INTERVIEW: Hollow Coves

INTERVIEW:

PHOTO CREDIT: Sean Jones 

Hollow Coves

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THE rare force of…

Hollow Coves is one you do not want to be without. The Australian duo have amassed a passionate fanbase and no surprise as songs like Ran Away and The Woods have struck a chord and are fantastic pieces of work - they explain the story of the former; I ask about the video for the later.

Ryan and Matt talk about forming Hollow Coves and picking up success; when they are hitting the road; the advice they would offer new songwriters emerging – I learn when music came into their lives and what they hope to accomplish to before the end of the year.

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Hi, guys. How are you? How has your week been?

Hey! We are very well, thanks. Our week has been good. Just finished up a tour opening for Tom Walker at ten shows throughout Europe. Now, we are in England making our way up to Leeds before the Live at Leeds festival this weekend. 

For those new to your music; can you introduce yourselves, please?

We’re an Indie-Folk duo from the East Coast of Australia. We write chilled Acoustic songs.

What can you reveal about your new song, Ran Away? What is the story behind it?

I think the story behind Ran Away is a story that is familiar to a lot of people: it was written about a lost friendship/relationship. What was once a close friendship slowly drifted apart and, over time, this person started heading in a different direction in life and started making bad decisions - and in the process became almost unrecognisable. It was something we had both experienced with different people in our lives. 

You have released the video for The Woods. Can you tell me about how it came together and what it was like creating it?

Matt had a mutual friend from the Sunshine Coast who was a producer and, after showing him the song, he came back with this really cool idea for the video and we loved it. The concept told the story of six characters that are all living different lifestyles; all doing different things to try to feel fulfilled.

As the story progresses; you see that each character is not fulfilled and it builds up to them eventually running and leaving it all behind. Then, in the end, they all meet around a fire where they feel the joy of community with others.

He had an amazing team of guys that he put together for the video. He also intertwined some shots of us singing and playing and used some really cool visual effects to overlay images of the locations of each of the characters. 

The E.P., Wanderlust, has proved very popular. Have you been surprised by the success it has accrued?

Yeah. We can’t believe how much support the E.P. has received. We definitely weren’t expecting it...

Will there be more material coming later this year?

We’re going to be in the studio in the next couple of months working on new material so, if all goes well, we should hopefully have some new material to put out (*fingers crossed*).

Ryan and Matt. How did you meet one another? When did Hollow Coves come to be?

We met each other in 2013 and, I guess, that’s when Hollow Coves began. Although, it wasn’t really anything then: it was just the two of us writing some songs out of the love of music. We met through a mutual friend. We had both been doing music stuff separately and then, one day, we decided to meet up and have a jam...and it just kinda worked.

PHOTO CREDIT: Jordy Merry

Did you both grow up in musical households? Can you remember the first album you each bought?

Matt:  Everyone in my family played an instrument while I was growing up - actually, they all still do. The first album I bought was a punk band called MXPX. 

Ryan: No one in my household played an instrument when I was growing up but there was always a piano in the house and my parents are music lovers, so there’s was always music in the house. I have a terrible memory so I can't remember the first album I bought. I think it might have been Blur or something weird like that. 

Do you have any gigs lined up? Where are you heading?

We are heading down to London and we’re playing at Omeara on May 15th. Then, heading down to Brighton for The Great Escape festival on May 17th; then, we have some studio time after that. Then, playing Bushstock in London on June 23rd; then, a bit more studio time before heading back to Australia in August for a headline tour. 

What do you hope to achieve in 2018?

World peace...we're going to be working on a lot of new music as well. 

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Ryan: The one that came to mind first was actually quite a recent memory from our show in Montreal. We were heading toward the end of our North American tour and Matt and I were both kinda tired. We were backstage before the show and we were both feeling pretty flat. Then, as soon as we went out, the crowd just gave off so much energy. Everyone was singing along and going wild for every song.

The room was absolutely jam-packed and it was just such a beautiful night. Definitely, a memory that I will cherish for a while.

Matt: Travelling through Norway and working in a studio on the coast outside of Bergen. 

PHOTO CREDIT: Sean Jones

If you could support any musician alive today, and choose your own rider, what would that entail?

Maybe Mumford & Sons. I saw them live a few years ago and the energy in the crowd was amazing. For the rider; we don't need a lot. Just a good healthy meal and some water would do us just fine. Oh, and Matt wants a sausage dog to play with backstage. Haha. 

What advice would you give to new artists coming through?

Don't settle for anything you're not happy with. Have fun with it. Love music. Try to keep pushing when you think you've hit a wall. Be a nice person. 

IN THIS PHOTO: Austin Basham

Are there any new artists you recommend we check out?

Austin Basham, Riley Pearce and Alexander Biggs. 

IN THIS PHOTO: Alexander Biggs/PHOTO CREDIT: Ash Koek

Do you get much time to chill away from music? How do you unwind?

Lately, it’s been pretty full-on. On the road, we have been playing a fair bit of Monopoly Deal. That’s always a good time. Back home, when we have time off, Matt is usually out surfing and I used to skateboard a lot but, these days, I just catch up with friends and go explore somewhere beautiful and take photos. 

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Ryan: Austin Basham - All Is Well 

Matt: Oh Wonder – Ultralife

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Follow Hollow Coves

Facebook:

https://www.facebook.com/HollowCoves/

Twitter:

https://twitter.com/HollowCoves

Instagram:

https://www.instagram.com/hollowcoves/

Spotify:

https://open.spotify.com/artist/7IAFAOtc9kTYNTizhLSWM6

YouTube:

https://www.youtube.com/channel/UCXXtcdTIu-usD7rrq1w0TAw

SoundCloud:

https://soundcloud.com/hollow-coves

INTERVIEW: Parker Matthews

INTERVIEW:

Parker Matthews

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FROM Italy…

it is over to L.A. for a chat with Parker Matthews. The Pop artist tells me about his new single, Hit and Run, and how he manages to balance a contemporary, accessible sound with something unique – he talks about his experiences of being bullied and why it has made him more determined.

Matthews discusses albums and artists who are important to him; whether there are any gigs locked down; whether he gets time to chill away from music – and, more importantly, whether new material is coming down the road.

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Hi, Parker. How are you? How has your week been?

Hey. I'm doing great. How are you? My week has been super-busy, but good!

For those new to your music; can you introduce yourself, please?

What’s up, guys? I'm Parker Matthews.

Hit and Run is your new song. Can you explain how the song came together – what started the ball rolling?

Hit and Run came from the idea of me wanting to give someone more than a one-night stand. 

It is a contemporary Pop song but not polished, needlessly, for the mainstream. Did you work hard to ensure it had some commercial appeal but kept its edge and unique flavour?

Yes. I wanted to song to have some edge to it while still being able to be looked at from a commercial eye. 

What comes next in terms of material? Will we see an E.P. later this year?

So; I am going to be releasing a lot of material this year and am going with standalone singles, because I want them each to stand on their own.

Talk to me about your experiences with bullying. Did you face a lot of torment growing up at all? Did that compel you to align with anti-bullying and suicide-prevention charities?

I did. Growing up was a terrible time for me and going to school was something I dreaded each and every day. However, learning that it truly does get better has influenced me to grow and align with several suicide prevention groups. 

Obviously; supporting the L.G.B.T.Q. community is a big thing for you. Do you think a lot of artists in the community are overlooked because of their sexuality?

I think the idea of artists being overlooked because of their sexuality is becoming less and less as we, as a country, progress.

Which musicians did you grow up around? When did music come into your life?

I grew up being inspired by so many artists, especially my hometown girl, Christina Aguilera. Music is something that has touched me ever since I can remember. It truly saved my life.  

Is Los Angeles a great place to make music? How important are the people in terms of your music and ambitions?

L.A. is a great place for music. Really, it's between L.A. and N.Y.C. but, for me, the weather out here had me sold! Also; it's great to go to the beach and write, and also, the people I've added to my team out here have really made the process amazing.

Do you have any gigs lined up? Where are you heading?

I am set to perform at a few Pride’s this summer. More info to come soon!

What do you hope to achieve in 2018?

I want to engage with as many fans as possible; really grow as an artist over this year and tell the world my story. 

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I think my favorite memory is a writing session I had and during that night. I was sitting in the same chair as (Lady) Gaga when she uses that studio. That was truly an inspiring moment!

If you could select the albums that mean the most to you; which would they be and why?

For sure, Stripped by Christina Aguilera

Because every single song on that album has such an incredible message behind it.

Really; any of Sia's albums, because she takes most other songs other artists turned down and makes a masterpiece out of them!

What advice would you give to new artists coming through?

I'd say to keep your eye on the prize and really focus on your vision and who you are as an artist.  

 IN THIS PHOTO: Camila Cabello

Are there any new artists you recommend we check out?

Camila Cabello. Her music is great!

Do you get much time to chill away from music? How do you unwind?

I don't have much downtime but, when I do, I am always with friends or having a movie night at home.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Beautiful by Christina Aguilera

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Follow Parker Matthews

Official:

https://www.officialparkermatthews.com/

Facebook:

https://www.facebook.com/OfficialParkerMatthews

Twitter:

https://twitter.com/_ParkerMatthews

Instagram:

https://www.instagram.com/officialparkermatthews/

Spotify:

https://open.spotify.com/artist/0ooRSJF7rQhoaLpHq0VBtb

YouTube:

https://www.youtube.com/channel/UC_LNvn4Vmhnt3n7mK-Esqtw

INTERVIEW: Forbidden Seasons

INTERVIEW:

Forbidden Seasons

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JUST after mentioning a lack of Australian content…

on my site, I am faced with an Italian band! It seems like this is a day for exploring and investigating artists from parts of the planet some of us take for granted. The guys of Forbidden Seasons have been telling me about their latest track, Wormhole, and its evocative video.

I ask what it has been like receiving praise for this debut album, Promise, and what they have planned for the rest of the year; they select a new artist to check out; whether they get much time to detach away from music – they each choose an album that means a lot to them.

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Hi, guys. How are you? How has your week been?

Hi, to you! Everything’s fine, thanks. We had a normal week: practising and working like always.

For those new to your music; can you introduce yourselves, please?

We are Forbidden Seasons; a Metalcore band born in 2016 in Turin. Our music is both melodic and aggressive; a great mix for everyone approaching Metalcore for the first time. We just released our debut full-length album, entitled Promise, so make sure to check it out!

Tell me about Wormhole and the story behind the song.

Wormhole is our last single off the new album, Promise. The song is a halfway between Metalcore and Pop culture. Keys and synths are the main protagonists, developed on a main melancholic and dramatic violin track. The chorus was written first, very open and epic: “I've got your demon inside" means a lot of things in different ways and, for this reason, the song is developed between F minor and A# major, to describe the anger and the hope.

We wanted to create a Pop sound and, at the same time, powerful and strong parts; to catch all those people facing Metalcore/Post-Hardcore for the first time

 

The video is explosive and raw! What was it like filming it? Was it a fun shoot?!

We really enjoyed filming the video; the entity was played by one of the two directors of the video - and it was really funny shooting those scenes! We also loved the playback scenes. The location was on the top floor of a huge villa, without an elevator, so it was very hard to bring all the backline and instruments up and down the stairs. Anyway; it’s been a really cool experience!

Wormhole is taken from your debut L.P., Promise. It has gained good reviews already! Has it been encouraging seeing people react so positively?

Of course, yes. All of the work we’ve been doing is for our fans and people who don’t know us yet; so, when we see positive reactions, we couldn’t be happier. It means that the song is working!

Are you already looking ahead to another album – or concentrating on touring your debut album?

Both. We never stop composing new music, but now we’re focusing on creating a perfect live show, to tour and promote the new album. 

You are a Turin band. What is the music scene like there? How did Forbidden Seasons get together?

The scene is not so good…at least not for Metal music. There are many good Rock/Metal bands in Italy but the music industry focuses on Pop and Rap artists, so it’s hard to emerge.

We are five guys from the same town, with the common dream of being musicians, so, we decided to create this band…

What sort of music did you all grow up on? Which musicians stick in the mind? 

We all grew up with different kinds of music; so each of us put his influences in our songs. 

The most inspiring musicians for us are Jason Richardson, Luke Holland; John from the band Northlane (we bought his sound-pack for our Kempers), Lucas Mann from Rings of Saturn and Corey Taylor from Slipknot.

If you each had to select the one album that means the most to you; which would they be and why? 

Fede: Sempiternal by Bring Me the Horizon

Danny: Ultu Ulla by Rings of Saturn

Paul: All Our Gods Have Abandoned Us by Architects

Symon: Mesmer by Nothlane 

Mark: Sleepless by Adept

Do you have any gigs lined up? Where are you heading?

We have to focus on few other things right now, but we’re always working on tours planning. So, as soon as we have any news we’ll let you know.

What do you hope to achieve in 2018?

For 2018, we want to travel as much as we can to share Promise with people and, of course, we’ll start to think about new songs for the future.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Each of us has had their own way/route into the music world: many memories are good, others are bad. I think I speak for everyone when I say that the best memory was our first gig plus; a meet-and-greet as Forbidden Seasons in Moscow (2017). We will never forget that moment - and we can’t wait to be back!

What advice would you give to new artists coming through?

To every new artist out there, we want to give you this advice: follow your dreams and never give up because life is only one and you have to live it, filling it with your passion. Also; never stop practising and improving skills with your instrument!

IN THIS PHOTO: Cry Excess

Are there any new artists you recommend we check out?

Follow Cry Excess. We’re close friends here in Turin and they’re a great band with a huge attitude in the music business!

Do you get much time to chill away from music? How do you unwind?

We love to spend as much time as we can in the studio - and in our practice room - to train our skills; we love playing and we relax doing it. For sure. We have free time and we spend it with our friends or parents... 

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Here are our favourite songs:

Paul: Gravedigger – Architects

Symon: Drown – Bring Me the Horizon

Fede: Dispossession - Northlane

Danny: Senseless Massacre - Rings of Saturn

Mark: The Sinner - Memphis May Fire

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Follow Forbidden Seasons

 Facebook:

https://www.facebook.com/forbiddenseasons

Twitter:

https://twitter.com/forbiddenssns

Instagram:

https://www.instagram.com/forbiddenseasonsofficial/

Spotify:

https://open.spotify.com/artist/4DEqzD90ksjSAR74KfrMgQ

YouTube:

https://www.youtube.com/c/ForbiddenSeasonsOfficial

INTERVIEW: Harrison Storm

INTERVIEW:

Harrison Storm

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THERE is a part of the world that deserves…

greater exposure on my blog: I am spotlighting far fewer Australian artists than I’d like! Luckily, Harrison Storm is here to quench that thirst! He discusses his upcoming single, Feeling You, and what it is about; what themes influenced his E.P., Change It All (released last year) – I ask about his childhood and how early musical experiences impacted his career and ambitions.

He talks about dropping out of university to pursue his dreams; what tour dates he has coming up; the three albums that mean the most to him; whether he has a favourite memory from music – Storm reveals what his plans for the remainder of the year are.

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Hi, Harrison. How are you? How has your week been?

Hello! I’m great, thanks (smiles). The week has been really cool. I’m in the U.S. for a bunch of songwriting sessions, so it’s a busy but a super-creative time.   

For those new to your music; can you introduce yourself, please?

I’m a singer-songwriter from the Mornington Peninsula, Australia (Which is about an hour south of Melbourne) and I play Indie-Folk.

Feeling You, your upcoming single, is out on 25th May. What is the story behind the song?

It’s a song about being captivated by someone for the first time...

Your E.P., Change It All, was released late last year. Were there particular events and inspiration points that compelled the music? How personal are the tracks on the E.P.?

All the tracks on the E.P. (each) have their own stories and meanings to me. The thing I love about songwriting is that you capture a moment in time in sound form and, for me, the emotions that I decide to capture are always so varied.

The title-track, Change It All, was written when I was quite down about a lot of things…and is a song about facing those darker thoughts with a different perspective.

Is it true, when you were twenty, you organised an acoustic night near your home in Victoria (Australia)? What was the reason behind that?

It is true! Some of my favourite memories of music are from those nights. I got a call out of the blue from a friend of a friend who found out I played music and wanted me to book the live music for a new night they were starting. 

At first, I was reluctant, in part, because I didn’t know any other musicians and I’d only played music for my friends and myself. But, I took the plunge and it turned out to be a really popular night, with people lining up for hours to get in at its peak. I was booking local artists and we built a cool musical community where we’d share our original songs. It’s still going, five years later, although, at a different venue and with a different booker. But, it’s still a great place for new artists to play for the first time!

You left to university to follow music; you started busking to develop your craft. Did you expect to go from where you were then to the man who put together a debut E.P. in 2015? Was it a rather nervous leap?!

Leaving university was a tough time for me. I really liked studying Engineering; although my passion for music was stronger. So, leaving was something I won’t regret. Everything that led up to putting together the E.P. was quite surprising. Everyone that is a part of it appeared in my life from putting myself out there. It all fell together in such a weird and special way.

It seems your childhood was quite idyllic – living near the beach and learning to play an Ibanez guitar. What are your memories of that time? Which musicians did you aspire to be like and follow at a young age?

My family’s property, growing up, had a creek running through the back of it, which led to the beach. So, my friends and I would always be exploring the creek, building little forts and spending time at the beach. It was awesome. Yeah, my mum had a beautiful acoustic Ibanez guitar lying around. She taught me Blackbird by The Beatles and we’d always listen to Neil Young, Fleetwood Mac and The Beatles.

I guess I just wanted to be like those artists at a young age: strumming the acoustic guitar and singing.

What is the music scene like where you are in Australia? Do you find there are a lot of varied and interesting sounds bubbling around?

There are a few bands on the Mornington Peninsula who are making some cool music, which is all pretty varied. But, if you drive an hour north to Melbourne, that’s where all sorts of stuff is going on. As much as I love Melbourne, I like the peace and quiet of the Mornington Peninsula...especially for writing.

Do you have any gigs lined up? Where are you heading?

I have a bunch! I’m playing some showcases in North America this May and then I head to the U.K. and Europe for some touring with New Zealand artist Louis Baker at the end of May and into June. Check out my website for dates.

What do you hope to achieve in 2018?

I’ve been writing a lot lately, so I’m feeling quite creative. I really can’t wait to share some of these new songs and visit places I’ve never been before, playing some shows!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

It was probably my first ever headline show in 2015. We booked this really cosy room in Melbourne and didn’t really expect many people to come...

Anyway; my guitarist Justin Lewis and myself busked three-four times per week leading up to the gig as promotion and we ended up filling the entire room on the night. Think it was just shy of three-hundred people…and they were singing the words. I won’t ever forget that.

If you could select the three albums that mean the most to you; which would they be and why?

Neil Young – Harvest

A lot of memories are tied to this album - from my parents playing it when I was growing up. A true favourite.

Ben Howard - I Forget Where We Were

This album lived in my car’s C.D. player and I think its the album I’ve listened to the most. It never gets old for me.

Jeff Buckley – Grace

One of the greats - and this album is pure gold to my ears.

What advice would you give to new artists coming through?

I think busking is such a great way to get your music out there in a really organic way. So, get onto the streets!

IN THIS PHOTO: Hollow Coves

Are there any new artists you recommend we check out?

I am a big fan of Hollow Coves. Beautiful, beautiful music.

Do you get much time to chill away from music? How do you unwind?

Yeah. I guess, if music gets too much to me, I’ll go for a surf; a walk or something. But, usually, my decompressor is reading a book before bed. Something really boring like that. Haha.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Jack the Fox – Brother

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Follow Storm Harrison

 Official:

http://www.harrisonstorm.com/

Facebook:

https://www.facebook.com/harrisonstormmusic/

Twitter:

https://twitter.com/HarrisonStorm

Instagram:

https://www.instagram.com/harrisonstormmusic/

SoundCloud:

https://soundcloud.com/harrisonstorm

Spotify:

https://open.spotify.com/artist/5Ld19xtpAR80G2boTcHaVx

YouTube:

https://www.youtube.com/channel/UCCD0NCGYWt6k1Dm2kmnRhtA

INTERVIEW: Young Braves

INTERVIEW:

Young Braves

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THE boys of Young Braves have been gabbing…

about their newest release, Hunters, and what the song is all about. I discover how Young Braves formed and how their music/ranks have evolved/shifted; what sort of sounds they all listen to and take guidance from – they tell me what sort of dates are booked in the diary.

I ask what it was like (almost) supporting Fleetwood Mac; whether there is a healthy music scene where they are in Shropshire; which new acts we need to get our chops around; what they all want to accomplish before the end of this year is done – the chaps select a cool song to end the interview with.

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Hi, guys. How are you? How has your week been?

Elliot: Hey, Sam. We’re doing good, thanks. Our week has been quite pleasant: a mixture of working our jobs in between rehearsing and writing new music. We just found out that Hunters is Record of the Week on our local BBC Introducing show, which we’re all dead proud of, and the music video came out on Friday, so that was pretty exciting as well.

For those new to your music; can you introduce yourselves, please?

Ollie: We’re Young Braves (Ollie, Jacob; Elliot and Max); an Alternative-Rock band from Shropshire, England. We’ve been playing music together for around ten years now; starting when we were between the ages of ten and twelve-years-old - and we’ve been writing music for as long as we can remember.

We’ve recently been through a bit of a rebuilding phase, with a lot going on behind the scenes, which includes the addition of our new friend and drummer, Max; so we’re treating this year as a kind of ‘fresh start’ and can’t wait to get back out there.

Hunters is your new song. Can you reveal how it came together and what its inspiration is?

We’ve actually been sitting on Hunters for quite a while, but we all agreed that it’d be a great first track to bring us back out onto our feet again. It was one of those tracks that kind of wrote itself, really. You start with an idea and the next bit just naturally follows...

Jacob: Yeah. Musically, it all came together pretty quickly, to be honest. I was already working on another song, that was going to have three distinct sections rather than a standard structure at the time, and Hunters just started off as the first section of that track. Once I got to what is now the chorus of Hunters, I knew it had to become its own thing.

So; I carried on working on the demo through the night and pretty much had it finished within four hours.

Ollie: It was the same with vocals, too. When Jacob played it to me, that chorus melody was the first thing I sang and I remember saying: “Wait; that’s it, I gotta record that in my phone!”. In terms of the lyrics, the song isn’t based on personal events but a story about being with a girl who won’t let her guard down. She tries to mask her insecurities by saying hurtful things: “It’s so subtle when you say you hate me”/“I feel so lucky when you say I’m useless” and she tries to push you away by being so closed (off) and untrusting: “Admission is tribal, you try to set me up and again you’re tearful/It’s an evil”.

But; it’s also a love story, you know. You care about this girl and you can see she’s hurting and you just wanna be there, and for her to trust you and let you in so that you can help her and make her happy. 

How does a Young Braves song come to be? Do you all write together – or will someone take lead?

Jacob: It varies from song to song, really. It’s a pretty collaborative process. Sometimes, one of us will come in with a completed song and then we’ll all give suggestions if we think anything can be improved. Other times, somebody will come up with an idea and the rest of us will take it, put our ideas in and build it up that way…

Ollie: …and sometimes we’ll just jam something random and end up with some really cool ideas. There is a lot of unused stuff that we always go back to as well. We’re constantly writing new material; so we like to revisit any ideas that we couldn’t quite finish the first time around with fresh ears and, sometimes, that can lead to some great stuff.

You formed in the summer of 2013. Did you all know one another before then? When did you know you had to make music together?

Elliot and I are brothers, so we’ve always known each other, but we met Jacob at an open mic night when we were nine and eleven-years-old, where he used to play a few songs with his friend, and Elliot and I played together. We started out kind of like rivals and it became a sort of competition where we would try to outdo each other. Eventually, Jacob caved and asked us to join a band with him and, funnily enough, we became best friends rather quickly.

Max is the newest member of the band and we met him through a mutual friend. This was only a few months ago - but he’s already part of the family.

Shropshire is where you are from. Is there a substantial music scene there? What kind of sounds are coming from the area?

Max: There was a period, about five-or-so years ago, when there were loads of bands doing bits in the area, but there’s not much going on in Shropshire anymore. There are not even many decent venues here now, so we mostly travel to Birmingham and treat that as our local area, really, because there are so many great venues and bands there. 

What sort of music do you all like listening to? Do you have quite similar tastes?

Ollie: There’s a lot of common ground when it comes to what we listen to. Artists we all like include Pixies, Nirvana; The Maccabees, Kings of Leon; Jeff Buckley, The Smiths…the list is endless. Haha. Jacob listens to a lot of Radiohead, Wild Beasts; Broken Social Scene, Car Seat Headrest, and I also listen to stuff like Kendrick Lamar, John Mayer; Mac DeMarco, Bombay Bicycle Club etc.

Max is mainly into much heavier music, but we’re gradually beating that out of him and giving him playlists of Alternative/Indie bands and songs to listen to that he’d like. Haha.

Do you have any gigs lined up? Where are you heading?

Max: Yeah. We’re trying to get as many gigs lined up as possible at the moment. We’re heading down to London on Wednesday to support Suffer Like G Did with Death and the Penguin in Kingston, and then we’re back closer to home on Saturday supporting Red Rum Club at Albert’s Shed in Shrewsbury.

Elliot: …and we’ve also got a headline show at The Actress and Bishop in Birmingham on Friday, 8th June which we are dead-excited about as well.

What do you hope to achieve in 2018?

Ollie: We had a real tough time last year and we went through some pretty unfortunate stuff, which resulted in last year being our quietest year to date. We’ve spent a lot of time rebuilding the band over the last few months, writing loads of new material - which we feel are some of the best songs we’ve ever written.

We also have a team of really amazing people working with us now and we’re looking to keep building momentum; releasing content throughout 2018 in preparation to make 2019 our biggest and most exciting year as a band…

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Elliot: I think our favourite memory has got to be when we supported The Amazons at their sell-out show in Birmingham last year. We played at Mama Roux’s, which was a great venue, and the crowd was sick. We spoke to the guys from The Amazons after the show and they were so down to earth and really supportive of us as well.

Hopefully, we’ll get to play with them again sometime in the future.

Is it true you were asked to play a Black Keys show – Fleetwood Mac were also due to appear! Even though the gigs, at Birmingham’s 02 Arena, were cancelled; what was it like being asked after only one single?!

Jacob: Yeah. They were two different shows but we were asked to play on the Forum stage at both the Black Keys and Fleetwood Mac shows at the LG/Genting Arena in Birmingham. The Black Keys cancelled quite a while before the show due to the drummer getting injured, but the Fleetwood Mac show was cancelled just after we’d sound-checked, minutes before the doors opened, which was absolutely gutting as they’re one of our favourite bands!

We were so happy that we were asked, though, and it would have been an unbelievable experience…especially when we were so young as well.

If you could support any musician alive today, and choose your own rider, what would that entail?

There are a few artists that I’d really love to have a chance to support, but I think Radiohead would probably be at the top of that list.

As for my rider; it would be pretty simple, as well: just a few bottles of IPA, a pack of smokes and a decent meal to keep me going.

What advice would you give to new artists coming through?

Max: Rehearse as much as possible and take every opportunity that comes your way.

Jacob: I’d say, make sure that you are all committed to the same goal: you don't want to have one of you pulling all of the weight while the others just show up or just treat it as a hobby, especially if your goal is to make something out of being a musician. It’s a hard thing to achieve; there are lots of ups and downs but, as long as you all have the same passion for it, then there is no reason why you can't make it work.

IN THIS PHOTO: The Golden Age of TV/PHOTO CREDIT: Andrew Benge

Are there any new artists you recommend we check out?

Elliot: There’s a band we know called The Golden Age of TV who are really great and doing really well at the moment. A friend of mine is in a band called Party Hardly and they’re really cool.

There’s Middle Kids; an Australian band who are wicked, and a couple of local bands called Only Shadows and Candid who are also really cool. You should definitely check all of those guys out!

IN THIS PHOTO: Middle Kids

Do you get much time to chill away from music? How do you unwind?

Ollie: We do spend a lot of time working on our music, but we all have things that we enjoy doing in the spare time we do get. Me and Elliot have recently got massively into basketball, so we’ll go and play at our local court or watch NBA games. It’s always nice to have a lazy day, just chilling with our girlfriends as well; binging on Netflix series/films and going on walks etc. All that good stuff. Haha. 

Jacob: Yeah. I like to watch a lot of films, too, and go for long drives to clear my mind.

Finally, and for being good sports; you can choose a song and I’ll play it here (not any of your music - I will do that).

The Golden Age of TV – Beast

____________

Follow Young Braves

Official:

http://www.youngbraves.co.uk/

Facebook:

https://www.facebook.com/YoungBravesUK/

Twitter:

https://twitter.com/YoungBravesUK

Instagram:

https://www.instagram.com/youngbraves/

SoundCloud:

https://soundcloud.com/young-braves

Spotify:

https://open.spotify.com/artist/4c8w2xBAw6zPIwct9wdFkQ

YouTube:

https://www.youtube.com/user/youngbravesuk

INTERVIEW: Louise Golbey

INTERVIEW:

Louise Golbey

___________

SPEAKING to Louise Golbey…

and one gets that instant sense of place and passion. The talented songwriter tells me about her latest single, Still, and what the story behind it is. I ask her when music came into her life and what it has been like performing with some of music’s biggest names – she reveals a few albums that have impacted her particularly hard.

Golbey reveals what the positive reaction to her E.P., Love It or Leave It, felt like and what her plans are going forward; where we can catch her perform; what she would tell new artists breaking through; how important the stage is to her – Golbey reveals her favourite memory from her time in music.

___________

Hi, Louise. How are you? How has your week been? 

Not bad, thanks. Had a good, but it's been busy week promoting my new single.

For those new to your music; can you introduce yourself, please? 

I'm an independent artist based in London. My sound is Neo-Soul/Soulful Pop.

Still is your new single. Can you tell me what the background to the song is? 

It's a song about unrequited love - but with a hopeful message! 

What was it like working with producer Ross O’Reilly on the single? 

It was great. We are good friends, so it was really nice to finally work with him. He is a very talented songwriter/producer.

Love It or Leave It, your E.P., gained a lot of great reviews. Were you humbled by the reception and love is acquired? 

I was very humbled. It is so nice when you work hard on something and then put it out to the world; hope for the best and it goes well!  

When did music enter your life? Which artists did you admire growing up? 

I have always been surrounded by music as I grew up in a very musical household. My brother got me into Hip-Hop and R&B when I was little, so I grew up listening to a lot of classic R&B and Soul. I loved De La Soul, Salt-N-Pepa, Erykah Badu; Jill Scott and D'Angelo. 

I used to listen to my mum's old Motown records. In fact; that is one of my earliest memories. 

You have performed with some big stars and are one of the most in-demanded openers on the live circuit. Do you think your natural stage presence and experience is the reason so many venues and artists gravitate towards you? 

Thank you! I think my reputation on the live music scene has definitely helped me get the support slots. I'm so honoured to have worked with the artists I have and to have opened for such big names. 

Do you have any gigs lined up? Where are you heading? 

My next big gig is in Hamburg in May, then a couple of small London festivals and a big gig at the 606 Club in July with my full band.

Just how important is it getting on stage and putting your music out there? Can you describe the feeling you get being up there? 

It is extremely important. Gigging is great to build your stagecraft and performance skills, work out what songs work well live and what audiences want. Social media plays a huge role, especially as an independent artist, so you have to use all the tools you can to get your music out there.

The feeling I get on stage is why I do this. I love performing and the buzz I get when I’m on stage, and it feels like every single member of the audience is with me, is the best feeling ever.

What do you hope to achieve in 2018?

I hope that the new single helps push my music to a new audience and I hope to continue pushing forward with bigger and better gigs and working on new music. I have an E.P. coming soon, too, and a soulful House track with a house producer which should be out in the summer. 

Have you got a favourite memory from your time in music – the one that sticks in the mind? 

My favourite memory is opening for George Benson at Kenwood House. It was the biggest crowd I have ever played to. Oh…and supporting En Vogue a couple of years ago at Indigo2 was pretty special!   

If you could select the three albums that mean the most to you; which would they be and why? 

Beyoncé - B’Day

I love Beyoncé, but this first album she did is, definitely, the best one musically and holds loads of memories for me,

The Miseducation of Lauryn Hill – Lauryn Hill

Amazing album. Oddly enough; I have been told my voice sounds a bit like Lauryn Hill!  

D'Angelo - Brown Sugar

The grooves and harmonies are just incredible and it was, probably, my introduction into a Neo-Soul style that I ended up adopting in my own music. The musicianship on this album is incredible, too.

What advice would you give to new artists coming through? 

Keep on keeping on.

It's tough out there but, if you love music and believe in what you're doing, just keep working hard. Do as many gigs as you can, hone your stagecraft; write with different people, go to gigs and support other artists on the same scene as you. Learn from each other. 

IN THIS PHOTO: IAMDDB

Are there any new artists you recommend we check out? 

I went to an amazing AMP night at The Jazz Cafe quite recently. IAMDDB was supposed to be headlining but she didn't do it in the end. The other acts were great - Ms Banks, especially, and she is doing really well at the moment. I think she is touring with Nicki Minaj soon! 

Otherwise, on the live music scene in London, I’m always blown away by the artists I get to share the stage with on unsigned nights...too many to mention! 

IN THIS PHOTO: Ms Banks

Do you get much time to chill away from music? How do you unwind? 

I’m pretty busy, so rarely find time to chill and, being an independent artist, there is always something I could/should be doing music-wise in my downtime! But, when I do get a chance to unwind, I like relaxing at home. Weirdly, I find writing songs relaxing. If I have time on my own at home, sometimes, that's when inspiration comes!

Also; I love socialising with friends and exercising. I go to the gym a lot and recently started swimming as well - which is quite relaxing! 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that). 

Please play Getting’ in the Way by Jill Scott

Thank you! 

____________

Follow Louise Golbey

 Official:

http://louisegolbey.com/

Facebook:

https://www.facebook.com/LouiseGolbey/

Twitter:

https://twitter.com/louisegolbey

Instagram:

https://www.instagram.com/louisegolbey/

SoundCloud:

https://soundcloud.com/louisegolbey

Spotify:

https://open.spotify.com/artist/4xy1xjef0tnBthzKjDZzTh

YouTube:

https://www.youtube.com/louisegolbeychannel

INTERVIEW: Koto Kill

INTERVIEW:

 Koto Kill

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I am kicking off this week…

by speaking with the intriguing and arresting Gabriel Ralls of Koto Kill. He has been talking about the new single, Riot at 45, and how it differs to the debut track, Vagabonds. I was keen to understand how Ralls' role as an audio technician and video producer affects and directs his songwriting; how the project of Koto Kill came together; whether there is any more material coming up this year – he recommends some new artists worth getting our ears around.

He talks about talks about gig possibilities and what he would say to new artists emerging; the three albums that mean most to him; what the scene is like down in Somerset (where he is from) – Ralls ends the interview by selecting one of my standout tracks from 2018 (so far).

___________

Hi, Gabriel. How are you? How has your week been?

Aside from badly dressing for this week’s schizophrenic weather, I’m doing great, thanks!

For those new to your music; can you introduce yourself, please?

I’m a producer based in London that likes to make Electro-Rock with an industrial edge: a genre I now call ‘Dystopian Disco’.

Can you talk to me about ‘Koto Kill’ and how the project came together?

Koto Kill was originally planned as a side-project to (former band) Plastique. The idea was to collaborate with many of the amazing musicians we were playing with at the time. The idea didn’t come to fruition but, when Plastique disbanded, I decided to pick it up again.

Vagabonds was my first effort...and it’s been rolling on from there.

Riot at 45 is your new track. Can you tell me what the story behind it is?

It started with (The Actions’ guitarist) Mo Stellato laying down with ideas on some demos I had been writing, which allowed me to see a new direction I hadn’t yet considered. It really snowballed from there: before I knew it I had (Dronningen vocalist and guitarist) Beatrice Bonnano rocking vocals and (former Plastique colleague and Yur Mum frontwoman) Anelise Kunz adding icing to the cake with her bass.

I have to admit I’m really out of my comfort zone with this ‘fun’ sound, but it’s a song that everyone wanted to be a part of, so it felt right to keep going keep with it and, well, here we are…

How do you think it differs to a track like Vagabonds? Do you try to put a different identity and persona into every song?

Yes, I do. Exactly! Vagabonds is about the political and sociological polarisation of the U.K. post-Brexit vote. Riot… is about a heist taking place in a record store, where everyone is being forced to dance to records.

Pretty easy to see that, in terms of concept, the songs probably couldn’t be more different, yet they still exist in the same universe to me: they both reflect the importance of music in our lives. I’m simply giving less of a sh*t about consistency these days; life isn’t that rigid and we’re all hypocrites.

When did you get into music?

In terms of producing and writing? I was sixteen and just joined college. I had originally planned on doing a computing course, but I resented this - as that’s what everyone expected me to do. So, on my first day, I dropped the course and took up A-levels in Music Technology, Performing Arts and Media Studies, instead. I found I had a knack for these and really enjoyed the process, so I’ve been doing it ever since….

Mostly on a computer, of course.

How do you think your role as an audio technician and video producer aids you as a songwriter?

I generally don’t consider my videos during the process of songwriting - that normally happens afterwards. That being said; the video for Vagabonds was actually filmed before the song existed. I had to work in reverse: start from the video then work back to the song - both were completed in tandem. Emma (Holt, the video’s dancer) gave me some incredibly sexy and powerful movements to work with, and that definitely directed the song’s sound. It was something I’d never done before. I don’t think many others have, either.

When I’m in audio-tech mode, I depend on the sound to carry over the emotion or intention of a song - and I’m always particular about how things need to sound to achieve this.

Does it add extra depth and creativity?

Absolutely. If I just wanted to write songs, I’d get a guitar or piano out and just f*cking do it. But, that’s not my style of songwriting…and nothing to do with the fact I absolutely suck at guitar and piano.

Originally, you are from Somerset. What kind of music were you raised on at a young age?

Somerset isn’t exactly known for its music except, perhaps, the Wurzels (you laugh, but they’re still loved there). But, it is known for Glastonbury Festival, so we were always fluctuating between having no decent music to having the world’s biggest artists in our little corner of the world. I mean; how else could I have seen Bowie on my doorstep?

Despite this, I was mostly raised on a healthy diet of The Beatles and Clannad from my mum and a whole range of Classical music from my dad.

For me, it was always about Michael Jackson though.

Do you have any gigs lined up? Where are you heading?

Right now, the prospect of performing Koto Kill live is - sadly - a logistical nightmare and I really need to focus on finishing the songs first…however; if there becomes a demand for a live performance, I’ll make it happen.

Can you tell us what we could expect from a Koto Kill gig? What does the setup usually involve?

Assuming this happens and I get my way: dancers, lasers and fire. Probably Taiko drums for good measure.

I prefer to make experiences rather than just perform a regular gig but, of course, it’s not cheap - and we’re in an industry that no longer has any money. I would settle for just lasers, but I’d still need to pay the band; so let’s file all the above under ‘someday’.

What do you hope to achieve in 2018?

I have another single ready to go and at least one other video nearly done. Right now, I’m just releasing stuff and seeing what happens. I’d like to release an album or an E.P., but I’m honestly taking things one step at a time and responding accordingly. You will hear more Koto Kill, though. You can be certain of that.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I once saw White Miles perform at an Eagles of Death Metal show and they blew us away. I said to Fabio and Anelise (of Plastique): “We need to be supporting White Miles”. After the show, we met them and asked if they’d be interested in doing a show with us. A couple of months later, they emailed me asking if I could arrange a London show for them, with us supporting.

We actually made it happen and it was a night I’ll never forget. It just goes to show that if you don’t ask, you don’t get.

If you could select the three albums that mean the most to you; which would they be and why?

I’ll give you the abridged version, as I could be here all day:

1.       Nine Inch Nails - The Fragile

Twenty-three tracks of aggression, synths; guitars and angst. An amazing dynamic between the songs, pianos and cellos and de-tuned acoustic instruments. So many layers to envelop yourself in - both emotionally and sonically. Possibly my favourite album of all time and easily one of my main influences.

2.       Marilyn Manson - Mechanical Animals

While all the other goths were gushing black fluids to Antichrist Superstar and Holy Wood, I was much more in love with Manson's industrial-glam effort. There’s something quite alluring about him when you’re an angry teenager, trying to be a rebel in the countryside - but it made me feel powerful and creative.

3.       The Prodigy - The Fat of the Land

I didn't realise it was possible to mix Dance and Rock music back in 1997, but it was, and I fell in love with it immediately. Bought it on the day of its release; skived off school so I could listen to it all day. Been listening ever since.

What advice would you give to new artists coming through?

Keep writing music. Keep doing it. You gotta do it any way you can because you need to. I mean it. If you’re not prepared to keep on working on your passions, despite years of failure, then don’t bother. It’s hard work putting your heart and soul out there, but it won’t matter because it’s an incredible feeling when it pays off.

Of course, if you just want to become a celebrity singer, go on X-Factor. Or be incredibly lucky.

 Are there any new artists you recommend we check out?

First; I want to shout out to Riot’s collaborators: Yur Mum, Dronningen and The Actions. I’m also loving CHAMBERS, YONAKA; Healthy Junkies, Polly Pick Pocketz; The Pearl Harts and Emily Magpie right now.

Some of my other favourite collaborators are Courtesans and Tokyo Taboo.

 IN THIS PHOTO: Emily Magpie/PHOTO CREDIT: Alison Romanczuk photography

Do you get much time to chill away from music? How do you unwind?

Video games, mostly. At this point, I might not surprise you by saying I’ve also worked in the games industry, so there was a time I couldn’t face playing games – but, these days, I try to make sufficient time to do so.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Thanks for having me! So far; my most-played song of 2018 has been Hot Pink by Let’s Eat Grandma. Takes a while to get into, but the chorus is incredible.

____________

Follow Koto Kill

Official:

http://kotokill.com/

Facebook:

https://www.facebook.com/kotokill

Twitter:

https://twitter.com/koto_kill

Instagram:

https://www.instagram.com/koto_kill/

SoundCloud:

https://soundcloud.com/kotokill

Spotify:

https://open.spotify.com/artist/0z9MuuwGZJ9fNJqe2Phovq

YouTube:

https://www.youtube.com/channel/UClbvHfABSUWrvoZQ1NfTMTg 

PHOTOS OF GABRIEL RALLS:

Gergo Kovacsidisz.

INTERVIEW: Wulfman Fury

INTERVIEW:

Wulfman Fury

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MY final interview of the weekend…

is with the keen Sheffield lads of Wulfman Fury. I have spoken with the guys before and was excited to catch up with them. This time around, they tell me about the song, Getaway, and why they are pumped about the material they’re producing right now.

They tell me why they have such a loyal fanbase and what dates they have coming up; whether the scene in Sheffield is changing and striking; what they hope to achieve before this year is done – the guys each select a song to end the interview with.

___________

Hi, guys. How are you? How has your week been?

Great. We’ve been locked away in the studio demoing two new tracks, which we are mega-excited about.

For those new to your music; can you introduce yourselves, please?

We are a five-piece, low-fi Garage-Rock band from Sheffield, made up of George Moran (Lead Vocals, Guitar), Will Severs (Keys); Dave Mitchell (Drums), Joe Moran (Guitar, Vocals) and Steve Harrison (Bass, Vocals).

Getaway is your latest single. Can you reveal its story and what inspired the song?

Getaway is about those malicious and controlling people you come across every so often in life who try to lead you down a dark path.

What was it like filming the video? It looks like it was a cool experience!

Yeah, it was a lot of fun. It was filmed in The Lantern Theatre in Sheffield – it’s quite a small place, but is really visually-striking and dramatic. It definitely felt like it helped get across the vibe we were going for.

Is there going to be an album coming down the line, do you think?

One day, for sure but, at the moment, we’re focusing on writing singles. We already have, probably, two albums worth of good songs demod up but I think, more recently, we have really found our sound and we’re now producing some huge songs. The next few tracks are gonna blow peoples socks off.

What sort of music did you all grow up on? Which musicians stick in the mind?

A mixed bag, really, which helps us a lot with writing. It’s good to be able to reference and be influenced by different genres of music when writing and recording. But, I’d say we’re most heavily influenced by lo-fi, Garage-sounding bands like The White Stripes, The Strokes - that sort of thing.

Sheffield is where you are based. Is there quite a vibrant scene there at the moment?

Yeah. It’s picked up in the past few years. There was that period of time post-Arctic Monkeys where it seemed like every Sheffield band was just a sh*t version of the Arctic Monkeys but I think we’re finally past that and there are some cool original bands getting a name for themselves.

It feels like there is more of a community feel to the scene now, too, which is cool.

Do you have any gigs lined up? Where are you heading?

We’ve got some massive shows coming up which we’re all buzzing about. We got booked to play Tramlines festival which, with being Sheffield lads, is obviously close to our hearts! We’ve also got a show at The Leadmill with our mates High Hazels and a run of shows with This Feeling, which always go down a storm.

Full list of upcoming dates:

12th May, London - Nambucca (This Feeling)

25th May, Sheffield - Record Junkee (This Feeling)

21st July, Sheffield - Tramlines festival

11th August, Scunthorpe – Café INDIEpendent

29th September, Sheffield – The Leadmill (Headline).

It seems like you are incapable of doing a show that doesn’t sell out! Would you attribute that to loyal fans or your tightness on stage?

Yeah. We’re starting to get a bit of a following. We definitely try to put on a good show for people and make it a bit different. I think the word has just spread among people.

It’s cool.

How important is it for you to get on stage and get those songs out to the people?

We love it. Playing live and getting a good response is what it’s all about and it’s great to play these songs that you’ve grafted on - and to see people singing back, makes it all worthwhile.

What do you hope to achieve in 2018?

As we mentioned before, we’ve got these two stomping new tracks we are working on which are blowing our minds at the moment. Really feel like a step up, so we can’t wait to get them out to people later on in the year. Apart from that, we’ve got some great gigs lined up.

Just spreading the word...

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

We did a couple of dates in France, which were super-fun. The crowds over there are something else: super-responsive and don’t hold anything back!

What advice would you give to new artists coming through?

Be selective of who you work with and which gigs you choose to play. Focus on writing and don’t put yourself out there until you’re ready. There’s no rush.

IN THIS PHOTO: The Blinders/PHOTO CREDIT: Nasty Man Creations

Are there any new artists you recommend we check out?

The Blinders, Patawawa; The Seamonsters, SHEAFS; Manuka Hive and Before Breakfast.

IN THIS PHOTO: Before Brekfast 

Do you get much time to chill away from music? How do you unwind?

There are some great bars and venues in Sheff. When we’re not in the studio, you can probably find us knocking about in The Washington or at the Picture House Social.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Joe: Unknown Mortal Orchestra - American Guilt

Will: Nirvana – Drain You

Dave: Miles Kane – Loaded

George Moran: Richard Swift – Drakula (Hey Man!)

Steve: Michael Jackson - P.Y.T. (Pretty Young Thing)

____________

Follow Wulfman Fury

Facebook:

https://www.facebook.com/WulfmanFury/

Twitter:

https://twitter.com/WulfmanFury

Instagram:

https://www.instagram.com/wulfmanfury/

SoundCloud:

https://soundcloud.com/wulfmanfury

Spotify:

https://open.spotify.com/artist/0nFtki9tECcwtxkf1Avlda

YouTube:

https://www.youtube.com/channel/UCFDS6oavRc6cXUrXD8S4mpg

INTERVIEW: Lucille Furs

INTERVIEW:

Lucille Furs

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I had a listen to Another Land…

and had to speak with the creators of the song. Lucille Furs have been chatting about the song’s background and whether they have more tracks coming along. I learn what the scene is like where they are in Chicago; how their tour plans are set for the foreseeable future – the guys reveal whether we will see them in the U.K.

I was eager to learn how the band got together and some of the sounds that inspire them; what they do away from music; how it feels having played SXSW and getting respect in Brooklyn; which new artists they advise we check out – they tell me what it is like being signed to Treehouse Records.

___________

Hi, guys. How are you? How has your week been?

The last week has been hectic but efficient. We have been booking shows, finishing vocals on some songs and writing new ones!

For those new to your music; can you introduce yourselves, please?

Lucille Furs hails from the hog-butcher of the world, A.K.A. Chicago, Illinois (U.S.A.). As a five-piece, we write psychedelic, Western-tinged Rock with '60s Pop and Baroque sensibilities.

Tell me what inspired your song, Another Land. What is the story behind it?

Another Land was co-written on Fender Bass VI with our art director and friend John Zabawa, who is a frequent collaborator of the band’s, while inside his apartment in Chicago. The song Funkytown by Lipps, Inc. was written because the band was daydreaming about living elsewhere.

L.F. strives to travel as much as possible and, I guess, we enjoy the excitement of being in a new place. Creatively, we were looking to strip back our arrangements and focus on more of the groove and rhythm section.  

Is there going to be more material coming later this year?

Yes. We have finished our second L.P. and are in the process of getting it mixed. 

You are signed to Treehouse Records. Do you get a lot of freedom as a band to create and release songs as you wish?

Definitely. Treehouse has been nothing but monumentally helpful to the band's development and discipline in the studio. We enjoy feedback and discussion when we are choosing our next single.  

How did Lucille Furs get together? Were you all friends from way back?

Some of us met during college or uni in Chicago, while others met at local D.I.Y. house-shows around town. 

The band played SXSW and had a great reception in Brooklyn. Has it been a bit of a whirlwind last few months or so?!

It really has! Finishing a record so fast before going on tour to support the first record definitely had its obstacles. Coast to coast traveling in one week is no joke! 

Chicago is important and influential. What is it like making music in the city? Is it quite a vibrant and full scene?

We are lucky to be surrounded by so many cool bands in Chicago. Although; we probably cannot stay here forever, we do feel the most comfortable recording here since we have built many great relationships in the scene. 

Do you have any gigs lined up? Where can we see you play?

We are going to be playing at Summer Camp Music Festival in Southern Illinois as well as Summerfest in Milwaukee, WI early this summer! We will sprinkle in some L.A. and Chicago dates, as well. 

Will you come to the U.K.? Have you played here before?

We have played in London a couple times, including Moth Club in Hackney and a SofarSounds show in an office co-op. The latter was video-recorded and is on Youtube. 

What do you hope to achieve in 2018?

We hope to release our second record and to also tour the U.S. and Europe while writing L.P. three. 

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Probably opening for Mild High Club at Lincoln Hall in Chicago. 

If you could support any musician alive today, and choose your own rider, what would that entail?

Five fortune cookies and a six-pack…

What advice would you give to new artists coming through?

Don't break up! 

Are there any new artists you recommend we check out?

Yes. We have been enjoying ROOKIE, Juniore; Triptides, Post Animal and The Nude Party.

 IN THIS PHOTO: Triptides/PHOTO CREDIT: Michael Haight

Do you get much time to chill away from music? How do you unwind?

You can find us on the tennis courts or shopping the flea markets. 

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

The Babe Rainbow - Monky Disco

Lasso Spells - Stuck in Shape 

The Nude Party - Chevrolet Van 

Allah-Las - Fish on the Sand 

​​​​​​​

Jack White - Ice Station Zebra 

____________

Follow Lucille Furs

Official:

http://www.lucillefurs.com/

Facebook:

https://www.facebook.com/lucillefurs

Twitter:

https://twitter.com/LucilleFurs

Instagram:

https://www.instagram.com/lucillefurs/

SoundCloud:

https://soundcloud.com/lucillefurs

Spotify:

https://open.spotify.com/artist/32JGtuoayw9vECentJ3tQG

INTERVIEW: Lo Lo

INTERVIEW:

Lo Lo

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YOU get a rush of personality and brightness…

with Lo Lo. It has been a thrill speaking with her about the debut song, Yours, and its rather usual and heartbreaking story. She discusses what her next moves are and the artists who have inspired her. The Toronto-based songwriter talks about the scene there and when music came into her life; what dates she has coming up – whether the U.K. is part of her plans.

I learn which three albums are most important to her; some new artists we need to throw our weight behind; how she spends her time away from music – she ends the interview by selecting a rather cool song.

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Hi, Lo Lo. How are you? How has your week been?

What’s up, Sam! I’m doing great, thanks. This week has been crazy, but good-crazy (very good!).

For those new to your music; can you introduce yourself, please?

Hi guys! I’m Lo Lo and I’m a singer and a songwriter from Toronto. I just released my debut single, Yours, on Friday but I have a lot more music coming your way soon…and I can’t wait to share it with you guys (smiles).

Talk to me about Yours. Is it true it was motivated by a rather ill-timed breakup on April Fools’ Day?!

Haha, unfortunately, it is true. At the time it really sucked but now I’m thinking that I guess everything happens for a reason. After all, I would never have been able to write this song if it never happened. Last year, I had originally planned to release a different song as my first single but then, after I wrote Yours, I just knew that this was the one.

How did you react to that rather insensitive moment? Was it hard processing the emotions and rationalising things?!

Oh yeah; it was insane.

I thought he was joking (obviously) for a solid ten minutes of the breakup. I didn't even cry at first because I was laughing about it! I definitely cried a lot after though but sitting down and putting my emotions into a song really helped me feel better. After I wrote it, I knew that it had something special to it.

The song has plenty of spark and colour. It reminds me, in a way, of the girl group-made songs of the 1990s. Did you set out to create something that dealt with a hard subject but provided hope and uplift?

Thank you! Actually, no. At first, the song was a ballad. It was much slower and much sadder, too. As I slowly got over the breakup, the song developed into a whole new vibe. It used to be played on the piano, but the guitar gave it a whole new feel. All of a sudden, the song stopped feeling bad for itself and it stopped taking itself too seriously, as did I.

When we sat down to work on the production, I was chewing Double bubble and a huge bubble popped all over my face…and that’s when we had the idea to use that sound before the first drop. After we added the bubblegum and those initial guitars, the rest of the production and feel of the song came very quickly and easily.

Is there more material coming along? What are you working on right now?

Yeah! I’ve got a bunch more songs ready to go and am hoping to release another single later in the summer, followed by an E.P. in the fall. I can’t wait for everyone to hear it!

Toronto is where you are based out of. How would you describe the city’s music culture and scene?

Toronto has an awesome music scene - it’s very diverse, just like the people here, which is sick. There’s so much variety here, which is great because you can always go downtown and check out some new music.

When did music come into your life? Was there a moment you knew music was what you wanted to do?

From the time when I was old enough to walk and talk, I used to be obsessed with Shirley Temple movies. I made my mom curl my hair and put me in tap dancing lessons and singing lessons. I knew then that I wanted my life to be music but, at the time, I thought I wanted to be on Broadway. When I was thirteen, I picked up the guitar pretty quick, so my guitar teacher encouraged me to try to write a song. I always wrote a diary as a kid, so writing songs came pretty easy!

The one problem was - you never had to read anyone your diary, but you kinda have to show people your songs! I made my guitar teacher turn his chair around AND cover his eyes when I showed him my first song because I was so nervous and embarrassed about it. He ended up saying that it was actually pretty good! That’s when I knew I wanted to be an artist, and from then on, I wrote songs instead of diary entries.

Do you have any gigs lined up? Where are you heading?

I’m definitely going to have some gigs coming up this summer! Nothing has been officially announced yet, but I’m very excited (smiles).

Are you coming to the U.K. to see us at all?

I better be! I’ve never been to the U.K. before, but I’m dying to come! I really need to work on my British accent: it’s pretty embarrassing right now.

What do you hope to achieve in 2018?

2018 is already off to a great start! I hope that people can hear my music, sing their hearts out and relate to it. If I can make even one person feel better about a shit*y situation, then I think I’ve done my job! Sometimes, things really suck…but we get through it.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Just a few days ago, actually, someone sent me a really nice message on Insta. D.M. They told me that they came across my song on Spotify and that they could really relate - and the song made them feel better.

I think that music is all about bringing people together - and I’m so lucky that I’m able to contribute to that!

If you could select the three albums that mean the most to you; which would they be and why?

Taylor Swift - Fearless

Because this girl showed me that it was okay to write songs about whatever and whoever you want…I’ll be a Taylor Swift fan till the day I die.

Ummm. Every single Eminem album because he is a god?! But, I guess I’ll choose Curtain Call because Stan is one of my all-time favourite songs.

Gavin Degraw - Chariot

Because every single song on this album is the reason why I want to write songs. Gavin is a huge inspiration to me. I love the realness and rawness with all of his music. Also, I have a major crush on him. One of my (unreleased) songs may or may not be about him…cannot confirm or deny at this time.

What advice would you give to new artists coming through?

Just do you, no matter what people say. A lot of people told me ‘no’ many times. I was told that Yours wouldn’t do well because it didn’t fit the ‘popular’ mould of ‘regular’ songs on the radio. I was told that I should probably have a backup plan because I probably wouldn't ever be an artist. With all the positive response to my first song, I’m really happy I didn’t listen.

So; my advice to new artists (just like me) is to have confidence in who you are, and make music that makes you happy. Write songs that you think are cool - others will think it’s cool too (smiles).

IN THIS PHOTO: bülow 

Are there any new artists you recommend we check out?

You gotta check out my friend, bülow. She’s pretty new to the scene, but you’d never know it because she’s epic. I also love Billie Eilish. Not my friend, but, hopefully, my friend one day (Billie; let’s be friends).

IN THIS PHOTO: Billie Eilish

Do you get much time to chill away from music? How do you unwind?

I don’t get much time to chill away from making music but, when I do, I love to go on long walks with my puppy. His name is Slim; he’s a Bichon and he’s named after Eminem.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

WOO. Thanks so much for having me on here (smiles). Check out Tove Styrke’s version of Liability (Lorde). I’m obsessed with this version and sing it at least once a day:

____________

Follow Lo Lo

Official:

http://www.itslolomusic.com/

Facebook:

https://www.facebook.com/its.lo.lo.music/

Twitter:

https://twitter.com/itslolomusic

Instagram:

https://www.instagram.com/itslolomusic/

YouTube:

https://www.youtube.com/channel/UCMgn05wA8bs-xFykolBsbQA

INTERVIEW: Dan Sadin

INTERVIEW:

 Dan Sadin

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BEFORE this interview…

I knew a bit about Dan Sadin and the work he has recorded. I was keen to learn more about his solo career and how he balances that with his work in the band, FRENSHIP. The Way That It Hurts is his first solo single – a song that definitely sticks in the mind and compels further enquiry.

Sadin talks about his musical progression and changes; which artists and albums have made a big impression on him; how he spends his time away from music; whether we might see him visit the U.K. – he recommends a couple of new artists to check out.

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Hi, Dan. How are you? How has your week been?

Hey man! I’m good, thanks. I’m in the van on my way to Boise, Idaho from Omaha, Nebraska. This week has been packed. I released The Way That It Hurts, which I’m so happy to have living out in the world and have been playing almost every night with, and opening for, FRENSHIP.

For those who are new to your music; can you introduce yourself, please?

Thank God for guitars and good songs – can I just leave it at that?

The Way That It Hurts is your first solo single. What is the origin of the track? What does it mean to you?

This song was about two years in the making. Over the course of writing the song, I left my old band of about eight years, broke up with my long-time girlfriend; joined up with FRENSHIP and started touring the world. It was a whirlwind of events and not a lot of time to process it all.

The Way That It Hurts is my way of understanding all of those things that happened; specifically, the struggle of ending and creating new relationships. It’s always tough to accept the pain that comes from change – but I feel strongly that it’s necessary in order to grow and move forward in my life.

Will there be an E.P. or further singles later in the year?

Absolutely. I will be releasing more music - leading up to an E.P. at the end of June.

How do songs come together for you? Do you set time aside to write - or is it best to allow for inspiration to strike?

Writing is a muscle: if I don’t exercise it, I have a hard time using it and being creative.

I am always writing down snippets of lyrics/prompts on my phone and recording quick ideas during soundcheck or in the car. When I’m home, I generally go back to these ideas and start building from there. Sometimes, I’m able to follow an idea through to the end and, other times, it sparks another musical path that I follow. I used to be hyper-critical and only allow myself to work on what I had originally set out to do...

But, I’ve found, if I just follow my creativity, I’ll end up where I need to be. I never want to be fighting myself for a song. There’s nothing authentic about that.

Many know you from your work with FRENSHIP. Was there a reason for stepping away from the group and going out alone?

Actually, I still play with FRENSHIP. They’re like family and I have a hard time imagining a life where they aren’t involved in some capacity…and, as much as I love them, at the end of the day, I’m playing somebody else’s music.

Don’t get me wrong; it’s such a treat to play the music - it’s really good and there’s a lot I can learn from them. But, I’ve always wanted to do my own thing, use my own voice. I feel like I’ve found a good starting point and I’m working as hard as I can; making myself the priority in my own musical career.

How does your life as a solo artist differ to that of FRENSHIP? Have you noticed big changes and differences?

Since I’m still playing with FRENSHIP and we’re in the middle of a two-month-long North American tour, not too much has changed. I guess the biggest difference is that I’m pulling double duty – I am opening up the shows on this run for them as Dan Sadin as well as playing in the band. It’s been incredibly rewarding and meaningful to get in front of their audiences and start connecting with people around with the music I’m creating.

Which artists did you grow up around? Tell me who you count as idols…

I feel like I’ve kind of grown up twice…

Once, from a kid to an adult and a second time, within the last few years, where I rekindled a creative fire I never knew had gone out. I’d count this second phase as equally, if not more, important in my current identity as a musician.

I never got into Tom Petty when I was younger but, in the last few years, he’s become my biggest musical idol. When he passed in the fall, I felt like I had lost a family member. I hate being that dramatic about it but my heart truly hurt - and it still does. Also, count me in for Bruce Springsteen, Fleetwood Mac and Patti Smith.

As a kid growing up, I was into anything that had a guitar or a guitar solo. I’m a closet early Van Halen fan (through 1984)…outside of that; my favorites would have been: Jimi Hendrix, Led Zeppelin; Steve Miller Band, The Rolling Stones; Jeff Buckley, The Strokes; Jet, Radiohead; The Allman Brothers, Chris Whitley; Red Hot Chili Peppers, No Doubt; Green Day, AC/DC; U2, The Police; Coldplay, John Mayer…

Do you have any gigs lined up? Where are you heading?

I do! I am continuing to open for FRENSHIP for the rest of this tour through the end of May. I am lining up shows for the summer around the release of the E.P. - when I’m back in Los Angeles.

Might you head to the U.K. and play?

Yeah; that’d be absolutely killer…you have any connects?! Haha.

What do you hope to achieve in 2018?

At the end of last year, FRENSHIP was quieting down and I set a goal to start releasing music and make my own project happen this year. So far, I’ve kept to that goal and look forward to releasing more music, playing more shows; hopping on more tours, building fans and growing this project in a meaningful and lasting way.

Have you got a favourite memory from your time in music – one that sticks in the mind?

Playing Outside Lands last year with FRENSHIP was super-meaningful. I grew up in San Francisco, so I got to walk from my parents’ house to the festival and play for my family and my hometown – literally, on the field where I used to play soccer as a kid.

Don’t think I’ll ever forget that one.

If you could select the three albums that mean the most to you; which would they be and why?

Only three?! That’s tough, but I’ll go with what I’m feeling today:

Full Moon Fever – Tom Petty

This album has so many great songs and yet was recorded in Mike Campbell’s garage. It is one of Tom Petty’s largest commercial successes but both members of his band and his entire record label doubted its success. To me, this is where Petty really started reaching his peak as a songwriter and artist – and the story of perseverance, of him believing in himself and using so little to create so much is something that I deeply connect with.

Grace – Jeff Buckley

This was the first time I had ever heard the guitar played in this way. Buckley’s playing is straight from the heart, unique in style and is equally as virtuosic as it is complementary to his vocals. Grace also pushed me to rethink what a song could be, how it could be constructed. This album carried me through high-school.

Viva la Vida or Death and All His Friends/Prospekt’s March – Coldplay

It’s just so good - and same with the E.P. that followed. I don’t think there’s anything else that sounds quite like it. The production, the songs; the feeling…they’re all there for me. Life in Technicolor II is one of my favorite songs and is still on-repeat for me.

What advice would you give to new artists coming through?

I feel like I’m a new artist. Ha. But, if I had to talk about my dogma as a musician, I’d say don’t let anybody else shape your opinion of your own music. Nobody is going to work harder for you than you will. It’s not just about hard work: it’s about smart work and making the heart work.

IN THIS PHOTO: Colyer

Are there any new artists you recommend we check out?

Totally. I’ve had the pleasure of working with my close friend and musical brother, Colyer. His music is so good and I am thrilled to be able to share in it with him.

Also, I’ve been working with Celeste (Tacuhar), the keyboardist and singer in FRENSHIP, on her own music. It’s been a lot of fun and I am looking forward to finishing up that project and supporting her in her own career. Keep eyes out for her!

Do you get much time to chill away from music? How do you unwind?

Not a huge amount of time but, when I do, I’m usually spending quality time with my girlfriend and my dog. We do a lot of road trips, camping and exploring. I honestly don’t know what I would do without either of them in my life. Their unconditional love helps ground me when I need it the most.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music – I will do that)

This one is for my brother, Colyer. I co-produced his song, Lost in Your Love, and it is one of my favorites

____________

Follow Dan Sadin

Official:

http://dansadin.com/

Facebook:

https://www.facebook.com/dansadinmusic/

Twitter:

https://twitter.com/_dansadin

Instagram:

https://www.instagram.com/dansadin/

YouTube:

https://www.youtube.com/channel/UCTdqdeADp-ehr2b5ZBZJGUw

Spotify:

https://open.spotify.com/artist/5gf9Kn0Xbz966PieIOA5Hi

PHOTOS:

Silvia Grav

INTERVIEW: The Raven & The Fox

INTERVIEW:

PHOTO CREDIT: Jager & Kokemor Photography 

The Raven & The Fox

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MY first interview of the weekend…

finds me talking with Julie and Sean of The Raven & The Fox. They tell me about their work and what we can expect from their eponymous album; how Canmore (Canada) is important and how they found one another – they tell me about a treasured memory from their time in music.

I ask where The Raven & The Fox goes from here and the artists they are influenced by; whether we might see them hit the road this year; what it was like working with producer Geoff Hilhorst on their album – they recommend a new artist we should be looking out for.

___________

Hi, guys. How are you? How has your week been?

Hi! We have had a great week. It is springtime in the mountains but the snow is still really good; so, I have been out skiing and snowboarding a bunch. Julie and I actually just got home from a morning of snowboarding some fresh powder.

For those new to your music; can you introduce yourselves, please?

We are The Raven & The Fox - a Folk duo from Canmore, Alberta (Canada) in the heart of the Canadian Rockies. We write love songs inspired by connections in the mountains.

Julie and Sean. How did you meet and form The Raven & The Fox? Is there a story behind the name, too?

We met at an informal jam and I was instantly smitten with Julie’s singing voice. One thing led to another and we began our musical and romantic relationship. On that first night, we met while playing music. She asked me what spirit animal I thought that she would be. I suggested 'a raven' since they are beautiful, intelligent; playful, graceful creatures.

Then, I asked her what animal she thought I would be and she said 'a fox' - which I, naturally, took as flirting.

How important is Canmore? Is the area and its geography directly responsible for your path into music?

Canmore is a vibrant mountain community of world-class athletes, artists; musicians and nature lovers. The place seems to vibrate on a higher level. Our little happening town is surrounded by high, stunning peaks - so there is lots of inspiration to pull from for music and other arts.

Your eponymous debut album is near. What sort of songs and stories might we find throughout?

A lot of the songwriting and lyrics on the album revolve around falling in love in the mountains. They are Folk ballads with an earthy element grounding them.

Geoff Hilhorst produced your album. What was it like working alongside him? What did he bring to the table?

Geoff is a very talented musician. He is best known for his incredible organ and piano playing in the Alt-Country band The Deep Dark Woods, but he is an all-round great multi-instrumentalist. He really helped to bring our songs from simple guitar-vocal arrangements to their full sonic potential as heard on the album. He had a lot of great ideas and we owe him a huge ‘thank you’.

Which artists do you count as your main influences?

For me, I grew up listening to the (Grateful) Dead a lot. I definitely connect with the music of an older sound from the '60s and '70s including C.S.N.Y., The Band; Led Zepplin and even (Black) Sabbath. Even the newer bands I enjoy have that sound and feel like Dawes.

Right now, I can’t seem to get enough of the Middle Brother album. I think Gregory Alan Isakov is an incredible songwriter. Julie grew up listening to a lot of Grunge in the '90s, which is far from our sound - but she now enjoys a variety of musical stylings; from Roots-y Americana to Indie-Rock.

Do you have any gigs lined up? Where are you heading?

We have a bunch of spring shows coming up including East Coulee Spring Fest in Drumheller, Alberta; then we will see what happens after that.

Might we see you head to the U.K. at some point?

We haven’t yet taken our music outside of Canada but would love to. I have travelled all over the world for climbing mountains - but travelling for music would be something new.

If you each had to select the one album that means the most to you; which would they be and why?

For me, it would probably be Nirvana Unplugged (MTV Unplugged in New York). I bought it as a bootleg cassette in Thailand in the mid-'90s and pretty much wore it out. It combined my enjoyment of acoustically-based Folk music but with an edge.

What do you hope to achieve in 2018?

I would love to see our music and album get into more people’s hands - and, by 'hands', I mean playlists; so, as an independent artist, we need to figure out how to optimize our exposure on streaming platforms.

Have you both got a favourite memory from your time in music – the one that sticks in the mind?

Our most unique show was performing in Rats Nest Cave deep in Grotto Mountain. This cave is fairly technical and can only be accessed with a guide since it involves ropes. Last year; Canmore Cave Tours began offering their unEarthed Concert Series, where they guide in about twenty intrepid adventurers to the Grand Gallery - a large subterranean chamber ten storeys beneath the mountain - for an intimate acoustic concert.

It was surreal to hear Julie’s vocals and my old Martin D28 reverberating off the limestone walls to a dead-silent, entranced audience that just scrambled and squeezed their way for an hour to hear us.

What advice would you give to new artists coming through?

That is a hard question to answer since we are fairly new at this. I think what worked for us is staying true to our love of good music and trying to make music we want to listen to.

IN THIS PHOTO: Kyle Pullan

Are there any new artists you recommend we check out?

Our bass player, Kyle Pullan, is an incredible instrumental, finger-style acoustic guitar player. He blows audiences away wherever he plays with his original music and mad guitar skills.

Do you get much time to chill away from music? How do you unwind?

We have lots of outdoor outlets here in the Canadian Rockies between skiing, snowboarding; mountain biking, rock climbing and paddleboarding. I also work as a certified climbing guide taking clients up rock faces, frozen waterfalls and mountains, which is a pretty darn fun day job.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Like I said, I can’t get enough of the Middle Brother album; so I will pick Daydreaming by Middle Brother

____________

Follow Raven & The Fox

Official:

http://www.theravenandthefox.com/

Facebook:

https://www.facebook.com/theravenandthefox/

Instagram:

https://www.instagram.com/theraventhefox/

YouTube:

https://www.youtube.com/channel/UCUiHU9LmgsT-pjJUqEW6JkQ

Spotify:

https://open.spotify.com/artist/2qBpKlbqWE6WwUVeY6WlYz

SoundCloud:

https://soundcloud.com/the-raven-the-fox

INTERVIEW: The 10x

INTERVIEW:

The 10x

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I have been talking with Parker Moore and Jeff Gingrich…

of the band, The 10x. I ask how the new single, Think of Me, came together and whether there is more material coming; how the band got together; if there is a special memory from music they can share – the guys recommend some new musicians worth a serious look.

I ask whether a move from Michigan to Tennessee was instrumental; what the chaps have planned in the coming weeks/months; what advice they would offer anyone coming through right now – I was keen to know whether we might see The 10x in the U.K. before the end of this year.

___________

Hi, guys. How are you? How has your week been?

Jeff Gingrich: It’s been a wild week preparing for the new release, but we’re excited to finally have this song out.

For those new to your music; can you introduce yourselves, please?

Parker Moore: I’m Parker Moore. I play drums in The 10x. I’ve been in the band for a little over a year.

JG: I’m Jeff Gingrich. I’ve been writing music as The 10x since 2015. The first E.P. was all me with a little help on drums from a good friend. It’s changed a little since then but I’m still writing (now, with Parker) - recording and mixing everything myself.

Think of Me is your newest single. Can you reveal its background and how it came together?

Think of Me is cool because it’s the first song Parker has been here from beginning to end. We wrote the skeleton together during a ‘jam session’ and I started to hear the other parts in my head.

PM: We were in a room together for the first time since I had relocated to Nashville. I started playing this idea I had and, once Jeff started playing, you could feel something was there...

JG: I only had a bass so I was trying to explain when the parts of the song were changing in my head. I don’t think anyone really understood what I was hearing but everyone was excited at how much of the song happened during that moment.

PM: After we tracked the demo, we experienced a hard drive and laptop crash…losing all of our demos we were working on. This song only survived because we had an MP3 demo saved on Jeff’s phone. We had to rebuild the track based off of that.

Are you looking ahead in terms of E.P.s and singles? What can we expect in the future?

JG: Yeah. The big thing now is to stay on the radar, so we’re hoping to keep releasing E.P.s. Singles are great, but I’d like to put out more content on each drop. We’re already working on a few ideas now.

How did The 10x get together? When did you all meet one another?

PM: I started playing with Jeff in a different band back in Michigan, so we were well acquainted before The 10x. Jeff asked me to play when the band first started touring. After playing out a lot, we realized we had chemistry and worked well together, so I became a member.

Talk to me about the 900-mile drive you took and a 1982 synthesizer…

JG: I watched a video of my favorite musician going through his process on one of his bigger songs. The Juno 6 was a vital part of the song. I looked online that day and there were two for sale; one in Japan and one in Pittsburgh. I left a few days later from Flint, stopped there to pick it up; got back in the car and came straight to Nashville.

It took forever.

How important was your move from Flint, Michigan to Nashville, Tennessee?

PM: We moved at different times. For me, it’s been instrumental in my role in the band. I moved here from a small tourist town called Frankenmuth, Michigan straight to Music City! It’s been a big change and I’ve got to be way more involved with the songwriting process.

That, alone, has been rewarding. I’m also (just) glad to be where the music industry is thriving. It’s good to be surrounded by all these incredible musicians.

JG: My mindset changed when I got here. The atmosphere feels a lot different. In Flint, it’s a tough city no matter what you’re trying to do. When I got here I felt freer and realized that a lot of things that were holding me back were all inside my head. I’ve been grateful for learning that. It is prettier down here, though.

Do you have any gigs lined up? Where are you heading?

PM: We’re working on getting back to the Midwest but also want to play more in Nashville. This is where we call home now - and we want to be more of a presence in this city.

Might you head to the U.K. at some point?

JG: Parker and I have yet to play a show outside the U.S. - but we do see our U.K. numbers growing. It could happen soon.

What do you hope to achieve in 2018?

PM: I’d like to write some great songs, play more cities and meet more of the people who are invested in what we do. That’s been the coolest thing that’s happened since I joined this band…we’ve got to connect with people who care about what we create. That’s special.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

JG: I have two tied for first: the week we got put in 50,000 Discover Weekly (plays) on Spotify was pretty cool. It was intense waking up and seeing all the interaction; to know someone every five seconds was listening in. The other was our longest tour run. I learned a lot; specifically, how important sleep is to the person singing every night. I didn’t do a good job.

PM: Mine is the first time The 10x went to Indianapolis. It wasn’t a huge show but half the people in the room were singing along with us. That was a crazy experience knowing that we had never been in that city before and people knew our music.

If you could support any musician alive today, and choose your own rider, what would that entail?

I’d play a U2 show (laughs)…

JG: I would too, but that seems insane.

PM: I’d say Lorde.

JG: We both look up to a lot of artists. I think Lorde or Jack Antonoff (Bleachers) would make a lot of sense for us. We’re at a place where we wish we were playing something like that every night, so the question is pretty real. 

Rider - some dope wine; water so my voice doesn’t blow out during the set…I’d eat almost anything.

PM: I want a professional masseuse and a gourmet chef to cater to my every need (laughs).

What advice would you give to new artists coming through?

JG: It’s rough out here. What I’ve learned is that there is always something that will work for you. You have to find that and be consistent.

PM: Find your niche. More specifically: just be who you are. I know that’s corny but, as artists, we’re all a different combination of our influences and things that have inspired us. No one captures the same perspective on music as you can, so take advantage of it.

IN THIS PHOTO: Sam Fender

Are there any new artists you recommend we check out?

I listen to a lot of smaller artists like Sam Fender, lovelytheband; Colony House and COIN. We also have tons of talented friends I listen to.

JG: I listened to Riah’s single, Nice, for three weeks straight. I didn’t listen to any other song.

IN THIS PHOTO: Riah

Do you get much time to chill away from music? How do you unwind?

PM: I usually unwind by playing drums so…it’s my job, but it’s also always been my happy place. Doing this IS how I unwind.

JG: I work all day and then come home and work on music so...I think the unwinding happens when the work is good. I like when I spend hours on a song and make progress. I’ve heard it a lot and I feel it too - it’s all about the work.

When a great song is released and people love it, it’s a great feeling – but, here we are; making sure we are ready to dig back in and work more.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Since I mentioned it earlier: Nice by Riah

PM: NEEDTOBREATHE’s new song, Bridges Burn. We got to play with them once and, ever since, I’ve been a fan. This new song might be their best one yet

____________

Follow The 10x

 Official:

https://the10xmusic.com/

Facebook:

https://www.facebook.com/The10x/

Twitter:

https://twitter.com/the10xmusic

Instagram:

https://www.instagram.com/the10x/

YouTube:

https://www.youtube.com/channel/UCpFexdG5UhmABtun_iT6GRQ?app=desktop

Spotify:

https://open.spotify.com/artist/3uOQhPuymPCCvq9E0Gb5zd

SoundCloud:

https://soundcloud.com/the10x

INTERVIEW: Jane’s Party

INTERVIEW:

Jane’s Party

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AS we head into the weekend…

I have been setting time aside to chat with the guys of Jane’s Party. It has been great speaking with the Toronto-based group about their new single, You’re the Light, and how it came together. I ask whether there are gigs coming up; what it was like shooting the video for You’re the Light – they reveal if they are coming to the U.K.

I was eager to explore their musical tastes and the music scene in Toronto; how they spend their time away from music; if they have any advice for new songwriters of the moment – the guys end the interview with song selections.

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Hi, guys. How are you? How has your week been?

Great week so far! Indie 88 in Toronto premiered the new video for You’re the Light and the single was released across all platforms on Friday.

For those new to your music; can you introduce yourselves, please?

Jeff (Keys, Guitar and Vox), Devon (Bass, Keys and Vox); Tom (Guitar, Vox) and Zach (Drums)

How did Jane’s Party get together? What is the reason behind that name?

We started jamming in a garage up in the Jane and Finch area of Toronto where we were all going to school together and made our first record, The Garage Sessions.

You’re the Light is your new single. Can you talk to me about the song’s story?

The song uses nautical imagery to paint a picture of being lost at sea overwhelmed by the feeling of helplessness and confusion. This refers to, simultaneously, searching for a figure or idol that is one’s guiding light through the maze of commotion we find ourselves trapped inside. 

It was made in collaboration with Matthew Angus of Fast Romantics. What was the reason for that? What was it like working with him?

We’ve known Matt for quite some time now and have always seen eye to eye musically and creatively over the years. It was really only a matter of time before we collaborated on something special and, after bringing a handful of tunes to him, this one jumped out of the bunch and what he added instantly took the song to a place we couldn’t have reached without his guidance.

The video is quite energetic and engaging. Was the concept designed to highlight your performance skills and personalities? Was it a cool shoot?

The video was born out of a performance style aesthetic. We wanted visuals that showcased to fans what the band looks like live - the energy, emotion; passion and skill. The lighting design was done in collaboration with Nathan Whitford from Urban Visuals in Toronto. He is an acclaimed lighting designer and installation artist.

Directors Julian Peter and Kat Webber as well as art director, Tom Ionescu (also in the band), came up with the idea of having different lighting ‘worlds’. The video was shot on two Alexa mini-cameras, as well as a mini D.V. to create contrast.

We used a steady-cam and dolly-track to create different types of movement and combined L.E.D. lights with projectors to get different colour palettes.

What is the music scene like in Toronto? Do you have favourite venues and local artists?

We have been playing around Toronto for almost ten years now and, regardless of where we reside in the future, it will always be home to us. Venues like The Cameron House, The Horseshoe Tavern and The Dakota Tavern are where we learned to play live and they offer a sense of comfort I don’t think anywhere else can.

Do you have any gigs lined up? Where can we see you play?

We are very excited about playing Alianait Arts Festival in Iqaluit this summer along with a number of other festivals in and around Ontario. More immediately, we are supporting Jeremy Loops in Toronto and Montreal on May 3rd and 4th.

Will you come to the U.K.? Have you played here before?

We haven’t played the U.K. but we will - with Tom Odell, ideally!

What do you hope to achieve in 2018?

We hope to release a full-length record supported by an abundance of visual content and we hope to take our new music far and wide.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Touring Europe with Tom Odell last year. Walking on stage every night to audiences that were so energetic and supportive hasn’t been topped yet. We also got to experience touring Europe with arguably one of the best singer-songwriter pianists to come out of the U.K.

If you could support any musician alive today, and choose your own rider, what would that entail?

Jeff: Paul McCartney - socks, underwear and whiskey.

What advice would you give to new artists coming through?

Write, record and play live. Do it often and don’t stop doing it!

IN THIS PHOTO: Jason Isbell

Are there any new artists you recommend we check out?

Lukas Nelson, Matt Duncan; JULY TALK, Jason Isbell; Fast Romantics and Ferraro.

IN THIS PHOTO: JULY TALK/PHOTO CREDIT: Shalan and Paul

Do you get much time to chill away from music? How do you unwind?

We make art, stay active and play in many various musical projects.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Jeff: The Keys – Matt Duncan

Zach: Tom Odell – Somehow

Tom: Ferraro – Can You Feel it

Devon: Fast Romantics – Everybody’s Trying to Steal Your Heart

____________

Follow Jane’s Party

 Facebook:

https://www.facebook.com/janesparty

Twitter:

https://twitter.com/janespartyband

Instagram:

https://www.instagram.com/janespartyband/

YouTube:

https://www.youtube.com/user/janespartyband

Spotify:

https://open.spotify.com/album/0Xvp7nGMFfaOnQhyQdfSmK

SoundCloud:

https://soundcloud.com/janespartyband

INTERVIEW: Emilie Mover

INTERVIEW:

 Emilie Mover

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IT has been a little while since I last talked…

to an artist from Canada, so it is just as well Emilie Mover has come along! I speak to her about the new cut, Walkin' Through, and whether the track has personal relevance – she talks to me about her past and musical inspiration (revealing how her dad's musical knowledge and background has helped shape her).

Mover tells me whether there are any gigs coming up and, whether, the U.K. is part of the agenda; how she spends her time away from music; which three albums mean the most to her; the new musicians we need to support – Mover ends the interview with a rather nice song selection!

___________

Hi, Emilie. How are you? How has your week been?

I’m great, thanks! It’s Monday, but so far so good. Just took my puppy to the vet for vaccinations so he’s a bit mad at me…but a good week so far on the whole! Haha.

For those new to your music; can you introduce yourself, please?

My name is Emilie Mover.

Walkin' Through, your new single, was written in three different apartments. What was the reason behind this?

Well. I’m not sure if it’s a subconscious namesake thing or what, but I have literally MOVED quite a bit in my life. I think I’ve lived in almost thirty apartments over the years (counting family homes).  Also, my dad and sisters are in N.Y.C. and I’ve been moving back and forth between Toronto and New York City since I was a pre-teen; so, a lot of it has to do with going back and forth.

Walkin' Through came together quite slowly and tediously: a verse here, a verse there; so, naturally, it just ended up that it’s got a little bit of multiple apartments in it.  

What, would you say, is the song about? How did it come to mind?

Like I said; it was written over the course of a few years.

I didn’t want to rush it because it’s about something that is maybe THE most important thing to me, which is my relationship with the unseen, faith, etc. It came to mind, initially, when I was travelling across Canada on the train. Maybe I got to thinking about the big picture because watching the scenery passing through the country was just so overwhelmingly beautiful. 

Was it cool recording it at The Bathouse in Kingston?

Oh boy; was it ever! That place just has excellent, excellent vibes. I know a lot of really great recording gets done there. Also, the other musicians on the album are all actually (just) my oldest and greatest friends, so it was pretty wonderful to have the opportunity to go to the country and play music for a week in this gorgeous house. ALSO, the engineer at the Bathouse, Nyles, is a great guy and terribly talented. 

Are you looking ahead at more material? Might we see an E.P. later in the year?

I’m working on putting together a little home studio right now. I would like to start releasing material more on the fly, sharing it spontaneously for a while. I’ve made a lot of albums but things have shifted so much: I wouldn’t mind seeing what happened to the songs and my writing process; if I just bring them into the world and then let them out as they come, as opposed to waiting for a year or two to release another cohesive album.

But, who knows…I might change my mind. 

Which musicians did you grow up around? Who do you count as idols?

My favourite question! My first and foremost musical role model is and always will be my father, Bob Mover (www.bobmover.com). He is another level of a musician that they just don’t make anymore and he taught me things about listening to and understanding music that they can’t teach in school.

He has an encyclopaedic understanding of Jazz and he got me into all of the great songwriters of the twentieth-century (Cole Porter and stuff, obviously, but also people like Johnny Mercer, Billy Strayhorn and Sammy Fain. Guys like that). He knows all of the lyrics to the songs he plays - which is a rarity among non-singers these days – but, to him, is essential. 

When I took to singing, he ‘hipped’ me (to use his phrase) to all the great Jazz singers (Billie, Ella; Sarah, Peggy; Dinah, Blossom). But, I’m also big into sax players and piano players: Charlie Parker, Lester Young; Cannonball Adderley, Coleman Hawkins; Ben Webster, Teddy Wilson; Thelonious Monk, Earl Hines; Hampton Hawes; that kind of thing.  

In my early-twenties, I got really into Soul music. I love that stuff. New Orleans, Memphis kind of stuff: Donny Hathaway, Brenton Wood; Irma Thomas, Percy Mayfield; Lee Dorsey, The Meters. Oh man, the list goes ON AND ON…

Also; can’t forget the great Stevie Wonder. He’s my main man.

Do you have any gigs lined up? Where are you heading?

Going to have a little tour in Canada and, maybe, the New York area a couple of months after the album comes out on June 5th. Right now, I’m getting ready to play Major/Minor festival at the Burdock on May 13, and for my mini-album release at the Tranzac on June 6th.

Will we see you come over to the U.K.?

No plans as of yet, but would love that. 

What do you hope to achieve in 2018?

A new sound - but in the same spirit of timelessness, humility and love of music. 

Have you got a favourite memory from your time in music – the one that sticks in the mind?

So many, really. I would, again, say that being at Bathouse while recording this album was one of the most fun times of my life. But, I generally love being in the studio. Every time I’m in the studio I have that ‘this is where I’m meant to be’ feeling and, lately, I’ve been loving being on stage too. I’ve been playing solo and I love it. It’s like the silence is my rhythm section. 

It’s pretty nice being able to communicate and talk real sh*t like an arrow to a target with a whole room full of people. It makes me feel very happy and safe.

If you could select the three albums that mean the most to you; which would they be and why?

Stevie Wonder - Fulfillingness' First Finale

I just feel like Stevie innately has this grasp on love as a concept that most of us have to work our whole lives to get to. He is my main man. I chose this album because it has a lot of good songs but, really, any album has at least one song that will blow the mind in its ability to communicate love through melody and harmony. I mean, I named my dog after Stevie Wonder. Haha.

Paul Simon - Paul Simon

Everything Put Together Falls Apart and Run That Body Down are both on this album. If I could choose to have written any song in the world, it would probably be Everything Put Together Falls Apart. Also; fantastic album cover. 

Luiz Bonfa – Solo in Rio 1959

This is an instrumental Bossa Nova album by the guy who is best known for writing the music for Black Orpheus. My first big love, let’s call him ‘M’, introduced it to me. He worked in record stores and a guy came in and asked if they had any good solo Brazilian guitar. M said “No, sorry”, but, then, when the guy left, he pointed to this record on the counter and said: “This is the best Brazilian guitar record”. Haha. Record stores. Either way, it really is. It has been with me ever since.I listen to it at least once a week. 

What advice would you give to new artists coming through?

I don’t think they need my advice. Maybe, don’t resist change because it’s pointless. I guess I would just say stay humble and try not to get bitter. It’s so easy to get bitter. I’ve seen it happen to a lot of guys in my dad’s generation. It doesn’t help you create. 

Are there any new artists you recommend we check out?

Have you heard of Stevie Wonder? Just kidding…

Well. He’s not a new artist, but I always tell people to check out Percy Mayfield because hardly anyone knows about him and he’s really great. He wrote Hit the Road Jack and Please Send Me Someone to Love. He was being primed to be a STAR but then he hit some hard times and it never happened. He wrote for Ray Charles a fair bit, I believe. In any case, he’s lovely.

In my city at this moment, I can’t forget to mention Jennifer Castle. She is my friend, but I listen to her records on the regular. Big fan. 

IN THIS PHOTO: Jenniger Castle

Do you get much time to chill away from music? How do you unwind?

Music is the unwinding. That and Netflix, obviously.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Oooh. Play Donny Hathaway - Jealous Guy.

That’s what is playing right now - and I think you would enjoy it. Haha

Thanks for everything!

Xo, Em.

____________

Follow Emilie Mover

Facebook:

https://www.facebook.com/emiliemovermusic/

Twitter:

https://twitter.com/emiliemover

Instagram:

https://www.instagram.com/emiliemover/

YouTube:

https://www.youtube.com/user/emiliemovermusic/

Spotify:

https://open.spotify.com/artist/4dx2QFru02KbFFNYgwourF?si=gumZIo1BQeiXtAhMyGsz4w

INTERVIEW: Mozaics

INTERVIEW:

Mozaics

___________

ONLY yesterday…

I was speaking with a band who hails from Guernsey. Now, I have been chatting with the Jersey-based band, Mozaics. I learn what the scene is like on Jersey and whether there is more material in the coming months – I discover how they came to meet J-Hus!

The guys reveal what they do away from music; whether there are any new artists we need to check out; if they feel the music they are making now has developed from their earliest days; what advice they would give to new musicians coming through – I ask how the band feels when they get on stage and deliver the music to their fans.

___________

Hi, guys. How are you? How has your week been?

Hello. We’re good thanks; how are you? This week has been interesting for us. The video for B.W.G.O. dropped this week and, so, we’re busy organising radio interviews and some local gigs to promote it! It’s an exciting time.

For those new to your music; can you introduce yourselves, please?

Hi. We’re Mozaics. We’re from Jersey: not the New Jersey; the old one situated off the coast of France in the Channel Islands.

Our music has been described as uplifting anthem-Indie/Trip-Hop. Basically, we’re obsessed with melodies and hooks; if it’s not catchy it doesn’t make you smile! Music that makes you smile tends to make you dance; two things that we think are extremely important.

How did Mozaics get together? When did you all meet one another?

Jersey is a pretty small island - so we’ve all kind of known each other for years. We’ve all gigged together in different bands and have had varying levels of success in different formations. Mozaics really came together in mid-2015. That’s when Craig and Chris joined Christian, who had already written and produced a few records. Tom came along shortly thereafter and the power line-up as it stands now was born.

Before We Grow Old is your latest track. What is the story behind the song?

B.W.G.O. is about a nostalgic hat-tip to a youthful relationship told by someone who didn’t know what they had and took it far too seriously.

What can we expect going forward? Is there going to be more material or any collaboration happening?

The future is rosy! We’ve been hard at work networking and expanding our relationships. Since recording B.W.G.O., we’ve written and recorded four more tracks and we’re as excited, if not maybe even a little more excited, to share those with the world in due course. Watch this space!

Tell me how you met J-Hus. How did that encounter come about?!

There isn’t really much to tell if we’re honest. We met backstage at a festival that we were both playing. He confessed to rapping over our songs during our set and we just started chatting.

Stylistically, you would say we’re very different artists; however, we share a common passion for one thing - and that’s music. Although there’s no immediate discussion about a collaboration, we’d be daft not to follow it up! The future knows no bounds, right?  

Do you think you have grown and strengthened since your earliest days?

Without a doubt. We’ve probably all grown as musicians, individually, although we play now more for the music, so it might seem like we’ve paired it back a little from the earlier days. That is, however, where the growth has come: it’s in the songwriting and playing what’s needed for the song. Hopefully, that comes across in the tracks and in our live shows.

Don’t get me wrong; we elaborate where we need to in a live show because that’s an experience and is a completely separate piece of the Mozaics puzzle.

The video for the track, Do This with Me, gained a lot of praise for the performance and concept. Do you guys get involved a lot with pitching videos and the look of them?

Yeah; that’s a really pretty video, that one. We’re obviously biased; however, we’d really recommend it as a must-watch! We like to be involved in the decisions made around video concept. We all have ideas and visualise how it should look and these are shared early on. We are pampered somewhat in that our pals at Nifty50, who have shot all the Mozaics music videos, are masterful videographers. They’re, also, very musical.

Add to those two things the fact that they’re super-down-to-earth and genuine in everything they do. It’s pretty much a trifecta of awesome! We’re lucky to have worked with them and plan to continue to work with them as our journey continues.

Do you have any gigs lined up? Where are you heading?

Yeah. We’ll be announcing shows soon; keep an eye on our Facebook and Twitter pages. We’re also very keen to share another live-streamed gig on social media - something we tested earlier in the year and became a huge success. If you get a chance, visit our Facebook page and watch the live gig on Facebook. It was streamed live from our practice space. Off the top of my head; we’re headlining a show on 23rd June in Jersey at the Watersplash.

If you’re on the island, come and have a dance!

How important is it getting on the stage and seeing the reaction of the crowd?

The live performance is everything. Any and every artist will say the same thing. There is no substitute for the buzz of a gig and the interaction you get from an audience of people who love music as much as you do. It’s therapeutic. It’s what artists (us) live for. If you love music and you’ve experienced music at a live gig, you can almost always recall the emotions that you felt at that gig, the lights, the sway of the crowd; it’s memorable because it’s an experience like no other.

Live music shared with people who love music is a really powerful thing.  Live performances from our favourite artists are what inspire us and what fuels our passion.  It’s the reason we make music.

What do you hope to achieve in 2018?

2018 is an exciting year.

For us, it feels like momentum has been good through 2017 - and everything has been leading to this year. We’ve been bottled up and spent the past year or so shaking things up: 2018 is about blowing the lid off (so to speak) for Mozaics. Having seen the support for the most recent single, Before We Grow Old, and knowing that we quite possibly have, dare we say it, more belters to follow; we’re super-excited and anxious to share our art with the world on a bigger stage. 

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

There are probably plenty. One that really sticks out for me (Chris) has to be our first performance in this line-up at Jersey Live. I think it was 2015?

Anyways; we’d yet to play a show locally...and so no one knew what to expect. We were all really excited to play the show and I think, secretly, we knew our set was going to be something the island had never seen. Plus, we’d rehearsed it quite a bit and we were ready to share our songs with the world. We played in the middle of the day in a tent at the back of the festival in between main stage turnaround.

Not expecting much, we packed the tent after our first song, bossed the rest of the set and played an encore to a hungry audience. Thereafter, we sold every single one of our E.P.s and there was a real buzz around the festival about the band. It was pretty special and definitely a moment I’ll never forget.

What advice would you give to new artists coming through?

We’re not really advisors - and we continue to learn, every day, that we do this. We have, however, all been doing this music thing for a number of years. We’ve all had some success in different forms and we’ve all experienced just how difficult it can be to turn heads and make people notice what you’re doing. The only bits of advice we can give derives from our own experiences. First and foremost, believe in the product and believe in the band. If you don’t believe, no one else can.

Secondly, there is no substitute for good old-fashion hard work. If you want something you have to roll your sleeves up and get busy with it. No one else is going to invest time or money in a band that isn’t interested enough to invest their own time and money in themselves.

Thirdly; every single relationship/contact, no matter how brief with a venue contact, a fan; another band, a D.J.; a promoter, a bar manager; a friend of a friend, etc. is as important as the last. Make those relationships work for you; make sure they remember you for the right reasons. You never know when you might need to rely on them in future as part of your journey. Plus, they’re more likely to buy your music when you release it out into the world. Better yet; if they like you, they’ll probably promote you to their friends, who will promote you to their friends and so on...

Sorry...that kind of dragged on a little!

IN THIS PHOTO: July Talk

Are there any new artists you recommend we check out?

Check out JULY TALK. They’re a really cool Canadian Rock band making waves on both sides of the Atlantic. Chris roomed with their guitarist at university. Other cool under-the-radar acts to check out are Winterfalle, Alex Alex and Tadhg Daly - all musicians from our small island in Jersey and all making waves in the music world.

IN THIS PHOTO: Tadhg Daly

Do you get much time to chill away from music? How do you unwind?

We do. Everyone is very close with their families; most downtime is spent in their company. When not doing that, Christian meditates and does jiu-jitsu. Chris is an avid golfer and has more recently developed a passion for long-distance running. Craig is really into yoga and spends a great deal of his time reading.

Aside from being the band hunk, and the guy everyone wants as their best mate, Tommy teaches music professionally, and so, when he’s not playing with Mozaics, he’s playing with others (not in that way; at least we think). You can take Tommy out of the Music but you cant take the Music out of Tommy! 

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

QYURRYUS by The Voidz. We’re really into this track at the moment. It’s way dope

____________

Follow Mozaics

Facebook:

https://www.facebook.com/mozaicsofficial/

Twitter:

https://twitter.com/MozaicsMusic

SoundCloud:

https://soundcloud.com/mozaicsmusic

YouTube:

https://www.youtube.com/channel/UCtQb7XmuU14os3O0laNq3Tg 

INTERVIEW: Fletcher Jackson

INTERVIEW:

 Fletcher Jackson

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I have been speaking with the guys of Fletcher Jackson…

about their new single, Prelude. Fletch (the band’s singer) fields the questions and chats about the next steps for the group and how they all got together. The guys each select an album that means a lot to them; Fletch talks to me about where they are heading on tour – he recommends a new artist we need to get out ears around.

Fletch also provides advice for new artists and reveals what he (and the chaps) gets up to when they disconnect from music; they each select a song to end the interview – a nice view into the busy and exciting world of Fletcher Jackson.

___________

Hi, guys. How are you? How has your week been?

We’re good, thanks. We’re having a crazy week! On top of dropping our new single, we're mixing the follow-ups! At this point, sleep is a luxury!

For those new to your music; can you introduce yourselves, please?

I’m Fletch. I’m the singer in the band. On guitar we have Jack. On drums we have James. Ben’s on the bass and behind the keys there’s Sean!

Tell me about your new song, Prelude. How did it come together? What is the story behind it?

James played me a drum sample that I instantly wanted to write over. It was around the time Trump was elected, so I knew I had something to say. It all came together from there!

It follows on quickly from Live a Lie. Did the big reaction to that track compel that creative continuation?

The reaction to Live a Lie was a big surprise to us all! But, we don’t like to cover the same ground twice so Prelude couldn’t be a Live A Lie part two. It had to feel new and exciting!

Will we see an E.P. arrive later this year, do you think?

You’ll definitely see more new music, for sure! If it’s in an E.P format is a different story. Streaming’s changed the game and we wanna embrace that!

 How did Fletcher Jackson get together? What is the origin of that band name?

We all met at The Academy of Music and Sound in Gateshead. I formed a band around a solo project but it quickly became a band. We took my name ‘Fletcher’ as a reference to the project that first brought us together and ‘Jackson’, the street we drink on in Gateshead, to get the band name.

What sort of music did you all grow up on? Which musicians stick in the mind?

We all grew up surrounded by very different music. I remember (Frank) Sinatra being played a lot when I was younger whereas Jack grew up on Classic Rock - that probably explains why he’s a better guitarist than me and why I have a fascination with spats…

If you each had to select the one album that means the most to each of you; which would they be and why?

For me, it’s Kendrick’s (Lamar) To Pimp a Butterfly. It showed me how to take all your influences and use them in a modern way.

James loves The 1975’s (The 1975) first album! His approach to drumming changed after he heard it.

Ben got into bass through Rush’s Moving Pictures; so he’d probably pick that!

Sean’s is Demon Days by the Gorillaz. It was the first L.P. to get him into Rap.

For Jack, it’d be Deep Purple’s Machine Head. It’s the album that made him pick up the guitar!

Do you have any gigs lined up? Where are you heading?

On 6th May, we’re playing The Riverside as part of Newcastle’s Hit the North festival and 25th May, we’re up in Glasgow supporting Jake Bugg!

How important is it for you to get on stage and get those songs out to the people?

It means a lot to us! Going through the process of writing and recording a song is special but very private. We just wanna share our music with people - and live is the best way to do that!

What do you hope to achieve in 2018?

To be heard by as many people as possible! We love sharing our music!

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Playing Newcastle City Hall meant a lot. Our heroes played there, so that was special!

What advice would you give to new artists coming through?

Trust yourself but take advice from the right people. Ignore the guy in your local complaining about your guitar tone - they’re always wrong!

IN THIS PHOTO: King Princess

Are there any new artists you recommend we check out? 

We’d highly recommend King Princess. 1950 is a banger

Do you get much time to chill away from music? How do you unwind?

Not really. We spend a lot of time making music and collaborating. There’s always something going on! I guess that’s our way of relaxing.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Of course! Here’s our songs!

I’ll have Redbone by Childish Gambino

Jack’ll have Can’t Do by Everything Everything

Ben wants Ivy by Frank Ocean

Sean picks Sunshine by Flight Facilities

James will have Somebody Else by The 1975

____________

Follow Fletcher Jackson

 Facebook:

https://www.facebook.com/FletcherJacksonFJ

Twitter:

https://twitter.com/fletchjackson

Instagram:

https://www.instagram.com/fletcher_jackson/

Spotify:

https://open.spotify.com/artist/6hw9olQufTzUrB0zr7Sriq

INTERVIEW: track not found

INTERVIEW:

 track not found

___________

MY journalistic work allows firsts and unusual occurrences…

that introduce me to new areas of music. In many cases, that geographical revelation is sound-based. Now, as I speak to the Guernsey-based band, track not found; it has opened my eyes to the music coming from there. The group chat about their track, Science (Gone Wrong) and what we can expect from their upcoming, debut album.

I learn how the band got together and whether they have any memories of scouting through record stores – as their new single was released on Record Store Day – and what gigs they have coming up; which new artists we need to check out; the band members each choose an album that means a lot to them - Grace Taylor (on vocals and guitar), Maisie Bisson (on vocals and bass) and Emma Thomas (on drums and vocals) let me into their world.

___________

Hi, guys. How are you? How has your week been?

Emma: I’m good and tired because school is busy, but I recently had my seventeenth birthday, which was fun.

Grace: Good. Writing lots of new songs, like one about my friend’s cat.

Maisie: Yeah, it’s been alright. The weather over here has been really summer, so that’s made my week, really.

For those new to your music; can you introduce yourselves, please?

We are <track not found> and we write angsty songs in whatever genre we choose. We tend to get creative and make our songs as unique, moshable and cool as possible (even if it isn’t so cool to others).

Science (Gone Wrong) is your new single. What is the inspiration behind the track?

For inspiration, we wanted to write a more…funky, jazzy song. Lyrics-wise, it’s a mix of frustration and Grace’s family relationships at the time it was written.

It was released on Record Store Day (21st April). Was there a reason for releasing it that day? How important to track not found are record stores?

It’s a day for all musicians to show off their music in a physical form that brings back the heart of music scenes around the world – record stores.

However, we are a group of broke teenagers, so we couldn’t afford to release anything in physical copies, so we thought the next best thing would be to put out online and put free download codes in our local record store for people to pick up when they buy their vinyl. We have one real record store on Guernsey, Vinyl Vaughan’s, that’s pretty cool and has some really good deals.

Vinyl shops are a good place to find old music and new things.

Do you have memories of being taken to record stores and digging through crates? Any favourite finds you’ve had at any record shops?

Emma: not necessarily a record but I once found eight Placebo singles at a record fair. That was pretty great…

Grace: I’ve recently been going to Vinyl Vaughan’s a lot more as I get into discovering different bands…

Maisie: I don’t really have memories of record stores, but I recently got my parents’ old collections of vinyl and have loved listening to all of them

I believe you have a debut album on its way. What can you tell us about the songs and titles that will appear on the record?

Well; we’re not entirely sure which songs we’re putting on there yet but it’s going to be all our favourite originals from the past year or two and some new ones we’ve been working on more recently. Hopefully, it’ll just be a good collection of songs that people can have a good ol’ bop to.

The Only Way Is Lost, your debut, E.P. was released last year. It got great reviews! How pleasing was it seeing that sort of responses?

It was great to see that people enjoyed our music because we were super-proud of how the E.P. turned out and had so much fun recording it. It’s encouraging to see how our hard work paid off. It was really interesting to see how people were so enthusiastic about some parts of the E.P. that we hadn’t been too fussed about.

It shows you how, even when you know the music inside out, you still haven’t listened to it in the same way that other people have.

Guernsey is where you hail from. Is there a busy music scene on the island? Is it hard getting gigs there at all?

The music scene on Guernsey is brilliant - we cannot praise it enough. The small population and close-knit community really support each other it’s easy to feel like a local celebrity when, almost every time you leave the house, you see someone who you’ve met in the scene.

The two main festivals in the summer help new bands and people get into the local scene. However, it can still be hard to get gigs as a younger band as there are strict licenses against under-18s being in pubs. There are under-18 nights organised by Sound Guernsey that are really great for us young bands.

If you each had to select the one album that means the most to you; which would they be and why?

Emma: Origin of Symmetry – Muse

Muse has been a huge part of my life for about ten years and this album got me into drumming, as Dom Howard is my key inspiration. Muse were the first band I ever saw live - and that also really inspired me to perform

Grace: If it was just one, it would change weekly but, at the moment, probably Two Moons – Bat for Lashes

I think it’s a really beautiful album that I could listen to over and over and not get tired of it. Either that or one of Radiohead’s later albums.

Maisie: I have got to say Lazaretto – Jack White

This album really opened my eyes to the music that was out there and Jack White was the first artist who I couldn’t stop listening to. Even though I had been surrounded by music my whole life, this was the album that got me to start listening to music rather than just hearing it.

Do you have any gigs lined up? Where are you heading?

We’ve got a quite a few gigs lined up for summer on our U.K. tour such as The Finsbury in London, which we’re super-excited for! But, before that, we’ve got a couple around Guernsey like an under-18s gig (with Sound). But, we’ve got all of our gigs up on our Facebook and Twitter so, if we have any new dates, that’s the place to look…

What do you hope to achieve in 2018?

In 2018, we’d like to carry on writing better songs, record the full album; gain some connections while we’re on our U.K. tour and just carry on developing our stage presence. I think the main aim is just to carry on making music, gaining fans and having a good time.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Emma: Our Epiphany gig. During the set we had two circle pits going on at the same time and, for some reason, we all ended up lying on the floor with the crowd.

Grace: My favourite memory is the first proper mosh-pit I got into at the local festival, Chaos, last year.

Maisie: When we played a gig supporting a local band and, after having a great time on stage, we could hardly move for people saying how much they enjoyed the set.

What advice would you give to new artists coming through?

You’ve just got to love the music you make...

While other’s opinions matter, you cannot make music for anyone other than yourself. Use it as an outlet to express your emotions, both good and bad. It’s important to be open to suggestions as long as they don’t change your music to a place where you aren’t happy with it. Be in a band with friends and people you enjoy spending time with - so it’s always fun making music with them and you can truly be yourself around them.

IN THIS PHOTO: Japanese Breakfast

Are there any new artists you recommend we check out?

Emma: Not exactly new or unknown - but, Ghost. You will not regret it.

Grace: Japanese Breakfast is very new, but is very good.

Maisie: Local bands like The Recks and Static Alice are really great, but NOVA TWINS are also really great.

IN THIS PHOTO: NOVA TWINS/PHOTO CREDIT: Sanaa Abstrakt

Do you get much time to chill away from music? How do you unwind?

Emma: Personally, not much: juggling a relationship, A-levels, friendships and the band makes for no time. I do enjoy painting and sketching if I have any free time.

Grace: I unwind by lighting incense, eating chocolate and watching T.V. with my cat (currently, RuPaul’s Drag Race).

Maisie: If I find any time, a good book or film is usually my go-to with many cups of tea.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Emma: Square Hammer by Ghost

Grace: My choice is 7, the element by Vitas. Thank you

Maisie: Yellow Sun by The Raconteurs, please!

____________

Follow track not found

Official:

https://tracknotfound.com/

Facebook:

https://www.facebook.com/tracknotfound

Twitter:

https://twitter.com/tracknotfound

Instagram:

https://www.instagram.com/tracknotfound/

SoundCloud:

https://soundcloud.com/tracknotfound

YouTube:

https://www.youtube.com/channel/UChKr1qEF0X4aYihMWJojh0Q

INTERVIEW: Screamin’ Whisper

INTERVIEW:

Screamin’ Whisper

___________

AN insatiable force with a brand of music that…

fills the body and provokes all sort of imaginative visions – Screamin’ Whisper are the band to get the heart, bones and brain buzzing. I have been speaking with them about their upcoming album, Filth, and the themes that inspired it. They talk about their latest single, Angels Don’t Watch Broken Homes, and what happens now – where they are touring and what they have planned.

The guys talk about their musical influences and how their songs come together; how the band stand out in a busy market; if they get time to unwind away from music – the lads each select a song to end the interview.

___________

Hi, guys. How are you? How has your week been?

Hi. Our week has been good. We’ve been rehearsing hard for our album launch on 17th May at Voodoo Rooms, Edinburgh. Our drummer, Zak, also got an ‘unconditional’ for college; doing drumming, of course...so we had a celebration.

For those new to your music; can you introduce yourselves, please?

We’re Screamin’ Whisper, an Edinburgh-based band. We’re a kind of Rock/Indie sound, I suppose. We’re a three-piece, made up of a set of identical twins, Brian and Martin - and Zak, who is almost the triplet we never had.

Angels Don’t Watch Broken Homes is your current single. What inspired the song?

Yes. It’s the newest single from our album, Filth. It was inspired by realising that, sometimes, it’s better to move on sooner rather than later – when something will never be the same again, the memories are probably better left intact.

It is from your upcoming album, Filth. Are there particular themes that influenced the songwriting?

In terms of themes, there was no conscious theme through the whole thing, really. In hindsight; it seems influenced by experiences of being young and making mistakes. Maybe finding out that the world isn’t as forgiving as you’d sometimes like...

In summary; a lot of stupidity was involved.

I hear bits of The Rolling Stones and T. Rex in your music. Would it be fair to say you have a love of Rock and Glam legends?

Yeah. There’s a lot of influence from that sort of era. Brian, our singer, gets compared, vocally, to Marc Bolan quite often, actually.

When we play live, we get compared to The Stones surprisingly often as well. I guess it’s the fact we try to put on a show. We’re not really a stagnant band when we play live: there’s a lot of space to play with on stage when you’re a three-piece, which is nice.

What sort of music did you all grow up around? Did you always know you wanted to be musicians?

We all grew up around relatively old music: certainly, not listening to the current charts, anyway. Bands like The Doors, Bob Dylan or, even, Gorillaz all had a big impact on our early years.

We have all been quite sure music was something we wanted to do from a young age. So, when we formed in 2015 - after several years of playing together in other projects - we were quite sure that we were all set on a career in music.

How does a Screamin’ Whisper song come together? Do you all write songs together – or will someone tackle lyrics and bring it to the rest of the band?

Brian does the writing for the band. He usually sits down to write on his acoustic guitar and then brings it in to show the rest of us. Sometimes, he comes in with a full demo he recorded, with all the parts for us to hear. Other times, we just jam it out in the rehearsal room. It really depends on how clear an idea he has on what the song should be.  

There are a lot of bands out there right now. How do you guys stand out from the crowd?

I think we stand out because we try to take things into our own hands as much as possible. We design our own merchandise - which reflects the band. Things like our T-shirts that say ‘Basser Is a Knobhead’ sold out very quickly because our fans realise that our bassist is, in fact, a knobhead.

So; I think it’s more about being yourself than ever - especially when people can see a lot of sides to you by simply checking out what you’re like online.

Do you have any gigs lined up? Where can we see you play?

Right now, we’re just focused on our album launch. We’ve been keeping gigging quite dry since the first single came out last month, to focus on rehearsal and, also, we can build a hype for the album launch next month. We’re hoping to fit in a few festivals in the summer and we’re making plans for a tour as well.

What do you hope to achieve in 2018?

We’re hoping to (just) build out following and profile on the back of the album. It’s all about continuous progress for us. Once you’re moving forward, there’s nothing to complain about. We also have plans to have our second album finished by Christmas. It’s pretty much written so, after festival season, it’ll be straight to recording, really.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

As a band, the best memory must be when we played in the National Museum in Edinburgh. It was really special; it has high ceilings and is really picturesque. (There were dinosaurs there!). But, also, we had a great showing of support that night, so the atmosphere was electric. It really was one of those magic, once-in-a-lifetime opportunities.

If you could support any musician alive today, and choose your own rider, what would that entail?

Probably The Rolling Stones. Just to say you’d shared a stage with a band like that would be a story to tell the grandkids. I’d say they’ve got a few great stories to tell in the dressing room, too! Or, maybe, Liam Gallagher. He always has nuggets of top quality wisdom to impart - or just his outspoken opinions are a sight to behold.

As for a rider; beer is a must. Probably sandwiches or crisps, too. They’re always good to keep you going. Although, Martin doesn’t ever eat before we play. He feels like he’ll be sick if he does. I can only imagine him vomiting on the front row…like a scene from the early days of Punk!

What advice would you give to new artists coming through?

First thing is to always get things in writing. Otherwise, be real: put on a show and learn every aspect of the business. It’s your job to do it right until somebody else offers to do it for you better. That’s the practical advice out of the way…

But, as for being a band; be something that everyone else is afraid to be. If you are something that people don’t see every day, that’s more than just the music, then people will want to see it in person. Like a circus!

IN THIS PHOTO: Imelda May

Are there any new artists you recommend we check out?

We’re big into people like Imelda May. She’s got a really cool Soul/Rockabilly vibe...or maybe Sundara Karma. They’ve got a nice, loose Indie vibe. There’s a lot of quite strong bands of that ilk around in Britain at the minute. Good stuff.

IN THIS PHOTO: Sundara Karma/PHOTO CREDIT: Anna Maria Lopez

Do you get much time to chill away from music? How do you unwind?

Recently, there hasn’t been so much time away from music. But, when we have time, drinking is always a winner or, if it counts as time away from music, going to see local bands is also a winner.

Brian dabbles in animation and has been working on some cool visuals for the upcoming shows. Zak often can be found at the local skatepark. But, reading is generally a great escape.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Okay…three choices:

We Are the Dead by David Bowie

Twilight by Elliott Smith

Muffin Man by Frank Zappa

All great songs, if you ask us!

                                                                 ____________

Follow Screamin’ Whisper

Official:

http://www.screaminwhisper.com/

Facebook:

https://www.facebook.com/screaminwhisper/

Twitter:

https://twitter.com/ScreaminWhisper

Instagram:

https://www.instagram.com/keepscreamin/

SoundCloud:

https://soundcloud.com/screamin-whisper

YouTube:

https://www.youtube.com/user/screaminwhisper

Spotify:

https://open.spotify.com/artist/0k2jpp6jo2alqp5KlBc9Oy

INTERVIEW: DeLaurentis

INTERVIEW:

 PHOTO CREDIT: Dominique Gau 

DeLaurentis

___________

THERE is a distinct magic that emanates…

from the sounds of DeLaurentis. I have been speaking with the songwriter about her Big Part of a Big Sun E.P. and what inspired its songs. She talks about her connection to music and literature; why she takes care of producing her own music; how computer music changed her life and creativity – she talks about the three albums that mean the most to her.

I ask her to recommend some new artists and what tour dates are coming up; which musicians she grew up around; if she has a special memory that sticks in the mind; what she hopes to achieve before the end of the year – DeLaurentis tells me how she chills away from music.

___________

Hi, DeLaurentis. How are you? How has your week been?

Hi. I’m fine! We had a beautiful week in Paris - the summer weather came early. I performed a live video with my violinist friend at my home studio; we played the single from my new E.P.

For those new to your music; can you introduce yourself, please?

I’m a singer-musician and I produce everything. I record with synthesizers, controllers; loppers, vocoders etc. My music is Electronic, Pop and cinematic. I’m fascinated by the relationship between sounds and images! I grew up in an artistic family. My father is a Jazz piano player, my sister is an actress and my little brothers are musicians, too.

Big Part of a Big Sun is your new E.P. Can you tell me what sort of themes influenced the songs that appear throughout?

I composed these new songs on an island while trying to disconnect myself from city life and the crazy rhythm of the digital world. That’s why elements of nature, dreams; memories and the cycle of life are the themes of this new E.P.

Is it true you wrote the songs whilst on an island – free from distractions of social media? Did that influence themes of connecting with nature and the planet?

Yes, it’s true! Last year, I felt in a state of emergency to be in the wild and let intuition and inspiration take the reins. So, I went to an island to create and the result was immediate - because the first song I wrote was A Big Part of a Big Sun! It is an ode to the majestic sun - and the other songs came naturally after…

How much do literature and art go into your music? Do you take a lot from literature when you conceive material?

I like to read Celtic tales and traditional myths to write songs because it helps to open ‘the doors of perception’, as William Blake stated. My favourite books are Femmes qui courent avec les loups by Clarissa Pinkola Esté and La Femme Celte by Jean Markale.

Did music suddenly mean more to you when you discovered computer music? Was that a moment when you stepped up your ambitions and aims?!

At the age of twenty-four, I discovered computer music and I understood that all the sounds and melodies in my head could be recorded and played. Infinite possibilities were opened to me!

We live in a revolutionary time: nowadays: everyone can make music at home and release it online very easily.

You are a producer, too. Do you think having control of your music makes it sounds more natural and personal?

Yes. it’s really great to feel independent and free to make music by myself. It’s more personal and singular because I can choose the sounds, the effects; the sound design, the scenario…and, sometimes, accidents and mistakes can become a personal touch!

Which musicians struck your ear when you were growing up?

The first record I listened to, when I was five, was Toulouse from Claude Nougaro, a famous singer from my own city! Afterwards, I heard my father playing Jazz standards in clubs and I used to sing Jazz a lot. In my teenage years, I discovered Trip-Hop with Portishead, Morcheeba; Björk, Massive Attack…it was a defining moment!

PHOTO CREDIT: Thomas Guerigen

Do you have any gigs lined up? Where are you heading?

Not in the U.K. at the moment, but I have few gigs coming in France in the next months. One of them is a residence in the Montargis theatre (a small city close to Paris), where I will rehearse my new live show. At the end of the residence, I will perform my show and host a masterclass about how I connect Ableton software and Resolume software (video) on stage.

What do you hope to achieve in 2018?

I hope to perform in many places in many other countries! I would love to come to play in London, of course! I really enjoyed performing in Ecuador last January year and I would love to return to South America. I’m also working on new songs and I hope to release my first album next year.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

One of my best memories as an artist is the concert I gave in 2016 with a string Classical quartet. The meeting of electronic and organic sounds is a perfect mixture. Since then, I always try to put these ingredients in my new songs!

If you could select the three albums that mean the most to you; which would they be and why?

Laurie Anderson - Big Science

She’s one of the first women who pioneered Electronic music - and this album is a huge reference for me.

Björk - Homogenic

After the queen Laurie Anderson, there is the diva Björk; another amazing female artist who has made a mark on the music history. This album is absolute perfection.

Joni Mitchell - Both Sides Now

Because it’s beautiful, poetic; symphonic and tender. It’s her seventeenth album and, for me, it’s her best! It always reminds me that I still have a lot to do and a lot to learn!

What advice would you give to new artists coming through?

Be true; listen to your intuition and use the music to make a link between body and spirit. Share your feelings, give your emotions and the most important thing is working hard every day. Sacha Guitry (the famous French actor, director and screenwriter) used to say that an artist is 10% luck, 10% talent and 80% hard-working!

IN THIS PHOTO: Prequell/PHOTO CREDIT: Barrere & Simon

Are there any new artists you recommend we check out?

Yes. I recommend you a lot of new artists like Prequell, LAAKE; Oscar and the Wolf, Malvina Meinier; Grandbrothers, Penelope Antena and Superpoze.

 IN THIS PHOTO: Malvina Meiner/PHOTO CREDIT: Lucas Lauren

Do you get much time to chill away from music? How do you unwind?

I do yoga every morning! I can’t begin a day without sun salutation. I like to walk in a park, have a glass of red wine with my friends and I enjoy cooking exotic meals like chicken curry, couscous and tom yam soup. Watching (T.V.) series is a good way to chill away from music. I prefer Science Fiction and Fantasy like Black Mirror, Stranger Things and Game of Thrones.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

The Singer by Teitur

  ______________

Follow DeLaurentis

Official:

https://delaurentismusic.com/

Facebook:

https://www.facebook.com/delaurentis.music

Twitter:

https://twitter.com/delaurentis000

Instagram:

https://www.instagram.com/delaurentis.music/

SoundCloud:

https://soundcloud.com/delaurentis

YouTube:

https://www.youtube.com/channel/UCZhI3lSsqHdzQBcLHkxoDow