You’d be surprised how many people will be willing to help you. Also; support your own scene. Go to gigs, read about your peers; listen to the music they’re making and collaborate.

Do you all get much time to chill away from music? How do you lads unwind?

The short answer to that is ‘no’.

Ollie, our drummer, has two side-projects where he plays guitar with people; he has two jobs and an array of hobbies. I do music production and Alan plays cover gigs and builds craft battle-stations for fantasy gamers (I tried really hard to make that sound cool).

I like hiking whenever I get the chance: Dublin is surrounded by mountains and sea so there are so many beautiful places for hikes. We’re all different, though. If we’re ‘unwinding’ together, it’s usually over a pint…

 PHOTO CREDIT: Sean Conroy

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

It’s pretty late and the guys are definitely asleep - so I’m going to be a bad sport and undemocratically say:

New Secret Weapon - Headmelt Radar

The Eskies – Napoleon

The Hot Sprockets - Right Spots

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Follow Brain Donation

Twitter:

https://twitter.com/braindonation

Facebook:

https://www.facebook.com/braindonationmusic/

SoundCloud:

https://soundcloud.com/braindonation

Spotify:

https://open.spotify.com/album/4F0JQZMfKNcTzY6a5hRi7X

BandCamp:

https://braindonation.bandcamp.com/releases

INTERVIEW: Wieuca

INTERVIEW:

Wieuca

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FROM the chill and beauty of Austria…

it is off to Athens, Georgia – and a chat with the incredible band, Wieuca. The guys talk about their new E.P., Local Celebrity, and the ideas that inspired it. I ask how they came together and what the scene is like in Georgia; whether a bass player replacement disrupted the recording/band chemistry; if the U.S. band reckons they have grown since their debut – and whether they are coming to Britain.

I ask which artists inspire them and what tour dates they have coming up; if they all get time to chill away from music; what their aims are for this year – they provide advice for new musicians thinking of following in their footsteps.

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 Hi, Wieuca. How are you? How has your week been?

Jack Webster: Bangin’. I saw the Drive-By Truckers twice.

Andrew Cleveland: Great. It’s rained every other day in Georgia. Perfect weather.

Jack O’Reilly: Good. Yourself?

For those new to your music; can you introduce yourselves, please?

Jack Webster: Hey. I’m Jack: newest local celebrity to the Wieuca fam.

Will Ingram: I’m Will and I’m (just) a baby boy.

Andrew: Hi. I’m Andrew, A.K.A. ‘Ace’: second-newest addition to the squad, handling all the Electronic bleep-bloops.

Jack O’Reilly: Hi. I’m O’Reilly - and you know that’s the sitch.

Will: We also have a guy named Rob...

Local Celebrity is your new E.P. What can you tell me about its creation and the stories behind it?

Jack Webster: Will made my sister some dope kicks in exchange for a feature on Friendster.

Will: I draw trippy things on people’s shoes when trippy music isn’t paying the bills.

Jack O’Reilly: Cradle-to-grave; this record was made in a shorter span than anything else we’ve released to date.

How do you think your new stuff differs from your early material back in 2012? Is the new E.P., in your view, the best thing you have done?

Will: It’s probably the most ‘us’ thing we’ve done. When we started, we just played music we wanted to hear that didn’t exist - like Alt-Country mixed with Emo. The problem is, if you don’t know the exact points of reference (say, Texas Is the Reason and Whiskeytown) it kind of just sounds like Indie-Rock. Local Celebrity has been our most successful effort to smash very disparate styles together without losing what makes them distinct.

It marks the departure of long-time bassist and producer of Sam Kempe - and welcomes the arrival of Jack Webster and Andrew Cleveland. Was it a hard transition – or was it quite a revelation?

Jack Webster: While it’s refreshing and exciting to experience new-fangled band chemistry; I find it shatters the grand illusion a bit to join a band that you love listening to.

Andrew: I lived across the hall from Will last year and we would always jam on the sounds coming from the other rooms - so, this really just feels like an extended late-night beat battle.

Do you know whether there will be more material later in the year? Do you think that far ahead?

Jack O’Reilly: Some of us do, fortunately…

Will: Yeah. Get ready for the E.P. - that combines Black-Metal and K-Pop. I’m dead-ass.

Tell me how the band all got together and how ‘Wieuca’ came to be. What is the inspiration behind that name, too?

Robert and I had been playing music together since, literally, the day we met at eleven. When we both knew we were moving to Athens for college, it was like: ‘Alright, I guess let’s be a real band now’.

Is there quite a big music scene where you are in Athens, Georgia?

It’s huge for the size of the city. All your waiters are old hipsters pissed that their band never got famous.

Do you all have similar taste in music? Which artists are you all inspired by?

Jack Webster: Early Young Thug

Andrew: Prince, Nas and James Blake

Will: I hate music.

Jack O’Reilly: Definitely not. Bobby ‘Boris’ Pickett and the Crypt-Kickers and Ween.

IN THIS PHOTO: Magdalena 3 Vidas

Are there any new artists you recommend we check out?

Jack Webster: B.Y.V./Y.O.D.

Will: Magdalena 3 Vidas - if you like Latina rappers.

Jack O’Reilly: TWEN.

IN THIS PHOTO: TWEN

Can we see you tour soon? What gigs do you have coming up?

Will: We’re doing SXSW - just for the tacos and margaritas.

Jack Webster: ...and the Tito’s.

Will the U.K. be part of your plans? Have you been over this way before?

Andrew: I learned the word ‘queue’ from Netflix - so that counts for something, right? Plus; a couple of years back, Jack and I gave up coffee for tea in the morning.

Will: Actually, yeah; we’ve been planning for fall 2019. We’re scared.

What do you all hope to achieve, personally, in 2018?

Jack O’Reilly: Too personal...

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Jack Webster: The one that sticks in the mind (laughs) for me is covering a classic Wieuca jam (Low Probability) with my (other) band, Big Morgan, at the Guilt Complex release-show in May 2017.

Andrew: One time, Will and I saw this guy in McDonald’s spill three milkshakes on the floor over and over again - and he felt really bad about it.

What advice would you give to new artists coming through?

Jack Webster: Come thru!

Will: Be anything except a new artist coming through. Go into rogue taxidermy.

Andrew: Always pull up.

Do you all get much time to chill away from music? How do you unwind?

Will: No chilling allowed. Don’t watch T.V. - and sleeping is for idiots.

Jack Webster: I like to cut the felt around town at local billiards halls and shoot dice very competitively.

Andrew: Sleep is the cousin of death but, yeah; I mean, I try to get my seven-and-a-half in. I really like old European cars.

Jack O’Reilly: A vod sod fills the musical void half-empty.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Jack Webster: The Who - My Wife

Entwistle (John) at his finest

Will: Gays 4 Donald by Pink Guy. Pretty much sums up the U.S.

Andrew:  James Blake - Love What Happened Here

Jack O’Reilly: Comment Elles Dorment - Jacques Dutronc

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Follow Wieuca

Official:

http://wieucamusic.com/

Twitter:

https://twitter.com/wieucaath

Facebook:

https://www.facebook.com/wieucaband

Instagram:

https://www.instagram.com/wieucaath/

SoundCloud:

https://soundcloud.com/wieuca

Spotify:

https://open.spotify.com/artist/3ETy4vUQ0DVE0ESKgPjAfv

BandCamp:

https://wieuca.bandcamp.com/

INTERVIEW: KTEE

INTERVIEW:

KTEE

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MANY would assume there is not much of a…

music scene in Austria. As KTEE proves; there are some fantastic artists performing over there right now. She talks to me about her latest track, So What, and whether there is more material later this year. I ask whether she feels she’s developed and grown since her teenage years; which artists/sounds influence her sound; why she moved from Vienna to Ireland – and whether it was hard rebelling against parents who did not want her to follow a path into music.

KTEE discusses tour plans and prized musical moments; whether there are plans regarding playing in the U.K.; advice she would offer new artists of the moment; a new artist we need to check out – how the talented songwriter unwinds away from her music career.

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Hi, KTEE. How are you? How has your week been?

Hi. Good, so far. A lot of work: promoting a single is BUMM (smiles).

For those new to your music; can you introduce yourself, please?

I am KTEE: a Pop artist from Austria. I totally love what I do and I am living my dream by writing songs, playing gigs; promoting my singles, giving interviews and being who I am (which is fun, sarcastic; ambitious, loving; hard-working, energetic…).

Your new track, So What, is out. Can you reveal the story to that one? What inspired the track?

So What is a very special song for me since the message behind it is one that is so important for me, personally - and I also think for many other young people: to do what you love, even if other people make fun of you or say that your dreams are stupid - or that you are not gonna be able to fulfil them.

Time is so limited here and that’s why it is so important to not waste your life by playing by the rules of others. The song also says that it is, of course, not always easy to ‘do what you love’ because we live in a world ruled by pressure; by people or a society telling you what is ‘cool’, ‘good’; ‘preferable’, ‘perfect’ and ‘desirable’.

Nobody is perfect and there will be obstacles in your way and you will make mistakes - but those mistakes make help you grow. As long as you always try to live your life by your own rules and know what is good for you and what’s not, you are on the right track.

It seems there is that defiance and sense of growth. Do you feel you have come a long way since your teenage years? Is music the way you make sense of all those hard times?

Oh yes; I have definitely grown a lot and I have come a very long way since my teenage years. Of course, music helped a lot! There was a time in my life where writing songs has kind of saved my life. It was my only form of expression.

Kind of self-therapy you could say…

Can we expect an E.P. or more material later in the year?

Of course: there is more music to come this year. You can expect a new song in May. We are already working on it (smiles). An E.P. is planned as well (end of the year).

I believe you used to record songs on a bulky red cassette player your mum gave you! How treasured are those early moments? Do you have any of those songs left/safe?

Haha. Oh yes; I love those tapes! I still have some of them, yes. So cute - my eight-year-old self practicing Celine Dion songs, trying to sound like her (smiles). If I could, I would go back in time and tell little KTEE that her dreams of becoming a singer and releasing her own songs will come true one day.

This cassette player was my favourite thing ever! I didn’t need a T.V., computer games…I spent so many hours with it in my tiny room. Thanks to my mum, I could listen to my own voice, analyse it and become better. Thanks, mummy!

Maria Neustift was where you grew up. Is there a big music scene in Austria at all? How does music differ there to, say, the U.K.?

Maria Neustift is veeeeeery very small; a very nice village in Upper-Austria. There is a music scene in Austria but not a very big one - and definitely not for English-speaking Pop music (smiles).

How it differs? Well; in the U.K., the live music scene is biiiig compared to Austria. When I was in London a few weeks ago, I played every evening. You can play there every day, which is amazing. Now that I am back in Austria, I miss this. We don’t really have that here.

I know you were keen to follow music but faced some competition and resistance from your parents. Was it hard convincing them you should study in Vienna and do things your way?

They wanted me to study, but not music (smiles). That’s why I didn’t study music. They said they would not support me if I decided to study music. So, in a way, I satisfied them by studying something ‘that made sense’ in their eyes but, at the same time, I was following my dream of becoming a singer/artist/songwriter. In the mornings, I went to university; in the afternoon, I studied and, in the evenings and at the weekends I wrote songs, connected with other musicians; played live and took part in competitions…

Now, my parents are very proud of me – at least I think they are (smiles).

After Vienna, you spend some time in Ireland. Is that when you decided music was your vocation? Was there a single moment that compelled that decision?

Yes. I spent some time in Ireland but that was before I went to Vienna - I was nineteen-years-old when I went there. No, actually: I’ve known that music is my vocation since I was eight-years-old.

However, in Ireland, I started to write my own songs and I discovered my love for experimenting with sounds, lyrics...

You successfully qualified in The Voice. How important was the time on that show in terms of your career and direction of sound?

It was not The Voice that is on T.V. but it was another competition called The Voice that we have here in Austria. However, I took part in a T.V. talent-show called Heroes of Tomorrow and was one of the greatest and most-important experiences I have made so far. I learned so, so much. I had voice training there (my singing technique improved); I got a lot of self-esteem and I overcame my self-doubts. I got a lot of great feedback and that pushed me in a way. 

I am so happy that I was part of that show!

Which artists were most important when you were growing up? Did you have idols and heroes?

As I mentioned before; Celine Dion was my hero when I was very young – and, also, Whitney Houston. When I got older, I started to love Pink, Jessie J and Beyoncé. I still love Jessie J’s voice and her attitude! She is a goddess, she is a queen (smiles)!

IN THIS PHOTO: AIVI

Are there any new artists you recommend we check out?

Check out AIVI. She is a newcomer from Austria!

Can we see you tour soon? What gigs do you have coming up?

I have some gigs in New York in March - and I hope I’ll be in the U.K. again in May!

What do you hope to achieve, personally, in 2018?

I wanna play a lot more gigs than I did in 2017. I wanna release my E.P. by the end of the year and I wanna reach as many people as possible with my song (that’s why I hope radios will play my song: for playlist curators to put it on their playlists...).

Have you got a favourite memory from your time in music – the one that sticks in the mind?

My first radio interview (thank you, Liferadio!),

The moment when we finished writing So What and realised it is an awesome song (smiles).

The London tour.

What advice would you give to new artists coming through?

Never give up! Keep fighting and keep dreaming! Do what you love; no matter what it takes! You will fall on your face; you will fail and you will cry and be disappointed. People will judge you - haters gonna hate - and it is a tough business! But, if this is what you love, stand up; shake off the dust keep fighting!

Do you get much time to chill away from music? How do you unwind?

I have to admit that, sadly, I don’t have any free time. I work every free minute. Sometimes, in the evenings I watch T.V. - that’s relaxing (smiles). 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

AIVI – Shooting Star

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Follow KTEE

Official:

https://www.kteemusic.com/

Facebook:

https://www.facebook.com/KTEEsings/

Instagram:

https://www.instagram.com/kteemusic/

Spotify:

https://open.spotify.com/artist/16RDAkL9ygzmY49DzTXJCp?si=muopkLznS3a6Hy4KqvpyRQ

YouTube:

https://www.youtube.com/c/KTEEmusic

INTERVIEW: Just Like Fruit

INTERVIEW:

Just Like Fruit

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I always love going down to Brighton…

and hooking up with some tremendous talent. Today; I get to spotlight Just Like Fruit and discover more about their music. They reveal the story behind their latest song, Mama Said, and the themes that inspired their E.P., On the Door. They talk about Brighton and why it is such a pull for musicians; how they all got together – and whether there is going to be more material this year.

I ask what it is like being compared with the likes of Courtney Barnett; how they all chill away from the music scene; whether the video for Mama Said was fun to shoot; new artists we need to investigate – what touring plans they have for the coming months.

______

Hi, guys. How are you? How has your week been?

This week's been great, thanks. We've just released our new music video - which is very exciting. But, in general, we’ve just been cracking on with all that in-between stuff. Being a musician is a full-time job!

For those new to your music; can you introduce yourselves, please?

We are five long-time pals making Rock ‘n' Roll music anywhere, at any time. 

Mama Said is the new track. What can you reveal about its origin and background? 

It's a track kind of about doing something exciting and being on the move, so it was probably written whilst being bored. It all started out on rusty acoustics and, therefore, had an old, rusty Country-romp vibe, which we found was still kind of there after we took away the acoustics – so, we added a couple of extra splashes of Country into the recording for good measure. 

The video looks quite high-wire and energetic! How did you come up with the concept? How much fun was it getting it filmed?!

We initially, actually, had a very simple and innocent thought that it would be fun to spend an afternoon chasing Taran around. Eventually, we developed that thought into a concept for a music video; adding a storyboard and a setting.

Everybody wants to be a cowboy for a day. 

What is a shoot like that like?! Does it make writing songs more appealing knowing you get to shoot a cool video (like Mama Said)?

Firstly; thank you for calling it a cool video. It's always a lot of fun imagining videos but it's usually much easier to envisage a video after the writing of the song - once everybody's played it a few times. Don't want to be prematurely telling the band that this new piano ballad has a video idea attached already cos we might (and usually would) speed it up and go and add some distorted guitar on there. 

The song is the latest release from the E.P., On the Door. What has the reaction been like to the E.P.? What sort of themes and stories inspired its creation? 

Pretty good thanks. We've sold them all - so it’s gone down as a success for us in that respect. The sort of themes that carry the E.P. through are live fast, live good and do right. 

Will there be more material later this year?

Most certainly. On top of a few more exhilarating music videos; we also have two singles for our songs Gone Gone Gone and Harder to Breathe in the vault that we are looking forward to releasing. It’s proceeding to be a very busy, fun and forward-looking period for us. 

Brighton is where Just Like Fruit is based. How did the band get together? What is Brighton like as a centre for music and creativity?

We all kind of met at different stages…

Kieran (Rhythm Guitarist) and Dion (Lead Vocalist) have always been next door neighbours in Streatham, South London. Dion and Taran (Lead Guitarist) met at this crazy-of-all-crazies festival called Smallworld as little kids.

As for the rest of us; we met studying music at college in Twickenham - where we became a band.

I know you guys source everyone from Courtney Barnett and The Rolling Stones as influences. Who are the artists you all grew up on?

Collectively, I think we could cite Sam Cooke, Jimi Hendrix; The Beatles and Led Zeppelin as definite-vital-vitamins whilst growing up. All 1960s influences. It kind of explains the Just Like Fruit sound when you see it on paper like this. Haha. 

IN THIS PHOTO: Octavian

Are there any new artists you recommend we check out?

Octavian, our mate from London and Brighton, is killing the Grime scene at the moment. Definitely, he's one to watch! Stemming off from our love for Courtney Barnett; TRAAMS are a personal favourite when it comes to guitar music. They’ve been making some substantial, sensational; unforgiving Noise-Rock in the recent years. Love watching them play when they come to town.

Lastly; Noname from Chicago is also definitely one to watch that we really like. Very different from our music but, if you like a bit of smooth Rap mixed with jazzy vibes and poetic lyrics with great depth, then go check her out!

IN THIS PHOTO: Noname

Can we see you tour soon? What gigs do you have coming up?

Our next gig is in Brighton on Friday 23rd at The Richmond alongside some great acts - under the prolific Brighton promoters, QM Records. Check our socials for further info. It's always a great event with QM Records! As for touring, keep an eye out on our socials as well for this festival season. We've already got a couple ones we're excited to announce soon...

Have you all got a favourite memory from your time in music – the one that sticks in the mind?

Playing at Sofar Sounds a few times now has to go up there with the finest memories - simply because it’s different. You won’t see anything like it in the live music scene. That’s why it’s so special! Especially, when Peggy is your host! (Smiles).

Also; recording the video to our first single, Funfair, was a blast.

What advice would you give to new artists coming through?

Stick at it; don’t give it a rest. If you’re anything like us, then you ain’t got much choice anyway! Ahah. But, honestly: enjoy what you’ve been graced with and drive it out of the skyline with no limitations. 

Do you get much time to chill away from music? How do you unwind as a band?

The music is us chilling pretty much! Otherwise, we play a lot of cards and make questionable jokes. 

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Bob Dylan - The Man in Me (Dion)

The Replacements - Take Me Down to the Hospital (Kieran)

Kendrick Lamar - FEAR. (Ryan)

Steely Dan – Do It Again (Erwin)

Glenn Miller - Moonlight Sonata (Taran)

 

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Follow Just Like Fruit

Facebook:

https://www.facebook.com/Justlikefruit/

Twitter:

https://twitter.com/justlikefruit

SoundCloud:

https://soundcloud.com/just-like-fruit

INTERVIEW: AVEC

INTERVIEW:

PHOTO CREDIT: Ludwig Seidl Captures 

AVEC

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THIS is not the first time…

PHOTO CREDIT: Gare de Lion

I have featured AVEC on my pages. She is an Austrian artist whose every move intrigues me. I speak to her about the latest single, Youth, and what the music scene is like in Austria. I ask what we can expect from the forthcoming album, What If We Never Forget, and what it was like hearing it back; how it feels getting respect from magazines and fans – if there is a new artist we should be aware of.

AVEC talks about performing with Sigrid and what touring plans she has; if we can expect to see her in the U.K. this year; some of the artists that compel her – and whether she has learnt anything from the recording process (of her new album and older work).

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Hi, AVEC. How are you? How has your week been?

I am fine, thanks a lot - my week has been pretty good so far, thanks!

For those new to your music; can you introduce yourself, please?

My name is AVEC. I am a singer/songwriter from Austria. I started writing my own songs when I was about fourteen-years-old. In 2015, I released my first E.P, Heartbeats, followed by the debut record, What If We Never Forget, in 2016.

I have been touring in Europe with my band and now I am working on the second record - which will be released in 2018.

Youth is your latest single. What is the background of that song?

The song, Youth, is a very personal song about my childhood; my young years and the struggle of growing up. On the one hand, you’re this innocent kid, staring at the moon and questioning life itself with all the love you could give and all the hate you have to cope with while, on the other hand, there’s a load of responsibility and insecurity to carry.

It is taken from the album, What If We Never Forget. Was putting the album together a good experience? Are there particular stories behind each of the songs?

Well. It was my first ever album production and my first time in a studio, so I really didn’t know what to expect at all. Plus, I was pretty young when we started the whole record and didn’t know anything about the process of ‘making a record‘. but it was a great experience - I grew a lot with this record and I’m happy with it!

Sure; every song has its own story and so does the whole record. Imagine every song tells a story and, if you put them all together, you can see how the whole record is connected within.

Do you think you learnt anything during the recording process? How did you feel hearing the album back for the first time?

Yes, a lot - I learned what I want and what I really don’t want; how my music should sound and in which direction I wanna go with this whole thing.

Well, it was kinda weird because I actually can’t listen to my own music - but, of course, I did listen to the album once or twice.

Your music has gained a lot of respect from big sources and labels. Is it humbling knowing your music connects with so many people?

It is still crazy and sort of unreal for me to accept the fact that there are people listening to my music and diggin’ it. You know, I never ever thought that this is going to happen because for me music was a hobby and nothing more. I started writing lyrics and music just for me and myself - to get those words out of my head and now I can share it with so many other people! I am so damn grateful that I got the chance to do this; to make music, to get my stuff out into this world and to move and catch people with my music.

This is the best feeling ever!

You have just performed alongside Sigrid at Eurosonic Noordeslag Festival. It seems there is an appetite for Scandinavian artists at the moment. Why do you think that is?

Well, let’s be honest: their music is just amazing. I don’t know who, but that doesn’t really matter, I guess. The Tallest Man on Earth, Kaleo; Asgeir, Hozier, Soak and many more… - they are all absolutely stunning!

Is there an exciting scene in Austria at the moment?

I’d say so, yes. We do have a really good music scene at the moment.

Do you recall the artists you grew up on? What music were you into as a kid?

I do. I grew up with a ton of great music: Michael Jackson, Sting; Phil Collins, Falco; Prince, Radiohead…and a lot of Blues and Country music - I still love it!

IN THIS PHOTO: Rosie Carney/PHOTO CREDIT: Deborah Sheedy

Who are the new artists you recommend we check out?

Rosie Carney.

Can we see you tour soon? What gigs do you have coming up? Do you think you’ll come to the U.K. this year?

Yes. Me and the band; we’ll play a couple of gigs during the summer and then we’ll be back on the road in autumn for a whole tour!

What do you hope to achieve, personally, in 2018?

Well. To release my second album; to play a ton of gigs and to have a great tour with my band.

What advice would you give to new artists coming through?

Be yourself, stay yourself - and enjoy what you’re doing

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Counting Sheep - Shakey Graves

_______

Follow AVEC

Official:

http://officialavec.com/

Facebook:

https://www.facebook.com/officialAVEC

Twitter:

https://twitter.com/avec_music

Instagram:

https://www.instagram.com/officialavec/

Spotify:

https://open.spotify.com/artist/6N8vbhxZ0CYJHd8WGJ9Snf

SoundCloud:

https://soundcloud.com/avec_official

YouTube:

https://www.youtube.com/channel/UC4vbbYmRRVuXGPlagPGIS6g

INTERVIEW: Winter Wilson

INTERVIEW:

Winter Wilson

_______

I have followed many duos through the world of music…

but few who have the same chemistry as Winter Wilson’s Kip and Dave. The fact they are married might account for that but, listen closely, and it is the simpatico and understanding they have when entranced in the throes of sound. I ask them about their celebrated album, Far Off on the Horizon, and how it feels knowing it connects with critics and fans; what they can reveal about the new single, Ghost – and what they are planning next.

The duo talk about supporting Fairport Convention and musicians they count as guides; what other gigs are coming up; if they have goals and ambitions to tick off before the end of the year; how they transitioned from Kip and Dave to ‘Winter Wilson ‘ – they end the interview with a couple of fine and soothing tunes.

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Hi, Kip and Dave. How are you? How has your week been?

We're both fine, thanks. Very busy - but that isn’t a complaint.

For those new to your music; can you introduce yourselves, please?

We’re a married couple based out of Sleaford, Lincolnshire - which is where Dave was born and raised. Kip is Scottish but raised in Holland, Scotland and England. We met through music and have been playing together for over twenty-five years.

As for the music...that’s a more difficult question. In the main, it’s based around acoustic instruments, but we dip in and out of the Folk/Country/Blues genre. We both share lead vocals and harmonies - as it comes naturally to us. One of the best compliments we get from live gigs is that our set has a lot of variation.

Can I ask where that name, ‘Winter Wilson’, came from? Is there a story behind that?

‘Kip Winter’ and ‘Dave Wilson’: it's that simple. We used to go to a pub that had regular live music and Mike the landlord asked us to do a gig one night. When we turned up, he'd advertised us as ‘Kip & Dave’ - which was a little too close to Chas & Dave for our liking; so we went with the surnames from then on.

Ghost is your new track. Can you talk a moment about its origins and how it came together?

Dave wrote it after reading a story in The Big Issue (a wonderful magazine that does a lot of good) about how changes that the Government made to housing benefit had caused some youngsters to fall through the net and finish up homeless. Ghost is one girl's story - but there are, literally, thousands.

I like the way the video is shot. There is a lot of emotion conveyed throughout. What was it like filming the video?

A guy call Graham Wilsoncroft shot the video - and it was good to do. It's not easy to maintain the emotional connection when you're singing the same song over and over whilst looking at a film crew.

(But Graham did a great job and we're delighted with the result).

We wanted the video to have a sort of ‘film noir’ feel, in keeping with the subject matter, and we think Graham achieved that really well.

Far Off on the Horizon is your latest album. A lot of the material addresses redundancy and making music for a living. Was it frightening transitioning from the world of work and embarking on a dream – or did you feel this is what you were always supposed to be doing?

What we do is a dream come true for both of us.

We’re very lucky that it's come at a time in our lives where we have no other major commitments, which has made it a lot less frightening than it could have been. We were both made redundant in our fifties and decided to take a gap year. We've played music, written and recorded albums as semi-pros for years...so we thought we'd work at building up the music for a year and then get part-time jobs to supplement what we make from our gigs and album sales. It's all gone better than we thought it would and, almost six years later, it’s still going from strength to strength...

Best gap year ever!

The record has already garnered positive reviews. Does that give you a lot of faith and drive?!

The reviews have been great and, in general, all of our previous albums have been well-received. As we promote ourselves, we tend to use other people’s words to sell ourselves - so the positive quotes help us a lot. It’s always slightly scary when you send a new album out for review, as you are obviously setting yourself up to be criticised. We make music that we enjoy performing - and it’s a bonus when other people like it too.

The two of you, obviously, have a natural connection. Do you work on songs together – or will one of you work on lyrics/music?

We are a married couple and spend our lives together by choice.

The jokes and jibes on stage are perfectly natural as that’s just how we are with each other all of the time. We're lucky that we are now able to work together as well. Dave writes all of the songs - but many come from ideas and stories that Kip has passed onto him.

Which artists inspired you before you took up music?

Dave: Words have always been important to me. I can remember buying David Bowie and Bob Dylan albums on vinyl and reading all of the lyrics. As a youngster, I was also a big fan of The Beatles, The Rolling Stones; Free and The Who - as well as everything that came out on the Motown label.

Kip: I’m also a lyrics person but I’m also inspired by anybody who can really interpret a song with passion. I adore Bonnie Raitt - but I’m also a big fan of Jacques Brel. We must have one of the most eclectic music collections in existence!

You are going to hit the road with Fairport Convention! How important are they in terms of their music?!

Fairport have had a tremendous influence on the U.K. music scene. You have look at what was there before they came onto the scene and compare it to what came after...

Folk-Rock didn’t exist before Fairport.

IN THIS PHOTO: Jason Isbell

Are there any new artists you recommend we check out?

One of the best writers we've come across in many years is Jason Isbell. He's very much from the U.S. Country/Rock scene but, whether you like that or not, check out his lyrics. Also, there’s a band from New York state called Darlingside. Their harmonies are stunning!

 IN THIS IMAGE: Darlingside

Can we see you tour soon? What gigs do you have coming up?

At the time of writing this, we are getting toward the end of our tour with Fairport Convention. Once that’s finished, we have a couple of weeks at home to catch up on admin etc. and then we'll be doing our own tour up and down the U.K.; over to Ireland and, then, Germany later in the year - and back to Australia and New Zealand next year.

Full details can be found on our website.

What do you each hope to achieve, personally, in 2018?

2018 is set up nicely for us. We have plenty of gigs and we'll be working on new songs for future albums. If we can stay healthy and carry on as we are we'll be happy. We have no plans to take over the world.

Have you both got a favourite memory from your time in music – the one that sticks in the mind?

The current favourite is from this tour with Fairport. We played the Union Chapel in London - which is a stunning venue with an amazing atmosphere. We'd seen concerts from there on T.V. but never dreamed we play there ourselves. It clearly had an effect on Fairport also: they played a blinder that night and we joined them at the end to sing Meet on the Ledge with the audience joining in.

What a buzz that was.

What advice would you give to new artists coming through?

Make music to please yourself and that you believe in: don’t be swayed.

Give it all you've got and get out there and enjoy it. If you can do that you've succeeded: it's not all about sales figures. Also, if you want to get gigs, get out there and be seen. In the first year after our day-jobs went, we probably did more floor-spots than gigs - and it really paid off in bookings for subsequent years.

Do you get much time to chill away from music? How do you unwind?

We like to meet up with family and friends; usually around good food and music. We have nine grandchildren - so there's always something to keep us busy. We also love going to see live music - be it in a pub or on a concert stage.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Dave: Jason Isbell - Cover Me Up

Kip: Bonnie Raitt’s take on Dimming of the Day. Can’t be beaten!

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Follow Winter Wilson

Official:

https://winterwilson.com/

Facebook:

https://www.facebook.com/winterwilsonmusic/

Twitter:

https://twitter.com/winter_wilson

Spotify:

https://open.spotify.com/artist/2TedaFltDnvB0byPFwIYW4

YouTube:

https://www.youtube.com/channel/UCc3kHHCnah1dI2tuOkZdbFg

INTERVIEW: Nele Needs a Holiday

INTERVIEW:

Nele Needs a Holiday

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HER name suggests someone who needs to take a break…

and have a recharge. I speak to Nele Needs a Holiday about the origin of the name – and why, having worked tirelessly recently, the singer-songwriter is ready for some downtime. She talks to me about her new single, We’ll See, and growing up in Belgium. I ask what the music scene is like there and how it differs to London (where she lives now) – and which artists inspire her.

The songwriter discusses her next moves and touring; how she manages to detach and relax away from music; why this week has been a rather productive and busy one; a new(ish) artist we should all get our ears around – Nele Needs Holiday provides some useful advice to songwriters emerging on the scene.

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Hi, Nele Needs a Holiday. How are you? How has your week been?

I'm good, thanks! I'm working on a musical right now - which is the loneliest thing I've ever done. Staying in with only my piano to talk to, laughing at my own jokes. Can't wait to go gigging again!

For those new to your music; can you introduce yourself, please?

I write hyper-realistic Pop songs about stuff nobody dares to talk about - songs like I Love You But I Google Other People. Some might call it funny: I call it the truth.

Can I ask where that name came from? Is there a reason for the moniker?

Don't tell anyone...but my real name is Nele Van den Broeck. Catchy, right? Sounds like I'm some kind of German princess, but it's actually a really common name in Belgium. I like the sound of Nele Needs a Holiday because it's both happy and sad…like my music. Also, cause it's true.

That name is starting to become a self-fulfilling prophecy. 

We’ll See is your new single. What is the origin of the track and story behind it?

I've been in so many relationships already where one or both parties are simply unable to commit. The song is about three romantic word that are all-too-often said in the relationships: not ‘I love you', but ‘we will see’ - words that signalise how hard it is to stay with one person, cause you still have the feeling there might be someone else; someone better, just around the corner. You just have to pick up your phone and swipe a few fellows on Tinder. How on earth can you connect to one person if it’s that easy to find the next one?!

I still don’t know...

I like the video! You have a Madonna-cum-Marilyn Monroe look. Do you take inspiration from icons like that? Was it fun shooting the video?!

Thanks! For once in my life, I wanted to know what it feels like to be a blonde bombshell. Quite frankly; it feels exactly the same as being myself. Whatever wig you're wearing, underneath it, it's just the same old brain driving you crazy.

Shooting videos is my favourite thing in the world. There's this whole team working for days on three minutes of beauty. Makes me feel like a princess.

I love it.

It seems you are in great form right now. Will we see some more material later this year?

I'm working on Nele Needs a Holiday: The Musical. It's the story of me moving to London and the many unfortunate encounters I had with the music industry; dating in a big city and austerity - making it impossible to live a life that is more or less that of a grown-up. It will play at Latitude and will have a run in Edinburgh under Big in Belgium. I know I'm not supposed to say I'm nervous: so I'm just saying I'm excited.

Belgium is where you hail from. Is the nation quite a productive one for new music? Was it easy getting your music heard there?

There's some fantastic music happening in Belgium but it never crossed the Channel, because of a little thing called Anglo-Saxon cultural hegemony. I knew that if I wanted to conquer the world, I had to move out of Belgium at a certain point. I think a lot of Belgian artists are too modest. Luckily, I don't have that problem.

Are you based in London full-time? What are the main differences between the music of Belgium and Britain?

I live in a flat share in Greenwich together with Bob - the mushroom in the shower. Totally glamorous. I take the Eurostar (about) every other week to play concerts in Belgium and the Netherlands - and, sometimes, I'm there for longer periods. The concept of ‘home’ is a tough one for me...anywhere I lay my head, I guess...

The music is not that different, I would say. Maybe in Belgium, it's a little bit more built around beats: whereas in Britain it's still cool to play the guitar.

Over a beat, that is.

You have elements of Paloma Faith and Björk in your work. Is there something about these artists that compels you? Which musicians did you grow up listening to?

Thanks! I like those comparisons, they are cool.

I don't know how I would have gotten puberty without music Eels - all the times I've sung Beautiful Freak for myself, alone in my bedroom (I can't count them).

I like music by beautiful freaks.

Are there any new artists you recommend we check out?

There is a seventies songwriter called Dory Previn. Hardly anyone has ever heard of her and I wonder why: she's fantastic. To me, she's right up there with Bob Dylan and Joni Mitchell. She's one of the best lyricists I've ever heard.

Can we see you tour soon? What gigs do you have coming up?

Come to Latitude! It will be ace!

What do you hope to achieve, personally, in 2018?

I hope I don't get pregnant...

Apart from that: I hope I write the best musical I've got in me.

What advice would you give to new artists coming through?

Work on your banter. Honestly...so many musicians are so bad at it. If you're half-decent, you'll stick out.

Do you get much time to chill away from music? How do you unwind?

I'm a bit of a science nerd. I love to watch documentaries about the universe, black holes and stuff. Helps me to put everything in perspective.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Anything?

Bridge Over Troubled Water by Simon & Garfunkel, please.

_______

Follow Nele Needs a Holiday

Official:

http://www.neleneedsaholiday.com/

Facebook:

https://www.facebook.com/NeleNeedsAHoliday/

Instagram:

https://www.instagram.com/neleneedsaholiday/

Twitter:

https://twitter.com/NNAHoliday

Spotify:

https://open.spotify.com/artist/1BCRY2szkW4oM4aOFSRDLQ

YouTube:

https://www.youtube.com/user/NNAHoliday

SoundCloud:

https://soundcloud.com/neleneedsaholiday

INTERVIEW: Greta Jaime

INTERVIEW:

Greta Jaime

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MY heart goes out to artists who tackle music…

at such a young age. Greta Jaime is only seventeen and has, already, made a name for herself – as a unique songwriter and extraordinary live performer. She talks to me about her route into music and the inspiration behind the new track, Static (Exchanges). She discusses her passion for Jimi Hendrix and what music she was exposed to as a child; whether there are any gigs coming up – and how she has improved/changed since her debut single, Lost in Mexico.

Greta Jaime tells me how she relaxes away from music; how it feels to get recognition from fans; whether there is any advice she would offer songwriters coming through the ranks – whether we will see her play some Hendrix-like flaming solos on stage anytime soon!

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Hi, Greta. How are you? How has your week been?

I’m great, thanks! It’s been a very busy, exciting week.

For those new to your music; can you introduce yourself, please?

I’m a musician and songwriter from North London.

Static (Exchanges) is your new single. What is the tale behind it?

The story behind that song is kind of a unique one: it actually stemmed from a poem I had written called Stones. A few days later; I was working on an instrumental on my laptop and I had made this sort of brooding drum beat. Then, I kept singing part of the poem over it - which was the line “I’m still throwing stones to safety”.

From there, the song came together super-quickly because I realised I wanted to write about indifference and the growing distance that I was experiencing with someone at the time.

The single has already garnered acclaim and attention from radio and streaming sites. Is that quite pleasing to see?

Yes. It’s amazing! When releasing this song, I definitely didn’t expect it to get the response it has had.

Will there be more material to follow? What are you working on?

Yes. I have the next single that will be released in a few months – and I have an E.P. in-the-works, too!

Do you think you have taken steps since your debut song, Lost in Mexico? Have you grown in confidence, would you say?

I definitely think, since releasing that song, I’ve been able to evolve, musically, and have just had a chance to write a lot more. When I wrote Lost in Mexico; it felt like a song that sort of (just) fell out of me and, at the time, it was so different to anything else I had written. After releasing something so honest; it makes it easier for me to be open and to write about anything I like.

You are only seventeen. Is it quite daunting stepping into music so young?! Does the fact you’re a teenager give you a unique perspective on life?

I think it is daunting, in the sense that you’re trying to figure out how you can translate the way you hear the song in your head to the finished product. I got started in music production and recording demos because I couldn’t figure out how to explain what I wanted the song to sound like - but I could play the different parts and piece it together that way. I think, as you’re growing up, you experience so many new things in a short space of time.

Writing songs can be a good outlet to capture the sentiments that come with that - and give them their own space to live.

I know you developed a passion for Jimi Hendrix when growing up in North London. How did you first come to hear his music? What is about him that provokes a reaction?

I think, the first time I heard about him, was through my parents (who were big fans). I remember them watching a documentary about his music and just being drawn to his playing. I think, also, the way he was able to express himself so fluidly with the instrument was so appealing for me - because he made all of his playing look really intuitive. 

Will we see any Jimi Hendrix-like flaming guitar solos and histrionics in the future, do you think?

I may have a few tricks up my sleeve for the future…but, I mean; if you have any spare guitars you want me to burn - please send them my way! I love evolving the live show and adding new elements to keep it exciting. Having free reign over the set is part of what I love about playing live - because I can change and develop things over time depending on the reaction from an audience.

Which other artists did you respond to when you were younger? Do you tend to prefer older, classic artists – or do you have a fondness for modern acts, too?

When I was younger, I listened to anything I could get my hands on really. I played guitar for a while before I started writing; so I was introduced to a lot of classic artists like Eric Clapton and David Bowie through that. At the moment, I listen to a lot of modern acts, too, because I think there are so many exciting artists pushing boundaries and merging genres in a unique way.  

Can we see you tour soon? What gigs do you have coming up?

I would love to do a tour. I’m actually finishing my A-levels at the moment so gigs are temporarily on hold. But, if everything goes to plan; there should be some more shows in the summer!

What do you hope to achieve in 2018?

Lots! Hopefully, I can collaborate more with other musicians and producers.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I only recently started playing shows but, last year, I was lucky enough to play Camden Assembly - and that was definitely a huge highlight for me. Living in North London, I’ve passed the venue so many times - so being able to play there meant a lot.

What advice would you give to new artists coming through?

I’m not sure if I should really be giving advice yet but, if I had to; I would say it’s important to constantly create and work on your craft. I think, if you’re able to keep your head down and constantly work to improve, it’s much easier to create opportunities for yourself and keep up with an industry that is evolving so quickly.

Do you get much time to chill away from music? How do you unwind?

Not really! If I’m not making music, I’m most probably consuming it but I like that. My sister gets paranoid my earphones will get tangled around my neck when I fall asleep - so I should probably stop doing that…

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Only one is so hard to pick - but a song I’ve been loving recently is Pills by St. Vincent. I got to catch her set at Green Man Festival in 2015 and she is incredible (also, yes; I am biased because she plays guitar.)

_______

Follow Greta Jaime

Facebook:

https://www.facebook.com/GretaJaimeMusic/

Instagram:

https://www.instagram.com/gretajaime/

Twitter:

https://twitter.com/Greta_Jaime

Spotify:

https://open.spotify.com/track/1DiuOn7SEOz9p3cjGCURDx?si=6H6Sey16TueI726ufml6mA

YouTube:

https://www.youtube.com/channel/UC1fmfR-08lyef_DOzzs_-3A?view_as=subscriber

SoundCloud:

https://soundcloud.com/gretajaime

INTERVIEW: Cloud

INTERVIEW:

Cloud

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HE debuted with the incredible L.P., Comfort Songs…

and has made steps and leaps since then. That is not to indicate Cloud lacked in early promise: his latest album, Plays with Fire, is a tight and evocative collection of songs that deal with nostalgia, optimism and naïveté. Cloud discusses his early life in Long Island and relocating; ideas and stories that go into his latest work; how Plays with Fire differs from Comfort Songs - what ambitions Cloud has for the rest of the year.

I learn about his musical tastes and which new artists he recommends; whether there is a central theme/mantra that defines Plays with Fire; if he is planning on playing in the U.K. soon – providing some helpful advice for upcoming artists.

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Hi, Cloud. How are you? How has your week been?

Hello. I am well. My week has been a bit non-stop: sixteen-hour days and whatnot - but with great momentum. Finally settling down for the weekend where I plan to watch a lot of movies and, maybe, go to the park and read. 

For those new to your music; can you introduce yourself, please?

Certainly. My name is Tyler Taormina and I make music as an exploration. My profession is in film-directing and my films are quite musical. I’ve been making songs with my L.I.-born collective, Practice Room Records, since 2009. With different collaborations, I’ve made over ten records with that gang of genuinely amazing people. 

I hope that my music finds those who share a similar experience and can be a tool for them as well; to explore and manage the pain and joy of growing. 

Plays with Fire, your upcoming album, is out on 9th March. What kind of stories and themes inspired the songs?

This record tracks the movement into what is called the ‘real world’; where institutional structures become less obvious and accountability runs high. I wanted to focus on this crossing-over, so to speak, from a spiritual perspective: how does the purity of youth remain with the friction of the ’real world’?

It is a tight, nine-song album that draws upon diverse influences. Which bands and sounds influenced the music? Are there any acts that you take guidance from?

There’s a wide range of musical acts that I take from here. From Fleetwood Mac to My Bloody Valentine, Leonard Cohen; Yo La Tengo, Bedhead; Mazzy Star, Neil Young…the list is quite long. This is the first Cloud record that doesn’t have a seamless sort of narrative-like quality to it. Instead, I’d like for it to read as a collection of songs; a mixtape of stylings I’ve really appreciated over the years. 

Happer’s Laugh, the opening track, opens with the words “True strength needs love…”. Do you think that is a bit of a band mantra?

Absolutely. I like to think of that track (as though) being on rowboat in the dark, rowing steadily into a complete unknown - a darkness. The lyrics to this song are guidelines to meditate and not be forgotten - which will prove, throughout the record, to be a difficult task. 

Two Hands Bound and Wildfire have already been released. Will there be more singles out before the album’s release?

Well. There are two leading singles and one following the album. But, also, plenty of treats as well along the way. 

How do you feel Plays with Fire differs from your 2013-debut, Comfort Songs?

My ideology has formed many iterations since those younger years. I’ve almost become a real person since then. Less naïveté, for sure. As I mentioned earlier; I wanted this record to be a sort of collection of songs: a mixtape rather than a cinematic-type album like Comfort Songs. Lastly; I find that Comfort Songs has themes that many people can latch onto, understand and relate to - whereas Plays with Fire and, even, Zen Summer - from a few years back - are a little more specific in the subject matter. 

It seems you have made an effort to do something different from your previous work. Is it hard pushing in different directions?!

Well. It’s not a very intentional or conscientious process. I’m in love with so many different types of music: that when a different chapter of my life begins; I can always attribute it to different stylings that have influenced me. A breakup album can bring out the Emo-Revival and Jazz influences in me. A spiritual ‘awakening,’ so to speak, can invoke the Dream-Pop and Krautrock side of me. Ha.

I guess, being thrust into the real world and wrestling with how to keep it cool in that context brought me to a range of new artists and sounds. 

You are based in Long Island. In the U.K.; one of our big radio stations, BBC Radio 6 Music, has recently celebrated New York music. Is Long Island a busy and active area for great music?

I don’t live there anymore, actually: I’m in Los Angeles and have been for a little while... 

It’s a strange generational question and sort of harkens back to the movie, The Big Chill. Most of the people I know who were really killing it in L.I. years ago have moved away. In N.Y.C.; a lot of them are still making great music which you should check here. But, many of those bands have slowly been putting down their instruments for new adventures. 

Who are the new artists you recommend we check out?

The Needs just released their new album called Not That Fun - which is incredible. Also; Male Unbonding has this album called Gratuitous that will really rock your world. 

Lastly; Oren Pine put out his first album called Sad Tiger - which shows a lot of promise for a great artist to emerge in this world. 

If you had to choose the one album that means the most you; which would they be and why?

One album…I could never…

But; one album I love is Victorialand by Cocteau Twins. It keeps me in touch with my imagination in a beautiful way. 

Can we see you tour soon? What gigs do you have coming up? Will you come to the U.K. this year?

We’ll see. I think I’ll have a few gigs in the L.A. area with the release of the album. I’m not sure if I’ll be heading to the U.K. - but it seems unlikely, unfortunately. 

What do you hope to achieve, personally, in 2018?

I hope to finish my first feature-length film, Ham on Rye, and see it get accepted to an exciting festival so I can continue on to make the next one - which may be a Christmas movie about family and transgression. 

Have you got a favourite memory from your time in music – the one that sticks in the mind?

All the best memories conflate together as one - where I’m playing a show with my friends in the band and in the audience as well. Everyone sings along with much excitement for all that is and all to come. 

What advice would you give to new artists coming through?

Value art, not capitalism. Realize that they are antithetical and realize capitalism’s presence in the ‘art world’ - and especially the music industry. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Well, thank you so much. I appreciate this interview...

Play the song Trem de Farro (Trenzinho) by João Gilberto. That song is magic. 

_______

Follow Cloud

 Facebook:

https://www.facebook.com/musicbycloud

Instagram:

https://www.instagram.com/musicbycloud/

Twitter:

https://twitter.com/musicbycloud

Spotify:

https://open.spotify.com/artist/3XOlyTGO24ZaP1psAZ4g8K

BandCamp:

https://musicbycloud.bandcamp.com/

PRESS PHOTOS OF CLOUD:

 Carson Lund  

INTERVIEW: MURDAH SRVC

INTERVIEW:

MURDAH SRVC

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IT is exciting coming across an artist who…

goes beyond music and creates their own universe. I have been learning about MURDAH SRVC and what the project entails – and how songwriter CHE brings elements of Asian culture and Anime into his world. I ask about the story behind Icarus – the new single – and shooting the video in London; whether there is going to be more material coming down the line – when Japanese art and culture came into his life.

MURDAH SRVC discusses influences and where he goes from here; whether there are any tour dates coming up; whether the intrepid artist has a favourite memory from music; advice he would give to new artists – ending the interview with a fantastic song.

______

Hi, MURDAH SRVC. How are you? How has your week been?

Pretty good. It's been an eventful week. Working on the latest release, Icarus, and arranging the next one...

For those new to your music/work; can you introduce yourself, please?

My name is CHE and I'm a singer/songwriter. I've been doing music for a while now. In 2017, I started my new project, MURDAH SRVC.

MURDAH SRVC is an audio-visual project inspired by Japanese culture. When did your love of Japanese art/culture begin?

I grew up watching Japanese Anime on T.V. during the 1990s.

I was so into it that I started drawing Manga myself. I wanted to do this for a living until I went to college. So; I got a Bachelor degree with a Major in Japanese Language, Literature and Culture - then moved to Japan for a while.

Icarus is your new track. What is the inspiration behind that track?

MURDAH SRVC is music and Manga. So, every song is related to the Manga and the other way around. You can read the Manga or listen to the music separately but, when you do both, you get the whole picture. Musically, the track takes inspiration from artists like Massive Attack, SOHN; The Weeknd, Frank Ocean - and it talks about the struggle of the main character to leave his comfort zone and go the extra mile.

You worked with producer Marco ‘John Lui’ Pettinato on Icarus. What did he bring to the song?

Marco produced all the tracks for the MURDAH SRVC project. I went to his studio with demos, most of them only piano and voice, and he added his vision to the table. I wrote like, eighteen songs: we chose five. We come from different backgrounds, so I'm very glad I had the chance to work with him - because it was very exciting to compare ideas and I think the result is (pretty) unique with a distinct sound.

The video was shot in London. Was it fun to do? Do you feel London’s diverse landscape and people is the perfect place to explore your love and fascination of Asian culture?

The video for Icarus was shot in London last December by London-based director Giovanni Musumeci. It was a lotta fun to go to Chinatown and shoot in the middle of the street with people taking pictures of me. London is a melting pot of cultures and, if there's anything you might be into, you’re gonna find it there.

Is London somewhere you gravitate towards? Is the city the perfect place for an ambitious artist to create and thrive?

Definitely. London is inspiring for every artist and it's one my favourite cities in the world. The competition is crazy because there's so much talent and, every night, there is an open mic with amazing musicians. So, to me, this is very challenging...

It makes me wanna perform a better show than the night before.

Is it true Icarus is part of an E.P. arc? Will there be more songs coming? What is the idea/narrative of the E.P.?

In a moment of time when people attention span is very low; I decided to release this E.P. one song at the time with a video along with it. The first single is Running on the Surface and the video, edited by Colla/Vinilica, is a collection of Anime frames from some of my favourite series: Cowboy Bebop, Evangelion; Akira and newer ones like Ajin and Your Name.

Icarus is the second single - and, soon, I will release the third one called Medusa (and so on).

The songs are all about the characters of the Sci-Fi Manga which I've been drawing myself and will be released later this year - in episodes of thirty-two pages each.

Can you tell me how music came into your life? Which artists did you grow up on and idolise?

I was into singing since I was a child but, in my teenage years, I heard the voices of Marvin Gaye, Al Green; Donny Hathaway, Stevie Wonder - that completely changed my perspective and taste. Then, when I was a little bit older, I fell for Electronic music as well; so that's why I define my genre as ‘Future Soul’: Soul music from the future.

IN THIS PHOTO: Goldsmoke

Are there any new artists you recommend we check out?

Lately; I discovered a duo of brothers from London, Goldsmoke. They make very good Funk/Soul with an Electronic vibe to it. Nick has an amazing voice!

Can we see you tour soon? What gigs do you have coming up?

In 2017; I had gigs in U.K., Germany and Italy. Now, I'm concentrating on new releases - but I'll start touring again soon; so make sure you check my social media to be updated.

What do you hope to achieve, personally, in 2018?

As a musician, to tour as much as I can to bring this project to as many ears as possible. As a human being, to be a good father and husband…and to learn new things…always.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

The first time a crowd of hundreds sung all the lyrics of a song I wrote. That made me understand how powerful and uniting music can be.

What advice would you give to new artists coming through?

Be well trained. Don't copy anybody else's sound. Find your own vision and stick to it: if it's something genuine, people will recognise it and follow.

Do you get much time to chill away from music? How do you unwind?

As I said before; when I was growing up, I wanted to be a professional comic writer. Now, I draw for the MURDAH SRVC project - but it's more a therapy for me. To relax. Other than that, I love to travel with my family, try new food; see art exhibitions and read.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I Believe in Music – Donny Hathaway

_______

Follow MURDAH SRVC

Official:

http://www.murdahsrvc.com/

Facebook:

https://www.facebook.com/murdahsrvc/

Twitter:

https://twitter.com/murdahsrvc

Spotify:

https://open.spotify.com/artist/5GJa1UvUTY6DWQIgvieKrq

YouTube:

https://www.youtube.com/channel/UCY_nIUl534vxoB4DbXKB9NA

SoundCloud:

CHINATOWN PHOTOS:

Giovanni Musumeci

ALL OTHER PHOTOS:

Chiara Longo

INTERVIEW: HEGAZY

INTERVIEW:

HEGAZY

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I do not get many opportunities to interview…

artists from New York. I have been talking with HEGAZY about their E.P., Young. I find out the themes and ideas that compelled the work; which song each sister favours; what it was like being raised in a multicultural household – and why Leila and Omnia decided to start recording music together.

I ask them about their influences and the lure of N.Y.C. They talk about their father’s influence on their music; why they took a break from music; if they are coming over the U.K. this year – some cool artists we should watch out for.

________

Hi, HEGAZY. How are you? How has your week been?

Hey! It’s been great. We just released our first E.P. as a duo - so we’re pretty ecstatic!

For those new to your music; can you introduce yourselves, please?

We are HEGAZY: an Indie-Soul/Pop twin-sister duo based out of N.Y.C.

Young is your debut E.P. Can you reveal the themes and inspiration points for the E.P.?

Young is a coming-of-age story...

All the songs reflect our experience(s) finding our way in the world as millennials in light of all the social and personal challenges we’re facing (economic uncertainty, falling in/out of love and the current climate of racism/xenophobia in our government). It sounds heavy - but most of the record is pretty light-hearted and hopeful.

Which songs do you each connect hardest, would you say?

Leila: Track-three (Smolder) is the most personal to me. It digs into how young love changes into adult love over the course of a long-term relationship and all the worries that come with this evolution (i.e. is it ok if the butterflies are gone? Are we just becoming boring adults?). It speaks to the record’s overarching theme of ‘growing up’ and what that means. 

Omnia: The first single off the E.P., Alive, resonates with me the most. I wrote it about quitting my day-job in the music business to pursue my own music full-time. So many people stay in situations that are unfulfilling just because it’s the safest option - and this song was about breaking free; not only of the corporate world, but of our own sense of security, which can hold us back from achieving what we really want most.

As twin-sisters; I can imagine you two shared a love for music. When was the moment you decided to form the family-named HEGAZY?

We formed HEGAZY after the death of our father, Ashraf Hegazy, in December 2015. He always wanted us to work together and, in the year before his passing, we were already heading in that direction. Once he passed away, we became a band quite, naturally. In the years leading up to his passing, we had already been living together in an apartment, writing songs in adjacent rooms and going to each other for feedback. When our songs started to sound more alike, it made less sense for us to be separate - and we both knew that we would be better received as a duo.

We named the band after our father’s/our last name, because he always insisted that we were stronger together. He was right.

You were born to a Brooklyn-Italian mother and Egyptian father – growing up on Staten Island. How influential were your parents’ backgrounds to your own music? As first-generation Arab-American twins; was it quite confusing growing up in Staten Island – or did you feel a sense of belonging?

Our parents’ backgrounds definitely reflected the music we were exposed to at the time and we’d like to think that everything we’ve listened to has contributed to our music in some way. Our mom loved Billy Joel and Disco music and our dad played classic Egyptian music around the house as well as recitations of the Quran, which are very melodic in nature. Growing up on Staten Island, which has a large Italian-American population, was an interesting experience. We, ourselves, were half-Italian - but we didn’t quite fit in with our peers because we also Egyptian and Muslim. We looked nothing like our mom, who has blonde hair and blue eyes, but looked more like our father - he had darker skin and North African features. When 9/11 happened; we were in the sixth-grade and we experienced a lot of bullying as a result. Other kids called us ‘terrorists’; ‘Bin Laden’s daughters’, etc.

It was a pretty rough time and that experience has stayed with us.

It seems you embarked on different paths before forming HEGAZY. What did each of you learn in your respective music roles during that period?

Leila: I have always been a vocalist first and foremost and, in our time apart; I gravitated towards R&B/Soul music because of the vocal prowess needed to sing in that style. In the meantime, I played piano and learned/listened to a lot of Jazz music - all of which really helped me to grow as a musician. I went to college for music composition and songwriting, which was a difficult thing to learn in a classroom setting. My songwriting got better because I was constantly writing - that was my job as a composition student and I loved it. It was also during this time that I started performing at venues in N.Y.C. and recording my solo records.

I learned so much about writing, performing, recording and navigating the music business - and all of these experiences have laid the groundwork for HEGAZY.

Omnia: I went to school for music production and music business (NYU Clive Davis Institute of Recorded Music) while continuing to work on being a singer-songwriter. It was there that I learned to produce myself, record and edit my own vocals…and see my own visions through from beginning to end. When I work with a producer now; it helps to have the vocabulary to be able to communicate the sound I want and to listen to mixes and masters with the ears of an engineer. I learned so much about the music business and what it takes to be a D.I.Y. artist in my four years of college.

The Arab Spring was also the backdrop of my college experience; so I found myself writing a lot of very political and socially-conscious Pop music. I used my songwriting to vent about my frustrations with the world. This has definitely followed me into HEGAZY.

Do you feel, when you reunited in 2012, you were stronger and more rounded musicians/humans?

Definitely. Had we never gone our separate ways for school as teenagers/young adults, we would never have figured out who we were as individuals and musicians separate from each other. Our band now has such a diverse pool of influences and our differences have made our music that much stronger.

How inspiring is New York and its varied communities? Is its diversity the reason the music scene is so fresh and evolving?

New York has a million different kinds of people and it’s amazing to be a part of that diversity. At the same time, we believe that gentrification has played a big role in the music scene here in the past few years. Although our style (Soul/Pop) is pretty timeless and will always have a place: the type of music that is considered ‘cool’ has shifted to genres typically preferred by white people (Electro-Pop, Indie-Rock, etc.). This isn’t to say that there aren’t people of color engaged in these musical styles: it’s just to say that when people from outside N.Y.C. started moving here in such large numbers, this changed the scene pretty dramatically. So, truthfully; a lot of the music you’re hearing from our city these days isn’t being made by native New Yorkers.

But, this city is evolving and if there’s one thing all New Yorkers (native or transplant) have in common, it’s that we’ll all be racing to keep up! It’s both exhausting and exciting.

Leila and Omnia. You two seem very different – in terms of music and personalities. Does that difference extend to music tastes? What do you each listen to away from HEGAZY?

Leila: Sure. I will always lean towards the Soul realm; but I’ve also gotten a little more inclined towards Electronic music in the past year or so. Lately, I’ve been listening to a lot of music from my peers who are making waves (Gabriel Garzon-Montano, Mitski; Luna Shadows and Verite to name a few). All of these artist were classmates of mine from either high-school or college - and they’re amazingly talented songwriters/artists. Listening to new music keeps my perspective fresh, regardless of genre.

Omnia: I listen to so many different things on my own time and don’t like to classify my musical tastes - because they’re constantly changing. At the moment, I’m listening to a lot of Vulpeck (they’re so funky!) and Larkin Poe (they’re a kickass sister-duo from Atlanta). Last year, I was listening to Sia and St. Paul and the Broken Bones on repeat. The year before; it was Alabama Shakes and Emily King (though this is still my go-to when I just want to feel good).

I also listen to a lot of alternative Arab artists like Mashrou Leila and Yasmine Hamdan and try to keep up with what’s happening on the ground in Indie music around the world; especially, in the Middle East. I’m still a violinist at heart and totally dork-out on Classical music (Antonio Vivaldi is my favorite composer; he was so intense and listening to/playing his works invigorates me).

How important is your late father with regards your music and working together? Was he an instrumental guide and voice for you both?

Our dad is our muse - and we try to remember him when if/when we experience conflict with each other in the process of building our band. He had a fascinating life and his story inspires us to go after what we want without fear. He moved to the U.S.A. at seventeen years of age knowing no English; he did every odd job to make ends meet (all while going a little too crazy with his newfound ‘American freedom’ at first); finished college and made a life for himself. We also used to argue with him constantly about religion and politics – and, even if it seemed that no one was growing at the time, we all grew because of it.

All of these lessons have shaped who are as people and artists.

IN THIS PHOTO: Larkin Poe

Who are the new artists you recommend we check out?

YEBBA (Abbey Smith), Gabriel Garzón-Montano; Jacob Collier, Jaime Woods; Deva Mahal and Larkin Poe (fellow sister-duo).

If you each had to choose the one album that means the most to you; which would they be and why?

Leila: The Seven EP by Emily King

This record makes my heart melt every time - and it’s my go-to whenever I need to calm down. The vocals are beautifully delicate and lush and the songs are stunning…

Omnia: Oum Kalthoum means the most to me (no particular record; because she released mostly recordings from her live performances) because it reminds me of spending time with our dad. I enjoyed listening to Arabic music with him and, when I hear Oum Kalthoum songs like Inta Omri or Alf Leila w Leila, there’s a feeling of being in his presence again.

Can we see you on tour soon? What gigs do you have coming up? Will the U.K. be among your plans?

We’re playing at The Barnes Foundation in Philadelphia on March 2nd and Rockwood Music Hall on March 16th (in New York City). We’d love to take our music across the U.S.A. in 2018 and plan to do so in the fall.

The U.K. would be such an ideal place for our music - so when we tour Europe it will be part of our plan.

What do you both hope to achieve, personally, in 2018?

Leila: As we mentioned above; I’d love to tour, see more of the U.S.A. and the world. Traveling is always helpful, on a personal level.

Omnia: I hope to be more mindful in 2018 amidst all our big dreams and professional goals, which can be a challenge. For me, this means meditating every day and pausing before responding to things. This is easier said than done and takes constant practice.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Leila: I opened for a sold-out Allen Stone show in N.Y.C. a few years back and the crowd’s energy was unbelievable. That was the best performance experience I’ve had - and I’d love for HEGAZY to share in that.

Omnia: I performed at Women in the World Texas a few years back and got to meet Gloria Steinem - who was speaking at the event! Her dressing room was right down the hall from mine and I still wonder if she could hear my embarrassing vocal warmups before I went onstage.

What advice would you give to new artists coming through?

Leila: Make music that you like to listen, not music that you think people want to hear…

Omnia: You are your own boss and you need to embody that when managing your own career! Don’t wait to be discovered by someone else: work on building your base one fan at a time and making real connections with the people who dig your music. It’s not an easy path to be an artist, but there will be moments when you’re reminded of how much it’s worth it.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Leila:  Jacob Collier – In My Room

Omnia: St. Paul and the Broken Bones - I’ll Be Your Woman

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Follow HEGAZY

Official:

http://hegazyband.com/

Facebook:

https://www.facebook.com/hegazyband/

Twitter:

https://twitter.com/hegazyband

Instagram:

https://www.instagram.com/hegazyband/

Spotify:

https://open.spotify.com/artist/1NSX9n3FgiR9mnwE2OcF3z?si=V_4rjU8yQKiumDyA51ul4Q

YouTube:

https://www.youtube.com/channel/UCvwbzjGQrbZzmUX-dIzryuw

BandCamp:

https://hegazy.bandcamp.com/

INTERVIEW: Heavyball

INTERVIEW:

Heavyball

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THE chaps of Heavyball have been talking to me…

about their concept album, When Can You Start? It was released last year and looks at the routine of everyday work and the need to break free. The guys chat about their treasured musical memories and the song, Top of Your Game, and whether each has a standout song from the album. I ask the band about making music in the Midlands and whether there are any tour dates – and a new artist they recommend we check out.

The band choose albums that mean a lot to them; they share their advice to new artists and what they hope to achieve, as a band, this year; whether their own experiences with work influenced their latest album – they talk about London and its influence on them.

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Hi, guys. How are you? How has your week been?

Iball: Alright thanks, mate. Ducking and diving. You know how it is…

For those new to your music; can you introduce yourselves, please?

We are the greatest band to come out of Nottingham since Paper Lace. We are New-Tone band pulling together influences from Ska, Rock and Indie. We are a group of mates making the music we want to hear.

We just hope other people like it as well.

When Can You Start is your new, concept album. What kind of themes and ideas can we expect from the album?

It’s about a nobody that’s everybody - stuck in a job he hates, slowly seeing his life for what it is and desperate to do something about it. It’s bleak but to an upbeat soundtrack. We are a right laugh on a night out, I can tell you. There is a lot going on in the world right now - and we wanted to capture our version of Britain today.

I know there is a tip to the drudgery of the average working week. Were you inspired by your own work experiences to write the album?

Is my old boss reading this?! No? Cool; then absolutely, 'yes'. I have rotted behind far too many desks. Working is a con.

Is there a song from the album that, to you, defines what it is all about – that one you could never get rid of?

Tricky one as they all tell different parts of the story. If I was to choose it would be No More 9 to 5. Without it, the album wouldn’t have the release it needs. Actually…it’s probably the shortest song on the album called Retail Is Detail.

If you just listened to that you would get the idea...

Top of Your Game is already out there. What has the response been like to that track? Was it fun shooting the video for the track?

Frosty: It’s been very positive, so far, which has been great. We opened our live sets with it on the last European tour just after the album had come out and it has been going down very well. We didn’t shoot a proper video for this track. A video is available online but we don’t make an appearance. We did shoot a video for the Perils of Midweek Drinking - which is also out at the moment and doing well. That was about as good a video shoot as we could ever hope for. It was us in a pub drinking for a few hours. What more could we have asked for?!

The album itself has really done well in Germany and Austria - it’s been in top-40 in the D.J. charts in both those countries for the last four weeks.

You guys formed in Nottingham. How did you all find one another and get Heavyball rolling?

Matt and Habs are brothers - so they had no choice but to know each other. Johnny is a childhood friend of the pair of them, so they have known each other all their lives. When they all relocated to London, they found me meandering the streets of Bromley - with nothing but a guitar in my hands.

Is Nottingham a great place to make music? Was it easy getting gigs in the early days?

Bigface: We actually formed in London when we all ended up living there at the same time - so that’s a difficult one to answer. I hear it’s a good scene and Dean Jackson (BBC Introducing East Midlands) has been very kind to us. That’s particularly surprising considering he had the misfortune to teach me for two years!

Jimmy Sommerville applauded your version of Smalltown Boy! Was it humbling hearing that? Is that a song that you all love and admire?

I always loved that song. It’s a great song melodically and rhythmically but the story it tells intrigued me. I suppose everyone has felt they don’t fit in at some point and that resonated with me. Jimmy’s voice is (still) brilliant, so it was an absolute honour to hear him say that.

Who are the new artists you recommend we check out?

Buster Shuffle – five young lads from Bradford. Punk-Pop, I suppose. Great.

If you each had to choose the one album that means the most you; which would they be and why?

Habs: It changes all the time - but albums that bring back great memories are always good…right now, it’s Power in Numbers by Jurassic 5.

Iball: For me, it would be The Queen Is Dead by The Smiths

Funny and bleak.

Bigface: The Stone Roses - The Stone Roses

No need to say any more really…

Frosty: Probably Jimi Hendrix’s Are You Experienced? or Axis: Bold as Love

They changed the way I wanted to play guitar.

Can we see you tour soon? What gigs do you have coming up?

We have a couple of acoustic gigs coming up - then we’re playing the London International Ska Festival over the Easter weekend (on 31 March) which has a great line-up. After that, we’re back in Europe; starting with Cologne (Freedom Sounds Festival) and Bochum in April.

The likes of (BBC Radio 6 Music’s) Chris Hawkins has named you as one of the best live bands around. Does that kind of praise give you a lot of drive and heart?

Habs: Absolutely. We love to play live. From the point of view of writing, you never really get a song right until you’ve played it in front of people. That might be where you think ‘we need to make more of that intro’ or maybe ‘ah, sh*t; that final chorus goes on for far too long.’ More often than that, playing live really gives you a sense of how to make a song connect with people - so you know what to push for the next time.  

What do you each hope to achieve, personally, in 2018?

To keep playing and recording music that I would want to listen to.

Iball: I want to get back on the oche and play some quality darts: I’ve been too busy to play.

Frosty: Just to keep on pushing forward with what we have achieved so far; more gigs and European tours - and see if we can get ourselves out to some new places.

Have you all got a favourite memory from your time in music – the one that sticks in the mind?

Iball: After a not-so-packed gig in Essen in Germany; we shared digs above the venue with another band, The Phantoms, from Norway. Top bunch of lads - and there were about twenty of them! We bought a few crates of beer from the bar and sat up taking turns playing songs and singing all night. It was a really unexpected highlight of the tour. Music is a great leveller: two bands from two different countries getting on brilliantly over a few beers and passing a guitar around.

Habs: We always love playing in Europe: it’s basically like being on a stag do with a sense of purpose. Travelling around and playing and staying in different places always brings a lot of interesting people and comic moments. Clambering down scaffolding outside the old SS Kaserne barracks in order to get to our next gig. On the last tour, in Nuremberg, we stayed overnight above the place we’d just played. The next day, we needed to be on the road at 8 A.M. as we had a long, long drive to our next gig. The problem was that when we got up, we realised we couldn’t get out of the building or even get downstairs because every door had been locked…

The band’s plan was to go back to bed and try and make the problem go away but our ever-resourceful tour manager saw there was some scaffolding on the side of the building. In the end, we all made our escape by clambering down three flights of scaffold with our kit, instruments and leftover beers…an excellent hangover cure.

Bigface: In Austria, a few years ago, the hosts took us for a massive Schnitzel (not a euphemism) which was so big I couldn’t finish it. The restaurant wrapped it in tin foil - which I stuck it in my guitar case backstage. Turns out, I’d accidentally stuck it in an identical guitar case belonging to one of the other bands on the bill that night - who were flying back to Canada after the show.

We haven’t spoken since.

What advice would you give to new artists coming through?

Find a niche…Punk; Metal, E.D.M…whatever – generic Indie is a very difficult scene at the moment. If you want to make any money, get a laptop and become a D.J. Sad times.

Finally, and for being good sports; you can choose a song and I’ll play it here (not any of your music - I will do that).

Long Shot Kick De Bucket – The Pioneers

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Follow Heavyball

Official:

http://www.heavyball.net/

Facebook:

https://www.facebook.com/Heavyball/

Twitter:

https://twitter.com/heavyballreal

SoundCloud:

https://soundcloud.com/heavyball

Spotify:

https://open.spotify.com/artist/0W6fj7JBD2iLpuq1Is1PC1

YouTube:

https://www.youtube.com/user/HeavyballTV/videos

INTERVIEW: Waiting for Smith

INTERVIEW:

Waiting for Smith

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THAT name alone was compelling enough for me…

to investigate Waiting for Smith and discover the facts and figures. Harry (the man behind the moniker) explains that name and details of the new single, Monkeys in My Head. I ask whether there is more material coming; what tour dates are approaching; how he met the band he plays with on the road – which artists compelled him at a young age.

Harry shares a precious memory with me; he recommends a load of great new artists; I ask whether Oxfordshire, where he and the band play, is a good spot to create and perform; whether there are any goals in his mind for the remainder of this year – Harry ends the interview with an awesome tune suggestion.

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Hi, Harry. How are you? How has your week been?

Very good. Just been recording at Abbey Road Studios.

For those new to your music; can you introduce yourself, please?

It’d be a pleasure. I’m Harry: A.K.A. Waiting for Smith. In terms of my own music taste; I listen to pretty much everything. Sometimes, I’ll wake up and stick on a bit of Oscar Peterson or Ray Charles; at lunch, maybe, I’ll play A Tribe Called Quest and spend the evening listening to Steely Dan or Dire Straits. I’m interested in variety and I want to reflect this in my own music.

I’m currently playing live with Carl (Bass), Tim (Drums); Molly & Rosie (Backing Vocals).

Can I ask whether there is a story behind the name, ‘Waiting for Smith’?

The first incarnation of the group was started with an old school friend, Danny, who has another band now called Self Help. We were always struggling to find a drummer. Eventually, we started rehearsing with a guy called Smith who just never seemed to show up.

We’re still waiting…

Monkeys in My Head is the new song. What is the tale behind that one?

At a very young age, I was introduced to the idea that your emotions are separate from yourself: they seemed to arrive like a storm and leave as quickly as they came. We all have a voice in our head if you think about it. It can feel like our own twenty-four-hour radio station of anger, anxiety and fear - all seemingly trying to prevent us, by any means necessary, from fulfilling our potential.

The trick I was taught (was) when negative emotions swept over me (as they do all of us) was to imagine the voice as an actual monkey that lives in my head.

The song is about not letting my monkey get a grip on me, with its endless instructions, or yelling at it to leave me alone (as I once did). Instead, I like to tuck it up in its cosy bed with some cartoons and a Manuka honey sandwich…the little bastard.

The song is taken from your forthcoming E.P. Are there particular stories and incidents that compelled the song?

Yes. I was taking some time out in Cornwall a few summers ago and spending a lot of time in my head. It sort of (just) came out nearly all once at about 10:25 in the morning…and then I had a cup of tea.

Was the E.P. recorded at Challow Park? Is this a space you feel comfortable in?

It was, yeah - with my good friend Will, who has a background in live sound engineering. I’ve stayed at the studio - and practically been living there for the last year.

Harry. I believe you broke your back skiing – and recorded music whilst recovering. Is that how the band met? When did you guys all get together?

Yes. I used to be a ski Instructor in the French Alps until I broke my back avalanche training. It was all pretty extreme, but a part of me felt strangely relieved - it was the right time for a big change and, although the circumstances weren’t ideal; I quickly came to release that this disaster might well be an opportunity in disguise…

What is Oxfordshire like for a musician? Is it a good place for your music to grow and develop?

It’s a perfect place to begin if you’re looking to find a fan base and play a lot of little gigs. It’s produced lots of great bands like Bombay Bicycle Club, Radiohead; Supergrass and The Foals - because there is a network in place for musicians; plenty of bands and they genuinely seem to want to help each other out.

I’ve heard it’s a rubbish place to tour through, though, if you’re not local: it’s, apparently, hard to draw a crowd.

Which artists are you inspired by? Do you take more influence from older or new musicians?

Influences include J.J. Cale, The Kinks; Dire Straits, Nick Drake; Mozart, Billy Joel; A Tribe Called Quest, Leonard Cohen and Thelonious Monk.

More recently: The National, Johnny Flynn and Vulfpeck...

 IN THIS PHOTO: Kaleo

Who are the new artists you recommend we check out?

At the moment, I’d say, for a nice variety of stuff:

Check out Rex Orange County - just because he’s got something very special. Kaleo for new American Rock music from Iceland; the song, Notice Me, by SPINN - if you like The Cure and miss that they’re not around. Try Set Sail (Blank Kids) by Sticky for the sheer energy of youth - you’ll find it on YouTube. Gus Dapperton, if you like a good haircut and your music with a little groove.

Hollow Coves, if you like beautiful clean acoustic harmonies; Tom Misch and Loyle Carner for some laid-back Hip-Hop. Wild Cherry for acoustic duets. JAIN (Makeba) for incredible innovation. Mia Gladstone for a seriously delicious vocal. PaulWetz’s song Moonlight for some sexy Dance music - it kicks in at 00:31. Declan McKenna for young talent with plenty of glitter and, finally, Flyte:  I know the frontman, Will, and they do some wonderful four-part harmonies.

IN THIS PHOTO: JAIN

If you had to choose one album that means the most to you; which would it be and why?

I remember, when I learnt to drive, my first car was really old and only had a tape player. No one used tapes anymore - but my dad had a large box of them in the attic. I randomly picked The Kinks (Greatest Hits) who I knew and J.J. Cale (Really) - who was new to me. I listened to it on-repeat for about a year whilst smoking cigarettes in my little Ford Fiesta with the windows rolled down.

What gigs are forthcoming? Where can we see you play?

We’re waiting to hear back from some festivals and have a quiet next month - because we’re back in the studio but for the moment…

7th March - The Hatter, Oxford

16th March - The George Tavern, London

27th April – 93 Feet East, London

2nd June – 229 Club, London

2nd August – Wilderness Festival

But (just) check the website for more info.

What do you hope to achieve, personally, in 2018?

Record an album of songs, do plenty of gigs; call my grandmother more and learn Dutch.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I used to do a bit of orchestral contracting work (booking players for sessions) and one of the girls I worked with was obsessed with the Lion King. We were doing a massive session at Abbey Road recording film music - a whole orchestra including string section, choir; horns, timpani; you know…the whole lot. Anyway; this girl walked into the middle of the orchestra to collect some forms from the conductor - after being instructed to do so by the boss...

They said: “Stay there, please, we’re doing a take”. So; she stood still and, to her amazement, they started playing Circle of Life – the theme from the movie. You could see her first recognise the tune, then smile and then just weep with uncontrolled joy - but still having to contain herself from making a noise so as to not ruin the take. She surrounded by about one-hundred-and-twenty players and singers - and what she didn’t know was that they were playing it just for her, as a surprise!

It was one of the most moving things I’ve ever witnessed in music.

What advice would you give to new artists coming through?

I’m still learning myself - but here are a few things that have helped me...

Sing in a range where it feels comfortable - and spend the time finding your unique voice.

Pursue the style of music that you feel is right for you - but don’t get too hung up on style.

Listen to your instinct; not what your friends are saying - and don’t talk to strangers.

Most importantly: try not to take everything so seriously.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Rock Steady by Aretha Franklin

It’s such a great groove and the moves are outrageous!

_______

Follow Waiting for Smith

Official:

https://www.waitingforsmith.co.uk/

Facebook:

https://www.facebook.com/waitingforsmith/

Twitter:

https://twitter.com/WaitingForSmith

SoundCloud:

https://soundcloud.com/waiting-for-smith

Instagram:

https://www.instagram.com/waitingforsmith/

Spotify:

https://open.spotify.com/artist/57oieIojgviKMyTtzG4kn2

ALL BLACK-AND-WHITE IMAGES OF WAITING FOR SMITH:

Sequoia Ziff (@oneseq)

COLOUR SHOT:

Gary Stafford Photography (@Garystaffordphoto)

INTERVIEW: Sedge

INTERVIEW:

Sedge

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THERE is something fascinating and unique…

bubbling inside the Sedge camp. I have been speaking with the Canadian band about their latest album, Psychochondriac, and the themes that inspired it. They talk to me about their formation and the artists they were raised on; how their latest album differs from their earliest work; if Canadian music gets the attention it warrants – whether there are any new artists we should check out.

I ask the guys what their tour plans are; if they are coming over to the U.K. this year; when music came into their lives; how the guys chill away from their music careers; if there is a treasured memory from their time in the industry – they all nominate a song to end the interview.

______

Hi, Sedge. How are you? How has your week been?

Rob: Hi. The week's been great. Thanks for asking.

Mitch: Hello. I’m good. The week has been going by quickly...

Brian: Hi. How are you?

James: Good. You?

Dean: What’s up? The week’s been movin’, boy.

For those new to your music; can you introduce yourselves, please?

Rob: We are a five-piece rock group from Toronto, Canada and just released our second album, Psychochondriac. Our style of Rock has been referred to as Garage/Grunge: 1990s-style Rock and Roll.

Your sophomore album, Psychochondriac, is out. What is the story behind that title?

James can answer that…!

James: The title is a combination of ‘hypochondriac’ and ‘psychosomatic’: being so afraid of life you make yourself sick.

Can you reveal what themes and ideas inspired the songwriting?

The themes are just random thoughts, fears and stories meshed together.

How do you think the new album differs from your earliest work? Do you think you are bolder and braver as a band?

Rob: The new album definitely shows the growth of the band as a whole.

The first album had songs that James had written years before while the new album showcases songs written by the band as a whole – and it’s definitely a bolder sound because of it.

James: The new stuff is a bit heavier and a lot more collaborative. It’s a good progression...

Mitch: We have really been exploring options for parts. We would try out various arrangements and not really settle until we were all happy with a song structure. I think you can hear the growth of us as songwriters and a band as a whole.

Did you all come into music at different times? When did the band come together and gel?

Rob: Music has always been a major part of our lives. We’ve been together for a few years now and have gelled since the start.

Mitch: There’s a bit of an age gap between the five members of the band; so we would have all been raised on different music. I’m eight years younger than my brother, James. I was listening to Smash Mouth while my brother was listening to Thrush Hermit. But, as we grew older, our musical tastes started to cross paths. Then, we started playing music together.

Toronto seems a popular area for new musicians! What is it about the city that inspires creativity?

Rob: The city has a great music scene and not only for Rock - it’s probably the fact of so many styles/influences of music the city has to offer.

Mitch: The city is just so diverse that I think artists of any nature can fuse multiple influences together - and some of it is groundbreaking stuff. There are amazing artists of every genre in the city.

Do you think Canadian music gets the respect it deserves? Is it quite hard getting your voice heard above American peers?

Brian: Canadian music is misrepresented by mainstream radio/T.V., in my opinion. I feel like popular music is in a bad spot lately… (“Am I that out of touch?! No, it’s the children who are wrong”).

Dean: I feel there is great music made in Canada: I just don’t think many people get to hear it.

Rob: I don’t think so, as Canadian music is known worldwide. Even if you look to Rap/Pop with Drake and Beiber - if you have good music, it will make it out.

Mitch: I just think that it harder for bands to tour here...

In the States, bands can go from state to state and tour their set and sell their merch. and spread their name around. In Canada, you can drive sixteen hours and still be in the same province. It’s difficult for bands to get over to get Visas to go over the border in order to play shows and sell merch. I think Canadian music itself is super-diverse in the sense that it makes me think of multiple genres all at the same time

IN THIS PHOTO: Output

Are there any new artists you recommend we check out?

We just played our record release-show with two awesome local bands: Honesty from Toronto and Output from St. Catherines.

Can we see you tour soon? What gigs do you have coming up?

Rob: Right now, we have shows lined up around Toronto and the rest of Ontario. It would be great to be able to tour outside of Canada - but nothing planned yet.

Mitch: Yeah. We’ve got a couple gigs lined up this spring around Ontario. Hopefully; we’ll get something going in the summer, as well, around Quebec. 

Do you think you’ll come to the U.K. this year?

Rob:  We’d love to make it to the U.K. Can we stay at your place if we do?

Mitch: I would love to convince all of our wives/girlfriends to vacation there and, somehow, we sneak in a couple of gigs during the trip. Sadly, I don’t see us visiting this year. Hopefully, we just keep doing our thing and word spreads - and we can gain some new contacts and go out by 2020.

Goals.

What does each of you hope to achieve, personally, in 2018?

Rob:  To keep on playing shows and having fun; getting our name out there more and promoting the new album as much as possible.

Mitch: To keep playing shows and spreading the word. I’d love to get back into the studio soon also.

Dean: Tour the world - 2020 goals.

James: Get into the studio again...

Brian: Play as many shows as possible.

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Have you all got a favourite memory from your time in music – the one that sticks in the mind?

Rob: Our record release-show in Toronto a few weeks ago was really fun. The crowd was great and wouldn’t accept the fact we had to stop playing! They continued on until we played an encore - and almost got us to do a second one…

James: We drink beer and quote The Simpsons.

Brian: Abbey Lane and the jam space.

Mitch: I love getting together and writing songs. It’s super-fun and I look forward to it every week. We are all so accepting to trying each other’s ideas. It’s always a fun time.

Dean: The time we spent together jammed with our gear in an S.U.V. while on a mini-tour of Montreal and Ottawa was a time I relished in every way. It was one of the best times of my life.

What advice would you give to new artists coming through?

Rob: Don’t rely on anyone but your bandmates: sometimes it seems hard to get your voice out there but keep the D.I.Y. attitude going and never stop.

Mitch: GRIND IT OUT. Put in all the work with getting shows and making contacts and messaging blogs; same regards other artists and networking - and social media and all that. It’s weird to think that all of that goes with being in a band (especially when you just wanna write and play music) - but being in a band comes along with all these other responsibilities in today's day and age.

Do you get much time to chill away from music? How do you unwind as a band?

Rob: Unwinding as a band usually ends up in our jam spot working on new music!

Mitch: I like to watch cop movies and taking long walks on the breach.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Rob: The Kinks - Dedicated Follower of Fashion

James: Courtney Barnett - History Eraser

Brian: The Fall - Frightened

Dean Crone: It’s cold outside, so I always have an amount of Reggae and Brenda Fassie to create an Illusion of warm. Brenda Fassie - Weekend Special

Mitch Heron: This is from the solo project of the Garage-Rock band Harlem’s guitar player, Michael Coomer...Lace Curtains - Police Brutality

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