INTERVIEW: Ricky Rebel

INTERVIEW:

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Ricky Rebel

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THE fascinating and candid Ricky Rebel…

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talks with me about his new single, The New Alpha, and what its story is. He tells me about his experiences with Michael Jackson, Britney Spears and Adam Lambert; being inspired by Madonna and the albums mean the most to him – the songwriter talks about his future and what we can expect going forward.

The American sensation discusses his bisexuality and support of the L.G.B.T. community; a gender-fluid society and not subscribing to the myth of ‘men need to be men’ – he ends the interview by selecting a classic Madonna cut.

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Hi, Ricky. How are you? How has your week been?

I am doing well. My week has been productive. 

For those new to your music; can you introduce yourself, please?

I am a Billboard Top-40 recording artist who has toured with Britney Spears. Notable tracks on the Billboard charts include Boys & Sometimes Girls - a bisexual anthem - and If You Were My Baby - an '80s-inspired love song that has Prince’s actual synth on it. I am also a strong advocate for freedom of speech and expression and L.G.B.T. rights. 

 

The New Alpha is your current single – it is from the album of the same name. What can you reveal about the song’s stories and the themes address on the album?

The New Alpha is a record about freedom.

On the album, I sometimes express myself in a way that can be seen by some as politically incorrect. The New Alpha doesn’t live in a box of labels that society tries to impose on him: he lives outside of the box. The themes I explore on The New Alpha are sex, power; materialism and love. My favorite track is called Magic Carpet. It’s a sexual song with Middle Eastern undertones. 

Style and creating your own image is important. We have had some great musical style icons like David Bowie and Madonna. Who do you draw inspiration from?!

I draw inspiration from the two artists you just mentioned. I am lately inspired by political figures who are out there speaking their minds for free speech. I think it’s important that we fight for speech that we disagree with just as hard as speech that we agree with. One day, it might be your speech that is repressed. 

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 PHOTO CREDIT: Kentö

I believe you are friends with Adam Lambert. How did you two meet? Is it true you raised Adam’s closet when you needed a stage outfit pretty quick?!

Adam and I met at the clubs in Downtown L.A. We used to gather a group of friends, dress in wild outfits; wear makeup and dance the night away. One night, I was headlining at the Roxy in West Hollywood and had nothing to wear. I called Adam for help and he let me raid his closet. He is a very generous guy. In return, the only thing I had to do was re-feather his jacket. 

Do you think society wants ‘men to be men’ and not show their feminine side?! What do you think about that and the rise in gender fluidity?

I think society doesn’t even know what a real man is. A real man is a man who can be authentic with who he is. A real man tells the truth. I identify as all-male, all-man every day. I can wear makeup, high heels; a dress, stockings; a suit and tie (sometimes at the same time) and it has nothing to do with my gender. These things are an expression of my creativity. I am absolutely not gender-fluid. I do not turn into a woman when I impersonate one. I’m acting. 

Has your bisexuality ever caused issues in music? Have you been told to hide your sexuality away?!

Absolutely. I was told, at the beginning of my career, to stay in the closet or else I would never make it. I was even locked into a sound booth while someone read Bible verses to me informed me that I was going to Hell. I knew that, one day, being honest and open about my bisexuality would be seen as a strength, not a weakness. 

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Do you recall when you got into music? Which artists did you grow up around?

I started singing professionally immediately after I started taking dance classes at eleven-years-old. Before that, at five-years-old, I would sing Annie and Grease every single moment of every single day. Growing up, my mother and father loved The Beatles and Queen. They were always playing great music like that during my childhood. 

I am a big Madonna fan. Is it true you have worked with her label? (My favourite cut of hers is Take a Bow). Do you have a personal standout Madonna song/style period?

I was signed to Maverick - Madonna’s record label. My favorite era was The Blond Ambition period. I remember taping the entire show and performing it on-repeat in my room. I loved the fact that she would miss notes and not perform some of the dance steps perfectly, but she did everything with beauty and confidence. She was my hero when I was growing up. 

Is it true Michael Jackson gave you some advice? What did he say to you?!

Before I signed to Madonna’s label, I was signed to Michael Jackson’s label MJJ records. He told me that I should stay away from girls because they break up bands..

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What do you hope to achieve by the end of 2018?

I want to headline a ten-city West Coast tour in the U.S.A. with other talented artists. 

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Learning that I charted on the Billboard chart was an amazing day! I loved being invited to perform at the Cannes Film Festival. The whole trip was like a dream. The people were beautiful, warm and welcoming. They loved Boys & Sometimes Girls. 

Which three albums mean the most to you would you say (and why)?

Prince - When Doves Cry

That album is the closest thing to perfection.

Madonna – Music

That album taught me how to produce. It’s simple in its production style. Mirwai is a genius.

David Bowie - Reality and Low

David Bowie taught me to love my voice. He sings in a lower register like mine. He was the first rock-and-roller that I could identify with vocally. 

If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to open for Britney Spears again. She was such an amazing person to be on tour with. She’s a lot of fun. Plus, we could talk about memories of being on tour together. On my rider, Britney and I would have to do Pilates together in my dressing before every show. 

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How important is it being on stage and playing? Is it possible to describe the emotions you feel when connecting with fans in the audience?

Performing is everything to me. I feel most alive when I am on stage. The connection you feel is the closest thing to oneness. When I performed at New York City Pride this year, people were exuding so much love. It made me cry. The L.G.B.T. community has fought so hard to be where we are.

What advice would you give to new artists coming through?

Stick to your original idea of who you are and what you stand for. People in the industry will push and pull you in many different directions and waste your time. Don’t let them. Stick to your first version of who you set yourself out to become. That is the best way to succeed. 

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 IN THIS PHOTO: Saint Heart

Are there any new artists you recommend we check out?

Every week, I go live on Instagram, Facebook and Periscope (@RickyRebelRocks) at 12 P.M. P.S.T. for all of my fans on a show called #TuesdaysWithRebel. I have featured some great artists that I am currently producing and/or just great friends with like PrettiBoiRoq, Glass Battles; DJ Hector Fonseca; Davis Mallory, Saint Heart; Twinkle Time etc. - all people that I love and admire. Elena Nazaroff, my stylist, also gives them a mini makeover. It’s a lot of fun. 

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IN THIS PHOTO: Glass Battles

Do you get much time to chill away from music? How do you unwind?

My chill time consists of working out, doing Pilates; listening to political podcasts (relaxing to me, believe it or not), getting facials; eating, napping and having sex. That’s a great way to unwind.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Erotica - Madonna. That’s my spirit animal song

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INTERVIEW: Em Hoggett

INTERVIEW:

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Em Hoggett

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MASSIVE thanks to Em Hoggett…

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for opening up for me regarding her latest single, What I Want to Say to You, and its emotional story. The E.P. of the same name is out and Hoggett talks about the music and themes running throughout; the artists and albums that inspire her; moving from the U.K. to Los Angeles – she tells me what the scene is like in L.A. right now.

Hoggett provides advice to upcoming artists and those who have been through the same experiences of rape as her; what we can expect from her going forward; a rising artist to look out for – she ends the interview with an epic song!

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Hi, Em. How are you? How has your week been?

Hi. I’m great thanks. It’s been a busy week. I’m working on the new album.

For those new to your music; can you introduce yourself, please?

I’m a singer-songwriter and pianist. My music is soulful, sensual; dense…James Bond-esque in style. I trained as a classical pianist since I was four, so it’s all rooted in piano. What I Want to Say to You has a unique sound - partly because of subject matter, but expect Bond in the next album.

What I Want to Say to You is your new single. Can you reveal its story and how it came together?

What I Want to Say to You is a single that developed into a four-track E.P…

I was raped when I was sixteen. I suppressed it for years until it finally began to take over my life at eighteen. I couldn’t sleep, eat; work…do anything at all. My mum suggested I write a letter to my attacker, not necessarily to send, but just to get the feelings out on a page. Naturally, for me, this came in writing a song. 

I wrote What I Want to Say to You in about ten minutes; the words were just there…waiting. A few days later, I posted the song on social media; therefore, letting all of my friends and family know what had happened. This was the hardest thing I’ve ever done but it was so important. At the time, I was suffering with denial a lot. It was so easy for me to pretend it had never happened because nobody around me knew that it had. Once I posted the song, I couldn’t hide anymore and I finally had to begin the process of acceptance and healing. 

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I entered a pretty rough few months after that, during which time I wrote Anger, which expresses the pure emotion of anger that is felt when you realise you’ve been abused. It was really important for me to put this song on the E.P. to let other survivors know that it is a totally normal and healthy feeling and not something to feel ashamed of or alone with. I then wrote Will It Always Be Like This, which questions if the rest of my life would be consumed by a painful dark cloud...(which it isn't, by the way - it does get better). The final song, Get Out, describes the feeling that this person and experience will live inside your body forever. I wrote this in the wake of the Harvey Weinstein scandal. 

Meeting producer Bruce Witkin was the essential ingredient that brought it all together. We got into the studio pretty much straight away and everything just came together. I couldn’t have asked for a better producer to work with. 

 

You survived a brutal rape and are using music to heal, not only yourself, but others. What is your message to other women (and men) who have been in the same situation?

If you feel able to tell someone what happened to you, do it. I think you will be surprised at the response…

Telling my family and friends was the hardest thing I’ve ever done but it literally changed my life. I no longer walk around with an unbearable weight inside of me. I was believed and supported. Once you tell someone, you begin to realise the truth: that this was not your fault. From this place of understanding and acceptance, you can begin to heal…you realise that this weight isn’t yours to carry around; you can begin to let go. If you don’t feel able to tell someone, try expressing your feelings around it. Expressing through writing, painting; singing…creating in any way and even just talking is SO important. Get these feelings OUT of you or they will eat you up inside. 

If you feel like you’d like to tell someone but are afraid you won’t be believed or you don’t know who to tell, you can contact me at the ‘Contact Us’ button on www.WhatIWantToSayToYou.com - I WILL believe you.

Might we see more material next year? How far ahead do you look as a songwriter?

Yes. I have another album ready to go; I’m hoping to get back in the studio as soon as possible.

I look pretty far ahead: I’ve got a lot of material to work with. I’ve been writing since I was thirteen and I have around four-hundred songs on my phone. I’d like to record some of those too…but this next album will all be songs I wrote in the past year.

You were born in the U.K. but live in Los Angeles. What is life like out there? Is it a great place as a musician?!

I love it! I feel so at home here. The sun, the relaxed atmosphere; the creativity…I feel like everyone I meet in L.A. is doing something artistic…they’re a writer, a model; a musician, a photographer; an actor.

It’s incredible to be surrounded by such creative energy all the time. Being a musician here is awesome. There are so many amazing musicians to play with, listen to and learn from. I’m an actress as well, so this is literally the perfect place for me…the creative juices never stop flowing.

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Do you recall when you got into music? Which artists did you grow up around?

I was trained as a classical pianist since I was four, so music was a huge part of my life from a very young age. 

My music taste is incredibly broad. I grew up with a lot a variety. I listened to a lot of Soul/Jazz. I’m a total Motown lover. I also listened to a lot of Rock - and a lot of Alternative. Honestly, all sorts. One of my big influences is Jamie Cullum; Pink Floyd was big for me, Nina Simone; Marvin Gaye…also, Birdy…I think I took a lot of inspiration from her. Kind of all over the place here.

What do you hope to achieve by the end of 2018?

I’d love to get back in the studio and record a few singles for the new album - and to get W.I.W.T.S.T.Y. out there more. This E.P. needs to be heard. 

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Wow…tough question. Honestly; recording with Bruce (Witkin) was such an incredible experience. Recording the piano and vocals was really special. I love performing too…so, a few of my live performances for sure.

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Which three albums mean the most to you would you say (and why)?

I think I’d give a different answer to this question every year. Right now, I’d go with these.

Pink Floyd - The Final Cut

The emotion in this album is like nothing else. Pink Floyd have such an incredible way of using sounds to tell a story. I think they’re the filmmakers of the music industry. It’s amazing how you can listen to one of their albums from beginning to end and be taken on a total journey - and not just musically.

Bill Laurance - Flint

Bill Laurance on keys is just WOW. This album really speaks to me because it has so much skill, so much Jazz influence and a lot of upbeat tunes but still remains super emotional. I’m really into emotional stuff if you hadn’t noticed.

Frank Turner - England Keep My Bones

I’m a huge Frank Turner fan - it’s hard to pick one album. But, his lyrics are just incredible. I think he’s one of the most talented lyricists out there.

If you could support any musician alive today, and choose your own rider, what would that entail?

Jamie Cullum. What a musician. 

A lot for the rider…starting with a white grand piano.

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How important is it being on stage and playing? Is it possible to describe the emotions you feel when connecting with fans in the audience?

It’s super-important to me: there’s nothing quite like live performance. When you’re with a band and you’re all on the same wavelength, just vibing together…it’s an incredible thing. You learn a lot from live performance too.

You really have to listen. 

What advice would you give to new artists coming through?

  1. Don’t give up.
  2. Write about what speaks to you.
  3. Play more! Meet musicians. 
  4. ENJOY. Have fun. That's why you're doing this, right? 'Cos you love it.
  5. Be kind.
  6. Stick with what’s true to you. NEVER feel like you have to do anything or have to be anything for an opportunity. Always stick with your instinct and the right things will flow to you. Don't get pressured into stuff you don't feel good with.
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Are there any new artists you recommend we check out?

Not particularly new, but if you don’t know Tash Sultana, check her out. Jungle is an awesome song to start with. 

Do you get much time to chill away from music? How do you unwind?

I do have time away from music because I’m an actress too, but that’s not exactly chill. When I do get to chill, I journal a lot; meditate, hike; travel, go to the ocean…all soul-cleansing stuff. I love to dance too and explore the world.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Truth - Kamasi Washington. Wow. What a song

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INTERVIEW: Miki Fiki

INTERVIEW:

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Miki Fiki

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THE awesome Miki Fiki…

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have been talking with me about their single, Scrub, and how it came together. Their lead, Ted, takes up most of the questions and tells me about that unique moniker; what Nashville is like as a base; which artists they are all inspired by – he recommends some new talent to watch out for.

I ask whether there will be touring dates and the possibility of U.K. dates; what advice Ted would give to artists coming through; whether he and the band get time to unwind away from music – each of the band members chooses a song to end with.

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Hi, Ted. How are you? How has your week been?

Hey. Nice to digitally meet you! It’s been good. Just bopping between coffee shops and half-working, half-people watching (alongside everybody else).

For those new to your music; can you introduce yourselves, please?

I’m Ted and I sing and play keys for the group. Julia plays sax and Hunter plays bass. We all met in college at Belmont in Nashville and we’ve been putting out music and touring as Miki Fiki since early-2017. We’re based in Nashville but have been all over the eastern half of the U.S. in a blue truck.

Is there a story behind the band name ‘Miki Fiki’? How did that come to pass?!

My Facebook bio was “I’m one bad mickey fickey” for the longest time. I’ve forgotten what that’s from but, when picking a name, I wanted something that didn’t really mean much. I changed the spelling to ‘Miki Fiki’ because it looks nice stacked. It’s also slang for ‘motherf*cker’, but you don’t have to put that in.

Scrub is your new song. Can you reveal the story behind the song?

It’s an angry song! I was feeling a lot of things at the end of college but anger kept returning and I couldn’t find a way to process it. The song is literally about a relationship but, while the attitude of previous songs is a desire to learn, loneliness or missing someone sweetly, this one is bitter.

I don’t recommend latching onto this way of operating but, for a couple minutes, I was able to write down a few cheap shots I could never say to the person. That time is long gone - maybe in part because I put it to music.

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It is your most energetic song so far! Do you think it is a logical move from your initial single, Stranger?

It’s definitely in the same vein in terms of communicating hurt through somewhat more aggressive/bitter language than I’m accustomed to in daily life. That’s where I was at the time; trying to live measured and well-behaved to an extent. But, there was a lot, mentally, that needed to go somewhere and, in both songs, that extreme pressure found some space.

Which artists are you all inspired by? Did you grow up around a lot of different sounds?

We have some overlap but all three of us have fairly different musical upbringings. I was fully engulfed by Usher then The Avett Brothers. Julia’s people are Jeff Coffin and the late, great Aretha Franklin. Hunter’s are Alvvays, Whitney; Crumb and Shintaro Sakamoto.

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Nashville is where you are based. What is the city like in terms of its scene and diversity?

I’m still trying to sort that out myself!

There are all kinds of scenes to fall into here but I more often find myself where my friends are. I could break them down into genres but the benefit usually comes from doing what you love around people you love who are trying to do the same thing. I haven’t hit a ceiling here by any means and, every time I’m ready to get rolling, there are people around to help me do that.

Do you think there will be touring dates? Can we catch you play?

We toured heavily the first half of this year and are headed out for five dates in September up north. All dates are announced on our website and social media: 9/13 - Grand Rapids, MI: Tip Top Deluxe; 9/14 - Detroit, MI: New Way; 9/17  - Chicago, IL – Sofar; 9/18 - Appleton, WI - Stone Arch Brewpub; 9/19 - Minneapolis, MN - Nomad World Pub.

Might you come to the U.K. and see us here? Do you like the music here?

We would love to make a European trip someday. All we need are enough good friends!

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If you had to select an album that means the most to you; which would it be and why?

Emotionalism by The Avett Brothers means a lot to me

I found it right around the first time I got REAL sad (fifteen) and the songwriting/messages hold up the older I get.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

The first Miki show still stands out in my mind: there’s something special about being able to communicate in a way I’m proud for the first time in a long time.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Anderson .Paak. The rider would include Reese’s and Arnold Palmers.

What advice would you give to artists coming through?

The same thing I tell myself - which is to pay special attention as to whether or not you’re enjoying it and whether or not it’s growing you.

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IN THIS PHOTO: The Pressure Kids

Are there any new artists you recommend we check out?

The Pressure Kids, Katy Kirby and Rand all come to mind. While they may not necessarily be new I believe they deserve to be appreciated by as many people as possible!

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IN THIS PHOTO: Katy Kirby/PHOTO CREDIT: Kelsey Cherry

Do you get much time to chill away from music? How do you unwind?

I’m working on not thinking about it 24/7 because it can really start to feel like work. I unwind by getting wound up in other things - be it running, reading or both. Still trying to figure out where to put a lot of this energy but, for now, it resides in one of those three places!

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Fever - The Pressure Kids

Juniper - Katy Kirby

Only – Rand

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INTERVIEW: Makk Mikkael

INTERVIEW:

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Makk Mikkael

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IT has been cool catching up with Makk Mikkael…

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as she tells me about her latest track, Use Me. I was eager to know what its story is and whether we might see more material down the line – the Canadian artist talks about some of her favourite artists and albums.

I ask what Toronto and its scene is like right now; how her current material differs to her older stuff; how she unwinds away from music; what she would say to artists coming through right now – the songwriter ends the interview by selecting a cool track.

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Hi, Makk. How are you? How has your week been?

Hey. I’m feeling great, thanks! New music is out, so been super-busy with that.

For those new to your music; can you introduce yourself, please?

Hi, guys. My name’s Makk Mikkael. I’m a singer/songwriter. I’m back and forth between Calgary and Toronto currently working on my debut album. I’ve been writing since I can remember and been passionate about music from a young age. I want people to feel anything they need to when they listen to my songs, to be transported to a different world and escape their day-to-day life. Music is so emotional: it’s therapy for many, myself included, so just to feel free, I think, is so powerful.

Use Me is your latest song. Can you explain the inspiration and backstory?

Use Me is my third single. We wrote this one based on of a girl being obsessed with a drug (more specifically, heroin). She’s dealing with withdrawals but always ends up going back to it needing it in her veins at all times. It’s completely controlling her life. Use Me definitely takes a darker turn; we wanted to portray something so real for today, whether it’s heroin or alcohol. We use these substances to escape reality.

How do you think it differs from your earlier material? Do you feel you are at your most confident right now?

I feel super-confident right now. I’ve been in the studio making lots of tracks with my producer Jody Tompkins. We’re experimenting with going darker and taking the music somewhere that the first singles were hinting towards. Everything that we’re creating is so cool. I’m excited to release this album.

Might we expect some more material next year? Are you looking ahead to an E.P. or something similar?

My album will be released, yes!

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What is the Toronto music scene like right now? Are there are a lot of cool local acts emerging?

I love the Toronto music scene and feel like there’s a lot of space for creativity right now. The city is filled with talented individuals doing their own thing. It’s cool to get out and see what everyone is up to.

Do you recall when you got into music? Was there a time or moment when you knew you had to chase it?

From a super-young age, I had an experience on stage with my mom and I was hooked. I feel like that night something clicked in me and I’ve been chasing it ever since. The hunger has only grown with time and I can’t wait to release more music.

What do you hope to achieve by the end of 2018?

I’m currently working on my debut album so I hope to get that all wrapped up and released. From there, start touring…

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

When I was young, my mom brought me onstage to sing a song at this bar. I was super-underage (like seven. Haha). I sang Twinkle Twinkle Little Star and the way people were watching, the lights; everything about that night…I fell in love with it and knew I had to pursue this no matter what.

Which three albums mean the most to you would you say (and why)?

SZA - CTRL

It’s insane. I haven’t heard an album like this ever. I love that there’s a story top to bottom; each song completely flows into the next and expands on the story. She’s amazing.

Lykke Li - So Sad So Sexy

Totally different lane for Lykke Li. I’ve been a fan of hers for a while. I love how dark and twisted her lyrics and her new image is on this album. The colours and words are so vivid and Dream-Pop-sounding. I feel like this album is so necessary for millennials right now.

The Japanese House - Saw You in a Dream

Super-nostalgic vibes. It’s a short E.P., but listening top to bottom; it makes you feel lost in the best way. You can sit with your emotions and feelings and be still. Amazing.

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How important is it being on stage and playing? Is it possible to describe the emotions you feel when connecting with fans in the audience?

Making the music is half of the puzzle piece: the other half is playing live. You need both. When I watch one of my favourite artists live It’s almost closure for me and I feel like I fully understand them and what was going through their heads when they wrote that song/album. I have yet to perform live. As of right now, I’m building the album and getting everything in order to play live. Very excited for it.

What advice would you give to new artists coming through?

I feel like, if you've found your sound, you're golden. It’s all about what makes you and your music unique. In an industry where so many artists blend together, what makes you stand out and makes you different is your ticket.

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IN THIS PHOTO: Lou Val

Are there any new artists you recommend we check out?

I’m really into Lou Val. I like the low-key Toronto R&B a lot.

Do you get much time to chill away from music? How do you unwind?

I honestly don’t need time away from music. I love when I’m fully consumed by it, always. Maybe that will change later on but, as of right now, it’s my passion. I’ll write/read to chill when I need a little break.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Did We Lose Our Minds - Sabrina Claudio

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INTERVIEW: Zyles

INTERVIEW:

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Zyles

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I have been chatting with Zyles…

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about his single, Sundresses, and what its story is. Zach reveals how the moniker ‘Zyles’ came to be and what his plans are regarding material and gigs. I ask the U.S. songwriter which artists are important to him and albums that have made an impact – Zyles selects some new musicians to follow.

I ask what it feels like (for Zyles) being on stage; when he got into music and started playing; what he wants to achieve before the year is through – the songwriter gives useful advice for those coming through at the moment.

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Hi, Zach. How are you? How has your week been?

Hi! Thanks for having me.  It’s been a balanced week: working on some new content, staying engaged in the tech world. Things are moving.

For those new to your music; can you introduce yourself, please?

Zyles is my artist project. It’s accessible Pop music and a wrapper for my worldview, with a focus on the themes that are particularly compatible with that packaging. The melodies are catchy, the production is lush; the guitars are funky. The focus is often on relationships, with a bend towards what I find aspirational as a twenty-something city-dweller.

How did the concept/moniker of ‘Zyles’ come to? What does it embody?

When I was in college, I studied Chinese and spent a semester in Beijing in a language program. We signed a language pledge, had all of our classes in Chinese and traveled around the country. My Chinese name sounds somewhat like Zyles. Zyles today doesn’t have much to do with China necessarily, but, for now, it’s coupled with experiences I’m happy to associate with a public-facing identity.

Sundresses is your new single. Can you reveal the story behind the track?

A summer ago, I had an opportunity to spend many weekends in Wine Country, only about an hour north of where I live in San Francisco. There was a particular vacation mindset that struck me, where not only were visitors there for a weekend off, but there was usually a special occasion involved - weddings, milestone birthdays. These converging groups were often from metropolises all around the country, on the opposite side of young adulthood, but shared a cosmopolitan experience.

Sundresses portrays some romantic fantasies of these vacationers. Some of the attraction is traditionally sexy: “Bikini for the hot tub, nothing when she exits”; and some of it is more about shared class and stage of life: “You might make more depending on the year, my dear”.

I believe more material will follow. What can you say regarding future singles and their story?

Summer is almost over. We’re going to move into more pensive territory. Then, we’re going to get a little bit naughty. The settings will be closer to home, rather than the vacation destination of Sundresses. But, it’s going to fun and it’s going to provocative - and you’re going to want to move.

You are based in the Bay Area. Is it a good area to record in? How does the setting and dynamics of the place influence how you write?

I don’t think it’s an exaggeration to assert that the Bay Area is among the most relevant locales in 2018. It’s teaming with themes worth writing about and these themes definitely show up in the music:  fancy vacation destinations; today’s new money billionaires; people convinced (rightly or not) that they’re going to change the world.

But, these reasons are outside of music production. It’s worth noting that these reasons aren’t outside of music in general: through Instagram and YouTube, Google and Facebook control a large part of the distribution. I’ve thoroughly enjoyed meeting a lot of today’s few Bay Area artists but I have N.Y.C. and L.A. roots these days and tend to travel to produce final versions of the tunes. 

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You were born and raised in Manhattan. What sort of music did you grow up around and were influenced by?

I was lucky enough to have exposure to virtually every type of music up close while growing up. Field trips to Carnegie Hall in elementary school; family visits to musicals on Broadway. My first concert was Cream’s reunion tour show at Madison Square Garden. The Jazz scene was perhaps the most differentiating. Events at Jazz at Lincoln Center was particularly spell-binding for me. At least as important, I had friends and family to share these opportunities with.

Do you recall when you got into music? Was there a time or moment when you knew you had to chase it?

I had been exposed to a few instruments since a very young age. When I picked up the guitar for the first time around twelve or thirteen, songwriting opened up for me…and that was it. It’s not a huge exaggeration to say that, for me, methods of diving deep into music like learning theory, exploring different genres; playing with arrangement and producing have all been tools to enrich those songs I want to write.

What do you hope to achieve by the end of 2018?

There are a few modest venues on the West Coast I’d like to play as a headliner. Finding an audience to fill those venues and turning it into a cohesive tour is the dream for me this year.

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

When I was in high-school, I interned for the Jonas Brothers’ business manager. I would go backstage at the concerts and, when I wandered into the crowd wearing my pass, I would get mobbed by fans insisting I was distantly related to them.  It was pandemonium. I was just an observer but it gave me a sense of the power of the music; the palpable energy where everyone is just in suspense for the next moment. Even the parents were into it.

Sometimes, I encounter the phenomenon on a micro scale: when the audience is hanging on a note of a solo, or responding to that jump into falsetto. But, to have it simply in anticipation? I’m still searching for that…

Which three albums mean the most to you would you say (and why)?

There are too many to say which are most meaningful. But, here is a meaningful set of three:

Oh Mercy – Bob Dylan

I could have picked any number of Dylan records: there is a dozen of them that means a lot to me. The Daniel Lanois production on this record was haunting and new to me when I first heard it. And, like so many Dylan records, he nails so many emotional states that each of these songs connected with me at one time or another.

The Royal Scam – Steely Dan

I aspire to have something in common with Steely Dan in my songwriting - and this is their quintessential guitar record. It rocks, it gets funky and it’s so tastefully jazzy. I had the opportunity to see them perform the album in full at the Beacon Theater in high-school.

Fever by Kylie Minogue

I heard some songs on this record when it came out and found it terribly catchy. Then, my parents bought it for me and I was so embarrassed after seeing Kylie wearing no pants on the album artwork. I was something like nine or ten years old. I come back to it occasionally as an adult and simply enjoy the Disco-style production.

If you could support any musician alive today, and choose your own rider, what would that entail?

I’d play with The 1975. First of all, their fans are intensely into the music - I’ve experienced it firsthand at one of their shows. They also have great musicianship, truly interesting songs and I imagine I’d learn a bunch from them.

For the rider, I just want to have some bananas with my name on them. There have been too many gigs and sets in my life recently with banana shortages.

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How important is it being on stage and playing? Is it possible to describe the emotions you feel when connecting with fans in the audience?

In the case of playing for an audience already familiar with the music, the live show is a celebration of a song well-written, well-performed. It’s important in the sense that it’s an opportunity to offer fans a more intimate experience with the music.

However, as an artist in the early stages, I’m sometimes playing to an audience that doesn’t know the music very well, if at all…and that’s tough. Step one is to get the audience dancing. Step two: having them connect with the song on first listen a live setting is quite the feat. As a musician, it’s fun to get lost in making live music.

What advice would you give to new artists coming through?

Go for it, but not until you’re ready. I sang one of those falsetto Prince song at a showcase recently and there were some As and Bs above tenor C. I had been recording that week and not practicing in that range and coming up against my ceiling in our single rehearsal. One of the producers discouraged me: “Don’t go for it.” He had a point. It was risky. I would have had to put in my time to pull that off on stage with high confidence.

It’s the same with music generally: put in the time and perfect the craft because, when you go for it, you’re going to be vulnerable; burning that social and literal capital and you want to do that at the right time. But, when that time comes - and it will - put everything you have into that note, that release.

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 IN THIS PHOTO: Merci Raines

Are there any new artists you recommend we check out?

I’ve met some exciting new artists that intersect with the group of producers I work with: Merci Raines and Livia Blanc are a couple I’m excited about. 

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IN THIS PHOTO: Livia Blanc

Do you get much time to chill away from music? How do you unwind?

Finding an afternoon to visit a park. Leaving everything at home but my keys and a book is one of my preferred ways.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I read the other day that Elon Musk is losing his edge. And, buried in that article is that he’s dating Grimes. What? She’s probably having a tough time. And then I Googled to confirm and it looks like they unfollowed each other on various social media platforms. What a world. Let’s play Flesh without Blood

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Follow Zyles

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INTERVIEW: Cha:dy

INTERVIEW:

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Cha:dy

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THE superb Cha:dy…

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has been chatting about her latest single, Like a Boi, and how an unusual source of inspiration led to its creation. I ask her where she heads next in terms of material and whether she might tour; the artists and albums she is influenced by – she highlights an artist to look out for.

Cha:dy reveals why she moved from Paris to London; what she wants to achieve before the end of the year; how she chills away from music; the advice she would provide artists coming through – she ends the interview by selecting a great track.

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Hi, Cha:dy. How are you? How has your week been?

Hello! I'm very well, thank you. I just came back from Budapest and I was lucky to be able to attend Sziget Festival, which was amazing.

For those new to your music; can you introduce yourself, please?

My name is Cha:dy. I was born in France, near Paris. I am an artist, I make music; sing and write. My style is a mix of Alt-R&B, Urban Jazz and Caribbean flavours.

Like a Boi is your new single. Can you describe when the inspiration struck?

It came from this guy I was seeing - who was kind of insecure about our relationship. He once said to me that I was behaving ‘like a boy’ - probably referencing the fact that I am very social, outgoing and confident and, for some reason, that particular phrase really bothered me and stuck in my head! It was as if he was implying that confidence was reserved only for men and he made it a gender thing...

So, I wrote a song about it!

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Like a Boi looks at the patriarchy and how women can be strong and inspirational. Do you think more men, in fact, should be putting the same message out into the world?!

Oh yes, absolutely. I love hearing my male friends saying out loud that they're feminists. It's always great when men spread the word about equality, privilege and feminism. It definitely helps the movement. Men are our allies in that fight. 

What comes next in terms of material? Are you looking ahead at an E.P. right now?

I'm definitely looking to release a second E.P. soon but, for the moment, I want to focus on singles.

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PHOTO CREDIT: @everythingart1998

You started in Paris but moved to London. What was the reason behind the move? How does the music of both cities compare/differ?

I've been to London a few times - when I was still living in Paris - and always loved how the city was always busy and, culturally, very rich and very youth-orientated. London is the music capital of Europe so it made sense to me to come and develop here. 

Can you reveal which artists played a role in your early life? How did you get into the industry?

Artists like Amy Winehouse, Lauryn Hill; Beth Ditto and P!nk were huge inspirations in my life. I've always been amazed by their vocals, their songwriting and stage presence. Moving to London and focusing on music definitely helped get a foot in the door. In the music industry, you really need to hustle, put yourself out there; release music and you get a chance to have a little place in this crazy industry.

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What do you hope to achieve by the end of 2018?

I’d really like to go on tour and actually meet people. Today, we focus a lot on our presence on social media platforms and, yes, it’s a great way to share music and connect with the audience. But, I want to go out and meet them, talk to them about my journey; my songs, add a couple of bad jokes; laugh and cry with them and really connect. That's why I love doing live gigs.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

When you're performing live and people know the lyrics and start singing your songs is such a great feeling! One of my favourite gigs was when my band and I headlined a very small festival in Milton Keynes called Rixonbury. We started our set and there were only ten people by the stage and, after a few songs, you could see all the people leaving the other tents to join our stage - and we had an absolute blast.

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Which three albums mean the most to you would you say (and why)?

Back to Black by Amy Winehouse

For the jazzy melodies and the heartbreaking lyrics…it’s just a beautiful album.

Comedown Machine by The Strokes

It was the soundtrack to my late teenage years and soothed a few heartbreaks back then!

Telluric by Matt Corby

I mean; this album just speaks to my soul. The production, the songwriting; incredible vocals. Great for a rainy day - or just any day, really!

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Can we see you on tour soon? What dates are coming up?

I don't have dates just yet but I’ll be sure to let you know!

What advice would you give to new artists coming through?

To get out there and release that song that they've been working on for ages. As artists, we are such perfectionists and we never think a project is finished or ready but, more often than not, it is ready...so go share that great song!

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IN THIS PHOTO: Ciscero

Are there any new artists you recommend we check out?

Ciscero. He is killing it right now. He's been featured alongside great artists like GoldLink but, boy, it's his time to shine.

Do you get much time to chill away from music? How do you unwind?

I've started to exercise four times a week and it changed my life - making me more positive and productive; just happier in general. It has really helped me get through quite low times too. I highly recommend it. It's good for the body and the mind.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Stay by Ciscero (ft. Devin Tracy). It's my tune on-repeat right now.

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Follow Cha:dy

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INTERVIEW: Matt LeGrand

INTERVIEW:

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Matt LeGrand

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IT has been great speaking with Matt LeGrand…

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about his new track, 12:00 AM, and how it came together. He tells me whether there is going to be more music coming down the line; what the music scene is like in Chicago right now; which artists made an impression on him growing up – he selects a musician we need to look out for and follow.

LeGrand gives some advice to artists coming through and tells me which three albums mean the most to him; if we might see him tour this year; how he relaxes away from music – LeGrand reveals what he wants to achieve before the year ends.

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Hi, Matt. How are you? How has your week been?

Hey! I am doing fantastic! My week has been pretty good. It has been filled with music (as usual) and I’ve gotten to spend time at home with my family!

For those new to your music; can you introduce yourself, please?

Sure! I am Matt LeGrand; a recording artist hailing from Chicago! My life is pretty normal except for the fact that I get to do music professionally. I am a shy and introverted person but all of that seems to go away when show time comes! I really just love what I do and I want to do it for the rest of my life. Connection through music is where I am the happiest and, more importantly, it’s where I’m the most myself!

 

What can you reveal about your new single, 12:00 AM? How did it all come together?

It’s out in the open now so it has all pretty much been revealed! (Laughs). No, I’m kidding. There are still things to be revealed - like, there might be a music video coming out soon! We did this record about a year ago and I am so happy that it is finally out. The release process can feel like a strange limbo sometimes! I recorded this song with a great team down in ATL.

One of the producers goes by the name of Blac Elvis and his discography truly speaks loudly! It really felt correct and organic because we wrote and recorded it to completion in only three hours. 

It is an emotional and powerful song. How long did it take to nail those emotions and passion in the studio?

Like I said in the last question, it only took me three hours to track all of my vocal parts. It just flowed so easily. I was in a good headspace, personally, and I was just happy to be there! I think the song reflects that joyous emotion. 

What comes next in terms of material? Are you working on further material?

An E.P., more videos and touring! Keep your eyes open in October!

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Being based out of Chicago; what is the music scene like there? Is it a great place when it comes to songwriting/creating?

Chicago has always had a great music scene. One thing I love is that you can find live music every night anywhere! Even when the brutal winter is present you can still find some live music. I live in one of the most fun, creative neighborhoods in Chicago - and being a musical individual in this area is the best. I’m finding inspiration everywhere! Meeting other creators in a city like this is so special because, somehow, I seem to find something new about myself in another!

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How did you get into music? Which artists compelled you growing up?

I got into music when my mother took me to my first concert which was The Rolling Stones! That is where I fell in love with the attitude, emotion and power of it all - the idea of being on a massive platform and the freedom to share your stories.

Classic-Rock was a genre that made me fall in love with playing; bands like The Stones, The Beatles; Cream and Led Zeppelin took over my spare time away from school. I was gifted my first guitar two weeks after that concert and I’ve been studying ever since!

What do you hope to achieve by the end of 2018?

I hope to achieve my first tour and a better understanding of who I am.

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

I don’t think a favorite memory has happened yet: I think that is still ahead of me. My favorite thing to do is to perform for people. Each time is new and exciting. The way the audience reacts is very fun to see for me. If there weren’t people to share this music with then I would be lost. It means the world to me that people just take time out of there day or they decide to spend their evening with me. That is my favorite thing about doing this!

Which three albums mean the most to you would you say (and why)?

American Idiot by Green Day

It had such a massive impact on my decision to pursue music as a career. I started in Rock bands in high-school that were influenced by Green Day and other similar acts. This album is a Rock opera. It’s a story from top to bottom and I just really appreciate the time and effort that was put into that piece of music. 

The Joshua Tree by U2

I grew up listening to this everywhere. My mother had it playing in the house, in the car and everywhere else that music can be heard. Each song is special and brings me back to a time of easy living. 

Let It Be by The Beatles

Because, who hasn’t been impacted somehow by them?! Even if you’re aware of it or not, everyone has most likely been influenced by them someway or somehow. Let It Be is one of the greatest songs of all time - and that’s all there is to say about that!

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If you could support any musician alive today, and choose your own rider, what would that entail?

I’d open up for Ed Sheeran.

My rider would entail cats to be in my room and a writing session with Ed at least once a week!

Can we see you on tour soon? What dates are coming up?

Yes; soon! It’s coming. I’m not sure about dates yet. Stay tuned on my Instagram.

What advice would you give to new artists coming through?

Be prepared, be nice; work hard, don’t take yourself so seriously and don’t get caught up in the illusion of it all. It’s truly not worth it. One of the best things I’ve ever been told was this: “It’s sad to be ready and never be called, but it’s tragic to be called and not be ready”.

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IN THIS PHOTO: Nate Fredrick

Are there any new artists you recommend we check out?

I had the pleasure of meeting a great new artist while he was passing through Chicago. His name is Nate Fredrick and his storytelling is really quite good. He has a folky, acoustic vibe and a humorous attitude. I really suggest that you check him out. My favorite song from him is Latoka Drive.

Do you get much time to chill away from music? How do you unwind?

I get more time than you think. It’s a patience game for me right now. I have a lot going on that just needs to fall into place. It’s sometimes very lonely as well, I won’t lie, but I can’t picture myself doing anything else. I tend to nap a lot so that’s my favorite method of unwinding.

Also, picking up things that have nothing to do with music helps me find new energy and inspiration. Sometimes, I’ll just unwind by picking up my guitar just for fun. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Smile - Nat King Cole. Thank you very much for having me!

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Follow Matt LeGrand

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INTERVIEW: Josh McGovern

INTERVIEW:

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Josh McGovern

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THE excellent Josh McGovern…

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has been telling me about his new single, Weight, and how it came together. He reveals his favourite albums and the artists who have inspired him; what it is like being based down in Brighton – McGovern tells me whether more material will be arriving.

I ask the songwriter whether he has a favourite memory from music; if he gets time to unwind at all; which rising artists we need to seek out; whether there will be touring dates – he ends the interview by selecting an awesome cut.

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Hi, Josh. How are you? How has your week been?

Hi. My week has been great thank you. Me and my band just got back from playing The View Stage at Boardmasters. So tired but happy!

For those new to your music; can you introduce yourself, please?

Sure. I’m a singer-songwriter from Brighton who makes Folk/Americana music.

Weight is your new single. Can you reveal its origins and story?

Weight is one of my more honest songs. It’s a fairly dark piece about loss and mental-health. You know; the real things people face every day. I wanted to make something real people could relate to, so I wrote Weight. 

Listening to it and I can tell it means a lot to you. Was it emotional and tough recording the song?!

For me, each song represents a different period of my life. I mostly tend to write autobiographically about experiences I’ve had in my own life or those around me. Weight was written about a particularly hard time for me so recording it and singing it, especially, was quite an emotional experience.

Will there be more material before the end of the year? What are you working on?

I have lots of songs written and recorded. I hope to release a proper record as soon as I can. I’m also planning a winter tour.

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Brighton is where you are based. Is there a pretty eclectic and interesting scene down there? Where should we visit if we head down?

Brighton is an amazing thing. Everything, including the music, has always been eclectic. There is a growing community of Folk musicians down here; we all get together and play shows with each other at nights like Folklore Sessions - it’s starting to become a real community. 

Which artists compelled you growing up? What sort of music were you raised on?

My dad brought me up on artists like Neil Young, Joni Mitchell and Leonard Cohen. Although, he wasn’t a musician himself he made sure I understood the importance of music and the value it holds.

Do you recall when you got into music? Was there a time or moment when you knew you had to chase it?

For me, it was being a kid watching videos of Neil Young perform. I remember watching a video of him playing in his twenties at Massey Hall; he was singing Ohio, I think. I kinda knew then that it was something I wanted to do; I haven’t really looked back since.

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What do you hope to achieve by the end of 2018?

Having just released my third single, Weight, I’m still caught up in the excitement of that. I plan to put my debut record together as a lot of people keep asking me to release one after hearing the singles.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

It’s all been special. It’s hard for me to say but, if I had to pick, I would say the time me and my band spent at Retreat Recording Studios. It was a seriously humbling experience to record in the studio. Some of my favourite records have been made there – and it was good to work with Ben Thackeray, who has been a part of so many amazing projects.

Which three albums mean the most to you would you say (and why)?

That’s a hard one!

Nathaniel Rateliff - In Memory of Loss

This record will always be in my top-three. For me, it was the sound to my late-teens and will always hold a special place in my heart - if you haven’t, you gotta hear it, man. 

Neil Young - Harvest

Growing up, I always used to pretend I was in my own movie. Everyone’s got their theme music: this album was mine growing up. It’s my bread and butter.

Marty Robbins - Gunfighter Ballads and Trail Songs

This is a bit of an obscure choice I realise, but my grandad in Ireland used to sing songs from it all the time. When I got older and listened to it properly, I realised it was a masterclass in Country harmonies and songwriting. I’ve been fascinated by it since. 

I could go on with Johnny Cash, Bon Iver; Leonard Cohen etc. but those are my top three (I think...).

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If you could support any musician alive today, and choose your own rider, what would that entail?

It would be a dream to support so many artists but, if I could pick any artist in the world, it would have to be Laura Marling. Forget the rider; opening up a show for her would be enough!

How important is it being on stage and playing? Is it possible to describe the emotions you feel when connecting with fans in the audience?!

It’s everything. I always find it hard to put into words: there isn’t anything in the world quite like it. Even if it makes a difference to one person, it’s so worthwhile for me.

What advice would you give to new artists coming through?

Don’t give up. Write as much as you can, write all the time.

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 IN THIS PHOTO: The Hungry Mothers/PHOTO CREDIT: Bess Hildick Smith

Are there any new artists you recommend we check out?

There are a few artists really sticking out for me at the minute. The first one is The Hungry Mothers, a band local to Brighton. The second is Deirdre Faegre; an incredibly talented female singer-songwriter from California, originally, who now lives in Brighton. Deirdre was kind enough to join me on harmonies for some of my records. She has an incredible vocal.

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 IN THIS PHOTO: Deirdre Faegre

Do you get much time to chill away from music? How do you unwind?

I unwind with my headphones on. For me, that’s a good escape. I also love cooking; I used to work as a chef.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Neil Young - Ohio (Live at Massey Hall, 1971) 

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INTERVIEW: Baby Jey

INTERVIEW:

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Baby Jey

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IT has been cool speaking with Baby Jey…

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ARTWORK CREDIT: Molly Little

about their new single, Someday My Space Cowboy Will Come, and what its story is. I ask the guys what we can expect from their album, Someday Cowboy, and how they managed to complete the record in only two days!

I discover how Baby Jey formed and what sort of music they are inspired by; the upcoming artists we need to get behind and support; if there are going to be tour dates coming up – they each select a song to end the interview with.

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Hi, guys. How are you? How has your week been?

The week’s been great. We’re getting ready to drop the second single off the record this week so that’s exciting. It’s called U Don’t Have 2 Go Alone.

For those new to your music; can you introduce yourselves, please?

Sure! We’re Baby Jey; a Canadian band currently based in Edmonton. We’re getting ready to release a new record called Someday Cowboy on Maintenance Records on September 14.

Someday My Space Cowboy Will Come is your new single. Can you tell me how it came together and what inspired it?

When we wrote these songs, we were listening to all kinds of different stuff: lots of Country music from the '80s like Tanya Tucker, Keith Whitley and Johnny Lee; lots of Soft-Rock like America and Carole King, lots of Prince. I guess our first single - Someday My Space Cowboy Will Come - is a play on ‘Someday My Prince Will Come’. It’s a fun little tune about having a mirage in the desert.

Someday Cowboy is your upcoming record. What sort of themes inspired the songs that will feature?

Jeremy: There’s a certain feeling of nostalgia to a lot of the album’s lyrics - we reminisce about tobogganing as kids and dreaming about cowboys. It’s fitting that I was able to play the same piano that I first learned on.

Mitch Holtby is in the mix for your new record. How did you meet him?

Mitch started playing shows in Edmonton in 2007. That was long before any of us were even old enough to go to shows but, once we got older, we definitely started seeing him at shows. Mitch came out to one of our shows in the spring of 2017 and asked us to open for him later that year. He seemed like a good fit to work with because we knew we wanted to go for a poppier sound.

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Is it true the record came together in two days?! Why did you decide to home-­record and lay it down so fast?

Jeremy: Mitch had been moving back and forth between Edmonton and Montreal. He had a bunch of his gear in Edmonton but no studio and no piano. We realized we could use the piano at my parents’ house and pay Mitch to build a temporary studio in their living room.

The band had played a bunch of shows leading up to the recording sessions, so we were able to just track the record live-­off­-the-­floor. Of course, we did do some synth and vocal overdubs after those sessions.

How did Baby Jey get together? When did you meet one another?

Jeremy: Both Dean and I had been active in other projects in the Edmonton music scene from 2012­-2015. Then, I left Edmonton to go to school in 2015 and a lot of my musical interests changed. When I came back, Dean and I started jamming. Then we went for lunch one day and I asked him if he wanted to start a band.

Is there more material coming next year? What might we see next?

Jeremy: We have at least another twenty songs written - so we definitely plan to keep recording and keep putting stuff out.

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Do you think there will be touring dates? Can we catch you play?

We’re playing a send-off show in Edmonton on August 24th at the Kasbar in the basement of Yianni’s on Whyte Avenue. Then, the full record drops on September 14. By then, we’ll be in New York so we’re hoping to secure a New York show that week.

You have achieved a lot over the past year. What do want to tick off the to-­list before the end of this year?

Shoot a music video if possible!

If you each had to select an album that means the most to you; which would they be and why?

Dean: Bryan Adams ­- Reckless

Classic Canadian album with timeless songwriting and dated drum sounds. ­

Jeremy: JT ­ - James Taylor

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PHOTO CREDIT: Mitch Holtby

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Not just yet: the best is yet to come (smiles).

If you could support any musician alive today, and choose your own rider, what would that entail?

Paul McCartney.

Two bottles of sparkling water; one bottle of tequila; a bag of all dressed chips and a V.H.S. of the season recap of the 1992 Toronto Blue Jays season.

What advice would you give to artists coming through? ­

Hope for the best, expect the worst.

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Are there any new artists you recommend we check out? ­

Lovelet! Ghost Woman! Perpetuals!

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 PHOTO CREDIT: Ghost Woman

Do you get much time to chill away from music? How do you unwind? ­

I think, for both of us, playing music actually helps us unwind!

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music ­ I will do that). ­

Dean: I Am In Love -­ Jennifer Lara ­

Jeremy: Miami, My Amy ­ - Keith Whitley

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INTERVIEW: Petrie

INTERVIEW:

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Petrie

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THE incredible Petrie…

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have been speaking with me about their new track, June, and its background. I ask what it was like working with JESS on the track and whether the summer-time sound hides something more anxious – I discover how Petrie got together and which artists inspire their sound.

I discover what Petrie are planning next and which rising artists we should look out for; whether there will be touring dates coming up; the advice current musicians should heed when starting their careers – the guys each select a song to end the interview with.

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Hi, guys. How are you? How has your week been?

Fuzzy. Lots of admin; finished some demos; wrote a lot of poems.

For those new to your music; can you introduce yourselves, please?

We’re Petrie. One of our managers recently coined the term ‘credible Pop’ to describe us, which we like - lets the music do the talking. Have a listen. If I told you it was liquid Dubstep you wouldn’t listen, would you? It may be the most beautifully crafted thing you’ve ever heard but those darn labels can turn you off before you’ve even loaded the private SoundCloud link.

Tell me about the song, June. What started its creation?

We were in the studio with our dear friend Kosuke Kasza one evening when he hummed a tune, which we immediately turned into that cute guitar riff and then sort of quoted throughout the track. Up until that session, we hated making the instrumental first but his energy was so infectious we laid down a lot of the instruments and most of the melody that evening. He was practically bouncing off the walls…it was fantastic. After that, we recruited our hero/muse JESS to help us with the lyrics, which is when we really got stuck in.

It seems like there are doubts posing underneath the sun-kissed sounds. Was there anxiety and deep emotion in mind when the song was formulated?!

You better believe it. Ironically, there is nothing we dislike more than the notion of a ‘SUMMER BANGER’; so this song kinda poses as one - while the narrator essentially admits their experience of love is frivolous, completely situational and ready to collapse. Rather sweetly, I think, the love interest seems to totally agree.

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JESS pops up on the track. When did you start working together?

George, the conventionally attractive one, met JESS at college and then I properly met her studying the same course at uni. So, the stars aligned. She’s an incredible, honest lyricist and, holy hell, can she sing. I’d listen to her all damn day if she’d drop some freaking music (SOON! We’re actually mixing it right now. Hehehe). 

How did Petrie get together? Do you recall when it all sort of clicked?

We used to play in RAWWKK BANDDSS together before George heard Burn by Usher (laughs). Eventually, I moved from producer to all-round ‘band member’ when we started writing everything together. Now, neither of us can write anything on our own but we’re trying in case this ends miserably.

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The media and fans have shown a big response to your music. How does it make you feel getting that sort of feedback?!

HAHA. It’s reassuring that you think that...

Which artists are you influenced by? Who are the musicians who have made the biggest impact on the band?

Honestly? Joni Mitchell, Young Thug and Nirvana.

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Do you think there will be touring dates? Can we catch you play?

We’re playing a headline show at The Waiting Room in Stoke Newington on 20th September and we’re very excited. It’s gonna be our best one yet we’re sure of it.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

We once got guest-list for a sick club night, turned up embarrassingly drunk and got swerved by Aminé. He just went and danced on his own. It was really weird.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Frank Ocean. Sorry to be obvious, but, yeah. Chips on the rider.

What advice would you give to artists coming through?

Keep writing. You’re probably terrible right now and you will be for years (we’re still terrible, I think) but you’ll look back one day and think ‘damn that was fun’ and then you’ll start to delude yourself that those songs were good…it’s a trip.

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IN THIS PHOTO: Saint Torrente/PHOTO CREDIT: Noah Margaret

Are there any new artists you recommend we check out?

Our elusive JESS - when she releases this damn tune. Saint Torrente makes incredible Avant-Garde, theatrical Pop and really kicked us up the butt, lyrically. Imogen writes VAST and gorgeous songs that tear our heart to shreds.

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IN THIS IMAGE: Imogen/IMAGE CREDIT: Fionn Hutton

Do you get much time to chill away from music? How do you unwind?

No.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Loz:  Honeycomb by Deafheaven

George: Margate by Sports Team 

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INTERVIEW: The Slumdogs

INTERVIEW:

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The Slumdogs

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I have been finding out about The Slumdogs…

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and what inspired their latest track, Cut the Conversation Short. They tell me how they came together and started making music; what the music scene is like in Blackpool; if there are any gigs coming up – they highlight some new artists to watch.

I ask what sort of music they grew up around and whether they ever get time to chill; the advice they would give to artists emerging; which act they would support given the chance – the guys end the interview by selecting a song each.

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Hi, guys. How are you? How has your week been?

We’re all good! Been busy preparing for shows, releases and all that jazz.

For those new to your music; can you introduce yourselves, please?

We’re The Slumdogs; a raw Indie-Punk four-piece from sunny Blackpool; coming to a town near you.

How did The Slumdogs get together? When did it all start?

I (Bobby) knew Elliot previously from a band we were in and met Cam and Will through a band they were in a few years ago. Those bands fell apart and The Slumdogs was born.

Cut the Conversation Short is your new single. Can you reveal the story behind it?

Musically, we just wanted to write something that sounds explosive and you can jump to. The lyrics are somewhat of a social commentary on modern life - but without being political at all.

How did The Slumdogs hook up with Gary Powell’s 25 Hour Convenience Store?

We sent them our debut single (Nightmare) and invited them to a London show we had at Nambucca. The show went well and here we are!

Is there going to be more material from the band soon?

Yes. We’ve a single out on the 17th August and much more planned before the end of the year release-wise. Stay tuned.

What sort of music did you all grow up around? Who are your musical idols?

When it comes to songwriting; John Lennon is the main man. Lyrically, Bob Dylan is up there too. We all love Funk, Punk and anything that makes you move.

You are based between Blackpool and Leeds. I have not heard many bands come out of Blackpool. What is the scene like there now?

Blackpool is actually a lot better than people think! it just doesn’t get the media attention of a Manchester or Liverpool but there’s bands such as Strange Bones and Nana White Pepper, amongst others, who are doing really good things at the moment. Leeds is craz-good; a very D.I.Y. scene with incredible bands, venues and events in every corner.

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Do you think there will be touring dates? Can we catch you play?

Definitely. We have a big hometown show at Bootleg Social on 25th August with Proletariat and The Brookes. After that, there’ll be announcements about shows further afield. Keep an eye on our Facebook for details of where and when.

If you each had to select an album that means the most to you; which would they be and why?

Bobby: John Lennon - Walls and Bridges

Cam: Queen - A Night at the Opera

Will: Noel Gallagher’s High Flying Birds’ debut album (Noel Gallagher’s High Flying Birds)

Elliot: The Beatles - Abbey Road

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

When IDLES came to Blackpool, the energy in the room was insane. They sold out Bootleg Social. They’re a band that speaks about important topics and to have them sell out our local venue was inspiring.

If you could support any musician alive today, and choose your own rider, what would that entail?

It would have to be The Rolling Stones, wouldn’t it? I can’t imagine they have a low budget for a rider… I’d be asking for new guitars, amps; champagne…the lot!

What advice would you give to artists coming through?

Write constantly and get out there and meet people. Stay true to yourself and, most importantly, don’t be a ****!

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IN THIS PHOTO: BlackWaters/PHOTO CREDIT: Future Nation Sounds 

Are there any new artists you recommend we check out?

BlackWaters, The Surrenders; Dream Wife, Calva Louise and IDLES.

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IN THIS PHOTO: Dream Wife

Do you get much time to chill away from music? How do you unwind?

By going to the Pleasure Beach and eating Blackpool rock.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

W: Hey Heartbreaker by Dream Wife

E: Arms & Legs by Horsey

C: Arms of Pleonexia by Cabbage

B: L'Etat C'est Moi by The Blinders

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INTERVIEW: Natasha Hardy

INTERVIEW:

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Natasha Hardy

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THERE are some great Classical crossover artists emerging…

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that are breaking new ground and introducing people to a new type of sound. Natasha Hardy tells me about her latest track, Mi Ritiro, and what its inspiration is. She reveals how she got into music and whether Classical is coming into the mainstream more – she recommends a rising artist to look out for.

Hardy shares some favourite musical memories and tells me about her album, Lost in Love; where she sources inspiration for writing; what she is planning going forward – Hardy selects a few albums that are important to her.

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Hi Natasha. How are you? How has your week been?

Hi. Very good thank you. I’ve been busy - getting ready to release my new single - but have managed to enjoy a bit of the lovely English summer we have been having…so, all good.

For those new to your music; can you introduce yourself, please?

Hi there. My name is Natasha Hardy; I am a Classical crossover singer and I write my own songs. I sound like a cross between Enya, Sarah Brightman and Amy Moody from Evanescence - or so I have been told! I was once reviewed as being “Not quite classical” which is very true; it’s a perfect description and I actually use that at my tagline now!

Mi Ritiro is your new single. What can you reveal about its story and creation?

Mi Ritiro is a bitter-sweet love song that I wrote. It’s essentially the story about falling for someone and then realising that person is not who you thought they were and having to admit that to yourself. I wrote it in Italian as being classically trained some of my favourite arias that I sing are in Italian and the call to write in the original language of love (even though I am not fluent in Italian, I had some help with the correct grammar!) seemed appropriate.

I had written the lyrics and most of the melody when I teamed up with my good friend and wonderful pianist Stefano Marzanni. He helped write the harmony and arrange the piano part in a way that sounded classical yet simple. I wanted the song to sound like something between an aria from a modern opera and a song from a soundtrack of an old Italian movie. Once it was written, I worked closely with my amazing producer Tom E. Morrison, who worked tirelessly to bring my vision to life.  

Stefano leads the instrumentation with the beautiful original piano arrangement alongside the string section. On violin, I have award-winning violinist Dermot Crehan (Lord of the Rings, Andrea Bocelli, Annie Lennox; I am so blessed to have him on my track. Then I have Alice Sophie on cello, Alexander Verster on double bass; Graham Pike on brass and Tom E. Morrison playing keyboard. Oh, and myself as the vocalist of course. I am really pleased with the end result. Everyone worked really hard to give an amazing performance for me and Tom’s pristine production is the icing on the cake.  Graham actually played the trumpet part that you hear in one take. I was blown away when we were in the studio; I had goosebumps all over and knew instantly that would be the one to stay.

It is from the album, Lost in Love. Are there distinct themes and personal experiences you bring into the music?

Yes. I would say the album as a whole is based on the theme of love: wanting it, finding it or losing it. The album is a collection of self-penned love songs inspired by my passions, heartaches and the fairy-tale fantasies that falling in love can bring. All of the songs were written from personal experience on some level. 

As well as being a crossover artist, I am also blending different genres in my music. I tried to really capture my vocals with their vulnerable yet powerful quality to compliment the Celtic, operatic and orchestral elements. I have put my heart and soul into this album so I am hoping, with the cinematic styled arrangements and my heartfelt lyrics, people will connect to the songs.

You are a Classical crossover artist. Do you think Classical music is coming into the mainstream more? Would you like to see Classical music come to the fore a bit more?!

Oh, yes. It’s definitely more mainstream than it ever has been I think with acts like Lindsey Stirling and 2 Cellos doing extremely well - who are also writing original material. With shows like the sold-out Classical Hacienda and the Blue Planet score winning awards, there is a real appetite for this genre.

I think, for it to come to the forefront even more, music should be a compulsory subject in school and there should be many more government-funded musical initiatives. I believe that Classical music is constantly evolving and growing as it blends with different genres and it would be great for upcoming artists to have affordable access to venues that have ready-made audiences to try out their ideas.

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How do you get inspiration for songs/ideas? How important are old films and recordings regarding your viewpoint/aesthetic?

I think my inspiration comes from a simple observation: I observe my thoughts and feelings and then zone into whichever emotion is dominant. The trigger can be from a photograph, a movie; from watching someone else that reminds me of something that I have been through or from something that I desire. I then keep a note of that and then the work begins - when I write a song about it.

With regards to my aesthetics, I think art and illustration are more important to me than film. I am definitely influenced by my favourite artists such as Vermeer, Degas; Cézanne, Klimt; illustrators Edmund Dulac, Susan Seddon Boulet and Arthur Rackham to name a few. However, I do love scrolling through YouTube watching old film operas, listening to old recordings of Opera singers and old recordings of traditional songs. A combination of all of the above is important as long as it inspires me to be creative. My viewpoint is always my own.

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Can you reveal which artists played a role in your early life? How did you get into the industry?

As a child, my parents used to play Harry Belafonte, Doris Day; Shirley Bassey, Simon & Garfunkel; The Shadows, Rod Stewart and Crystal Gayle. Yes, I know; pretty eclectic! It doesn’t end there though. I used to share a room with my older sister so I had to listen to all of her R&B music and I have two brothers who both play guitar: one plays electric and one plays acoustic. So, I was forced to listen to Joe Satriani and Cat Stevens simultaneously - which I think scarred me for life; that’s probably why you don’t hear any guitar in my music!

I had my first piano lessons at the age of nine and my music teacher introduced me to Chopin and Beethoven. But, when I discovered music for myself that I loved, I used to listen to Enya, Enigma; Joni Mitchell, Fleetwood Mac; George Michael and Prince. It wasn’t really until my early-twenties that I discovered Classical music and Opera through taking classical singing lessons and that opened a whole new world for me. That’s when I fell in love with Puccini, Rachmaninov and Debussy.

I got into the industry because when I was younger I thought I wanted to be an actress, so I decided to take singing lessons to add a feather to my bow so to speak. Through my singing lessons, I discovered my true calling as singing just felt so good. I didn’t realise the amazing journey it would take me on and I am still discovering new things about myself every day.

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What do you hope to achieve by the end of 2018?

I hope my album is well received, that my live performance dates get lined up and that I go on holiday as, since I started my album, it has pretty much taken over my life for the last two and a half years.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Hmm. I have so many! Can I have two?! My favourite recent memory is that of signing my first licensing agreement for one of my songs from my album to be on a film soundtrack. It features in the independent film titled Of Gods and Warriors featuring Terence Stamp. That was a dream come true and is a memory to treasure.

A much older memory; this is from when I used to sing a lot in the care community for people with Alzheimers’ disease. I remember singing to a gentleman with a severe case and I held his hand and looked into his eyes as I sang one particular song. As I was singing, he lifted his head and he came to life right in front of me. He had tears streaming down his face and when I had finished the song he just started talking about his wife during the War and how he used to take her to dances and how that was their favourite song. He hadn’t spoken to anyone for years and we (the staff and I) were all in tears. It’s such a beautiful feeling to be able to touch someone like that. That’s why I sing: because I want to touch souls.

Which three albums mean the most to you would you say (and why)?

A Day Without Rain by Enya

She is one of my huge influences and it put me in a trance the first time I listened to it. I can still completely lose myself in her music.

Reverence by Faithless

Captivating. Reminds me of long nights of dancing and the power that music has on the body. It was also the first time I had really been touched by operatic music. The track, Drifting Away, opens with an excerpt of Margherita’s aria, L’altra notte in fondo al mare, from the opera Mefistofele; composed by Arrigo Boito. I think it also planted the seed that it is possible to cross different genres in a song if the production is good.

The film soundtrack to Betty Blue by Gabriel Yared – it brings back memories of great times with someone who is no longer with us. The music is just beautiful: fun, intense; delicate, heart-breaking.

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If you could support any musician alive today, and choose your own rider, what would that entail?

There are a few artists currently that I would love to have the honour to support but, if I had to choose just one, I would love to support Andrea Bocelli. Not only do I love his voice, but he is also such an amazing humanitarian - he does so much through his charitable foundation.

For a rider, hmmm; just a nice clean dressing room with a power point and full-length mirror; bottled water and bananas - lots of bananas! Not too green, not too spotty either!

Can we see you on tour soon? What dates are coming up?

Definitely. I am planning a tour in 2019. Dates are to be confirmed and will be announced on my website soon.

What advice would you give to new artists coming through?

Believe in yourself. Don’t be afraid to ask for help. Practice, practice, practice!

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IN THIS PHOTO: Freya Ridings

Are there any new artists you recommend we check out?

I haven’t had time to listen to loads of new music recently but I do love Freya Ridings. I love her voice and songs check out her song Ultraviolet. It’s gorgeous. Her newest single, Lost Without You, was featured in the Love Island U.K. T.V. series.

Do you get much time to chill away from music? How do you unwind?

Music is part of my everyday life so to give my ears a rest I love to reconnect with nature. As I live in North London, one of my favourite places to go is Kenwood and Hampstead Heath with my beloved toy poodle and I love to go ice-skating when I get time. I also love a good movie and a pizza (Vegetarian Hot, please).

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Maria Callas - La Mamma Morta

Thank you for having me and thank you for asking such brilliant questions!

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Follow Natasha Hardy

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INTERVIEW: Oriel Poole

INTERVIEW:

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Oriel Poole

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I have been speaking with Oriel Poole…

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PHOTO CREDIT: Galen Oakes Photography

about her new single, Brighter, and filming its incredible video. She tells me about moving from the U.K. to the U.S. and what she wants to accomplish going forward. I ask which rising artists are worth a shout and what advice she would give to artists emerging.

Poole reveals what she does away from music and her favourite memory from her career so far; how she got into music and kindled that passion; what it was like working with Julio (the L.G.B.T.Q. advocate) on her current video – she ends the interview with a great song.

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Hi, Oriel. How are you? How has your week been?

Good, thanks.

For those new to your music, can you introduce yourself, please?

Bold, sensual and otherworldly. Genre-wise, I produce Trip-Hop; combining the sounds of R&B, Electronic; Soul and Experimental.

Brighter is your latest music video. Is there a personal story behind it? How did it come together?

The song is about recognizing my magic inside, the inner-flame, ready to expand into the world. It's the voice inside my head saying, ‘let me out, already!’.

From a visual standpoint, the director, S-hekh Shem Hetep, saw the hypnotic side of my music and me and used that to create a video that was both whimsical and seductive; highlighting my essence as an artist.

The music video seems like it was fun to film! Was it a good shoot? Did you have a lot of creative control regarding concept and theme?

The director took the lead on the creative concept for the video. Of course, I had my say; I also brought in friends such as Ostara who led up the styling and set dressing to support the overall vision. One of the most challenging parts for me in the process was allowing - having a creative background in production design I enjoy being hands-on and driving the creative process forward. But, in the making of this music video, it was important for me to focus on being solely the artist.

Did you enjoy working with L.G.B.T.Q. advocate Julio on the shoot?

Yes. Julio is amazing. Such a talented force - he really helped me come into my skin and portray the sensual woman that I am on camera.

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Brighter is from your E.P., Sunday. Are you looking ahead at more material – or will there be more material released from the current E.P.?

I have another music video coming soon (for Foothills). I’m taking classes and working on a single right now while I save in preparation for the writing of the second E.P. I’m also pitching to labels in an effort to receive additional resources and support of the second E.P.

How did you get into music? Which artists compelled you growing up?

Music has always been in my blood. It was a matter of waking up to the desire to pursue it. I have a rather eclectic taste in music. Some of my influences growing up include Pink Floyd, Kavinsky; Björk, Enya; Jamiroquai, Erykah Badu; Zero Seven and Talking Heads.

I believe you were born in Britain but moved to the U.S. Was there a reason behind the move?!

My parents wanted to move to America - not completely sure why -; possibly for a chance at a different life. I was eight-years-old. It was hard letting go of everything I knew and loved that age but the experience did shape my perspective and provided me with a broader vision of the world.

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What do you hope to achieve by the end of 2018?

Securing a label or investor - 100k to propel to the next level of my career so I can focus exclusively on the next E.P., continued education; new creative content (music videos!) and a national tour. I’m looking for a company or individual who sees my whole package and wants to help provide me with the resources to scale massively.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Performing at Red Rocks Amphitheatre with Lotus. That venue is legendary: an outdoor amphitheatre shaped by natural, red rock formations. It is an honour to have performed there.

Which albums mean the most to you would you say (and why)?

Pink Floyd - Another Brick in the Wall

Talking Heads - Stop Making Sense

Both albums changed the way I experienced music.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Based on my sound, I would be best-suited opening for Childish Gambino, Frank Ocean; Bonobo, Bob Moses; Rüfüs Du Sol, Tame Impala; Woodkid, Little Dragon; Anderson .Paak and STS9.

Rider? A candlelit dressing room and yerba mate, please.

Can we see you on tour soon? What dates are coming up?

None at the moment but I will keep you in the loop!

What advice would you give to new artists coming through?

I am breaking through so I can only speak from the perspective of my present experience. Success is a combination of talent and drive. If you have something people are responding to and you are committed to finding the way - doing whatever it takes to turn this passion into a career - then this is the path for you.

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IN THIS PHOTO: Jamie Lidell/PHOTO CREDIT: Lindsey Rome

Are there any new artists you recommend we check out?

More recently, I have been really feeling Jamie Lidell, Nonku Phiri and Nao.

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IN THIS PHOTO: Nonku Phiri

Do you get much time to chill away from music? How do you unwind?

Yes. I find time to go unwind and feed my soul. I go out and dance, connect with friends; be active in my body, be in my joy. I also practice meditation and Theta Healing every day.

Finally, and for being a good sport, you can choose a song and I’ll play it here (not any of your music - I will do that).

Yes! Go check out Dear by Pete Philly

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Follow Oriel Poole

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INTERVIEW: Choze

INTERVIEW:

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PHOTO CREDIT: Josh Snaps

Choze

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WITH Nothing to Lose out there…

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I have been speaking with Choze about the track and what inspired it. He discusses his upcoming plans and the influence of Clapham. I ask him which rising artists we need to look out for and the albums that have been instrumental to him – he tells me what it was like working with Skolz on his latest song.

Choze reflects on the past year and how it affected Nothing to Lose; what advice he would give artists coming through; if there is going to be more material coming up; if he gets moments to unwind away from music – he selects a good song to end the interview with.

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Hi, Choze. How are you? How has your week been?

Hi. I’m good. My week HAS been like most weeks: very productive

For those new to your music; can you introduce yourself, please?

I go by the artist name ‘Choze’ and I’m an Alternative artist that has been on the scene for a few years now.

Nothing to Lose is your latest single. Can you talk about the origins and how the song came together?

It basically came together about a year – one when London was going through tragic moments. Whether we lost hundreds of people due to the Grenfell Tower fire or the increase of gun and knife violence or Brexit; I just felt that it was time to speak on a few touchy subjects. I was brain-fried by the disappointment I was seeing and I wanted to address it.

What was it like working with Skolz on the track? What did he bring to the track?

I feel, when I work with Skolz, he brings out the best in me. His sound has his own stamp on it which I easily became a fan when he first started to play me his material. Nothing to Lose was one of the tracks he played to me and, at that moment, I knew I was going to record something deep on that record. The beat was just calling and telling me what I should say. He brought the edge that I needed to enhance my lyrics even more which is why I’m happy with what we’ve created together.

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PHOTO CREDIT: Josh Snaps

It seems like 2017 impacted you. Looking at all the horror that occurred – including Trump’s election and the Brexit result – how do you see the year? Do you think the world has lost some of its mind?!

Honestly, I feel we’re living in the last days but also I’ll have to get back to you with an answer. It’s just too deep to respond...plus, we’ll be here all week if I do (laughs). 

Is there going to be more material coming later in the year do you reckon?

100%! I’ve got two more records to put out then the mini-album which I’m excited to share with the masses. Very personal record to me

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PHOTO CREDIT: Josh Snaps

Who are the artists that inspire you and led you to get into songwriting?

Kendrick Lamar, the Paul Institute; Skepta, Plan B and Mike Skinner. There are a few more but, roughly, these artists push me to write chapters after chapters. I feel they help my storytelling but push me to create my own style with it.

How influential were your experiences in Clapham, and the scenes you witnessed there, to you regarding your path into music?

Clapham can be very embracive and multicultural: it can also be very problematic and difficult to live which helps me write songs to explain my experiences growing up in neighbourhoods such as Clapham. But, honestly, how the area has developed over the years; I wouldn’t change it for the world and it’s what made me the artist I am today.

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PHOTO CREDIT: Josh Snaps

What do you hope to achieve by the end of 2018?

To get a wider audience; to follow see and support what ‘Choze’ the brand has in store.  Plain and simple.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

My favourite memory is when I got a standing ovation to a packed crowd at Union Chapel in North London. That was a moment I’ll never forget. It made me feel that I’ve achieved my goal but motivated me to strive for more shows where I would work my best to receive more support from bigger crowds. It just made me a fiend for performance after that night.

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Which three albums mean the most to you would you say (and why)?

I’ve got so many albums that are a big influence in my life but the three that comes to mind are Boy in da Corner by Dizzee Rascal; No More Idols by Chase & Status and 21 by Adele.

With Boy in da Corner; it was the album that described everything that was going on when I was in college/uni times. It made me believe that I could tell my story in my own narrative and believe that no one can take it away from because it’s MY TRUTH and nothing but MY TRUTH.

No More Idols showed me that you can collaborate with all different genres or artists but still make an album which people will say stood the test of time. It’s a classic.

21 was the most personal record for me. It’s showcasing a person’s emotions with no fabrication or dishonesty - which is why I believe Adele is the most important artist of our decade.  She put the transcript out to the music industry that ‘honest’ music always prevails no matter what.

If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to support the Gorillaz - and my rider will be only water before the show and then a stiff Jack Daniels on the rocks after (laughs).

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PHOTO CREDIT: Josh Snaps

Can we see you on tour soon? What dates are coming up?

We’re just organising the dates as we speak. Go to my Twitter/Facebook/Instagram for more info (@CHOZEofficial)

What advice would you give to new artists coming through?

Never compromise unless you honestly believe it’s beneficial to achieving your reality - not dream, reality! Also, never stop. This game can never be taken for granted. You fail when you quit, simple.

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IN THIS PHOTO: Shai Sevin

Are there any new artists you recommend we check out?

Skolz, Shai Sevin, Lemzi; The Grime Violinist, the Paul Institute; Anjlee Desai, Obongjayar; Max Stone; DOGZ OR GODZ. Few more but I’ll get back to you.

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IN THIS PHOTO: The Grime Violinist

Do you get much time to chill away from music? How do you unwind?

I still read books or watch inspirational docs to keep me motivated. I need those tools because I listen to music way too much - so they’re my ‘chill out’ sessions.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Jai Paul – jasmine (demo). It’s still the greatest record I swear (laughs)

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INTERVIEW: Miranda Arieh

INTERVIEW:

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Miranda Arieh

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MY attention turns to Miranda Arieh…

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who has been talking about her latest single, Impossible. I speak with the Leeds-based artist about her upbringing; she reveals what we can expect from her upcoming album, Ferine; whether, as a champion of women’s rights, there is a change happening in music regarding gender inequality.

Arieh speaks about her tough youth and how she has managed to use music as a tool for improvement and personal growth; whether there are going to be tour dates coming up; some great artists we all need to investigate – she selects some albums that are especially important to her.

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Hi, Miranda. How are you? How has your week been?

Great, thank you! I've played two gorgeous shows this weekend and got a festival coming up this coming one, so feelin’ content! 

For those new to your music; can you introduce yourself, please?

I'm Miranda Arieh; a singer-songwriter from Leeds!

 

Impossible is your new single. Can you talk about its background and story?

I wrote Impossible, essentially, about my adoration for songwriting and the comfort that it brings me; in this situation, it was helping with my letting go of things I could not change in the past and staying mindful. No matter what I'm going through, I can always turn to writing a song in order to express myself and help me “settle down in an old sweet song”.

I wrote it after a conversation one night with a female sex worker who was also saying how music helped her stay mindful (but for her listening to it). She's the woman I'm talking about in the song- she was an incredibly powerful and inspiring woman. I was going through a really tough patch, emotionally, at the time and dealing with feelings of intense regret. I went straight home and wrote impossible. It really helped. 

Your music tackles women's rights and mental-health concerns. Is it important to you to ensure changes come in society and we address these problems?! 

Absolutely! I think that music is a fantastic place to do this. Music is a language that crosses all borders.

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Do you think there are changes regarding gender equality? How do you feel, as a woman in music, about the current imbalance?!

Gender inequality in the music industry has started to be highlighted in the mainstream which is brilliant and has given birth to many great campaigns and schemes such as Both Sides Now, Women Make Music and Loud Women etc. However, there is still a lot of work to be done. Google the writer of many modern-day Pop songs fronted/sung by a woman and you find the songwriter is a man. It's not enough to just have the women singing the song if they're managed by a man, written for by a man and told what to wear by a man…I wanna hear women's voices and what they have to say.

I also wanna hear older women's voices. Ageism needs to be tackled in the media mainstream for women. Men's lines are defined and even, maybe, increased on the cover of a magazine and he is seen to ripen with age like a fine wine whereas women's lines are bleached and ironed and filtered out. There is a huge fear of age in this society and it is poured out and fed through music and media mainstream. I wanna see age; I wanna hear age and I wanna have more older women role models in the music industry mainstream.

Ageing is the one thing that we are all guaranteed to do it would be nice to see more older women coming through the market. I saw Patti Smith a couple of months ago. She's in her seventies and was PHENOMENAL, ridiculously good. However, it's very sad to think that, in the modern day, if she released her songs now as an EMERGING musician starting out at this age she may go ignored or unheard due to her age/looks. This needs to change. 

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Ferine is your forthcoming album. What sort of themes and stories inspired the music on the record? What was it like making the album? 

Wow. So many different topics and themes and emotions. I tend to write from feeling rather than thought. Themes are as varied and range from empowerment to the end of the world; to ageism, being silenced/speaking out as a woman; mental illness, letting go of regret and creating a false self…! Whereas some songs - such as the first track on the album, Hold On - is a story I wrote about talking to an invented lover in a bunker in a trench of a battlefield surrounded by incoming troops…it starts with stripped-back, emotive solo piano and ends with a samba outro...! We have a real range on there.

I adored the process of recording it and building up the tracks with instruments; so many different and varied instruments used - it's a real Chamber-Pop field day.

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How did you get into music? Which artists compelled you growing up?

I always wrote songs from being a tiny girl on our piano in our house. I taught myself. Although, my mum was a concert pianist so I heard her play which defo had an impact. I first picked up a guitar when sectioned into an adolescent psychiatric unit as a teen. It was there I really got into 'proper' songwriting and lyric-writing. I had been self-harming and overdosing a lot and was in a dreadful trauma state emotionally, so I felt like I had found some real therapy finally in writing songs. Artists that influenced me are No Doubt, Nirvana; Hole, the Pixies; Symposium, Bob Dylan; Joanna Newsom and loads of '90s chart Pop.

I was also into loads of Punk bands growing up such as NOFX, Pennywise; Lagwagon and Less Than Jake. System of a Down certainly had an influence even though they're a Heavy-Metal band! The way Serj Tankian uses his voice always resonated deeply with me - the sheer theatrics in it. I used to listen to them on-repeat. I was a right mosher. I even had a huge, heavy black chain hanging off my baggy, rain-soaked jeans...

What do you hope to achieve by the end of 2018? 

I would like to be even closer to making my music fully sustainable and be doing even more of what I love the most

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

Winning the People's Choice Award at the Leeds Music Video Awards for the second year in a row was pretty special and emotional. I think it was a point where I woke up and felt so supported and encouraged and realised people must be really enjoying what I do with my videos, which is such a wonderful feeling to give enjoyment to people through what I love creating the most.

It was a HUGE turning point for me to push the boundaries further with my music videos and put my all into them. They are my fave thing to make. I adore the writing of the songs, I adore the recording of the songs; I adore the performing live of the songs but then the music video is just the icing on the cake for me: I get to perform the song I wrote and recorded and now act the part of the character I wrote it as and really experiment with visuals (and reinvention of myself as an artist each and every time).

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For me, it feels like it’s a vessel to bring my song to life and communicate it to the world. I just love doing it more than anything. I get such a high from filming music videos. I'm just in my element! I've worked with such a beautiful team on my last few. I feel so grateful to them all for helping me bring the vision and song to life. I am also so grateful to all the people who are continuing to support and encourage me with what I love to do. After what feels like a lifetime of negative self-talk and anxiety, it has sincerely meant the world to me.

Which three albums mean the most to you would you say (and why)?

Pixies – Bossanova

Got me through all my rough times such as that first night in Leeds safehouse after running away from home; the first night in foster care; the first night in an adolescent mental hospital at fourteen.

Joanna Newsom – Ys

It got me through the first stages of labour with my daughter! I was very young and very afraid and it soothed me a lot! I really respect her songwriting - her lyrics are absolute weaving genius. 

No Doubt - No Doubt

Another classic for me growing up. It meant a lot to me as it reminds me of good times where I was heavily getting into music and playing bass and started getting obsessed with writing songs. Gwen Stefani is so hugely talented vocally. It's insane.

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If you could support any musician alive today, and choose your own rider, what would that entail?

I'd support Patti Smith. She's an absolute legend and my rider would consist of loads of vegan food including chips, cake, falafel and a nice coffee. I don't drink alcohol anymore or take drugs as they just used to affect my mental-health too much so nowt head-mashing. I'd be up wild all night on the chips and adrenaline instead. Rock ‘n’ Roll. 

Can we see you on tour soon? What dates are coming up?

An album will be released later this year and we will be doing a debut full band launch show in Leeds to go with it so look out for that! So excited to recreate the album live as I'm currently performing solo but it's gonna be a whole new world performing with my band 

What advice would you give to new artists coming through? 

Be yourself. Never see anything or anyone as competition. Competition stifles creativity. Compare yourself to no one and let go of the fear of other people's judgements. Life's too short to worry about what other people think of you. Have integrity but don't be afraid to take risks. 

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IN THIS PHOTO: Pariss Elektra

Are there any new artists you recommend we check out?

I love so many I have decided to choose only local Leeds female artists for this one! Pariss Elektra (I've chosen one of her tracks for you to play below); all my Sisterhood Music Collective consisting of Fran Wyburn, Astraluna and Fuzzy Jones. My Pink Moon secret gigs house show collective consisting of Jenni Noyes, Keeper of Bees and LeeSun. Also, I’m currently loving Muriel & Blazquez, Park Fires and Kelly Boyle. All of the above are wonderful, independent local female artists!

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IN THIS PHOTO: Jenni Noyes

Do you get much time to chill away from music? How do you unwind? 

Well. I unwind by chilling WITH music! I love songwriting to unwind. I love writing lyrics and writing new riffs. I play more piano than guitar nowadays. I also love to meditate and I've been drawing a lot recently too. I adore listening to non-fiction audiobooks and talks to learn more about healing and self-development. My fave authors are Eckhart Tolle, Gabrielle Bernstein; Brene Brown, Deepak Chopra; Pema Chodron and Kristin Neff. I have learnt SO MUCH over the past couple of years since I discovered audiobooks!

I also love spending time with my wonderful daughter Robin who is eleven. She's an amazing person and turning into the most fabulous young woman. Also, my friends and partner Tom. He's a songwriter too and we've started writing music together recently. We started a lil project called Cair Paravel and we've just started recording also. 

Finally, and for being a good sport; you can choose a song and I'll play it here (not any of your music - I will do that). 

Ooh; this is such a difficult choice but I'd like to choose Pariss Elektra. The track I'd like to choose is called Awake and it is off her First Love E.P. She's a brilliant local independent artist. I love her music as it's so conscious; incredible vibe and she is truly a force of nature live. A huge, huge talent. 

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INTERVIEW: Caiti Baker

INTERVIEW:

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Caiti Baker

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THE brilliant Caiti Baker has been discussing…

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her album, ZINC, and the sort of themes that inspired it. Although it is not released in the U.K. until 24th August, it has been getting great reception in Australia. Baker talks about that and where she heads now in terms of material and touring.

I ask her what it is like writing ZINC with chronic fatigue syndrome; how she got into songwriting to start with; the albums that are most important to her; some upcoming artists to look out for; whether she gets time to unwind away from music – Baker ends the interview with a fantastic song.

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Hi, Caiti. How are you? How has your week been?

I’m great, thank you! My week has been fun and hectic. The Darwin Festival is currently on and I’m also moving house. So, I’m doing a lot of socialising, seeing shows at the festival and packing up a house!

For those new to your music; can you introduce yourself, please?

My name is Caiti Baker. I’m a singer, songwriter and performer. I’m from Darwin (NT), Australia and I’m either at home writing and recording music or touring the country!

The album, ZINC, is out on 24th August (in the U.K.). Can you talk about the sort of themes that inspired the record?

Having had chronic fatigue syndrome and bipolar disorder for six years, I was either in a state of inflammation (depressed, manic or moody) or I was asleep. I wasn’t ‘absorbing’ life. For those six years, I don’t remember a whole lot – I didn’t feel like me. So, in healing these conditions, I was essentially having a rebirth and that’s a songwriting gold mine! A lot of what I wrote about on ZINC was inspired by finding my identity and all the aspects of life; love and conflict that come along with that. 

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I believe you were battling chronic fatigue syndrome before and during its creation. What sort of impact did that have on your mindset and output?!

I healed myself halfway through the writing process for ZINC. So, as mentioned before, I was writing a lot about identity, love; conflict and the experience of transitioning from one state of existence to another. It was therapeutic and cathartic to be able to create art out of a challenging and troubling situation, so I’d say the experience on a whole was positive.

I also find that sometimes I write with my subconscious. Songs will pour out that don’t make much sense until a much later time. There’ll be a moment when it hits me and something settles - an inner-calmness, like I’ve solved something internally and my brain has just caught up. There are a few songs on the album where that was the case!

ZINC has been out in Australia a little while – gaining great reviews. Is it a relief to know something you have worked hard on has hit a chord and resonated?!

Absolutely! Even if I wasn’t fortunate enough to have the support to get my music out there, I’d still be creating. So, just knowing that there are people out there discovering my music every day and being affected by it in one way or another is a combination of many emotions (!): happiness, humility and excitement. Sometimes, it’s overwhelming but it’s all positive! I love reading reviews and hearing the interpretations of the songs; it’s interesting to me. 

Which artists have been most influential to you? Who do you count as idols?

I was fortunate to be born (because of and) into a household of music. Blues music, to be more specific! I have so many influences because of my upbringing so I’ll keep the list as short as possible! Big Mama Thornton, Ray Charles; Little Walter, Etta James; Aretha Franklin, Sweet Honey in the Rock; Bobby ‘Blue’ Bland…Aaliyah, Fiona Apple; Missy Elliott, Timbaland; The Neptunes, Lauryn Hill; Jay-Z, Wu-Tang Clan; Erykah Badu, Jill Scott; Leela James, TLC; SWV, Destiny’s Child; Wyclef Jean, Brandy; Faith Evans…the list goes on and on!

I see idols in a lot of different people for different reasons. For their sheer powerhouse abilities, Beyoncé is an idol. For their singing, songwriting and arrangement skills, I count Fiona Apple and Frank Ocean as Idols… 

How did you get into songwriting? Was there a moment you knew that is what you had to do?!

Just being surrounded by music and having that genetic ability - I think it was predetermined that I’d be a writer, singer and performer. I don’t remember the moment it started; I just remember doing it. My dad got a digital 8-track recorder when I was twelve and he couldn’t work out how to use it, so I did. I started recording what I had written then. That’s how I began stacking vocal harmonies and writing over Hip-Hop instrumentals. 

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What do you hope to achieve by the end of 2018?

I’m gonna have a bunch of new songs written, recorded and produced by the end of 2018! I’ll have completed a national tour, released two more songs (the last of the songs from the Zinc chapter) and play a few festivals.  

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I’m lucky to have so many; I wouldn’t know where to start! Playing WOMADelaide (a renowned World music festival) in 2017 and the Byron Bay Bluesfest this year have been two incredible experiences that I’ll never forget! Touring with and supporting the late Dr G Yunupingu on a national tour was special and unforgettable. I’d say that releasing new music into the world and hearing people’s reactions is one of my favourite things.

Which three albums mean the most to you would you say (and why)? 

This is just straight-up-difficult so I’m gonna have to make it easier for myself! I get immersed in albums for the entire experience and I become obsessed. So, I can listen to one album every day, a number of times for days, weeks and months on end - it depends on what’s going on in my life at the time. So, life experiences and emotions get attached to albums and therefore have a significant impact on me. I’m gonna give you a list of ten!

Aretha Franklin - Queen of Soul: The Very Best Of Aretha Franklin

Twenty-four songs of Aretha Greatness. Collectively, her sound, dynamic; instrumentation and arrangements are timeless and have been a massive influence on me.

Aaliyah - One in a Million

Aaliyah revolutionised R&B with Missy Elliott and Timbaland. I love every track on this album. I still think it’s a classic.

Angel Haze - Back to the Woods

This album is potent, dynamic; full of soul and will not age. Angel Haze (A.K.A. Roes) is an amazing rapper and Incredible singer. She’s an inspiring artist to me.

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Frank Ocean - Channel Orange

This album has a lot of emotion attached to it for me as I was obsessed with it over an interesting time during my fatigue. I don’t remember much but I’ll listen to this album and I’m taken back to places I was when I was obsessed with it and I’ll start to remember things. It’s just a beautifully written body of work.

Jay Rock - Redemption

The latest album I’ve been obsessing over. It’s just a strong Hip-Hop album that knocks and he’s one of my favourite rappers who is amazingly musical and creative in every project he creates.

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Missy Elliott – Supa Dupa Fly

It’s hard to fault Missy. Her debut studio album, created with her equally groundbreaking collaborator Timbaland; Supa Dupa Fly just hit me in the soul as a kid. I loved everything about this album and it’s been a very big influence on my sound.

Rihanna – Anti

This album is just a straight-up banger. Great R&B, Soul and Pop songs produced amazingly and executed incredibly by Rihanna. I love every song on this album.

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Fiona Apple - Extraordinary Machine

Fiona is unapologetic, wild; thrilling and bold. Her voice is liquid gold and her songs are so interesting. I love the production and arrangements on this album. 

Run the Jewels – RTJ3

I love everything these guys do but I smashed RTJ3 in 2017. I spent a big chunk of time listening to this album and being energised by it on so many levels. El P’s production is wild; Killa Mike is one of my favourite rappers and I love what they both stand for. 

Lianne La Havas - Is Your Love Big Enough?

What a wonderful experience this album is. Sonically and emotionally, it melts right through me. 

That’s ten! But, I can add three Jay-Z albums, two Kendrick Lamar albums; an Irma Thomas album, Redman and Method Man; Rah Digga, Solange; Beyoncé, TLC, Leela James; Anthony Hamilton…the list goes on and on and on and on!

If you could support any musician alive today, and choose your own rider, what would that entail?

Oh, this is tough! Wow. I’d love to support Jacob Banks. As for (hospitality?) rider - I’d be ok with what I tend to have – what my band likes to drink, some food; white towels, gum…I don’t need much!

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Can we see you on tour soon? What dates are coming up?

I am doing a National Australian Tour in September/October. Dates are on my website.

What advice would you give to new artists coming through?

Be you. Don’t be a jerk. Follow your gut instincts; understand your own and your band’s expectations and surround yourself with good people.

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IN THIS PHOTO: Emily Wurramara

Are there any new artists you recommend we check out?

Alice Skye, Emily Wurramara; Stevie Jean (I’m taking her on tour with me!), Serina Pech and Tasman Keith.

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IN THIS PHOTO: Stevie Jean/PHOTO CREDIT: Elle Wickens

Do you get much time to chill away from music? How do you unwind?

Nope! Haha. It’s a 24/7 life but I love it. Periodically, I’ll take a trip to the mountains; turn the Internet off and reset everything. I’ll be doing that again in late October. To unwind on a daily basis…I watch comedy, listen to podcasts and immerse myself in good T.V. I love going out for a dance, too. That’s a good way to unwind…or down to one of the beaches to walk in the sand.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that). 

Aw; this is so tough! Ummmm. Let’s go with Criminal by Fiona Apple!

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Follow Caiti Baker

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INTERVIEW: Ella Hooper

INTERVIEW:

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 Ella Hooper

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I have been chatting with the fabulous Ella Hooper…

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about her new track, To the Bone, and what its story is. She reveals whether there is more material coming up; how solo life compares to being part of Killing Heidi; which artists inspire her – Hooper reveals how she is feeling about heading to the BIGSOUND Festival this year.

I ask the songwriter which artists and albums are important to her; if there are new artists we need to keep an eye out for; what her favourite career memory is; what she hopes to achieve before the end of this year – she ends the interview by selecting a classic cut.

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Hi, Ella. How are you? How has your week been?

Great thanks, love. Busy, busy, BUSY but I can handle it. As long as it's creative, I love it. Just don't ask me to do my tax - which, I actually have to do soon. But, I'm ignoring that and having a ball bringing this new single out instead!

For those new to your music; can you introduce yourself, please?

Hellooooo! I'm a frontwoman, singer-songwriter; media person, lover of smart, well-made Pop and Rock and, actually, any and all other genres (I have made a Country record) and I'm embarking on (another) new phase where I fully step into my solo artist potential after years in bands (some very successful) and I'm feeling AMAZING about it. 

To the Bone is your new single. Can you talk about the background of the song?

Well, for me it's a bit of a battle cry; the war being with myself (always!), trying to gee myself up to break away from or break down old structures and limitations that no longer serve…to step up and out into the world in a different way. A more empowered way. Even if less people 'like' you, who cares? Don't they say it's better to be respected than liked? That's how I'm feeling. Time to ruffle some feathers. 

Is there more material coming later in the year? What are you working on?

Yes! I have two more tracks finished and ready to go. They're slightly rockier, with more distinct guitars -and two more bubbling up after that. I'll try and get another single out before years-end and then we will see! I can't wait to release this new material. It feels like my best work, but singers always say that don't we?

How does life creating as a solo artist compare to being part of Killing Heidi?

It's brilliant for the responsibility and creative freedom it brings. Making decisions on your own is very liberating but can, at times, be challenging. No one to bounce off to make the final call: it's all on you, all the time! Eek. I miss the camaraderie of a band at times, but it seems that forms pretty quickly in my backing bands too. Before you know it, it feels like a band and people are farting and burping in the van...ahhh, lovely. 

I am really enjoying having both acts active at the moment; it's like the best of both worlds. My teen self revels in K.H.'s high-contrast Pop-Rock simplicity and my adult self feels fully expressed through (I think) the more complex songwriting and themes of my solo stuff. 

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Are you still involved with Killing Heidi? What have you brought from your career there to life as a solo artist?

Yes! We are doing some reunion shows here and there that have been going amazingly well. It's a nice treat to bring it back after so many years on ice and be able to sell out shows and play big festivals with a band you broke up ten years ago. Crazy. It's definitely influenced my want for a more kinetic, rambunctious solo set.

The Killing Heidi energy is so good for getting the crowd going; the new Ella Hooper solo stuff doesn't sound like Killing Heidi but it does have a strong back-beat; slightly higher B.P.M. and aim to get the floor full and party started. Still angsty after all these years! 

I believe you are heading to the 2018 BIGSOUND Festival. How does that rank alongside your career highlights?!

It'll be good. Not sure if it will rank as a highlight but maybe more of a new beginning? It's something I've wanted to do as sometimes my career feels quite back to front. I'm keen to treat this next release as though I'm a new artist, hence doing showcases.  They've booked me some bloody massive rooms though, so obviously my reputation precedes me (haha).

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Who are the artists that inspire you and led you to get into songwriting?

It's the classics, I hate to say! Beatles, Bob Dylan; Joni Mitchell, Neil Young. Then I came of age in the '90s and it was Smashing Pumpkins, Hole; Veruca Salt, Nirvana and then onto Liz Phair, Ryan Adams and PJ Harvey.

What do you hope to achieve by the end of 2018?

I'd love to put another single out, make a super-high production value live clip and finish recording the rest of the material for this 'batch'. Also, secure some OS travel plans for the New Year! I'm coming! Basically, prep for world domination next year. Haha. 

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I've had some wild ones. Getting a birthday cake onstage at the Big Day Out (massive festival in Aus.). It was my seventeenth birthday, our song was number one in the charts and I was inviting Coldplay and the Red Hot Chili Peppers to my birthday party. What a trip. The funny thing is I totally dropped the ball and didn't tell them exactly where the party was and apparently they were looking all around Melbourne for it that night. You become fast friends on these tours. 

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Which three albums mean the most to you would you say (and why)?

Bob Dylan - Another Side of Bob Dylan

I use this album to calm me down and take me back to childhood when it's all too much sometimes.

Smashing Pumpkins - Siamese Dream

Because I fell in love with intelligent Rock music to it.

Then it's a toss up between any Nina Simone, Astral Weeks by Van Morrison and Blue by Joni Mitchell

Because they all made genius-level albums by the bucket-load. HELP! 

If you could support any musician alive today, and choose your own rider, what would that entail?

Ladyhawke - and I would be a great fit I reckon. Her recent album, Wild Things, was really uplifting and I think that's brave and cool. We both love those '70s and '80s references too.

I'd have coconut water as always on the rider. The good stuff, not from concentrate. 

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Can we see you on tour soon? What dates are coming up?

No dates to reveal as yet, but I’m hoping to lock some in soon. Stay tuned. I love touring. I'm made for it. 

What advice would you give to new artists coming through?

Protect your individuality. Your 'quirk' is what gives you an edge. 

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 IN THIS PHOTO: Gena Rose Bruce/PHOTO CREDIT: Rhea Caldwell Photography

Are there any new artists you recommend we check out?

Yes! Gena Rose Bruce, Hannah Cameron; Alice Skye and Clio Renner are superb singer-songwriters coming up in Melbourne. For Rock bands, Miss Destiny and Tyrannamen are killing it. 

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IN THIS PHOTO: Hannah Cameron

Do you get much time to chill away from music? How do you unwind?

I get a bit! Not enough. I head to my hometown (a tiny little country town hours from the city) and hang with my mum or my old friends who have farms there now.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Stand Back by Stevie Nicks. What a banger. 

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Follow Ella Hooper

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INTERVIEW: Benjamin Shaw

INTERVIEW:

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PHOTO CREDIT: Aisha Latosski  

Benjamin Shaw

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THE fantastic Benjamin Shaw…

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has been talking with me about his upcoming album, Megadead (out 31st August), and what sort of themes influenced it. I ask about his connection with Melbourne and how his current work differs to his earlier stuff. Shaw recommends some upcoming artists to look out for and what he hopes to achieve going forward.

I ask the songwriter which three albums mean the most to him; what got him into songwriter in the first place; the advice he would give to artists coming through; which musician he would like to tour with giving the choice – he ends the interview with a cool song.

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Hi, Benjamin. How are you? How has your week been?

Hello! I am ok. This week has not been bad so far. I’ve been happily putting off jobs and commitments and it’s definitely going to catch up with me and make my future weeks an almighty nightmare...but, right now? Delightful.

For those new to your music; can you introduce yourself, please?

My name is Ben and I make often sad and consistently difficult-to-enjoy Pop songs. I try to make them sound good, honestly, I do, but my attention span undermines me every time.

Is it true you were ‘accidentally’ born in Canada and raised in Blackpool?! you are now in Melbourne. How is one ‘accidentally’ born in Canada and then ends up in Australia?!

Yes, all true. It wasn’t so much of an accident: I think I just say things like that to make me sound more interesting. My mum was living in Canada at the time (what up, Edmonton?); I think my dad was from there or something - I don’t know, nobody talks about it - and then just ended up moving back to her hometown Blackpool in the U.K. Melbourne comes into it through my partner, Aisha. She is from Melbourne and, after a decade of living in London, we figured it was time to move back to Melbourne and try and recover our health.

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PHOTO CREDIT: Aisha Latosski

Is Melbourne a great space for you to create and find inspiration?

Melbourne’s always been kind to me. I lived here for a year back in, like, 2005 and made so many friends and had the greatest time. Currently, I’ve been able to work just three days a week at my day job here, so I have much more time to devote to my ART. I’ve never found inspiration too hard - I am constantly anxious and/or sad, so material is never far away, but finding the energy, love and time to do anything with it was always a problem. So, having more time to myself, physically and mentally, has been honestly incredible.

Megadead is your forthcoming album. Can you tell me about some of the themes and ideas that influenced the songs? Do you have a standout cut?

Like most of my albums, the themes are sadness, stress and hating your job and colleagues. All the classics. I just can’t seem to shake them. I hope, one day, to not have any of these things clogging up my head, so I can just relax and paint some dandelions or something - but they’re always there ready to push down on my chest at any moment.

I really like the track, Terrible Feelings! - for obvious reasons, I guess.

I can hear developments and new additions since your debut album, There’s Always Hope, There’s Always Cabernet. Do you think you have developed as a songwriter?

I don’t know. There are certainly big differences to Cabernet, but I’m not sure whether it’s progression or regression. I used to pen actual songs with middle eights and choruses and all that but, for the last few years, it’s been mostly repetitions and patterns. I think I got pretty embarrassed about being a ‘singer-songwriter’ for the longest time (rightfully so), so I purposely shied away from writing anything resembling an actual song.

But, as I hurtle through my years (at the fastest speed, O.M.G.) I think I’m beginning to see the fun in it again. Songs can be fun. There’s even a chorus in one of these new ones - only one, mind you. Let’s not go crazy.

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Do you count yourself as a bold songwriter? It seems, when listening to your work, you love to explore unchartered territory and take risks. Where does that come from?!

I don’t feel bold. I constantly feel like I’m just treading water and that all my albums sound exactly the same, but I think that’s probably what keeps me going. Like: ‘Oh sh*t, what if that was my last album; you can’t end on that!’ And, I don’t know, I really like trying to come up with atmospheres that match the song (or the other way around), so that often involves throwing everything at the wall and seeing what sticks. Some of it is bold, but a lot of it is just blind panic.

Who are the artists that inspire you and led you to get into songwriting?

I’d been writing songs in various bands for years, but in the early-'00s, it was that New York Anti-Folk scene that really opened things up for me. The Moldy Peaches, Jeffrey Lewis and Ben Kweller especially made me feel like: ‘You know those stupid songs you love to make up that nobody else likes? There are other people out there that do them too’. It totally gave me the confidence and passion to keep going. These days, I’m well into Camp Cope, Casiotone for the Painfully Alone and Charlie Louvin. All the Cs.

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PHOTO CREDIT: Aisha Latosski

What do you hope to achieve by the end of 2018?

Oh, man; 2018 is already gone. Forget it. Let’s do something in 2019 instead. This year, though, I’d like to go back and see my family for a week or two, buy a new fridge-freezer and learn how to make a decent sauerkraut. I got this.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

There have been plenty of ups and downs but there were a couple of nights in 2009 where I was part of the supergroup ‘Tapegun’. Paul from the band Nervus who now runs the LP Cafe and record store in Watford; Neil from Broken Shoulder who now runs Kirigirisu Recordings in Tokyo and me, Ben, who now runs... away from his problems. I’d never played with other people before and actually felt a connection and I’ll never forget it.

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Which three albums mean the most to you would you say (and why)?

Sha Sha by Ben Kweller

Not only is it a great Pop album, but it also kinda kick-started my adult creative life. Despite always being super-into art and music, I’d dropped out of uni and a Fine Art degree because I wasn’t fine enough, I guess. Oh, and the drinking too much, bad health and generally just feeling sh*t about myself which, now looking back, I can see was obviously a depression.

I loved this album Sha Sha and somehow stumbled onto the Ben Kweller message board on his website and things began to pick up. I met tons of cool people from all over the globe and it really opened me up to the world and my own passions. I definitely would not be sitting here writing this right now if not for B.K. and his early-'00s message board.

From the Muddy Banks of the Wishkah (Live) by Nirvana

Like all gawky small-town teenagers in the ‘90s, Nirvana kinda changed everything. I’d have been thirteen or fourteen-years-old when this came out and as someone who was previously super-into Bon Jovi and, for some reason, Motörhead. I became obsessed with them overnight and deep-dived. The cliché is real - Nirvana absolutely were the gateway into Punk and Hardcore; art and left-wing progressive politics - all which left a permanent imprint on my psyche.

We Love the City by Hefner

I have a nice memory of sitting on my childhood bedroom floor at my mum’s house in Lancashire when I was about twenty, having just come home from some probably dreadful night at the local pub; eyes half-closed listening to this album. Imagining the chaotic London city life it portrayed, the romance in the weird fuc*ed-up characters and relationships and just how far away it all seemed.

Somehow, years later after finally moving to London, I became friends with Hefner guitarist Jack Hayter through the magic of MySpace and then later even supported singer Darren Hayman live. I have had zero success in all of this music business, but stuff like this is still super-freaking-cool.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Oh, sh*t. Sod it, Neil Young. Reach for stars, eh!

As for the rider, can I get some fruit, some Kettle Chips - and I guess I’m gonna need some red wine if I’m gonna be playing with my old pal Neil.

Can we see you on tour soon? What dates are coming up?

It’s unlikely. I haven’t played live in a few years. But, there’s a night down the road from me that puts on weird, unlistenable acts every week; so I wouldn’t mind putting my name down for that one day. But, then should you really sh*t where you eat? I’m not sure. I’d like to get back on the horse one day, though.

What advice would you give to new artists coming through?

I don’t know. It feels like it’s getting harder and harder to even survive, let alone make art too. Especially, for people from working-class and minority backgrounds. Just try and keep healthy I guess. Be kind. Punch up. Express yourself in whatever way your life, budget or circumstances allow and keep uploading stuff to the Internet, whatever the fu*k it is - Bandcamp, SoundCloud; Instagram or just tweeting the fu*k out of your day (not Facebook, though…never Facebook).

None of us will ever make a living from art, but it makes you feel better and finding someone else that is creating CONTENT that you connect with can get you through a sh*tty day. So, if only for each other, we need to keep going.

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IN THIS PHOTO: Pool Kids

Are there any new artists you recommend we check out?

Yes! So Many. I love that new Pool Kids album. The Ophelias, Leather Towel; LEVELZ, Nipped in the Bud; anything by Camp Cope, Divide and Dissolve and, damn it, I really like that Mathew Lee Cothran album too.

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IN THIS PHOTO: Camp Cope

Do you get much time to chill away from music? How do you unwind?

I try to chill as much as I can. Anxiety is a daily torment, so it can be a real sh*t-show, but I have been trying to get into meditation more and I can feel that it really helps - I’m just not very patient with it. Really partial to a bit of CBD oil too. It’s not legal in Australia (surprise) but we’ve found an American webstore then sends it in the post all discreetly with fake customs labels and all that, so that is way cool. Lovely stuff. Also; going for walks is cool. Australia can be (definitely is) super-conservative politically but the nature is incredible. The creeks, the animals and birds are so beautiful. So easy to fall for and it really takes the edge off.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Divide and Dissolve - Resistance

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INTERVIEW: Ace of Wands

INTERVIEW:

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PHOTO CREDIT: Becca Lemir

Ace of Wands

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I have featured Ace of Wands before…

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PHOTO CREDIT: Becca Lemir

but there is something ever-evolving and fascinating about them that compels repeated investigation. I have been finding out about their latest track, 10,000 Feet, and what its story is; whether there will be another track coming very soon – they talk about their formation and which artists are an inspiration to them.

I wanted to know how important Toronto is to the band and whether they are touring; if we will see them in the U.K. soon; what advice they would offer artists coming through – they recommend a couple of promising artists to check out.

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Hi, guys. How are you? How has your week been?

Things have been great over here! I’ve been on vacation for the last two weeks, which actually feels kind of crazy given how much stuff I have on the go…

How are you taking to the heat at the moment? Is it encouraging songwriting and creativity?

The heat has been so crazy. I work outside as a gardener when I’m not playing music and the heat can be oppressive and exhausting. But, I am still writing songs so I can still be functional creatively. Toronto had a major rainfall this week that caused flooding in a lot of the city. Our rehearsal space was under a foot of water, which has wreaked some havoc in our lives. Luckily, we share the space with some wonderful bands and everyone leapt into action to save gear and start the massive clean-up.

10,000 Feet is your new single. Can you explain the story behind the song?

10,000 Feet was written last year after I got back from a tour across Canada in the dead of winter. I had never travelled west in Canada before and it was pretty shocking to me to fully realize the Toronto bubble that I live in. A lot of Canada is incredibly isolated. There are so many tiny communities with hours of empty highway separating them, living through the harshest conditions of winter I have ever experienced. The tour made me appreciate the ways in which a finding community can be crucial.

When I got back from the tour, this was the first song I wrote for what has now become the full realization of Ace of Wands. It tries to capture that loneliness I felt and the bonds you make with people to try and escape it, even for a little while.

I believe the song, and its digital download, is accompanied by an 8” balsa wood glider. Your previous song, Grown from Good, came with wildflower seeds and a glass full of soil! What is the reason behind these initiatives? Is it to get the listener to appreciate the physical and connect with the earth?

I am really interested in creating music that can be immersive and interactive for the listener. While I have always been drawn to Rock and Pop music in my writing, I find that more often than not unusual performance elements and merchandise seem to be more reserved for avant-garde or experimental artists. This method of music distribution is an attempt to engage with our audiences in a much more tactile and playful way than just selling a C.D.

When we talk about music, and the practice of creating, we use the word ‘play’ - I play violin, I play guitar etc. Thinking of the use of this verb (which is very specific to music and not other art forms) inspired me to come up with a method of distribution that encourages ‘play’ while at the same time listening to our music. The balsa gliders will be laser-etched with a design inspired by the tarot card we are named after and will come with an accompanying download card. I am always interested in creating art that can be used again and again, rather than just put on a shelf or sent to the landfill.

I believe 10,000 Feet is part of a trilogy. Can you talk about that and what the third song might be about?

Yes. We are releasing a third E.P. this fall, along with a video to complete the trilogy. I have stockpiled so many songs since starting to write for this project and the lead single one is certainly one of the oldest of those. The song is called Lioness and is probably our loudest and most aggressive song; heavily inspired by Sleater-Kinney - one of my favourite bands of all time. It continues the theme of spiritual transformation that weaves through 10,000 Feet and Grown from Good.

There is also a current of rage that runs through the song; an emotion I am afraid of in others and in myself. I wanted to try to get in touch with this emotion and think it will be a good contrast to the more contemplative first two singles. The video will also introduce the third member of A.O.W., our drummer Jody.

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How did Ace of Wands come together? Do you remember what bonded the band?

The three of us have all been gigging musicians for our whole adult lives but didn’t cross paths until recently. While the Toronto scene is relatively small and interconnected, it’s amazing the number of factors that can keep people apart - genre, age and neighbourhood etc. We found each other playing on tour and in bands around town and the bond was instant. Anna and Jody represent two of the deepest friend connections I am lucky enough to have. It’s a special thing to collaborate with people who present no judgement, are compassionate and committed and interested in all the experimentation I want to do. 

In terms of older music; who do you count as influences and idols?

I would say my biggest musical idol has to be PJ Harvey. She is a goddess of Rock and Roll and art as far as I am concerned. I saw her play in Toronto last year and immediately set all of my professional and artistic goals for the future. Too inspiring for words. 

Do you think there will be touring dates? Can we catch you play?

We are playing in London/ON and Toronto/ON on August 17/18 to release our new E.P. with more dates in the autumn. We were also accepted as Musicians in Residence at the Banff Centre for Arts and Creativity in Banff, Alberta this December. This will be an incredible experience. We get to work with musical mentors and other visiting residents for what is basically a two-week songwriting session in the mountains. It is so humbling to be asked to take part! Hopefully, we will play shows in Edmonton and Calgary when we are out west. 

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Might you come to the U.K. soon? Do you like British music?

I would love to take A.O.W. to the U.K. I am really impressed by all the great music coming out of the U.K. and feel like we could fit in well with the scene there. Artists like Nadine Shah, Goat Girl; Marika Hackman, The Staves; Fat White Family and Temples are all really resonating with me right now.

How important are Toronto and its people regarding the way you write and design your music?

Toronto is a very special place to make music, but it has its challenges. The cost of living has gone up so much in recent years that it is hard for musicians and artists to create all that they want while needing to work; pay rent etc. But, the community is really resilient. There have been a number of venues that have either closed or changed hands over the last decade and it has become harder and harder to book shows.

However, there are a few really supportive venues who are interested in live music as a viable business model. For our own part, we wanted to facilitate creating a D.I.Y. space for music with the primary goal of breaking down some of the genre barriers that keep the different scenes in Toronto apart. It’s called Songs of Wands Live and it is a concert series with rotating locations, creating a safe and intimate environment for musical experimentation.

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PHOTO CREDIT: Becca Lemir

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

I played in a band for many years called Rival Boys and one of my favourite memories from that is playing at a summer camp for the councillor’s end-of-season party. I guess they had become huge fans of the music as they worked at the camp that year. We were a surprise for them and I will always remember the school bus of screaming teenagers that pulled up before our set. I felt like I was in the Spice Girls or something. 

If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to go on tour with Metronomy. They all seem like the nicest bunch; their music and live show is all I aspire to one day. Truly amazing.

On the rider, I think having a travelling masseuse would be ideal! Gotta get the shoulders loose before the gig. 

What advice would you give to new artists coming through?

I guess just try to keep faith in your own art and do what feels right and authentic for you. Whatever that is, even if people don’t like it. If you like it, that’s all that matters...I’m working on this one daily!

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 IN THIS PHOTO: L CON

Are there any new artists you recommend we check out?

From Canada, definitely check out L CON. She is an amazing songwriter and producer. I am also a huge fan of Happy Axe from Australia - a violinist making strange and beautiful sounds.

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 IN THIS PHOTO: Happy Axe/PHOTO CREDIT: Briana Davis

Do you get much time to chill away from music? How do you unwind?

I have a very full schedule - which is how I seem to like it. Ha. But, when I am feeling particularly burn-out, my favourite thing is to go camping, have a swim; read a book and make a fire. 

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Thank you, Sam! Here’s my pick:

Viper Fish - Goat Girl

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INTERVIEW: Haley Blais

INTERVIEW:

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Haley Blais

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IT has been cool speaking with…

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Haley Blais as she tells me about her new single, Seventeen, and how it came together. I ask her about her musical tastes and what sort of music she is into; whether her new E.P., Let Yourself Go, is her most confident work – she highlights a rising artist to check out.

Blais tells me reveals three albums that mean a lot to her; if there are going to be gigs coming up; what the music scene is like in Canada right now; the advice she would give to artists coming through  - she ends the interview by selecting a cool song.

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Hi, Haley. How are you? How has your week been?

Hi! I’m well. I’ve been learning the bass all week and haven’t left the house - so I feel like a productive hermit.

For those new to your music; can you introduce yourself, please?

I’m Haley Blais; a musician from Vancouver, BC. I play in a band with my four beautiful sons, singing songs about my life.

Seventeen is your new single. What was it like putting it together?

I knew I wanted the video for it to be sentimental and nostalgic, but kind of put it on the backburner while we were busy with touring etc. So, when I had some downtime and was looking through tour footage, I realized it worked perfectly to portray the message behind the song; that I’m where I’ve always wanted to be.

It recalls, as you say, a rather average and unspectacular time of life. Do you feel you were rather boring as a youth? Are you measuring yourself against unrealistic standards?!

I might be. I’m not saying I’m regretful at all: I guess hindsight is 20/20, as they say. 

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Let Yourself Go is your new E.P. What sort of themes inspired the music? Is it a natural case of the cocooned caterpillar of Late Bloomer coming out as a confident butterfly?

Exactly! I like to think it’s inspired by who one becomes once they’ve bloomed.

Which artists compelled you growing up? What sort of music were you raised on?

I was, 100%, raised on Dad Rock. When I was old enough to start appreciating music and curating my own taste, I listened to a lot of Bob Dylan and Folk music. 

You are a Canadian artist. How do you think the music of the nation differs from that of the U.S., for instance? Do you think Canada gets the attention it deserves?!

Oh, man; I’m not sure I can speak for the entirety of the music of the nation but I can say that some of my favourite musicians of all time are Canadian. Andy Shauf, for instance, is a songwriter I really admire - but he’s definitely underrated compared to the pedestal he’s on in my mind. Is that because of his geography? Maybe! And that would be dumb!

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What do you hope to achieve by the end of 2018?

The completion of my first L.P.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

The tour, by far…

Which three albums mean the most to you would you say (and why)? 

The Bearer of Bad News by Andy Shauf

It’s just a perfect album start to finish.

Clap Your Hands Say Yeah – Clap Your Hands Say Yeah

Because it reminds me of my brother.

Either Songs from the Big Chair by Tears for Fears or Born to Run by Bruce Springsteen

Because the 1980s call to me.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Angel Olsen; red wine, chips and salsa. Those are the first things that came to my head and I agree with myself.

Can we see you on tour soon? What dates are coming up?

I’m playing a few dates in the fall. Sept. 8th at SKOOKUM Festival in Vancouver; Sept. 14th at Rifflandia in Victoria and Oct. 26th at the Vogue Theatre in Vancouver (opening for Peach Pit).

What advice would you give to new artists coming through?

Practice, play show; practice, post dog pics on Instagram (lots of pics).

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IN THIS PHOTO: Hatchie/PHOTO CREDIT: Alex Wall

Are there any new artists you recommend we check out?

There’s a new artist, Hatchie, from Australia that I discovered at the beginning of this year and she’s fantastic. Cocteau Twin- meets-Sheryl Crow.

Do you get much time to chill away from music? How do you unwind?

I work from home and most of my band is in other bands themselves so, right now, it’s definitely easy to have some time to chill. I’m very into cooking right now! Meals are usually my favourite part of the day, but lately even more so…and it’s very therapeutic. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Bad Guy - Hatchie!

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