Track Review: The Holy Gasp- A Daily Affirmation

TRACK REVIEW:

 

The Holy Gasp

A Daily Affirmation.

 

9.7/10.0

 

A Daily Affirmation is available at:

https://www.youtube.com/watch?v=ftNRFCAiHYs

RELEASED: 4th February, 2015

GENRES: Afro-Cuban; Psychedelic; Surf-Punk

COUNTRY OF ORIGIN:

Canada

 

The album The Last Generation of Love is available from February 24th.  A limited edition cassette (of the album) is available at:

https://arachnidiscs.wordpress.com/

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IT has been a while since I have put (electronic) pen to paper: to review a band/act…

One of the reasons (I stepped away from reviewing) was the burn-out rate: taking on too much; too soon.  At the moment, I am reviewing an act every 2 weeks- that may change in time.  My reviews will be shorter and more ‘to-the-point’: reining it in slightly and… well, I’m waffling now.  It is Valentine’s Day (as meaningful to me as Christmas is to Jewish people); I have decided to bury my head into more important things: namely, discovering some kick-ass new music.  Before I get down (and introduce my featured band), it is worth noting an interesting point: I am back in Canada.  Over last year, I found that Canadian acts made up (a large percentage of reviews): each time I assessed a Canadian act, I was left stunned and surprised.  Britain is producing some varied flavours; some bold colours; some loveable tykes: the music we are putting out is pretty strong.  What I am finding is that the likes of Canada (and the U.S. too) are doing something rather different: they are putting out music of a highest caliber.  Whether it is the local acts (inspiring their neighbours into action); something in the air- or the music scene over there- they are inching ahead of us- in terms of quality and quantity (of great music).   Many of us here tend to ignore international music: we focus too heavily on home-grown artists.  The media are just as culpable: they naturally proffer acts close to home.  If you ignore international acts; you miss out on some rather special sounds.  Today’s act is an example (of such an act); a formation that is sure to seduce: one day they will be making their way across to the U.K.  Let me introduce them.

Benjamin Hacker’s Toronto-based crew has been enlivening and inspiring Canadian artists: among the Toronto music scene, they are one of the most exciting and promising acts of 2015.  In terms of their influences (and who inspires them), they list the following:

Nick Cave and the Bad Seeds, Tom Waits, Primus, the Cramps, Dead Kennedys, Pete Seeger, the Birthday Party, Os Mutantes, Gal Costa, the theme song from Ren and Stimpy, Primo Levi, Cat Stevens, Groucho and Harpo Marx, but not Chico, the B-52s…”

If you are a fan of (any of the aforementioned acts) then you will love The Holy Gasp.  That is not to say the band is the sum part of their influences- far from it in fact.  The boys have taken sprinkles and twinkles of Nick Cave’; a scoop of Dead Kennedys; a smattering of Birthday Party- to be honest, they are the faintest shades.  It is hard really to describe their ‘sound’- it is such a unique and refreshing blast of sonic goodness.  I urge you- to listen to the song immediately- and get a sense of what they are about.  The band is not that most predictable of thing: an Indie band that have little originality and focus.  Too many times- unfortunately it is a big problem in this country- I hear of a ‘great’ new act come through, and my shoulders sag: they are as formulaic and processed as you could imagine.  If I hear another band (that is a copy-cat) of Artic Monkeys or Oasis, then I may well give up on life.  The most imaginative and original acts are the ones that gain the biggest attention- and will claim the greatest rewards.  It is hardly surprising that The Holy Gasp have won some impressive plaudits: Toronto is a city that has produced a huge raft (over the last year) of stunning musicians.  It would do well for their British counterparts to take note- investigate what is happening over there (and be inspired by it).  Before I conclude my point, it may be worth introducing you to the boys themselves:

Benjamin Hackman (vocals, percussion)

Daveyoso (drums, percussion)

Sebastian Shinwell (electric guitar, vocals)

Christopher Weatherstone (alto saxophone, flute, vocals)

 James McEleney (upright bass, vocals)

Toronto poet and composer, Benjamin Hackman, formed The Holy Gasp in 2011. He tries to make it all sound like a bunch of hopped-up Latin jazz junkies singing Surfin' Bird with a bad case of the shits. Call it Afro-Cuban psychedelic surf punk. Call it a groove, daddy!”

From their charming biography; to the intriguing influences: it is hard to ignore the potential on display.  It is a shame I neglected the high seas of music reviewing (for so long)- yet it was a necessary chance to recharge my batteries.  Now that I am (un-) semiretired, I am glad that my virgin review (for my second wind) is an exhilarating and soul-touching slice of gold.  I shall get into reviewing A Daily Affirmation (shortly), but for now, let me give you some further information…

The Holy Gasp will unleash their (The Last Generation of Love) in a matter of days: it will be chance for the world to discover a fully-fledged example (of what the band is about).  When assessing/distilling the album, the band explained:

The album was recorded sporadically between March and November of 2014 by Josh Korody (The Dirty Nil, Dilly Dally, Beliefs) at Candle Recording in Toronto. The album re-contextualizes beatnik aesthetics for the modern listener, and makes a desperate cry for humanity, for change--for people to not only care, but to see that to give a shit is profound.” 

The genre cross-pollination and “giving a shit” has clearly worked wonders: there is a definite buzz (about their forthcoming album).  When looking at the here and now, it is worth taking a step back: to see how the band has progressed.  Last year the boys unveiled Bedbugs- a duo of songs that showcased just what they are all about.  The title track (from the E.P.) is a woozy and stomping hoe-down; a break-neck swing of festivity and dark majesty: a howling execration of the damned.  Tom Waits’ distinct bark and rasp comes in; that same yowl-cum-howl swagger is all there.  Being a fan of Mr. Waits- especially his album Bad as Me- you can hear that influence come in: shades and elements of that album come to the fore.  The track stutters and cries to the heaven- an unholy drunken call.  In the middle of the demented fever comes kick and dance: there is cool rhythm and sexy percussive beats.  Stomp Out The Man: nervy and cosmic beginning; twinkling and curious- a beautiful and brotherly counterpart (to the title slice).  The vocal is determined and strong; swaying and addictive.  The lyrics (of the song) are intriguing, witty and quotable- quite Byzantine and oblique in places.  The album (The Last Generation of Love) is about to drop: a matter of months ago, the band unveiled the album’s title cut.  The song has Antony and the Johnsons shades: Hegarty’s gorgeous croon can be heard here.  Fascinating vocals marry with rumbled congas; horns parp with cowbells (and majestic Folk elements).  Tying together themes of Rock, World Music and Psychedelia, the band crafted a nugget of wonder: a track that is impossible to forget.  The band (on their latest offering) has not compromised their ethics and true sound: so unique, it would be foolhardy and unwise.  Having cracked a rich vein of sound (so early in their career) they have merely adapted their themes- grown in confidence and grown in stature.  You can hear the confidence and authority (in their latest song) - it is a sure-fire indication that the album will be quite a treat.  With that all said, it is appropriate (I give my thoughts) on the ‘birthday boy’ itself…

Having familiarised myself with (the band’s) back catalogue, I sort of knew what A Daily Affirmation would offer.  The song itself is loosely based on/inspired by Jessica’s “Daily Affirmation” (see YouTube to understand the irony in that statement: the crap people will watch!).  Readying myself for a visceral smack in the teeth, I steadied myself for what was to come: and sure as hell there was no messing about!  The track has a slight slow-build: some atmosphere, intrigue and quiet are laced in.  If you watch the accompanying YouTube video- there is a link at the top of this review- it goes a long way (to visually representing) the song’s themes and objectives: it starts with a sleepy head; it explodes into the morning- and has an epic day.  When Hackman’s vocals come into the mix (elongating and bellowing the words “right now!”), he is determined and focused mood.  His life (our hero’s) is on the up: he can do anything; there is a definite soulfulness to the opening stages.  Being backed by a chorus of affirmative voices, our hero is leading a charge: instilled with confidence and defiance, nothing is going to get him down.  Reminding me (of a cross between) George Ezra and Tom Waits, The Holy Gasp clan are in buoyant mood: the song rises your spirits; eradicates the malaise of the day.  Our man loves his family (including his cat: well, you would, wouldn’t you?): he is a man filled with promise; a lease of optimism (the video is particularly smile-inducing).  In the initial stages, the instrumentation is kept fairly minimalist: there are percussive touches; some rumbling in the background- the main emphasis is on the vocal itself.  Not only does Hackman inject some incredibly evocative and memorable vocals- his bandmates do likewise.  Allowing the words and sentiments to proffer unabated, the listener is entranced by the song’s motifs: the unabashed and non-cynical messages being expounded.  Throwing out a f***- you to the world; the protagonist cannot be shackled or held back: he is in fine form, and damned be anyone who tries to hold him back!  Infusing elements of Soul and Gospel (into the vocals and the lyrics) there is a fantastic choral affect created: you are almost compelled to get up and stomp around; wave your arms in a hallelujah chorus- or just smile inanely at the insistency of the track.  With some Tom Waits vocal mannerisms; a little bit of Elvis Presley croon (and vocalisations), you are hooked into the song: this affirmation being played out is undeniably spellbinding.  With so little in the way of jaded irony, (the song) is that rarest of beasts: a track that is optimistic and inspiring.  Right now things are good (for our hero and his band of cohorts); there are no obstacles on the rails.  Gathering up friends and associates, the boys care not for negative grumblings- they may have had bad days but this good day will be celebrated to the full.  Intoxicated and seduced by the video’s simple charms- honestly, check it out- you get enveloped in the rush and urgency: the passion of the performances are second-to-none.  After the imagination-capturing flair and beauty of the vocals- and the incredibly nuanced support from the band, the song transmogrifies: a fire-dancing sonic dalliance erupts.  Ensconced in a blizzard of horns, percussion and guitars, the lads unleash a raga of Jazz-tinged joy: a celebration of the sense, as it was.  Rumba and Latin dance tangos with quick-step promise and hold-me-tight passion; brass blasts implore you to move your arms- get up and get lost in the moment.  Quite a contradistinction from the low-down croon and soulful extroversion- this passage is a rainbow-coloured explosion of sunshine and grace.  The boys have a ball for sure (in the video) and this is passed onto the listener: such is the impact and wallop you get; it is impossible not to be overcome in the riptide.  Desperate for the track to continue for many more minutes, the song starts to fade out- you are left with one hell of a smile on your face.  A Daily Affirmation is a short and sensational burst of wonder; a song that has no hidden agenda: something that is designed to uplift and motivate the listener.  The entire performance is tight and incredible: the band is as close-knit and intuitive (as I have ever witnessed).   Each of the band is at the top of their game; each brings a hell of a lot to the table- there are no weak links or kinks here.  When you mix a dose of liquid joy; a healthy drizzle of dynamic Gospel; a liberal swathe of affirmative belief: you get a hell of a bang.  Not only does (the track) get inside your brain- and demanded repeated listens- it acts as a mouth-watering lead-off (from their forthcoming album).  If this is the sort of thing (the L.P.) is going to proffer: why the hell would everyone not garb it up?  I was transfixed by the soulful and seductive (weird synonym but true) vocals; the jubilant cries and exorcisms; the sheer recklessness of passion and panache- the Canadian lads are determined to bring sunshine and guidance the most pessimistic of bones.  There are few songs- and acts in fact- that are so immediate and vote-winning: the song is that which cannot help but be adored (like a soppy-eyed kitten begging for food).  Do yourself a favour- on this Valentine’s Day- and give your love to one hell of a song.

Their social media ranks are slowly growing: the arrival of their album will surely see them swell.  Across March, the lads will be taking their music on the road: touring around Montreal, Toronto (and near-by locales).  There are so few ‘truly original’ acts out there: bands and artists that betray a debt to nobody.  In this country, we struggle to produce these kinds of musicians: across Canada, there is no such problem.  The Holy Gasp are an act that have a big future ahead; ammunition and ample promise- their sound is sure to get inside of your head.  Mixing snarling vocals with insatiable compositions, I cannot wait to digest their album: I hope that it gets the attention it deserves.  I say this about (most international acts): I hope they get their butts over to London.  It would be good to see them play live; experience the wonder close-up.  The likes of George Ezra have put the vintage back in fashion: he has a low bellow and a treasure chest of classic sounds.  There are too many over-produced, polished and samey acts about: we need more bands like The Holy Gasp.  I shall conclude my review with a quote (from the band themselves): one that perfectly sums them up:

A teacher once told me long ago that "there are two types of people in this world: 'those who make messes and those who clean them up.'"

The Holy Gasp is cleaning up the mess (the bland and predictable swathes of music shards) but need your help…

IT will be worth the investment.

[youtube https://www.youtube.com/watch?v=ftNRFCAiHYs&w=560&h=315]

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Follow Holy Gasp:

 Facebook:

https://www.facebook.com/TheHolyGasp

Twitter:

https://twitter.com/theholygasp

BandCamp:

http://theholygasp.bandcamp.com/

Songkick:

https://www.songkick.com/users/TheHolyGasp

SoundCloud:

https://soundcloud.com/theholygasp

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Music:

https://www.facebook.com/TheHolyGasp/app_204974879526524

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Videos:

https://www.youtube.com/user/theholygasp

 

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Tour:

https://www.facebook.com/TheHolyGasp/app_308540029359

Where Words Fail...: The Cover Version

Where Words Fail...: The Cover Version.

When words fail, music speaks!! by Aron-Santana

A few months ago, I mooted- gaining positive feedback- an idea for a concert: whereby some of the best and brightest (new musicians) would come together- in Chelsea- to perform together.  The concert- entitled Where Words Fail...- is (was) designed to generate funds for (a variety) of charities.  Spending a large chunk of time behind a laptop screen, I find that: I rarely get time to actually connect with people.  I know so many people (across Facebook and Twitter), yet never actually ‘know’ many of them.  So many great musicians; a multitude of stunning artists- I have met a paucity (of them).  The aim of the concert was (not only to raise awareness/funds for charity), but get everyone in one room- and make a great sound.  Unfortunately, financial issues (the high cost of hiring a venue for the night) have pushed this idea (into my hindbrain): it is something that will have to wait until later this year.  It is definitely going to happen: money has reared its head; and stopped the charge in its tracks.  It occurred to me that (a concert) is not the only way (to raise funds for charity) of getting multiple artists together- something simpler could occur.  This brings me to this idea...

Having witnessed (some may say ‘suffered through’) another round of Band Aid (Band Aid 30); it occurred (to me) that so few new/unsigned musicians have been brought together- to do something similar.  You don’t have to be a celebrity to make an impression: a common cause and ideal should bring EVERYONE together (and not be exclusionary).  The finer details are yet to come; yet I have decided a few things- with regards this project.

So...

The Song:

To record on 15th August (hopefully will take one day)

It seemed that (the chosen song) need to have some uplift: was a crowd-pleaser; something that would raise the spirits.  For that reason- and sacrilegiously to Elbow fans- One Day Like This seemed (the best choice).  Not only is it a wonderful song: it is ready-made for a ‘group recording’.  The lyrics are universal and quotable; the composition is wonderful and stunning- the outro. Is one of the finest (and rivals Hey Jude for its chant-at-the-top-of-your-lungs quality).  I know the likes of Sarah Brightman (and I think Peter Kay!) have attempted the song: fine versions; neither I am hugely fond of.  Like Band Aid (and Do They Know It’s Christmas?) and Perfect Day (when various singers contributed their vocals); this track (the cover version) will do the same.  Every vocalist will get to sing a part of the song- when the final coda is repeated; all will combine.  I will work with an arranger/composer, to slightly rework the track- give it a new spin.  Essentially, the (reworked version) will not stray too much from the original.  I hope to incorporate more guitar (especially in the final minutes); brass and Jazz instrumentation- in addition to piano (and softer, acoustic guitar).

The Fundraising:

This is the most important thing: if no money is raised; this cannot happen.  Through a Kickstarter campaign, I hope to get the public engaged: raise money for a worthy cause.  At the moment, the total (money needed to ‘hit the target’) will be around £4,000- that would cover both recording (and music video).  Through the weeks, I will update everyone: how the project is going; what will happen next etc.  In return- for public generosity- gifts and benefits will be offered.  Among these will be the chance to appear in the music video; signed goods (from the musicians involved) etc.  This- and all other details- will be cemented shortly: there is incentive to get involved.  After everything has been completed- the song and video have been released- the track will go online: onto iTunes and Bandcamp.  When a listener wants to play the track, they will have to donate £2; all of the proceeds from the song are divided among the musicians- who then give that money (to their chosen charities).

The Video:

To shoot on August 16th (hopefully will take no longer than one day):

The Video:

You can’t have a song without a video, right?  Rather than a ‘studio video’ (recording the song as it is being performed), something more adventurous is required.  Again, I will be working with others- in this case a director- to come up with the appropriate promotion.  With a restricted budget, we can only do so much- but can still produce something quite memorable.  The video will be shot in London- over the course of an entire day.

The basic idea of the video is this:

The first half (of the video) will be shot using a single camera, and will be a continuous shot- like Alfred Hitchcock's film, Rope.  The scenes will be shot in the streets of London; involving all of the musicians (featured on the track) suffering some misfortune.  Aimed to be comedic, the video will show various mishap and accident: it is a video that aims to be as 'fun' as possible.

As the video progresses- and the camera keeps moving- the musicians will each pick up a glow-stick: that will come into play in the final moments.  Just before the song's (outro./round of choruses) comes into effect, the filming style will change- there will be a time-lapse interjection- before night comes.  Converging to a London park (not sure which yet; hopefully Hyde Park), all of the musicians will be there- having overcome their bad day.  Armed with glow-sticks (and a happy heart), they will all chorus (the song's mantra): "So,throw those curtains wide!/One day like this a year will see me right."  The artists will walk/march in a line- zig-zagging in and out of one another; crossing each other's path- as they sing the lines.

With the shot illuminated with colour- under the night sky- the camera pans up- to see the London skyline (in all its beauty).  The final seconds see the camera pan out- towards the gates/entrance of the park- to end on a comedic shot (keeping it under wraps, as it is cheeky/unexpected/not quite written yet).

I hope the video will be as simple and cost-effective as possible: above all, fun and easy to shoot.  Speaking with a few (local) directors, I feel that it can stick to a slight budget- and still have all of (the details above) included.

Hyde Park Map

The Dates:

The recording (of song and video) will take place towards the middle of August.  As a result, the Kickstarter campaign will end towards the beginning of August.  Exact dates will be confirmed- to ensure all the musicians/directors/producers etc. are available on these dates.

The ‘Guest List’:

Singers:

There will be about 15 in total- maybe as many as 20- that will be contacted (invited) in due course.

Musicians:

In addition to guitarists; drummers and pianists will be needed- and a string quartet.  Sourced from acts (I know via social media) and local musicians, there will be a total of around 15 (musicians).

The Plan Going Forward:

I have had a few people (stating they are interested), and will need to get exact numbers.  Hopefully those who are ‘invited’ will be free- but it is important to get everyone together (and for all to be available on the same dates).  Hopefully- by August- I can have everyone (saying ‘yes’) in and organise the entire details- ready to go.  I will be posting/launching the campaign over the weekend, and will endeavour to post regular updates (as it goes along).  It would be great- when it is ‘live’- to get people donating and involved.  From the perspective of the musicians (who will be contacted): it would be great to have you all involved.

Watch this space...

[youtube https://www.youtube.com/watch?v=QfVejpYc8Zc&w=420&h=315]

The Malaise of the Modern-Day Musician

The Malaise of the Modern-Day Musician

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The music industry is a platform for the ambitious and creative.  With that comes a harsh realisation: many will not have long careers; others will take longer to find success.  In a scene where too many burn out (rather than simply fade away), it is understandable (from a musician’s standpoint) to have niggling doubts.  The music industry promulgates too many reality-star-quick-buck-no-talent-fly-by-night-clowns: true success/respect often arrives later (age-wise).  With so many of my musician friends disaffected- frustrated by their ‘lack of progress’- I have a little story to tell...

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ONE of the biggest joys- and tantamount regrets- is witnessing the plight (of my musician friends).

It is an industry (music) I will be entering soon (with trembling feet and an optimistic heart); getting a band together- and laying down my ‘impressions’ for the world.  I am very excited (about what I can achieve) and feel sure I can overcome some inner-fears- stage fright, nerves; public expectation etc.   When I look around social media (Facebook and Twitter et al.) one thing always strikes me: the struggles (the modern musician faces) to get recognition.  We all have our ideals of life: what we want to achieve; where we want to be (and by what age).  The truth of the matter is this: our expectations are always a little overzealous.  The musicians I know are universally exceptional: each offer something new and genuinely original.  The fact that (the ones who feel short-sold) are not ‘huge stars’ is not a reflection on themselves- their work ethic or talent- more a (hard fact) of consumer culture/the current scene.  When speaking (online) to various musical contacts, they always tell me the same thing: (they) are deflated by the lack of attention (they have received).  I can understand this malaise: true talent deserves reward and acclaim.

I am in the same boat myself: I wanted to be a lot further along (in my life) than I am now- I have not given up on any of it.  It is disheartening to see some lovely people sound so down: stuck in a rut and questioning of their life’s ambitions.  To all those (who have these fears and resemblances), I would say this: keep holding on; do not give up.  It sounds like a trite bromide; yet it is a valid point: those that stick at it will get their just-rewards.  The fact that (the musician in question) feels so under-sold and under-appreciated shows how much they want it (success) - that is the type of passion and dedication that will see them succeed.  Before I expand upon this point- and offer some personal insight- there is something worth mentioning: the cost of being a musician.

From (recently) chatting with a musician friend, I know the financial strains involved in music- an average (no-thrill, holds- barred) song can cost between £200-£300 to get produced.  Considering the average human earns practically sod-all (my business studies background coming into play here!), the tableau (and parable) of the recording process is a fiscal nightmare: how many of us have that sort of money to throw around?  When you look at an E.P. (or an album), the cost runs into four (or five) figures- unless you are raking in some serious gig money- you are not going to accrue a massive stream of revenue.  Social media- and music-streaming websites- make it easier for Joe Public to get tunes for free- adding an extra arrow into the chest of the musician.  Day jobs and savings are often used (to finance musical endeavours); factor out rent, food etc., and the reality is: how realistic is a career in music?  I am immensely proud of ALL my music ‘friends’- the people who have given me so much pleasure and inspiration.  Before I wrap up; offer some solace and (I would hope) ‘pep’- like an ebullient cheerleader chanting for a U.S. football team- I shall get a ‘bit personal’...

Among my (multitudinous) business ideas- I shall touch more on this anon- is (trying to) formulate something for the musician: a fundraising site- like your Kickstarter-s and so forth- that makes it even easier to raise ‘serious’ funds.  The aforementioned site works on the principle of benevolence and mass co-operation: getting the music-buying public to donate to a musician/music project- that can often be a stumbling block.  Having tried (somewhat unsuccessfully) to get charity initiatives and fundraisers off the ground, I know for where I cometh: most people want their music free; few will spend their cash on something like a Kickstarter campaign.  It may be an over-generalisation, but there is some truth: the point of the idea (my alternate slant) would eradicate that side of things- it is in the ‘sketchy/infantile’ stage of development, but I am hoping for an ‘Archimedes moment’ (I shall keep you abreast if/when I get something concrete).  I digress, of course; but the point to my thesis is this: money is the major stumbling block (when it comes to furthering a music career) rather than a lack of talent.  This year I am getting my backside into gear; getting some music ‘done’: turning apathy into ‘hell-to-the-effing-yeah!’  In addition to recruiting various band members, I am looking at a fully fledged E.P.; making a move to London; getting my music out there- I will be exploiting sites like Kickstarter as much as possible.  On that point: I can understand certain reticence- people feel if they use it- and rely on crowd-funding, they are employing some dishonesty; maybe not being as independent as they would hope.  Bringing the public into your musical ideas- from the ground-level- is a great way to ensure long-term support- and detract from the disposable fair-weather fans.

I have quite an ambitious mind: my ‘dreams’ are quite extensive.  In addition to business ideas (music plans and the like), I have heady hopes and aspirations- they including moving to the U.S. for a few months.  Music is- and always will be- right at the top of my ‘to-do list’: few people on earth lionise music as much as I; have that intense hunger and desire (to want to be a part of it all).   Like everyone else, I set the bar high: have a timescale and plan of action; want to be big news very soon.  I feel like many of us assume we have to ‘get everything done’ by a certain age: most of the people reading this blog (and my musician friends) are in their 20s and 30s!  Some professions are a ‘young man’s game’- football, prostitution, child actor, trained assassin etc. - but most aren’t.  Music is an industry that provides a mouth-piece to the middle-aged and old alike (legends like Bob Dylan and Paul McCartney are still going strong).  I am worried about (how I am going to finance) most of my music: one of my songs will take at least £5,000 to produce- what with the studio time; crew of musicians etc.  Not wanting to descend into poverty (or sell my organs), I do wonder where the finances will emanate from: how will I ever afford a music career?  Small steps seem to be the answer: being modest at first and taking things a day at a time.  I understand that ‘your average musician’ does not rake in a lot from their songs- gigs and such only pay so much- so we all have to economise and scale-back to begin.  Ever since the ‘90s (when I was but a slip of thing) I have wanted to hear my songs in the ears of others: it is that realisation that subjugates petty financial concerns.    It is axiomatic to say the music world is over-populated: it seems every week several thousands new bands emerge; all ‘the next-big-thing.’  Making your voice hear (and getting a sturdy foothold) can be a source of anxiety and self-doubt.  Let me leave you with this...

Age and money are twin heartbeats that get slower (the longer they keep beating): the former merely a number; the latter a capricious and unyielding pain in the arse (we never seem to have enough money no matter how hard we work).  Aphorisms aside, my true-cum-basic diatribe should offer some crumbs (of guidance): success and appreciation come to those who keep at it.  It is a hard mistress, music: you slog and work; stardom can seem like a far-off beacon.  Before I sign off- and drill down to the bedrock of my blog- I will throw in some case studies...

Musicians like Ed Sheeran- not a huge fan of the music; fan of the man himself- arrived from a ‘humble’ and fraught background: nary a few years ago he was sofa-surfing and busking to make a living.  With a few pence in his pocket- and rejection calls ringing in his ears- he has moulded himself into one of the U.K.’s most exciting musical prospects.  Without getting fixated around short-term success; pacing his ambitions, Sheeran has bloomed into (one of the world’s) biggest stars- he is not a one-off by any means.  I know too many people who have lots of money; they are privileged and scarcely have to struggle- I know a few online friends who are in this position.  Money, comfort and luxury will come (later in life): the early years will always throw up their share of fiduciary woes and roadblocks.  Legendary artists like The Beatles and Bob Dylan rose from modest- that is to say, hard- backgrounds.  Having had to work themselves raw, they had no easy ride: their determination and talent got them where they are.  I know people get fixated with age: they assume that unless they have ‘cracked it’ by their 20s, then they will never succeed.  Bullshit.  I am 31, and have not even recorded a note- your most inspired days and mature movements happen in your 30s/40s etc.  The songs I was writing when I was in my 20s pale (by comparison to what I am recording now).  The world wants music that is of the finest order: it does not matter if you are creeping towards middle-age; so long as your music is good, you will get the support.  Although the young generation have limited attention-spans- and have shockingly-poor knowledge of ‘older’ music- they have enough savvy to realise a good thing.  So many music careers can be over in a blink, there should be no rush to ‘make it’- patience and limitations can be a good thing.  An historical sweep of the legendary music throws up its own maxim: the best there have ever been (took) years to become legends.  It may not be a world-beating saying, but you get the point: it will happen!  Bryan Cranston- Walter White from Breaking Bad- began his life on U.S. soaps: how many U.K. soap stars can you see being in his position (where he is now)?  It may sound snobbish, but few of our soap regulars can ascend to his heights.  The point is, that he- one of the world’s best actors- began life amidst low expectations.  His career started slowly; he began to get bigger parts- dramas and T.V. shows started to form on his C.V.  From there- doubting his ambitions; questioning his motives- he landed a part (as Hal) on (the criminally under-watched) comedy Malcolm in the Middle (playing a neurotic and happy-go-lucky dad to a clan of hellacious sons.  It was not until his 50s that Cranston scored the role of a lifetime: that of Walter White in Breaking Bad.  Aside from being one of the greatest acting shifts in history- Cranston played a lovable and put-upon man in Malcolm in the Middle; a drug-dealing cancer sufferer in Breaking’- it proved how patience, is indeed, a virtue.  Aside from Cranston’s biblical talent- few actors are as funny and traumatic as him- his biggest role has arrived in the middle of his life (well, we hope at least).  Society is too fixated with youth and (making it) young: the finest music; the best acting- that is (in this day and age) coming from wiser (and more mature shoulders).  Keen not to bore (to the point of rigor mortis), let me conclude:

The last year has seen (me suffering) some pretty f*cked-up things come my way.  In addition to being involved in a car crash, I have had a bad ‘depression year’- shall keep those details clandestine.  Having lost a couple of (good online) friends (under auspicious and ridiculous circumstances) - which has caused immeasurable stress and sadness, I have experienced personal ‘loss’- the death of those close to me.  In spite of all of this, I have never been more optimistic about music: that is thanks to those who provide the music.  From pink (now purple) haired Yorkshire stunners; to Surrey-based singers- I have revelled in the audible joy (they provide).  Over the past couple of months, I have spoken to three separate musicians who have said the same thing: they feel depressed because they are (not as far along in their career) as they had hoped.  Despite the fact that all three are insanely talented, I get what they are saying: we all (that write music) want to be wowing festivals; touring the globe- all whilst we still have energy in our bodies.  The realisations are these: a): those desires will be realised (trust me they will and b): stardom is the accumulation of gig tickets and magazine interviews.  Few will realise (reading this; they who make music) just what an affect they are having.  Set aside- for now- ideations of arena tours and record deals, and consider this: do you realise just what an affect your music has?  If you manage to influence and compel a single human, you have already made an impact: every musician I have review has done just that (and inspired me).  Every album I have heard; every song I have dissected- every new YouTube video that arrives- makes me a more confident songwriter- in words of Sam Smith: “I know I’m not the only one.”  It is the small things- the individual songs and performances- that make a big difference.  I know many will sit there and say: “It’s easy for you sitting there; try being us!”  Fair point, but I will offer this: you will all (those that want it) get success before you know it.  Whether it a spot on Later... (With Jools Holland) or a modest tour of the U.K., depends upon your talent and resolve.

The point of the blog- aside from trying to nullify the haunting doubts of some fine musicians- was to offer comfort and assurance.  Everyone I have reviewed- from Jen Armstrong through to Allusondrugs- will see their standards/hopes realised.  They may not know it (same applies to everyone else) but they have had a HUGE effect on me; they have inspired countless people- they have brought smiles to endless faces.  They are young, they are green (they- to paraphrase Supergrass- “keep teeth nice and clean”) - they should feel fantastic (more than merely Alright).  As for the future: give it time (that is, after all, what the future consists)- and know this: you are doing incredibly well.  Whether it takes a few more years- or you are hitting your prime in your 40s- it is worth sticking around.  Do not give up on music; do not question your career choice: NEVER doubt your talent and ability.  The reason I am optimistic (about music) and hell, even still breathing (no hyperbole needed) is because of the fantastic new music out there- saving someone’s life outranks sharing the bill with London Grammar (it may not to some, but it should).  As for those things that we (in the music-making sphere want): tours, radio interviews; to nestle alongside our heroes- that will all come along (I am not saying it to balm wounds and diminish ‘silly’ doubts).  Stick on a good tune; write a catchy song, and relax: you are doing marvellously.  In years to come- when gig stipends increase and hit singles are seducing the airwaves- all of the anxieties and fears will seem (almost churlish).  I know how you feel; I know how scary it is: we’re all in it together (and I cannot overstate how proud to know all you fine musicians).  Hell people, if the likes of me- procrastinator extraordinaire- are looking ahead (with high hopes), then you will all be fine!  Stay strong, keep playing, and (when next year arrives); keep your diaries well clear...

BECAUSE they will be very busy indeed.

The Thirty Best New Music (Acts) for 2015: 'The Final Ten'

The Thirty Best New Music (Acts) for 2015:

‘The Final Ten’

 

The Verideals:

Jade Barnett and Mat Jones (make up The Verideals).  An act with immense potential, the last year has seen them develop and evolve.  Having reviewing the group (under their former name Shades of Jade), the way they have adapted is impressive- a musical proposition with a clear future.  Clear chemistry and strong songwriter is backed by Barnett’s inimitable voice- an act that are sure to rise from the underground.

https://www.facebook.com/TheVerideals

https://soundcloud.com/the-verideals

https://www.youtube.com/channel/UCW5avYZupeYeck6AD_OGy1g

https://twitter.com/theverideals

[soundcloud url="https://api.soundcloud.com/tracks/83372223" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Boom Tales (Ft. Eloise Lovell Anderson)

One of my favourite acts from 2014, the unique and unforgettable sounds (from Boom Tales) is a rarity indeed.  When Eloise Lovell Anderson lends her vocals to the mix, that sense of beauty and ethereal entrance is augmented.  Whatever 2015 holds for them, it is clear they will continue to grow- reaching new fans and supporters.  As comfortable relaxed and serene- as enraptured and determined- the group are one of London’s finest.

https://www.facebook.com/BoomTales

https://twitter.com/BoomTales

https://soundcloud.com/boomtales

[soundcloud url="https://api.soundcloud.com/tracks/114924088"]

Allusondrugs:

Their front-man resembles Kurt Cobain: to be fair, their music has hints of Nirvana.  Allusondrugs are stronger than resemblances: catchy, anthemic and insanely hypnotic- the boys are destined for future festivals.  The north (and Yorkshire) has ample wonderful music: these lads rank amongst the very finest (from the county).  Once heard, they are near-impossible to forget.

https://www.facebook.com/Allusondrugs

 http://www.allusondrugs.com/

https://www.youtube.com/user/Allusondrugs

https://twitter.com/Allusondrugs

https://soundcloud.com/allusondrugs

[youtube https://www.youtube.com/watch?v=fSJ7Zvo54_U&w=560&h=315]

The Moth Lantern:

Guided by the stunning songwriting o Dan Clark, the Lincolnshire band is one of the most underrated in the U.K.  Their album (Light Waves) shows just how strong they are: masters of melody, uplift and thought-provoking lines.  Having been backed by the likes of B.B.C. Radio 6, the four-piece will be climbing (new heights) throughout 2015.

https://www.facebook.com/themothlantern

http://www.themothlantern.com/

https://twitter.com/TheMothLantern

https://soundcloud.com/themothlantern

https://www.youtube.com/user/themothlantern

[soundcloud url="https://api.soundcloud.com/tracks/154659926"]

Braver Than Fiction:

Mixing Indie-Folk, Blues and Alternative shades, the Sheffield band have received serious plaudits- include laudatory statements from many.  A phenomenal live band, it cannot be too long before Braver’ are making their way internationally: their sound is ready-made for the U.S.  I know the group is making plans for this year: make sure you are a part of them.

https://www.facebook.com/braverthanfiction

http://www.braverthanfiction.com/

https://twitter.com/braverthan

https://www.youtube.com/channel/UCWR-hWqhw5FA4NYEa1CEfBw

[youtube https://www.youtube.com/watch?v=a7n7Er4MUZI&w=560&h=315]

Bi:Lingual:

Few acts (successfully, at least) mix Hip-Hop and Rock/Metal.  Beastie Boys mastered it: since then, there have not been many followers.  Skillful lyricists; masterful musicians: their stunning songs are backed by raw and scintillating vocals.  Another band (like Allusondrugs) that has grit and panache: they are sure to be regular fixtures at some of this country’s most prestigious music festivals.

https://www.facebook.com/bilingualband

https://twitter.com/bilingualrshit

https://soundcloud.com/bi-lingual

https://www.youtube.com/user/bilingualband

[soundcloud url="https://api.soundcloud.com/tracks/154170396" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Dana McKeon:

Malta is a country that is growing in recognition- having produced the likes of Chess.  Dana McKeon is an exceptional talent: a skilled M.C./rapper; a prodigious artist and intuitive songwriter, she is sure to go far.  Critical praise has been flooding in; fans and supporters have flocked- this coming year is going to provide (her) much opportunity.  When I reviewed (her single) Street Art, I knew we had (an amazing artist) on our hands- see for yourselves…

https://www.facebook.com/DanaMcKeonMusic

http://www.danamckeon.com/

https://twitter.com/Dana_McKeon

https://www.youtube.com/user/DanaMcKeon

https://soundcloud.com/danamckeon

[youtube https://www.youtube.com/watch?v=plpvYkMT24E&w=560&h=315]

CryBabyCry:

The three members of CryBabyCry are a busy bunch- Rosie Doonan has been heard as Rosie and the Howling North and Cissie Redgwick; Jonny Firth has performed solo and as one half as Knuckle; Nici Todd has played with Rose and the Howling North (as has Firth).  The guys are clearly comfortable with each other: this familiarity comes through in their assured and stunning music.  A terrific live act, the Yorkshire crew are building the foundations- to a very prosperous future.

https://www.facebook.com/CryBabyCryBand

https://twitter.com/crybabycryband

https://soundcloud.com/crybabycryuk

https://www.youtube.com/channel/UCwvW8AcNigNMx5FalXuJesg

[youtube https://www.youtube.com/watch?v=CWbwuaRkNXE&w=560&h=315]

Second Hand Poet:

Few (male) solo artists have stuck in my mind (over the last few years): Second Hand Poet is an artist deserving of wide acclaim.  Haunting and introspective; uplifting and passionate: the young artist is not short of inspiration and direction.  Having performed around Surrey and London, Second Hand Poet has garnered appreciative sighs- his fan-base is growing.  In a scene filled with half-arsed solo acts, it refreshing to see someone who has true potential.

https://www.facebook.com/pages/Second-Hand-Poet/417534431620189

http://secondhandpoet.bandcamp.com/

https://soundcloud.com/secondhandpoet

https://www.youtube.com/channel/UCYTgFc0W1bGKSRO1UxqH43g

[soundcloud url="https://api.soundcloud.com/tracks/187473454" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Ivy and Gold:

Drawing comparisons with the likes of London Grammar; Ivy and Gold are a stunning duo: one who will go far.  Mix alluring and powerful vocals; captivating and nuanced soundscapes; universal (yet personal) songs- they are a duo for the people.  The bond and affection (Rachel Wilkinson and Jamie Davies) share is evident: that simpatico comes through in their (glorious) music.  Last year was a good one for them- this year will be even better.  The market is begging (for an act like them): it is easy to see why.

https://www.facebook.com/IvyandGoldBand

http://ivyandgoldmusic.co.uk/

https://twitter.com/ivy_and_gold

https://www.youtube.com/user/IvyandGoldMusic

https://soundcloud.com/ivyandgold

[youtube https://www.youtube.com/watch?v=AfNbUDN4NdA&w=560&h=315]

The Thirty Best New Music (Acts) for 2015: 'The Middle Ten'

 The Thirty Best New Music (Acts) for 2015:

‘The Middle Ten’

 

Annie Drury:

A young artist who has had her work played on (B.B.C.) Radio Two: the Yorkshire heroine is on a golden trajectory.  Under the tutelage (and management) of Cuckoo Records, 2015 is going to be a pivotal year: expect to see this rare talent coming (firmly into) the spotlight.  Modern music provides much competition and variation- there is something for everyone- so it is tough knowing who to back: Drury is an artist that should be a staple (of your record collection).

https://www.facebook.com/pages/Annie-Drury-music/185837401492957

https://twitter.com/anniedrurymusic

https://www.youtube.com/user/cuckoorecords

http://www.cuckoorecords.com/artists/annie-drury

[youtube https://www.youtube.com/watch?v=EcBe418hDvw&w=560&h=315]

Little Sparrow:

When I reviewed her (Wishing Tree) album last year: I was blown away by the mesmeric vocals; stunningly evocative songs- the beauty that spilled from every note.  Hard-working, determined and passionate- Katie Ware is an artist that is sure to be making music (for many years to come).  Whether wowing festival throngs- or seducing intimate crowds- there is no getting away from the wonder (of her music).  I know how hard she (and her manager) works: it will not be long before Little Sparrow is a huge success.  Do not let her music pass you by.

https://www.facebook.com/singinglittlesparrow?fref=ts

https://soundcloud.com/uklittlesparrow

http://www.littlesparrow.org/

https://www.youtube.com/user/uklittlesparrow

https://twitter.com/uklittlesparrow

[youtube https://www.youtube.com/watch?v=rGuKGx6MfO4&w=560&h=315]

Lisa Marini:

Charming and cheeky; vicarious and vibrant: Lisa Marini’s E.P. from the Bedroom Den is as colourful and alluring (as its cover).  Highlighting the sort of memorable songs (and stunning vocals) that makes careers- the only way is up (for Marini).  Buy her E.P.- and help fund her future creations- and experience an artist with a lot more to say; a special voice (and plenty of ambition)

https://www.facebook.com/marinimusic

https://lisamarini.bandcamp.com/

http://lisamarini.com/

https://twitter.com/LisaMariniMusic

https://www.youtube.com/user/liasmarinimusic

[youtube https://www.youtube.com/watch?v=-D4pCyUlhcE&w=560&h=315]

Sarah Collins:

Having begun (her music life) covering sensational songs (in her own inimitable and stunning way); Sarah Collins has grown and burgeoned- she has assembled her own band; is getting airplay; embarking on tour dates.  Having gained fans and plaudits (throughout 2014), the scintillating singer has impetus and purpose: to bring her warmth, passion and power to the masses.  Seek out her (many) performances- and see what all the fuss is about.

https://www.facebook.com/sallycollinsmusic

https://soundcloud.com/sallyc

https://www.youtube.com/user/diddy5848

https://twitter.com/SazzleCollins

[soundcloud url="https://api.soundcloud.com/tracks/154089282" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Universal Thee:

A band with a stellar reputation: one of the U.K.’s finest rising acts.  Drawing influence from the likes of Pixies; the husband and wife-led group are a force to be reckoned with.  Boasting catchy hooks; insatiable melodies; quotable lyrics- these lot have ammunition in spades.  Few new bands are as assured and confident (as Universal Thee)- expect this to pay dividends as we progress through 2015.

https://www.facebook.com/universalthee

http://www.reverbnation.com/universalthee

https://twitter.com/universalthee

https://www.youtube.com/channel/UC-C70-KSoSJXgNifHO_Ip_A

https://soundcloud.com/universal-thee

[soundcloud url="https://api.soundcloud.com/tracks/119524001" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Alison Levi:

I have always loved Miss. Levi’s cheek and charm; her humour and beauty; her wit and vitality: above all, it is her knee-trembling tones (that capture me most).  The stunning London-based artist is someone we should all keep an eye on.  With possible new releases and gigs afoot; plenty of fresh potential- we will all get to witness the young singer do her thing.   Follow Levi (on social media) to enjoy the witticisms, fun and adventure- and some bloody good music.

https://www.facebook.com/alisonlevimusic

http://www.alisonlevi.com/

https://twitter.com/alisonlevi

https://soundcloud.com/alisonlevi

https://www.youtube.com/user/alisonlevimusic

[youtube https://www.youtube.com/watch?v=hzmxzBv2nCI&w=560&h=315]

Nina Schofield:

Schofield has worked her socks off (over the last year)- playing gigs all around the country.  Her brand of Pop has managed to catch the ear of multiple radio stations, venues and critics.  An effortlessly talented songwriter, Schofield’s natural warmth and strength shine (throughout her music).  With new fans and support behind her: surely this year will see her become a household name.

https://www.facebook.com/ninaschofieldmusic

http://www.ninaschofield.com/

https://twitter.com/nina_schofield

https://soundcloud.com/ninaschofield

https://www.youtube.com/user/ninaschofield

[soundcloud url="https://api.soundcloud.com/tracks/157664486"]

Crystal Seagulls:

After a whirlwind 2014, the boys are embarking on fresh assaults: their music is ready-made for festival crowds and hungry music-lovers.  Anthemic and fist-pumping; subtle and tender, the band has a range and ability (few of their peers possess).  When a new album- or E.P.- drops, it will see the guys win over new supporters and patrons.  In a world of reality T.V. musicians and manufactured idols- this group is the kick in the teeth (that makes you smile).

https://www.facebook.com/CrystalSeagulls

http://crystalseagulls.com/

https://twitter.com/crystalseagulls

https://www.youtube.com/user/CrystalSeagulls/feed

https://soundcloud.com/crystalseagulls

[youtube https://www.youtube.com/watch?v=BOhJQeMMEL8&w=560&h=315]

Lydia Baylis:

We are pretty much spoiled for choice when it comes to female solo artists- few manage to resonate (and stick in the consciousness).  Baylis is that rarest of things: a musician that manages to tick all of the boxes.  Humble and intelligent; talented and beautiful; prolific and inspiring: her music crosses boundaries; unites fans of (multiple genres).  Check out (Lydia’s) SoundCloud channel- and witness some very impresses footsteps.  Few are more excited (than me) to hear new material: it is sure to be very special indeed.

https://www.facebook.com/lydiabaylis

http://www.lydiabaylis.com/

https://twitter.com/lydiabaylis

https://soundcloud.com/lydiabaylis

https://www.youtube.com/user/LydiaBaylis

[soundcloud url="https://api.soundcloud.com/tracks/86926808" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

The Bedroom Hour:

You may notice- that few of my recommendations- feature bands: this London clan is impossible to forget.  Containing essences of Elbow and Doves, the boys are in no shortage of wonder: their body of work is solid and remarkable.  With an album- and several releases- behind them, the group has amassed a dedicated fan-base.  Few bands are as primed for the big-time as The Bedroom Hour- their time as Reading and Leeds headliners cannot be far away.

https://www.facebook.com/thebedroomhour

http://www.thebedroomhour.com/

https://twitter.com/thebedroomhour

https://soundcloud.com/thebedroomhour

https://www.youtube.com/user/thebedroomhour?feature=watch

[soundcloud url="https://api.soundcloud.com/tracks/53173622" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

The Thirty Best New Music (Acts) for 2015: 'The First Ten'

 The Thirty Best New Music (Acts) for 2015:

 

‘The First Ten’

 

Jen Armstrong:

A woman who had made me reassess life; made me make some big changes- switch to vegetarianism, sign up as a blood and organ donor- and strive for better things.  She is going to be rocking the U.S. (for six months) very soon- and is an incredible talent to watch.  One of the most stunning musicians in the U.K., you would be foolish to pass her by.

https://www.facebook.com/jenarmstrongmusic

http://jenarmstrong.tv/official/Home.html

https://www.youtube.com/channel/UCmzh5aKAJQvyNNvlUsiEuwA

https://twitter.com/JAMusicUK

[youtube https://www.youtube.com/watch?v=Kl5LEN9rvo8&w=560&h=315]

Chess:

From Malta to Surrey, to… who knows where?  Last year was a busy and promising one; her two previous E.P.s- Babygirl and Tuxedo- have shown what a songwriter she is.   We are less than a month in (to 2015) but the signs point to some big things: a new single is just the start of it.  Keep your eyes planted her way…

https://www.facebook.com/chessofficial

http://www.chessgalea.com/

https://twitter.com/chess_galea

https://www.youtube.com/channel/UC7_o9y24Tfl_ZDXXUF0qTeQ

[youtube https://www.youtube.com/watch?v=qkEeqnSR68Y&w=560&h=315]

Marisa Rodriguez:

A young talent that works tirelessly (to promote her music).  One of the most diverse and impressive young songwriters around: her upcoming E.P. will be one of the most anticipated of 2015.  A stunning voice- and stunning artist- it will only be a matter of time (before Marisa) is a big name.

https://www.facebook.com/marisarodriguezmusic

https://soundcloud.com/marisarodriguezmusic

https://twitter.com/marisasingsalot

https://www.youtube.com/channel/UCDsbJj47SZ4UhIE4yMHVfXw

[soundcloud url="https://api.soundcloud.com/tracks/172133533" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Elena Ramona:

In a scene that can be defined (by predictability and limits), Elena Ramona is a singer/songwriter who offers something fresh- a unique voice with a special talent.  Growing in stature and confidence; she is a stunning artist that will be making waves (and impressions) as the year unfolds (with a new E.P. mooted).

https://www.facebook.com/pages/Elena-Ramona/323928237668916

https://www.youtube.com/user/TheStathaki1

https://twitter.com/elenaramona90

https://soundcloud.com/elenaramona90

[youtube https://www.youtube.com/watch?v=5BxYc4ItFgc&w=560&h=315]

Issimo:

A charming and (hugely gifted) Yorkshire duo, these guys are an immense prospect.  Seemingly capable of owning any themes, style (or genre), their effortless and diverse songwriting is a joy to hear- their live performances have charmed and seduced many.  It is only a matter of time before the heartwarming twosome are festival mainstays.

https://www.facebook.com/issimomusic

http://www.issimomusic.net/

https://www.youtube.com/channel/UCS4vlVv1QKYB2qQC9s28wIA

https://soundcloud.com/issimomusic

https://twitter.com/ISSIMOMUSIC

[youtube https://www.youtube.com/watch?v=g3y3wtrqT84&w=560&h=315]

Gypsyfingers:

Over 2014, I reviewed many amazing musicians: few more memorable than Gypsyfingers.  Their album Circus Life was a highlight for me: it demonstrated how naturally they (Luke Oldfield and Victoria Coghlan) unite.  Stunning vocals, entrancing songs; incredible compositions- a Folk duo with a massive future.

https://www.facebook.com/gypsyfingersmusic

http://gypsyfingers.bandcamp.com/

https://www.youtube.com/channel/UCQ1x8RNElu-Zb2_UvrMm9Ag

https://twitter.com/Gypsyfingers

[youtube https://www.youtube.com/watch?v=JsSGFIGZt7U&w=560&h=315]

Ellene Masri:

Alluring and romantic; impassioned and empowering: Ellene Masri creates music for the masses.  Elements of Jazz and Pop fuse into songs which linger in the mind- topped with a voice that can buckle the knees.  Splitting her time between the U.S. and Europe, the young star is a continent-straddling artist with plenty to say: with many ears (more than) willing to listen (and adore).

https://www.facebook.com/masriellene

http://www.ellenemasri.com/

https://www.youtube.com/user/ellenemasriOFFICIAL

https://soundcloud.com/ellenemasri

https://twitter.com/ellenemasri

[soundcloud url="https://api.soundcloud.com/tracks/127264071" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

The Updraft Imperative:

Christian-Rock magic from the Australian wonders.  If you love your music catchy, nuanced and inspiring: these are the guys for you.  Whether you are religious (or not) then they will appeal and entice: their songs are designed to make you smile, think and reflect- few other bands are capable of doing this.  Let us just hope they come and play (in the U.K.) as much as possible this year.

https://www.facebook.com/theupdraftimperative

http://www.theupdraftimperative.com/

https://soundcloud.com/theupdraftimperative

https://twitter.com/TUI_official

http://youtube.com/user/TheUpdraftImperative

[soundcloud url="https://api.soundcloud.com/tracks/162956080" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Chenai Music:

Strong and defiant; principled and thoughtful- an artist that has the power to inspire musicians and change minds.  One of the most naturally beautiful women (I have seen), her voice and artistry is a glistening treat: her music is some of the most original and innovative around.  With new releases (surely forthcoming) this year- check out a young artist with limitless potential.

https://www.facebook.com/chenaimusic

http://www.chenaimusic.com/

https://twitter.com/ChenaiMusic

https://www.youtube.com/user/ChenaiOfficial?feature=watch

[youtube https://www.youtube.com/watch?v=hFNmrPt5HB0&w=560&h=315]

Los and the Deadlines:

A band I am familiar with: their songs never fail to amaze me.  Hard-rocking and swaggering; cool and detached- these guys can pretty much do anything.  Their order composes multiple nationalities; their songs cover masses of ground- their consistency and prowess is staggering.  Going from strength-to-strength, the London group is one of our finest.

https://www.facebook.com/losandthedeadlines

http://www.losandthedeadlines.com/

https://twitter.com/LosDeadlines

https://soundcloud.com/losandthedeadlines

https://www.youtube.com/user/LosAndTheDeadlines

[soundcloud url="https://api.soundcloud.com/tracks/123435479" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

One Language... For All

“One Language… For All”

The Idea:

This year is going to be a lot more positive one.  Last year- and quite a few that proceeded it- were pretty dreadful.  In addition to (very soon) getting a new place, I am doing a few 'good things': donating blood regularly; getting a band together (starting the end of Feb.); 'switching' to vegetarianism (Feb. 14th); doing more for charity; starting Psycoacoustics- the business that includes a music bar/cafe, charity and record label.  In addition to all of this, I hope to do more for 'me'.  Dating and love are big considerations: finding someone to be with; becoming less lonely.  They are all big plans and ideas, but I am making some (small progress)- if you have it all in writing, it is only a matter of DOING it.

This is often a stumbling-block for people.  If something is hard to: often many will not do it.  It is not just sheer effort (that deters ambition) but a great bugaboo: money.  Back in 2013, I posted an idea for a website- I called it Young Universe; considering its connotations and links to creationism, perhaps not a good choice.  The reason I want to start a music cafe; get a band together; do lots of charity work: it is not for my own fulfillment and self-worth- the idea is to try and help others.  There are lots of websites that do particular things: very few that are all-encompassing and all-inclusive.  Social media websites do little to ACTIVELY boost charities and fine endeavours- too vague and concerned with glibness.  Music websites- there are many of them- have their uses: there is not one that takes care of EVERY need/desire.  The same goes with other aspects of society/consumerism: travel websites, dating sites; search engines, film websites- the list goes on...

For that reason, I got stuck on a thought: why has nobody tried to do this (and create a website that takes care of everything).  I search the internet for hours for compartmentalised reasons: why is it not easy for me to find (information and needs) without searching for hours?  I love travel and the world; languages and charity concerns; comedy and animation- and of course, music.  I have to go to dozens of sites (to fulfill my whims, hungers and curiosity).  I am on THREE social media sites- because they ALL have limits and restrictions.  I visit at least half a dozen music sites (on a regular basis): YouTube and SoundCloud are my sites of choice.  I often wonder if it is the pure amount of TIME it will take (to put something so vast together).  Maybe the millions (who knows how many?) of pounds, perhaps?  These are considerations that can be negotiated and rationalised: perhaps the average human is not too bothered about wider issues- or at least not motivated enough?

I don't know.  What I know is, that there are many out there who cannot experience the world- disabled, elderly, socially/financially disadvantaged etc.- whom want to see as much as possible; discover what is out there- without having to save up for it (or get out of the house).  Like all of my 'big ideas'- music cafe; band; charity organisation- it may be a case of ambition over reality: I am not really a fan of scaling-down/small starts.  If anyone would/could have a read, I would love to know what they thought- if the site is realistic/something they would 'visit'...

Interface:  

In addition to the previous details, the interface involve quite a lot of movement. Shooting stars will be animated as well as satellites, and the planets will revolve. The Moon will be represented. It will replace the Sun during the evening. You can click on it, and will give different ‘evening options’ including different music, bar recommendations etc.

There will be a number of galaxies represented in purple, the stars will alternately glow red, and a satellite will be shown. The satellite will contain your music playlists or T.V./film stream, and can be viewed as you navigate the site.

Personal Profile:

This represents a very small section of the overall website. There would be a ‘profile page’ or front screen. This is a single design; there will be bespoke software where you can design various things. You can choose to produce a short animation; upload a filmed piece and edit it, or do similarly with a photo. There will also be an option to ‘produce’ a photo, sort of like an album cover. There will be other options but you can personalise as much as you like. Also included is an option to produce a stop motion piece, upload a song or a showreel, for instance.

Everyone can access everyone’s front page, and like Twitter; you can choose to accept anyone, or on a person by person basis. The social website itself will be a new design. Facebook has too many white spaces; too many icons you don’t need; icons repeated, as well as adverts all over the place. The chat function is basic and flawed; the mail feature is frustrating and limited, and the overall design is colourless, flat and disorganised.

With this website, the design is that of a skyscraper. The design fills the entire screen and utilises video game technology. You will see a tower, and a lift going through the centre, and a set amount of windows. At the base is an Entrance (where you click and see your own profile; more later). To the left is an intercom, and is the Chat feature. There are options to have certain people on the list, and can talk via messenger, or Skype, and is a lot more advanced than Facebook. To the right is a mail slot, and where you can access e mail. It works more like a personal e mail account, where you can save and file e mails, as well as link it with your own personal e mail account. There is animation, so you can see animated people ‘deliver’ mail, as well as ride up and down the lift. It is constant, and makes it more interesting.

The overall design is slick and modern, and you can choose from a different number of buildings/skyscrapers. There are no adverts, and no excess of icons. All space is used, and gets rid of having ‘favourites’ and cannot ‘like’ a band or product. You can create events, but adverts and photo sharing are restricted. If you want to see them you can. If you only want to see certain things, then you can as well. At the top of the skyscraper, is a helipad; so if anyone is a ‘contact/friend’ a helicopter comes down and they arrive into the ‘building’. There are two flags on the roof. The left hand side can be personalised, to either a ‘Diary’ flag or ‘Events’ so you can rotate them as you see fit. The other flag will be a ‘Music Player’ or ‘Film Player’. If you have a Song of the Day or PlayList, this is where you can access it. You can simply click on the flag and play songs, as you would Spotify, for instance. If you choose a Film Player you can watch a film or T.V. show. There is an option to produce a split screen so you can see both at the same time.

In the skyscraper are windows. This is where activities and updates are, but will fill up in each window. I am working on developing this a lot further and making it much more involved, but you can block windows (which draws blinds across); and the whole experience is much more modern, and exciting. You can customise the flag, the building, and choose what you want to see. There is ‘weather’, so when it is morning, the sun rises, and then sets. You can have rain, sun, cloud etc and will change, according to the weather of where you are currently. Unlike Facebook or Twitter it is not pure social content. It draws in all aspects of the site. For instance, if you are part of the Music, Film, Science, and History parts of the site, you can get updates that you want to read, and links the rest of the site into the social part. This means you can be updated of everything you need to know, as it happens. If you want to block out statuses and pictures and just hear about music, local happenings and news, you can do; like having your own website.

The individual profile consists of a hotel lobby; or the inside of the skyscraper. Using a feature where you can create your own avatar, you will walk into the lobby. There will be a reception area where you pick up your ‘mail’ (e-mail). There is a Guestbook where you access to update your basic info and links etc. There is a portrait on the wall, where you can access and update your photos and videos. There is also a T.V. where you can view and update your points and updates. It is simpler and less cluttered than Facebook with the three main icons. In the lobby is a Games Room, Restaurant, Gym, Cinema and Beauty Saloon that takes you to different features and pages. The main other feature is your own personal Room. When you click on it, you go up an escalator or a lift, and go inside. In here is a room with lots of visual props, based on your personal likes and interests. So for instance if you are interested in travel, there is a globe; C.D. player for music etc. This makes it easier to see updates relating to those individual sections.

In essence, the idea is to involve more real life. You can video chat to anyone; get local news etc. and block out anything meaningless or boring. It does not compel you to be glued to it, but gives a much-needed portal to learn things you need to know and keep abreast of things that really matter to you, and connect with people you need to. The idea is to have a core group who you can get along with, and like and less need to be ‘friends’ with any person, just for the hell of it!

Human Profile/Book of You:

This works in conjunction with the personal profile. It is a ‘human representation’ of you. You will create yourself, as an avatar. You can see yourself as a simulation, like Sims. On your personal profile, there is a section, where only you can access it. This shows your body but organs etc are highlighted. If for instance you learn chess or win a few games, it adds a colour/section to the Brain. If you pitch an invention or idea that adds to the brain. If you learn a new language it goes to the Tongue; music/singing to the Mouth; photography in the Eyes; charity contributions in the Heart. If you donate blood that contributes to Blood etc. The idea is to do as much as possible to contribute as much as possible to each organ. There will be points and rewards handed out at certain stages.

Like the body representation, there will be a Book of You. This would be represented in the form of graphs and graphics, inspired by the book Information Is Beautiful. There are various chapters and just chronicles your achievements, updates and work and puts them into the form of charts, graphs, pictures etc.

Other Features:

I am formulating ideas by the day, but are a few of several hundred, that will make their way onto the site.

Technology:

The idea would be, as well as being able to stream the site to T.V. or mobile, it will be touch screen. It works like a mobile where there will be a keyboard, and you can drag icons, sort of like iPhone mixed with C.S.I.! I am hoping it would be able to use 4G too. There will be a way where you can design applications and distribute them for free, or can tie in apps. via your iPhone, so they can be used on this site. Instead of paying users to design apps., points are awarded and mentions made. This way you can get them for free, but the creator is rewarded as well, and inspires future innovation.

Local:

A lot of older users may be more interested in what is happening in their town. For instance, if there is flooding on a particular road nearby, you can find out, and can find out the latest news and goings on where you live. If there is an event in your area, or a charity run for instance, you can distribute it to a wider audience, to raise funds, supporters and exposure. Where there are travel updates for example, or continued problems, such as flooding, you can link with the council. If there needs to be a storm grate, or flood protection on a particular road, you can link directly, based on observations and raise funds for it, via the site.

Science and Beyond:

I am working on an interactive feature with the Science, as well as the Natural History Museum. It will allow interactive exhibitions, as well as many of the features and exhibits to be streamed to the site, either as an animation, or as a video presentation. Sort of like a video game, where you can navigate and interact. Will try to build a 3D element too. This means anyone who cannot visit London or is disabled and cannot get there, will be able to enjoy it.

There will also be sections on astrology where you can ‘visit’ planets and constellations, interactively. It allows forums and discussions to take place, where you can post new theories and discuss topics, as well as science, you can talk about philosophy, dreams, big world issues etc. You can undertake experiments, and will be programmes where you can build vehicles and see how they work. There will be ’00s of options in this section overall. There is also a Virtual Body, which will be yours, literally. You can enter your health info, and can alert you if any problems are detected and can also track blood pressure, sugar levels and information that needs to be monitored. If you have high blood pressure, and have another medical issue, it can alert you to possible future issues or illnesses, so you can beat them. It also links you to medical information all over the Internet. In

Search Engine:

As will as linking the website with a custom search engine (Google, Bing etc.); there will be an expanded search engine. Current search engines have a limit. If you type in ‘songs that sound like Blowin’ In The Wind’, it might struggle to pin down relevent results. Using the various parts of the sites, as well as users, if you need to find out the above query; it uses the search engine, but connects with users and people who would know at the same time, so the results are more accurate and comprehensive. It is more responsive so if you type a sentence that starts ‘which song contains..’ or the query is quite brief, it makes it easier to get an answer. Similarly you can enter soundbites, photos into the search engine if you need to find relevant information, and will give you results.

Dictionary/encyclopedia:

There are comprehensive dictionaries to access, in English as well as over 30 other languages. Also there will be an encyclopedia available for free. You will be able to access information including Space, History, etc. and will have photos, pictures, graphs and video links and will be the equivalent of having a 1,500 page encyclopedia at your fingertips.

Languages:

I am trying to formulate a way of having comprehensive Rosetta Stone style language courses available for free, covering 30 different languages. Over 5 years I am aiming to learn 20 new languages and am aware how expensive it is to learn. I am hoping to employ experts and the site’s users, as well as existing resources, in order to have full and detailed language courses available for anyone.

Everyone Can Live Forever:

Well… in theory. There are options where anyone can upload videos and blogs about their day to do life. Not so much as narcissism but as a record of that individual. I am researching ways of being able to have people’s ideas and thoughts updated without their input, so based on entries and uploads, the site will update. The idea is that when someone dies, many decades in the future, their thoughts, voice and feelings can be accessed, so someone can theoretically ‘live on’ in computer form. It is less advanced than the idea of singularity, but will be a legitimate first attempt at being able to preserve thoughts and personalities in computer form.

Big World Issues:

Take the recent shootings in the U.S. The site is mainly set up to avoid as many of these issues as possible. The issue tends to be the lack of mental health care and help. The plan is to make sure, if someone is in trouble, or thinking of planning something like this, it connects with mental health providers, locally and internationally. Discussions can be had via Skype, appointments made, and information given. Also, people can connect with that person and try to prevent anything from taking place.

Similarly, issues like gun violence, racism, the enviroment, employment and illnesses are brought to a wider sphere, and it is hoped that through information, and productivity by members, issues are averted, and possible problems do not occur.

T.V./Film:

As well as better opportunities and ways to link for actors, there are also sections where you can create films. I have thought of a few short film ideas recently, and love them but not sure what to do. The site will allow for greater connection with filmmakers and fundraising portals, so these visions can be realised. There will be bespoke software where you can create films and ideas, or at the very least, be able to pitch ideas effectively.

There will be an option to write a joke or comical paragraph. It works like Twitter, where you have limited characters but you can submit a line or sentence. At the end of the day, a winner is announced, for the funniest submission and points are awarded.

Music:

It will essentially be this: https://musicmusingsandsuch.wordpress.com/2014/12/14/psychoacoustics-a-one-stop-music-venture/

This is one of the major focuses for me. I am thinking of new ideas but there are a few already. There is a section where you can write lyrics (handwrite or type) and put on the site. If you can’t think of the music, or have them spare, this means somebody can pick them up, pair them together and a collaboration can take place. Or they can be given to a band, points are earned, and helps an act out. There will be software where you can compose music; be it orchestra, or guitars etc.- and either pitch it, or use it yourself.  Existing music can be played, and deconstructed, so you can see what notes were played, and what instruments. Also, I have often heard existing songs and lyrical ideas have come to mind. Here you can play a song, with lyrics playing, and replace them. From there you can compose music and make a new song that would sound different, but be inspired by existing ones! There are also songs that play and I think of a music video to go along with them. Obviously one may already exist. There is an option where you can create your own, and get permission from the band to use the song, or create one inspired by their song. You can create a basic version of the video via the site, copyright it, and pitch to filmmakers or if it is a new song/video, can pitch it to record label.  The site will allow you to merge sounds. For instance you can isolate a Queens of the Stone guitar track, and also play Latin music. You can fuse these, and create a new sound, and can inspire a song idea. There will be options to produce music using bespoke software There will be guitars, drums, pianos, and orchestras etc. where you can practice and learn. It works like Rock Band, where you can play the instrument on the screen, and compose parts directly, to form a song. It helps you to learn an instrument, as well as making it easy to compose and record music or demo ideas.

Life Skills:

Like a Wikipedia source it will categorise everything you could need for life. It includes D.I.Y tips, and thousands of hints, guides and pages that can be accessed, with easy to follow pictures. It encourages people to learn new skills, and improve existing ones.

Inventions and Pitching:

In the last few days I have almost died a few times. Once when the sun was shining and forgot sunglasses and could not see where I was going. A few days later, there was ice on the windscreen and could not get it off without pulling over. I was frustrated. What if new car makers could install windscreen and windows, that at the press of a button could be blackened, to avoid accidents. Also have concocted a way of heating the outside of the windscreen so ice can be cleared on the move. Whilst visiting a sick friend, an idea arose. Have thought of something more advanced than Instagram where you can create your own photo, with any image or detail for free. I thought of an acting website, as well as several others. The idea is that there is a site you can pitch an idea but have copyright to the idea, but be able to connect with people who can move it forward and make it real. There are also discussion sections, so for instance any scientific discoveries or medical ideas are thought of, they can be shared and moved forward.

Love/Relationships:

A lot of men suck as relationships, and sex, and everything else (I’m told). The idea is that there is a more comprehensive dating site. It works like e-Harmony where it matches people more effectively but is a free site. There are articles and tips from publications like Ask Men and Cosmopolitan that give advice about sex, dating, relationships and love. It is like the encyclopedia where it has chapters and employs visual aids, video links and can be edited by anyone and updated with advice and help.

 Motors:

As well as having reviews, advice and archives, there is a function where you can design your own car. It includes everything from the interior, to the name. You can also design or pitch innovations, technology or safety ideas and pitch them directly to car companies as well.

Travel and International:

Get information, photos, videos (and tours) of countries of the world.  You can select any country and get as much information as you need- history, local attractions, recommendations; photos and ‘virtual tour guides’.  Users can leave reviews and stories; share holiday pictures; recommendations- travel tips and insights.  The page is interactive and stunningly designed.

Charity Schemes:

This is a way for people to connect and launch charity schemes. These can include helping the homeless, volunteering at hospitals, or organising charity events. It connects users and people from around the world, making it easier to raise money, organise events and launch innovations to help as many people in need as possible.

Gaming:

As well as being an option to design your own, there is a whole library of classic and existing games, that you can download direct to your laptop or T.V. and play.

Nature:

Provides a full interactive service to everyone. You can view documentaries and simulations of under the sea, Antarctica, the jungles or anywhere in the world. It gives access to nature to those unable to experience it themselves and encourages people to get involved and experience it first-hand.

Thoughts going forward:

As I mention, I am formulating new ideas, simulations and developments by the day and am going to try to make the site as all-inclusive and detailed as possible. I am not trying to bury Facebook and Twitter, but improve on both and have so much more to offer. The idea is not only to get every walk of life involved for free, but push people to be as good as possible. Through designing new programs, making networking easier, and encouraging charity, it is hoped that every individual will make as much an effort as possible to do as much as they can. I am keeping the social element, but trying to make it a small percentage of each person’s experience and introduce people to sports, games, and worlds they have never considered or been unable to experience.

I am hoping that the introduction of 3D and 4G will play a part. I am hoping to have as many 3D simulators, and if possible make everything 3D. Depending on how the technology advances, it is hoped that it will be the ‘norm’ for households thus enhancing the overall experience. With 4D being a future possibility (for all), these, along with touch screen technology makes it simple, and fast- for everyone!

In addition to promoting creativity and charity in everyone, it is hoped the site can change lives and affect change. Given recent developments in employment, gun violence and racism, it is hoped that the site can help to change individuals responsible for crimes and make it easier for laws to be changed.

I have encountered too many awesome people, by accident on social media sites. It should be easier to meet great people and the site encourages and makes it possible. There are too many faults, flaws and limitations with Facebook, Twitter and social media; and the idea is to override this and make for a better, much fuller experience.

Hopefully all of this can be a 'reality': get this site working- I think it could help many; do good (and educate many people).  I would love to hear comments, suggestions, ideas (for features/pages etc.), and above all.

What the hell should (the website) be called?!

Interview: Elena Ramona

Interview:

Elena Ramona

 

__________________________________________________________

With the music industry offering so many new (and exciting acts); Elena Ramona is one of the hardest working talents around- and one of the U.K.'s most promising young songwriters

 _____________________________________________________________

THE last year has been a busy one for the Surrey-based musician.  In addition to new material and exciting tour dates- the young musician recruited a host of new fans.  With a new E.P. on the horizon (and plans afoot), I talk to Elena Ramona about the release of (her brand-new single) Lying Blue Eyes...

Lying Blue Eyes is your new single (it looks at a no-good central figure). Was there a particular inspiration for the song?

The inspiration for this song was relationships: sometimes they work out and sometimes we get hurt by the people we trust and love the most. The message in this song is (pick yourself up when times are rough, know the heartache is never forever and carry on living life even in the hardest of times)

The song itself is a sassy and brassy number- it differs in terms of sound (from your previous numbers). Does this indicate a new direction/sound for you?

I love experimenting with different sounds and genres. I am yet to find my sound so trying different styles is key for me right now. People have been really supportive regarding this track and the feedback has been great for me to know what direction to take with the next tracks yet to come.

Who has been the biggest influence for you- either musically or personally- over the last year?

My mother- she has supported me through all the ups and downs I have faced last year. She is my rock and I don’t think I would be where I am without her keeping me grounded and always believing in me no matter what.

Will we be seeing a new E.P release?

Yes, there will be a new E.P. release in the very near-future.

Knowing how hard you have worked the last few years- and how determined you are at the moment- what advice would you give any up-and-coming artists?

Find your sound. Your fan base and your own unique style of writing your material which will make you stand out. Enjoy it because the journey is the most fun part; you will meet many amazing people have some great experiences- and above all, do not give up when you feel stuck

[youtube https://www.youtube.com/watch?v=5BxYc4ItFgc&w=560&h=315]

 

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Follow Elena Ramona:

Facebook:

https://www.facebook.com/pages/Elena-Ramona/323928237668916

Twitter:

https://twitter.com/elenaramona90

YouTube:

https://www.youtube.com/user/TheStathaki1

SoundCloud:

https://soundcloud.com/elenaramona90

2015: A new year; a new cause; a new beginning...

2015:

 

A new year; a new cause; a new beginning

THIS particular blog- aside from being my 299th- has some slightly more positive energy…

compared to the outpourings (of a couple of weeks back).  Christmas (and the end of the year) always tends to bring about some reflectiveness and ‘honesty’- this year has not been quite as productive and successful as hoped.  With that in mind, 2015 is going to be a lot more positive: you can only live a particular way of life for so long- before you need to make changes.  In terms of health and diet, I am switching to vegetarianism: a lifestyle choice that is as ethics-driven as health-conscious.  In terms of personal life: looking to find ‘love’; learn new languages; record music- with a view to setting up a band.  I hope to get some music-related business ventures started.  Two of my main aims (for the coming year) is to find independence; to do more for charity…

I shall touch on the second point (further in the post), but have been thinking about home: the goods and the bads.  I am not going to bore/annoy the readership with the issues of my own home- I have burdened too many, too often (this year).  Suffice it to say, my own home life is pretty unhappy- incredibly stressful and somewhere I do not feel relaxed or calm.  It is always hard living with someone you dislike intensely; have to share the same space- it can make life extremely uncomfortable and negative.  I guess I only have myself to blame: I have been spending so much time and money on others, I have neglected to put myself first.  January and February will see an unadulterated hunt for ‘my own space’- somewhere that I can go to- and get away from the unhappiness of home.  As much as I hate (living at home), I understand that I am lucky: there are many out there that do not have a home.  Shelter is a charity that helps to look after the homeless: raise awareness and funds to help reduce a massive illness.  Around Christmas-time (the issue of homelessness) comes into sharp focus: the gap between the homeless and the ‘fortunate’ increases hugely.  When walking around town; when going to London, I always become saddened- there are so many ‘living rough’ and struggling.  Few of us can comprehend the realities of street life: having to bunk in a doorway (or a cardboard box), exposed to the elements- suffering the vicissitudes of public ignorance and scalding tongues.  Whatever leads (to a person) becoming homeless, it seems unnecessary- something must be done.  Each year this country becomes fuller with ‘new life’- quite needlessly, in fact.  In a country that is too crowded and suffocating, I always become angry (when seeing babies and children)- everyone is entitled to procreate, but this nation is not getting any larger and more accommodating.  Considering the number of poor unfortunates (languishing in gutters and alleyways); it seems staggering that we cannot control our population- ensure that those who already have life have somewhere to live.  It is one of those infuriating problems (that seems to be so simple to solve)- so why do not have the remedy?  Charities like Shelter are doing marvelous work: there is still too much to be done.  This brings me to my second point…

One of my biggest regrets (from this year) is not having done enough for others- in fact, it seems, I have done nothing but (give to others).  Aside from supporting new musicians (which is one of my favourite activities) I have been too concerned giving money, time and material gifts to people- or just spending too much money on too many people.  I have realised I can do more good by doing more for charity- doing things for people I do not know (that have less than me).  Earlier this year, I launched a campaign for Mind- an idea that I hoped to get people engaged and talking.  It was a concept that was taken up but a few lovely people- by-and-large it fell a bit flat.  Infuriatingly, Mind themselves failed to promote the idea- God knows why.  For the sake of ‘retweeting’ or sharing (on Facebook), it could have been a big success: they shared so many ‘minor’ charity posts; and completely ignored mine.  It is annoying when a charity does not perform due diligence: take a few seconds to actually help promote their own cause.  There is no guarantee that Shelter (will take to my idea any more vigorously); but I am hopeful- I am hoping more people get involved this time around.  In the coming year I am going to run four half-marathons (the first one is in March); get together my concert (in Chelsea; probably later next year- when finances dictate) and do as much for charity as possible.  There are a lot of people I know that feel the same as I do: the scourge and hemophilia of the homelessness epidemic (is in no danger of being curtailed and slowed any time soon).  With that in mind, here is my idea…

One thing I realised about Time Out of Mind (my Mind charity idea) was it had one stumbling block: the need for (the participant) to be creative.  It sounds cruel, but the average human is lazy and pretty simple-minded- if something is not easy to do; most of the time, they will not do it.  The reason that (the dreaded) Ice Bucket Challenge resonated, was its simple-minded appeal; its lack of any innovation or complexity- it was something even the most facile and bone-idle human could do.  I have reservations about that concept: it was an idea that seemed flawed and weird.  My reservations aside, it did what it was intended to do: raise money for a noble cause.  Although that ice-drenched fad has succumbed, its legacy remains: people seem to be more charity-minded (than they were this time last year).  This new idea (for Shelter) involves no iota of creativity- it is music-based and, well… fun.  I will be ‘getting the ball rolling’ later- showing people how it is done.  Effectively, this is what happens:

The user will compile a mini-playlist on YouTube (consisting five songs).  You would create a new playlist- and call it ‘2015’.  Within that playlist, there is an option (at the top of the page to ‘Add a description’, where the person would type the following:

  1. Your favourite song
  2. A song that makes you reflect/put you in a better mood
  3. A song from your favourite album
  4. A song you wish you had written
  5. Your favourite track from 2014/A track perfect to kick-start 2015.

Underneath, you paste the link to this blog (copy and paste the U.R.L. from the top of the screen).  Underneath that link, copy this (link to the Just Giving page): https://www.justgiving.com/Sam-Liddicott5/

After that is done, it is down to you: go select your music.  Ensuring that the songs are in numerical order- as listed above- everyone would compile their own playlist.  When a song is added to the playlist, there is an option to ‘Add/edit note’ (hover over the track; there is a drop-down that says ‘More’…).  From there, you would type 20 words (for each track) - either explaining why you have chosen it, or what it means to you.  When it is all completed, there will be five songs chosen; each with twenty words (ascribed alongside).  We are all doing this for one cause, that is why it is called 2015: 20(words)1(cause/goal)5(songs).  Not only does this idea get people to get engage and think about their favourite music- it is a great way to share new music.  Whether it is a song (that nobody has head) or a new band/act, it is a good way to highlight a terrific act- song choice number 5 gives the user a chance to bring a sapling act to the public attention.  We will all get a chance to share some great music an above all, donate.  The most important thing is (is that) the individual donates (by going to the Just Giving page).  I know we are all strapped and clean-picked after Christmas- and its financial woes- but you needn’t donate much- even a pound is a great start.

Once the playlist is completed (and all the pertinent info collated/displayed; money donated), it can be shared to Twitter and Facebook.  First of all, you need to copy and paste the U.R.L. into (Facebook or Twitter).  Then, you nominate three people- to help keep the momentum going.  It may look something like this

https://www.youtube.com/playlist?list=PLHuzJLVjHOwlJ285KRIIt45ETnn1Pip95: I nominate (1), (2), and (3).

Once you have posted online (and nominated your three people) those people have 48 hours to do likewise (and in turn nominate three other people).  It works exactly the same way as the Ice Bucket Challenge- it is the most expeditious and smart way to get a lot of people engaged quickly.    You do not need to be nominated to take part- anyone can take part; any person can get involved.  The two most important things are, 1) DONATE and 2) the people (nominated to do the challenge) comply.  One of the most galling parts of Time Out of Mind was the lack of momentum- the people I initially nominated were brilliant; the people they nominated less-so.  For that reason, it sort of lay there like a dead horse: I guess it is an idea that will take a while to ignite.  I hope that more get involved this way: this concept relies less on creative input; more on simple music selecting/sharing.

You may ask: what does this have to do with Shelter?  It is a fair question, seeing as the challenge does not involve homelessness or trying to touch upon the experiences (of the homeless).  It would seem insensitive or hollow trying to do that; hard to unite a mass audience around something involving homelessness.  Mass appeal and success relies upon the twin pillars of accessibility and ease: making it simple and basic.  That is about it I guess.  I hope that this concept goes global: I see no reason why not.  Of course, it may be asking a lot: so long as it gets a few of us here (on social media) consciously connected and engaged- that is something!  I will start things off later today; I will nominate three people (to take the next step)- I hope that we can get something working.  Share some great music; share some terrific new sounds; but above all, put your pennies the direction of Shelter.

Whilst I long to find my own space- away from the head-aching stresses and upsets- many others do not have the choice: the streets and doorways are all they have to aim for.  Let’s raise some money; help a great cause out- and reduce a widespread (and avoidable) problem.  Take a few minutes to write 20 words; for 5 songs; for 1 common goal…

TO get 2015 off to a great (and charitable) start!

 

Goodbye, 2014: Hoping for a better new year

Goodbye, 2014:

 

 

Hoping for a better new year.

 

 

THIS past year has been a pretty dreadful one- even by my standards.  After suffering a car crash six weeks, I find myself in pretty bad financial state.  It looks as though I will not see any money come by way (from the other party)- having had to pay over a grand of my own money, the punishment keeps coming.  After having to schedule a medical appointment (in relation to the accident), I will be charged a ‘cancellation fees’- which will put me into debt.   One single and stupid event has cost my so much- not just financially, but emotionally (and physiologically).  This year has also seen my lose a very dear (online friend)- over something very stupid and baffling.  I have had one of my worst years of depression- helped in so small part because of recent events.  Being in a job (that is causing a lot of stress and dissatisfaction), I find myself looking to 2015 with a sense of… skepticism.

Aside from getting a lot of support (from my family), music- and my music-producing peeps- have given me the most fulfillment- and satisfaction.  I am not sad to see the back of 2014, as it has been a pretty disappointing year.  On the plus side, I am determined to change everything in 2015- and I mean, EVERYTHING.  I have not put any of my music to tape; not collaborated with any musicians- that will change.  I have a ‘wish list’ (of people I want to work with); a song (a very big one) I want to get produced- and of course, get a band together.  It is time to stop thinking so much about other people- if recent unfortunate occurrences have shown me anything, you get screwed over.  It doesn’t matter how much you give and give- someone will take that spirit clean out of you.  Sitting with a pile of stress and (a severe lack of money), it is time to burn the remnants of this year- start fresh and learn from it.  I am going to focus more on myself- whilst continuing to give to others.

When all the debts, costs and sacrifices are tabulated- it is time to start doing things differently.  I am determined to stop working just for the hell of earning a wage- do things I actually WANT to do with life.  Get music made; get ambitions realised- start focusing on better things.  I hope to move to London (or closer to it); see some of my online friends- head to Yorkshire for a start.  I am not one for making ‘resolutions’ (when we approach a new year) as they are cliché and insincere.   It would be nice (if 2015) gave me the following (and helped me achieve…)

Record at least one song

Form a band

Visit as many online friends as possible

Move to my own place

Stop being single- it gets annoying after a while

Stop putting everyone else before myself

Complete four new half-marathons (for charity)- in addition to fundraise

Get my charity endeavours and projects launched to a wider audience

Manage my depression and try to keep it under control

Be braver and less reserved- being bold can lead to some good things

Punish those who punish me- not letting people and things screw me over

Promote new music and help my music friends- as much as I can

Try and get my Psychoacoustics business ideas started

And…

Well, you get the idea.  I am more than fed up with losing out; getting knocked down and kicked.  It sounds like I am on a total downer- this year has seen a lot of good.  I am so glad that many of my music friends have managed to achieve success- so many of them have made some big strides.  Seeing other people succeed (and do so well) has given me a lot of pleasure- I hope that 2015 is huge for them!  If I can achieve a few of my ‘goals’ it will be a massive achievement- I feel this year has consisted of setbacks and day-to-day grind.  Whether- realising my goals- involves poverty and illness, I will make it happen.  Positivity and (focusing on me) is the way forward- it does not mean abandoning others.  I think getting the balance right; taking risks and being bold- THAT is the smartest thing to do.  Karma and equality do not exist- they are mythical concepts expounded by people that want the universe to ‘level the score’.  Life doesn’t work like that- reality exists; the universe plays no physical hand in anything.  I have accepted I will experience misfortune and sadness- although hopefully less than this year.  The only way to obtain satisfaction and self-fulfillment is to take gambles; go out and get it- not expect others (who should give back and appreciate their lot) to do the right things.  It may not go exactly ‘according to plan’; there may be some roadblocks and delays- but the ambition is there.  Being stuck in a rut is sucky; losing so much is horrendous- why would you not want to change that (whatever it takes)?  I hope that others (and those reading) have their eyes trained to the next year (and aiming for bigger things).  If you have had a bad year- make a list and set yourself targets; look ahead and make 2015 so much better (than this year).  If you have had a good year, then keep the momentum going- and get stronger and more assured.  I am looking forward to focusing more on music; following dreams- and stop living a boring, buttoned-down and frustratingly (pointless office life).  To hell with 2014- let’s start to plan for an exciting new year.  This time next year, I will post another blog- I hope to post lots of great news.  It is ambitious stuff, but I have always been that way- it is so much better than being boring and ‘realistic’.  As I make plans; try not to let financial woes dictate things- it is a good time for others to reflect.  I know that next year will be a much better one; a more productive one…

A more musical one.

Psychoacoustics: A One-Stop Music Venture

Psychoacoustics:

 

A One-Stop Music Venture

 

______________________________________________________

With social media stagnating; the music industry showcasing fewer surprises- perhaps a time for change (is required).  Short of looking for a big money opportunity; Psychoacoustics is a way to bring musicians together- and ensure a community for all

 ____________________________________________________________

OVER the past few months, I have been neglecting music reviewing: seeing it as a bit of a dead-end junction.  It was great to begin with- I felt I helped a lot of artists- but after a while, the whole thing became unsatisfying and stagnated.  My own music ambitions have come to the forefront, and I find myself becoming more forward-thinking and far-reaching- aiming high and (formulating some) rather big ideas.  Music-making and writing is my biggest passion; singing my all-consuming obsession.  I am looking to recruit a band that is less all-male- more Fleetwood Mac (with a couple of girls; a few boys to create a more diverse and richer sound).  I have my ideal band in mind; the songs practically written- the seduction will be forthcoming.  One of the things I find- when looking for band members; writing songs; trying to make things happen- is how hard it can be (to achieve rather simplistic goals).  In the last few weeks, I have been engaging more in charitable endeavours; donating time and energy to some worthy causes- something that will augment and multiply in the lead-in to Christmas.  One thing that is frustrating is how hard it is to coalesce (music, charity and recruiting) together; make life a lot easier- get people involved.

When trying to get people involved in charitable avenues; getting funds and awareness raised- it seemed like an uphill struggle.  I know there are some good and loyal people out there- those that are always keen to help out and do their bit.  The trouble is; it is near-impossible to engage and motivate large sectors of the online community.  Music is something that compels and seduces nearly everyone: that force of nature that is universal and free for all.  In addition to formulating my own music; I have been thinking of a way to get everyone together- tying various threads into one idea.  As Virgin do; the idea is to have an organization with several strands- but not doing everything for profit and money alone.  I have no interest in being a millionaire and wealthy- it is not something that interests me in the slightest.  The aim of Psychoacoustics is to have a name that promotes music alone- yet has a business mind; an ambitious and multipart logic.  Whereas music-making takes a bit of money; a bit of input- a business venture (like this) takes a tonne of each.  It may be an uphill struggle, yet I am passionate about making it a reality.  Below are the various ‘sides’ to the business- what Psychoacoustics will consist.  Most of you are probably aware of a few of these (in other blog posts), but here they all are in one place- how considerate, huh?

THE CHARITY:

The final tentacle of my five limbed squid is a charity: a benevolence that helps to prosper musicians, and non-musicians alike.  Let me elaborate.  There are a few charities around which aim to provide funds to the new musician- not many mind.  The idea is to filter and tribute the profits and finances gained from the other arms of the business, and funnel it into the charity.  Of course it will not receive ALL of the profits: there is staff, expenses and other costs that need to be dealt with, yet will (hopefully) benefit from a sizeable chunk of revenue.  The charity will aim to provide funding to new musicians: those struggling, as well as those finding it hard to fund their projects.  In addition, finance will be assigned to worth music-related projects: invigorating struggling venues; providing support to record labels as well as independent record shops and larger chains alike.  Aside from music digressions, it will have an intention to provide support to a multitude of other charities.  The idea is that an assigned percentage of donations will go to charities, such as cancer charities, those whom support the elderly etc.; yet will also aim to benefit many others.  I would hope that the charity could entice established as well as new musicians to act as ambassadors and supporters: who would help to raise funds for the charity- as well as raise awareness for worthy causes.

All of us have experiences tragedy of life: either first hand or indirectly.  Whether a relative has died of cancer, or a local business has faced ruination; there are many things and events that can shape a human being for the worst.  Of course we have established charities and great causes, yet few that are music-based.  It is hoped that not only Psychoacoustics’ profit-share benefit a multitude of charities and ventures; but it would inspire multinational companies, organisations and huge bands to kick in some funds; help raise revenue and assist in rejuvenating people, causes and lives.  There is a lot of focus based around self-involvement and self-enrichment; yet small mind is paid towards those less fortunate.  This would be a way of helping to raise money, yet also be involved with music and musicians.  The idea is that the charity would have a website and you could pledge an amount.  Like the Psychoacoustics website, one could download and access music- at a cost; the idea being that as well as purchasing a track or album a small amount would go to the charity- thus benefiting the associated musician as well as others.  Gigs would be organised and events (runs, bake sales etc.) would be hosted; with the intention of encouraging as many different people- from all around the world- to donate their time and effort to symphonise a more stable future.  Who could object?

THE RECORD LABEL:

Named Psychoacoustic Records, I am determined to create a small record label that will give a warm home to some great talent.  In my previous role as music reviewer, Scottish band Universal Thee was one of my favourite ‘subjects’ (see them at https://www.facebook.com/universalthee).  I have been communicating with their lovely members James and Lisa Russell for a while now; having been bowled over by their brilliant and original sounds.  Between the three of us (as well as the band as a whole) we summated that there is a lot of great talent that emanated further north- Scotland especially.  Most of the musical money; including the big labels etc. are based in and around London.  I have been blown away by the sheer quality from bands such as Universal Thee- a stunning band that is starting to get the attention they deserve!  In addition wonderful bands like Issimo (fronted by the phenomenal lead Abi Uttley, and multi-talented wonder Marc Otway), as well as talent such as Nightwolf, Katsuo, Lisa Marini, Steve Heron and Jade Barnett have been featured amongst the pages of my blog.  I have mentioned these illustrious musicians as they are the epitome of the modern-day idols: those nauseated by the cheap X Factor fakery and noxious fame; talents whom let their voices do the speaking and are deserving of a huge audience.  They are all going to be huge one day very soon, and it is artists such as these I am trying to recruit.

Of course there are hundreds of small record labels- some fail; some succeed- that are trying to do the same as me.  I want to set up a label not restricted to the U.K.  As much as I want to entice the likes of Issimo, Universal Thee, Steve Heron etc. to the books of P.R.; I want to look farther afield: to the U.S., Australia, Europe and Africa- aiming to help those who have a stunning talent, and need a record label to help them out.  I have been speaking with, and reviewing for, Phil Cass’ brainchild, Cuckoo Records: http://www.cuckoorecords.com/.  With the help of a couple of his friends and music colleagues, he has raised and built up a brilliant Yorkshire-based music label.  They have some stunning talent on their books- including Cisse Regwick, Annie Drury and Raglans- giving a voice to some superb northern (and Irish) talent.  There are precious few southern/London-based labels that share the ethos of Cuckoo': encourage a wide range of genres and talents; with the intention of sharing their brilliant sounds to a wide audience.

In conjunction with the studio (below), the label would initially attempt to attract a dozen or so local artists.  The long-term aim is to tie and bind international and local acts under one roof: to provide assistance (both financial and creative) to the patrons and participants.  Not only that, but provide opportunities for the acts to work with each other and generate publicity and gigs for each other too.  It is hoped that I can find premises either in Surrey or London- but I will mention that more later.  There are a lot of merits one can assign to and ascribe, with regards to the big labels.  They provide a home for some superb artists, yet I feel that too many have limited quality control.  I don’t want an X Factor/The Voice parasite in the team; no generic and faceless U.S. act: just concise and staggering bands and artists.  Bigger labels such as Rough Trade are the exception that proves the rule; as it seems that there are few smaller labels that have their voices heard.  I hope those labels can kick the dust aside and break through.  I want to assist them, and work alongside them.  I have an idea for a band of course, and it seems logical to parabond the twin desires of music-writing and talent-hunting.  I have an idea for a logo; I have some names I want to approach; and have a location in mind- who wants in?

THE WESBITE:

Idea of the site:

There are quite a few music websites at the moment, between the iPhone, Facebook and the Internet. Most of them offer roughly the same things- music sharing, free downloads, and Internet radio access. There are a lot offering the same things, and quite a lot of things are not being considered. The idea of Psychoacoustics, is to pull all the existing qualities of these sites, together, as well as offering new features, and great networking opportunities- for free. The plan is to top Spotify, iTunes and the biggest sites, by offering what they do, plus much more besides. Specific areas and pages on the site will be named after musical figure, albums and events. For instance, a lyrics section will feature Bob Dylan’s name and be themed around here. It is sort of like a music Disneyworld- different zones and characters. This makes it more interactive and interesting than most music sites and is engaging.

Interface:

By accessing www.psychoacoustics.info, (website currently under planning/construction), you will be able to access the site. From there, there will be a home page. On the home page is a main design. It is an animation of a studio, called Psychoacoustics. It is designed like Abbey Road, and there is constant movement on the page. There will be a bank of about 200 different musicians, who will walk into the page and interact with each other; leave and enter the studio, and keep the user amused. The icons as well as the animation will be colourful and interesting and better designed than most of the music websites out there. The icons and options displayed on the homepage are as follows:

Chat:

There is a chat/Skype option where you can interact with any of your contacts or friends. This can be done via a Facebook-style message service, or Skype. When you add contacts- like Facebook or Twitter- you can chat with any of them at any given time.

Mail:

Your personal inbox; you can mail your contacts, as well as any musician or venue.

Search Engine:

This is a bespoke, specialist search engine. It is similar to Google but responds to questions and searches effectively, returning only relevant websites. It also can record via and audio, so if you were searching for a song title or name of song, it would be able to locate it. The search engine is able to answer specific music questions and ties together information and resources from Yahoo, Google and Bing.

Updates/Events:

This is a diary of important music events and updates specific to the user.

Music Player:

You will be able to create a playlist or jukebox of up to 2,000 songs.

Personal Profile:

You can create your own avatar, and enter all of your information. It is similar to Facebook, but more detailed, and upload photos, videos, and designs. I will go into more detail later, but on your personal profile, is all of your information, favourites, and links. The profile works like Twitter and Facebook but more in depth with fewer faults. I have described the social side of things in a previous mail.

  1. Studio and Rehearsals:

This is an animated studio and rehearsal rooms (about 3 studios with control rooms and one rehearsal space). Unlike sites where there are a list of features, you access the features via icons; so for instance you would click on a T.V. or a guitar to access the relevant feature. The tab on the interface is red, and will consist of different shades of red. The specific names and designs for each feature are to be decided, but are as follows:

Music video:

Here you can pitch ideas for music videos to bands, acts and labels. You can protect your idea and sell it for money or use it to gain points and exchange for a reward in the future. There is also a music video store, where you can access any video from any song, and search by genre, artist or time period. Also, there is a software where you can put ideas into and create videos through animation, film or various other techniques and apply them to your own songs.

Album cover:

Here you can view any album cover, and search for it like the music videos. The features here allow you to design covers using animation, photography or a photography edit where you can mix and edit images and merge together to create incredible designs. From here you can publish them or share, or pitch ideas to bands looking for ideas.

Photography:

This is like Instagram where you can upload photos or designs and edit them, using hundreds of options. Here too you can search for photographers and view images, websites and famous images from music history.

Music video player:

This utilises YouTube where you can view music videos for free and have a favourites list, or share the video to social media.

Song dissect/mix:

On this page, you can take any song- from rock to classical and dissect it. You can see what notes are played, and what instruments are played. This helps when writing songs and can learn easily about music. Also you can take sections of various songs and mix them together, and edit the sounds to create new songs.

Entrepreneur:

Here there are guides, links and ways to set up your own record label, festival, or music magazine. You can interact with others online, and get funding in order to set up your own business, and then network on site to attract users and business. Also you can invent new music ideas and instruments; design them on this page and pitch them.

Broadcast:

There is a software where you can design and broadcast your own podcast and radio station. Broadcast over the site or YouTube, play your own songs and broadcasts and get fans and followers as well.

License:

On here you can sell songs to T.V. and film companies and productions.

Band sites:

I will explain more on the registration but when bands and artists sign up they can create their own website and include a wealth of information, and make it easy to promote and get fans.

Sounds:

This is a sound library with thousands of sounds, effects and mixing options.

D.J:

If you are a D.J., here you can mix tracks, scratch and broadcast your own set, via the site and promote your gigs.

Home Studio:

This is a software where you can record vocals, instruments and effects and then send your songs to fans or broadcast the tracks online. There is also software for tuning instruments as well.

Recording and Production:

This allows you to record songs professionally and easily, and provides every technology a modern studio would. You can record vocals and instruments, mix and layer them, and create a professional sounding track. From there you produce the tracks, and broadcast them, and burn them onto C.D. It also allows for album covers to be printed and gives links to sites where you can buy C..D. case and additional software.

Rehearsal and Live Room:

These are simulations of studio spaces where you can play live or rehearse. Via Skype you can jam with the rest of your band or solo and be seen by contacts and have your performance saved and shared. There are options for recording. There are guitar, drum, piano, vocal and orchestra options where you can simulate any guitar or piano etc. and get the most realistic sound possible. Unlike software where it is flattering, here you have to know how to play. Like Wii it reacts to touch and you can simulate yourself playing, as if it were real. From there you can either mess around or record the sounds, or join with others or your band members, and jam together. You can tune the instruments and it is as good as the actual instruments. You can do the same with vocals and record as many tracks as you like, and access different mics, and effects. It is able to work with recording so you can record full songs and albums using this. it is not to replace real life but more act as an easy way to share and record demos for when you are in the studio.

  1. Bar and Venue:

The venue is downstairs of the studio and the bar upstairs. It is animated like the rest of the site and acts as a portal for socialising and broadcasting. The tab for this is green and appears with different shades of green on the interface.

Radio player:

You can access tens of thousands of digital stations from around the world and stream them live, as well as access archive broadcasts and songs.

Links:

There are links to all music magazines and publications, as well as music websites as well.

Donate:

Like PledgeMusic where you can donate to get album made, and respond to pitches. Artists can offer rewards or treats, and get a % of funds raised. Can network and swap and record vocals or write as well.

Share:

Due to revenue coming from advertisers and labels, the site can pay royalties to artists whose songs are downloaded, and means that songs can be downloaded free, but artists get paid.

Food and Drink:

Links to music venues, as well as music bars and cafes, anywhere in the world, and you can get alerts of any local to you as well as any events that are happening, and share them on the site.

Leagues and Competitions:

There are various leagues for new bands and directors etc. that are updated and points given to the winners. These charts reflect download amounts, most hits as well as popularity too and there are leagues and competitions for new and unsigned bands.

Music Fantasy League:

This is like football fantasy, but you choose a 5-piece band. You have to choose at least one drummer, and one singer, and can choose from any musician from history. You also select 2 songwriters as well and an album and song. There are various points awarded to each depending on how many times they have been downloaded and mentioned, and there is an overall league that updates each week.

Read and Write:

You can publish blogs and reviews of bands and gigs, and albums and publish them and share them, as well as gig reviews and album reviews.

Social:

There is a dating website and connection site for musicians, as well as connect and promote music charities. There are event postings and updates for your local area as well as internationally. You can also tie all of your contacts and friends in from other social sites into this one.

Connected:

Once you have created a profile you can search for potential band members or venues. When bands or acts register, like a dating website you answer various questions such as favourite music, bands and albums. If you are looking for someone you can either type in a search and the site matches people for you, or you can click on a map. From here you can click on any country or city and search for any member located in that area and contact them. There are sections where you can connect bands and venues, labels to acts and band members and bands together. If you make a successful match, you gain points that can be exchanged.

Actors:

This links actors to bands looking for people for music videos, and also can join actors together, who can share links and tips with regards to music, and best contacts and agents.

Contacts:

I have explained all of the social side, but the site works more like Twitter where you can ‘add’ any band or musical act, and follow their progress and updates. There is a LinkedIn style site too where you can connect with employers or contacts and build up a network of fans and followers which gives you greater opportunities.

Live:

You can broadcast live shows and gigs and stream concerts here and share them.

  1. Living Room:

This tab will appear shades of yellow. The living room will consist of a sofa, chairs, jukebox and notice board as well.

Music download:

Like Spotify, you can download any track for free, and either play them, or create your own playlists and sections. You can compile songs into albums and burn a C.D., or you can share songs via your phone or social websites. There are also links to Spotify and iTunes, as well as music apps too.

Promotion and Distribute:

You can listen to recommended music depending on your mood or find any new music depending on your tastes. You can then share them via social media, or you can promote new bands and artists, and share acts with promoters and venues, as well as labels. It works like ReverbNation but more in depth, and gives tools to find new music, as well as share and get your own voice heard easily.

Jukebox:

You can have a playlist of up to 2,000 songs, and play them, whenever you like.

Reference Library:

You can view information about every band, artist or album released. It is like Wikepidia where you can find out anything about music, and gives info about bands, videos, links and merchandise; which allows you access to new music, old music you may have forgotten about, and can access any information whenever you want.

Music Trends/Stats:

There are tables and graphs that show music trends, sales figures and stats relevant to you, that are updated daily.

Charts:

These are all of the charts from home and abroad, updated weekly, with links to all of the songs featured.

Search engine and lyric finder:

The search engine is also available here, but is a lyric finder, where you can type words or lyrics and it finds the song. Also you can input audio or video if you are unsure of the song or artists, and it will find out for you.

Pitch Zone:

If you have spare lyrics or ideas, you can pitch them and trade them with artists. You can earn points for anything that is bought from you, and you can pitch and find ideas for songs. Also you can pitch music, so if you have no lyrics you can match them, and also collaborate with people on site and join your music and lyrics together. From there you can create songs together and share them.

Music Notation and languages:

There is a software where you can learn music and translate your music into musical notes, so that it makes it easier to write music. There is a link to a language site where you can learn any one of 30 different languages for free. This makes it easier to communicate with international contacts as well as write and sing in a different language.

  1. Bedroom and Kitchen:

This tab appears as different purple and the bedroom has a bed, wardrobe and table, T.V. etc.; the kitchen is a smaller room connected to the room.

Updates:

You can access all of your updates, information and messages here- as well as directly from your personal profile.

T.V. zone:

This allows access to dozens of music T.V. channels as well as archived videos and shows as well, and relevant T.V. shows and performances.

Links:

There are links to music teachers, studios, websites and bars and venues; everything anyone could want.

Creative Zone:

You can chat with anyone; share ideas, stories, gig reviews as well as photography and videos etc.

  1. “Acoustic Vinyl”:

This is a specially designed shopping site. The animation is designed like a large Rough Trade store and the tab will be a specially designed one.

Music:

Search by genre, period or artists and find music from them to buy. It pulls together Amazon, iTunes and all music websites so you can compare prices for the album and gives you the most choice you can imagine.

DVDs and Merchandise:

You can search for DVDs and merchandise from any band. This gives you links to shopping sites as well as band sites, so again you can find the best deal.

Others:

You can purchase band and festival tickets, music books, apps and instruments. You can also purchase gift cards too.

Stores:

There are links to shopping websites as well as info for independent stores, with website and address details.

  1. Join/Log-In:

This tab is in shades of black and grey.

Registration:

Different registrations. For casual user, browsing, solo, band, promoter, venue, label and other. They ask for different details and different lengths but all very simple and easy.

Log-in:

It allows a simple log in and a feature where you can log in to all of your music and social accounts at the same time.

  1. About Us:

This tab is going to be detailed in shades of orange.

Studio history:

There is information- fake of course- of how it was set up in East London in 1969, and the story behind it. There is a ‘mock’ Vevo-style video and video history of the studio and founders. It is comical and is also like a guided tour.

About the site:

This is a serious description of what the site aims to do and how it will evolve.

Press and links:

This displays any links to relevant sites and partners, as well as software sites so you can create your own music website.

  1. Music Player:

This tab will be in shades of blue. This ties together all of available and your downloaded music so you can play it on-going and create smaller playlists.

  1. Advertise With Us:

This tab is in shades of pink.

Adverts:

This is a separate page where all adverts from sites, and venues can be displayed. This means it doesn’t interfere with your profile or browsing but can access it any time from this site. Advertisers and sites pay to be published on the site. There are contact numbers and an online form if you want to advertise or subscribe.

  1. Contacts/Links:

This tab is in shades of whites and grey.

Contacts:

This details all e mail and phone contacts for every department.

Enquiries:

Up to 6 different contact email and phone numbers depending on the query

Address:

This is the address of the H.Q. and map.

Social media:

This gives links to the Twitter and Facebook sites, as well as YouTube.

Feedback form:

Provide feedback on the site.

Suggestions box:

If you have any ideas for futures or designs, then let us know and will take into account.

FAQ and Troubleshoot:

If you have trouble with any part of the site there is support. Also an FAQ if you have a question and can report abuse or any issues day or night.

THE BAR/CAFÉ:

Logo:

The logo will depict a gorgeous woman in a black dress.  In her left hand is a blue rose, whilst in her right, is a microphone.  There is a microphone stand in front of her, whilst we see a spotlight shine to the side of her face; whilst drops of rain are overhead and on the other side of her face.  She has brown fair and green eyes, with red lipstick.  To the side of her is a gramophone, as a vinyl plays.  She looks focused but relaxed; enjoying and entranced by the music playing.  The main logo will be centred, whilst either side of the logo will be ‘Psycho’ and ‘Acoustics’ in red lettering.  The letters will be in a stylised font, but easy to red; with the letters bordered in white to give a modern and striking design.

Intended Destination:

Hoping to have the premises located either Piccadilly Circus, Covent Garden or Soho.  Due to the size of the building it will need to be located in these areas; and are also locales that attract huge amounts of tourists and attention- providing the most possible custom.

Building:

Inspired by Café De Paris, the building will be very large as well as decedent.  The premises will comprise two floors; with the intension of each being large enough to contain all the incorporated properties of the business (see below).  Hoping to have it opened no later than 2018.

Opening Hours:

Mon-Fri:

8am to 12am.

Sat:

8am to 12am (when gigs are performed it will be extended to 1am).

Sun:

9am to 9pm.

Staff:

Around about 50 in total.

Policy:

It will be over-16s only: no babies or children allowed.  Dress code is not strict and open to the public.

Funding:

I know of websites similar to Kickstarter that provide funding opportunities for businesses.  I hope to pitch a business plan and raise as much of the funding from there.  Aside from a business loan, I am hoping to raise as much of the remainder of the funds myself.  I am not sure of the exact cost of the entire business, yet hoped that over the coming few years the entire amount can be raised.

Ground Floor:

Bar and Kitchen:

As you enter, to the left of the premises is the bar.  The bar will be very modern with a wide and long counter, in order to allow maximum custom.  The bar logo will be emblazoned above the bar, and will be unique.  As well as serving coffee (and tea, hot chocolate etc.) alcohol will also be served.  There will be a range of beers, wines and spirits- as well as an extensive cocktail menu.  The menu will be extensive.  There will be breakfast, lunch and dinner options- with a dessert menu.  The range will include British, American, Mexican, French, Chinese, Thai, Italian, Australian and Spanish food; from savoury to sweet.  The kitchen will be next to the bar, and will serve food from opening through to close.  There will be themed dishes and cocktails that will incorporate band names, lyrics and album titles etc.

Seating: 

There will be a large amount of sitting, to accommodate around about 100 people.  The seats will consist of sofas, leather sofas and chairs, as well as wooden chairs.  It is designed to be a relaxing and comfortable environment; it will not be cluttered or compacted- space and openness is a huge key.

Jukeboxes and Speakers:

This is one of the main features of the business.  The music will be the epicentre of the bar/café, and will be a constant.  As you enter, to the left and right hand corners; to the back left and right corners; as well as in the centre, will be two digital jukeboxes.  It will be free, where anyone can select a song.  There will only be allowance for one song per customer; with a continuous playlist being selected.  The jukebox menu will be interactive, so you can select a song by searching; or find by genre/decade etc.  There will be access to over 500,000 songs, and will include every genre and style.  There will be screens in the centre of the room (overhead) that will show which song is next- running order etc., and everyone will be able to hear the music.  There will be four speakers suspended from the ceiling- on each corner of a chandelier.  The music will not be so loud that you cannot converse, yet will be crisp and true.  Using latest technologies it will be possible to blend the sound of music and conversation so that neither becomes too distracting.

Stages:

As you enter, to the right hand side of the building is a small stage.  It will measure 15 by 20ft, and will host intimate performances.  At the back of the building will a main stage.  It will be 25 by 30ft, and will have a retro feel.  There will be a blend of modern, gothic and American; giving the stage a unique feel.  The stage will host larger gigs; whereas in front of the stage, will be an orchestra pit that can host 30 musicians.

Décor:

The décor will be a main attracting.  On the walls will be paintings and landscapes depicting famous album covers, music photos, as well as band portraits and designs.  It will encompass a large range of artists and there will also be canvases on the wall.  There will be modified street signs and portraits, giving it a retro and classic feel all at once.  There will be a white wall as well, where lyrics can be written and designs drawn.  The entire interior will mix modern and vintage, with artefacts and designs reflecting this.  It will not be like Hard Rock Café where it is a sort of music museum or attraction; it will be subtle and will play second fiddle to the key components.  Overhead will be several chandeliers as well, providing a romantic feel.  At night these will be on, and soothing lighting will bathe the interior.

Access:

There are two methods of access from the ground to upper level.  There will be a staircase to the right of the entrance; in addition there will be a small lift giving disabled access (and to allow transportation of equipment, stock etc.)

Upper Level:

Store:

This is a store with Rough Trade in mind.  The store is split into different sections.  There is an extensive store that offers music by genre, decade etc. and has a large stock- similar to HMV’s largest stores.  As with the lower level of the bar, there are paintings, designs and artwork on the walls- and ceilings.  There is also band merchandise and memorabilia, signed memorabilia, as well as musical instruments.  The idea is that there is everything under one roof that a musician, music fan or music lover could want.  There is a charming décor that mixes ’90s Seattle, modern-day U.S. as well as Rough Trade.  It is homely as well as modern and cutting-edge.  As well as being an all-inclusive store there is a profit-share initiative.  Schemes will be set up to allow a small percentage of profits going to independent record stores, as well as local bands.

Charity Office:

There will be a small office, next to the store, which will house the Psychoacoustic charity.  It will employ around 10 people, and is a charity which aims to raise money for musicians, struggling bands and children from difficult background persue their goals.

Consoles and screens:

This will incorporate everything from the Psychoacoustics music website: http://musicmusingsandsuch.wordpress.com/2013/10/.  There will be about two dozen consoles arranged within the middle of the floor.  These allow direct access to the website.  As mentioned, the website aims to make it simple to create music, music videos; collaborate online and distribute music.  It incorporates all of the best features of the major music websites, and offers so much more.  People will be able to access the website through the consoles.  There will be two large walls which will display music videos, or can alternatively project images from any of the consoles- for instance is a music video has been created, it can be instantly projected.

Studio:

Dominating one half of the level will be the studio.  It is a medium-sized studio that will offer all the benefits and technologies of the biggest studios.  It will encompass a studio, rehearsal room, control room; as well as lounge and bedroom.  There will be an in-house engineer, producer and representatives and offer rates that are very competitive.  The hope is that is will appeal to new bands, but also drag in big names and established acts.

Garden and Tranquility:

In the center of the level will be a small garden.  There will be a water feature, as well as plants; aimed to relax and inspire.  There will also be a balcony that will provide a small garden as well as seating.

Décor:

There will be chandeliers as well on this level, but a more toned-down feel.  There is impressive lightning and a warm and relaxing vibe.  Again there will be leather chair and sofas- located near the consoles.

THE SOCIAL MEDIA WEBSITE:

In conjunction with the music website (itself); the website is going to be different from the likes of Facebook and Twitter.  Although I use both; I find they have huge limitations and drawbacks- primary among them is the emphasis on irrelevance and self-indulgence.  We all love to have a good vent; to put our thoughts onto the page- the Psychoacoustics site is all about music- nothing else.

Design and interface:

The home page will be designed like a hotel building.  It will consist a building with rows of windows- you can see a lift running up the middle.  The sign at the top of the hotel will say ‘Psychoacoustics’- it is a simple design that is easy to read and clear.  There will be 16 windows in total.  At the top left will be the most recent post/update- the bottom right will have the oldest.  Unlike Facebook, there will no adverts; no poor layouts or needless icons- it is efficient and organised.  Running down the left hand side of the screen- going vertically will be: Mail; Updates; Search; Map and Favourites.  Down the right will be Chat; Contacts; Profile; Events/Gigs and Edit.  At the very bottom left of the screen will be a video player- where you can watch YouTube videos or any other music-related video.  At the bottom right will be a music player where you can stream tracks- listening as you navigate.  The whole page will be a catchy and stunning design; with constant movement and animation, it will feel less static- and unmoving- as current social media.

Functions and Features:

The site shies away from the user’s personal thoughts and ponderings.  The idea is to promote music; connect musicians and music lovers- for that reason, the site is design to focus on music alone (rather than self-promotion etc.

The Search function allows the user to search for bands and music.  It connects with Google (and other search engines) to hunt for bands and new music.  Connecting in with YouTube, you can hunt for songs and music videos.  The Map allows you to track down bands and artists from particular regions.  The map will bring up every country of the world.  You can clicks into a particular region/city- from there will be a list of musicians (arranged by genre) who are on the site- so you can connect with and interact.  The Favourites tool allows you to save your favourite bits of music- arranged by song/album/act and update.

The Profile and Contacts section are the main focus.  When a person logs onto the site; they select whether there are a Music-Lover; Musician; Manager etc- the interface will then tailor to that person’s needs and desires.  There will be personal information you need to fill in- name, location, favourite band/genres/albums.  From there, the site can find recommendations- songs and other artists; and put you in touch.  A Song of the Hour uploads to your home page; facts and links are fed in- that are of interest to the user.  If you are a music-lover, you can just go on the site to find great music and acts.  The site recommends existing music and songs from YouTube; finds recommendations; builds playlists and selections for the listener.  If you are a Musician, then the site factors that in- connecting you with other bands; venues and contacts.

You can add Contacts to your profile- these will be fellow musicians/bands (or just other music-lovers with similar tastes).  The status updates will be music-related and aimed at promoting great songs and acts- rather than inanities and personal thought.

It is all a bit brief, but gives you an overview of what the site will do.  Whereas the current social media crop has no real relevance; is flawed and limited; never offers anything beyond vanity and vagueness- this site is aimed at connecting music; finding great music and making it easier to unearth treasures.  One of the issues with the internet is how vast it is.  You have sites like YouTube, BandCamp, SoundCloud, Twitter etc.- yet no way of connecting it all together.  Tying in those sites- as well as search engines- it makes it easy to connect with like-minded people; terrific acts; possible band members (or unearthing a song you had forgotten about).  I love YouTube and its choice, but find it daunting- there are so many songs, it is hard to know what to select.  Psychoacoustics makes the whole experience much smoother and less stressful.  In a nutshell, the site is a one-shop portal for all fans of music.

So then…

I have poured out a lot of words- and put some ideas out there.  I want to do something like Virgin- yet not set out to make millions and become a bloated tycoon.  The idea is to represent musicians and build an international brand- something that aims to help making music easier; get people connected; bring fantastic new music to the forefront.  It will take a lot of money and time, and that is the big dilemma- how to raise the funds?  Sites like Kickstarter exist, yet it will take a lot more- I need to think how to get that started.  When the money is raised, there is plenty of potential and scope.  I want to make it London-centric- the café will be based in Central London; the H.Q. will be based nearby (so it is centralised and focused).  Whether people take to the idea(s); if it appeals to those reading- that is what I need to ascertain.  Over 2015, I will be putting my music charity night into effect; promoting new music and acts- and getting my own music started.  Let me know your thoughts; what you think- until then have a…

HAPPY Christmas and a fantastic 2015!

[youtube https://www.youtube.com/watch?v=j9jbdgZidu8&w=420&h=315]

 

 

The Voice: A Beautiful (and Underrated) Thing

The Voice:

 

A Beautiful (and Underrated) Thing

 

MUSIC is always on my mind…

something that is never going to relinquish its grip- this year has not provided (the strongest and most enduring sounds).  I have stepped away from reviewing for a number of reasons-tiredness is one of them.  Few new acts have caught my imagination; compelled me to listen hard- weariness and boredom have taken the place of surprise and fascination.  In addition to having a severe lack of free time, I am finding something worrying (happening in music): it is starting to decline.  A lot of times (when reviewing) I found my integrity hiding away- uneasy being critical to musicians (I felt deserved it).  Few bands and acts lingered in the memory and it has been fairly easy walking away- I hope 2015 provides to be more eventful, fruitful and imaginative.

One of the best things about music is the vocal- the voice(s) being the creations.  Talent and reality shows emphasise the voice- in a bad way.  The sorry and miserable excuse for singers (and humans) that litter these shows have distilled and clouded the potential of the voice- that magic essence that can elevate music (to rarefied and dizzy heights).  Most of my favourite new music (and most cherished classic music) is synonymous with terrific vocals- it doesn’t have to be showy and huge.  A great singer can turn a mediocre song into something special- just with the simplest of utterances.  Too many people get confused- thinking range and histrionics are the most important factors (when it comes to finding a tremendous voice).  Discount the likes of Freddie Mercury and Michael Jackson (too singers with vast ranges) and you can find a lot of good- artists that can hook you and compel the senses.  Whether you prefer the graveled and animalistic tones of Tom Waits; the soulful hypnotism of Otis Redding- you don’t need a monumental (vocal range) to seduce and entrance.  Too many new musicians overlook the Importance of the vocal performance- the ability and necessity of getting into (the listener’s) consciousness.  Over the last year or two, singers like Sam Smith and Paolo Nutini have made their mark- buckled the knees with their inimitable and distinctive vocal prowess.

https://www.youtube.com/watch?v=pB-5XG-DbAA

I am not saying that the voice is the most important thing- it just seems to be lacking (as-of-late).  Too many acts are concerned with cramming in noise and music- focusing on the sound alone.  Duos like Royal Blood have been lauded for their hard blends; 2014’s best and most profitable have been notable in their own way- how many unique voices have resonated in the mind?  I have a huge amount of respect for the likes of FKA twigs, Kate Tempest (and other Mercury-nominated wonders), but I have craved something singular- a vocal sound that is hard to shake off.  Maybe once (or twice) a year do we hear of such a thing- reality shows are proffering false idols and raising expectations.

Perhaps I will get back to reviewing music- when I am feeling a bit better- but something spectacular needs to happen- the quality has to increase; the vocal warriors have to make their moves.  It is not just enough to have a remarkable voice- you need the songs and lyrics to back them up.  One could criticise artists like Sam Smith for being too thin and effete- not being gritty and real enough.  Whilst few can ignore his immense vocal chops; his stories and themes do not delve that deep- he has the potential to get better, though.  Acts that concentrate away from the voice- like Royal Blood- are too limited- one wonders how long public fascination will last.  Perhaps I am over-simplifying, but the public yearns for that next great voice- someone who can buckle the knees; and has the songwriting quality in there too.  Into next year, I hope to work closely with a terrific young singer (and her band); someone who has an incredible songwriting talent- an exciting prospect to witness.

https://www.youtube.com/watch?v=fJ9rUzIMcZQ

Whilst I plan my musical ideas and endeavours, I have been focusing my attentions to another realm: animation and comedy.  Although music is my main goal; the thing I will focus on the most- comedy and animation has been obsessing my mind.  In the U.K. we do not really have an animation industry- aside from the odd commercial or children’s show.  When it comes to comedy, we are somewhat limited- in more ways than.  Aside from the odd hal-decent comedy, we are not exactly consistent- most of the finest comedies are American-born.  Whether we lack the talent, the money or imagination, it is the U.S. that has always led the way- stamped out the finest animated shows of all-time.  From the classic days of Looney Tunes and Disney; the terrific shows like The Simpsons, South Park and Family Guy- they are showing how it should be done.  I have always hated the influx of animated films- there seems to be a new one every week.  Once Toy Story passed, I got bored of the medium- with every coming week comes a new animated film featuring talking animals or some flimsy plotline.  It is comedies such as The Simpsons that grip my hardest- fascinate my mind and excites me hugely.  I have always been obsessed with the voice; what you can do with it- how far you can stretch it.  Fantastic actors like Hank Azaria and Harry Shearer provide dozens of voices (between them)- amaze you with their talent and versatility.  Look at legends such as Mel Blanc and June Foray- two of the greatest voice actors who have ever lived.  When it comes to extraordinary ability, few can top Frank Welker- an actor few would have heard of.  He is the most bankable actor of all-time- no other actor has pulled in the bucks he has; nobody else has his pulling power.  From the throat-shredding vocals of Dr. Claw (from Inspector Gadget) to Slimer (from Ghostbusters) he can do it all- his range of animal voices/noises is mind-boggling.  Nobody alive has his ability and talent- he is one of the reasons I want to get into the craft.  Mel Blanc is probably the name we all think of (when it comes to voice acting), but modern artists like Dan Castellaneta (Homer Simpson himself) are wonders of the craft- defying belief with their abilities and vocal turns.  In Britain, we are not over-stocked with vocal legends- nobody actually comes to mind.  Impressionists like Jon Culshaw and Alistair McGowan are undeniably skilled, yet none match the heights (of the U.S.) legends- we just don’t have the same talent.  One of the biggest problems is the entertainment industry itself- we do not have the same opportunities America offers.

[youtube https://www.youtube.com/watch?v=0vz1Ni35QlY&w=420&h=315]

The voice is a wonderful thing, and should not be confined to music- there are vast possibilities out there.  Every time I watch an episode of The Simpsons or South Park, I wonder the same thing: why are we not producing similar gens?  In the past (the U.K. has dabbled) with animated comedy- one or two average shows have emerged.  Thinking about it, we have not really come up with anything memorable or long-lasting- we are much better (when it comes to longevity and prolificy) when it comes to live-action comedy.  There are quite a few animation studios (in this country) but they tend to specialise in adverts, children’s shows and promotion pieces.  One of my secret ambitions is to be a voice actor- combine it with music if I can.  There are so many accents, voices and sounds in my head- anywehere up to a couple of thousand- they need somewhere to go- I risk being one of those crazy people that talks to themselves.  Rather than being put into a home, it would be great to get the voice out- have somewhere for them to go.  I have conceptualised and synopsised an animated comedy- that I hope to parlay into a fully-fledged series.  I have mentioned it in previous blog posts, but I have some trepidation- will it ever get made?  Even of the ordained (to get a commission), are there studios that can accommodate my demands- anyone out there that can do the words justice?  I know this country has some great voiceover talents- they are being reduced to hocking lousy goods and voicing idiotic cartoon characters.  We have some great comedy writers- a paucity compared to the U.S.- that would love the chance to branch into animation.  Animation is so much better and more freeing than live-action- it allows the imagination to run wild; realise your most ambitious ideas without spending millions doing so.

[youtube https://www.youtube.com/watch?v=Mgi3LADYTME&w=420&h=315]

Voice acting is not something (most of you) will think about- not in the same depth as me.  We all watch great animated comedies like The Simpsons- given half a chance; we’d all love to appear in an episode!  In tandem with a music career, I would kill to do voice acting- release all of the odd characters and accents floating about my brain.  I have written an animated comedy, but fear no channel or studio would pick it up- maybe America is the only option?  Of course Kickstarter is out there- that afford the chance to get finances raised- so that a home-made endeavor is possible- you still need to make the animation and find someone to help.  I think America has the opportunities and facilities- moving there may be an answer.  I do not need much of an excuse to flee to somewhere like Burbank or Los Angeles- given the chance I would prefer to stick around London (and the U.K.).  In so much as great voices are important in music- they are just as needed in the entertainment industry.

Perhaps I will get back to music reviewing- when I am less anhedonic and tired.  If the quality goes up; if the desire is there- perhaps I will produce the odd review.  I just feel that a spark is lacking; a lot of new music is too safe and aimless- that the best we have had is the best we will ever get.  Too many bands and artists pack in noise and music; they negate the importance of terrific vocals- the voice is a beautiful thing to behold.  In a society that values looks and aesthetics (over personality)- the voice is an instrument that needs to stay tuned and loud.  My favourite current musicians and musical peeps possess tremendous voices- it is the reason I adore their music so.  It may be my particular tastes and bias- I just think the voice is a wonderful thing.  So much more fascinating and interesting than anything else, it makes music (and comedy) better and more fulfilling.  Whilst I (perhaps fruitlessly) hunt for U.K. animation studios; write music and imagine ideas- let me know if you hear of any truly captivating voice.  Reviewing may be what my blog represents (and is designed for) but the voice is my true passion- the reason I want to throw off the shackles of the ordinary; do something truly remarkable.  Whether my ambitions and dreams are a reality, I am not sure- I will keep pressing and searching.  If you have any idea and thoughts, let me know.  When it comes to wanting to find a great voice; unearth something truly extraordinary…

THAT is something we all have in common

Making Changes: Not Just For New Year

Making Changes: Not Just For New Year

 

I have been neglecting music reviewing some-what; for a number of different reasons: the energy and commitment (it demands) is one of the most pressing.  Working irregular and demanding hours, I am finding it (reviewing) a strain and tiring prospect- it is why I have put it firmly on the back burner.  In a way it is a shame, as music reviewing has been a part of my life for several years- it is the reason this blog exists.

This last week has been a rather trying and bizzare one- a silver lining has developed.  I find myself putting (myself first) and sacrificing my own happiness- too concerned with what other people are feeling.  Very recently, a rather upsetting and heartbreaking event has occurred- something that has caused me sleeplessness and upset.  Having hurt a valuable friend and caused some upset (for them), I have decided to change my ways.  I am too keen to get involved with people; ask if they are okay- pay compliments.  Not dragging the details into the light, an harmless and good-natured gesture (on my part) has back-fired- and will continue to do so.  In the wake of it, I have probably lost a valuable and close friend- possibly forever.  Not just that, but have hurt them hugely- this angers me enormously.

In addition to having upset and hurt a wonderful person, I am fearful that I will never hear (from them again)- it has caused me to reassess me way of thinking; the way I prioritise myself.  I am always too keen to be seen as ‘the good guy’; the person that goes out of their way- do something kind or thoughtful.  When it backfires- and innocent people get hurt- it gets to me (more than they will ever know); and I am tired of being a burden- things need to change.

Being close to my 300th (blog post), I am keen to get back on track: reorganise my mind and start putting dreams first.  For too many years I have neglected recording; put a relationship in the shadows- made sure most of my money went to other people.  It is not the case I am going to completely change- become a harsh and selfish human.  The fact is, I am getting too upset and affected (when things go bad).  Thoughtfulness and consideration will always be high on the agenda- I just need to limit my ‘kindness’; stay out of other people’s lives.  Be like everyone else, essentially.

New Year is the time for resolutions; it is stupid to dedicate an arbitrary (time of the year) to resolutions you will not keep.  When things go bad; when life starts to crumble- THAT is action needs to be taken; things need to change….

I have decided to make sure I record some music- before this time next year- and find a relationship- think about personal fulfillment and happiness.  It is important to keep friends; be faithful to your better nature- it is even more important to not lose focus of your own well-being.  When it comes to recent events, I doubt they will resolve themselves- I think too much damage has been done (and that cause me more pain than anything else).  Baffled, angry and deeply upset, I have to make changes and start putting myself first- take myself out of other people’s lives.  In addition to recording music, I hope to write a comedy (pilot); find love; move closer to London- as well as dozens of others things.

Not so much a Bucket List: it is a list of things I (should have done years ago) and have neglected- at the top of the list is ‘Be Happy’- how many of us aim for that (and fail)?  I should be back to reviewing music- in limited capacity- next year; making plans to get a band together- becoming a different person.  Too many of us make bad decisions and make mistakes- and do nothing about it.  Having chatted with a  treasured and loyal friend, she has opened my eyes- urged me to start thinking about me; putting myself first.  She is right, and I am glad she (said it)- it is something we all need to do.

I am not suggesting we all need to abandon our finer nature, but you definitely need to balance priorities- stop being so involved with (making other people happy); getting involved in other people’s lives- and making things (for yourself) worse.  As horrible as I feel- for having made someone I care about hate me- it has made me realise what I need to do: make myself happier.  Only then will I be able to live a better and more fulfilled life.  I have charity ambitions; music plans and things to sort out- distraction from recent embarrassments.  If you are in a similar position (and feel too burdened) it is okay to let things go- and think about yourself.  When it is all said and done…

THAT’s not a bad thing at all.

Time Out of Mind: My Second Entry

The Equality State

 

Pilot episode

(29 minutes):

“Wyoming, London

(Why I’m In London)

Notes and ideas:

Because there have been so few- good or successful- U.K. animated comedies, it is high time there was an attempt.  At the moment, there are few comedies- from Britain- I watch- there is a bit of a dip at present.  I want to write something with a U.S. sensibility; inspired by the likes of The Simpsons, Family Guy and South Park, it will a very modern look to it- the same style of animation as The Simpsons (without the yellow people), and feature a great and varied cast.  I have an idea for the main cast- two boys, two girls- and hopefully they will be in.  The pilot will hopefully wet appetites for a full series.  With cliffhangers and plot twists, the idea is to leave people wanting more- both A-story arcs have huge longevity and potential for growth.  The series will see the girls with the power- transposing gender roles and making them the dominant duo.  Parodying and (with) affection referencing Breaking Bad, the girls go all across London- and the U.K.- and get in all sort of adventures and scrapes.  The boys go all across the world and bond; experiencing and achieving huge things.  The reality of home life and reality never is far from the door; each couple comes together and keeps their other lives separate.

In time, I hope to employ celebrity voices for episodes, but want to make sure the pilot gets made and received.  If there is not an animation company in the U.K., it may be a case of going to the U.S. - or raising a Kickstarter campaign and getting it made privately.

Desired Soundtrack:

Figure It Out- Royal Blood

The National Anthem- Radiohead

Metal & Dust- London Grammar

Synopsis:

The pilot focuses on two different couples in their 20s, who come together; during Hallowe’en of 2014.  Their coming together will have a huge effect on each other; that will change their lives and cause huge waves.

Alice Yorke is a Jehovah’s Witness; she is down on her luck and a mother-to-be.  She has just learned she is pregnant and tries to balance her daily life, coping with it.  She goes door-to-door in east London; trying to spread ‘the good word’.  The local citizens are not so accepting, and as she meets some weird and wonderful people, she starts to doubt herself.  As the sun rises over east London, Alice and her ‘colleagues’ try to change people’s minds; before a huge song-and-dance number- mixing Thriller and Billie Jean together with classic musical elements- breaks out: D.E.N.I.A.L.  As a hard morning drags on, Alice returns to her Canary Wharf apartment she shares with her boyfriend.

The boyfriend in question is a one Stefan Buckley.  He has recently been fired as a teacher, and spends his days obsessed with Radiohead; smoking, drinking and preparing for an upcoming court case: a harassment charge made by Thom Yorke.  The two sit down and discuss the future possibility of becoming parents; both knowing that they do not have the money or security- or stability- to be able to handle it.  They weight up their lives, and recollect how and why Stefan got fired: both aware that they need to change their lives.

Over in Camden, P.C. Natalie Mercury is on the beat- and on a crime scene.  She is a controversial and ‘bent’ police officer, and has been in trouble constantly.  From drag racing The Red Cross; wrongful arrests, parking in disabled spaces and tampering with murder scenes, her boss is fuming.  Natalie arrests some ‘freedom-hating terrorists'; lays down the law and not strictly playing by the rules- not realising they are Hasidic Jews.  When they complain, she tells them to ‘tell someone who cares'; as there is a smash cut to her Chief Inspector’s office; as a stack of complaints and written warnings are piled on the desk.  She is given one last chance, and told she is on very thin ice.  In her spare time, she models for Crimson Electric: a London model agency that is filled with the most disreputable opportunists and odd assignments you could imagine.

In a local hospital, her high-flying and dashing boyfriend Dan Bush is experiencing a typical day.  In the clinic he is dealing with some strange and depraved patients, whilst dealing with the advances of a gorgeous co-worker; as well as fending off a tyrannical boss- who is rather violent and angry.  In his spare time, he manages a successful band (Famous Atheists)- as well as looking after his sick and cantankerous parents (two 80 year olds).  After a rough month, he catches a quick break at his flat; located opposite a kebab shop in Camden- Madonna’s Kebabs (run by Madonna herself; although she tells everyone she is a look-alike).  He meets Natalie there, as the two discuss a recent event: Dan proposing the previous night.  With Natalie’s job at risk and pressures in Dan’s life; Dan starts to feel the strain; as Natalie makes lavish- and very unusual plans!  As they prepare for the evening’s Hallowe’en party, the day ticks on…

Alice deals with the effects of morning sickness; choosing inconvenient and embarrassing places to fall ill.  The day continues, and the four prepare for the evening.  As the guests arrive in various costumes, Alice’s niece is round as they have to babysit her.  She is a very ‘mature’ and strange 4-year-old and causes all ends of issues; not helped by Stefan teaching her how to smoke.  The party swings on, as each of the couples confide in each other; and their various doubts.

As the morning arrives, the four go separate ways.  Alice is left to clear up the mess and carnage of the night before; before having to go onto the streets, in a desperate attempt to bring the word of Jehovah to Elephant and Castle and Hackney.  Dan has a nightmare morning as his colleague makes a pass, and his fellow doctors tease him about settling down.  Natalie is fired for letting a drunk meth-head drive her home after the party- in a police car.  Natalie has her badge, car and clothes stolen, and is now out of a job, being pursued by angry criminals, with the Met. Police angrily demanding the return of the stolen assets.  Stefan spends his morning trying to invent the perfect hangover cure; looking for a new job, as well as being embroiled in a battle with a neighbour- with disastrous consequences.

The two boys meet up at a local bar- Homme’s; they discuss their situations and both feel trapped.  They are making plans for the future when Stefan gets a phone call with terrible news- he may only have 8 months to live.  The two girls meet at an Australian bar in Soho.  With Natalie fired and Alice dislocated and lost, they both feel a change is needed.  After both drinking a well-known cocktail; Natalie still has drugs- taken from a local gang.  After dropping them in the cocktail; she accidentally takes a sip.  The effects start to take a hold; leaving her sedate and ecstatic- a bizzare and brilliant animated sequence takes place (mixing Fantasia, stop motion, The Beatles and live action).  As the girls make their way home on the tube, they see the depression of London life; the inequality as well as the beauty and fascination.  As Alice finishes her day, arriving at the door of a chavy couple, Natalie calls.  Suddenly a master plan is struck, and the girls strike upon a way out of their problems.

Stefan and Dan have a heart-to-heart and asses the news.  Stefan decides that he has been a disappointment to Alice, and decides to make a list; a sort of Bucket List, where he will do as much as possible- as well as achieve as many goals as possible.  The girls realise that Natalie has stumbled upon an addictive and potent invention.  The two set up premises in the empty basement of the kebab shop (opposite Natalie and Dan’s flat), and come up with a name: The Equality State.  They recruit a group of followers who are all socially different.  It refers to the effect the cocktail has where everyone- rich or poor- is levelled and equaled: everyone feels the same.  It also refers to Wyoming, a U.S. state which is mountainous and sparsely-populated- the first state of America to give women the vote.  It seems like a metaphor for their business, and how they customers will blend into London life.

As the police close in on Natalie and Dan’s flat and the walls close in, Natalie still uses her pull and power as a police officer to round up customers and make money and connections.  Stefan and Dan begin a list of 30 ‘to-dos’ or tasks; starting with number 1- with the help of Dan’s band, Famous Atheists.  The two forget about work and life.  Dan does not mention that his colleague made a pass, as well as his doubts about the wedding; Stefan does not let Alice know about his illness.  Meanwhile neither girls mention their business venture, as well as Natalie’s firing, and Alice’s doubts about motherhood.

In the closing scenes, Alice and Stefan talk about the future, and possible abortion.  Outside an inappropriately-named abortion clinic, as the rain lashes; the two realises that they want to stay together and need a future to hold onto.  Knowing that each of their lives will be very different and turbulent, they continue as they are: making sure neither knows of each other’s fate.  Natalie and Dan spend the night together; neither revealing truths, but promising to stick together.  When the following night comes around, Natalie and Alice are in the basement, surrounded by acolytes.  In a homage to Fight Club, Alice gives a speech; the mantra of the club and society:

The vile men that take the head of the world,

Break the mind and kill our kind

The women who break the mould will never ask

For an even mind

In spite of light the sun goes down

The world’s true nature is revealed

The poor are blinder, the rich control

The average are crushed under foot

The right to vote, the equality state

Every human on a level plain

In the openness of the midnight hour

We are all the same

Whilst mere mortals tell us they see some

And only remember a few

We feel everything

When eyes of the fools are closed and their idle dreams dance

We will rule- and they will hear us call

As the conclusion plays out, the girls find that they are being pursued.  Alice has her colleagues, as well as some of her ‘faithful’ chasing her; angry at her betrayal and revaluation; as Natalie finds that her flat is taken over by the police; keen to find her, as some disgruntled criminals also close in.  Stefan has a court case; illness and fatherhood to think about, as Dan’s colleague announces her intentions- leaving each pair with much to ponder.  The screen splits as each of the couples go separate ways.  Stefan and Dan head to the U.S. to fulfill the next ‘task’- both trying to escape from life; unaware what ramifications could be in store.  They are involved in an epic fight and car chase; escaping with cuts, the duo pledge friendship and the promise of making things better.  Natalie and Alice have a huge queue of customers, as word spreads.  As the siren’s flash across the street and the flat is turned over, the girls both join hands and smile; realising that London will be changed, and that their lives will never be the same again.  Mirroring the first scene- in tribute of Memento- Stefan pulls his car outside a local tattoo parlour (just before heading to America).  There is mystery to why he is there; what is going to happen- setting up another cliffhanger, there is narration (from Stefan), as he delivers the line: “Now… where were we?” as there is an instant cut to the closing credits.

Time Out of Mind- Press Release

Time Out of Mind

 

Over the coming weeks and months, I want to raise awareness, money and attention for Mind- a charity that helps those affected by mental illness.  Being someone who is afflicted (by the illness), I am keen to raise focus and prominence- ensure depression and mental illness is not stigmatised and margalised.  Most of the people I know, know someone (who suffers mental illness)- a majority of the public do, too.  My proposal looks at changing attitudes and getting people involved- much in the same way the Ice Bucket Challenge (did for A.L.S.).  Unlike the Ice Bucket Challenge, there is a creative edge and proposal- the individual is encouraged to think of something unique and special- so no two people offer the same thing.  All I ask is (for each participant/nominee) to spend 15 minutes of out their day- and post it on social media.  It can be a video message or a poem; a recorded song or photo  (a good deed for someone; a walk in the park for instance)- I wrote a song from scratch!  Having launched the idea, I have had people contribute and get ‘the ball rolling’.  Below are videos from three of my Facebook friends- Diane Sherwood, Jen Armstong and Georgia Jakubiak:

https://www.facebook.com/video.php?v=960946843930864&set=vb.100000466725465&type=2&theater

http://www.patreon.com/creation?hid=1040669&rf=115256

https://www.facebook.com/video.php?v=10154611985545207&set=vb.561780206&type=2&theater

This is what I am looking for: something fresh and fun; something personal and creative- all it takes is 15 minutes (or less).  Once this ‘entry’ has been posted, the person must nominate three people; they in turn have 48 hours to respond/complete the challenge- they in turn nominate three others etc.   I hope to take the idea globally (and turn it viral)- get it talked about and promoted.  The most important thing is to donate to Mind- everyone must ensure they do this.  This can be done in a number of ways:

Just Giving:

https://www.justgiving.com/Sam-Liddicott3

By text

There are two ways to donate to Mind via text

  • Text SUPPORT to 70660 to give £3
  • Text GIVE to 82772 to give £5

By post

For one off gifts, please send a cheque, rather than cash, payable to Mind Fundraising, 15-19 Broadway, Stratford, London, E15 4BQ. Please download and complete the Mind donation form to send in with your donation.

If you'd like to set up a regular gift by post, please download and complete the direct debit form (PDF format) and post it to us.

By phone

Call us on 0300 999 1946 and make a donation with your debit or credit card. Calls charged at your normal rate. Mobile and other providers' charges may vary.

 

Time Out of Mind is a fun and creative way to raise awareness for Mind and the issues of mental illness- something that can be done by everyone.  It only takes 15 minutes- and you!  Let us all work together and do everything we can- so many suffer the effects of mental illness; many do so alone.  I myself often feel lost, lonely and disconnected- in need of a helping hand and friendly voice.  With community togetherness; a common goal and focus- we can make a difference.  Thank you.

For further details please see The Problem: An Invisible Illness; A Way Through: Time Out of Mind:

http://musicmusingsandsuch.wordpress.com/2014/09/28/the-problem-an-invisible-illness-a-way-through-time-out-of-mind/

Time Out of Mind: My Entry

Time Out of Mind:

My Entry

_________________________________________

Following on from...

 http://musicmusingsandsuch.wordpress.com/2014/09/28/the-problem-an-invisible-illness-a-way-through-time-out-of-mind/

....I shall get the ball rolling...

______________________________________

Okay peeps.  If you have read my previous blog post- proposing an Ice Bucket Challenge-esque endeavor- then you may be thinking: what am I going to do?!  Well, in the spirit of getting things going, I am posting my ‘thing’- my Time Out of Mind entry- it took a staggering 14:31 to complete.  Disclaimer: I am counting the time publishing this blog as a business expense- no technicalities here!  The song itself took under 15 minutes to think of/type/complete- here are some more details.

Before I go on, I have donated a tenner to Mind- put a little message in and mentioned what I am doing.  This song was written between 10:00-10:14 at a coffee shop in Guildford (all glamour me- you can keep Paris!).  Surrounded by screaming kids and babies (my least favourite sensation on earth), it perhaps inspired a lot of the process (in a good way too).  The track is influenced by the likes of Royal Blood- their fusions of Hip-Hop and classic Rock.  The song has that feel and draws in the likes of Queens of the Stone Age, Soundgarden, Led Zeppelin (and Royal Blood themselves).  Most of the song is an assault of guitar/bass/drum riffs and signatures; with some exceptions...

The Classical Break will consist of two violins; cello; oboe and viola- it will be romantic and quite sweeping.  Containing some passion and tenderness it has some irony to it.  The verse that starts “Breathe out and suck it all up” is presented as an Electro-Swing passage.  Backed with skiffling and dancing electronics; some ‘20s and ‘30s sounds- it is a distinct and unique passage- the vocal will have that classic and almost ‘elegant’ sound.  The second Musical Break will see all the instruments come together in a flurry of fury and trippy diversions.  It is the most electrifying and swaggering part of the song.  By the end, the instruments die one by one to be left with guitar, bass and drum- each in turn dies to be left with a vocal snatch.  At the very end, there is a nod to Queens of the Stone Age- and their song Feelgood Hit of the Summer.  Whereas they listed a cocktail of drugs; I list one of illnesses and ailments.

I hope it makes sense and tracks to a point, but it took less than 15 minutes- go easy on me (and that is part of the challenge!).  I am very proud of it at least, and it will be the first song I record- the lead-off track from the album Marriage: The Beautiful Revenge (hopefully will drop in the next couple of years).  This endeavor has compelled me to get a band and lay this track down- I am excited by it, and by setting myself a limit, I have ended my writer’s block- it does work.  In order to get over and conquer stage fright, it has been good to focus on music- take a step for a great charity that means a lot to me.  Whether you connect with what they do in an edifying sense; or just want to do something different and fun (to help a lot of people)- hope come up with something yourselves!

 _______________________________________________

Black Majesty Blues (Citizen Arrest)  (8:27)

Intro.

Hard to be a gentleman when manners are bleeding

Throw away the atom bomb

And use your mouth instead

It you’re "sure-as-hell not listening"

You better know that I’m still speaking

Don’t let my bad mood let you down

_______________

I got the kind of face only a mother could love

And luckily she was yours

In the night we confused science and religion

With the ceiling and the floor

_______________

Hold open the door just to slam it in my face

Make an unwise statement on behalf of the human race

You don’t have to scream to make your voice heard

Take care of your health and don’t give a shit about anyone else

These Black Majesty Blues, yeah

Going to get to you

Going to get to you…soon

 ____________________

Stripped bare like an animal in the wilderness

I write my most romantic for the right to impress

You say that you’re in love, girl

But you kiss me with barbed wire

And don’t stick around to hear me weep

If they call that politeness then don’t hang around

I got the kind of body research science would love

And they’re researching a stone-cold gentleman

If my bones don’t make it right down to hell

My soul sure as hell will be heaven-sent

 _______________

Hold open the door just to slam it in my face

Make an unwise statement on behalf of the human race

You don’t have to scream to make your voice heard

Take care of your health and don’t give a shit about anyone else

These Black Majesty Blues, yeah

Going to get to you

Going to get to you…soon

_______________________

Vocal and Instrumental Break

________________________

Breathe out and suck it all up

Let go and don’t take it in

Push away and don’t pull your weight

Loose tongue to communicate

Stand up but don’t walk away

Drop the ball and never pick it up

I’m blind but I hear you've seen it all

Alone in crowds and pushed away

_______________________________

I walk through the city and the masses walk by

Technology more important than the look in my eye

When a poor men begs here you walk away and laugh

A drunken generation with a hurricane for a heart

You say I’ve got a face perfect for radio?

A radioactive missile to blow you away

Your songs buy you diamonds; mine earn me respect

Well I cried when I wrote this line

What the hell did you expect?!

 _______________________________

Classic Break

 __________________________________

You think you’re Florence Nightingale and Mother Teresa in one

Stuck inside your vanity suckling on smoking guns

She was just Hey Nineteen

You know what I mean?

Would you rather be the fool in a love story?

Or a hero in the war?

I'd talk to God but he stopped believing in me

I'm no bigger than my sin so what's a boy to do?

Sing a ring of roses and a pocket full of poses

You got nothing on me, that much is true

 ________________________________

Hold open the door just to slam it in my face

Make an unwise statement on behalf of the human race

You don’t have to scream to make your voice heard

Take care of your health and don’t give a shit about anyone else

These Black Majesty Blues, huh

Going to get to you

Going to get to you…soon (real soon, sugar)

 _____________________________________

Musical Break 2

 ____________________________________

How you feeling now?!

Pink eye, diabetes, hemorrhoids, syphilis, peptic ulcers, genocide

Pink eye, diabetes, hemorrhoids, syphilis, peptic ulcers, genocide

Oh…

Pink eye, diabetes, hemorrhoids, syphilis, peptic ulcers, genocide

S-s-s-s-syphilis.

Pink eye, diabetes, hemorrhoids, syphilis, peptic ulcers, genocide

Pink eye, diabetes, hemorrhoids, syphilis, peptic ulcers, genocide

Repeat to fade.

_____________________________

Whether it's a song, a walk; a poem- maybe a short film or video message, the idea is to get involved and keep the word going.  Donating is the most important thing, so as long as that is done as well- hopefully we can raise a lot.  If you are in a similar boat to me, the process can be cathartic and releasing- I have had a much better day today (than I have for a long time) x

 ____________________________________________________

11:35

To: saml889@hotmail.com

Dear Sam 

Thank you for deciding to support Mind with your kind gift of £10.

Mental health problems can affect anyone - rich or poor, young or old, shattering the lives of those affected and the lives of people close to them. 

Your contribution will help us continue to offer vital services for those experiencing mental health problems as well as to their friends and family.

On behalf of all those whose lives your gift will help, thank you so much.

Thanks again for your support.

Mind

----------------------------------------------------------- Email: contact@mind.org.uk Tel: 020 8519 2122 Web: http://www.mind.org.uk/ Address: Mind 15-19 Broadway, London E15 4BQ

 

The Problem: An Invisible Illness; A Way Through: Time Out of Mind

The Problem:

 An Invisible Illness:

 

A Way Through:

Time Out of Mind.

 

I am not going to depress everyone too much- although I will be mentioning the ‘d-word’.  Over the last few days, human beings (and them being themselves) has made me put things into focus; consider life and people in general.  I have been thinking about manners and etiquette- gentlemanly behaviour and plain decency.  When I look around, I see very little hope for redemption- too many humans selfishly look at their own lives.  Just today, a rather embarrassing incident occurred- for a man; not me- where someone had an ‘accident’- I shall not fill in all the needless details.  Suffice it to say, a couple of men nearby snickered and made ‘jokes’.  Aside from the fact the person concerned had an unfortunate occurrence; the reaction (by the men) was wholly inappropriate and unnecessary.  Appalled by the lack of sympathy and humanity, I have been left feeling somewhat ashamed.  Over the course of today, I have gone about business in the usual manner- done my thing and been out.  Throughout my day, I have seen unacceptable lack of humanity and cohabitation- people being insular and rather detached.  I am not using this blog as a rant and platform for my own ideals- I am just quite shocked by how selfish people are.  I am not suggesting everyone needs to hold doors open all the time; give money to Big Issue sellers- it can be seen as overkill.  Maybe it is just where I am living (that has enforced this perception), but I am left astounded by how selfish and self-absorbed people can be.  I love being called ‘a gentleman’- the reception I receive when doing something as simple as letting someone get off a bus (before me)- it is these minor actions that makes me smile.  As much as those sort of interactions fulfil me, they also leave me angry and cold- too many humans negate the importance of looking out for others.  Friday was a particularly bad day for me- I shall touch on it more below- but I visited London.  The capital was pretty grey and dull (on that day), yet it was then I decided I would never live there- for years I have always yearned to be part of the London scene.  It is great going to London for the odd trip- the reality of living there is just too insane.  London is the epitome of closed-off and poor manners.  A wonderful and diverse city, it is one of my favourite places on earth- yet there is no human connection and interaction.  When walking down Oxford Street, I see thousands of people- maybe a tiny percentage of them will make eye contact or look up from the pavement.  Aside from the hordes of people who walk with their eyes glued to their phones- and expect people like me to get out of their way- people pass you by without acknowledging you.  On the tube, I saw an elderly couple struggle with a suitcase (trying to get it up the stairs at Leicester Square).  By the time I got there, they were at the top- suffice it to say, nobody bothered to help them or offer any assistance.  Too often, I walk past and see others struggle- maybe I am old-fashioned and expect too much.  The point of manners and etiquette is not my main point- it is a slight diversion from my main issue- but it does neatly lead into what I want to bring up.  Following on from the death of Robin Williams- which is still causing shock waves and heartache- I thought I would add my two cents to the agenda.

I am not the most elegant or intelligent person who will write about this subject, yet I want to share a very common human experience.  My blog has been provoked and inspired by people telling me to ‘get over it’; thinking my low mood is moodiness and pouting- if my limbs aren’t hanging off, then how can I be ill?  Statistically, I am not the most depressed person on earth- yet people always remind me how ‘there are people worse off than you’.  Aside from being the most catastrophically moronic and insulting thing you can say, I know that- it is an irrelevant detail that does not help matters.  Too many people are still too ignorant when it comes to depression.  Being someone who has been living with clinical depression for the past fourteen years, my day-to-day life is a tiring.  I have not felt truly awake for since I was 16; I have not been ‘happy’ since I was a child.  It is always awkward to tell folks I am not happy- not even close.  I am not going into graphic details- I have an actual point to make- yet want to fill in some blanks.  The worst part of depression is not the fatigue and constant fear- it is the loneliness.  Social media sites do not really help; a lot of the people I know on Facebook and Twitter I have never met- and probably never will.  To be honest, I can’t really say I have a ‘real’ friend at all- someone I see regularly.  I have a lot of colleagues and former colleagues; friends of friends, but to be truthful, it does not equate to friendship.  This reality is hard to swallow; the jealousy that comes with this is quite heartbreaking- seeing happy couples and happy people makes me feel incredibly hollow and sad.  The human connection- or lack thereof- is quite crippling.  Most people take love, sex and passion for granted- if you’re getting it, then why would you think about it?  Being someone whom developed depression quite severely (from a school age), my experiences have been limited- actually non-existence.  Rather than spell things out, a ticket to a monastery would not be out of the question- I am a newborn baby of sexual experiences.  I have not had a good night’s sleep for months; I am scared all the time; the physical symptoms of the illness are horrifying- that can range from migraines to barely being able to walk.  Throw in hallucinations and suicidality, and this is the reality of my life- yet people still say I should count my blessings and don’t seem that bad.  Surface appearances and book covers are depictive things- that you should never judge. I know I will go down in a lot of people’s estimations, yet I am not a closeted and home-bound bespectacled oddity- someone who probably defines what I am saying.  People’s preconceptions and judgments are almost as upsetting as the loneliness (of depression).  Robin Williams’ death was a wake-up call to the naïve and narrow-minded- it should not take a treasure like Williams for people to think.

Diseases and illnesses like cancer are understandably big concerns- charities that help to eradicate cancer are promoted and highlighted with regularity and huge importance.  Mental illness is a stigma and taboo that is still struggling underneath the rug- something that will never be truly recognised or understood.  Maybe people are scared by depression (and other mental illnesses) but a lot of it stems down to this- depression won’t kill you and you can cheer up, after all.  You know what?  Depression has almost killed my half a dozen times; it is not something that will ever go from my life.  When you wake up every day not sure if you will live to see the end of it, it is not something that should be ignored or diminished.  Social situations can lead to embarrassment.  Being a tall and not-too-bad-looking chap, I get smiles and furtive glances tossed my way- songwriters are sexy, after all!  The trouble is, I am almost physically incapable of reciprocating.  As attracted and touched I am by flirtatious attention, I have almost flat effect a masked appearance that is more commonly associated with Parkinson’s.  Maybe I have Parkinson’s- I fucking hope not- but I can come across as brooding and rude- when all I want to do is smile and be a human being.  That is what depression does to the individual- it isolates you from others and turns you numb.  Because of my fastidious work ethic and alpha male attitude, I am often (jokingly) called a ‘machine’- there is an upsetting truth to that.  Normal people can cry- it is a healthy thing to do.  I have not cried in seventeen years.  Everyone feels pain to an extent; physical hurt that slows you down- I do not really ever encounter that.  I am not going to list my patheticness and list of symptoms- there is dozens- but it is all leading to a point- awareness.

As much as I rallied against the pointlessness of the dreaded Ice Bucket Challenge, I recognised my indifference and anger- so long as money is raised, then what is the harm?  The trouble is, when the fad and fundraising wave has passed, people forget about things- how many people have donated to A.L.S. since then?  If you are going to get angry with people who critisise pointless challenges and stunts, then you need to back it up- keep the awareness going for longer than a few weeks.  It is impossible to make people aware of every charity every day- too few get caught up in fads and only donate when Internet crazes and social media dominoes start rolling.  Seeing others suffer makes me want to get up and do something about it- the world is becoming more unsure and scary by the day.  Having got the ball rolling on a music fundraiser- that so many people have said ‘yes’ to- I need to get some money together.  It will cost upwards of five grand for one day/night’s worth of music- in addition to getting everything organised.  It is proving Herculean, yet I feel I must take up my own challenge- the fact that so many musicians will be playing (for so many charities) is compelling and motivating.  None of us choose our births; none of us choose what illnesses we are afflicted by- at some stage of life everyone will suffer some unpleasant illness.  Coming from a family line with a predisposition to cancer, I am quite nervous about my future- it seems unfair I am 31 and have to shoulder too much.  Things- in that respect- will not change at all- that is the way society and people are.  What I wanted to get across was the ignorance and blindness that afflicts so many.  The people who will read this- one or two- and my most loyal social media clan understand everything I am getting across- too many prefer to ignore issues and brush people aside.  There are people worse off than me- which in itself is upsetting- yet there are far too many that are better off (than me)- that take their lot for granted.  I will wrap things up with a couple of points…

If you are in a similar boat to me, then I share your pain and you have my sympathies.  Music has been a therapeutic and redemptive source of nourishment.  One of my greatest pains is stage fright and nerves.  I know how well I can sing- people won’t believe me but you better take my word for it- yet the voice/voices are stuck in my mind- when presented with a microphone, I dry and succumb to huge anxiety.  Few will appreciate how painful that is- for someone who writes and wants to record an album, I am genuinely terrified I will not make it happen.  Listening to music is one of the most affirming and uplifting parts of my life- an ergonomic and inanimate force that is as human and real as anything in the world.  If you have that emptiness and hardship; if you think about ending things and getting that low- turn to music in the first case.  It is not an S.R.I. or lifeline, yet it provides a huge escape and sense of relief.  Above all, let people know how you feel.  I am not talking about family and friends- they are not always as understanding as you would imagine- but a wider audience.  Too many people are too scared to voice things like depression- that should change.  Social media is synonymous with compartmentalization and selfishness to an extent- if people are unwilling to share great music, then what hope to people like me have?  The thing is, it only takes a small step to make big changes- get people raising money for a remarkable cause.  I am trying to think of a way for people to get involved with mental health charities- a singular action that will unite people.  Like an Ice Bucket Challenge but something a little more connective and long-lasting.  I will keep you abreast next week, but I wanted people to change their attitudes- depression and mental illness is as serious as any cancer or disease; every minute you are reading this, depression will claim another life.

I hope I have not depressed too many people.  It is true my sex life is a blank card; my daily existence is a struggle against my own instincts.  I fear my lifespan will not be that long, as I may never achieve what I want in life- a music career; marriage and a chance at happiness.  In spite of all of this, it is other people who keep me alive and sane- the need to help them and connect.  I circle back to my original point; the issue of manners and looking up.  Too many eyes are cast to the ground; too few let the elderly struggle with shopping- too many ignore minor needs (and chances to be a better person).  If you have a love life and happiness, you should be compelled to help others; if you do not, then there is a necessity to do so- nobody has an excuse to overlook those in need.  Perhaps this blog is a chance to vent and let things out- the last few days have been very hard and unforgiving for me.  I want to encourage anyone reading to do some small things; make tiny changes and become more conscious of others.  If departed and recent pioneers such as Stephen Sutton have taught us anything, it is that helping others can bring everyone together.  I know a few social media friends that go through depression; one or two date depressed people- asking me how to deal with it or telling me how hard it can be.  It is not something that is easy to answer and explain- if you do not go through it, it seems impossible to put things into words.   The point is, it can be scary to live with- if you on the outside looking in, the experience can be terrifying.

My heart goes out to anyone that struggles more than I do; my anger goes to those who do not give a crap- people like that do not deserve to be more fulfilled and happier than me.  Things need to change and get better.  I am not suggesting everyone needs to do anything physical- attitudes and perceptions need an overhaul.  If you do nothing else, then hold a door open for a woman; give your seat up on a train- ask someone how they are doing (and do not ignore the answer).  As I figure out a way to get more people talking, I want to offer a genuine hand to people.   I email and converse online with a lot of my social media peers- I shall never see most of them as long as I live.  If that is the case, then get in touch- if you need to talk; get ignored- let me (and everyone else) know.  Keeping things private augment the loneliness and sorrow- social media takes away the human connection and forces insularity and selfish behavior.  If this trend changes then so can people in general- only then can so-called ‘invisible’ illnesses be recognised and given their rightful attention.  Until things start to turn-about; narrowness starts to expand, remember the sane words of Radiohead (and the song Optimistic): “You can try the best you can/If you try the best you can…the best you can is good enough.”

To that end…

Words and sentiments can only go a certain distance.  Actions are the most important thing- when it comes to making a change.  I know I have developed into a bit of a charity bore- I hope it has not become too tiresome.  In addition to raising the money to stage the music fundraiser- it may take longer than expected- and doing my half-marathon events, it occurred to me: there is an easier and faster way of involving everyone to a common cause.  The Ice Bucket Challenge may have had its detractors and cynics, yet it seems to have captured the imagination- raised a lot of money in the process.  The problem with this proposition may be at the grass roots- getting the message and idea spread beyond my circles and spheres of influence.  In the same way the I.B.C. was shared and involved thousands of people; I would like to jettison a similar idea- raising awareness for Mind.  Called Time out of Mind- I hope Steely Dan do not sue for copyright infringement- it would work in much the same way.  Whereas the A.L.S. awareness was about getting soaked, I thought something more personal and meaningful is in order- hence the title.  There is no need to run the idea past the charity- of course they will be informed- but I do not want the momentum to die and fizzle- within a few days.  I can get things kicked off, but the concept is to take 15 minutes out of the day for Mind-  do something different; a new thing that has never been done.  It can either be writing a new song; telling someone how you feel about them; a personal challenge or stunt- it must not take longer than 15 minutes.  Whether a video is being posted- with a song, message or film piece- it can encourage artistic creativity.  It can be a photo or writing; a personal challenge- crossing something off of your Bucket List- or something you have always wanted to do.  Whatever the individual does, three things must occur: it must follow guidelines (no rudeness or anything inappropriate); you must nominate three other people to follow suit (who in turn must comply; then pass it along...) and most importantly: YOU MUST DONATE.  This final point is the most important; even if it is a one pound donation- there is no way you can shirk this hurdle.  There will be a text number for Mind- one where you can donate three pounds; one five- a link to the website- where you can donate a one-off payment; or set a monthly debit up.   Anything can be involved- with the challenge- from sharing a song through to coming up with a film idea- there are no limits.  The point is not only to raise awareness for a charity- and keep it in the mind- but to challenge and push the donator- not just get wet and leave it at that.  I do not intend for it to be a gimmicky and fad-driven craze- it is a way to get the masses involved and donating; do something creative and put some thought and time into an idea.  I am aware that the idea may not even start; if it does, it may only attract a few people- I want to make it bigger than that; get through the barriers of social media!

I hope it makes sense and makes good common sense- if it does, then get back to me.  I only have a smattering of friends across the social media channels, so I am going to need a helping hand- get the idea pushed as far and wide as possible.  Not looking to steal any A.L.S. thunder- or market myself as a Stephen Sutton figure- I could never be that tremendous a human; just feel it is a cool and involving way to highlight a silent disease- ensure that some funds and recognition goes to some very vulnerable and hard-off people.  If it does happen, then I hope it could be big.  I am not keen in recruiting a few people- I want to get across to thousands (possibly more).  Because the act- the thing that each person will do- is not the same, then there is potential to circulate the idea (for many months)- have people come back to it months down the line.  Perhaps not.  All I do know is there are thousands like me- many worse off- that go through a daily struggle; tired of having to wear scars- to let people know what is happening inside.  Nearly all of us have, or will, be affected by mental illness at some stage in our life- if you fall victim to cancer or any illness, you will be depressed.  In the order cognoscenti; the bigger picture- mental illness is the fastest-growing and most common affliction on the planet.  Money will not cure the problem fast; it will not necessarily cure a single person’s depression (or other mental illness)- it will help and make a difference.  Whereas cancer research is the most important step (to help beat cancer); mental illness relies on other avenues- shelters, housing, councilors and many other things.  Both causes are equally worthy- television and the media tends to overlook the mentally ill.  It doesn't have to- people don’t have to.  I want to know what you think; whether anyone will come join in- essentially whether they can help make the idea a huge thing.  Pie-in-the-sky or whatever, I will not give up on it (and myself).  I only need to know this…

WHO’S with me?

E.P. Review: The Indos- 50 Shades of Blue

E.P. REVIEW:

The Indos

 

50 Shades of Blue

9.4/10.0

50 Shades of Blue is available from 3rd November, 2014

TRACK LISTING:

3 Sticks of Dynamite- 9.4/10.0

Falling In and Out of Space- 9.4

Lovin’ You Was Easy- 9.4

She Drives My Gun Insane- 9.5

STANDOUT CUT:

She Drives My Gun Insane

GENRES:

Alternative, Indie-Rock

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Scotland is producing some of new music's finest acts.  The Indos are a band that do things differently; their music is that which lodges in the mind- and will not shift.  With upbeat melodies and everyman themes, 50 Shades of Blue has plenty of reflective heart- yet the abiding sense is of fun and hypnotic jams

 _________________________________________________________________________

I was going to steer away from my diatribes regarding bands and band music…

But then a certain act has drawn me back in.  I shall introduce them soon, yet have been compelled to dive back into modern music’s band market- investigate the hot and the not-so-hot of the moment.  Royal Blood (technically a duo rather than a band) have been leading a charge; a few newcomer Indie groups have been sneaking in- mainly it is the solo artists that have been making the biggest impressions.  I am not sure why it is- I have postulated many times- the solo acts tend to do better than bands; strike the hardest and provide the biggest range- and resonate longest in the memory.  This is true of the mainstream, particularly- if you survey the last few months, think of all the lone stars that have amazed.  Aside from one or two interesting-ish groups, there has been a huge discrepancy and unbalance- I am not sure why this is.  One settling and soothing thought comes when you look towards new music- there are no shortage of tremendous bands and fervent acts.  From all-girl Electro acts through to bearded Grunge warriors, there is not exactly a quality shortage- you can find exactly what you are looking for.  One of the fastest-growing genres is Indie-Rock- possibly the two most prevalent and synonymous words you can find in new music.  I am not sure what the overall percentage is- probably 50-60%- but a lot of new acts play in this particular field- the genre is one of the most elastic and least rigid in all of music.  The Indos have arrived at a particularly busy time.  In 2014, the world has been treated (or forced to witness) a huge raft of new Indie (and Indie-Rock) bands- all shapes and sizes have come through.  One of the most unsettling and disappointing things about the ascendency and proliferation (of Indie-Rock bands) is the lack of precise quality- most of the new breed are hardly world-beating.  There are a few reasons why my theory carries some weight: the sounds stick too rigidly to other bands (usually Arctic Monkeys) and lack personality; the range- across albums and E.P.s- is brief; other points comes to mind.  When I have investigated recent Indie-Rock bands, I am always left a little ambivalent- I would love one band to stick their hands down my trousers and give it a good rummage.  The likes of Royal Blood may be a tad derivative- too many Zeppelin/Queens of the Stones Age-esque riffs and moments- and a little overrated- you cannot deny how immediate, pummeling and gripping they are.  Too many fresh Indie bands are negating the importance of gravity and force- tending to come off as too weedy, sanitary and banal.  Before I continue on my point, let me introduce my featured act:

Born and bred in North Edinburgh, The Indos are an alternative rock band who take influence from the mod, pop and heavier rock that emerged from British rock bands of the 1960's.  Mixing a blend of heavy guitar driven tracks with more melodic songs the Indos have created a unique sound.  The current line up came together in late 2013 and have gone on to cement a reputation as a quality band on the Edinburgh live music circuit in 2014.”

Greg Atkinson - Drums/Jamie Gilchrist - Guitar/Backing Vocals Treadfast Johnson - Bass Guitar/Michael Knowles - Guitar/Lead Vocals/Dando Myrillas - Guitar

I am not saying every Indie-Rock band needs to start copying Royal Blood- it would make a change from all of them parodying Arctic Monkeys- but they could learn some lessons.  Currently in the grip of a White Stripes, Supergrass and Muse listening frenzy, I have been hooked and addicted by one thing- that element of fun and electricity.  Whilst Jack White may not strike you as the most jovial and clownish leader in music- albums like Elephant are masterpieces of substance, style and sheer wonder.  Supergrass’ early career dynasty is rife with hypnotic and fun-time brilliance- similarly, Muse have summoned up their fair share of divine smashes.  Too many sapling Indie-Rock bands are overly concerned with being inventive and emotional- the latter only comes off if you have genuine talent; the latter is a risky avenue to walk too heavily.  I am all for balance and emotional levity in music, but I fear the spark, sex and swagger is fast fading- there are acts that are making sure the light does not extinguish for good.  The Indos are one of the bands that are keeping the sweat and tongue-poking adventurousness where it should be- firmly in the cheek(s).  Their debut offering has been stunning and seducing critics- over a month before its official release.  A band that gives few tells and insights- their social media output is still growing and developing- they are letting their music speak.  Having been conversing with their manager- a good friend of mine- I know what a wave the boys are creating- the good word is being proffered far and wide.  It is not hard to see why the lads are salivating slacked jaws- their slices of primal and gritty Rock marries seamlessly with their own brand of introverted and nuanced emotion.  Our heroes are not merely contended to lazily knock-off the in vogue acts- replicate some third-rate Arctic chill; they are a bona fide band of unique insight.  They may be starting out into the big bad music world, yet their early profferings indicate serious intent- that could well parlay into long-term glory.  Their ingeniously-titled debut E.P. contains over four dozen shades of blue- a colour that is deeply suited to the Scottish clan.  Not only can they pull off inner emotion and sensitive reflection; they can lace smut and sexual longing into wonderfully choreographed and realised jams- that mutate into Blues-Rock shades.  Although their quartet of songs has been enflaming and exciting reviewers and fans alike; they are a bit of an unknown quantity further south.  When new bands come along, it can be a tremendous task (making sure they get due recognition)- promotion, publicity and the like can be an exhausting endeavor.  While social media can help a lot- and local word-of-mouth is a useful tool- it is down to listeners and new fans to help get the word out.  I hope The Indos see their stock rise and explode- they are one of few new bands that are instilling and reintroducing the almost-forgotten flair of Rock.  Time will tell just how far the fellas will go- I am sure they will be festival headliners before you can blink.  There are not many musicians that come out of the blocks with as much fire, passion and distinction- ensure you become acquainted with a band that have no intention of remaining local and clandestine.

The Indos boys are starting out in the music world- taking those first steps into the arena.  For that reason, it is hard to see how they have developed- look at their past work.  On YouTube, you can hear some rough demos and snippets- indications of evolution and progression.  If you have been fortunate enough to track the lads since their inception; witness them as they take their songs on the road- it is hard to see just how much they have improved.  From reading live reviews; fan comments and the like, it is evident The Indos have made some strides- grown in confidence and passion.  The songs- on 50 Shades of Blue- highlight just how intuitive and natural the boys are- their recorded cuts have a great live sound without coming off as bare and unprofessional.  It will be fascinating to see how the band grow and mutate- if they will launch an album; retreat maybe and hone their live sound.  From what I hear, they are a pretty reputable name on the road- deftly able to seduce and entrance all sorts of crowds.  What I would expect is for more music to be on their mind; they will be planning future singles- maybe an E.P. for some time next year.  Over the course of a quartet of songs, Edinburgh’s Indos are sure to get tongues wagging.  Even though their E.P. is not unveiled under November, I know there is a lot of demand- the early buzz has been positive and universally positive.  Personally, it would be great to see the band develop a full L.P.- expand their sound as much as they can.  At the moment, it is best to keep grounded and realistic- concentrate on the band’s current work.  Unlike a lot of their peers, our boys do not suffer from lack of invention and quality- they have enough potential to suggest some very endeavoring future movements.  It is clear 2015 will provide multitudinous possibilities and chances; the lads will be getting gig requests and some great demands- I am sure the group will be coming out of Scotland and taking their sound on the road.  One of the most frequent things I hear is from various acts and artists- claiming their fan base do not extend to the southerly regions (and cities like London).  This conundrum and aliment may be because (the acts in question) do not have a varied and popular sound; perhaps they are not putting themselves out there- London and the like are waiting to witness special and striking music.  I feel The Indos will not have to wait too long until they are called down here- the crowds of London are likely to eat up The Indos’ brand of stirring music.

The Indos themselves are pretty coy- when it comes to listing their influences.  Every band and act is compelled by others- some obviously so; other less.  The Scottish five-piece are pretty hard to tie with any others- nothing glaring presents itself.  There are embers of other acts here and there; shades of the odd familiar sound- by-and-large the boys keep things fresh and original.  What you find with the band is their need to distinguish themselves- come across as their own men.  Plenty of energy and innovation comes out in their music; muscle and energy is all evident.  Rather than lob other bands and artists their way; try and find out which acts make them tick- it is best to look at the components that go into their music.  The rampant and youthful sense of swagger has hallmarks of the current Indie-Rock explosion, in addition to hallmarks of the Britpop uprising- the bands and masters from that time have made an impact.  The Indos draw in elements and sounds of their local streets; the local bands to them- combining those sounds with some classic elements.  Energy and passion are as evident as nuance and consideration- the quintet have a keen ear and eye for balance and pace.  Their music does not stick rigidly to a particular sound or direction; it does not cling to predefined models and expectations- there is elasticity, surprise and huge mobility.  What The Indos’ E.P. offers forth is a brilliant mix of contemporary, classic and personal- few modern acts take the effort to blend these considerations.  The darlings and champions of the current scene lean too heavily on obvious avenues; narrow their ambitions and come across as too obvious and predictable- The Indos are not going to settle for any of that.  If you are looking around for similar acts and artists- that could have inspired the boys- then it is best to listen to the bands of Edinburgh- the young and established attists that dominate the hearts of the city.  While most contemporaries are inspired by the Artic Monkeys and Oasis’ of the world; our five-piece are less predictable and stifle- there is a concerted effort to stick in the imagination and present music that is hard to compare (with anything else).

3 Sticks of Dynamite begins less with a triple bang- but a slinking and sensual Blues lick.  A lascivious and too-cool-for-school swagger greets the track.  The riff is infectious and finger-clicking; bubbling and sizzling- remaining Blues-infused and ice-cool.  Joining the fray is percussion which crackles and snaps- the twin pillars give the opening moments a huge weight and glorious architecture.   In fact, the entire band combine wonderfully in the introduction- you can hear each player and element come together to create something rousing and uplifting.  When our hero walks to the microphone, his voice is firm and determined.  It would only take three sticks of dynamite to wish his life away- blow apart everything he is.  The lines and thoughts are not delivered with overt sadness and anger- there is a relaxed and matter-of-fact sound to the vocals.  Having lived a hellaciously busy and fun two decades- playing “broken records” and playing in a band- our man is going to end it all with a bang.  The song grips you from the off.  Not only can you detect a very clear accent come through- few Scottish bands actually sound Scottish; they tend to turn to England or the U.S. for vocal inspiration.  The other striking point is the words themselves- what they mean and what has inspired them.  It is clear our hero has worked hard and seen a lot- struggled and battled in the music world to make things happen.  There has been strain and repetition; some hardships and pains- you know just how much it all means (to him).  The dynamite fuses are lit- but burning low- and (old records are sounding the same)- there is some fatigue and dissatisfaction lurking in the midst.  Perhaps the past has seen our hero (and his band) not get their recognition- perhaps they have felt isolated and balkanised.  There is a determination to make things right; claim glory and change things up- get the just rewards (that he has been working hard to obtain).  The band combines seamlessly to summon up quite a mood; the festival of sound is entrancing.  Our hero is playing and not complaining- he needs to make some plans.  Life is going well; not quite as good as it could be- that essential bang is needed.  The frontman is putting an end to games and shenanigans; the dynamite is lined up and the potential is all there- this song is the declaration of what is to come.  As the song comes to its end, you start to sing along and become caught up- the chorus especially is addictive and highly memorable.  Although the track is a relatively short and concise one, it manages to pack in a lot of punch- without throwing too much into the composition.  The words and refrains are those everyone- in the music world- can relate to- that needs and desire to change things and follow dreams.  Following on from this empathic track is Falling In and Out of Space.  Twanging and low-down bass notes get the song underway- there is a slight Grunge sound to the initial notes (sounding a bit like Nirvana’s Stay Away).  From the opening track’s buoyant and compelling highs, here we have something more inward and dangerous- a sound that keeps the mind primed and ready.  Crackling percussion, spinning guitars; dizzying embers all combine (soon enough)- another stonewall gem is forthcoming.  Few bands manage to make their introductions stirring and memorable- The Indos have crafted a pretty awesome one here.  The boys tangle and merge to come up with something both melodic and hard-hitting- a line that gets inside your head and tantalises the senses.  Driving and pushing, our hero comes to the fore- alarm bells are ringing around his head.  Our man does not want to go to work; look at anyone’s face (you and me both)- that sense of fatigue and dissatisfaction are back.  From the opening salvo’s tales of ambition and musical imbalance; here we see that subject broach once more- the boredom of the humdrum; the need to do something more meaningful and passionate.  Like its predecessor, the track is sprite and catchy; it bubbles and dances- a sense of fun always shines.  When vocals are layered and combined, the atmosphere rises and swells- our hero is not coming to work; instead he is packing his bags- heading for a new land and place.  Running from the world, he is falling (in and out of space).  A song to move your feet, inspire the tongue- get the fists lifted- it is a compelling and seductive jam.  Sick of the same old routines and day-to-day, that unrest and annoyance is clear- who wants to be stuck in that rut?  Motivated and inspired by bigger ambitions, our hero is escaping his job; fleeing and hitting the road- you can hear that relief in the vocal performance.  The entire band are magnificent and magnanimous throughout- the playing is exemplary; the support just right.  No player wanders or hits too hard; there is a real sense of balance and unity- the composition is a busy and catchy diamond.  Cutting and slicing; upbeat and introspective, there are contradictions and mixed emotions- a full-bodied track that catches you off guard.  Not expecting such consistency and quality- from a new band- Falling In and Out of Space is one of the most true and relevant songs (the band has penned)- a track that resonates with almost all of us.  Past the half-way marker, Lovin’ You Was Easy promises something less work-focused- taking us into avenues of relations and love.  A typically impressive introduction kicks things off- that marries The Kinks’ You Really Got Me with embers of The Libertines.  Both light and sexualised, the guitar work is particularly impressive- when mixed with leading and driving bass, it is a stunning and exciting sound.  Displaying some sounds of ‘60s Pop, The Indos take their minds back to a better time (for music)- a song that is sure to draw in fans of this generation.  Our frontman recollects past times: when making plans and kissing (his girl); it seems that those times are still on his mind- the good times it seems.  In his dreams, our man adored his sweetheart- things have now changed.  The walls have caved in; the situation has changed- our man is imploring his girl to go; to get out of his thoughts.  Although it was easy loving his girlfriend- you can imagine why- there has been a fall-out and seismic shift- whether a rift has separated them (or boredom has set in)- you cannot relive the past.  Once more, the Scottish quintet keep the atmosphere tight and upbeat- the vocal performance is engaging and stunning- the composition mixes shades of ‘60s Pop, ‘00s Indie and modern-day Alternative sounds.  The band themselves sound like no one but themselves- you would be hard-pushed to think of other groups (when listening to the song).  Dragged under by the waves of pressure, our hero is fighting the tide- trying to get some freedom and emancipation- for good reason.  His girl made his laugh and happy- and turned-on it seems- but never provoked and spiked his mind.  Perhaps a rudimentary and one-dimensional love, our man needs something deeper and more complete- maybe music can provide the necessary heal.  A short and staggering burst, the band grows with confidence and meaning-as each track unfolds.  Once more, the bass leads from the front- She Drives My Gun Insane has a clambering and sweaty early promise- something tongue-licking and charged comes out.  Although the mood is quite levelled and composed- you know something dirtier and sexual is pressing (underneath).  With a ‘60s head, the song has all the charm and captivation of the Power-Pop revolution.  Our hero lets his voice calm and soothe- recalling his girl and her healing spirit.  Our frontman is on his knees; buckled and hooked by his seductive lover- someone who is causing him all sorts of pleasures.  With a chorus that is as gripping and memorable as any, the song is a lofty and heady brew- one of the most positive and uplifting tracks (the band has produced).  Gone are the regrets and anxieties of modern life- here is something more contrite and impassioned.  The vocal is particularly stunning to hear- instilled with ample passion and pure conviction.  The composition is urgent and pressing- the band is at their peak here.  Hooked and gripped by the mellifluousness and calm of the song- you cannot help but picture the heroine.  An alluring and Siren figure, she has caused quite a ripple- our hero seems to be lost in the thought of her.  A song that is sure to be a sing-along festival favourite- it is the perfect way to end the E.P.  Not only does the track capture the imagination- it leaves you wanting more.  The band manage to leave mouths wet and waiting- there will be huge demand for new music.  Across four brilliant tracks, you get a great assessment of a very unique and impressive band- boys that have a big future ahead.  Having mined a sound and vein of music- that few other acts have stumbled upon)- I cannot wait to hear more from there.  50 Shades of Blue is certainly one of the most immediate and fully-rounded E.P.s I have heard all year- a scintillating and staggering debut.

Across the four tracks of 50 Shades’, the boys of The Indos manage to pack in a hell of a lot of effort and memorability.  I mentioned how original the guys sound; how few other acts come to mind- there is a true and endless sense that they are indebted to nobody.  Of course, there are some tiny shimmers of other groups (in some moments) but it is the distinct and unique voice that (makes the E.P.) such a winner.  No two songs (on the E.P.) cover the same ground- not in an obvious way- so the listener is always treated to something new- the band manage to retain their core and key sound without compromising anything.  Whereas a lot of Indie and Rock bands possess limited flexibility and surprise, The Indos are relentlessly fresh and innovative.  Buoyancy, fun and energy goes into the E.P.  Each of the songs manages to get you up to your feet; there is danceable and merriment to be found- enough introspection and emotion nestles beneath the notes.  Before I recommend and congratulate the players (involved), it is worth summarizing 50 Shades of Blue.  It is an E.P. not quite as saucy as its title suggests; not as dark and depressed- there are ample shades of red, yellow and…well, every other colour you can think of.  Being a Scottish band, there is grit and fight to be heard; brave attacks and natural spirit- an incredible musicianship that never relents.  The songs have the potential to translate into the festival circuit; enflame and rouse legions of fans- there is a catchiness and addictiveness that never lets go.  Greg Atkinson leads a percussive assault that adds vibrancy and hard emotion.  Tuneful and composed the one moment; determined and swaggering the next- he adds an elementary and firm backbone.  Never allowing his performances to become too intense or needlessly reckless, the drumming is sturdy, impassioned and playful- matching whatever is being projected in the foreground.  When songs are fun and charming, Atkinson is up to the task- when more inward and angered, he is capable of summoning up the mood.  A lot of drummers- in other bands- tend to get pushed into the back; left to keep time and do their thing- never really allowed to shine and come up front.  The Indos have a democracy that means Atkinson is on a level par; he is given an equal vote and allowed to flourish.  Because of this, there is an effortless and breeziness- that results in some consistently stunning and powerful performances.  Jamie Gilchrist provides backing vocals and guitars- blending in perfectly and inputting an enormous amount of weight and authority.  His guitar work has all the sensibilities and trademarks the modern music listener demands: power and pace; surprise and unpredictability; unique ideas and ideals; passion and flair aplenty.  Hypnotic and gripping when required, the strings bleed and echo- when the emotions are more settled, it is tender and softer.  The entire band are tight and impressive throughout; Gilchrist is one of the most natural-sounding and assured guitarists on the scene- his inimitable vocals blend perfectly with the hero.  Treadfast Johnson is the bass king and guider- the one responsible for leading the songs and keeping everything focused and controlled.  Lyrical and melodic; fervent and spiraling- Johnson has his own personality and way of doing things.  A great percentage of bands are not noted for their bass work- it seems to be a minor facet that is overlooked.  If you look at all the great and most varied bass players- everyone from Kim Deal to Paul McCartney- they are synonymous with their personal approach and styles.  The Indos are lucky enough to have a player that does not put in the bare-minimum- he puts in a solid shift.  Possessing a lot of different shades, layers and approaches, Johnson is the consistent and reliable heartbeat of the band.  Dando Myrillas adds to the guitar army- leveeing in his strings and ensuring the force and majesty never drops.  A captivating and intuitive performer, Myrillas is responsible for a lot of the E.P.’s most uplifting and memorable moments.  50 Shades’ contains a great amount of spoil and tussle; the energy and swing never lets (its grip go)- the stunning and authoritative guitar work is synonymous and radiant.  Adept at conjoining with his cohorts, or else going out alone, the guitar work is endlessly nuanced and fascinating- retaining a unique voice and original intent.  Too many Indie and Pop/Rock bands throw guitars in the mix to make noise and commotion- there is little consideration toward rhythm, style and diversification.  The Indos’ sound is one built around movement and addictiveness; potency and pride- they are a band that have few equals.  Michael Knowles is the voice behind the songs- the man that gives life to the lyrics.  Playing guitar- as well as singing- the hero has a very particular voice- you can hear the native accent come out.  Not willing to Americanize the tones; mimic any other singer- Knowles retains his natural voice; making the sounds and sensations that extra bit special.  Filled with energy and passion; hard intent and sexuality- with every other emotion nestled in- he is one of the most mobile and wide-ranging singers about.  Never succumbing to overt wailing or whining, every note and vocal is assured and controlled.  Not a preening and copycat singer, Knowles puts his all into the performances- a leader that is led by his own instincts and ideas.  The lyrics (throughout the E.P.) do not keep their mind in one particular area- there is plenty for everyone.  Most bands- who play in the same genre- over-personalise things and tend to put too much of themselves into tracks- that revolves around broken love and fractious break-ups.  The Indos have a greater depth which means songs go to the streets; they go behind closed doors- there is story and filmic quality in their rhymes and couplets.  The abiding take-away (from the E.P. and band in general) is fun and catchiness- anthemic luster and glorious tunes.  The E.P. is going to be one that will see the boys in greater demand- there are plenty south of Scotland that would be clambering to hear The Indos.

I have probably expended and exhausted every adjective (to describe The Indos).  In the music scene, the avid- and short-sighted- listener is always looking for something new and fresh- damned by any samey and predictable act.  Music is about as gender-blind as any industry out there.  I am finding myself more impressed by female solo acts more than any (style and form of music/genre).  It is the invention, individuality and personality that compel me- that vocal balance of sweet and powerful.  Male bands are more widespread and common (than female ones) and as such, are in my thoughts- I find that too many bands are stale and lack necessary invention.  As I type, I am listening to Royal Blood’s south coast blend of primal riffs- there is something troubling about their rise to prominence.  Although I was one of the first reviewers to feature them, I think they have room for improvement.  From the opening riff of the lead-off track, there is a sense of disappointment.  Whereas some bands have a unique and distinct voice, Royal Blood seem too much a conglomeration of other acts.  The voice and riffs of Jack White come out; the anger and staccato beats/guitars of Rage Against the Machine are evident.  Throw in some Beastie Boys attitude, Artic Monkeys swagger; Queens of the Stone Age sensations- with a dash of Led Zeppelin into the mix- and that is Royal Blood.  It is impressive that they instill the memories of some of music’s greatest ever artists, but you have to wonder: how hard is it to do; where is the originality?  When their second album arrives, the public- and reviewers like me- will want to hear something that is THEIRS- sounds that break away from copycatting and mimicry.  Regardless, there is a desperate need for originality and difference- acts that possess huge quality, yet do so in their own inimitable style.  The mainstream throws up few worthy examples- new music is where the quality is being found.  The Indos are one of a small group of acts that manage to pack an immense amount of wallop (into their songs) and never really lose focus and momentum.  Their 50 Shades of Blue may be the first step (of many), but it is clear the boys are not in it for the short haul- you know that they want to be owning festival stages very soon.  Without succumbing to histrionics and over-exaggeration, I am confident the quintet has a great future ahead of them.  The debut cut is the most important (for any musician)- the early chance to see just how good they are.  Whereas a sizeable chunk of new music is dominated by vague and homogenized Indie artists, there are bands that want to be different- keep shades of the genre without coming across as just like everyone else.  Slippery, sensual, sexy and salacious; hard, hormonal, hectic and huge- the guys manage to put you in the mood.  Their sounds are not merely point-and-shoot toss-offs- they have a flair and sense of intelligence few of their peers possess.  Nuance and credibility comes through in every moment; there is ample melody and layering- enough solid musicianship to please the snootiest of fans.  What the band’s E.P. provides is a glimpse into a hungry and eager clan- what is currently going through their mind.  It will be great to see where they go from here; whether 2015 will see another E.P. developed- or an album.  What I do know is the five-piece will be embarking on touring and gigs- getting their sounds out to the masses.  Based rather far north of London, I hope the lads get themselves down here- their music will find masses of loyal ears down my way.  Employing some of the magic (of music’s finest acts), I have been left deeply impressed (by The Indos).  If the group comes play London I will be sure to come and see them- reviews suggest they are a formidable live proposition.  I will end the review with a final point- something that will always bother me.  With the mainstream producing mixed results and fly-by-night heroes, eyes are naturally cast towards the new- and underground—generation of musicians.  From the fire and fuel of expectation come some rather limp and lukewarm embers- artists that lack necessary attack, memorability and talent.  The flipside to this issue is the ability to locate the truly great acts- sift through masses of acts and discover the best out there.  Perhaps these quandaries will never been eradicated and resolved; there will always be discrepancy and problems- so long as bold and distinct acts come through, we need not worry (too much at least).  When 50 Shades of Blue drops- in November- ensure you investigate it in full; follow the band now- on Twitter and Facebook- and immerse yourself in their striking brand of sounds.  They may be taking their first small steps into the wide music world, but they will be making big strides too- expect to hear a lot more from the Edinburgh brotherhood.  Across a quartet of tight and stunning tracks, the band has laid down a marker- a challenge to their contemporaries and colleagues.  With originality and distinction fading from music, it is pleasing to see a band that owes little debt to others.  As was said- about Royal Blood’s debut- that debt can be written off when there is plenty of fun (to be found).  The Indos manage to keep the fun and frivolity afloat; they tussle and hustle with determination- catch you off your guard on several occasions.  If you want an anecdote to the endless parade of faceless acts; those new artists that provide little tantalisaton- check out The Indos.  Their best days may be in the future, yet all the evidence and potential is here.  Their train has left the station with furious speed and steam-spewing pace.  Make sure you do the smart thing and…

JUMP on board.

[youtube https://www.youtube.com/watch?v=xCgJtVSibL4&w=560&h=315]

About the Author:

http://musicmusingsandsuch.wordpress.com/about/

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Follow The Indos:

 

Facebook:

https://www.facebook.com/TheIndos

Twitter:

https://twitter.com/the_indos

SoundCloud:

https://soundcloud.com/the-indos

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The Indos’ videos available at:

http://www.youtube.com/channel/UCUI5nTaecJ3NsEXtJyvD-eg

Album Review: Blackburn Hall- Self Titled

ALBUM REVIEW:

 

Blackburn Hall

 

Self Tilled

9.4/10.0

Self Titled is available via:

http://blackburnhall.bandcamp.com/

TRACK LISTING:

49- 9.4/10.0

Ghosts In The Walls- 9.2

Steel & Wire- 9.3

Echoes Beat Louder Than Drums- 9.3

Black’s Forest- 9.4

North American- 9.3

Stop Singing- 9.4

Common Man- 9.5

Highways- 9.4

The Attic- 9.4

Walk Into The Sun- 9.4

STANDOUT CUT:

Common Man

DOWNLOAD:

49, Black’s Forest, Stop Singing, Common Man, The Attic

Recorded at The Gas Station by Dale Morningstar Additional Recording by Mitch Bowden and Graham Walsh Mixed by Graham Walsh Mastered by Andy Magoffin at The House Of Miracles

Pete Hall - Vocals, Guitars, Lap Steel, Keys, Banjo Adam Melnick - Bass, Keys Dan Empringham - Drums Alex McMaster - Cello Graham Walsh - Keys, Soundscapes Julie Fader - Vocals Terra Lightfoot - Vocals

RELEASED:

30 September 2014

GENRES:

Pop, Indie-Rock

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The Canadian trio have amazed critics and blown away listeners.  Drawing in different musicians and sounds, the band have produced a stunning Self Titled effort.  If you are not familiar with Ontario’s Blackburn Hall, be sure to pay a visit- and keep coming back for more

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IT is not going to be long until...

I give up reviewing and put it to bed.  It is not to say my featured artist is not fantastic- they very much are- it is the fact its interest and fascination has decreased.  It may seem like an odd thing to announce, but in the next month I will be closing the blog down- reviewing only from 2015; maybe doing the odd review here and then.  It is not down to the fact that the quality of music is decreasing- there are some less-than-impressive moments but it is the same as it ever was- the fact is that bigger things await.  Having recently announced a forthcoming charity fundraiser- I am starting to focus my attention outwards.  Not too much good can be achieved from certain endeavours; the only way you can do well is to think of others- less fortunate and make a stand.  Too few current acts look towards others and help the general community- there is a consensus towards inner ambition and personal campaigns.  My general point is that life is throwing things in front of my.  My home life can only be described as horrendous- stuck in an atmosphere I detest and drains every ounce of me.  Lack of finance and extreme fatigue is sapping the life from me- music and escapism is my only form of comfort and positivity.  Aside from my better and bigger plans; the movements away from day-to-day predictability- great new acts are still surprising me.  In spite of the fact some recent review subjects have not shared my work- something that makes walking away so much easier- the sounds and variations are deeply impressive.  One of the biggest woes- when looking at new music- is the homogenization and lack of originality.  With every new band or act, you can always predict what is coming; you are never blown away and the mind is rarely nurtured- when a great act does come along, it always makes the week more bearable.  Over the last few months, few artists have genuinely resonated in the imagination- the pressure really does seem to be on.  In the modern scene, you need to offer a lot more (than what you think); step aside from derivative tendencies and come up with something unique and fresh- so few musicians come across as different and striking.  For every wonderful and genuinely great act, there is a hopelessly tedious and banal band; a stunningly awful Pop artist- it is not the way to inspire the new generation of musicians.  Stepping away from the negatives of reality, there are some acts that get the point- know how important it is to stand out from the crowd; not just plod out the same woeful standards.  Luckily, my featured act has something about them; combinations and sounds that have entertained and compelled my mind.

Blackburn Hall is a Canadian collective that are a little sparse (at the moment).  In terms of social media output, it is a little lacking- In need of some proper biography and back story; a bit more flesh and body to their Internet spread.  It is hard to dig up too much information about the band; where they are heading- how they have come into existence.  Hopefully this will be rectified as soon as possible, because the Ontario band is one of the most distinct out there.  I have received hordes of review requests from Ontario musicians- no idea why the hell the rest of Canada is so quiet and dull; it seems this part of the country are awake and genuinely ambitious.  Blackburn Hall does not need to stress too much about their visibility and brevity- the reviews coming in (for their debut L.P.) have been hugely positive and impressive.  Peter Hall’s new crew has turned in an album filled with crunchy and hard riffs; compelling moments and diversions- consistency that is not to be overlooked.  Too many modern acts negate every necessary consideration- they do not produce solid albums; their sounds are not varied; they seem to lazily string together riffs and ideas.  Blackburn Hall has shown just how flawed pragmatism is- there is so much gold to be found in idealism and rebellion.  Their Self Titled (missing as it is a hyphen) cut is rife with packed and busy tunes; orchestral sways and grand moments- plenty of mesmeric riffs and dizzying choruses.  Canada is one of the most fervent and stunning musical nations of earth- producing some of the most brilliant and joyous bands of the moment.  It would be nice for acts outside of Ontario to get their arses in gear, but geographical stubbornness is outweighed by overall quality.  One of my biggest regrets- about my current predicament and tiredness- is the sacrifices I have to make.  As a musician and writer, I am limiting my ideas and output; having to put plans of the backburner.  As a campaigner and organiser, I find my time lacking and precious- real life tends to get in the way of everything.  It is great being a functional member of the workforce; having a regular job and earning money- reviewing has never earned me a penny.  The thing is, the daily commute is taking so much energy away from me- my great ideas and plans are being marginalised and reduced.  I guess that is the price you have to pay; there is never a good moment to get the best of both worlds- music is the outlet and sanctuary that everyone clings onto.  When new music is unsurprising and mediocre, the listener needs to look elsewhere- rely on the dependable charms of the best of music’s history vault.  When sapling acts get the blood rushing, then something great can happen- all those off-putting others seem less relevant and grating.  Blackburn Hall has taken the time to craft music that provides nuance and quality.  They are not the product of a marketing campaign and copycat instincts- the ensemble are among the most talented musicians about.  The former A Northern Soul pioneer has amassed a sturdy and scintillating conglomeration; a clutch of musicians that provide classical minimalism; Rock glory and multilayered variegation- sounds that you can never see coming or predict.  It will be great to imagine Blackburn Hall arriving in the U.K.; introducing their particular brand of song to our waiting ears- we have few comparable acts over here.  In a heaving sea of generic riffs and posing band pretenders, it is nice to hear a shake-up; unconventional wisdom that has maturity, youth and passion- embers and realities that far supersedes the watered-down soup of the majority of contemporaries.  I shall not rant and moan on, suffice it say, it is refreshing to hear an act that does not take the easy way out- there is craft and intelligence to their music; a mixture of simplicity and complexity.

When looking into previous work, it is hard to draw up too much backstory.  Blackburn Hall is a relatively new and fresh endeavour.  Hot off of the blocks, their current album is their most completed and fully-fledged work- the real chance for the public to witness an incredible and stunning band.  The tracks on offer- within the L.P. - are rife with difference and diversity.  It is hard to really pigeon-hole and label the music- putting it into genes- the best way we can look at Blackburn Hall is through the complete picture- the sort of sounds and songs that are being offered up.  Many reviewers and critics have pointed out how varied and different the work is; how many different strands and avenues are crammed together- without it sounding forced or scattershot.  What Blackburn Hall do is to convincingly master every genre they play- the experimentation and authority is hard to ignore.  When listening to their album, I was taken aback by how mesmerising it was.  With each new song comes new ground and fascination- it bodes well for the future.  It will be hard to see where the band will go from here- whether they produce another album; an E.P. or single- what they will choose to do.  I would love to hear another come forth; see if the guys stick with their varied sound- or hone it slightly.  What you can guarantee is that (whatever comes) it will be packed with huge quality and surprise.  Few bands have an overall sound that takes in so many different possibilities; that which can entertain and seduce a wide range of listeners- make everything sound completely natural and complete.  Blackburn Hall has plenty of ammunition and longevity appeal- they will be on the scene for a fair few years.  Most bands and acts start out quite timidity; lack bravery and instant charm- choosing to put out a single or E.P. to get things going.  If you do decide to pull together an L.P., you have dangers present- is it going to appeal to listeners that are encountering you for the first time?  Not only does it have to hold the attention- which is remarkably short today- but result in repeated demands and fevered praise.  Being a (music) market filled with disposability and short-term lust, it is harder than ever to make your mark.  Blackburn Hall has enough confidence to go in all guns blazing- put out an album that is going to leave everyone (that hears it) satisfied and won over.

When it comes to like-minded acts- one could compare with Blackburn Hall- there are few to choose from.  The band has such a distinct style, yet has been influenced by a few select bands and acts.  Death Cab for Cutie is an act that has had a bearing on the Canadian act.   If you look at an album like The Photo Album- the band’s 2001 work- it shows a lot of inspiration and drive.  The infectiousness of the music is only matched by the catchiness and sheer energy- the amazing range of moods and stories is enough to win over the steeliest of hearts.  Stream-of-consciousness vocals mix with confessional verses and aching performances- the vocals are heart-aching and uplifting throughout.  The melancholic piano and guitar moments are some of the most emotive and tender (of the time)- you can hear some of this come through in Blackburn Hall’s album.  The observational lyrics and cutting riffs add electricity and vibrancy to surroundings- something the Canadian collective have taken into their work.  Upward trajectories and optimism lurks alongside some downward arches and draining emotions- the mixture and balance is pretty perfect.  The Photo Album contained perfectly crafted songs and wonderful moments- it inspired new legions of fans and compelled contemporary acts to follow suit.  Daydreaming music was a soundtrack to pocket-size epics; slice-of-life dramas that hooked you and amazed the mind- the brains and emotions on display were of the highest caliber.  Listening to the album and you get a glimpse into a remarkable act- one that understands the importance of quality and keeping things fascinating.  Blackburn Hall have taken this to their chest and presented their own version of events- distilled all of their multiple charms and possibilities into a stunningly cohesive and nuanced record.  The Weakerthans are an act that many would not have heard of.  The Canadian Indie-Rock band may be well known in their native country- perhaps few of us here are aware of their work.   Left and Leaving remains one of their essential masterpieces; one of the greatest Canadian albums of all time.  From the striking and perfect album cover, what you get within is a political message in one- a statement that has its heart within political considerations; the brain and body with more melodic and traditional elements.  The staggering wordplay throughout caught many listeners agog- the literacy and intelligence throughout is of the highest order.  With stunning production values and atmospheric grandeur, the album is as true and distinct as any- a guiding light into another way of life; a way to live without having to apologise.  The truisms and insights have compelled a lot of current acts; including Blackburn Hall- there are similar and familiar edges within Self TitledAttack in Black is an act that has made a mark on Blackburn Hall.  A fellow Ontario Rock act that take in influences like Neil Young and The Ramones to create Folk-Punk gems.  Although Attack in Black pack in fewer instruments and sounds (than Blackburn Hall) the quality and wonder.  Attack’ has shown themselves as a tight and militaristic unit that has amazed critics and followers.  Albums like Marriage remain balanced and deep- merging ballads and soft numbers with upbeat stadium-sized themes and epics.  The band remains original and truly distinct.  Limiting themselves to traditional components- bass, guitars and drums- they manage to supersede expectation and hone songs that are sharp and stand-out- they have teeth as well as passion.  The final acts I want to bring in are Julie Fader, Huron and Terra Lightfoot.  On Facebook and social media, Blackburn Hall has called these acts influences- looked to them when creating their album.  Fader is a Canadian songstress that is a celebrated and adored artist.  Her album Outside In featured none other than Peter Hall- our hero and front man.  The gorgeous Canadian crafted an album of exquisite music; songs that touched the heart and enflamed the mind.  Whilst relatively quiet for the last few years, her 2009 L.P. remains a huge accomplishment- an L.P. that has compelled a lot of her country mates and musicians.  Although Blackburn Hall are a core trio, the musicians and sounds they bring in gives the impression of something larger and grander- they whip up huge atmosphere and epicness.  Huron and Terra Lightfoot represent two very different sides of the music world.  When thinking of Lightfoot, it is hard to overlook her beautiful talent and amazing appeal.  Not only a wonderful musician, she remains hugely influential and gripping.  These acts have all have an impact on Blackburn Hall- enforced their sound and inspired their direction.  Our intrepid trio has managed to push away from convention and write music that is very much their own- you are loathed to compare them with anyone else.  It is best to judge the boys on their own endeavours and what they have come up with- an album filled with treasure and stun.  In a placid and plastic music scene, it is great to hear an act that has their own voice and direction- they are not second-par and copycat pretenders.  Not only is Self Titled a brave and bold statement, it is a record that keeps on giving and offering- not easing from your brain for a very long time.  For any bands that are uninspired and stuck in a rut- they could do with taking a leaf from Blackburn Hall’s book and providing something unique.  Plenty of passion and Rock spars with tenderness and catchy riffs- a boiling pot of magic and variegated pleasures.  The band are shaping up to be one of my best discoveries from 2014.

49 begins hard and intently.  A catchy and passionate riff welcomes events in- the Rock feel is cemented straight away.  After an infectious coda, our hero steps up to the microphone.  As the story unfolds and images are laid in, that constant energy and impassioned mood keeps strong- little flecks and electricity jolts add and augment the layered sound.  Our hero keeps his voice levelled and firm- never allowing it to burst and explode at all.  Shotguns, stark characters and vivid landscapes are all laid in; the atmosphere builds and the scenic drive grows in expectation and meaning.  A central character is described and followed- someone who was never seen again.  With infectious and repeated codas, the track has that festival feel- the sort of song that could be chanted from the fields.  One of the biggest and most rounded compositions; it is a stunning way to kick the album off.  Our hero asks dera mothers to “hold on”- his voice straining and romanticised.  Without warning, the track builds and becomes jagged; stuttered and fragmented riffs blend with a fuzzed-out guitar sound; our man lets his voice pervade and campaign- imploring hearts to keep alive.  It is strange how quickly the song completes its assessments- it has such a relentless pace and quality, it seems to end before (the listener is ready).  Ghosts In The Wall begins with demented, contorted and snarling electronics; sounds that mesh and mingle- a car crash inside a nuclear holocaust.  With flavours of Muse and Queens of the Stone Age, it is another triumphant start that has the listener hooked in- quite a startling and stunning introduction.  Primal and galloping, the track shows its teeth- before opening up into something lighter and catchy.  The boys keep things tight and focused in the early stages; never allowing themselves to wander or lose attention.  The song’s subject is haunting and fearful; at night the secrets are lodged in the walls- spectral visions and weird scenes fill the mind.  Melodious and warm, there is a sense of comfort to the song.  As our frontman looks at small victories and tired ghosts, it is another vivid and original track- one where the words are almost as encapsulating as the music.  The band unite splendidly throughout; enver missing a step or beat, they summon a hugely impressive composition- one that has as much heart and pride as it does lust and barbed wire.  Echoed and wailing strings parabond with hard-hitting percussion and driving bass- the song never lets its grip go.  Switching between memorable and light-hearted verses and tight and edgy rhythms, the song has a terrific dynamic- one that is emotional and urgent.  Nobody can deny the charms and qualities of the song; it is an addictive song that is quotable and alive- energy and momentum lodge inside your brain.  As it comes to an end, you have heard two different sides to the band.  Hard to compare with any other acts, Steel & Wire is another new step- a song that starts off impressively.  Rambunctious and delirious, the swirl of electronics, percussions and keys is a terrific blend.  A soft and swaying song, our hero is at his most tender and passionate here.  The vocal performance is filled with life and intention- his words look at fevered babies and fires burning.  Trust and unity are subjects that are explored; darkness and lighter moments are investigated- it is a song that gets you thinking and imagining.  Chorused vocals and choral affects add beauty and serenity to the number; the steel and wire (of the lead figure) eyes is as sharp and striking as the song itself.  Possessing a distinct kick and constant movement, a huge and emphatic 1-2-3 is completed- few bands go in so hard and meaningful.  With a title like Echoes Beat Louder Than Drums, you might be expecting something epic and huge.  The opening moments have a calm and sense of demure.  Romantic and lush guitar edges blend with serene and smooth vocals- the cavalry is building and eyes are dead-set.  One of the album’s shorter numbers- it is still nearly three-and-a-half minutes- it is no slouch at all.  Whilst not as bombastic and memorable as the likes of 49, it is another track that showcases Blackburn Hall’s myriad sides and talents.  It is perhaps the vocal turn that impresses the most.  The band is certainly up to the task at hand- making sure the composition is as vital as possible.  Shivering and shimmering strings are set with wave-crash percussion work; the bass bounces and tumbles- the track certainly never relents when it comes to passion.  Behind windows, the echoes are speaking loudly- you can picture loneliness and frayed emotions; doubts and regrets.  The band never allows their lyrics to be dumbed-down and too direct.  There are oblique suggestions and open interpretations aplenty- on each number the listener can decide their own conclusions and meanings.  Black’s Forest starts with some echoed and ethereal build; aching and natural world strings that get to the heart- a perfect and still way to bring the song to life.  With Country and Indie tones, our hero’s voice is reflective- he looks back at his childhood and the forest.  Memories are recalled and brighter days brought in; the song’s subject is being looked at and investigated- ashes and dirt meet with mother and earth.  Looking at childhood pictures, the earliest recollections- you picture the story unfolding.  Farmhouses and infantile beginnings mix with current-day anxieties and concerns- it seems our hero has some burden on his shoulder.  Just as I was settling into some relaxed and nourishing waters of calm, North American takes your mind elsewhere- the opening notes are a cacophony of metal and mental.  Rampant and spiraling strings are backed up with punchy and determined drum beats- the bass guides the lads forward.  One of the most addictive and stand-out introductions, the song is a classic Indie-Rock example.  Few other bands capture you so quickly; there is intrigue and fascination from the opening moments.  Between the hard-hitting notes and smashes, there is plenty of calm and measure- the song has a great quiet-loud feel to it.  Like Pixies and Nirvana, Blackburn Hall are deftly able to go from tied-down and reflective to explosive and sky-scarping.  Jubilant and wordless vocals get inside your head; the ever-changing composition is one of the most impressive things here.  Buzzing and psychedelic rapture unites with smashing percussion- the band is hard to predict and anticipate.  With a drive-time feel and upbeat nature, it is a song that is perfect for warmer evenings and long drives- the kind of song you can become immersed in.  Stop Singing has some tip-toe and nervy beginnings; our hero looks at a heroine- the men she has been seen with and involved with.  Our man implores (his girl) to stop singing out loud; get a grip and focus.  Maybe the words hide different meanings; it is a song that contains multiple layers and possibilities- you are gripped by the grace and catchiness of proceedings.  Looking at song structure- and applying it to relations and life in general- it is a clever and original composition that could apply to contemporary bands or certain people.  The chorus is one of the most infectious and stunning on the album; a coda that cannot be helped but sung-along and chanted- again, it will translate well with regards festival crowds.  Common Man has anything but a common sound.  Although it has Indie flavours, it is a song that is hard to compare with any others- it is very much the work of Blackburn Hall.  An epic and grandstanding song, it is imbued with energy and utter conviction.  The decibel level raises as the band come together with force- trophy wives and good times are explored.  Looking at common people and real lives, you get the sense (the band is) rebelling against certain people- those that are not in touch with the everyday struggle.  With bills to pay, the common man is in the spotlight- the plight and life that is faced.  The emphasis on good times keep coming back; the servants are on their knees and the oppressed are kept down- it is a song with a social conscious as well as a feel for atmosphere and memorability.  A track that could well define their live sets, it is intended to get crowds singing and enflamed.  A busy and packed composition, there are no loose edges or missteps- you get that symphonic and orchestral feel to things.  Like Muse and their ilk, Blackburn Hall is able to crank up the drama without stepping into the realms of implausibility.  Highways is another soft and tender start.  Grace and passion unify emotion and intent- it is a gorgeous introduction.  Our hero looks at steady flows and engines turning- promises are also put under the microscope.  Our man never lets his voice do anything other than captivate and intrigue.  A philosophical and deep-thinking number, Hall is joined on vocals- ethereal contributions add to the majesty and sense of beauty.  The two voices- between Hall and his female cohort- blend perfectly; it is like a lover’s call.  Indefatigable lust and passion comes out; you cannot escape the purity and intent of the song; it is a wonderful example of Blackburn Hall’s calling card- that diversity and unpredictability.  The Attic gets things back on a springier footing; tumbling and hopping into view.  Our hero found a notebook in the attic; songs are contained- numbers that were never recorded.  Like a diary, our man looks back at his earlier work- Hall does not care for blue skies; preferring rain clouds instead.  Upbeat rather than melancholy, there is truth and honesty here- the best and most brilliant songs contain heartache.  Every love song has an element of negativity and doubt; each musician has had to face inner demons- that does not mean songs have to be morbid.  Here there is a celebratory and joyous mood; the band is at their most elliptical and joyous.  Combining their instruments, the trio ensures the song keeps packing in punches and surprises; the attention to detail is phenomenal.  Having begun Self Titled with a bang and sense of drama, our finale sees us Walk Into The Sun.  A bookend of sorts, we get events under way straight away- go in with the same force and grit as 49.  Here, the vocal is in straight away; the band do not spare time with an introduction.  The song has a familiar sound and presentation- sounding very much the work of the band- yet manages to distinguish itself from the herd.  Packed with plenty of emotion, detail and urgency, it is another incredible number- one that closes the album with a determination.  Not content to simply leave the listener satisfied and assured, the band manage to leave you wanting more- maybe squeeze is another track or two.  After witnessing having digested so many different and wonderful tracks, it is hard to pick a favourite- so many are close in terms of quality and consistence- and it is clear there are no weak or filler tracks.  I was left amazed at the professionalism, songwriting quality and amazing performances- after you have finished the album, you revisit particular moments and tracks.  An album that is sure to grace many people’s stereos and thoughts, Self Titled is one of the most assured and stunning debut albums by any new act.  It is clear the Canadians will make their name known much farther abroad- they have a sound that would be welcomes and adored in Europe and Australia.  I hope the trio make a date to come to the U.K.- it will be great to hear them in the live environment and see just how brilliant they are up close.

Across 11 multifarious numbers, the members of Blackburn Hall have created something stately, memorable and very distinct- an album that is very much true to their own inimitable talents and creations.  The Canadian band remind me of an outfit like Massive Attack or The Cinematic Orchestra.  There are core members and a tightly focus group at work- they allow other sounds and musicians add to their wonder and music.  Too many acts seem far too rigid when it comes to their creations; seemingly intent on allowing no external force have an effect.  If you can effectively wield guitar, bass and drums; make the best noise possible with them- good luck to you.  The trouble is, so few modern acts manage to achieve anything spectacular.  Modern artists like Royal Blood- having been nominated for a Mercury- have been gaining mixed review and some close scrutiny.  Although Blackburn Hall do not throw too many other instruments into their mix, the sounds and effects are stunning- there is enough depth and talent to suggest huge things.  Past bands like The Libertines and Supergrass could be heard (in certain moments); that youthfulness and abandon; at other times things are more restrained and focused- their album packs in so much difference and interest- few can ignore its potential and urgency.   Before I comment on the players, it is worth overviewing Self Titled.  I have highlighted at the additional musicians and collective feel of the band- there are not a huge amount of other players; the sound just feels orchestral and vast.  At the most intimate avenues, the band are able to summon up something quite grand and swaying.  The essential focus is on the three men themselves- the boys that make up the band.  Their efforts, contributions and personalities ooze out of every pore; mesmerise the senses and captivate the mind- they should have a big future ahead of them.  When new bands put out an album; go into the market with something full and complete- the results can often by underwhelming.  One of the biggest issues- when stamping an album- is filler tracks and the weaker moments.  Aside from some originality being lost- during L.P.s- there is that quality problem.  I can appreciate the necessity of making your voice heard- if that voice is not interesting or consistent, then it can damage a career irrevocably.  As I type I am listening to Supergrass’ sophomore album, In It for the Money.  Not only is it one of the most spectacular albums of any time period, it staggers me with its consistency and quality.  So much energy and pizazz crackles through; tenderness and romance is allowed- the songs are infectious and utterly delirious.  Few bands have managed to meet the benchmark of that phenomenal album- present something that has so many different colours, ideas and qualities.  In a way, the Blackburn Hall record seems to be a challenger- there are certainly some serious credentials at work.  Our hero and frontman has a distinct voice that laces each track with shades, contours and nuance.  Not just another boring and faceless singer, Hall is capable of injecting momentum, emotion and force into anything he sings- a captivating guider that gives the songs essence and vitality.  His guitar work moves in directions; it snakes and weaves; contorts and cries out- matching the diversification and possibilities thrown in.  There is never a lack of energy and meaning (by Hall)- throughout, he summons up passion and soul.  Few frontmen (and women) are as talented and original- often you get the impression they are not putting their all into music.  Hall is an artist that understands the importance of conviction and promise; the need to get inside the listeners’ heads- ingrain yourself into the consciousness.   Adam Melnick is the bass man with a huge personality and sense of self- his movements and contributions are stunning throughout.  Melody, rhythm and emotion is uttered forth- he is a musician that does not follow any other example.  When the bass work is strong and unique, it makes the songs all the stronger and more fascinating- that is certainly the case here.  Not allowing himself to slip into a comfort zone, the innovativeness and restlessness is hard to overlook- with each song comes a huge amount of effort and urgency.  Acting as a backbone and heartbeat, Melnick ensures the listener is aware of his presence- he never retreats to the background.  Splendidly combining with his brotherly duo, he whips up quite a sstorm- ranging from taut and tight muscle work to melodic and composed tenderness.  Dan Empringham allows his sticks to conjure up a festival of sound- pummel and determination spar with coolness and stunning rhythms.  Not overtly overpowering and forceful, the percussionist keeps time and composure; keeps the band in check- whilst making sure each song has a hell of a lot of vibrancy and determination.  Overall, the band combine effortless and naturally- the tight performances are what make the album such a treat.  As though they have been playing for decades, they are relaxed in each other’s company.  What you get from Self Titled is an exploration into their minds and thoughts; the personal insights and stories are there- plenty of mystery and mystique lingers.  Making sure no song comes across as minor and underdeveloped, the trio has clearly spent a long time perfecting their music.  The production values are exceptional throughout; crisp and clean- not too polished and needlessly gleaming.  An album that is sure to inspire a lot of new bands- not just in Canada- I hope the boys bring the 11 tracks over here- come and show London a real good time.  I could use them in my fundraiser- although the distance is going to be an issue; regardless, they are one of the most intent and memorable acts I have surveyed (for a long time).  Let us hope there is more music on the horizon- more chances to hear the trio do what they do best.

Music can be pretty capricious and unpredictable as a whole.  There are weeks and months where you get influxes of great music and different sounds- others it can be slim pickings indeed.  New music is much more vast and unfettered- there are no limits are restraints put in place.  For that reason, it can be incredibly difficult searching out the best and most fertile- getting past that inevitable wave of boring and below-par rubbish.  At the moment, there are few websites that limit the choices; tailor their site to reflect an individual’s tastes and discretions- maybe it is an impossible feat.  I have harked on about this a few times: wondering why there isn’t a music website like this.  Surely something can be put in place that unites ALL new music- something more interactive, descriptive and user-friendly than SoundCloud.  Sites like this are perfect if you know what you are looking for; if you want to uncover new wonder, they are not helpful or instructive at all.  I yearn for the day something arrives that dispels my stresses and woes- a website that has every new song and act on it.  From there, you could search by genre, style- a ‘sounds like’ section- and anything in-between.  That way, all listeners and music fans could go here and make it easier to proffer and celebrate the best out there- dispense with those that are pretenders and fakers.  One of the major problems with new music is that so much is buried deep and tucked away- a lot more is shoved in your face and gets in the way.  Regulations, order and organisation needs to be brought in- I fear a lot of wonderful acts are being lost amidst the clan of doubtful and meagre.  I shouldn’t focus too heavily on this particular point, because it may be an unsolvable conundrum- a situation that is irreversible and indelible.  What it all boils down to is whether acts like Blackburn Hall are getting their just rewards.  Assessing so many Canadian acts- mostly from Ontario- I can tell there is a huge amount of quality here; it is a region that is fostering some of music’s most exciting talent.  How many people know about this bedside me (and some native dwellers)?  It is not a known fact.  We all are aware of the likes of L.A. and New York; London and Manchester are obvious hotspots, too- how many of you are aware of the growing and vibrant Canadian music scene?  That may be another issue with the social media age- commentators, users and patrons rarely promote acts and nations beyond their own- they tend to keep their focus fairly local.  The media do not help too much- keen to keep their minds and pens trained on their own country.  There are a few blogs and sites that push beyond boundaries and go that extra mile- their combined influence is not enough to make a dent on the public consciousness.  How long can you yell in the dark before the lights are turned on?  Having waded through a sea of indeterminate music quality; sacrificed intellectual integrity (in order not to offend some acts)- I have been dreading reviewing lately.  Having decided to call it quits (pretty soon), I am glad there are some acts that genuinely do not disappoint.  Blackburn Hall have created a Self Titled album that may be a little short on grammatical correctness- it overcompensates with its musical innovativeness and wonderment.  The band is not really a band; they are a collective- a shared brotherhood and wonderful group of musicians.  The songs and sensations throughout the L.P. reflect a multitude of different genres, emotions and thoughts- they do not merely hone themselves and phone it in.  When guitar riffs come and play, they do so to maximum effect- not to plug holes and fill the air with noise.  When more romantic and symphonic segments are unfurled, they do so with mixes of grandeur and scintillation- never going on for longer than is needed.  There is that banquet of sounds and segments; something for every listener- an album that is packed to the seams with probability, motivation, style and substance.  The intriguing song titles only tell half of the story- dive inside the music and let it work its magic.  The variations and depth is there to entice, hook and seduce as many as possible- this is not niche music restricted to certain factions.  I shall leave you with another take on the issues of new music (and quality control) and getting the word out there.  One of my biggest regrets and angers is that I do not have more leverage and power- my influence is restricted to the walls and confines of my social media followers.  When reviews go out into the ether, they are often not shared and spread- if they are, few others take the trouble to get the word further.  That is one of the issues of our age- sites like Facebook and Twitter promote laziness and selfishness.  I have seen too many great musicians and bands stifled and defeated by the general public- the lack of benevolence and community is glaring.  They may not be solely responsible for the issues and problems within music- the people that use these sites are certainly not helping things.  There should be a way music like Blackburn Hall’s get appropriate love and following- I guess life is not as fair and just as it should be.  It may be the case there is no solution other than to keep trying- promoting as much as possible and hope that things starts to happen.  A lot of people in the U.K. are unaware of the massive bands and acts that dwell elsewhere- nations like Canada are proving particularly prosperous and scene-stealing.  If you do one thing this year, make sure you get off your bottoms and look further afield- take a risk and explore new lands and possibilities.  The best moments and situations arise when you step outside of your comfort zone- explore and take a leap.  When it comes to music, so many of us are sticking with the tried-and-tested- not willing to taste new cuisines and unexpected flavours.  Being a reviewer and songwriter, I actively seek out difference and geographical diversity- look for as much originality and newness as I can handle.  I do not expect everyone to be like me, but the point is you can unveil something wonderful- if you are willing to push yourself.  Of course Canada possess as many dodgy and unwieldy acts as we do here- the thing is, artists like Blackburn Hall show just what is out there.  With such a rife conviction, a sense of authority- something unique and engaging- they will find their demand go up and up.  If you have not dug their latest creation- make sure that you do.  Whether you like your music loud and impassioned; introspective and tender- classical and developed- then you will find what you are looking for.  I will be spinning Self Tiled- or S/T- one more time- investigating and picking apart its layers and elements.  I hope Blackburn Hall spread themselves a little further; get some more social media coverage sorted; make their name and voices heard loud- they should be developing and expanding as they make more music.  When they get a fully-fledged Twitter, YouTube, BandCamp, ReverbNation and Facebook assault sorted out- with some serious biography and photos- then they will get more listeners and fans into their camp.  They may have established a name in their native North America, yet Europe is a market that is a little underdeveloped and slight- it is territory they could conquer and own.  I shall do my best to get the word out, as a band like this are deserving of wider acclaim and appreciation.  Their new album has made me more relaxed and calmed; put woes and stressed on the back burner- it has made me less cynical and more appreciative…

THAT is what music can do.

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Where Words Fail...: Getting the Bands (Duos and Solo Acts) Together

Where Words Fail…

 

Getting the Bands (Duos and Solo Acts) Together.

I’m not sure if this will be a pie-in-the-sky thing; whether I should like a demented bride planning her wedding- an idea occurred that I could not get over.  To distract my mind from the horrible stress and anger of my home life; the rising tide of financial uncertainty (this month)- a wealth of other oddities and annoyances- something occurred to me.  I am always being asked (by acts I have reviewed and keep in touch with) to come see them.  From the Scottish warriors Universal Thee, London lovelies like Lisa Marini and Los and the Deadlines; Lincoln folk The Moth Lantern- Yorkshire wonders such as ISSIMO.  I have a huge love and respect for all of them (and the acts yet to invite me up for a beer) and one thing always holds me back- exorbitant train fares.  Having roughly bugger-all to survive on (for the rest of the month), I am finding I am home-bound and limited- unable to come up and say ‘hi’ to my music darlings.  As I type this, another journalist has been beheaded- religion kills again, it seems.  The sheer evil and scariness of life continues to fart in the Devil’s face; the lice and rats of human society are being given air time- shown in newspaper headlines and seeing themselves as martyrs and heroes.  As cowardly and pathetic as they are, you cannot how unpleasant and awful the outside world is- the world is a horrible and nasty place.  I am not saying it as a fatalist or to throw in the towel- there seems to be meagre glimmers of light among hailstorms of fire.  Two of the constants- that have kept me ticking and busy- are music and charity.  The former has seen me consecrate and solidify my music writing; start to- finally- recruit a band; get things going.  I am taking on managing a new band- local to me- and looking into managing a second- keeping myself nice and busy.  In addition, I am still reviewing and keeping my hand in- you can imagine how wonderfully rich my social life is at the moment (he says, ironically).  Charity is something I have not often- in the past- spent a lot of time (and money) on- mainly because the ‘charity muggers’ where I live are the most irritating humans on the planet.  Following family tragedies and a need to take (some form of) action, I have been involving myself in half-marathons- planning on completing one every three months (for a new charity).  This sort of brings me to my main point…

There are a good 30 or 40 acts (I have reviewed) I would love to meet; see in the flesh and share a drink (with)- I have been getting requests through thick and fast.  Whilst it is not economical or realistic to get all of me to all of them- it may be doable to get them all to me.  I am pretty determined- nay, psychotically determined- to pull together a charity fundraiser/event.  I have a list of my review subjects in front of me- there are 36 different examples listed.  I wanted to get all of them together (several will be reading this right now) and put them under the same roof.  I am looking at February next year- the night(s) of the 14th (and possibly 15th- depending on feedback and recruitment).  The event will take place in London, and aim to get all the tremendous bands, duos and solo acts to the capital- for one night (or two) of charitable debauchery; music festivities and a Valentine’s Day massacre of sound.  From Yorkshire stunners like Jen Armstrong, Allusondrugs and ISSIMO; Scots Universal Thee, London/Surrey-ites Los and the Deadlines, Lisa Marini, Nina Schofield and Chess- I want to do this.  Let me explain a bit further…

The Name:

Where Words Fail…

Dates:

I had originally intended to have this set for Christmas time- or around the 23rd December.  It is still a possibility, but what with raising funds and booking the venue- it seems like a bit of stretch.  February seems to give me enough time to get those things sorted; send out the invites and plan the gig.  The aim of having it on Feb. 14th was to do something useful on Valentine’s Day- give love to people that are not used to it; bring lovers, sweethearts and new faces together for one big blind date.  I am sure my venue may be booked then (see below), but a boy can try, right?  If there is enough demand- and lots of people want to get involved- it may have to extend into a following night.

The Aim Behind the Gig:

The show(s) will be a chance for a lot of acts- who until now do not know one another; or only connect on social media- to play together.  A lot of acts will be unsigned and seeking representation.  The aim is not for a record label boss to come scout, but the possibility is all there- hopefully word-of-mouth can get can them in.  The main point is to raise funds for charity.  Each act would nominate their chosen charity- play on behalf of them- it can be local, national or international- there will be no profit to be had.  When the ticket sales are accrued and calculated, the total (that does not go to the venue) will be divided among the artists- they then would take that back to their nominated cause.  Having been appalled by events in other countries; the growing tensions of the world stage- a lot of concerns and issues are being neglected on our doorstep.  Working in a job where I get to read of some pretty serious cases- I work in adult social care- it is disheartening and painful to read of such woe and horror.  This is no cynical spur-of-the-moment thing; not a plan I will abandon- something that should happen and would do a lot of good.

The Venue:

At the moment, there is only one that stands in my mind: Under the Bridge.  The Chelsea-based music venue is situated under Stamford Bridge (hence the name)- it is one of the most reputable and wonderful venues in London.  Take a look at the website- http://underthebridge.co.uk/- and you can see how glorious it is.  Situated near Fulham and Broadway Tube- with easy public transport accessibility- it is in one of the most prosperous and nice parts of the capital.  The venue is renowned for its beauty, cleanliness; quality and atmosphere- there are few others that match it.  I understand there are bigger venues, yet U.T.B. holds 550 people- standing room only.  The state-of-the-art sound and lighting seems perfect; the décor and setting is immaculate- just the sort of place to host a musical repas du soir.  Acting as an impresario and organiser, I want to get all of my wonderful musical pals together- put them in this venue; let the capital see what they are capable of.  Under the Bridge seems just the place to host this.  Whether the cost of staging the event will be too exorbitant (I am not sure) - but I am going to enquire and get some quotes.

The Financing:

Unfortunately this is not the sort of endeavour that can be funded via a Kickstarter campaign- as it is a charity event.  I appreciate that it is going to cost a bit for the acts to get down- train fare; accommodation and the like- yet I will plan to make some allowances and try and organise something.  The idea is to pay the venue based on ticket sales- a certain percentage of the door will go to them.  I am hoping- provided we can get full capacity crowds on the night(s)- there will be plenty of money left over- ticket prices will run at about 15.00 GBP for the night.  As it is a 550 capacity venue, it seems likely there will be a healthy profit- meaning each act will have a fair amount for their charity.  It is hoped I can parlay this into a second night- meaning more money can be raised.  I am going to get quotes and ideas- from the venue- but hoping that bugaboo money does not stand in my way (as it is at the moment).

In the Lead-Up:

There is a long way to go, so it seems like a lot of things need to happen.  Near the bottom, I have listed acts I hope can make it; others can add their name and let me know.  It is important I get rough estimates of numbers- so I can go forward.  Towards the end of the year I hope to raise some finances- through other sources- make some plans and get everything sorted.

On the Night (and Before):

It is going to be important- assuming this thing happens- to get all the acts together prior- rather than shove them all on stage and expect it all to click.  There will need to be planning meetings, itinerary and rehearsals.  This first stage- the timetable- does not need all the acts to be together- I can do this via email and social media.  When it comes to run-throughs, this will need all of the acts- so they are attuned and confident on the night.  I will put together a rudimentary running order prior to the get-together, but it vital everything gels and runs smoothly- it will not be an arduous or elongated practice/rehearsal.  I am aiming for it to take a day to do; the acts get a chance to meet for the first time- and see each other perform.

What I Need From Each Act:

As (I hope) there will be a lot of ‘yes’ votes- it is unlikely each act will have a chance to play too many tracks.  The way I see it- depending on how many are in, each artist will play a 20-25 minutes set.  One of their songs will be an older/established number- the other will be a new song or cover.  I am hoping each act can bring a new song to the evening- give it its first airing.  That not only gives the audience something fresh, it is a chance for the acts in question to premiere their latest offering.  If there is a huge demand- and a second night is feasible, then it is likely a third song can be added- split things so half the acts play the first night; the second (half) the next night.  What I require in the short-term is some feedback and ideas- whether this is something anyone would be interested in doing.  I will have hugs, kisses, beer and pressies waiting for any acts that are in- ensure that it is a night(s) not to forget.  Being an Arsenal fan, I am skeptical heading Under the Bridge, yet it is a magical venue- there is no doubt people will get in.  The venue does not have a huge waiting list, so I am hoping my intended dates are free- they are fungible at this point.

Intended Acts:

Forgive me if I have missed out any acts- literally anyone else interested is going to be included.  I know so many U.S. and Canadian acts I want- I have excluded them assuming they will not be able to make it.  If there are any international acts- reading this- that can make it and get to London- hell, yeah!  Here is a rough list of peeps that I hope will throw their support my way:

ISSIMO

Allusondrugs

Gypsyfingers

Bianca Bazin

The Moth Lantern

Broken3ways

Chess

Boom Tales

Eloise Lovell Anderson

Marisa Rodriguez

Jingo

El Born

Jen Armstrong

Emily Kay

Alison Levi

The Bedroom Hour

Los and the Deadlines

The Verideals

Dana McKeon

Kobadelta

Sarah Collins

Calgaris

Lightknife

Ivy and Gold

Braver Than Fiction

Emma Nadine Stevens

The State of Georgia

Universal Thee

Lisa Marini

Sophie Sweet and Her November Criminals

Nina Schofield

Crystal Seagulls

Lydia Baylis

Little Violet

Chenai Zinyuku

Second Hand Poet

CryBabyCry

Play Record Erase

RKZUK

Steve Heron

Annie Drury

Sire

Rosie Bones (and band)

Shiftin’ Shade- with Adam Hume

Gorilla Punch Radio

Bi:Lingual

Little Sparrow

The Indigos

International:

Moons of Jupiter

The Updraft Imperative

Vanessa Soto

The Open Feel

Black Lady Soul

Quinn Archer

Ellene Masri

Little Dove

Surprises and Possibilities:

I know it is going to be a feat getting this all sorted; making sure everything is realistic and workable.  If it CAN happen, I am hoping to throw some surprise guests in there- if social media can spread it far enough, who knows who (the event) will attract?  I am not suggesting Paul McCartney will pop by to end the night with a rousing rendition of Hey Jude- it is not unreasonable to get a few fairly well-known acts to come by.  On my wish list, people like Gaz Coombes, Jessie Ware, Anna Calvi, Ben Howard, Plan B and Kate Tempest lurk; a boy can aim at least?  It is not out of the question- to rope in some big draws.  That will be a tertiary concern, but would certainly add some spice and surprise to a (hopefully wonderful) night.  Another surprise.  IF it can be put together I will put my procrastinated ideals to one side and perform- either solo or part of a band- yup!  To punctuate the music; hopefully something interactive can play- Under the Bridge is known for its interactivity and facilities.  Either a pre-recorded piece/comedy or snippets can play between acts.  This gives chance for my actor friends; me and others to formulate something cool- add another layer to proceedings.  I hope some of my actor, model and director friends can pitch in; do and provide something- make the event a fully-rounded and unforgettable thing.

So…

I have probably left something fundamental out; negated a key chunk and element- I hope not, at least!  I am pretty ambitious and can usually pull things together- I really do hope this is one of them.  The mystique, magic and mayhem come from the musicians- you guys listening and reading.  Initially I am keen to hear thoughts- whether this is something that appeals- and what the general consensus is.  Granted people reply, I will post updated and statuses to Facebook and Twitter- earmarking the next months and outlining the future steps.  Thanks for reading, get thinking and let me know.  If there is a weight of popularity and approval, I can get things moving.

[youtube https://www.youtube.com/watch?v=EqnocOlAe7A&w=420&h=315]