INTERVIEW: KING

INTERVIEW:

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 KING

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THE terrific KING has been talking with me…

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about her new single, Mango, and its unique origins. I ask whether there is more material coming our way and, as a Danish artist, what the scene is like in Denmark; which rising artists we need to check out; if there are going to be tour dates – she shares a treasured memory from her time in music.

I was eager to discover how much came into her life and, as a dancer, whether she brings that experience and movement into her videos; whether she gets chance to chill and unwind – KING provides advice to artists coming through.

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Hi, KING. How are you? How has your week been?

Hi, there. I've been well, thanks! I’m currently in sessions; always grinding…!

For those new to your music; can you introduce yourself, please?

I’ve been putting out music since 2016. I started releasing stuff via SoundCloud. I was recording with producers in Copenhagen first, then I was in Oakland California with some old-school Hip-Hop dudes and then I ended up with a creative bunch in Stockholm. My first ‘properly’ released track, Promise, was recorded in Stockholm and then I flew to Cuba to shoot the video with an old friend of mine. He is white, so ended up spending a few hours with immigration there.

Mango is out now. Is there a story behind the song?

So many things I could say about Mango; don't know where to start. Mango is Cuban slang for a ‘hot guy’. Sounds crazy, but I wanted to write a song surrounding a mango for a while and this spring it just hit me. It sort of just came to me in the studio when I was writing the song.

We were vibing heavily with each other, Crille and I (the producer), and we more or less jammed into it and the song started taking shape. We ended up bringing a couple of Copenhagen/Cuban guys in on piano, drums and all sorts of percussive stuff. We had a proper Caribbean vibe going on! 

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I'm not gonna lie; this record was the hardest record I've made. Once we got the demo cut, it was a very tough process getting the record actually released. I fought a real battle with the label and producers to see it through but I triumphed ultimately, so it’s very dear to me. As far as the writing goes and studio flow, it was a smooth and beautiful process and I believe the song retains that vibe.

You are a dancer and choreographer. Do you think it is important to bring a lot of movement to your music and videos?

I sort of automatically think in movement and rhythm and I can even think out specific movements and visual cuts as I write songs. I intertwine with it I guess….

We flew to Barcelona to shoot this video; most of it is filmed in Saint Cugat. I really love that town and I wanted to film there with friends. It felt so special to do the video there. So, basically, everyone in the video is friends. We brought the whole cast in for the last scene in my video.

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Might we see more music coming along before the end of the year?

I’m in the studio in Los Angeles throughout September. I try to do different things and challenge myself and everyone around me, so you could pretty much expect anything from me. So be ready.

Do you recall when music came into your life? Do you recall the first record you bought?

Listening to Marc Anthony, Niña Pastori; Backstreet Boys, Britney Spears; Robyn, Lil John and Chingy to name a few. I think all of the above has influenced my music. The first album I held in my hand was a Madonna C.D. First one I bought was the Kevin Lyttle single, Turn Me On.

Might we see more music coming along before the end of the year?

Yes. Working on my follow-up to Mango as we speak. It will probably be way different than Mango….we’re playing around tons of super-sh*tty lo-fi Electro synthy stuff. Sounds real Germany. Hahaha.

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You are a Danish artist. Is there a strong music scene there?

There are sooo many new artists and can’t even keep up. But, I would have to say that the producer Snavs is my favourite. I also work with him and we just released a track on his new album, SS18.

What do you hope to achieve in 2019?

My debut album will be out in the spring! And I hope for world peace!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I played a college festival this summer. That crowd was so great. It felt like the summer of '67 in there. It was all love and good vibes. Incredible…

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If you could support any musician alive today, and choose your own rider, what would that entail?

I would definitely have opened for Michael Jackson and Aretha Franklin. I heard she hated air conditioning, so I can relate.

Put MINIMUM twenty-six degrees Celsius in my rider! With Michael, I would have asked for a complete replica of his silver glove at that show.

Are there going to be any tour dates coming? Where are you heading?

I will be in the studio for pretty the remainder of this year. Working on my debut album - which will be out in the spring of '19. So, I hope to tour heavily surrounding that release!

What advice would you give to new artists coming through?

Oh, man - too soon for me to give advice to anyone. Stay true to yourself, I guess. That’s the only way…

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IN THIS PHOTO: Yoshi Flower

Are there any new artists you recommend we check out?

I’ve been a big fan of Yoshi Flower since his first demo. He’s this Detroit kid that’s got this Hip-Hop, rockin’ vibe with a very authentic sound going on. Mavi Phoenix is also awesome. I think she’s from Austria…

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IN THIS PHOTO: Mavi Phoenix/PHOTO CREDITLukas Gansterer

Do you get much time to chill away from music? How do you unwind?

With music - and I choreograph pretty much everything.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Put Yoshi Flower on please! Brown Paper Bag….

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INTERVIEW: SAHARAS

INTERVIEW:

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SAHARAS

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THE guys of SAHARAS

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have been telling me about their new single, Shake My Fever, and what it is all about. I was eager to learn how they met and how music came into their life; what they have planned going forward and a couple of rising artists we need to get involved with.

The band reveal their favourite albums and tell me how it feels being on stage together; whether they get time to unwind away from music; what they hope to accomplish before the year is through – the chaps each pick a song to end the interview with.

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Hi, guys. How are you? How has your week been?

Hello! We’re all good, cheers. Recovering from Reading Festival but we’re very excited about the release of our new single this Friday. We’re also looking forward to a show we’re playing this Saturday over at the Trinity in Harrow.

For those new to your music; can you introduce yourselves, please?

We’re SAHARAS; a four-piece Alt/Rock band with added synthesised pulses and textures out of Windsor, U.K. The band is made up of Nando (Lead Vocals and Guitar), Dan (Drums); Matt (Bass) and Alex on guitar and backing vocals.

How did SAHARAS form? When did you all meet?

We’ve known each other since primary-school and have always shared a mutual love for music whilst growing up listening to the same bands. In early-2014, we decided to start writing music together and here we are! Still going strong and enjoying it as much as we did back then.

Alex is Dan’s younger brother and he’s been around supporting the band since we started out; whether it’s been going to near enough all of our gigs or putting together the video for our track, Mirrored. It was definitely natural to implement Alex into the line-up sooner rather than later and we’re proper-buzzing to have him on board – the four-leaf clover is complete!

Shake My Fever is your new single. Can you reveal the story behind the song?

In terms of inspiration, the lyrics are centred around having someone new coming into your life and shaking things up in a euphoric and lustful way – to the point where you doubt whether it’s too good to be true in comparison to previous experiences. Overall, it’s a light-hearted and upbeat song which is quite different to what we normally tend to write about.

It follows on from Sweat. Will there be more material coming next year?

We’ve put the majority of our time and focus into writing new material over the last couple of months and have got some demos to show for it - and we’ll be testing the songs live over the course of our next few gigs. We’re definitely looking to keep progressing and to release new music by early next year, latest! We really enjoy recording.

How did music come into your lives? Which artists were you fans of growing up?

The beginnings of our love for music coincided with the beginning of secondary-school, around 2005/2006. Debuts from Arctic Monkeys, The Kooks and Bloc Party helped pave our way toward a particular ‘taste’ in music and led us to explore influencers of these bands such as The Strokes, The Cribs etc. Alex would listen to Dan’s records and this lead to his similar tastes also!

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What do you hope to achieve by the end of 2018?

First and foremost, we just want our music to reach a broader audience and we’re hoping that the new single will help us do so. Additionally, we want to keep playing the live circuits and branch out further afield. Ultimately, we’re aiming to expand our fanbase!

Have you each got a favourite memory from your time in music so far – the one that sticks in the mind?

Hearing everything coming together in the studio recording our very first single was a very special memory that we have and always will. Every time we have returned since that feeling returned and has seemed to have grown; long may that continue! Aside from that, listening to one of our tracks getting played on BBC Introducing radio was definitely a highlight for us.

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Which one album means the most to each of you would you say (and why)?

Matt: The album I would never skip or even shuffle would be Humbug - Arctic Monkeys

A ‘tricky’ third album which I would describe as their strongest. I loved the change of direction down a slightly darker path, whilst retaining everything I’d come to love about the band both lyrically and musically.

Nando: Mine has to be Given to the Wild by The Maccabees

This album inspired, and still inspires, my musical style in terms of guitar and the sound I aim for on a personal level. The guitar work is amazing on this record and it carries out a lot of reverb – something I can’t live without…Orlando is also a hero of mine.

Alex: This has to be one of the hardest questions for any musician to answer; however, right now, I have to lean towards My Love Is Cool by Wolf Alice

As a group, they’ve created something very special and pure in this album and I find it so easy to get lost in its dark and dreamy sound. Also, I have to mention Joff’s creative and unconventional approach to guitar playing; he’s definitely a massive inspiration towards my own development in music. Oh…and they’re wicked live too.

Dan: My favourite album has to be Total Life Forever by Foals

The album has always spoken to me artistically and stylistically, with Spanish Sahara being the single that influenced my musical direction growing up as a late-teen. From a drumming perspective, Jack’s style of drumming carries such a wide variety of speed and consistency and his technique is preserved throughout the album. This is something I’ve always hoped to achieve through my own drumming style.

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If you could support any musician alive today, and choose your own rider, what would that entail?

We think we can all agree that it would have to be Foals. They are an immense inspiration to us, stylistically and musically.

As for the rider; we’re quite cheap so any beer would do (Matt prefers a lovely smooth ale). We’d also demand rum ham! If you know, you know…

Might we see some tour dates coming up? Where might we be able to catch you play?

You sure can! As it stands, we’re playing Notting Hill Arts Club for Turtle Tempo on 15th September supporting Leader. Following on from that, we’re playing a DPRK Records showcase for the Windsor Fringe on 3rd October.  Following this, we will be looking to play plenty more shows in and around London. You can keep up to date with our shows via our Facebook and Spotify!

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Do you all love being on the stage? What is it like travelling between gigs and bonding with one another?

We love sharing the stage together. We treat it as a celebration of the time and dedication we put into writing our songs. It is very rewarding when you get a positive reaction from a crowd! Travelling between gigs is generally a cosy experience; transporting gear and ourselves around in a Fiesta and Polo (but you have to make do). We use our time travelling to gigs to share new songs we’ve discovered with one another. A good time is had by all.

What advice would you give to new artists coming through?

Keep writing new material, experiment; express yourself and, above all, enjoy what you are doing!

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IN THIS PHOTO: FAERS

Are there any new artists you recommend we check out?

FAERS and Hot Dreams.

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IN THIS PHOTO: Hot Dreams/PHOTO CREDITBenjamin Edward Simmons

Do you get much time to chill away from music? How do you unwind?

Music is our way to unwind, but we also enjoy a good T.V. series: It’s Always Sunny in Philadelphia is a big favourite of ours. The pub is always on the cards too.

Finally, and for being good sports; you can all choose a song and I’ll play it here (not any of your music - I will do that).

The Growlers - Late Bloomers

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Phantogram - You Don’t Get Me High Anymore

Hot DreamsPlungepool

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INTERVIEW: Naomi Banks

INTERVIEW:

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Naomi Banks

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I have been talking with Naomi Banks

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about her new single, Hourglass, and how it came together. She tells me whether it took a long time to cement and perfect her voice; whether there is going to be any future material coming; some albums that mean a lot to her – she recommends an artist we need to check out.

Banks tells me whether she gets time to relax outside of music; if there are going to be any tour dates coming up; what she wants to achieve before the end of the year – she reveals when music came into her life.

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Hi, Naomi. How are you? How has your week been?

Hello. I am very well, thank you. My week has been wonderful! 

For those new to your music; can you introduce yourself, please?

Yes, indeed. I’m not quite sure of my genre; I guess it falls under ‘Neo-Jazz’. I trained as a Jazz musician so everything is heavily influenced by that but with modern production. 

 

Hourglass is your debut single. What is the story behind the song?

It is about a very close friend of mine who stopped speaking to me as he didn’t feel like I was there for him. I realised he was absolutely right and felt terrible when looking back at how much he did for me.

How does it feel having the single completed? Are you already looking ahead to other songs?

Yes. I was bored of this song two years before I released it. I’ve got so many (songs) and I’m excited about releasing them.

I especially love your voice. Do you have to work hard to create that tone/sound?

(Smiles). Yes, very hard. My mum was gutted when I said I wanted to be a singer as I really wasn’t anything special. Luckily, she is so she taught me everything I know. It took a long time to make my voice sound how I wanted it to.

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When did music come into your life? Which artists did you follow when you were young?

Both my parents love music so I was surrounded by it my whole life. I loved The Carpenters and The Beautiful South more than anyone! 

What do you hope to achieve by the end of 2018?

I hope to have an E.P. released and perhaps a pet parrot…but I’m still doing my research.

Which three albums mean the most to you would you say (and why)?

I don’t think I could give you a single album I listen to regularly! But, my favourites have been Pink Floyd - Dark Side of the Moon; Caravan Palace (love all of their albums equally) and a few tracks from JAIN’s album, Zanaka. She has the most amazing music videos also!

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If you could support any musician alive today, and choose your own rider, what would that entail?

Paloma Faith!

Well; I would like - if for every gig I do - someone leaves their favourite game or instructions for a game they like. Even if it is Hide and Seek.

Might we see some tour dates coming up? Where might we be able to catch you play?

Nothing is set at the moment but definitely doing something big in London before the end of the year. 

What advice would you give to new artists coming through?

I don’t think I’m in a position to give advice to people but maybe remember that there is no formula. Don’t get demoralised!

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IN THIS PHOTO: Tom Bailey

Are there any new artists you recommend we check out?

I’ve just discovered a guy called Tom Bailey. Loving his music.

Do you get much time to chill away from music? How do you unwind?

I certainly do. I live on a boat and I longboard a lot. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Laputa - Hiatus Kaiyote

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INTERVIEW: Bones & Bridges

INTERVIEW:

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Bones & Bridges

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I have been talking with Bones & Bridges

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about their latest single, Go Figure. They tell me its story and the story of their formation. I ask whether there is more material coming and what sort of artists influence their own sound – they talk to me about their favourite memories and albums.

I wanted to know whether Bones & Bridges have any artist recommendations and how they chill away from performing; what advice they would give to musicians emerging – the guys each select a song to end the interview with.

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Hi, guys. How are you? How has your week been?

Hey, man. No complaints here; we’re good!

For those new to your music; can you introduce yourselves, please?

We’re Atom Martin, Tee and Anthony Arthur and, together, we’re called Bones & Bridges - a group from Toronto, Canada.

Go Figure is your latest single. What can you reveal about its story and inception?

We co-wrote this track with an amazing writer called Matthew Chaim and we just started jamming. The track reflects on the feeling of loving and supporting someone with all you’ve got, only to find out they never loved you at all. We drew from past relationship experiences as we felt that, at one point or another, we’ve all been both the hero and the villain in a relationship. We contrasted these easy lyrics with uplifting production and it really resonated with us.

Might there be more material coming later? Are you working on more stuff?

Absolutely. You can expect to hear a couple more singles before the end of the year.

Is it true Bones & Bridges formed at a writing retreat a couple of years back? How did you engineer that meeting and when did you start making music?

The thought of forming a trio was bounced around but wasn't taken seriously until we came back from that writing trip (November 2016). The initial plan was to do a writing trip for Jocelyn Alice's project in Nashville. However, when TEE presented the idea of the trio, Jocelyn was so excited that she suggested that we write for the trio instead.

We spent a week at her house writing and it was these songs that started the Bones & Bridges sound and gave us the belief that our skills combined could create something truly unique and special. Individually, we have all been making music for five-plus-years but, as a trio, we've been working together for two years.

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Toronto is where you are based. What is the music scene like there? Is it a good place to create and play in?

The music scene here is really inspiring. Canada has been on the map for the last few years and there has been some incredible talent coming out of Toronto. It’s an awesome place to create and play in because there’s just so much diverse talent and everyone is hungry.

Which artists are you all inspired by? Did you grow up around a lot of different sounds?

The three of us grew up in different areas of Canada so, naturally, we are inspired by a wide range of artists and sounds (Tee: Dr. Dre, Pharrell and Timbaland/Atom: John Mayer/Anthony: Otis Redding). What makes our sound special is that individually we come from such diverse musical backgrounds and tastes.

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Do you think there will be touring dates? Can we catch you play?

To be honest, right now, we’re just focusing on creating music. As soon as we have a show lined up, we’ll be sure to let you know.

Will you come to the U.K. and play? Have you ever been over here?

Tee: Definitely! I came over to the UK a couple of years ago for a writing trip. I was so inspired by the artists and level of talent out in the U.K.

If you each had to select an album that means the most to you; which would they be and why?

Atom Martin: One of the early John Mayer albums (Inside Wants Out/Room for Squares)

They helped improve my guitar playing and was a big inspiration for me getting into writing and singing my own songs.

Tee: Dr. Dre - Chronic 2001

I was always so curious as to how music was made but this album actually made me want to make music. While my work now is very stylistically different from this album, I have always loved how West Coast Gangsta Rap made me feel - Xxplosive is still one of my favourite instrumentals to date.

Anthony Arthur: The 1960s Stax Records ‘best of’ album

Otis Redding, Sam and Dave, so many soul classics. That was the first album I ever got – well, took - from my parents’ C.D. player in Florida.

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Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Atom Martin: Our first show ever at the Drake Hotel. We put a lot of work into that. It was amazing to finally perform in front of a crowd. Even more amazing when the reception is warm. Good vibes!

Tee: I’ve got so many it’s hard to choose! One that sticks out to me was meeting will.i.am in a writing session out in L.A. a few years back. He casually popped by our session (as he knew one of the writers) and started dropping knowledge for about fifteen minutes straight. He then pauses for a minute as he hears our music looping in the background and looks at us and says: “You guys made this?!”. We nodded our heads and then he says: “Turn that sh*t up”. Definitely one of the coolest moments ever - and he wasn’t even wearing a spacesuit!

Anthony Arthur: I played an outdoor festival at a maple syrup farm in upstate New York. There was a very Woodstock-y (is that a word?) feel there. Everyone, including myself, camped out and we had an incredible time until sunrise broke through.

If you could support any musician alive today, and choose your own writer, what would that entail?

I would actually say Ed Sheeran on both accounts. Was very jealous of his recent self-cover collab with Andrea Bocelli. Two geniuses in their own right.

What advice would you give to artists coming through?

Atom Martin: Be patient and hone your craft. Surround yourself with good, musically-minded people and musicians who are better and more skilled than you are.

Tee: Work hard but, even more importantly, work smart. Just because you’re keeping yourself busy doesn’t always mean you are being productive towards your vision, your goals. Also, collaboration is key - working with others will help you keep an open mind and continue growing/learning.

Anthony Arthur: I would say be persistent: you don’t often make it in music off the bat. It’s a slow marathon slope. Therefore, you need to juggle work, life responsibilities and your craft. Never forget why it is you have your passion. For me, it’s knowing you can leave an impact on someone’s life, just having them hear you out.

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IN THIS PHOTO: Charlotte Day Wilson/PHOTO CREDIT: Norman Wong

Are there any new artists you recommend we check out?

Atom Martin: Johnny Yukon; Charlotte Day Wilson and RY X.

Tee: Saya. An R&B artist from Toronto.

Anthony Arthur: Check out Daniel Caesar; a local Toronto dude who is blowing up - a voice like silk.

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IN THIS PHOTO: Saya

Do you get much time to chill away from music? How do you unwind?

Atom Martin: I always make time for myself at some point in the day or later in the evening. I like to meditate to calm myself. I can unwind in a number of different ways - it just depends on the day. A nice meal with close friends or me in solitude watching videos on my favourite YouTube channels.

Tee: I think most musicians will tell you that there is never enough time for anything else! I do feel it’s important to MAKE time to unwind and have a good work-life balance as this allows you to be more focused and productive when you are in work mode. I unwind by playing video games mostly as I find it a great balance between relaxation and brain stimulation.

Anthony Arthur: Away from music, a lot of family time and a lot of Netflix.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Atom Martin: RY X - Salt

Tee: Saya - Played Out

Anthony Arthur: Hold On, I’m Comin’ - Sam & Dave

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INTERVIEW: Larry and His Flask

INTERVIEW:

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ALL BAND PHOTOS: Ben Morse 

Larry and His Flask

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THE awesome Larry and His Flask

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have been talking about their new single, This Remedy. It is from the album of the same name and I was keen to know what influences and ideas go into the music. They reveal what tour dates are coming up and why there has been a five-year gap between releases.

I discover what the music scene is like in the Pacific Northwest and what sort of music they grew up around; the advice they would give to musicians coming through; albums that are important to them – they end the interview by selecting some cool songs.

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Hi, guys. How are you? How has your week been?

Hello. We are doing great. We are on tour right now. Flew from Frankfurt Germany this morning to play a show tonight in Spain! This tour so far has been amazing. We are having a great time. It’s always nice playing in the U.K. and Europe.

For those new to your music; can you introduce yourselves, please?

Yes, of course. We are Larry and His Flask from Bend, Oregon (U.S.A.). We have been a band for fourteen years. Our members are Ian Cook - Guitar and Lead Vocals; Kirk Skatvold - Mandolin and Trumpet; Jeshua Marshall - Bass and Harmonica; Andrew Carew -Vocals, Banjo and Trombone and Jamin Marshall -Drums.

How did Larry and His Flask get together?

Jeshua and I (Jamin Marshall) started the band in high school with Ian Cook. A few years later, after many line-up changes, Kirk and Andrew joined the band just as we started touring full-time. 

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This Remedy is your new album. What sort of themes and stories inspired the music?

It was more real-life events and feelings rather than story songs. Ian felt that it was time to put more of himself and his life into the songs. The overall idea is a rebirth of the band; a fresh outlook of positivity. The Remedy, if you like, to what had brought us down in the past. 

It is your first collection in five years. How come there was a bit of a gap between releases?!

We took almost three years off of the road and subsequently writing music. I was living in the Caribbean and the guys were working on other musical projects and jobs. But, we figured now is the time to bring some new music out to the people. It just kind of snowballed from an idea to a full album in one summer’s time and then we set to recording it in the winter. It turns out that all the guys were ready to go back at it. So, naturally, we have to do some touring as well to support the album. 

This Remedy is the latest single. Is there a story behind the song?

Yes. It is about using music as a positive force to overcome all odds and come through the negative influences in life; pushing back the darkness with song and love. It is about coming home. 

You hail from the Pacific Northwest. Is it hard getting gigs and attention somewhere relatively remote – or does the scenery and geography inspire music?

It inspires music for sure - and has always inspired our writing and playing style. But, we do have to drive a while to get to the gigs most of the time. 

Which artists are you all inspired by? Did you grow up around a lot of different sounds?

Yes. We group up with a ton of inspirations, musically. We collectively love it all; from Billie Holliday to Motörhead to 2Pac and Gogol Bordello; from Rancid to Doc Watson to Stevie Ray Vaughan and David Bowie. We take bits and pieces from all over the musical spectrum.  

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Do you think there will be touring dates? Can we catch you play?

We will be back to the U.K. and E.U. in the spring and summer of 2019. The U.S.A. Fall Tour:

13-OCT: Boise, ID @ Neurolux Lounge; 14-OCT: Salt Lake City, IA @ The State Room; 16-OCT: Des Moines, IA @ Wooly’s; 17-OCT: Sioux City, IA @ The Marquee; 18-OCT: Saint Paul, MN @ The Turf Club; 19-OCT: Chicago, IL @ Beat Kitchen; 20-OCT: Detriot, MI @ El Club; 21-OCT: Toronto, ON (CA) @ The Horseshoe Tavern; 23-OCT: Brooklyn, NY @ The Kingsland; 24-OCT: Stanhope, NJ @ The Stanhope House; 25-OCT: Washington, DC @ Hill Country LIVE; 27-OCT: Kansas City, MO @ The Riot Room; 28-OCT: Denver, CO @ The Streets of London Pub

If you each had to select an album that means the most to you; which would they be and why?

Jamin: Flogging Molly - Swagger

It changed my life.

Jeshua: Manu Chao - La Radiolina

It opened my mind to a musical dreamscape of romantic and political lyricism in a way I hadn’t experienced before.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Jamin: Yes. My favorite memory in music was playing the Warped Tour in 2007 and having my dad drive up to watch us play. We were able to get him backstage to watch his favorite band Flogging Molly. I don’t think I had seen him so proud and happy. 

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If you could support any musician alive today, and choose your own rider, what would that entail?

Willie Nelson...

What advice would you give to artists coming through?

Be relentless in your art. Never give up. 

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Are there any new artists you recommend we check out?

Willy Tea Taylor, The Harmed Brothers; Crazy Arm and La Armada.

Do you get much time to chill away from music? How do you unwind?

I don’t have much time when I’m not working on the band in some manner. But, when I have a few hours or a weekend off, I like to be with my girlfriend and two dogs in Denver. Just hanging out in nature or on a boat somewhere. 

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Jamin:  Heroes performed by Motörhead

Jeshua:  47 Soul - Don’t Care Where You From

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INTERVIEW: Carla J. Easton

INTERVIEW:

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Carla J. Easton

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IT has been fascinating finding out about Carla J. Easton

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and everything going on with her right now. I ask about her upcoming album, Impossible Stuff, and what inspired the songs. I ask how her solo material differs from what she produced with TeenCanteen; if there are tour dates coming up – Easton reveals her favourite albums and artists she grew up around.

I ask what it was like working with Belle & Sebastian on their recent work and what she wants to achieve by the end of this year; if there is a treasured memory from her time in music; some rising artists that are worth checking out – Easton gives some useful advice for artists coming through.

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Hi, Carla. How are you? How has your week been?

I've had a great week so far. Been pretty busy the whole of August playing various gigs – my own stuff and playing in other people's bands – so finally able to catch up with my nieces which makes me very happy and provides a much-needed boost.

For those new to your music; can you introduce yourself, please?

My name is Carla J. Easton. I've been making music for about fourteen years now, starting off with the band Futuristic Retro Champions which I formed whilst studying at Edinburgh College of Art. I was the synth player and wrote all the songs. We disbanded in 2009 and I founded TeenCanteen – this time synth playing; writing and stepping up to the front as lead singer. We released our debut album, Say It All with a Kiss, in 2016.

At the same time, I wrote and recorded my solo debut album (which I released under the alias ‘ETTE’), Homemade Lemonade. Now I'm writing, recording and releasing under my own name. It's all a bit confusing! I would say I write Pop music – I love Pop music in all its various forms, be that supremely electronic or a big, symphonic noise.

Your album, Impossible Stuff, is out on 5th October. What sort of themes and experiences inspired the music?

I think this is my most honest record to date, lyrically. I decided not to self-censor – sometimes, I can be wary of revealing too much – and I really wanted to make a huge sound with strings and brass and a full band behind me. This record also marks the first time I really allowed myself the time to write and arrange demos. My mum was 'thrilled' when I asked if I could move back home to her house in Carluke for six months to write an album. I pointed out that both my brothers were allowed to move back home when they were saving up to buy houses; she said an album is not the same as a house. I beg to differ.

Regardless; I isolated myself and focussed all my energy on writing an album. A lot is based on lucid dreaming – the blur between reality and fantasy – the insecurities I face and ponder over and the balance between the mundane and the exceptional that happens through various friendships and relationships through life.

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What was it like working with producer Howard Bilerman?

Brilliant! The ten days in Hotel2Tango working with Howard are quite probably the best ten days of my life ever! Because I was working with Canadian musicians to make the record, there was no time to rehearse. I'd emailed them over demos in various forms – some very basic, some more fleshed out – prior to arriving in Montreal. The record really captures the energy and moment all the songs came together. We didn't have time to overthink any parts. Howard was wonderful in letting us develop and grow whilst keeping us on a steady path.

Do you have a personal favourite song from the set?

I think I'll always have a fond spot for Lullaby. When I wrote it, I knew it would be the album closer but I never envisioned how full and rich it would sound. After we had finished recording and mixing the choir section at the end and listened back I had to go and sit outside in the warm night air and have a cry. I was just so overwhelmed at what we had managed to create and there was a sense of relief from finally being able to realise the big sound I always have in my head and hearing it actually existing in the real world.

How does your solo work/sound compare to that of TeenCanteen?

I would hope that, lyrically, it's a development. Sound-wise, it's still very much Pop melodies at the core of what I do. I guess there is less limitation. With TeenCanteen, the records usually consist of drums, synth; bass and electric guitar. With this record, there is a lot of synths, pianos; drum machines, violins; timpani, brass; drums, bass; choirs, one-hundred-and-twenty-one string; tubular bells and even sitar!

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Many might have detected you on Belle & Sebastian’s How to Solve Our Human Problems – Part 3 E.P. I believe you co-wrote and sung lead vocal on Best Friend. How did you become involved with the band?!

I had an email in my spam folder from Stuart asking if I would be interested in trying some co-writing and that he had seen TeenCanteen perform at a charity event I had organised. Initially, I genuinely thought the email had been sent to me by accident. I was really pleased with how Best Friend sounded when we finished writing and wasn't expecting to actually sing the song!

When did music come into your life? Which artists did you follow when you were young?

Music has always been in my life for as long as I can remember. My eldest brother is ten years older than me and, from a very young age, he would play me his favourite records and make me mix-tapes and I would raid his record and C.D. collection. I guess, because of the age gap, the bands he was listening to at eighteen were ones I was listening to at eight; so I was exposed to The Stone Roses, Oasis and The Charlatans as those were his favourite bands at the time.

The first band I fell 100% in love with was The Polyphonic Spree. They were 'my' band that I got my brother in to rather than the other way round. At thirteen, I discovered The Vaselines and that blew my mind. At fifteen, I uncovered All Things Must Pass by George Harrison and it changed my life.

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What do you hope to achieve by the end of 2018?

To be perfectly honest; last year was so amazing and brilliant I didn't think I would ever top it! I went into 2018 wholly expecting it not to be as good as last year but somehow I still get surprised every day by new opportunities or things I have, somehow, managed to do with my time. I am so excited for people to finally hear Impossible Stuff yet so nervous too as it was such a big album for me to write and record. I'm looking forward to touring it and playing it live as much as possible.

By the end of the year, I would like to think I will have finished writing what will be my third solo album - which is a sentence I never dreamed I would say out loud! I have managed to record half of it already. Not sure how that happened. I guess it would also be good to try and have a small break before the year is out!

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I just recently co-curated and performed at an event for Edinburgh International Festival called Since Yesterday: The Unsung Pioneers of Scottish Pop which is linked in with a documentary I have been working for the past two years with my friend Blair Young from Forest of Black. We are telling the story of all-girl bands/groups from Scotland starting with The McKinleys in the sixties right up to 2000 when the Internet had its big boom. The event meant I had to put a house-band together to learn and perform songs by Twinsets, Ettes; Lung Leg, The McKinleys; Strawberry Switchblade, Sunset Gun; Sorrow, His Latest Flame and Sophisticated Boom Boom.

Amazingly, we got most of the original singers in from each band to perform their songs with us. The response blew me away and I don't think I'll ever get over playing Sweet and Tender Romance with Jeanette McKinley singing it backed up by Emma Pollock on harmonies. Jeanette hadn't sung the song in fifty years and it was glorious to see her take centre stage at a big theatre during a big festival and get such an overwhelming response from the packed-out audience. I was so proud of everyone that took part and it was wonderful to provide a platform to so many overlooked talented women. The sense of community between all participants was really empowering and I'll cherish that forever - one big Sonic Sisterhood.

Which three albums mean the most to you would you say (and why)?

Tapestry by Carole King

The first time I heard Carole sing on one of my brother’s mix-tapes was breathtaking. The song was I Feel the Earth Move and it was the first time I heard a piano to the fore with a female singing. Carole's voice is genuine and her songwriting is one of my favourite of all time. I was learning the piano at the time and I think hearing her record and falling in love with it started me on my path to bashing out my own compositions on the piano and starting to sing. Her voice isn't a 'classic' Pop voice and neither is mine. I think that's ok.

All Things Must Pass by George Harrison

My dad passed away when I turned fifteen – that same summer this album as re-issued. I caught a documentary about it and asked my brother to pick me up a copy in Glasgow to bring back home to me in Carluke. This album provided me with much-needed comfort in dealing with and accepting death and life, love and loss.

Don't Say Nothin’ Bad About The Cookies by The Cookies

This is the record that singlehandedly got me obsessed with the sixties girl-group genre. Earl-Jean McCrea's voice blasted out of my stereo like an iron fist in a velvet glove and I was instantly hooked and wanted to know more. Hands down, my favourite girl-group of all time.

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If you could support any musician alive today, and choose your own rider, what would that entail?

I probably wouldn't be that fussed about a rider, to be honest! I've definitely found over the years that the less you drink before a show then the better you perform! It's not that I'd want to support her - I'd just love to see her play live –: Carole King. She's on my bucket list to see perform live one day. I went to see Beautiful: The Carole King Musical at the beginning of this year and left in floods of tears because it was so wonderful. I can only imagine what my reaction would be to hearing the real-life Carole perform those songs.

Actually, thinking about it, I'd love to tour with The Polyphonic Spree. The handful of times I've managed to catch them live have been my favourite gigs ever and I've also been an emotional mess of happiness when I see them live. I went to their fifteenth-anniversary show of the Beginning Stages Of in Glasgow in 2015 and met Tim afterwards. I couldn't get a word out. I hugged him and started crying and said ‘thanks’. Seeing them live when I was sixteen way back in 2001 - hearing that big Pop noise – was the first time I thought 'I want to do that!'.

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Might we see some tour dates coming up? Where might we be able to catch you play?

5th October – Glasgow, Broadcast (ALBUM LAUNCH)

11th October – Manchester, Indie Week UK

12th October – London, Sebright Arms

13th October – Brighton, Hope and Ruin

20th October – Edinburgh, Leith Depot

3rd November – Perth, Aberfeldy Festival

What advice would you give to new artists coming through?

Take your time. Develop your sound. Don't worry about trajectories. Have fun. Explore. Don't over-practice a song before you go into the studio - that's the big one! -; let it develop and grow when you are in there with a producer and band. Gut instinct is usually right. Don't do 'pay-to-play'. Have no expectations – then, when something happens, it's incredible! Support each other.

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 IN THIS PHOTO: A. Wesley Chung/PHOTO CREDITBeth Chalmers Photography

Are there any new artists you recommend we check out?

Off the top of my head, my vinyl purchases this year have been U.S GirlsA Poem Unlimited, Kim Richey’s Edgeland; Kylie Minogue’s Golden, Ben Kweller’s Sha-Sha (Record Store Day re-issue); Sorrow’s Under the Yew Possessed as well as a few charity shop finds – currently listening to The Partridge Family Album which I found last week!

From Glasgow: A. Wesley Chung's album, Neon Coast, is wonderful. I'm excited about a new band called Pocket Knife (ones to watch!) and am looking forward to the solo records from Jamie Sutherland (Broken Records) and David (Kid Canaveral) who is working under the alias Broken Chanter. There's a new bis album coming out later this year and I just LOVE BIS.

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Do you get much time to chill away from music? How do you unwind?

Try my best! Any spare time I love to see my three nieces Zoe, Rosie and Erin. They are fun and still full of wonder. I love finding and listening to records. Sometimes, I think the best thing you can do with a day off is to stick your headphones on and go for a walk.

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Follow Carla J. Easton

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INTERVIEW: Mary Miller

INTERVIEW:

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Mary Miller

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I have been speaking with Mary Miller

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and finding out about her latest single, H.D. The songwriter discusses her E.P., Fiction, and how she got into music; why Liverpool’s magic is in her bones and blood; the upcoming artists we need to look out for – Miller chooses three albums that are important to her.

Miller looks ahead to tour dates and what she wants to achieve by the end of the year; if there is any chance to chill and unwind; when music came into her life – Miller selects a great song to end the interview with.

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Hi, Mary. How are you? How has your week been?

Hi. There’s been a lot going on which I love; it’ll be good to finally relax, though. You?

For those new to your music; can you introduce yourself, please?

I’m Mary Miller; a singer/songwriter and producer based in Liverpool. I make cinematic, dreamy; dancey soundscapes.

H.D is your new cut. Can you reveal the story behind the song?

H.D is about partying to forget things; specifically, someone who upsets you. It’s about reaching a state of mind where you no longer care - if you’re ‘H.D.’ you’re just free from that uneasiness and feel like you’re able to see everything a little clearer.

There are elements of the 1950s and genres like Trip-Hop and Dream-Pop. Was it a hard song to put together – or do those sounds reflect your musical tastes?!

It’s never a conscious choice to convey a certain genre as much as trying to recreate the song the way I hear it in my head. They come through as a reflection of tastes but, as I have so many elements going into the song, it takes a really long time to get the song to a place I’m happy with - sometimes six months or more!

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Your E.P., Fiction, is coming soon. What sort of sounds and themes might we see explored?

Similar to what you’ve heard: ethereal, cinematic soundscapes and, as for themes: attachment and escape. 

When did music come into your life? Which artists did you follow when you were young?

I started playing the guitar at nine and started writing songs after learning a few chords; then my mum bought an eight-track tape and I learnt how to record and loop things to make a song. After that, I didn’t get off it.

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Liverpool is where you are based. How important is the city’s musical past and present to the music you write?

Massively. The love for music within Liverpool is tangible; without a doubt, it’s my favourite city in the world - I genuinely feel like an adopted Scouser…there’s a huge sense of originality in Liverpool; so many artists with sounds you couldn’t compare to anything you’ve heard before, completely doing their own thing…and it creates an atmosphere unlike anywhere else. The support for artists is also phenomenal: the city really cares about helping up-and-coming artists reach the next level and do everything they possibly can to see that happen.

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What do you hope to achieve by the end of 2018?

I hope to have the E.P. out (Fiction) and for people to love it, and to play loads more cities! So far I’ve only played London, Manchester and Liverpool so it would be brilliant to branch out.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

My first gig at The Arts Club - it was just a support slot but it was my first time playing on my own and that was a completely new feeling. I loved it.

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Which three albums mean the most to you would you say (and why)?

Kanye West - My Beautiful Dark Twisted Fantasy

I really struggle to pick a Kanye album: it constantly changes but I love how cinematic M.B.D.T.F. is.

Fugees - The Score

Not many albums can touch this! That dark, brooding sound with a gritty Hip-Hop beat driving it definitely had an effect on the music I make.

Bombay Bicycle Club - A Different Kind of Fix

This just completely takes me back to being a teenager - they were, without question, my favourite band growing up and listening now still adore it and go straight back to that place.

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If you could support any musician alive today, and choose your own rider, what would that entail?

If I could support anyone it would be Kanye. The rider would be loads of Dr. Pepper, loads of chicken nuggets and dogs.

Might we see some tour dates coming up? Where might we be able to catch you play?

27th September with Laurel at Sound Food and Drink (Liverpool) and then I’m playing Off the Record in Manchester on Friday, 16th November! Also; London on 22nd October at The Old Blue Last. Dates are always updated on my Songkick page, through which you can access through my Facebook, Twitter etc. and follow!

What advice would you give to new artists coming through?

Just make music that sounds good to you.

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IN THIS PHOTO: DUCKWRTH

Are there any new artists you recommend we check out?

DUCKWRTH, Laurel; Biig Piig, Yellow Days; Puma Blue, Smerz; Joji, Col3trane.

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IN THIS PHOTO: Laurel

Do you get much time to chill away from music? How do you unwind?

Relaxing usually involves eating and a takeaway. Making music definitely helps me unwind, though - it’s just when you’ve worked on something for a while and get the feeling you’ve been waiting for.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

DUCKWRTHMICHULL.

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Follow Mary Miller

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INTERVIEW: Maike

INTERVIEW:

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Maike

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THE terrific Maike

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has been talking to me about her new single, Paradise, and how it came to be. I ask her if she feels settled in London – she is German-born – and whether more material is coming; a couple of albums that mean a lot to her – she reveals whether there are plans for touring in the future.

Maike tells me about her experiences in the U.S. and how music came into her life; what advice she would give to new artists emerging; her favourite moment from her career so far – she ends the interview by selecting a great Lana Del Rey song.

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Hi, Maike. How are you? How has your week been?

Hey (smiles). I’m really great, thank you. My week has been great. I’ve just got back from a few beach days in the Netherlands, which was naiice…

For those new to your music; can you introduce yourself, please?

Hey, everyone. Thanks for reading this and getting to know me a little better (smiles). I am a London-based singer-songwriter and I love writing my own tunes - which I describe as commercial, hooky and storytelling Pop music backed up by big music production. I just released my latest single called Paradise which is out on all streaming platforms - including a music video that was premiered by VEVO on YouTube.

Paradise is your new single. Can you reveal its story and background?

Paradise is a song I wrote three years ago, actually. I wrote it about a relationship I was in back then; a relationship that came with expiration date and was doomed to fail. I went for it despite all the warning signs and pretended it would last forever. In the songwriting, I used a metaphorical and German-inspired phenomenon called ‘Geisterfahrer’. It means ‘An individual who drives going the wrong direction on a highway; often with headlights turned off at night; usually thrill-seeking, drunk or suicidal’. I loved that term so much that I wanted to portray that feeling in the song and use this specific car ride as the main image of the song.

What do you have planned for the future? Might we see more material coming?

Hell, yeah; absolutely! I have two more single releases planned for this year and am sitting on quite a lot of finished material for months to come also. The future is looking bright as so many things are planned. I am currently planning the next music video shoot for a Hallowe’en release and couldn’t be more excited.

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You are German-born but studied in the U.S. You are now based in London. Do you feel settled and in your true home here?

That’s a great question and something I’ve been thinking about a lot. To answer the question, I can say that I now feel more at home than I ever felt in London. I had a rough beginning moving here, living with strangers; hitting college, getting myself into the British music scene and not knowing anyone.

Today, three years later I have built important contacts; great working relationships and found the love of my life, also. Ideally, I would have a home base in the U.K. and then fly to different countries and cities regularly for ‘work’. So, I guess I am quite flexible when it comes to feeling home and grounded.

How was your time in the U.S.? Does the music scene differ there to London in many ways?

It was incredible! I had the best time and was impressed by their lifestyle and how friendly and open Americans were. I was very young back then and think that my character and personality was influenced strongly through my experiences in the U.S. The music scene over there does differ to our approaches in London for sure. To name one significant observation; I felt was that people still had a little more time and patience when it came to collaborations.

I worked in many home studios with producers and songwriters who simply wanted to create something cool together regardless of how much money they could profit from you. I also found that there was never that much of a rush or time limit as I experience a lot when working with people over here in the U.K.

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Do you recall when you got into music? Which artists did you grow up around?

Yes, indeed. I started playing the piano from the age of four - not that I was very good or something but it certainly does open your mind to music in general. I recall listening to nothing but Pop music growing up and annoyed my family with those “High and annoying Pop voices” - such as Britney Spears and Christina Aguilera - all the time.

What do you hope to achieve by the end of 2018?

I would like to build my fanbase more till the end of 2018…and get serious industry attention.

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Hmmm, yes; for sure! That would be a memory of working with Adi Yeshaya on my very first single release in 2014. Adi worked alongside Prince for many years as his song arranger and it was an absolute pleasure to work with him in the studio and get to know him personally.

Which two albums mean the most to you would you say (and why)?

I’m a massive Taylor Swift fan; so her album 1989 is one of my all-time favourites as her lyrics speak to me and, over the years, I managed to fill every single song of that album with my own personal stories. I love to analyse Taylor’s writing in all ways as she is, in my opinion, one of the best songwriters in the world.

Charlie Puth also really became a guilty pleasure of mine and his most recent album release, Voicenotes, is beautifully crafted and a great blend of different styles like Jazz, R&B and Pop that I love listening to.

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How important is it being on stage and playing? Is it possible to describe the emotions you feel when connecting with fans in the audience?

In the past, my focus has been more on writing, producing and promoting my music. From late-September onwards, my gigging and performance period is gonna kick in properly. From previous gigs, I can say that playing is a wonderful and raw way to tell your stories and it’s the most amazing feeling when the audience looks at you; listens and connects with you through the performance. It has something intimate to me when people come to you after a gig and share that they can relate to your writings and melodies - and that I’ve been able to put in words what they can’t.

What advice would you give to new artists coming through?

Try to achieve as many skills as you can. From my experience, things turn out way better when you’re able to do them yourself rather than giving them in other people’s hands.

Do you get much time to chill away from music? How do you unwind?

Funny enough, I don’t really like to unwind much. I give myself small breaks like hanging out with friends or watching a movie but, other than that, my head is always switched on in ‘creater mood’.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Oh yeahiii; please do! That’d be National Anthem by Lana Del Rey (which is my current jam).

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Follow Maike

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INTERVIEW: THRILLCHASER

INTERVIEW:

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 THRILLCHASER

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THANKS to THRILLCHASER

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for talking about their new single, QUIT IT!, and what its story is. I ask them how they got together and which artists they are influenced by; how it felt seeing their debut single do so well; what the music scene is like in Pennsylvania and Rhode Island – they reveal the upcoming artists we should watch.

I was keen to know if THRILLCHASER are touring and what their favourite memories are; the advice they would give to artists coming through; if they get time to chill away from recording – they each select a song to end the interview with.

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Hi, guys. How are you? How has your week been?

Rob Lundy (Bass/Synth/Vocals): Hey there! We are doing great. It’s been a productive, albeit rainy week for us here at home in Rhode Island. We’ve mainly just been holed up in our practice space, rehearsing and writing like crazy.

For those new to your music; can you introduce yourselves, please?

We are THRILLCHASER; an Alt/Pop/Indie/whatever trio consisting of members from both Providence, R.I. and Philadelphia, PA. We officially went public as a band in October 2017 and are fresh off of the release of our debut album, A Lot Like Love.

Our lineup is as follows: Rod Pires: Vocals/Guitar; Nikki Zell: Guitar/Vocals and Rob Lundy: Bass/Synth/Vocals.

We also have a touring-drummer named Chris! People often wonder how we pull off the percussive aspect of our music live without having an ‘official drummer’ in the band, and he’s how!

QUIT IT! is your latest single. Can you talk about its formation and story?

The origins of QUIT IT! actually date back to the recording sessions of our debut album, A Lot Like Love. Us and our producer Taylor Larson had written the bare bones of the instrumental quite early on in the process of making our record; however, the song was never officially finished during those sessions due to time constraints.

After some time away spent launching THRILLCHASER into the public and debuting our album, we found ourselves still revisiting the ‘unfinished’ instrumental on our own time and, before we knew it, we were back in the studio early 2018 recording what would eventually become QUIT IT!.

Your debut single was hugely popular and was a massive success on Spotify. Did you feel a pressure to follow it with something even bigger?!

To be honest, whenever we enter the studio we just do whatever feels natural to us at the moment. We’re so early in our career as a band that we haven’t fully started to feel the pressures of living up to past-successes quite yet. Many people are still hearing THRILLCHASER for the first time and becoming fans, so the potential for growth is everywhere for us.

We have nowhere to go but up in a sense as such a new band and that is kind of liberating. While recording QUIT IT!, I’d say the overall band mentality was a general excitement over the fact that we were already working on new music despite having just dropped a record months prior.

How did THRILLCHASER get together? When did you all meet one another?

Rod (Lead Vocals/Guitar) and myself met back in 2012 when the two of us were only eighteen. We both originally started working together as members of a Metalcore band signed to InVogue Records called The Illumination. Once that group dissolved in 2015 with only him and me left standing, we sought out a fresh start and thus formed a new band with a more active-rock type of sound, American Wolves. It was during the process of seeking members for American Wolves in which we found Nikki (Guitar/Vocals) via the Internet. She drove several hours from her home at the time in rural Pennsylvania to rehearse with us and we all just instantly clicked.

Eventually, circumstances behind the scenes and within the industry led us to a point where we found the only viable option was to reinvent ourselves as a band, and so we started fresh yet again in late-2017 as THRILLCHASER.

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PHOTO CREDITShervin Lainez 

Which artists inspired you to get into music? Did you have musical idols growing up?

Bands like Blink-182, New Found Glory and Goldfinger were my initial gateway into the world of music. I’ve always dreamed of being in a band and traveling the world as long as I can remember, even before I knew how to play an instrument. I know that’s the case for everyone in THRILLCHASER; we were all born to do this.

You originate from Pennsylvania and Rhode Island. What is the music scenes like there? Is there a lot of good local venues?

Nikki Zell (Guitar/Vocals): Philly might not come across as a place that has a thriving local music scene, but the arts are strong within the city and surrounding areas. Everyone, for the most part, is a family; growing and supporting each other. There are countless venues, recording studios; songwriting and collaboration opportunities - meaning you can actually make a living as a full-time artist here. The spirit of the city reflects in its local scene. It shaped me into the artist and musician I am today.

Rob Lundy (Bass/Synth/Vocals): Back in the early to mid-2000s; the days of when The Living Room was still an active venue, the R.I. music scene really was something special. Things have fluctuated since then but, in the last several years, I’ve seen a lot of great talent and energy begin to emerge from my home city. I truly do believe the scene here is making a comeback.

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Do you think there will be touring dates? Can we catch you play?

Most definitely! Our next performance is September 8th, in Philadelphia at the Dockside Bar.

Might you come to the U.K. and see us here? Do you like the music here?

We absolutely would love to tour the U.K. at some point in the future. Most definitely, The 1975 and The Wombats are big influences of ours.

If you each had to select an album that means the most to you; which would they be and why?

Dude Ranch by Blink-182

It’s the soundtrack to so many of my perfectly awkward adolescent moments that helped shape me into the awkward man I am today.

Nikki: No record in its entirety has ever personally spoken to me like Strange Desire by Bleachers, which came out at a very pivotal time in my youth.

Rod: John Mayer’s Battle Studies

One of my all-time favorites for sure.

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Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Rob: I’d have to say that, collectively, one of our favorite memories is all of us sitting in the control room with our producer Taylor Larson watching him master the finished version of the record, thus completing the process of recording the album 100%. Metaphorically-speaking, it felt like standing triumphantly on a mountaintop after a death-defying climb and looking downward.

The energy in the room was so positive. We had undergone many trials and tribulations, endured many personal sacrifices and literally transformed ourselves as a band in order to make that album happen. It was a very proud moment for sure.

If you could support any musician alive today, and choose your own rider, what would that entail?

It’s a rock-solid tie between The 1975 or John Mayer for us.

As far as a rider goes, every venue would be required to have a cat that we could chill out with and pet in the green room before every show. I go nuts being on the road and not getting to regularly interact with any animals. Also; sushi. Sushi would be nice.

What advice would you give to artists coming through?

Stay determined, passionate and persistent. Eventually, it all pays off.

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IN THIS PHOTO: The Wild Truth/PHOTO CREDIT: @bikerhunta

Are there any new artists you recommend we check out?

The Evening, The Wild Truth and Awaken I Am.

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IN THIS PHOTO: Awaken I Am

Do you get much time to chill away from music? How do you unwind?

Not really. Music is kind of all that I do in some way shape or form, especially since I also handle the managerial aspect of the band. I wouldn’t have it any other way, though. It’s what I love. 

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Rob: Hard to Explain by The Strokes

Nikki:  Let’s go with I Would Die 4 U by Prince (because I am perpetually jamming out to Prince)

Rod: My Thoughts on You by The Band CAMINO

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INTERVIEW: DiRTY RADiO 

INTERVIEW:

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DiRTY RADiO

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SHADI and Waspy (A.K.A. DiRTY RADiO) have been talking with me…

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about their single, Pleasures, and its story. They tell me what it was like working with Jafunk on the track and whether there is more material due; where they started recording music as a duo; the albums that are most important to them – I ask which upcoming artists we need to show some love for and get behind.

The guys reveal which artists they grew up listening to; the advice they would give to musicians emerging; whether they get chance to unwind away from music; what the music scene is like in Vancouver – they end the interview by selecting great tracks.

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Hi, guys. How are you? How has your week been?

Our week has been excellent, thanks!  We’re currently working on a new track with our friend Saint WKND and rehearsing for an upcoming festival performance.

For those new to your music; can you introduce yourselves, please?

Although we’ve experimented with a ton of different sounds in the past, we like to currently describe DiRTY RADiO as a mix of Pop, Dance and R&B. We love making hype, feel-good music. 

How did DiRTY RADiO get together? When did you start performing as a duo?

Although Shadi and Waspy started performing as a duo in the last couple of years, DiRTY RADiO began experimenting in the studio around 2012 with our third member, Tonez (smiles). We still consider ourselves a trio at the core and continue to work on everything together. 

Pleasures is your most-recent single. What is the story behind that one?

We’ve been a fan of Australian producer Ja Funk for a while now and would always play his music in our D.J. sets. He seemed to like our vibe as well and sent us an early beat for what Pleasures would become. We messed around with melody and lyrics and continued to send the song back and forth until we were all happy with it. It’s essentially about staying true to yourself by following your excitement and reaching all your pleasures one by one (smiles).

Was it cool working with Jafunk on it?!

Yeah. He’s super-cool and really talented. We enjoyed the process a lot! Hopefully, we can meet him in real life one day and party it up. 

Is there going to be more material this or next year?

We are gearing up to drop a fifteen-song album (!) this year. We’ve spent the last twelve months working on it and can’t wait to share. 

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Which artists inspired you both to get into music? Did you have musical idols growing up?

Shadi grew up listening to all kinds of stuff: from Michael Jackson, Prince; George Michael and Steve Wonder to peeps like Jonny Cash, Led Zeppelin; Jimi Hendrix and the N.E.R.D. Shadi is definitely inspired by anything and everything! 

Waspy grew up listening to lots: Nine Inch Nails, Red Hot Chili Peppers and Led Zeppelin before really getting into Electronic music and Hip-Hop in high-school. He then got obsessed with Chemical Brothers, Daft Punk and Fatboy Slim. His biggest inspiration for pursuing music is probably Pharrell.  

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Vancouver is where you are based. What is the music scene like there at the moment? Is it a great place to create music in?

Vancouver’s music scene is better now than it’s ever been. There is a ton of undiscovered talent and we’re constantly blown away by all the young, up-and-coming producers/artists. Check out Giuliano Rascan, Juelz, Nxsty; IMUR and Harrison Brome (to name a few).   

Do you think there will be touring dates? Can we catch you play?

We are currently working on putting together a tour and can’t wait to announce the dates!

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Might you come to the U.K. and see us here? Do you like the music here?

We would love to come to the U.K. We’re definitely inspired by the music! It’s our goal to nail down a European booking agent so we can perform there as much as possible. 

If you each had to select an album that means the most to you; which would they be and why?

Shadi: Michael Jackson - Thriller and Bad were very special to me! I wanted to be M.J. so bad that I would dress like him as a kid, emulate his moves; his voice and his falsetto. 

Waspy: N.E.R.D - In Search of… or Daft PunkDiscovery

They inspired me to pursue my passion to become a music producer and inspired me to blend different music genres together. 

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Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Shadi: Can’t really choose one but it’s definitely a highlight when I see fans recording their own covers of our songs (smiles).

Waspy: Too many to mention, but I’m constantly blown away by meeting people who we’re huge fans of and then working with them to create something greater than what we could have alone. 

What advice would you give to artists coming through?

Try to write a song every day - and don’t listen to the haters. 

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IN THIS PHOTO: Cosmo's Midnight/PHOTO CREDIT: @alxjohnstone

Are there any new artists you recommend we check out?

Shadi: Right now, I’m super-into the new Cosmo’s Midnight record, What Comes Next. Fun fact for ya: they actually mixed our collab., Drop Your Love, with our boy Young Franco!

Waspy: I just got introduced to a dope producer named, J.robb, I’ve been feeling lately. Also loving the new album, Hive Mind, by The Internet and Cosmo’s Midnight’s new album, What Comes Next, is perfection.   

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Do you get much time to chill away from music? How do you unwind?

We’re both huge fans of videogames; going to shows and the gym - and movies are pretty important!  

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Shadi: Cosmo’s Midnight (ft. Jay Buddy, Jay Prince)Lowkey

Waspy: Patrice Rushen - Remind Me (this is a classic that will make your day better whenever you hear it) 

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INTERVIEW: Giulia

INTERVIEW:

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Giulia

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IT has been great learning more about Giulia

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and her latest track, Trippin’ Out. I discover the story behind it and whether there is more material coming; what she hopes to achieve before the end of the year; the three albums that mean the most to her – the songwriter suggests a rising artist we need to check out.

I ask Giulia whether there are any particular artists/sounds that inspired her; if she gets time to chill outside of music; the advice she would give to artists coming through – Giulia selects a great song to end the interview on.

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Hi, Giulia. How are you? How has your week been?

Good! Busy…but happy, thank you!

For those new to your music; can you introduce yourself, please?

I am a very creative person and everything that happens in my life I love to write about and put into my art. To me, everything is personal and real. I have lived in South America so the Latin and Country music scene is a very big part of my life and my music.

Trippin’ Out is your new single. Can you reveal its story and inspiration?

It was actually a really fast process this time. I was running outside and I had the inspiration of writing a song about that feeling between two people when they first meet and lay eyes on each other; that incredible attraction where it makes you almost dizzy.  

Do you think there will be more material coming later this year? What are you working on?

For sure! I just finished my new album, Bother Dimension. So, a lot of new material I would say…

As an Italian-born artist; how much of the Italian music scene, and its people, do you bring into your sounds?

For the moment, not very much I would say…but they do have a very big Trap music scene in Italy going on right now that I really like. 

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You moved to Argentina but I believe tensions between protestors and the Government forced you back to Italy. How did that time affect you as a person?!

I think I was too young to be really affected by it. I only knew one thing: that we were going home and I was very happy about that.

Which musicians and styles of music did you grow up around? Were you exposed to a lot of different music?

I have been influenced by a lot of different artists and genres in my life. A lot of artists have inspired me in different ways and helped to build me as an artist.

What do you hope to achieve by the end of 2018?

I hope that my album gets a good reception and that I’m able to do lots more live performances!

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

Every memory is great! I love to perform live so every show I've done. But, also, I love the time in the studio creating. I am a very creative person. 

Which three albums mean the most to you would you say (and why)?

Of course…

…Baby One More Time from Britney Spears (like every girl born in the '90s); Shania Twain's Come on Over from 1997 and, of course, Eminem’s The Slim Shady LP.

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Can we see you on tour soon? What dates are coming up?

For sure. Hopefully, in October in the U.K

What advice would you give to new artists coming through?

Make sure you really want this - it is a huge business full of competition. Work hard and hope for some luck!

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 IN THIS PHOTO: Two Feet

Are there any new artists you recommend we check out?

Right now, I’m loving Two Feet’s album. I love his voice and sound.

Do you get much time to chill away from music? How do you unwind?

Well. I try to make sure I have time for my personal life, family and friends. That is always my priority.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Love Is a BitchTwo Feet

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INTERVIEW: Ponytails

INTERVIEW:

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PHOTO CREDIT: Kelli Anne 

Ponytails

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THE boys of Ponytails have been telling me…

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about their new song, Cherry Pie, and filming its video. I ask about the song’s origins and how they will follow it up; which artists are important to them; the new breed we should be keeping an eye out for – they reveal tour dates and where we can catch them play.

I was eager to discover how the band came together; whether they get chance to relax away from music; if they each have an album that is particularly special to them – the guys each select a song to end the interview with.

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Hi, guys. How are you? How has your week been? 

We're good, thanks! Our last couple of weeks have been pretty busy! We played a little show at Patagonia Vancouver on Thursday; we played Vancouver Mural Festival on Saturday and immediately after went to the Little Red Sounds studio with our good friend Felix (Fung) for a few days to finish up some music! We all work full-time jobs and just added a new member to our band, so we've been practising a lot for our upcoming release party. We just released a music video and two songs, so it’s been an exciting week!

For those new to your music; can you introduce yourselves, please? 

We are Ponytails from Vancouver, BC. We are Harvey (Vocals), Liam (Bass); Graham (Drums), Travis (Guitar) and Jasper (Guitar, Vox and Keys).

Cherry Pie is your latest song. Can you explain how the song started and what it is about?   

We started this band about two years ago and our debut E.P. was essentially the first six songs we ever wrote. We were just learning to write and the curve was challenging at times but it helped us to grow. Cherry Pie went through a few changes before becoming what it is now. It originally was a lot slower and had a 1950s Doo-Wop vibe. Harvey is very direct with his lyrics: he writes what he feels in the moment; it's very concise. With Cherry Pie, he wrote it for his girlfriend, Michelle; although, at the time, they weren’t in a relationship. She’s a very independent woman and taught Harvey a lot about patience and wasn’t going to jump into a relationship quickly.

The song is about loving someone without expectation and allowing them to be whomever they want even if it doesn’t completely satisfy you. I know that it's not a new theme for a bunch of guys to write about their girlfriends – like, "I've heard that before?" But I feel, if you saw them together either at the show or even their personal life, you'd realize it's honestly a perfect song for their crazy love. 

What was it like making the video for it? Was it a lot of fun?! 

We made it with our talented friend Lester who has made all of our friends in Peach Pit’s videos - and they actually helped out too. We had a pretty small budget so they acted as Lester's assistants to help make things less expensive which was great. Plus, we just love hanging out with them; they’re great guys. It was essentially the Peach Pit guys; Lester and our band hanging out for two days and filming. Each take we were trying to get Lester and the boys to laugh and commit to the role.

There's a lot of hilarious extra footage that will hopefully make it out there one day. We could do a live recording and add it. The live version is like seven minutes I think? It's a great feeling that we were able to make something that we love with our good friends! That's the best part of this, isn't it? We genuinely love the people we work with! From the jam space to the show; to the studio, to the shoot we have been having a party.

Might we see more material next year? Are you working on more stuff? 

Yes! We decided to spread out the six tracks we recorded over a few months and release two at a time, one or two videos (depending on how each goes) and then we're taking November and December off of playing shows and ironing out all of the songs we've written - and recording a full-length album to be released probably this time next year. We've taken a lot of time into writing the new songs and I think people are going to be stoked on what we're making together!

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How did Ponytails come together? When did you all meet? 

Pretty much, we're all branches of Harvey's friend group…we've had a few people join afterwards but myself, (Travis) Liam and Harvey have been there from day one; Graham joined before we went to the studio to record Cherry Pie, Twilight Heat and a few other tracks. His first show with us was in September when we opened for Widowspeak at The Biltmore.

Jasper joined the band in July when Ponytails and his band (Jasper Sloan Yip) played a music festival together and had a heart to heart at an after-party. His first show with was at our release party at the Fox Cabaret on 24th of this month. It was a magical night! 

Which artists are you all inspired by? Did you grow up around a lot of different sounds? 

We love everything! 

Between the band, though, everyone has different stylistic flavours that pop out when we're writing and arranging. We have trouble breaking down what genre we belong to as we have pretty diverse tastes. It's such a great question that, at the same time, would take forever to answer...

Do you think there will be touring dates? Can we catch you play? 

We are going on the last leg of the Peach Pits American tour. We will be in Seattle (October 27th), Portland (October 30th); San Francisco (November 1st) and Los Angeles (November 2nd)…and select Vancouver dates as well. We will be touring more in the future to promote our future releases.

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If you each had to select an album that means the most to you; which would they be and why?

Travis: On the Beach by Neil Young

It's so beautifully disorganized. Off-pitch harmonies, live band; bad notes, raw honesty and emotion...the second solo in Vampire Blues is literally one note and it's so amazing! I can't explain it; it brings me to tears.

Harvey: Beach House - Teen Dream or Animal Collective - Merriweather Post Pavilion

Both albums came to me at a sentimental time in my life and when I heard them for the first time it was unlike any music I had experienced before. I feel like both are groundbreaking for the genre and just beautiful to listen to.

Graham: Anderson .PaakMalibu

Liam: It’s so hard to select the one album that means the most to be because there are so many records that have impacted me but there is one that stands out because it was the first record I ever fell in love with and obsessively listened to. That record is Sgt. Pepper’s Lonely Hearts Club Band. When I was six, myself and my two best friends would always end up at my place and gravitate to my brother’s record collection.

We would put on that album, grab tennis rackets or anything else that we could pretend was a guitar. We would then stand on the couch and air-guitar the whole album. I think, at that age, the reason that album first stood out from all the records in my older brother’s collection out was the album art. It was so bright and fanciful and engaged my young imagination. After listening to the record I felt the same way about the songs on the album. I knew all the words and still do. The album in its entirety is where is magic is for me. 

Jasper: One of my favourite albums of all time is Wilco's Yankee Hotel Foxtrot. It had a huge influence on the way I write, record and listen to music. I love everything about that album and could talk about it forever. Perhaps what makes it really special to me is that it still reveals new sides of itself every time I go back to it; even after, literally, hundreds of listens. 

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Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Maybe not a favourite for Harvey, but this one time we were playing a show and Harvey leapt up on stage from the crowd to start the first song and the crotch of his pants exploded. He wasn’t wearing any underwear and the band didn’t stop playing so he had to finish the set as it was and make sure not to expose himself to the audience. You could tell that he was unsuccessful as I could see some people taking photos…to date, I've never seen any. 

As the band is hair-named; which members, facial or head-wise, has the best hair?!

Graham has the best hair; Harvey has the best beard.

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If you could support any musician alive today, and choose your own rider, what would that entail?

The Grateful Dead.

The rider would be your own bed to sleep in every night of the tour.

What advice would you give to artists coming through? 

Play what you like not what's popular. 

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IN THIS PHOTO: Babe Corner

Are there any new artists you recommend we check out?

Yes! I am really loving Vancouver's music scene. A short list of my favourites are Peach Pit, Leisure Club; The Prettys, Jasper Sloan Yip; Harlequin Gold, Blue J; Booty EP, Babe Corner; Necking and Frankiie

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IN THIS PHOTO: Frankiie/PHOTO CREDIT: @ldzbar

Quick non-Vancouver shout-out:

Bad Animal, Port Juvee; Astral Swans, Layten Kramer and Peach Pyramid!

Do you get much time to chill away from music? How do you unwind?

Music is actually all of our outlets. It is the most amazing thing in the world to play songs you love to people who love what you play. Harvey is a dedicated rock climber. He leaves the city and does it every opportunity he has. It’s a little obsessive in my opinion but I’ve seen the positive influence it’s had on his life. It’s a huge outlet for him.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Travis: Layten Kramer - The Void

Graham: D'Angelo - Feel Like Makin' Love

Harvey: George McCrae - Rock Your Baby

Liam: The Beatles - Lucy in the Sky with Diamonds

Jasper: WilcoJesus, etc.

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INTERVIEW: Kerri Watt

INTERVIEW:

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Kerri Watt

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I have been speaking with Kerri Watt

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about her new song, Never (written by Danny from Embrace), and whether there is more material coming down the line; why artists like Michael Jackson are important to her; how she finds the energy to keep recording and performing – she highlights some artists to look out for.

I ask Watt if she has anything she wants to achieve before the end of the year; if there are albums she holds especially dear; if she has a favourite memory from her time in music; when music came into her life – she ends the interview by selecting a great track.

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Hi, Kerri. How are you? How has your week been?

Hey! I'm great and have had a brilliant week, thanks. It was my birthday this week; the release of my new single and in a couple of days I go on holiday, so all good things here. 

For those new to your music; can you introduce yourself, please?

Hi! I'm Kerri, a music artist from Scotland. I write songs from the heart drawing influences from the likes of Sheryl Crow, Bonnie Raitt and The Rolling Stones. I play piano, guitar and host a radio show, The Americana Show with Kerri Watt, on Pulse FM here in Glasgow. 

 

Never is your new track. Can you reveal the story behind the song?

Never is the first song I’ve released that I didn't actually write: it was written by Danny - the singer from the band, Embrace. Danny and I had been friends for a while and I’d worked with his brother and bandmates in various capacities, so it felt right to sing a song written by him. It's quite simply a love song about always being there for someone. The lyrics are extremely powerful. 

Is it true Embrace played you the song and you added your own spin on it?

Absolutely. There have been a few versions of the song - Embrace ft. me (the duet); the orchestral version and now my own solo version. Interestingly enough, my version was first to be recorded and last to be released. The main difference between the duet and my version is the key...the vocals in mine start much lower and end at the top of my range. Need a good warm up before singing this one! 

Do you think there will be more material coming next year?

Totally. I'm recently back from a month-long trip to Austin, Texas where I recorded a whole new body of work...due for release 2019. 

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You have been busy touring and recording the last few years. How do you find the drive and energy to keep going?! Do you feel you are at your most confident right now?

You know there are so many ups and downs. Last year, I played my first stadium show and a month later played to a handful of people in a pub. Keeps you grounded, though. I'm just so passionate about music and also entertainment; if I ever have a dip in energy it doesn't take much to get re-inspired. Plus, my best friend always gives me a good kick up the butt if I ever have a moan. I feel so fortunate to be living out my dreams daily and, with every new experience, I grow and feel more confident in my work. 

When did music come into your life? Which artists did you fall for at a young age?

Music, for me, started with Michael Jackson. As a baby in my cot, my parents would put on the VHS of the Bad Tour and there are videos of me bopping my tiny bald head along. My first self-expression through music was actually dance. I just heard these rhythms and melodies that made me feel good and, for a long time, I trained and planned to be a dancer. Singing didn't come until much later...about fifteen/sixteen years old. And, not until I was twenty-three did I actually take it seriously and start writing. 

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What do you hope to achieve by the end of 2018?

At the start of the year, I set myself five goals. And now, towards the end of August, I have achieved three - writing an album, presenting my own radio show and getting in great shape for a Spartan race I’ve got coming up. So, I have two goals left to complete and can't reveal until I’ve achieved them...but I’m on track!

Besides those goals, I have lots of work and preparation going into getting the new music ready for release next year. This involves music videos, band rehearsals and website make-over amongst other things. 

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

The most obvious is opening for Coldplay at the Cardiff Millennium Stadium last year with Embrace. We played two nights and it was pretty surreal.

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Which three albums mean the most to you would you say (and why)? 

Astral Weeks by Van Morrison

He's my favourite songwriter of all time. His lyrics seem to transport me to another time and place. Maybe a place that only exists in the mind, I’m not sure…but the lyric content of this album is very ethereal. One of my favourite things to do is to daydream. I could get lost in the title track for hours and not know where the time went. 

Eagles by Eagles

I lived in California for a time when I was growing up and have spent much time there since. In my mind, I live in 1970s Southern California, surfing; playing music on Sunset Strip and living the dream. This album takes me to that place...and can always snap me out of a bad mood within that first guitar chord.

Bad by Michael Jackson

As mentioned earlier, this was the start of music for me - not only music but dance, creativeness and the world of entertainment. It has everything to do with why I decided at a very young age I was going to be a performer. 

If you could support any musician alive today, and choose your own rider, what would that entail?

Bonnie Raitt. I think she's the greatest and could teach me a thing or two about how to stay such a strong independent female artist for decades.

And rider...a personal Taco chef, ummm; some Cholula hot sauce and lots and lots of Haribo. 

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Might we see some tour dates coming up? Where might we be able to catch you play?

Yeaaa! I'm playing some dates in October round the U.K. opening for Tom Speight.

5th - Manchester, Gullivers

6th - Birmingham, Ort Cafe

11th – London, Thousand Island

More dates always being added so keep an eye on my website.

How important is it being on stage and performing? Is it the place you feel most comfortable? 

It's the best place in the world. I feel comfortable and confident to be myself; to engage with an audience and bring together total strangers to share a moment. 

What advice would you give to new artists coming through?

Work hard. Some of it is luck but you need to be prepared when that luck finds you as you often only get one shot. Spend time figuring out what you like, what inspires you and what makes YOU feel good. If you stay true to that, other people will feel it too. 

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IN THIS PHOTO: Izzie Walsh/PHOTO CREDITDawncast

Are there any new artists you recommend we check out?

Mmmhmmm, always. Izzie Walsh is my fave right now. Check out her song, Not Today. A fresh and cool spin on Bluegrass and Folk. 

My brother, Fraser Watt, is a super-talented EDM producer and artist. His latest track, Corona & Lime, is such a summer vibe. 

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IN THIS PHOTO: Fraser Watt

Do you get much time to chill away from music? How do you unwind?

Yes. It's important to turn off sometimes and go out into the world to get re-inspired. I love hiking and exploring. I recently moved home to Scotland after twelve years away and have been loving adventuring in the hills and mountains any chance I get. I also love anything '70s-related and recently launched a collection of '70s retro clothing pieces I’ve been collecting from my travels around the world. The label is ‘killawatt’ and can be found on Instagram.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Kaleo - Way Down We Go

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Follow Kerri Watt

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INTERVIEW: Masa Diora

INTERVIEW:

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 Masa Diora

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THE chaps of Masa Diora

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have been telling me about their upcoming single, You Don’t Love Me. I ask what we can expect from the song and what comes next for them. I wondered how the band got together and whether there are some upcoming artists we should follow.

The guys reveal the albums most important to them and what sort of artists they grew up around; if tour dates are a possibility; what advice they would give to musicians coming onto the scene – they each pick a song to end the interview with.

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Hi, guys. How are you? How has your week been?

Hey! We’re all really good and immensely excited to finally share our music as a band – the countdown has officially begun! It’s been a productive week for us - but no different from any other as we‘re constantly writing and recording new tracks.

For those new to your music; can you introduce yourselves, please?

I’m Jonty. I play the lead guitar and produce alongside Callum.

I’m Callum. I play the keys; I sing, write and co-produce the songs.

I’m George. I sing, I play the rhythm guitar and I’m also a songwriter for the band.

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How did Masa Diora get together? Is there a story behind that name?!

Callum: Me and Jonty met whilst studying Music Tech at college and bonded over our love for experimental music and art.

Jonty: The band then came together after I contacted George asking if he fancied making some music. Once he was down, I asked Cal the same question. We’d previously made music together in the past but never thought of forming a band until later on.

As for the name; we wanted something that simply sounded cool! The name is an anagram of 'dioramas' which are those 3-D model things you had to make in high-school for art/history classes – where you had to create a little scene - a moment in time - to tell a story which is exactly what we are doing through our art. After we had ‘dioramas’, we then made ‘Masa’ – a wordplay of N.A.S.A. (we love space) – and ‘Diora’ simply followed to create ‘Masa Diora’ (pronounced: may-sa dee-aura).

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You Don’t Love Me is coming soon. What can you reveal about the inspiration behind the track?

We spent some time creating a story of our own – a tragic fiction about an unrequited love and how one's mind can become so disillusioned by the obsession of a 'perfect world'. Y.D.L.M. is where this psychedelic journey begins. You gain the first glimpse of our character and how he deals with the emotion of loving someone who does not love him back, which inevitably takes a turn for the worse.

What might we expect in terms of forthcoming material and future plans?

Expect something (very) unique. We’ll be dipping our toes into the streams of Jazz, R&B and Rock as we experiment with our predominantly psychedelic sound. The story in which we’ve crafted continues throughout each track and each release.

Do you think there is a U.S.P. the band has that singles them out from others?

Certainly. We’re a band with a story and an emphasis on art. We take time and effort to focus on every aspect of our presence - that being our music, visuals and look. Our music is hard to compare to anyone currently out there which stands us out from the crowd.

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In terms of artists and music; what did you all grow up listening to?

Jonty: I grew up listening to a range of music, from Sam Cooke to the Wu-Tang Clan. The biggest inspiration for me to learn the guitar and get into music was listening to artists such as Van Halen, Jimi Hendrix; Pink Floyd, Guns N’ Roses and the ELO.

Callum: I can remember the first ever song I played on guitar was Mr. Tambourine Man by Bob Dylan, followed by Cat Stevens’ classic Father and Son. It was tracks like these that also got me into songwriting and, also, realise my passion for creating music of my own.

George: I grew up listening to a lot of Fleetwood Mac...and I absolutely loved Bobby Caldwell; picking some taste in music up from my dad who loves Jazz, and my mum, who just loves music in general. Names like Jimi Hendrix and Metallica really set me on the right path to begin learning guitar; artists such as Frank Ocean and Frank Sinatra got me into singing (my two favourite Franks).

Do you think there will be touring dates? Can we catch you play?

We would love to tour! After we have a few releases under our belt, the live music scene won’t seem so far away at all.

What could we expect in terms of your stage show? Is the stage somewhere you all love to be?

We have so much energy when writing and we soon want to take that energy to the stage. Our shows are something that we want to make really memorable, as much an audio experience as a visual one to match our psychedelic sound and retro sci-fi vibe. We also have a keen eye for detail and a love for tech – so expect something a little ‘different’.

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If you each had to select an album that means the most to you; which would they be and why?

Jonty: I’m stuck between The Dark Side of the Moon by Pink Floyd and Rodeo by Travis Scott as I remember just loving the production on both albums – they both really inspired me to develop my music and production and skills.

Callum: Although it’s not exactly an iconic album, nor is it necessarily my favourite, + by Ed Sheeran stands out as one of the most influential for me in terms of realising my passion for music. It just reminds me of how I started out and brings back a lot of good memories.

George: I love the Another One by Mac DeMarco. It really inspired me to start learning guitar and made me realise that music was the thing for me. And, still to this day, it helps me to focus on that passion and mute all the stressful things in my life.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Sounds corny but our favourite memories have always been sitting down with each other and creating a completely new piece of music as you just don’t know what you’re going to make or where it’s going to take you. It’s a thrill which is very addictive.

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If you could support any musician alive today, and choose your own rider, what would that entail?

George: I’d actually love to support someone like Mac DeMarco as he’s another big inspiration for both me and Jonty.

Callum: In terms of who has inspired me to create something different and experiment with music, I’d probably say Bon Iver. Wait…am I allowed Fleetwood Mac?

Jonty: For our rider, we’d request a bottle of wine (quite likely to be more than one) for each gig so that, hopefully, by the end of our career we’ll all be professional wine connoisseurs. And, if we had butlers, then we’d have them dressed in some retro-looking space uniform and address us all as ‘captain’. Oh…and we’d have to have a few beanbags – like, big ones.

What advice would you give to artists coming through?

Just keep working on what you love; experiment and continue to craft your own sound. There will be someone out there who appreciates your music as much as you do...don’t give up on it!

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Are there any new artists you recommend we check out?

Yes! Two bands from our old college are also releasing some bops too: The Zangwills and Delights.

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IN THIS PHOTO: Delights

Do you get much time to chill away from music? How do you unwind?

Music is how we unwind. Haha! But, music aside, we’re all huge T.V./film buffs so if we’re not out chilling with our mates, then we’re either at home binge-watching a T.V. series on Netflix or at the cinema watching the latest sci-fi.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Thank you for having us; it’s been a pleasure!

Jonty: Little Wing by Jimi Hendrix

Callum: Little Lies by Fleetwood Mac

George: Johnny B Goode by Chuck Berry

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INTERVIEW: Lemzi

INTERVIEW:

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Lemzi

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IT has been a real thrill speaking with Lemzi

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IN THIS PHOTO: Lemzi with Tonia Soulbird

who tells me about the E.P., Ton x Lemz. He discusses working with Tonia Soulbird and putting the E.P. together; what is coming next for him and his music; why artists like Eminem were influential and important to him growing up (and now) – I ask whether there are some upcoming artists we need to investigate.

Lemzi reveals what he hopes to accomplish before next year and which three albums are most important to him; what he thinks of the British Grime scene right now; how he has improved and developed since his early work – he selects a pretty ace tune to finish the interview with.

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Hi, Lemzi. How are you? How has your week been?

Yo. All good, man. Nice, relaxing week so far. What about you?

For those new to your music; can you introduce yourself, please?

I call myself an artist as opposed to a musician. I don’t have any music theory knowledge and can’t play any instruments but I can make my words sound good! I have my own event, Hidden Gems LIVE, which has been successful in getting a lot of the best U.K. acts on stage and I also go into schools as a Rap music tutor!

You hook up with Tonia Soulbird on the Ton x Lemz E.P. How did you two meet?

We met a little a while ago at an open mic in Stratford called Newham Nights that took place every last Sunday of the month (shout out Abena the Actress for organising the show as long as you did!). It was a really good vibe down there generally and we just came together naturally. We rated each other’s music and, more than that, each other’s character.

In the open mic, we saw a batch of talented artists as well such as Kemi Sulola, Diamantina; Jay Scriptz and a lot more! The first thing we worked on together was Hidden Gems the single and that involved meeting up in Leytonstone Tesco Costa; writing the bars and a few signs that told us it was something to continue and spread...

What do you think Tonia brings to your work that elevates it? Do you plan on working together again?

Some soul…and that powerful female energy that matches what I bring to a song/performance etc. Before anything, we’re good friends with a lot of mutual interests and outlooks on life so, because of that cohesion, we tend to find it an enjoyable process working together. We’ve got tours, shows and videos all to do so we’ll definitely be working closely!

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Your 2011 mixtape, LemziFreeBies, spawned a series of lauded and impressive works. How do you think you have developed as an artist since then?

In pretty much every way, without sounding arrogant. I’m still developing and progressing and working with new artists challenges me to approach things differently. However, I’ve found my base sound and the mixtape series of LemziFreeBies was just me growing in front of a small audience. Learning how to operate in a studio, watching how some of my peers executed their ideas; working out finances for the studio!

Everything I do now comes from that mixtape phase of my life. I keep all of those songs up there so, wherever someone joins on the journey, they have a reference to note how much progression has taken place.

What do you think of the British Grime/Rap scene right now? Is it as relevant and strong as it was back when Dizzee Rascal shot onto the scene?!

There are two ways I look at it: talent and reception. The talent, to me, is the best the U.K. has ever had and we have a genuine spectrum from the Grime scene, to Drill; Afro-Swing, U.K. Hip-Hop etc. Even the R&B scene is really coming into fruition with artists like Rebecca Winter, Ella Mae; Kemi Sulola etc. I’m proud to feel a solidified part of this scene.

However, from my perspective, reception is still far too imbalanced. The Hip-Hop/Neo-Soul/R&B scene gets a fraction of the attention that Afro-Swing, Drill or the other more contemporary genres have. But, it’s all a process. I feel the more the aforementioned genres develop a credible scene in their own right: with events, D.J.s; radio shows and collabs etc. all between these artists, the Hip-Hop scene will get its proper recognition...

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Do you recall when you got into music? Which artists did you grow up around?

I remember the first artist that really captivated me and I can remember being really into Eminem. I saw Lose Yourself on the T.V. a lot and I learned all of the lyrics - at around ten years old – then, from there, I wanted his album (which introduced me to other artists like Dr. Dre, 50 Cent; The Game etc.).

This completely switched in 2004 when I got into Grime. Grime music and the whole scene genuinely shaped my perspective on the world at that age (around twelve years old when I was first introduced to it). I was suddenly a lot more aware of my surroundings; picking up on reference points, postcodes and clothing etc. It was a mad time. A lot of energy and huge characters, especially in East London where the majority of the M.C.s were from. I was most into Kano, Dizzee; Roll Deep...to be honest, almost anyone that was doing grime between 2004-2008 got my interest at some point. It was a lot.

It was interesting for me in particular because I was in a private school, not like Eton or anything, but it was a good one. We had people from all over the East - Beckton, Mile End; Leyton etc. - but just a few of us from these areas. So, I didn’t even grow up around loads of other people really into Grime; just a small group of us. It was only during uni that I really started meeting other artists and discovering even more music.

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What do you hope to achieve by the end of 2018?

Man...it’s only a few months but I want to do a lot in this time. I said, at the start of 2018, this year will be phenomenal so I’ve given myself no chance but to end it well! Ton x Lemz E.P. is out now, so we are working on getting at least one video arranged; doing a headline show, other shows and maybe more.

I’ll also have a solo demo album finished, depending on how everything is going. It will be out before the end of 2018. I will definitely release a couple of the singles before then as well as a documentary...

I’m currently trying to create a syllabus that I can take to these schools; something more structured that will hopefully inform the students about the music, history; social implications and everything around the music too. Hopefully, I’ll have at least one, if not two Hidden Gems LIVE events in this period; get some new artists on the stage sharing their gifts. That’s a chunk of the plans but God moves so let’s see how everything envelops.

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

There’s been a lot, you know. A lot of not great memories from the earliest days but they were all learning curves rather than actually bad experiences…

One of my favourites was the first full live band set I did in Rich Mix in October 2017. Between me, The Bandem; Tells & Tonia we brought my E.P., Autumnal Aura, to life. It was a whole process and being on the stage with such a good audience made it feel special.

Which three albums mean the most to you would you say (and why)?

Dr. Dre - Chronic 2001

This album to me is the best-produced Hip-Hop album of all time. A lot of the topics and viewpoints wouldn’t even be recorded in this day but it works as a great timestamp of the turn of the millennium with mad performances from Hitman, Dre; Snoop Dogg, Eminem and more. The composition, structure and production – as well as executive production – was phenomenal.

Jill Scott Who is Jill Scott? Words and Sounds Vol. 1

Nostalgia...an album everyone in my family enjoys. Jill Scott, through this album, was one of my introductions to Neo-Soul (and assimilating this with Hip-Hop and Spoken Word). The esoteric messages, the lyrical prowess; vulnerability mixed with self-confidence and production is timeless.

Kano Home Sweet Home

Stuck between this and Dizzee Rascal - Boy in da Corner but I give it to Kane here. Home Sweet Home showed me how to spit, had bangers; smooth songs and I had both Nobody Don’t Dance No More and Signs of Life as my most-played songs for a looong time.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Alicia Keys. I want to see Butterflies and Diary live myself but I think we could make some great music together too. Especially if she brought Swizz Beatz.

In fact; my rider would be that we would have to create some music between the three of us and she would need to give me a whole folder of samples (royalty-free) to send to my producers.

What advice would you give to new artists coming through?

Do this for the right reason. Someone should be able to ask where do you see yourself in five/ten years and music still being a big part of whatever you’re doing. I love music and have done since I remember hearing Eminem, who galvanised me to express myself through words. Passion is key as is patience but the journey is special. Don’t overlook it just because you’re not doing the O2 and Wembley after what you thought was ‘the hit’.

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IN THIS PHOTO: Kemi Sulola

Are there any new artists you recommend we check out?

My team, the EXCLUSIVE Collective (Ferns, Wyllis; Timmy B & Jerome Leetz); Tonia, Tells; Kemi Sulola, Melvillous; Choze, Sharna Cane; K The Infinite, Boy Nash; Amelia Poamz…and I’ll stop there or this will be my longest answer...

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IN THIS PHOTO: Choze

Do you get much time to chill away from music? How do you unwind?

Yeah. I do music full-time, including going to schools/institutions and my events but I have a great family that I spend time with. I have a girlfriend who’s almost always around and my closest friends don’t do music, so I’m in and out of the scene in that regard.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

WyllisBaka! Boom issa (sic) banger!

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INTERVIEW: CAGGIE

INTERVIEW:

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CAGGIE

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THE wonderful CAGGIE has been telling me…

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about her new single, Thinking About You, and how it came together. She shares her experiences of L.A. and reveals whether there is more material coming; which artists and albums have been most important to her; if there are any gigs coming up – she recommends some emerging artists to watch.

I ask her about her time in Made in Chelsea and whether music was always her calling; what her favourite musical memory is; what she wants to achieve before the end of this year; the advice she would give to artists coming through – CAGGIE ends the interview by selecting a great modern cut.

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Hi, CAGGIE. How are you? How has your week been?

It’s been good, thank you. My second single has just come out and was on New Music Friday, so I am pretty happy...

For those new to your music; can you introduce yourself, please?

I’m a singer/songwriter from London. I tend to focus on writing about past love. I’d describe my music as 'romantic nostalgia'.

You have just released Thinking About You. Can you reveal the story behind it?

It’s about when I first moved to L.A. I was feeling a little bit lonely - and it was the first time I felt ready to tell my story.

Might we see an E.P. next year? Are you always working on new material?

Absolutely. I would love to go straight in for an album. But, let’s just see. I’m always working on new stuff, whether that’s just writing down ideas or being in the studio. I like it to be dispersed when I am in the studio - I enjoy going in when I am filled with ideas so it’s always a special and exciting experience. It can feel redundant if I am in there every day.

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Many will recognise you from Made in Chelsea. Was that desire to go into music always there? Do you feel more yourself and free to express your true personality through music?!

Yes; very much so. I have always loved music. In fact, I’d say it’s my one true love. It’s taken me a while to be able to admit that. Because, for a really long time, I felt like it didn’t love me back. Music can be incredibly cruel in ways but, in the moments when it does work - however fleeting they are -, it’s magical...and, yes, I feel freer. It’s a question I think about a lot in a lot of detail...

But, in an attempt to give you the shorthand, I think I tried to be someone else for many years; in order to feel safer and to fit in in ‘life’. I have always felt like a bit of a loner - and found that my favourite moments are often in isolation when my only companion is a notepad. I rather enjoy my own loneliness…which is quite reflective in my music; probably not the first single so much but my other material. A friend mentioned it recently and said: “How can Caggie be so sad and what does she have to be sad about?!” which I found quite funny. I definitely project a certain version of myself to the world.

I recently found a journal from when I was twelve and, in it, it said: “What is your favourite thing about yourself?” and I had written: “That I am always a little sad.” I found it amusing; almost paradoxical. I can pretend to be a lot of different people but you’ll always find my truth in my music.

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How important are London and the people regarding your inspiration? What is life like there for a young artist?

I wrote my favourite songs in L.A. But, perhaps, that’s because I was lonelier there. But, in the same breath, coming back to London as I am today does have the essence of a new beginning at the moment…which I am enjoying.

Which artists compelled you growing up? What sort of music were you raised on?

I was raised on Oasis, Madonna; Whitney Houston and Michael Jackson. My house wasn’t musical, so it was really what any other kid was hearing on the radio or obsessing over at school. I was always very into film soundtracks like The Wedding Singer or Moulin Rouge. What was compelling about '90s Popstars is that they were this full package, almost cookie-cutter-persona that I think is about to come back...they were untouchable. I don’t necessarily think that connects to me but I think we are about to see a resurgence of that with the likes on Nina Nesbitt.

What do you hope to achieve by the end of 2018?

To bring out more music and to establish a musical family around me - and to have things ready for 2019. I think it’s gunna be a great year.

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

There was one when I was singing this song that I had rehearsed to the bone; I have never worked so hard on anything in my life. And, when it came to record, it was like it wasn’t my voice coming out: it felt like something else; something entirely effortless…like it was just happening. I was able just to feel the emotion. I learnt a lot from that experience, that the homework is crucial. It’s the groundwork you do first then the emotion comes in and decorates.

It’s a highly emotional song and was a very moving experience for me. I recently performed it on radio and someone watching said whatever happened just then, whatever you tapped into, hold onto that.

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Which three albums mean the most to you would you say (and why)?

I’d say Imogen Heap - Speak for Yourself

This album was sort of the soundtrack to the first summer I first fell in love. I remember listening to it over and over again. And, when I listen to it now; I feel like I am sixteen all over again.

Then; I’d say Damien RiceO

It’s such a phenomenal album. Beautiful songs filled with so much emotion. It also takes me back in time a little…  

And, third; India ArieAcoustic Soul

I remember me and my best friend listened to this album so much growing up. I would just sit in her room playing the guitar and writing songs.

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If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to support Lana Del Rey. My rider would involve sage and gin.

Can we see you on tour soon? What dates are coming up?

I’ve got a show at Hoxton Square Bar & Kitchen on 13th September called Gold Dust.

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What advice would you give to new artists coming through?

Just be true to yourself. Don’t be concerned with what’s coming out now: work hard to get to the core of what is going to make you special. I am not the most musical. I don’t play, I don’t speak musically either - but I have a natural ear and a way with words that is unique to me. So, figure out what your strengths are.

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IN THIS PHOTO: King Princess

Are there any new artists you recommend we check out?

King Princess and Sasha Sloan.

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IN THIS PHOTO: Sasha Sloan

Do you get much time to chill away from music? How do you unwind?

Yeah, a lot. I like watching T.V. shows. I have just been watching The Innocents on Netflix. But, I like to chill and do music stuff like practise singing like other singers I like. Or, just play around on the guitar...

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I think one of the best songs out at the moment is Grace Carter - Why Her Not Me

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INTERVIEW: RAIGN

INTERVIEW:

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ALL PHOTOS OF RAIGN: Miranda McDonald 

RAIGN

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I have been given the chance to chat with RAIGN

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about her new track, Out of Time, and what its story is. She discusses moving from the U.K. to L.A. and what the scene is like in Los Angeles right now; what themes and ideas inspired her album, SIGN, and what she hopes to achieve before the end of this year.

RAIGN shares her favourite memories from music and what sort of sounds she grew up around; which three albums are most important to her; how vital and special it is being up on the stage – she ends the interview by selecting a great live performance.

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Hi, RAIGN. How are you? How has your week been?

Incredible. So fun, positive and exciting, thank you. You?

For those new to your music; can you introduce yourself, please?

Hello. My name is RAIGN - but you can call me Rachel (smiles). 

Out of Time is your new single. Can you talk about its origins and how it came together?

Out of Time was the first song Robbie and I wrote together - and the start of a magic collaboration. It started off as us writing an Indie-Rock song for fun, because we both loved bands in that genre, but became a doorway to the more uplifting, guitar-infused sound I wanted to explore on my album. 

It is from the L.P., SIGN. What sort of themes and ideas inspired the music?

Yes! It’s track-one, actually! SIGN is really a life’s work coming together. Some of the songs started their journey five years ago and have kind of guided me through. Musically, it's a blend of orchestral, darkly-dreamy and cinematic elements mixed with my favorite euphoric synths and half-time back beats and, since the guitar was my gateway instrument to songwriting, we’ve infused my Rock and Blues roots in there too. Lyrically, I often disengage my brain and write from a subconscious place and, sometimes, what comes out actually has multiple meanings that even I have to work out.

There’s a lot of soul-searching, looking for answers or love; a journey into the unknown and coming out the other end with the euphoria you feel when you’ve found what you were looking for; found the higher perspective and gotten a much-needed sign on the road (all very deep) –but, occasionally, there’s a bit of carefree fun because life shouldn’t always be serious!

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You have collaborated with a few producers and musicians on the record. How did you select the people you worked with?

My publishers and other managers and creatives I know often suggest new collaborations - the industry is supportive in that way. Sometimes, I step out of my comfort zone and work with new people but I love to work with the same handful of people and really craft something over time. I wanted to be really hands-on with the production on this record, being a musician myself, so we did this the old-fashioned way whenever we could; recording musicians live in a studio. All the strings and guitars on this record are real, not programmed, and it makes such a difference. 

Is it pretty cool being based in L.A.? What is the music scene like there right now?!

L.A. is an amazing city. It’s a paradisiacal enigma full of magical opportunities but it also has its trials and I’ve seen many people come and go. I often miss London and my family and there have been times when I've wanted to go home but, every time I do, L.A. pulls me back and I’m so grateful for that. The music scene here is super-fun, very eclectic. I LOVE that you can go to the same venue to hear a rapper one night and an Indie-Rock band the next but I still have a special place in my heart for the grit and purity of the London music scene.

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Do you recall when you got into music? Which artists did you grow up around?

Well. It started with my mother singing opera arias and my father playing Rhythm ‘n’ Blues, Big Band and Soul when I was very young - and so I first learned to play the violin and then the clarinet. Then, the '80s kicked in; I woke up to Wham! and Michael Jackson and sang and danced my way through the '90s listening to Pop music and '90s House.

Then, I got into the band scene and found Psychedelic-Rock, Pink Floyd; The Beatles, Eric Clapton; Bob Dylan, Oasis; No Doubt and local bands on the London scene. Let’s not skip past my short stab at mixing Drum ‘n’ Bass and U.K. Garage on vinyl decks and learning about grooves and tempos - “Enough, enough is enough already...

But, in the end, it was Amy Winehouse’s record that got me to pick up a guitar and write my first real song and I spent the next few years playing in bars in London; sometimes making up songs on the spot. Music and singing have been at the center of my life, literally, my whole life but it didn't occur to me that I could make it my career until my mid-20s.

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What do you hope to achieve by the end of 2018?

Well. I truly hope the fans enjoy the new album and that the energy, passion and soul-searching that went into this record radiates in a positive and inspiring way; an escape of sorts. Because that’s what music has done for me through the years: it’s kind of saved me at times and that’s what I want to give back. If, by some magic, we can defy the system and get some of this music on the radio that would be a huge blessing. 

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I have two standout memories - getting the call that Bob Dylan had listened to and approved of my version of Knockin’ on Heaven’s Door was magic and sitting in my old Vauxhall Corsa in London two winters ago (which I still have rusting away at my mum’s house in London) and hearing my vocals played on the Annie Mac chart show on BBC Radio 1. That was an amazing moment for me as a Brit.

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Which three albums mean the most to you would you say (and why)? 

Pink Floyd - Dark Side of the Moon

That record rocked my world. It’s poetic, cosmic; abstract and incomparable thirty years later.

Michael Jackson - Bad

The first album I ever owned and played repeatedly in my bedroom until the cassette wiped clean. 

Amy Winehouse - Back to Black

Amy’s talent, authenticity and voice are incomparable. She sang about her deepest, darkest feelings with a sense of humor and soul and I love that. 

If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to support a brooding stadium Rock band like Nine Inch Nails or even Bob Dylan - It would be a totally incredible dream come true to do a duet together of Knockin’ on Heaven’s Door!

My rider would be very un-Rock 'n’ Roll and very food-orientated. I’m always hungry after I perform. Well, I’m just always hungry…

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How important is it being on stage and playing? Is it possible to describe the emotions you feel when connecting with fans in the audience?!

Being on stage is the moment you live for; the opportunity to really feel what the music you’ve shared is giving the audience - because they send it all right back to you. It’s love. Before you sing a ballad, there is a split second when you can literally feel the silence and anticipation radiating through the room like you’re all floating in the crystalline darkness of outer-space together and, when the verse starts, it’s as if the sun comes up and warms the room. That feeling right there never gets old. Driving all night with a sweaty band in a small bus does though. Haha. 

What advice would you give to new artists coming through?

Forget logic: take intuitive steps. Be 100% authentic, be prepared to work really, REALLY hard; be patient, don’t be afraid to hustle; remember, if you are really meant to do this, the universe will help you in ways you cannot fathom - you only need that one moment to change everything but, when it comes, you must be prepared. Keep learning, keep training; keep networking - even if it’s not in your nature – and, most importantly, always put the MUSIC first. NOTHING can happen without the music (smiles).

Are there any new artists you recommend we check out?

I’ve been hibernating to make this record and try to stay as authentic as possible so I’m really out of touch with new music - but I'm trawling the music blogs as we speak!

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Do you get much time to chill away from music? How do you unwind?

There is so much other work that happens around making and releasing music that sometimes, for me, writing a new song is my chill time. But, other than that, I love to walk my dog, go for a good meal with friends; binge-watch T.V. shows. But, my fave hobby is making clothes: I have a whole sewing studio in my garage now. I love clothes!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

YES. Please play Amy Winehouse - Take the Box (live at the BBC)

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INTERVIEW: RAYLO

INTERVIEW:

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RAYLO

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THE guys of RAYLO

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have been speaking with me about their latest track, So Gone, and what it was like shooting the music video. I ask what we can expect from the E.P. of the same name; they discuss London as a base and their views on the British Rap scene – I ask which artists inspire them.

The guys each choose an album that means a lot to them; whether there are going to be any tour dates soon; what they would say to artists coming through – RAYLO recommend some rising artists we need to get behind.

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Hi, guys. How are you? How has your week been?

Busy, busy, busy!

For those new to your music; can you introduce yourselves, please?

Hey. We are Reece, Teni; G & Bobz. Collectively known as RAYLO.

How did RAYLO get together? When did you start making music?

Our paths crossed two years ago at The Boom Room Studios in Ladbroke Grove, working on a very strange project. There was some mad serendipity going on that day. Haha. We’ve all been making music for years.

So Gone is your new track. What is the inspiration behind the song? What was it like shooting the video?

The inspiration for So Gone was sparked by the beauty of a journey towards success. Taking elements from our surroundings wherever we go; understanding steps we had to take to get to the level we are at now.

Shooting the video was a great creative experience. Sourcing locations and working on how we wanted it to look wasn’t easy but the product is priceless. We wanted people to see London in its real unique way with an array of short snappy composition shots - and convey the grittiness of our home. It was hard work putting the video together but the sense of achievement was overwhelming.

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It is taken from the E.P. of the same name. I believe you produced it as a band. Are there particular themes that inspired the music? What was it like putting it together?

The music is inspired by everything around us; urban artists from both sides of the pond (Skepta, Bryson Tiller; The Weeknd, Kanye West...) but also great cinematic writers like Jóhann Jóhannson, Zimmer and JXL and inspiration from our own individual stories and journeys. We put emphasis on sound and feeling.

What do you think of the current Rap scene in the U.K.? Is it as healthy and strong as the U.S. would you say?!

I like the rap scene in the U.K. Artists have taken it to a new level. I believe we can be as big as the U.S. provided we keep pushing and showing the world what we have. 

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How important is London as a base and fountain of inspiration?

London is such a melting pot of cultures, ideas and creativity. It’s still one of the hearts of music in the world. So yeah it’s a huge part of our sound.

Which artists are you all inspired by? Did you grow up around a lot of different sounds?

We’re Inspired by so many artists but, to name a few: N.E.R.D, Miguel; Calvin Harris, Frank Ocean; Travis Scott, James Blake; Drake, Gnarls Barkley; Tame Impala, Kendrick Lamar; Kano, Craig David; then everything from Michael Jackson to Deadmau5 to UB40 to Chase & Status…we’re inspired by many styles of music in different ways.

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Do you think there will be touring dates? Can we catch you play?

Course! I feel we have a lot to offer when performing live and will be performing our E.P. as much as we can, so keep your eyes peeled.

If you each had to select an album that means the most to you; which would they be and why?

Reece: Plan B - The Defamation of Strickland Banks

It’s the best body of work ever.

Teni: N.E.R.D - Seeing Sounds

It changed my creative outlook.

Bobz: Inception: Music from the Motion Picture - Hans Zimmer

He makes everything sound epic

G: System of a DownToxicity

Such an awesome team-up for me, with Rick Rubin producing. Sick album.

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Have you each got a favourite memory from your time in music – the one that sticks in the mind?

R: Headlining the Big Freshers Icebreaker U.K. tour last year. It was an amazing experience playing to crowds like that!

G: Recording B.B. King, back when I was working at Olympic Studios was a pretty magical session!

T: Laying down my first track at sixteen…it  was a banger.

B: Kicking a ball around in Studio One at Olympic Studios with G.

If you could support any musician alive today, and choose your own rider, what would that entail?

Supporting N.E.R.D and SNES Super Mario Kart rider. Maybe a cheeky Brandy and Pussy (the drink!) on the side.

What advice would you give to artists coming through?

Just really master your craft and learn to do everything to push your music as far as possible.

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IN THIS PHOTO: Spooky Black

Are there any new artists you recommend we check out?

R: I love Spooky Black. He’s sick

T: Oh…and RAYLO. RAYLO!

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Do you get much time to chill away from music? How do you unwind?

T & B: Going to the gym or playing Xbox.

R: I’m obsessed with photography and make a lot of visual art.

G: It’s rare that I’m not in the studio or D.J.ing but, aside from that, tennis, gym or good old-fashioned partying.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

B: Respect - Aretha Franklin

(Just to pay tribute to the legend - and that track makes anyone feel good)

R: Maria MariaSantana (ft. The Product G&B)

G: Gett Off - Prince

T: Ghostface Killah (ft. Raekwon, Cappadonna) - Daytona 500

Thank you!

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INTERVIEW: Zjál

INTERVIEW:

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PHOTO CREDIT: Ryan Postas 

Zjál

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I have been speaking with Zjál

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about her upcoming E.P., Home. That is dropping very soon and, in the coming weeks, its title-track will be unveiled. The Australian-raised artist talks about themes that inspired the E.P. and how she got into music; which albums are important to her and why she idolises artists such as Michael Jackson.

I ask what advice she would give to artists coming through and whether she has a favourite musical memory; what she hopes to achieve by the end of the year; if she gets time to chill away from music – she selects a great song to end the interview with.

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Hi, Zjál. How are you? How has your week been?

Hi, guys! My week has been amazing, thank you! I just recently had a single release party in my hometown of Adelaide, Australia. It was such a special night finally being able to share everything I've been working on with my family and friends who have been there from the get-go. It's all very real now. I’m preparing for the release of my first single, Home, next month and I couldn't be more excited.

For those new to your music; can you introduce yourself, please?

I'm an R&B singer/songwriter of Middle Eastern descent, born and raised in Australia. My name, Zjál, is actually an Arabic word which describes the ancient Lebanese art of poetry slam. I love to be lyrically meaningful in what I do because I appreciate anything of substance and love to contribute a sort of ‘essence’ in my music. Everything I write is close to my heart or born out of experience or something I’ve witnessed.

I have been building this dream for years working under my previous name ‘Yasmine Amari’ but recently underwent a rebranding and a rebirth discovering my voice and realizing my current sound. My musical style, which has emerged in the last few years, is something I’m really proud to share. Music is about connection, for me, and I hope it reaches people on a deeper level.

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Home is your debut E.P. What sort of themes inspired the songs? Do you have a standout cut from the E.P.?

My standout track would be my first single, Home. There is something about it that just hits the right spot, not only for me but with everyone who has heard it thus far. There is a variation of themes throughout my E.P.: I love to mix it up and have a bit of everything. There are some soulful tracks on the ‘love’ theme. Then, I have some more upbeat Hip-Hop feels which showcase my sassy side and attitude.

There are also some more cheeky and fun vibes. I've honestly been through a range of emotions in the last few years which I’ve incorporated into this E.P. All the smiles, tears; struggles, victories in discovering my worth, falling in love; moving from place to place and finding my purpose. It’s the first time allowing myself to be this transparent and bravely expose my sensuality. This is only the beginning.

I get the impression poetry and Hip-Hop’s use of language, in addition to Pop and Soul, is important to you. Would that be a fair assumption?

Yes: that is a perfect assumption. I admire the art of poetry and I respect Rap just as equally when used in the form of poetry and storytelling as it originated. I appreciate learning and connecting through music and lyrics. I'm more likely to be listening to music with meaning because I’m someone who yearns for depth. I’m an old soul and feel as though, if something isn’t stimulating me emotionally, then it’s not really for me. I believe life is about sharing and using art as a form of elevation. I am someone who longs for authenticity and honesty so when I need to express myself or want to feel connected I’ll most likely pump some music and let my pen move freely. 

You were born in Australia but spend a lot of time in London. What compelled the move to the U.K.?!

My heart is the boss of me…I do what she tells me.

I was at a point in my life where I was in transition, I felt stagnant; I felt suffocated. I had to let go of everything which was no longer serving me and needed to just be free for a while. I wanted to take a risk. I had always felt a connection to the U.K. since I was a child so my heart led the way and I followed it.

To me, it just felt like a new beginning; somewhere I felt like I could build my new foundation, so I decided to stay. I’m a traveller by nature. I love immersing myself in new cultures, new places/experiences and I feel travelling goes hand in hand with my creativity. It brings out a passionate side of me and inspires my music and writing. Looking back now, moving to another country on my own was a bold move, but I am extremely proud of it. 

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Which artists compelled you growing up? What sort of music were you raised on?

I was raised on mostly Rock music growing up so I have a great appreciation for it. My parents listened to a lot of '80s American and Australian rock which has rubbed off on me in ways but, when I first saw Michael Jackson, I was utterly mesmerized. He pretty much took over my speakers from the moment I heard him sing. Then it wasn’t until around high-school that my love for R&B and Hip-Hop emerged - Lauryn Hill, Tupac and Erykah Badu. I love being open to all styles of music as long as it reaches me on some level. 

Do you recall when you got into music? Was there a time or moment when you knew you had to chase it?

To be honest, I can't seem to recall a single moment where it just hit me because I’ve always been so innately drawn to music. Every time I lose focus, I return to the understanding that I can’t see myself doing anything else. It’s strange…it wasn’t until I joined the school choir, when I was about seven or eight, and we sung Heal the World by M.J. that I became the instigator of dance performances and singing groups with my friends. I'd organize performances in assembly for no reason at all and my teachers would just allow it! 

As a child, I was always singing and dancing but then, as I got older, I became really shy and introverted. There was a phase where I wouldn’t sing in front of anyone by myself…then, it was in high-school that I worked through the shyness and became a lead singer in the school band. When I realised people’s positive reactions to me singing, I was shocked into confidence and that’s when I started feeling as though I could actually build a career out of this and I have not stopped since. 

Which three albums mean the most to you would you say (and why)? 

This is one of the hardest questions ever! It always changes but, for right now...

Lauryn Hill - Miseducation of Lauryn Hill

It would definitely be one of them. Lyrically, she expresses EVERYTHING that I’ve always wanted to say. It’s the closest lyrically to what I express in my poetry. 

Tupac - Greatest Hits

I mean…this was on-repeat throughout my life. He’s such a special truthful and authentic soul; I connect with him on so many levels. 

Michael Jackson - Thriller

Of course! Choosing one M.J. album is torture - because I’m in love with every single one.

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What do you hope to achieve by the end of 2018?

I hope to continue to build a loyal following and reach people across the globe. I'm really looking forward to promoting my E.P. and furthering my career. I hope my music is received well. I’d also love to be travelling and performing.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

My favorite memory so far would be being nominated for an Australian Independent Music Award in Sydney a few years ago. I knew that was just the beginning of amazing things to come. Being one of two women in the Urban category was an unforgettable moment! Walking the red carpet that day brought a sense of pride, especially being an independent artist. I'm focused on making many more memories like that and much bigger. 

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If you could support any musician alive today, who would you choose?

The legendary, beautiful and powerful Janet Jackson. She is someone who has maintained the longevity any artist would dream of. No limitations, brave heart and soul. I love her.

How important is it being on stage and playing? Is it possible to describe the emotions you feel when connecting with fans in the audience?

Live music is healing. I believe it’s one of the most important things as an artist. For me, it's all about a vibe and connection. When I get onstage, it unleashes parts of myself which I would usually keep reserved. It’s my ‘high’ since I don’t drink or take any mind-altering substances. For me, being on stage and expressing myself authentically is my freedom...my euphoria.

I get overwhelmed with gratitude for being able to live my dream and have people appreciate it…but it is also the place where I feel I’m completely in control. That is priceless. 

What advice would you give to new artists coming through?

Don’t ever feel like you need to be more than who you actually are to be unique. Everyone seems to try so hard to stand out but when you are authentic in who you are all you have to do is show up.

Always trust your own intuition above all! Never allow anyone to tell you how things have to be done: always listen to your instincts. If it doesn’t feel right, it’s not. Allow time to build a solid foundation. Define your purpose. For me, this is not about fast fame, it’s about longevity. Trends aren't necessarily always healthy, so always do what you believe is right regardless of what everyone else is doing and don’t compare yourself to anyone. Ever. And know how amazing you are.

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IN THIS PHOTO: Russ/PHOTO CREDIT: Instagram

Are there any new artists you recommend we check out?

These guys have been grinding for a while but, at the moment, I'm bumping: Russ, Gallant; Raury. Oh, and I love Sabrina Claudio. Loving their lyrics and they are all really unique and genuine.

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IN THIS PHOTO: Sabrina Claudio

Do you get much time to chill away from music? How do you unwind?

I make sure to get enough ‘me time’ because, if I’m not good, nothing else will be either. I can turn into a savage otherwise! I do a lot of winding down. Things that might not seem ‘fun’ to many people but are necessary for my wellbeing. Meditation and alone time is a necessity for me; after all the energy, adrenaline and excitement of traveling performing and meeting people...my favorite thing to do is be alone. I lavishly indulge in anything which makes me feel relaxed and balanced: good food, long baths; candles, incense.

Sometimes, I need absolute silence and won’t even listen to music. It's crazy. I like watching films to take my mind off of life and I love immersing myself in nature. And, when I've had my time to center and reground myself, I love being with those that I love.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Thanks so much for having me, guys! Right now, I'm feeling: Killem with Kindness - Dizzy Wright

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INTERVIEW: Delroy Matty

INTERVIEW:

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Delroy Matty

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IT is rare I get to chat with a photographer…

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so it has been nice to chill with Delroy Matty as he talks about his career and highlights. I ask how he got started in photography and what advice he would give to those wanting to follow his footsteps; which musicians he recommends we check out – he reveals what he wants to achieve by the end of this year.

The photographer gives insight into his process and equipment he uses; what it was like hearing French Montana wanted to use one of his shots in his collection; whether Delroy Matty gets a chance to chill away from photography – I ask him how he feels British Rap and Grime are faring right now.   

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Hi, Delroy. How are you? How has your week been?

All good, thanks. Just got back from Germany; I was on tour with Chase & Status.

For those new to your work; can you introduce yourself, please?

Yes. My name is Delroy; I’m a photographer, DM Official Photographer - or others will know me as ‘DMOP’ which stands for 'Delroy Matty Official Photographer'.

Many might recognise your photos of Rap artists. How did you get into music photography?

It started in around 2002 when I first bought my first Sony Handycam DCR-PC5E Mini DV Camcorder from the Loot paper. It was a paper where you could buy local, used items - it was like Gumtree. It could record and take stills. I also had an Olympus C-920 ZOOM camera, 1.3 megapixels. To put it into context, my iPhone 7 is 12.0 megapixels. I started filming and taking photos of local M.C.s rapping in my area like Wiley, Dizzee Rascal; Tinchy Stryder,  Sir Spyro etc. that have now gone on to have successful careers in music.

I had a friend, Roony ‘Risky Roads’, that also use to film around that time. In 2006, I went to college to study Photography but soon realised, after finishing college, that there was not a big demand for photographs so I went and got a job in retail. In 2014, I went back to college for two years to brush up on photography and get back up to speed…which brings me up to now. I have worked with French Montana, Post Malone; MoStack, Hardy Caprio; Sir Spyro, Adidas London; Arsenal FC, Nike Footasylum; BBC 1Xtra, Hector Bellerin of Arsenal; Not3s, DJ target; Laughta, Paigey Cakey etc.

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Is there a shot or gig that defines your work would you say?

Yes. French Montana, Post Malone and Lil Uzi Vert at Wireless Festival 2018 - showing the world the best moments from an artist on and off stage.

Some claim, because of technology, music photographers are less sought-after. Would you say, in fact, the industry has a huge demand for great photographers?! How has the business changed over the past decade? 

In my opinion, I would stay the technology is what has saved photography and I say this because of technology such as Instagram (also, The Dots allows you to show the world your work). I find there is a big demand for photographers: I can only base this on my experience I’ve had. I get contacted by music artists, record labels; brands etc. every week and this reflects in my work that I post.

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Rap and British Grime seem to be in the background at the moment. Do you think, given the political times and tensions abound, their voice and place in the forefront is just around the corner?!

I believe that British Rap and British Grime have now set a precedent and it has gone from strength to strength and I love seeing this. What British Rap and British Grime have done is unprecedented: we now have American artists playing British Rap and British Grime music (and working with British Rap and British Grime artists) and this is amazing and a real game-changer.

Is it expensive taking up photograpy and making a go of it?

No, it’s not expensive. You can even start out on your phone, i.e. iPhone or Smartphone. I would say learn photo composition and the rule of thirds - there are lots of videos on YouTube this will help instantly.

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One of my biggest gripes is artists without good photos. Do you think great music relies on striking visuals? How many words, in fact, can a picture/photo say?!

Photos and visuals are so, so important as it helps people to recognise you, the artist or the brand. Look. If there was a shelf with two rows of Coca-Cola; one row had the Coca-Cola branding on the can and the other row was still Coca-Cola but had nothing on the can; what one would you pick up? It would be the one with the visual because you know what to expect inside the can but both rows were Coca-Cola but the one with the better image looked more appealing. So, yes, image and visuals very important.

How did it feel to see French Montana and Lil Uzi Vert add your snaps to their collection?

I was really happy to see they both liked what I’d done and it was a really nice thing for them to do. When I spoke to French Montana after the show, he said he really liked the photos and wanted to post them.

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What do you hope to achieve by the end of 2018?

To inspire others that want to get into photography or become creative. 

Have you got a favourite memory from your time in music – the one that sticks in the mind?

On tour with Chase and Status in Germany and the Reebok shoot I did for them out there in Germany. They are amazing guys and have a great team.

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Which three albums mean the most to you would you say (and why)?

I don’t have favourite albums: more books such as The Power of Now, The Third Circle Theory and Beyond the Lens.

What advice would you give to anyone wanting to follow in your footsteps?

Stay focused and practice, practice, practice. Don’t be afraid to work for free when starting to get content out there and, remember, people won’t pay for a service if they can’t see what you have done so good content is key.

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 IN THIS PHOTO: Litty Lightz

Are there any new artists you recommend we check out?

Litty Lightz, Laughta; Vital and D Dark.

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 IN THIS PHOTO: Laughta

Do you get much time to chill away from photography? How do you unwind?

I don’t get that much time chill at the moment but I like to read books and just chill with friends.

Finally, and for being a good sport; you can choose a song and I’ll play it here.

(Laughs) Surprise me...

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Follow Delroy Matty

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