Interview: Elena Ramona

Interview:

 

Elena Ramona

I have been looking forward to catching up with Elena Ramona: an artist making moves; putting new sounds together.  This week, I will be focusing on music talent; writing my own stuff too: many of my music contacts/friends are doing great things- which is always a pleasure to see.  After releasing Happy Song (online), Elena Ramona is not stopping there.  I was keen to see what she has in store; what she thinks of the (modern music) industry- and when we can expect some new music.

Hi Elena. You have had an interesting 2015: what have been your best moments?

There have been so many great moments this year, but the moment I will treasure forever happened earlier this summer.  I had an acoustic set in a local pub and unfortunately on the day my guitarist couldn’t make the event; I had to get some backing tracks together and make sure the show went on a planned.  All my friends turned up and cheered me on I felt so grateful, it showed me that not everything works out, but with great support and some hope it all can still work.  I love this journey I am on and times like that just make it all the more worth it.

Over the past few years you have played some great gigs; developed as an artist. Has it been tough making waves/progress in the music industry?

In a musical town and world it will always be tough; I have learnt through my experiences to stay focused on my own work.

In addition to music, you work in retail. Do you feel modern musicians need to work part time just to be able (to afford to make) music?

It is good to have a stable income.  Having a part-time job in retail has helped me hugely better my social skills and I enjoy it (as I meet all walks of life during the day on the shop floor).

You have recently released Happy Song. Does this mean a new E.P. is on the horizon?

I believe a new E.P. is on the horizon yes- after my fourth single and fourth music video- which is yet to be released.

In terms of opportunities- venues and labels- are cities such as London vital? Can you ever see yourself moving there?

For now I am very happy in Guildford: it is very central and only a train ride from the capital.  Having an Internet presence means I can reach anyone anywhere with the click of a button- I don’t know what the future holds if I got a dream job in songwriting I would move closer to its location.

Growing up, who were your main music idols/influences?

My main musical influences growing up where the Beatles and Elkie Brooks.  My main idols where Pink Floyd and The Spice Girls.

Your songwriting is pretty varied and diverse. What sort of themes and topics inspire you the most?

I am inspired by life experiences, and I aim to write songs that people can relate to.

As a young woman, do you find the music industry favours male acts? Have you faced any barriers/discrimination because of your gender?

Absolutely not: there is enough room for both men and women to do what they love in the music industry.

There are a lot of musicians coming through- many quite scared of what’s to come. What advice would you offer to them?

Keep doing what you do write about what is in your heart and do not take constructive criticism badly.  Grow as a musician and person, (lastly) enjoy the journey.

Of all the new music coming through, who/what would you recommend?

Lucas is a London-based artist, he has a great stage presence and an amazing soulful voice check out his latest track Far Away.  https://soundcloud.com/soulshaker/soulshaker-ft-lucas-far-away-radio-edit-mp3cutnet

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Finally- and because I like to offer interviewees a song- choose a track of your choice…

Big Girls Cry -Sia

[youtube https://www.youtube.com/watch?v=4NhKWZpkw1Q&w=560&h=315]

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Follow Elena Ramona:

Facebook:

https://www.facebook.com/pages/Elena-Ramona/323928237668916?fref=ts

Twitter:

https://twitter.com/elenaramona90

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Interview/Review: Van Wild

Feature:

 

Van Wild

AS I look around for music inspiration- having a slight spell of writer’s block- I have been struck my Van Wild (A.K.A. Yasmine Van Wilt).  The Tennessee-based star is a brilliant actress; an accomplished and stunning writer- in addition to being a wonderful new musician.  With jaw-dropping looks; an incredibly sweet and compassionate disputation- coupled with an incredibly inspiring songwriting talent- I was keen to find out more: see what makes her tick; how her music develops- and what her highlights (from 2015) have been.  With a short review of Hush- at the bottom of the interview- it has been terrific discovering a great artist: someone I hope comes to play the U.K.; brings her magic to our shores.

Hi Yasmine.  Your music is a hybrid of Southern Blues and Modern-Day Pop (contemporary yet instilled with some vintage sounds).  Which artists/acts inspired you (growing up)?

I'm very inspired by artists who emerged during the Civil Rights Movement and by those who came after who heightened, elevated our collective social consciousness; Richie Havens, Loretta Lynn and Pete Seeger are a few of my favourite artists.  Pete Seeger's unflagging commitment to social justice inspires me tremendously; the stories of real people who are working to illuminate our humanity inspire me. This all has to be rooted in the real, I think. Does "art" matter if it doesn't interrogate & engage the "better angels of our nature"?

Your social media numbers are swelling; your music is capturing the imagination.  What have been your highlights from this year?

Thanks for your kind words Sam! I'm honoured to chat with you. I've been very fortunate to work with some hugely talented people. Recording at 1092 with Matt Gordon, Daru Jones & Dominic Davis of Third Man Records & Jack White & Kurt Ozan of Jana Kramer has certainly been a highlight. Cherry Tree is in the running for Unsigned Only ISC in the Top 40 category, so that's exciting. I'm also working on a song with The Bellamy Brothers--for whom I have huge admiration.  I work with people whom I admire & who are, truly, geniuses. Many of them are also long-time friends: Van Wild featured artist actor/singer/dancer David Singletary, director/actor/writer Raquel Almazan & designer Jeffrey Michael.

Your track Cherry Tree has done fantastically- some prestigious radio play and chart position- and struck the imagination.  What do you attribute that to?

Thanks so much Sam. I'm just delighted that people, so far, seem to like the song.

In the U.S., the new music scene seems to be glowing- and more diverse than in the U.K.  Are there any particular acts (and new musicians) coming through, you would recommend?

Daru Jones is in a group called The Rough Pack that is extraordinary. Dominic & his wife Rachel have a folk-roots band that's very good. I'm presently collaborating with The Falling Birds, Jesse & Noah, Ahren B, Country Boy, Erisa Rei.

What does the rest of the year hold for you: in terms of new music and touring?

It should be a busy year; I'm releasing new singles to radio, recording the next album & hopefully touring. We shall see!

In addition to music, you are an actress and author.  You have a PhD in creative writing; you have written for the stage and film.  Where do you get the energy from (to do so)?

Haha! I think being creative, exercising discipline begets energy. It's also important to be organised. I struggle with this, but the more "in order" I keep all of my deadlines & objectives, the more I produce.  I don't know if you find this in your work, but the more interrelated the projects, the easier I find that it is to drive them forward. I'm primarily driven by fear, and am obsessively self-critical. I fear wasting the belief of my friends & family; I have no idea whether or not this is achievable, but I believe that artists will be pivotal in the next social movement. I would like to play a small part in doing this in whatever way I can. I'm always asking myself: "Am I doing enough? Am I doing the right thing? Am I raising my voice in the right way?"

On that note, you are showing what you can achieve- as a musician and writer- and are inspiring many people.  What advice would you offer to anyone wanting to follow in your footsteps?

This is very kind of you sweet pea! I'm not sure that I'm inspiring anyone; I would suggest that every artist adopt a business model that allows for realistic growth & success. I follow what could be considered the tech start-up model. Building a brand, understanding that brand and being conscientious about content-delivery is very important for emerging artists. We need to be entrepreneurs in order to succeed--this requires actually learning a bit about business and the industry itself. Artists really need to understand how this works...

You also write music (under your alter egos) looking at social and environmental issues.  What has been your reaction to recent events in the U.S. - especially the shootings in Charleston?

I'm utterly devastated by the shootings in Charleston. My thoughts and best wishes are with the community & with the family members of slain. That the victims were slain in their place of refuge is so upsetting. Americans should be uncomfortable right now; I'm extremely concerned about the mediatised rhetoric that has emerged from this: this was a heinous hate crime. This was an act of terror. I don't want to launch into a tirade, but suffice it to say "we have a problem". Not only do we need to work harder to eradicate racism, we need to work harder to control gun violence. There are disgusting sociopaths in every country; however, not every country makes it so easy for these people to get guns. I hope, to the very core of me, that my generation can tackle these issues. We need to turn this around NOW. "We Are Young" is my attempt to challenge the rhetoric of hate. We need a New Civil Rights Movement; my generation nerds to raise its damned voice and push for greater social consciousness! We need to use our dollars, our voting power & our artistic work to eradicate racism. We all need to be part of the solution!

I love your voice and music- especially the track Hush- and it always takes you somewhere special.  What themes and subjects influence your songwriting?

Thank you Sam! I think I'm motivated as much by the desire to share uplifting moments as I am to challenge social issues. My music is always part of a soundtrack for my writing--so the songs relate specifically to these narratives. "Hush" is from Unplugged, my one woman folk musical. It's a song that reminds the character of her childhood on the Gulf of Mexico, before the spill.

You have recently visited the U.K.  What was that like?  Any plans on returning soon?

I spent much of the last 9 years, all of my adult years, in the UK before relocating to the U.S. I made some to the most marvellous friends imaginable whilst there; London is a city with a deep reverence for "culture". I was very influenced by the freedom I experienced by my experiences studying and living in your marvellous county!

If you were banished to a desert island, which five albums would you take with you?

Oh man! Tough one. Can I cheat and pick compilations?!!! Neil Young (best of), Richie Havens (best of), Deja Vu CSNY, Blunderbuss & Blue.

Finally- and something I do with all my interviewees- is play a song for them (I will publish here).  If you name a song, I shall play it…

Oh fun! Any song? Or one of mine? If it's any song let's listen to "Shimmer in Pale" by The Falling Birds. They're my buddies & I think you'll like them!

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Hush (from Cherry Tree) is one of Van Wild’s finest tracks- and a brilliant showcase of her talents.  Building from evocative threads- the introduction weaves in soothing percussion; delicate and tender piano- Hush gently beckons (the listener in).  “They went fishing for stars/In the great ocean above” are some of the song’s most memorable images- and arrives right from the start.  Yasmine’s voice is instilled with such beauty and passion: every word and thought is spine-tingling and touching; pressing and urgent- making sure the messages hit their mark.  As the chorus expands, the composition swells and swoons.  The song has an intimate and child-like quality to it: images of lullabies and monsters; keeping away horror and heartache- there is a sense of maternal courage and strength.  Our heroine’s voice is calming and soothing; tremulous and gorgeous- you are caught into the song; seduced by its beauty and delicacy.  The entire track comes together incredibly well: the composition is focused and nuanced; powerful when it needs to be; minimal and sparse (when required).  Having listened to the track (several times) I was mesmerized by the innocence and honesty: few tracks explore such subjects; portray themselves in the same way- and make you feel the same way.  Yasmine’s stunning voice- and beautiful lyrics- make Hush such a potent number- one that will stick in the imagination (for a long time to come).

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Follow Van Wild:

Official:

http://www.musicbyvanwild.com/

Twitter:

https://twitter.com/YasmineVanWilt

Facebook:

https://www.facebook.com/pages/Yasmine-Van-Wilt/191494827570661

YouTube:

https://www.youtube.com/channel/UCV-AFvwN55blz_u1w26d_-A

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The Equality State: Getting It (Almost) There...

The Equality State

Pilot episode

(29 minutes):

Wy-om-ing, London

(Why I’m In London)

Main Characters:

Dan Bush (Tall, long-ish hair; model looks- smarter attire; fashionable casual look): A handsome and respectable doctor (based in Hackney), he lives in Shoreditch-with his girlfriend, Holly. A 29-year-old, he has plans for bigger things- including marriage. After becoming engaged to Holly (in the first episode) he begins to panic; wondering where his life is going- until he meets Stefan (an old acquaintance he knew from a while ago) - but can’t picture why/how. Dan’s day is spent tending to awkward/odd patients; receiving affections from a female colleague- and preparing for his forthcoming wedding.

Stefan Buckley (short, bearded; brunette- casual clothing): A 36-year-old layabout (obsessed with Thom Yorke), he sits about his flat- he shares with his girlfriend, Kate. Having just fallen pregnant, Stefan needs to step up; improve his ways- become a man (or get distracted by a cocky pigeon). When he starts to feel ill, he visits Dan- and receives some crushing news. Determined to improve his life, he puts together a Bucket list- which he and Dan begin. Stefan lives in Soho with Kate- the two find it hard making rent; under scrutiny from their landlord.

Holly Mercury (red hair, athletic; tattoos- cross between Cheryl Cole and Angelina Jolie; chic dress style): Holly is a young P.C. (24): she is always in trouble; prone to breaking rules- and being inappropriate. Having been on a final warning, after a Halloween party, Holly breaks the rules- letting a criminal drive her home in a police car. Her superiors kick her out: infuriated by her constant controversy. With a wedding coming up, she needs to make plans; get money- aware she does not have a good reputation. After a meeting with Kate- who she used to know at school, the two get together; by accident create a money-making gem. Holly’s future is thrown into turmoil.

Kate Fagen (black, slim; green eyes; short- ‘90s-style casual wear; jeans and T-shirt look- very striking too): A young mum-to-be, Kate (25) is living on the edge: desperate to make ends meet, she spends her days as a Jehovah’s Witness: trying to convert the people of south and east London. After having doors shut in her face; odd encounters- and a musical number, Conversion- the future looks bleak- until she meets Kate. Having to provide for her unborn- who she decided to keep; after a hard decision- and things look on the up.

Synopsis:

The pilot focuses on two different couples in their 20s, who come together; during Hallowe’en of 2016.  Their coming together will have a huge effect on each other; that will change their lives and cause huge waves.

Kate Fagen is a Jehovah’s Witness; she is down on her luck and a mother-to-be.  She has just learned she is pregnant and tries to balance her daily life, coping with it.  She goes door-to-door in east London; trying to spread ‘the good word’.  The local citizens are not so accepting, and as she meets some weird and wonderful people, she starts to doubt herself.  As the sun rises over east London, Alice and her ‘colleagues’ try to change people’s minds; before a huge song-and-dance number- mixing Thriller and Billie Jean together with classic musical elements- breaks out: D.E.N.I.A.L.  As a hard morning drags on, Kate returns to her Soho apartment she shares with her boyfriend.

The boyfriend in question is a one Stefan Buckley.  He has recently been fired as a teacher, and spends his days obsessed with Radiohead; smoking, drinking and preparing for an upcoming court case: a harassment charge made by Thom Yorke.  The two sit down and discuss the future possibility of becoming parents (after an unfortunate announcement; where Kate gets morning sickness in an unfortunate location); both knowing that they do not have the money or security- or stability- to be able to handle it.  They weight up their lives, and recollect how and why Stefan got fired: both aware that they need to change their lives.

Over in Camden, P.C. Holly Mercury is on the beat- and on a crime scene.  She is a controversial and ‘bent’ police officer, and has been in trouble constantly.  From drag racing The Red Cross; wrongful arrests, parking in disabled spaces and tampering with murder scenes, her boss is fuming.  Holly arrests some ‘freedom-hating terrorists'; lays down the law and not strictly playing by the rules- not realising they are Hasidic Jews.  When they complain, she tells them to ‘tell someone who cares'; as there is a smash cut to her Chief Inspector’s office; as a stack of complaints and written warnings are piled on the desk.  She is given one last chance, and told she is on very thin ice.  In her spare time, she models for Crimson Electric: a London model agency that is filled with the most disreputable opportunists and odd assignments you could imagine.

In a local hospital, her high-flying and dashing boyfriend Dan Bush is experiencing a typical day.  In the clinic he is dealing with some strange and depraved patients, whilst dealing with the advances of a gorgeous co-worker; as well as fending off a tyrannical boss- who is rather violent and angry.  In his spare time, he looks after his sick and cantankerous parents (two 80-year-olds).  After a rough month, he catches a quick break at his flat; located opposite a kebab shop in Camden- Madonna’s Kebabs (run by Madonna herself; although she tells everyone she is a look-alike).  He meets Natalie there, as the two discuss a recent event: Dan proposing the previous night.  With Holly’s job at risk and pressures in Dan’s life; Dan starts to feel the strain; as Holly makes lavish- and very unusual plans!  As they prepare for the evening’s Hallowe’en party, the day ticks on…

Kate deals with the effects of morning sickness; choosing inconvenient and embarrassing places to fall ill.  The day continues, and the four prepare for the evening.  As the guests arrive in various costumes, Kate’s niece is round as they have to babysit her.  She is a very ‘mature’ and strange 4-year-old and causes all ends of issues; not helped by Stefan teaching her how to smoke.  The party swings on, as each of the couples confide in each other; and their various doubts.

As the morning arrives, the four go separate ways.  Kate is left to clear up the mess and carnage of the night before; before having to go onto the streets, in a desperate attempt to bring the word of Jehovah to Elephant and Castle and Hackney.  Dan has a nightmare morning as his colleague makes a pass, and his fellow doctors tease him about settling down.  Holly is fired for letting a drunk meth-head drive her home after the party- in a police car.  Holly has her badge, car and clothes stolen, and is now out of a job, being pursued by angry criminals, with the Met. Police angrily demanding the return of the stolen assets.  Stefan spends his morning trying to invent the perfect hangover cure; looking for a new job, as well as being embroiled in a battle with a neighbour- with disastrous consequences.

The two boys meet up at a local bar- Homme’s; they discuss their situations and both feel trapped.  They are making plans for the future when Stefan gets a phone call with terrible news- he may only have 8 months to live.

The two girls meet at an Australian bar in Soho.  With Holly fired and Kate dislocated and lost, they both feel a change is needed.  After both drink a well-known cocktail; Holly still has drugs- taken from a local gang.  After dropping them in the cocktail; she accidentally takes a sip.  The effects start to take a hold; leaving her sedate and ecstatic- a bizarre and brilliant animated sequence takes place (mixing Fantasia, stop motion, The Beatles and live action).  As the girls make their way home on the tube, they see the depression of London life; the inequality as well as the beauty and fascination.  As Holly finishes her day, arriving at the door of a chavy couple, Kate calls.  Suddenly a master plan is struck, and the girls strike upon a way out of their problems.

Stefan and Dan have a heart-to-heart and asses the news.  Stefan decides that he has been a disappointment to Kate, and decides to make a list; a sort of Bucket List, where he will do as much as possible- as well as achieve as many goals as possible.

The girls realise that Holly has stumbled upon an addictive and potent invention.  The two set up premises in the empty basement of the kebab shop (opposite Holly and Dan’s flat), and come up with a name: Butterfly Kiss.  The bottle design is stunning: it depicts a multi-coloured butterfly spreading its wings; there is a lipstick kiss in the middle (created by the girls kissing the bottle)- the drink itself is a green liquid.  They recruit a group of followers who are all socially different.  It refers to the effect the cocktail has where everyone- rich or poor- is levelled and equaled: everyone feels the same.  It also refers to Wyoming, a U.S. state which is mountainous and sparsely-populated- the first state of America to give women the vote.  It seems like a metaphor for their business, and how they customers will blend into London life.

As the police close in on Holly and Dan’s flat and the walls close in, Holly still uses her pull and power as a police officer to round up customers and make money and connections.  Stefan and Dan begin a list of 30 ‘to-dos’ or tasks; starting with number 1- host a charity concert for Cancer Research.  The two forget about work and life.  Dan does not mention that his colleague made a pass, as well as his doubts about the wedding; Stefan does not let Kate know about his illness.  Meanwhile neither girls mention their business venture, as well as Holly’s firing, and Kate’s doubts about motherhood.

The boys look through London- to recruit musicians.  In a series of short vignettes, the two meet the perfect line-up:

They find Dave Grohl making hoax calls- he gets tired of being thought of (of) Rock’s ‘nice guy’- and has a seedy and dark private life- he also hosts an underground horse fighting ring.  In exchange (for not calling the police) Dave is in- and agrees to drum for the night.

The boys find Muse at a local bar- with Stefan arguing with Matt Bellamy (the two have a heated debate about bubble-wrap.  Matt assures the boys that Muse aren’t as wacky as the media make them out to be- until he pulls out a dead crow in a jar and sniffs it.  The band agrees to halt work on the new album- about the plight of the British library system- to gig for the cause.

After that, the lads stumble upon Ellie Goulding.  She is singing to injured children- that she has injured/run over.  After Dan gets into a debate- he thinks she is Rita Ora (Ellie resents this until she explains they do share a her-and-her toilet).  Ellie does the gig as part of community service.

After this, the boys go to Florence Welch’s house.  Finding her in the middle of a drinking binge- she is addicted to Scottish Olive Oil- if you drink it in the night it makes you blind- she has to kick the habit.  Her flat is strewn with empty bottles; she has a clear problem.  Florence has also acquired quite a few cats and is spiraling out of control.  The boys want to help and ask her to perform.

Before their big score, the boys find Thom Yorke- this sparks a huge physical fight between Thom and Stefan.  When it calms down Thom explains he is in the middle of a marketing scam: marketing Creep-related productions.  Thom is involved in an underground merchandise/fraud ring with local gangsters (The South Kensington gangsters aren’t as violent as they are cruel- Thom explains his famous-looking eye was caused by him being slapped by a wedge of imported Caribou cheese.  Fearing the gang will ‘glaze his nipples’- (or as Thom explains “just the tip of a disturbing, yet strangely arousing, regime of brutality”), he is still mad at Stefan- until Stefan saves him (after a box of peacock feathers falls towards him- and instead takes out the cast of Made in Chelsea).  Thom feels indebted and agrees to take part.

Just before the boys call it quits, they pass a protest- outside a shop called Plant & Page.  It is emblazed in neon letters; the building is painted (in the style of Led Zeppelin’s Houses of the Holy album cover).  The protestors are in force- except for the odd few who seem to be at the wrong rally- and we pan inside the shop.  Robert Plant and Jimmy Page have set up a gardening shop- the two wear gardener’s clothes.  The two realise they have messed up- and blame each other- so Plant wails on Page- slamming his head against the stairway (to Hell).  Page responds by sticking a hose up Plant’s posterior- his trousers fall down (revealing a staggering mid-section) - until they are interrupted.  With the two still bickering- and revealing a few disturbing and unheard of rumours- they feel they need to get back into music- for one night only.  They only wish John Paul Jones could be with them- until Dan reveals he is still alive (Plant and Page hide a series of photos and plans that reveal where John Paul is/what they have done).  It seems everything is primed…

In the closing scenes, Kate and Stefan talk about the future, and possible abortion.  Outside an inappropriately-named abortion clinic, as the rain lashes; the two realises that they want to stay together and need a future to hold onto.  Knowing that each of their lives will be very different and turbulent, they continue as they are: making sure neither knows of each other’s fate.  Natalie and Dan spend the night together; neither revealing truths, but promising to stick together.  When the following night comes around, Kate and Holly are in the basement, surrounded by acolytes.  In homage to Fight Club, Kate gives a speech; the mantra of the club and society:

The vile men that take the head of the world,

Break the mind and kill our kind

The women who break the mould will never ask

For an even mind

In spite of light the sun goes down

The world’s true nature is revealed

The poor are blinder, the rich control

The average are crushed under foot

The right to vote, the equality state

Every human on a level plain

In the openness of the midnight hour

We are all the same

Whilst mere mortals tell us they see some

And only remember a few

We feel everything

When eyes of the fools are closed and their idle dreams dance

We will rule- and they will hear us call

As the conclusion plays out, the girls find that they are being pursued.  Kate has her colleagues, as well as some of her ‘faithful’ chasing her; angry at her betrayal and revaluation; as Holly finds that her flat is taken over by the police; keen to find her, as some disgruntled criminals also close in.  Stefan has illness and fatherhood to think about (Thom Yorke drops the court case after Stefan saves his life), as Dan’s colleague announces her intentions- leaving each pair with much to ponder.  The screen splits as each of the couples go separate ways.  Stefan and Dan watch the concert unfold; and have a last heart-to-heart.  Stefan persuades Florence to sing (to his unborn child) over the phone, in a touching scene- with Florence doing it under one special condition.  Kate and Holly have a huge queue of customers, as word spreads.  As the siren’s flash across the street and the flat is turned over, the girls both join hands and smile; realising that London will be changed, and that their lives will never be the same again.  Dan and Stefan’s concert- from a coffee bar in Shoreditch- goes into the night; as the specially-composed song unites all the musicians- playing to an intimate crowd (the track, Candy Shop Blues- a stomping Blues-Rock number- unites each musician).  Mirroring the first scene- in tribute of Memento- Stefan pulls his car outside a local tattoo parlour.  There is mystery to why he is there (he has a note in hand with various information- he will tattoo onto himself); what is going to happen- setting up another cliffhanger, there is narration (from Stefan), as he delivers the line: “Now… where were we?” as there is an instant cut to the closing credits- as Radiohead’s National Anthem plays (it merges from the performed song near the end).

Notes and ideas:

Because there have been so few- good or successful- U.K. animated comedies, it is high time there was an attempt.  At the moment, there are few comedies- from Britain- I watch- there is a bit of a dip at present.  I want to write something with a U.S. sensibility; inspired by the likes of The Simpsons, Family Guy and South Park, it will a very modern look to it- the same style of animation as The Simpsons (without the yellow people), and feature a great and varied cast.  I have an idea for the main cast- two boys, two girls- and hopefully they will be in.  The pilot will hopefully wet appetites for a full series.  With cliffhangers and plot twists, the idea is to leave people wanting more- both A-story arcs have huge longevity and potential for growth.  The series will see the girls with the power- transposing gender roles and making them the dominant duo.  Parodying and (with) affection referencing Breaking Bad, the girls go all across London- and the U.K.- and get in all sort of adventures and scrapes.  The boys go all across the world and bond; experiencing and achieving huge things.  The reality of home life and reality never is far from the door; each couple comes together and keeps their other lives separate.  In time, I hope to employ celebrity voices for episodes, but want to make sure the pilot gets made and received.  If there is not an animation company in the U.K., it may be a case of going to the U.S. - or raising a Kickstarter campaign and getting it made privately.

The important aspect is the comedy.  Inspired by classic Simpsons episodes- Lisa on Ice, Homer Badman, Marge vs. The Monorail, You Only Move Twice etc. - the aim is to have as many jokes per page- mix in fight scenes, chases; classic one-liners, emotional punch and plenty of visual jokes.  Gorgeous animation, superb voice acting, and parodies (the opening episode would parody Made in Chelsea- where the cast get run down; Orange is the New Black- the dynamic of the series comes through with Holly and Kate, as they set up their business- in their orange jump-suits.  Breaking Bad is the main parody/inspiration; Fight Club, Memento and The Royale Family are all in there.

Desired Cast:

                                                   - Kate Fagen, Additional Voices

Emilia Clarke- Holly Mercury, Additional Voices

Matt Berry- Stefan Buckley, Additional Voices

-Dan Bush, Additional Voices

Additional Voices:

Robert Plant- Himself

Jimmy Page- Himself

Kelly Reilly- Police Chief

Stephen Fry- Dan’s Dad

Muse- Themselves

Thom Yorke- Himself

Ellie Goulding- Herself

Jameela Jamil- Sophie

Dave Grohl- Himself

Florence Welch- Herself

Desired Soundtrack:

Metal & Dust- London Grammar

Electricity- The Avalanches

Wake Up Boo- The Boo Radleys

Freazy- Wolf Alice

The National Anthem- Radiohead

Feature: Music's Unsung Heroes- Part One

Feature:

Music's Unsung Heroes- Part One

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WITH musicians getting a lot of credit- and being at the forefront of attention- I was keen to highlight those behind the scenes: the managers, labels (photographers and venues) that promote new music; work tirelessly- to get great music to you

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Emily Walding- Label Manager with Acid Jazz Records

Hi Emily. For those who are unfamiliar with yourself: give us a short introduction/what you do.

I'm a record label manager at Acid Jazz Records in London.  I take music and turn it into a record you see on shelves basically!

You are label manager with (Acid Jazz Records) – based out of East London. It sounds like my dream job. What is the most rewarding part of your job?

The most rewarding part is definitely seeing the whole process through from start to finish.  From hearing early mixes from a band or artist when they're in the studio, to talking about what the album might be called and might look like; to actually making it, hearing it (and then sending it out into shops and going and holding it).  I really like finding albums I've worked on in HMV or indie music stores

Label managers and promoters tend to be ‘under the radar’- not getting the credit they deserve. With the tendency to push people towards music- rather than management/music journalism- should we be doing more to promote label management/journalism etc.?

Honestly I think not.  I think you do those jobs for the love of the job, rather than for acknowledgement. As long as the artists you work for know your name and know you're working hard for them, that's enough.  I think the only time that it may be beneficial for a manager or journalist to be in the public eye is if it's within the best interest of the artist, as opposed for personal gain.  However, it's always nice to be acknowledged!  I really enjoy it when people find me online and tell me how much they like the records Acid Jazz makes.  It's nice to have that fan-connection.

You also do D.J./radio work (part-time). Music is a clear passion of yours. When did that begin? Which musicians/albums have been most important to you (growing up and currently)?

My love for music probably began aged 6?  I used to make my own radio shows on my cassette player pretending to be a D.J . I think when I first saw The Spice Girls I knew I wanted to be involved in music. Even as a 6-year- old kid I thought it was crazy how much their faces were on EVERYTHING.  When I got a little older I got into Busted because they played guitars and I thought that was cool.  I bought a guitar and stole some of my brother’s records (Green Day, Blink, Staind etc.).  I'd talk about music all the time.  I drove everyone nuts with it in my household.  I was obsessed with writing it, reading it, learning about it.  When I left school I signed up to study music and I guess here we are J  Looking back on it now I had no idea that those albums shaped me in any way.  But I guess they did!

For people (like me) wanting to embark upon a job in management and promotion, what advice would you give- with regards to starting out; the right people to contact?

Contact.  EVERYONE.  Literally anyone.  But you can't expect a handout.  I found people will be more receptive if you're willing to offer your hours in exchange for gaining some experience.  It won't happen overnight.  It took me 20 years to get from my cassette player in my room to the label office!!  Never give up though.  You may find that you end up working in the industry but in a completely different department than you wanted.  But that's totally okay too!

You are based around Surrey/London. What do you think of the music scene (here); how has it changed the last few years?

I think Surrey has a great scene.  The Boileroom has some really good people working there at the moment who are bringing some great people to Surrey!  As for London, it's London isn't it?  It's a tough scene there and generally a lot easier to be involved with- if you know people in it or if you live in London.  It's not the be all and end all; it's just that a lot of labels are based there.  The north is JUST as important as the south I feel.  So many great bands come out of the North.

With that in mind: which new bands/acts would you recommend?

I usually hear about "new" artists or bands through A&Rs or through friends.  At the moment I'm enjoying a band called The Jacques.  Summer indie rock vibes.

Acid Jazz Records represents- among other- Matt Berry (to my mind the funniest human on earth). What is he like as a person? What attracts you- and the label- to his particular type of music?

Matt was actually with Acid Jazz before I was: he's been on A.J. for several years now and has released 4 albums with some more on the way!  There's a good photo of Matt and Eddie (Acid Jazz Managing Director) floating around with Acid Jazz (holding a toy gun to Matt’s head whilst he looks scared signing his contract).  I think that accurately sums up the relationship between artist and label!   As for what he's like as a person?  I've only ever known him through Acid Jazz, I'm not too familiar with the world of acting but I know he's a busy man!  And he still finds time to record albums, play shows and stop by to the office.  He just won a B.A.F.T.A. so I feel pretty up for gaining him the musical equivalent.   Matt said I should have called him a "fluky wanka".  His words, not mine!   Maybe include that as a nice little extra ;)

You seem to be keeping busy- with music and your jobs. What does the rest of the year hold in store for you?

I've got a couple of albums coming out this year that I've really worked harrrrrd on.  I'm excited for those.  We have this 7" demo coming out too which I'm not allowed to announce yet but it's GOOD! Other than that there are tours, gigs, more releases.

Finally- as you work so hard, you get to choose any song (I’ll play here): name it.

Come As You Are by Nirvana because I'm listening to it now.

[youtube https://www.youtube.com/watch?v=eGqBM_r932s&w=420&h=315]

Follow (Acid Jazz Records):

Facebook:

https://www.facebook.com/acidjazzrecords?fref=ts

Diane Sherwood- Manager for The Updraft Imperative

For readers of this feature: tell us a bit about yourself and what you do.

The concise answer would be - "an English woman living in Scotland promoting a band in Australia for free- trying to hold down a day job to pay the bills."

The Updraft Imperative are taking up a lot of your time. As a manager, how much of a demand is it looking after a band?

The band themselves are pretty low maintenance.  Apart from Josh.  He's the diva of the band and is very demanding.   I'm kidding.  They are all very low maintenance and hugely supportive and appreciative of the work I do.  Which means it doesn't really feel like work (don't tell them!)   One of the many things I love about being part of T.U.I. is the relationship we all have with each other.  There is a huge amount of trust between us all.  I'm very much empowered to make decisions and I know that the boys will always have my back - which is both reassuring and encouraging and in turn makes it less demanding…  there is also a lot of 'band banter'.  No-one escapes the ribbing, but Muz does seem to cop more than his fair share for some reason.

In addition to (the stresses/hard work) there must be a lot of goods.  What are the most rewarding things (about managing a band)?

Nothing beats the feeling I get when an email pops in my inbox with news of a new station playing us, an interview offer or a blog/review.  It can be frustrating at times - because for each of those great emails, there will have undoubtedly been a hundred or more emails or phone calls made- but getting that one response makes it all worthwhile.  Knowing that I'm helping to share the music that I'm passionate about with new audiences is why I do what I do.  I touched on the relationship I have with the boys earlier, and that's a massively rewarding part of what I do.  Knowing that every minute I spend working to promote them is appreciated is reward in itself.

For those looking to go into the sector- and manage an artist- what advice would you give- with regards making the biggest impact?

I'm no expert, but there are a couple of thoughts I can share.   Possibly the most important thing is don't stop being a fan.  If you love what you are 'selling' your passion shows through and you are more likely to bring others on board with your enthusiasm.  You have to believe in what you are promoting.  Being a fan you know what it's like to be captivated by a band and their music and you can relate to those who support them.  Fans are the key to any bands success and being one you know that better than anyone. Never forget that you are in a privileged position.  The second tip is to develop a thick skin - but don't completely desensitise yourself. Y ou will get a hundred times more knockbacks than successes, and a thousand times more non responses.  It can get demoralising, and persistence can sometimes pay off however; this is where it's important not to desensitise completely.  Going at it like a bull at a gate will undoubtedly get you noticed - but for all the wrong reasons. You have to remember that you are representing a band now. Your actions don't just reflect on you anymore.  Remembering your manners- seems such a simple thing- but it goes a very long way.  It's really hard - but don't take the knockbacks or bad reviews personally.  Remember what a boring place the world would be if we all liked the same things.  You just need to keep searching out the (better ;) people like you who do love the band you love - and you'll need your energy to do that, so don't let the negative Nellies sap that from you!

You are based in Scotland (in West Lothian): what is the music scene like there; are there a lot of up-and-coming acts/bands?

It seems to be pretty healthy.  There are a host of pubs and clubs in Edinburgh and Glasgow giving bands a platform to share their music with the masses.  Although between work and the band I have very little time to get out and support them I'm ashamed to say!  One particular band I do know to look out for is Edinburgh 5-piece, The Indos. They have been doing great things with the support of Scottish label Twin City Records- and I'm sure they have a bright future ahead of them.

You were involved with The Bedroom Hour- who have sadly disbanded. One of my favourite bands (of the last few years), what first attracted you to them/their music?

The first thing that attracted me to their music?  It's the thing that still gets me today - the intro to Shadow Boxer!  T.B.H. will always have a massive place in my heart.  It's because of them that I am here doing what I'm doing.  They had (blind) faith in me, and gave me a fantastic opportunity to develop the skills I have today.  I'm as devastated as you that as a band that they are no more, but I am incredibly proud of what we achieved together (when I managed them) and the friendships that we have.  We had the most amazing time and I have many, MANY incredible memories of the T.B.H. days - and it was all thanks to a chance encounter on Twitter...!

Which bands/musicians/albums have meant most to you- either growing up or at the moment?

Well I wouldn't have started what I'm doing if it weren't for T.B.H., and I wouldn't still be doing it of it weren't for T.U.I.!  Both have been massive influences on me for very different reasons.  I often wonder how different my life would have been without them...which then makes me extremely grateful that I'll never have to find out!   There isn't really a single band that has meant most to me growing up.  I have pretty diverse taste when it comes to music.  I'll listen to pretty much anything, but if the words and the voice touch me - I'm in!   I have some killer 'guilty pleasures' though which I'm not prepared to share - not even with you Sam!

Of all the new acts (coming through) in new music: which/who are impressing you most?

I haven't listened to anything new for a while...although there's something reassuringly familiar about This Modern Hope....

You have a busy 2015/’16 ahead: what do the coming months hold for you (and The Updraft Imperative)?

Can you believe it's almost a year since you reviewed Chair?  I can still feel the elation I had when I first read it - which was eclipsed only by the boys’ responses when they read it!  That review and the airplay from some U.K. stations was the catalyst for things taking off- in the way that they have for T.U.I.  We have achieved so much in the last 12 months, but learnt a lot also.  I know that we can (and will) achieve a whole lot more in the coming 12 months, and that really excites me.  I've been making the most of a little 'downtime' recently, because in just over a week’s time-  the boys are going back into the studio. That pretty much kicks off 'crazy time' for me which will include single releases, more recording, a new album, booking venues, arranging reviews and...oh yeah...going to Australia for a month to promote the album!  BRING…IT…ON!!

Managers are often unsung/away from the spotlight- yet work incredibly hard and long. Great acts and bands could not exist without them. In that spirit, name any song you like (and I will play it here).

Jeeze Sam that's a toughie!  I feel like I'm neglecting a child by just picking one..!!  However.  It seems right that I pick this one because without it so much wouldn't have happened - including meeting you!  Shadow Boxer by the bedroom hour it is then.

[youtube https://www.youtube.com/watch?v=CoLes-7E6IU&w=560&h=315]

Follow (The Updraft Imperative):

Facebook:

https://www.facebook.com/theupdraftimperative?fref=ts&ref=br_tf

Emma Townend- Editor, Bleachandcologne

Hi Emma.  For those new and uninitiated- to you and your work- give us an introduction/bit about what you do 

Hi, I'm Emma and I write about indie music. Cringey intro aside, I've always loved finding new bands and wanted a way to introduce others to them. There are so many passionate musicians out there making great music that deserves to be heard, so I started a website to review and showcase them.

Your blog (bleachandcologne) is one of the best up-and-coming sites- dedicated to finding/promoting the best new acts.  Music blogs are on the rise: what motivated you to set one up?

Thanks! I'd always wanted to be a music journalist but life got in the way and my dream remained just that. Then one day I was listening to an album by Talk To Angels - a side project by Embrace's Mickey Dale. It inspired me to write a review of it, which he loved,  and set off the spark in my brain that led to me launching bleachandcologne (named after a line in a Talk To Angels song) to give lesser-known bands exposure to a wider audience.

With the proliferation of bands/acts coming through, how easy/hard is it finding great acts; does it make it harder finding genuinely great acts? 

It can be tough sometimes - there are so many bands around, inevitably there will be a few who are clearly talented but want to be just like someone else or have a cocky attitude that turns people off. But every so often you find an act who gives you a goosebumpy (sic.) shiver and you know it's all been worth it.

Which musicians/bands inspired you growing up?

I was a teenager in the mid-90s when Britpop exploded, I still love listening to it now - bands like Embrace, Ash, Shed Seven, Rialto, Mansun, The Verve and Sleeper.

There are a lot of great musicians about at the moment.  Who are the ‘ones to watch’?   

Off the top of my head: The Sherlocks, IC1s, No Hot Ashes and October Drift are all rising fast. Watch out for Mouses too, they're a North-East duo with a really in-your-face, catchy sound.

What does the rest of the year hold for Bleachandcologne?

I've had some time off (as I recently relocated from Teesside to Somerset), so the next couple of months will be spent writing reviews and improving the site to bring more news - the site's Twitter account @bleachncologne will link up to reach a (hopefully) global audience.  I'll also be looking for unsigned bands to review in the South West.

In terms of blogging/music journalism, what is the most rewarding aspect of your job? 

When I've been to an outstanding gig it's a joy to write about it.  I like to focus on performance and find off-the-wall observations to add a bit of interest.  If I can read it back and smile I know it's ready to publish.  Plus, getting messages of appreciation from the band and their fans is always nice!

If you could create your own ‘dream festival line-up’- acts past or present- who would be on it?

How much space have you got?! Embrace, Catfish and the Bottlemen, Royal Blood, The Sherlocks, IC1s, Mouses, Serinette; The Struts, Glass Caves, Carnabells, Marsicans, Darlia, The Twisted Dolls, Polkadodge; Puppet Rebellion, Allusondrugs, Shoot The Poet, Bi:Lingual, Be Quiet Shout Loud and The Purnells.  For starters!

With more people becoming musicians (as opposed to journalists and reviewers) should we be encouraging more to go into journalism- promoting acts rather than being one?

That's such a good question....and almost impossible to answer!  Both crafts need each other to thrive. With so many social media outlets these days it's easy for someone to start a blog and gain an audience, personally I'd encourage these writers to push themselves to greater heights since they've had the courage and desire to start the ball rolling themselves.  I think you should follow your heart and your ability equally - some have a knack for writing, others have a killer voice.  So I would say play to your strengths, look at what's already out there and decide what you love the most - then take a deep breath and do it.

Finally, and as you do such great work: name any song (and I will play it here). 

After much deliberation - He Loves Cilia by Talk To Angels please.  Without it, I'd still be daydreaming of being a music reviewer.

[youtube https://www.youtube.com/watch?v=miqXkwymsjA&w=420&h=315]

Follow (Bleachandcologne):

Official:

http://www.bleachandcologne.co.uk/

David Durant- D.J./New Music Promoter

Hi David. For those new to you/unfamiliar: can you tell us about yourself and what you do?

I am a lover of music. From as early as I can remember I fell in love with music and I soon discovered that I got the most pleasure from music by sharing the songs that I liked with other people by recording them on cassette tape. I especially liked it when they responded to my music choice with favourable comments or requests for more tapes.

This love affair continues to this day when instead of making mixtapes or compilations, I present a weekly two hour show on Brooklands Radio entitled Under The Radar Live Sessions, which shines the spotlight on independent emerging musicians of all nationalities and all genres. The essence of the show is to find and discover outstanding independent emerging musicians and showcase their music. All the tracks I play are chosen because they have an undefinable quality which makes my heart beat faster. Essentially, if a track or an artist moves me, I will give it some airplay. Simple as that.

As part of Brooklands Radio, you have seen some incredible talent: which artists/interviews have been most memorable?

Yes indeed, every week I hear incredible talent in recorded form and also in person when some of the artists I ‘discover’ accept my invitation to come to our studios for a chat and a live session. I have been presenting the show for almost eight years and of course there have been some outstanding sessions and interviews, as well as some not so outstanding sessions and interviews and everything in between.

I would prefer not to single out specific artists or sessions because it would suggest that I am favouring some over others, so I would like to say that every session has been special and memorable in some way. I would also like to suggest that readers judge for themselves by checking out these sessions on www.daviddurantmusic.com or www.mixcloud.com/undertheradarlivesessions where you will find a collection of most of the shows I have hosted since 2008.

D.J.s often get overlooked- when it comes to launching new music- but you have helped a lot of young acts coming through. How does that make you feel (seeing them do so well)?

I get mixed emotions, mostly happy ones of course on two fronts: the first, a genuine sense of happiness that they have finally been recognised, also happy that in a very small way I was part of that success by giving them airplay and the opportunity to be interviewed on radio and play a live session, often for the first time.

I also feel sad and sometimes irritated when I am asked to take down a video or review I did because their new management company wants to create a new image or because their old songs and the way they presented themselves do not fit with their new branding. It’s like denying that those sessions ever happened and quite frankly I feel insulted! It is precisely those lo-tech sessions and raw performances that have brought those artists success so why hide it?

In addition to helping new acts, what is the most rewarding part of your job?

Discovering new music and new artists. I love it when I press play on a track or a video and after the first few bars the hairs at the back of my neck stand on end! Likewise when I go

to a gig or a music festival and I discover a band or an artist I have never met before and their music is fresh, original and exciting!

You have just returned from Glastonbury. What was the experience like?

Glastonbury is a music lovers’ paradise with every single genre of music represented in one form or another. It is a magical event where you can find the unexpected if you bother to look around. It is also very much full-on with music, entertainment and food going on virtually 24/7 during the festival. It was particularly special for us because we were part of the Green Futures Festival Radio crew, broadcasting from the famous Toad Hall in the Green Futures Field which celebrated its 25th anniversary at Glastonbury this year.

For those wanting to follow your footsteps: what advice would you offer them?

Don’t be lazy… go and discover and find the music, don’t ask artists to send you music because you will soon be swamped with endless CDs, emails and download links, and you’ll soon learn that the vast majority of the tracks may not be to your liking or anyone else for that matter! Use social media, blogs and the Internet in general to look for new artists, and also go to gigs and open mic evenings and if you find an artist or a piece of music that moves you, make contact and write about it or if you have the facilities, make a podcast or a playlist and then use social media to promote it.

Social media is expanding and developing. How vital a role does it play (in terms of promoting/helping musicians)?

Musicians are pioneers of promoting themselves through social media so I think it plays an essential role in providing a necessary and valuable platform for finding new fans and engaging with people who may ultimately become superfans.

Crucially, Social Media has brought artists and fans closer together and for the first time fans are able to interact with artists in ways which would seem impossible 15 years ago.

Of all the new musicians coming through, who/which would you particularly recommend?

This is a very hard question to answer as there are many many new independent artists who are worthy of a mention, but in no particular order of preference, here is my list of five who, in my humble opinion have reached the top of their game without the backing of a major label:

1. a) Carrie Haber
2. b) The Portraits
3. c) Jo Harman
4. d) Orlando Seale and the Swell
5. e) August and After

What does the rest of the year hold for you and Brooklands Radio- any exciting forthcoming bands/developments?

The rest of the year will be more of the same! Discovering new artists and new tunes every week and sharing these discoveries with our listeners and followers. There are a few festivals and gigs we are very much looking forward to attending, and of course we may well be hosting our very own showcase, so keep your eyes and ears peeled.

Finally, as you work so hard, I’ll play any song for you- name it.

Well, that’s very kind of you! Please play Magic of the Sun by Marcus Valance. No particular reason, it was the first song that came to mind. Beautifully sung, expertly produced and it kind of fits in with the warm sunny weather we have been enjoying this week.

[soundcloud url="https://api.soundcloud.com/tracks/108189550" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow David:

Official:

http://daviddurantmusic.com/

Interview: Mi'das

Interview:

Mi’das

London-based Soul-Pop singer Mi’das has had a busy year- including the release of his E.P. Stronger- and has more to stay.  After a hard start in life- including busking the streets- the Brighton-originated star is primed for the big-time: I caught up with him to see what his plans were (and gain an insight into his music process)

Hi Mi’das.  For those new to your music, can you give us a break-down (style and influences)?

Hi! I love all things soulful: that covers a lot of bases and not just soul.  It includes classic influences like Stevie Wonder, Donny Hathaway (and more up to date people) like John Mayer and Emily King.

What current musicians are influencing you/catching your eye?

U.K.-based; I'd definitely have to say Nate Williams and Shakka.

London is creating some diverse and unique artists- surpassing a lot of the U.K.  What do you attribute this to?

I think the U.K. is an amazing creative hub and the home of so much influential music; and especially in London that gets concentrated and drives people to raise their game.

Your E.P. Stronger is unveiled: what influenced your writing process?  What sort of themes and subjects can people expect?

I'd call the Stronger E.P. a "searching" E.P.  It has themes about working out what to do with the life you’re given (and how to spend it).  It's a snap shot of my 20s and deals with themes I'm sure a lot of people come across at this age.

Music is about expression and personalisation; release and catharsis.  Your music comes across as soulful and peace-inspired.  What you say you are a calm and relaxed person (in general)?

Yes in general I am on the outside; on the inside there’s a whole bunch of other stuff going on, but everyone always says of me that I'm laid back which sometimes surprises me!  Ha.

You have an eventful past- including time busking the streets.  The realities (of that life must have been harsh).  What did you learn from your time busking?

Humility: it’s easy once you start getting a bit of success- even in my own small way- to start talking down to people or being disrespectful- but that time for me planted my feet firmly on the ground and I don't want that to change.

Having performed alongside some tremendous artists, what have you learnt from them (about the music business)?

I've definitely learned different things from each of them.  It might be a specific performance thing- or how they deal with press or even the best of them- how they deal with the people they work with!

I see a lot of young musicians stifled by financial issues; balked by music’s pressure: what would you say to them; so they can remain strong and focused?

Start small and try to make sure you pay the bills first!  It's easy to get carried away on spending lots of money on promo materials and recording/mixing (and mastering)- but you don't need to spend lots of money on those things as much anymore (at least not if you have a clear vision and are willing to learn at every turn).

If you could choose your ideal festival line-up- say five-six artists- who would be there?

Stevie Wonder, James Taylor, Foy Vance; John Mayer, Brian Mcknight and er....Taylor Swift, ha.

Finally: having had a busy 2015, what does (the rest of this year) hold for you?  Any plans for 2016?

I’m currently working on an album (which is due for release in November time) which is keeping me busy- and also have a headline tour around October in the planning.  Plenty to keep busy with.

[youtube https://www.youtube.com/watch?v=RxRB9UOmGwY&w=560&h=315]

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Follow Mi’das:

 

Official:

http://officialmidas.com/h-o-m-e

Facebook:

https://www.facebook.com/officialmidasmusic1

Twitter:

https://twitter.com/officialmidas

YouTube:

https://www.youtube.com/user/officialmidas

________________________________________________________

Mi’das’s E.P. (Stronger) is available at:

https://itunes.apple.com/gb/album/stronger-ep/id971845739

Track Review: Dominique- Don't

TRACK REVIEW:

Dominique

 

Don’t

9.6/10.0

Don’t is available at:

https://soundcloud.com/dom_n_que/dont/s-O5ijY

RELEASED: May, 2015

GENRES: Electro.-Pop

COUNTRY OF ORIGIN:

U.S.

I am always on the look-out for a terrific singer/songwriter...

Someone who spikes the imagination; offers something different- distinguishes themselves from the pack.  In a busy music world, it is harder (to set yourself aside); stay in the imagination- what with the choice available.  Being U.K.-based I tend to focus on home-grown stars: those acts that play around the capital; they tend to form (the majority of) my reviews- or else acts based in the north.  It is great to discover something ‘foreign’- an act we may not have heard of; someone who could be playing the U.K.  Dominique is based out of the U.S.- she hails from New York- and has been garnering a lot of attention- kudos has been paid to her unique voice and style of music; her vibrancy and nuance- all vital qualities in today’s scene.  U.S. music tends to go under the wire (over here); our reviewers are focused on British acts- we miss out on a lot of great music.  America is producing some of the world’s best (new) music; some of the most alive sounds- that we all should be aware of.  Ever since reviewing Arianna and the Rose- another terrific female songwriter based in N.Y. - I have been keen to return- to see what the state has to offer.  When it comes to female singer-songwriters, there is a quality imbalance: there are some terrific and brilliant examples; a lot that lack any real distinction and killer punch.  It is so easy to become complacent and ordinary: write with the minimum of thought and effort; in the hope that will seduce listeners- it is an attitude that still pervades.  The (female singers) that get into your mind are those that set the bar higher: go out of their way to up the game; create something quite special- earn their plaudits and praise.  The U.K. is in a little bit of trouble: we have a lot of great female songwriters; the newer breed tend to fare better (than established acts) - offering more in the way of urgency and diversity.  The U.S. music scene is providing a lot of inspiration: some great Electro.-Pop acts; stunning Soul singers- a collection of terrific artists.  When it comes to young artists- in the case of Dominique- maturity and distinction are important pillars- and few actually achieve this.  It is all very well talking about personal issues; your own life and real emotions- when they come off as juvenile and bare-minimum, you risk alienating listeners (from the start).  It is a hard balance to get right: be relatable and real, yet display maturity and (age beyond your years) - if you get this right, then you are onto a winning formula.  It is essential- not just for female songwriters- to stick to this; set a good example- and inspire the new generation coming through.

Dominique is a good example (of the point that I am making): someone who is tender in years- yet has that inventiveness and mature edge; capable of speaking to all generations.  Despite her beauty and captivating sound, she is a serious proposition- an artist that has the potential to go far.  In the marketplace- with so many solo acts emerging weekly- it is hard predicting who will fail (and which will succeed).  The early signs (from Dominique) are encouraging; get out of your mind images of a singing nun- here is a talent bold and fresh; vibrant and engaging- who will stay in the mind (long after the music stops).  Having similar-sounding artists in the U.K., it would be good to see Dominique come to London: play some of the top venues; get tongues wagging this side of the pond- and see the crowds over here.  The early stages are always the most exciting: that first taste of what is to come; what is on offer- a chance to hear an artist taking their first steps.  Before I continue, a little bit (about Dominique):

“Set to bubbling sun-warped electronics in the verse and a wordless cascading fuzz of a chorus courtesy of co-producer ZeniF, it progresses with the playful bounce of electropop but with a slightly harsher, more abrasive side to it.” - The 405

“Dominique sure seems to be another example of why females are killing the electro-pop game." - UQ Music

Following the success of her debut single “It’s Only You” which has been championed by many indie blogs and bigger publications such as V Magazine, Wonderland, producer Steve Anderson (Kylie, Leona Lewis, Take That), and even added to H&M’s European playlist, with spins on Amazing Radio and KX93.5’s We Found New Music show, 22 year old Electro-pop artist Dominique returns with her latest single “Don’t” produced by herself and co-producer Zenif. Dominique was recently named as ‘International Artist of The Month’ on new music platform Tradiio and reached #1 in both their Global and Pop charts. Having recently featured on a track with Moon Regiment and recently releasing an exclusive unheard track called “Life & Death” with Tradiio, the latest offering is a combination of pulsating synths and pop-driven melodies.

Of the track, she says “Don’t was written to express my thoughts on the somewhat common expectation for women to be the paradoxical combination of being a "bad bitch" and a "nun" (chaste). In other words, very sexual but with a scarce sexual history. Rather than expressing these thoughts in a more serious way, I tried to keep a playful, teasing kind of attitude, while ZeniF pulled through with a killer drop to really set the tone of the song.”

Without hearing a word, you can tell Dominique is different: a sassy and brave artist; someone with grit and passion- in addition to melody and constraint.  Too many Pop artists- less common among Electro.-Pop artists- are concerned with being ‘popular’ and ‘likeable’- in their mind that translate to being beige and predictable.  Key issues need addressing- within music- and so risks need to be taken.  Dominique is playful and urgent; never coming across as offensive or divisive- someone who is sending out a clear message; addressing important subjects (making sure it is presented in a memorable and original way).  It seems New York is producing some of the most cutting and distinguished Electro.-Pop: matching (U.K. artists) such as FKA twigs for sheer memorability and prowess.  Dominique may be a new name (to many of us here in the U.K.) yet she is gaining pace (in the U.S.)- her latest single is her strongest effort; the best material to date- great omens with regards a forthcoming E.P.

Scratching, distorted electronics herald in the track: a mixture of psychotic mice and a dangerous night; mystery and build-up; fever and twilight- the song wastes no time in getting to work.  Don’t has an instant push and punch; no tender foreplay- Dominique (technically spelled Dom!n!que) lets the composition do the talking.  Building from a dizzy beat, the vocals begin wordless and hypnotic: our heroine is caught in the web of electronics; scatting and fragmented- lost in a sea of emotion and pressure; you can sense a tangible ache- something quite relatable and emotive.  Propelled by a punchy percussive slam- that is evenly-timed and pugnacious- Dominique’s voice gets under way: starting sweet and assured, her message comes into effect- she will not be messed around.  Her man/subject- anti-hero or a wannabe lover- is being given short-shrift: our girl is not that type of woman; not someone that will be devalued and objectified- those ‘perfect’ women are left to fantasy (and imagination).  The man in question has an ideal of a “perfect world”- something antiquated and rather infantile- where his women come cartoon-like (and submissive) and inequality reigns.  Our heroine wants to get things straight: the real world does not operate like that; women who (fit that crude ideal) are not representative (of most women) - and not something to aspire to.  Backed by a simple beat; a subtle sonic swirl- the vocal is allowed full authority.  Not demanding and finger-pointing; spiked or angry- that combination of sweet-natured vocals (and striking lyrics) is a memorable juxtaposition.  Dominique is playful and teasing; slinky and seductive- complete with teeth and a strong soul.  Laying down some truth- our lead lets it known she has “history”; had her fair share of man-dogs- a dose of reality is in the frame.  Whoever this bowser is- a man with a ‘50s view of womanhood- is being given (a metaphorical) nut-kick; he needs to know his place- and understand the truth about life/sexuality.  Refusing to be dictated or controlled, Dominique almost struts into the lyrics; the confidence and delivery is impeccably stirring; brilliantly executed- you are caught under her spell.  Not wanting to be defined or categorised, Dominique is laying down the law: hold off and don’t get your hopes up; show her some respect.  When desorbing the song, the author explains it thus:  “Don’t was written to express my thoughts on the somewhat common expectation for women to be the paradoxical combination of being a "bad bitch" and a "nun" (chaste).  In other words, very sexual but with a scarce sexual history.  Rather than expressing these thoughts in a more serious way, I tried to keep a playful, teasing kind of attitude (while ZeniF pulled through with a killer drop to really set the tone of the song).”  You get that sense throughout: the anti-hero wants a demon in the sack, yet someone who is sexless to the point of virginity.  There is this view- in society and in the minds of many a-man- that their woman needs to be submissive and sexually-available, yet a blank canvas (and rather bland).  In addition to being paradoxical, it is somewhat offensive- there are seldom these expectations when the gender roles are reversed.  Her own woman and human, Dominique is rational and to-the-point: things do not work that way; you get who you get- and should not expect such ridiculous attributes/demands.  The chorus is the most urgent and stand-out moment: the combination of the beat and electronics; layered vocals and distortion- a whirl of power and emotion; force and passion- something stirring and pulsating.  Not overbearing or over-layered, the chorus catches you by surprise: it is a twisting and snaking viper; a cooing and entrancing Siren- something that splits, divides (and whips) the heart and mind.  The vibe (of the chorus) reminds me of FKA twigs-cum-Sia.  A mass of discordant strands and entwined snatches, you get wrapped up in: the heaviness and insistency is a head-rush that is hard to overlook.  Both beach-ready and festival-uniting, it is a sun-kissed-via-nighttime-tryst sort of thing- a blend that is alcoholic and caffeinated.  Jumping (and half-complete vocal snatches) fizz and percolate: you can practically feel the sweat drip; the floor vibrates and buzzes- it is a symphonic see-saw that carries the listener away.  As the song progresses- and passes its half-way marker- it develops and gains ground (you are comfortable with the sound and sensations; anxious to hear what comes next).  Dominique keeps her tongue sharp- and her eyes glistening- as her tongue twists and teases.  The man is being kept at bay; perhaps given some harsh truths- our heroine will not be defined and belittled; made to fill his fantasies.  Whilst contemporaries would bite and attack- perhaps augmenting the beat (to represent a gut-punch)- Dominique shows control and intelligence- her alluring vocal shouts louder than any beat; much more effective than (needlessly overbearing) notes and slams.  Thanks to some excellent production values- along with beats, ZeniF adds a huge amount of majesty and weight- the song is crystal-clear and concise; never losing any prowess along the way- every note is allowed space to breathe and impress.  What is particularly stand-out- along with the lyrics and vocals- is the composition.  Adding words, drama and movement, it never stops working: emphasising and bolstering, there are myriad shades and colours- it is a positive fusion of chemicals and elements (that make the track such a destructive force).  Perhaps the exclamation points (in Dom!n!que) are no accident: here is a girl that stands out hugely; her messages bold and unmissable- a young woman who knows what she wants; keen not to be demined/controlled.  The final seconds are heartbeats; ticks and tocks that bring the song to rest- and speak volumes.  Don’t is a one-worded rally-cry: a message (to women out there) that clichés and stereotypes should be dispensed; outmoded ideals are stupid- things need to change.  We all know men with that same mindset: they want their women red-hot and ready; unspoiled and just-for-them- a contradiction and juxtaposition (that is both unreal and outdated).  Fierce and strong-willed; proud and rousing: Don’t is an anthem for young women; a sign for change- above all, a hell of a tune.  Dominique has penned a terrific Electro.-Pop tune that not only is impossible to forget- it establishes her as one of the finest young acts coming through. In a genre- that is growing in popularity- few of her peers possess such confidence and quality- future releases will be much-anticipated and in-demand.  Having few songs under her belt, the New York resident will grow and develop: when her E.P. is completed it will be a proper chance for attention (a fully-fledged work that shows what she is about).  For those looking for a wonderful new act; for a sensational song; a stunning possibility- look no further than Don’t (and its author).

The rest of 2015 promising much for the young singer- a chance to go to Paris (mooted for this summer) to work on her E.P.  With her brand across social media- and accruing a mass of devoted followers- the New Yorker is set to be a name to watch.  Female artists (are ahead of their male peers) when it comes to Electro.-Pop: it is a genre seemingly tailor-made for them.  Able to express sexuality and expectations- through a pulsating and bedazzling medium- Dominique has concocted a potent blend: a song that can unite Pop traditionalists- with its melody and nuanced sound- and enflame Electro. lovers- with its heavy beats and exceptional production.  It brings me to a final point- well, two actually- regarding new music.  Too many artists- especially from this country- come in too week/placid: either the Pop is too watered-down and vague; harder sounds too aimless and one-dimensional- finding a Midas intersection is the key (to early success) and catchment.  Critics have heard enough mediocrity: the world needs artists who come in hard and strong; dare to take risks- and make a name for themselves.  Dominique has made an excellent start: in a genre- and city for that matter- with players lining up, she has crafted something quite unique: ubiquitous quality with a very distinct individuality (music that is very much hers and hers alone).  Whilst contemporaries tend to stray towards existing acts (when it comes to their sound), you’d be hard-pressed comparing the young singer- the 22-year-old surely cannot fail.  Having reviewed acts like Laurel, Ivy and Gold- and other Electro.-Pop acts- Dominique may be the best yet- it is the voice that is queen.  Imbued with vitality and urgency; a very personal (and native) voice, it is hard to ignore: her forthcoming releases are sure to match/better Don’t.  For now, we have the track: an example of what she has to offer; what is on her mind- its messages are those we should all listen to.  Issues like sexuality and expectation; societal judgements and misconceptions are often suggested: few artists tackle them full-on.  By taking an issue- that is seen as taboo by some- and not only doing so intelligently- but with plenty of Pop melody and playfulness- the young artists has pulled off a mean feat.  I cannot wait for the E.P./future: it will be exciting to see and hear what comes next- whether the same issues will be explored; if Dominique decides to focus on love and relationships etc.  With the weather- struggling to decide what season it want to portray- we all need a head-rush; a dollop of sunshine- something hot yet pleasingly cooling (music that gets the feet tapping and the voice ringing).  Don’t is no forbidding kick; it is not a track that pushes you away: it is a song that is designed to be appreciated (and heard by all).  With that in mind, do not overlook this U.S. star: we will hear a lot more from her (in years to come).  With wisdom, intellect and passion- that belies her youth- she is no ingénue singer: she is a strong woman with a clear mindset.  In a sea of misdirected ambitions; murky and indeterminate clarity- it is refreshing to discover something pure and defined.  There is only one thing left to do: put the single on, turn up the volume...

AND let it do its thing.

[soundcloud url="https://api.soundcloud.com/tracks/207233930" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

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Follow Dominique:

Facebook:

https://www.facebook.com/D0MINIQUEMUSIC

Twitter:

https://twitter.com/dom_n_que

MySpace:

https://myspace.com/dom_n_que

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Music:

https://www.youtube.com/user/xodominiqueanne

Girls Aloud! The Best (New Female) Acts: Part Two

Girls Aloud!

 

The Best (New Female) Acts:

Part 2.

IF one installment wasn’t enough…

here is the second installment!  It is always great discovering great (female) talent- here we have some distinct and wonderful acts.  From U.S. wonders to British lovelies; enjoy…

Lisa Marini

Your E.P From The Bedroom Den (released last year- https://lisamarini.bandcamp.com/ ) was filled with colour, diversity and nuance: what are the secrets of your songwriting/creative process?

Thank you No real secret, I was aware that I wanted to express something from an honest place, so I took my time to find out where that was. I wrote the songs for my EP at a point when I had a better understanding of myself. Of course we are continuously growing - as I develop as a person, I hope the music will follow.

You are one of the most consistently optimistic and upbeat musicians. How would you say you stand out (from your music colleagues/peers)?

Ahh thank you.  There really are some incredible artists out there- I wouldn’t attempt to compete!  I just try to write music that’s authentic to me.  If you feel it with me, then what a blessing.

You have worked with the likes of Nina Gromniak and many different musicians: any music plans/collaborations ahead?

Nina has become one of my best friends and it’s always an honour to play with her!  Her feel is off the scale!! Hopefully there will be more- I love experimenting but I can’t help my spontaneity, so I couldn’t tell you with whom; or when or how just yet! Haha

You have a real passion for new countries and people: how important is it (when it comes to making music) to travel/play to different crowds?

Travel can be inspiring- even just being in transit, there’s something about movement that opens up ideas! Of course, learning about other ways of life helps to expand the mind and the heart.  I find that the more people I meet, the more I realise how similar we are- we all crave love and acceptance.  Being able to connect with people through my music is a real honour.

Lisa (and maybe an impossible question): What does music mean to you?

Music is like an extension of ourselves.  We use it to create a mood and often relate it to a person or an experience.  Music is like the soundtrack to our lives.  And as with any art it can be therapy, both for the creator and for those who appreciate it.

Which female artists/albums- past or present- have inspired you?

All the great songwriters, Joni Mitchell, Carole King, Nina Simone (and more recently Erykah Badu) and of course Miss Amy Winehouse.  I am sure there are many more that I have missed out- but those are what first come to mind.

Any new female artists you would recommend?

Melody Gardot.  It’s refreshing to hear an artist that has been allowed to develop.  Each one of her albums is so different, yet every song has been carefully crafted.  I have a huge amount of respect for her as a person and as a musician.  She has really lived through it. When she sings I believe every word she says.

There is gender inequality in society; do you think there is the same issue in music? If so, what do we need to do to change this?

I couldn’t imagine living in a country where I wasn’t permitted to express myself creatively.  I feel fortunate to live in a place where I have the freedom to do what I do.  Prejudice in any form comes from a lack of education; by that I don’t mean an academic education, but an emotional and spiritual education- we can only lead by example.

What would you say defines you as a woman (and female musician); what qualities do you desire from others- what are the most attractive qualities in people?

I think one of the most important things in life is to be honest.  It might sound simple, but in reality it can be hard.  It’s something I consider every day. Am I doing something for the right reasons?  Was that my opinion or someone else’s?  Do I really feel this emotion or is something else influencing me?  It’s often difficult to define, especially in a city where there are so many forces trying to pull us away from listening inwards.

Finally: if you can offer some words to your fans; you get to pick any song, either your favourite or the one that suits your current mood - name it…

Right now I am listening to Musical Genocide by Gregory Porter. The title says it all wink emoticon

[youtube https://www.youtube.com/watch?v=9Bmh9A8Dl1c&w=420&h=315]

Follow:

Facebook:

https://www.facebook.com/marinimusic?fref=ts

Twitter:

https://twitter.com/LisaMariniMusic

[youtube https://www.youtube.com/watch?v=50Wpb0F1s1Q&w=560&h=315]

Ariana & the Rose

 

Hi Ariana. For those in the U.K., can you tell us about your music: where you play; the sort of style/sound you play?

Sure, I'm from New York City and am the lead singer in my band Ariana & the Rose. The music is a melding of electronic and real instrumentation, creating a synth band sound.  We've played everywhere from festivals, like Brighton Pride to venues like Sheppard’s Bush- and anything in between.  It was really important to me to play this kind of electronic music with a full band live- so the audience can really feel it as opposed to having everything on track.

I know you are a hungry and busy artist; you love touring and (playing to all sorts of crowds). Any plans for new material/tours in the future?

Yes! I've just finished new music and will be putting it out ASAP as (well as) getting back out on stage. We've literally just put the live show together this week: I can't wait to play the new material.  It's a real growth from my last E.P., so I'm excited to share it with everyone and hear what they think.

It is always great learning (about a musician’s) favourite album/artists growing up: who/which have been most important to you?

I grew loving singer-songwriters like Joni Mitchell and Laura Nyro, but then also being obsessed with electro queens like Robyn and Goldfrapp.  So, I think I've ended up taking my favourite bits of all of them and using it in my own work.

Do you think the U.S. provides more opportunities (for new musicians) than anywhere else? How do the crowds/venues different?

I actually think the U.K. provides the best opportunities for new artists, which is why I came here to make music.  There are many more platforms here for emerging talent, from showcase nights to B.B.C. Radio 1 (Introducing)- I think audiences really value discovering new artists here.  I feel really grateful to have found that outlet in the UK.

The stresses of creativity and expectation can get to musicians. How do you unwind/clear your head?

I'm generally stressed all the time!  I love films that unwinds my mind very easily.  I need to get lost in other things.  Theater is a really big inspiration for me as well, I love seeing avant-garde theater.  There's a big scene for that in New York, so I'm always on the lookout for it in other cities.

Which female artists/albums- past or present- have inspired you?

Jagged Little Pill is the album that made me want to become a musician.  The fearlessness that Alanis Morissette (has on that album really resonated) with me as a teenager.  More recently, I love FKA twigs. Her aesthetic and commitment to her artistry is so intriguing- and I think it's so hard to maintain that mystery these days.

Any new female artists you would recommend?

I love Betty Who, who I think is more well-known in the States (than she is in the U.K.).  Her live show just makes you fall in love with her, boundless energy.

There is (gender inequality) in society; do you think there (is the same issue) in music? If so, what (do we need to) do to change this?

I think this issue affects women in every profession in different ways. In music; I think it's mainly to do with the way the media cover women.  It's about what she's wearing and how toned she was last week compared to this week, the focus is shifting slowly though . I think we have to be persistent about the things we want to say and continue (to use the platforms like social media to get our voices out).  There's immediacy to a platforms like Twitter or Facebook (that are reaching a wide audience) and helping to change how the media covers women in entertainment.

What would you say defines you as a woman (and female musician); what qualities do you desire from others- what are the most attractive qualities in people?

I would say confidence and knowing myself.  I'm a pretty self-reflective person, which I think you have to be if you want to write about your observations.  I think, for anyone, it's about taking the time to get to know yourself and having confidence and belief in who you are.  I try not to define myself with other people's words.  I really respect and admire people who truly go their own way.  Walking your own path, with integrity, is success to me.

Finally: if you can offer some words to your fans; you get to pick any song (either your favourite or the one that suits your current mood) - name it…

I've just got the new Foals track (What Went Down) on repeat.  It's manic and ripping at the seams: listening to them is always a reminder of how amazing and immediate music can be.

[youtube https://www.youtube.com/watch?v=iuQQIawCqBA&w=560&h=315]

Follow:

Facebook:

https://www.facebook.com/arianaandtherose?fref=ts

Twitter:

https://twitter.com/arianatherose

[youtube https://www.youtube.com/watch?v=XKVd1MpcB6A&w=560&h=315]

Vanja James (Front-woman of Little Dove)

 

Hey Vanja.  There have been some changes/developments (with your band Little Dove).  Can you tell us about the future: new album/E.P./tour dates afoot? 

Hi Sam!  Little Dove is currently expanding into a 3-piece with traditional drums and bass.  I met a great drummer and bassist a while ago and they have a history working together in other projects.  Once we get a couple of live shows under our belt - we will probably start working on new material for a new record.  While Dylan isn't playing the most recent live shows, I'm going to try to get him in the mix on the record - so it will be a little bit of familiarity, and a little bit of something new. :-)

I know how much you love touring/seeing other cities: can London (and Europe) expect a visit (from Little Dove) in the future? 

I'm really *really* hoping to make it happen in the future, but to make it happen I've got some money saving to do.  2016 is probably worth shooting towards.

You are an incredible writer and artist.  What is it that compels/inspires your words?  Do relationships (and heartache) go into it- or do you prefer to detach from that (to an extent)?

Long car rides are the best for me.  Usually I'll start singing in the car and come up with some melody ideas. Little Dove's songs are unique in that they are a little more detached by the time I turn whatever personal feelings I have had/am having into a song. There are fewer "breakup- oriented" songs and more songs about things I see in mass media.  One of the songs we'll probably bring into the mix is about an underground city of homeless people in Romania for example, while another new song is about the whole ISIS happenings.

I am fascinated by the U.S. music scene (and that of California).  It seems rich and vibrant: what is life like (for a musician/band) based in California?

California has been great to me.  L.A. has allowed me to really hone in on my craft and is a wonderful place for networking with some of the best people and the most talented.  The city moves quickly and stays up all night - which I love.  For some of my most favorite creative people (horn players, string players) I head to the Bay Area/San Francisco - which just has such a rich artistic history.  San Diego is my hometown and the music community is wonderful and has a great jazz scene, a great rock scene, and it's a wonderful place for singer/songwriters.  I can go anywhere in the city to experience live music, and there's a 95% chance of running into someone I know.

The music business- finding success and meaning- can be a stressful (and anxious rite of passage).  How do you deal with it (as a musician); do you think more support/guidance (needs to be given to) musicians starting out?

I'll put it this way: The way to be successful as an artist/musician is not anything they teach you in your standard college classes.  Finding success (especially financially) as a musician, takes a versatility and drive that many musicians don't have.  I keep tuned in to music business blogs and read articles about the changing trends in music. So many musicians are creating a name for themselves with Youtube and have had luck creating a more powerful audience on a digital level.  Beyond that - if you're an indie - you can count on investing a hefty amount of money on things like digital marketing and radio promotions. The best advice I can give any musician is to have another steady source of income that works for you to support your music habit. I know one guy who says he is able to only take gigs he loves now - thanks to driving for Uber.

Which female artists/albums- past or present- have inspired you?

I was raised on a steady diet of Disney Divas and divas in general - Aretha Franklin....Whitney Houston....Eisley and Aretha were a huge influences in helping me hone in on my voice and push my vocal range.

Any new female artists you would recommend?

New...hmmm....there's a band in L.A. called Dead Sarah that I think is going places.  Lucius (based in N.Y.) is also a fave.   Otherwise on the whole, I don't listen to too many female artists as I don't want them influencing me.  So I stick with old rock bands and that keeps me happy.

There is (gender inequality) in society; do you think there (is the same issue) in music?  If so, what (do we need to) do to change this?

I'd say when it comes to gender inequality - the music industry is about 10 years behind.  I've been fortunate in L.A. that only one person has ever done anything inappropriate - but in San Diego - people weren't so well-behaved.  I believe that sexual harassment laws should apply anywhere - even if you aren't working in a building with walls.  My advice is: Keep the sexual commentary to yourself - and don't try to make out with somebody at random without their verbal consent first. (Seriously.)

What would you say defines you as a woman (and female musician); what qualities do you desire from others- what are the most attractive qualities in people?

I'd say what defines me as a person (I'm human first - female second ;-) - is my need to do service for others.  I like to do nice things for people - I like to help people, and I've been that way since I was a teen.  In my songwriting - I always take care to write in a way that transcends gender - you won't find many Little Dove songs making any gender references - they could easily be about a man or a woman. As a female - I feel that writing songs that way is important, since many people have this idea that females should write things that are "pretty" - I try to show that something can be aggressive and gritty and raw, but still be beautiful.

Most attractive qualities in people?  The ability to listen - and the ability to think things through.  Drive and passion are also huge - not everybody's belly is burning with fire - but if you find people who have that - you can consider yourself lucky.

Finally: if you can offer some words to your fans; you get to pick any song (either your favourite or the one that suits your current mood) - name it…

I'm working on a jazz piano project (yes!) of all things with a friend of mine - we head into the studio next week and I look forward to having some new material to share.  We're re-imagining Jazz versions of some of my favorite rock songs.  I'm pretty excited about it.

As far as Little Dove goes - I did a single a few months back with this awesome guitarist named Yogi Lonich.  The song is called Devil's Breath. Devil's Breath is a street drug in South America - and I saw a VICE documentary about it - and it inspired a song. It's on our Bandcamp page. Check it out:

http://littledove.bandcamp.com/track/devils-breath

Follow:

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[youtube https://www.youtube.com/watch?v=Ju1FY3LPRco&w=560&h=315]

Bee

 

Bee is an indie-folk singer/songwriter living in London. She grew up in Guildford, where she spent her free time dancing, singing and acting, having attended Italia Conti, Guildford School of Acting and the Academy of Contemporary Music. While at university Bee took up the guitar and began writing her own music and performing. She has continued ever since; recently at venues such as The Bedford in Balham and Dingwalls in Camden. She competed in the regional finals of Open Mic UK, was featured on 96.4 Eagle Radio and in the Surrey Advertiser, Guildford Dragon and Southwest Londoner newspapers.

Bee believes that music is a way to understand or escape life. For her, it is her way of understanding and expressing it, and so lyrics and melody are used to connect with the audience. With such bright things ahead of this artist, she is one to watch.

You are from my ‘neck of the woods’ (Surrey): Are there enough opportunities (for songwriters/singers in Surrey) - what would you say to new artists coming through (to encourage them)?

Guildford is a great place for musicians.  It’s the home of the Academy of Contemporary Music which I attended when I was younger and plenty of venues which hold live music, such as The Boileroom (sic.).   I would say to new artists to grab every opportunity to perform – there’s no such thing as too much practise and I know I improve every time and it’s great to try out any new material in front of live audiences.  Music isn’t an easy avenue but we are all in it because we love it and to be able to share that is so powerful.

I love your new material (and cover versions). Any plans for an E.P. or album?

Yes! I’m planning my first E.P. at the moment so watch this space…

Your social media numbers are rising; you have played some awesome gigs (this year): what have been your highlights from 2015?

It’s been a fantastic year so far. My favourite gig was playing at the Bedford.  It’s such a iconic venue where some incredible artists have played and I was so proud to be one of them.  At the same time, the year is only half way through, and it keeps getting better.

I know you have a great range of influences and favourite artists. Which act/acts have meant most to you/inspired you to take up music?

I’ve always had a huge passion for music; it’s always played such a pivotal role in my life, and there are so many artists who have influenced me throughout my life, however, the reason I have chosen to pursue music isn’t because of a particular artist.  It is because of how happy it truly makes me and I love to be able to share it with other people.

Your songwriting seems to resonate and speak (to everyone). What influences your writing process: heartache and relationships; dreams and ambitions- what would you say characterises a Bee composition?

I write about what’s going on in my life at the time.  My songs are incredibly personal and a true expression of my thoughts and feelings.  A typical ‘Bee composition’ usually goes like this… I sit down with my guitar and start playing around with chords.  Suddenly something just ‘fits’.  The lyrics then fall out onto the page as if out of nowhere.  I usually then reflect on what I have written, figuring out what it means to me and so every time I write a song- it reveals something and helps me grow.

Which female artists/albums- past or present- have inspired you?

One of my oldest loves is Carole King.  Her life and talent is so inspiring and have a huge admiration for her.  I would also hugely recommend the musical Beautiful and definitely to any aspiring songwriters.  Favourite female album still goes to KT Tunstall – Eye to the Telescope. There are such beautiful lyrics and emotions in so many of her songs.  My other favourite female artist has to be Ellie Goulding - she is a great role model to all her fans and writes incredible music.

Any new female artists you would recommend?

I’m a huge fan of Lapsley and  Pheobe Ryan who are rising stars on the indie music scene – definitely give them a listen if you haven’t already!

There is (gender inequality) in society; do you think there (is the same issue) in music? If so, what (do we need to) do to change this?

I have come across various people in the industry who have tried to take advantage on the basis of my being young and female; however, I don’t believe that it is any different in any other industry or sector anywhere in the world.  Unfortunately sexism is still a fact of life even in the 21st century and a topic that I am very passionate about.  I believe we are a long way off eradicating sexism and it’s necessary to keep raising awareness and standing up to the problem.  To all young girls entering the industry, it is crucial to keep your wits about you and don’t be scared to say no if something doesn’t feel right.

What would you say defines you as a woman (and female musician); what qualities do you desire from others- what are the most attractive qualities in people?

There are certain aspects of femininity which I love: dressing up, painting my nails, going shopping; but in fact, I wouldn’t say I am defined by being a woman.  Actually, I would hope I am not defined by anything except my beliefs and values.  I believe I am constantly growing and developing and that we are also a part of everything around us.  I find the most attractive qualities are honesty, openness, integrity and most importantly, passion – that’s what keeps things interesting ;)

Finally: if you can offer some words to your fans; you get to pick any song (either your favourite or the one that suits your current mood) - name it…

It’s Friday night and so there’s only 6 words I have for you: "Shake it like a Polaroid picture"…

[youtube https://www.youtube.com/watch?v=PWgvGjAhvIw&w=420&h=315]

Follow:

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Twitter:

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[youtube https://www.youtube.com/watch?v=hPMadF5XIhc&w=560&h=315]

Abi Utley (One Half of Issimo)

 

For you (and Issimo: the duo she fronts with Marc Otway) is keeping you busy: what is life/plans like for you guys? What is coming up?

At the moment we are extremely busy, we are very lucky, we have recently shot our fan-funded music video for our next single The Coldest Queen- which I produced and acted in.  I am in the process of editing it at the moment (but we are busting at the seams to show everyone).  Shortly after its release we will be putting our first ever E.P. out there- so we are also busy preparing for that.  Plus, gigging and writing new material…

As a singer/writer you err towards positive and uplifting music- intended to get people singing. Do you worry about the amount of negative/heartbroken music about, or is it a necessary side (of music)?

Personally I love heartbreak tunes. I have a broad taste in music and enjoy Etta James, Otis Redding and Amy Winehouse- when I am alone or in a certain mood.  However a lot of the time, as you know Sam, I teach Zumba: I am hearing world sounds of Salsa, Reggeaton, Merengue and Cumbia -and it ignites a passion for rhythm in me that makes it hard for me to stand still.  Marc is an excellent pop writer and arranger, and together we fuse (our interests and create music) that hopefully takes our audience on an uplifting adventure- and gets them moving too.

Hailing from Yorkshire- a county that houses the likes of Jen Armstrong- it seems conducive to great/original music. What is it (about the county) that produces incredible music/musicians?

Maybe it’s the milk from the Yorkshire cows?  Yorkshire folk are very lucky (to have The Leeds College of Music).  Although I didn't study there, most of our musicians do or did: Marc did (as did Jen); the tutors are some of the best in their field (and the courses are intense).  I have been for the odd singing lesson and found it was the (best thing I ever did for my vocal health) and technique.

You have inspired a lot of singers/artists around the U.K. (believe me). What would you say to anyone coming through: advice on how to approach music/the business?

Hmmm, really?  Ha.  Well, I suppose, you have to be willing to work hard (that’s a given) and be very thick-skinned.

A lot of female singers have rather samey/predictable voices- yours seems very unique and stand-out. What music inspired you growing up; who are your idols?

Ha ha, may have already answered this.  I watch Etta James live videos (on Youtube) and wish I had her voice.  Growing up I was really in to Alicia Keys and Bonnie Tyler.  I suffered with nodules from the age of about 19 - and didn't sing again till I was 26.  It took me a while to find my voice: singing lessons really helped.

Which female artists/albums- past or present- have inspired you?

Janis Joplin, Amy Winehouse, Alicia Keys and Norah Jones- all got me through certain times in my life. Oh not forgetting Tina Turner!  I can watch her early stuff (in awe) and want to be her- an amazing woman who had to put up with a lot of sh*t (but still gave out-of-this-world performances)

Any new female artists you would recommend?

I love Steph Fraser: her voice is so soothing and her songs are ace.

There is (gender inequality) in society; do you think there (is the same issue) in music? If so, what (do we need to) do to change this?

Yes, we are getting there, though more girls are picking up instruments and becoming good at them. Inspiration and role models are needed at grass roots.

What would you say defines you as a woman (and female musician); what qualities do you desire from others- what are the most attractive qualities in people?

I like to think I have a decent sense of humour: I like to laugh and like people who make me laugh and who also like to laugh.  I find kindness, compassion and reason attractive qualities.  As for qualities I desire from others?  Patience- as I can be a bit forgetful and dopey!

Finally: if you can offer some words to your fans; you get to pick any song (either your favourite or the one that suits your current mood) - name it…

Fans of ISSIMO: thanks you for being supportive and patient with us; sit tight it’s coming -‘The Adventures of ISSIMO’.  Hey, I am always saying check them out (but go and check out) The Cat Empire right now.  Try Still Young… turn it up full-blast and skank out- then buy the albums! xxxxxxxxx

[youtube https://www.youtube.com/watch?v=vPj1Hf6kfyI&w=560&h=315]

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Twitter:

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[youtube https://www.youtube.com/watch?v=g3y3wtrqT84&w=560&h=315]

Emily Kay

 

Hi Emily.  I have always loved your (very unique and distinct) voice: which artists/albums have inspired that?

I was definitely inspired by older Jazz and Soul artists: Billie Holiday, Etta James, Miles Davis; and then I discovered Lauryn Hill, John Legend, Erykah Badu.  I am definitely a ‘90s R&B music fan too; so Mary J. Blige .

There are a lot of (other) young, black (and Asian) artists coming through. How important do you (think it is) to have diversity in the music industry?

My inspirations are an example of why I feel music has no age limit.  Jill Scott, Angie Stone and Erykah Badu sing with such deep revelation (on love and relationships).  It’s about the lyrics and that’s all I care about.  You have a lot of young artists coming through that are releasing commercial music (to get you moving in the clubs).  However, within a week there is a new club hit out (and I’ve forgotten last week’s song).  It’s so important to have diversity in music.  It doesn’t matter what nationality you are but do you make ‘good’ music?!

Songs like Soldier and Hold Me Closely (released last year) were among my favourite (that year). Do you see a new E.P. or album on the horizon?

Oh thank you.  Soldier and Hold Me Closely were key releases.  It was important for me to express the progress of my music (and get people excited to hear more).  Soldier was intimate- some say slightly sad- but the lyrics are real and true to life.  Hold Me Closely was popular between both men and women, as it was sensual and pulled at your heart-strings.  Of course, I plan to release an album one-day soon- maybe even release another single; in the meantime, you just have to keep posted.

If you had to sum yourself up (to a new potential fan) or provide a lesser-known secret, what would that/those be?

Oh wow this is a hard question!  Well I’m quite a private person, so no lesser-known secrets ha-ha.  I would firstly (ask my potential fan) who are their inspirations, and then I can explain where I come from as an artist.  It’s important to express to your fans your story.  My story is a simple one.  I have been on the quest for real-love, but along the way I’ve been hurt so many times (but I never give up on love).

You are based out of London (and hail from Birmingham): how important is the city (to you as a musician) - does it inspire your creative processes?

London definitely helps artists/musicians get exposure, than I would if I still lived in Birmingham.  I love the London buzz.  There are so many live gigs and events (to help new artists) and give them a platform.

Which female artists/albums- past or present- have inspired you?

Mary J Blige – Share My World and My Life, Lauryn Hill – The Miseducation of Lauryn Hill, Miles Davis – Kind of Blue, Emelie Sande – Our Version of Events

Any new female artists you would recommend?

Yes: Emelie Sande, Mary J Blige and Sade

There is (gender inequality) in society; do you think there (is the same issue) in music? If so, what (do we need to) do to change this?

Of course there is a gender inequality in society (as well as) the music industry.  If you look in the work-place: how many women are company directors?  In the music industry, if you look at the iTunes chart (and count how many women are represented) vs. men.  You have female musicians out there (like myself) playing instruments- and yet this is not reflected in current charts.  The days of Alicia Keys was enough it seems.  We need to see that real musicians still make the charts- that’s why I love Rudimental.

What would you say defines you as a woman (and female musician); what qualities do you desire from others- what are the most attractive qualities in people?

Your character defines you. It is who you are.  What will people say about me tomorrow- if (God forbid) I died today? I have a bubbly character (and I’m very emotional) and deep at the same time.  I am a strong, black woman (with love for God and things that are ‘right’).  I dislike injustice and I feel the music industry is unequal.  It doesn’t represent society- where there are still sexy black female musicians out there with class and morals like the days of Lauryn Hill and India Irie, rather than black females with a big booty and great lyrics- consuming the commercial industry.  Life isn’t fair- I understand that- but as Dr. Maya Angelou says: “You may not control all the events that happen to you, but you can decide not to be reduced by them”.  I continue in my lane- and those who relate to me- can follow my love and passion for music.

Finally: if you can offer some words to your fans; you get to pick any song (either your favourite or the one that suits your current mood) - name it…

This is a really good question. It would have to be the lyrics in Mary J. Blige’s – Be Happy.  Mary says “… How can I love somebody else if I can’t love myself enough to know when it’s time to let go?”/“I just wanna be so, so happy but the answer lies in me”/“I ask for the sign from the sweet Lord above I know the answer is in front of me..”  So my words of wisdom are: God first; love yourself and believe in (yourself).  You can do whatever you dreamed to do, don’t let anyone stop you.

Thanks Sam for all your love and support over the years. You support never goes un-noticed. Thank you  (Sam: had to keep that in- obviously) xx

[youtube https://www.youtube.com/watch?v=McGJvRuEufs&w=420&h=315]

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[soundcloud url="https://api.soundcloud.com/tracks/71999605" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Hannah Dorman

 

Your music is quite hard-hitting and Rock/Country-influenced.  What music/musicians do you particularly admire?  Who were your idols growing up?

I used to listen to a lot of Anastasia, Shania Twain, Avril Lavigne and Delta Goodrem.  My grandparents lived in Cornwall (which was a 5-hour journey).  We’d often visit, and during these long journeys we’d always have those artists’ albums playing.  I got to know every word, every ad-lib, and would belt them out at the age of 7 (or so).  Not that I really had much of a singing voice at the time… but I definitely had the drive and ambition!  Latterly, KT Tunstall, Kelly Clarkson and The Pretty Reckless (have played a big part in my music direction)- strong females solo artists!

You have gained a lot of great press/support (from fans especially).  Has social media played a big part in that?

Yes, definitely!  Social media has always been a huge part of my musical career and I love it.  I’m good at keeping in touch with my fans.  I’ve found it helps keep me grounded too.  When I talk to fans who have followed me since I was 15, it really helps motivate me when things feel like they’re going no where.  Knowing I have people all over the world who have followed me from the beginning and have continually supported me is amazing.  I also used Kickstarter to fund the recording of my last EP, I wouldn’t have been able to raise the money if it wasn’t for my relationship with my supporters over social media!  Some people go home and play games on their phones… I update my social media and spend time promoting myself, I get the same buzz and ‘obsession’ (if you like) as people do from games!

Few songwriters have your take on life/that unique voice.  What inspires/compels you most (as a songwriter)?

I write about stuff that’s happened to me.  You’ll find that (like at the moment) I haven’t written as much because I’m pretty happy!  But when this happens I go about writing in a different way.  For example, I wrote a song about moving house years ago- but everyone thought it was a love song, because I wrote about the life I spent there and my sadness of letting go.  You’ll find a lot of my songs are a play on words and aren’t always what they obviously sound like!  I do very well writing when I’m upset though, it’s like therapy!

It is clear you have a good bond (with your band-mates).  Are you guys brewing some new music (an album maybe?) for 2015/’16?

Yes, I’ve had a number of band line-ups, but these guys I’ve studied with at A.C.M., and they’re my friends as well as work mates.  We spent a lot of time together in the studio in May, and my stomach was aching from laughing so much.  Not only are they good guys, they’re great musicians and they get everything about the ‘Hannah Dorman’ brand- I couldn’t ask for more really!  I’m releasing something in Autumn… keep your eyes peeled.. !

If you, Hannah Dorman, could choose a perfect life, answer me this: perfect city/location?  Five albums you would take with you?  One person you (would take) with you?

City: London

5 albums: McFly Radio:ACTIVE, You Me At Six Sinners Never Sleep, Mallory Knox Asymmetry, KT Tunstall Tiger Suit, Kings Of Leon Come Around Sundown.

Person: I couldn’t choose! I have such a close group of friends and family.

Which female artists/albums- past or present- have inspired you?

KT Tunstall, Kelly Clarkson, The Pretty Reckless, Anastasia, Avril Lavigne.

Any new female artists you would recommend?

I haven’t listened to too many new female artists, but I’m intrigued by Tove Lo.  I’ve only listened to a couple of her songs on her album, mainly know her from her single Talking Body- but I think she’d be an interesting artist to follow over the next year or so!

There is (gender inequality) in society; do you think there (is the same issue) in music?  If so, what (do we need to) do to change this?

I know there was the whole thing about the Reading and Leeds line up- when someone left only the bands with females in on the poster- there weren’t many at all.  But, there are many female pop artists around and not as many solo males (that aren’t singer songwriters like Tom Odell, James Bay etc).  Then again, there’s so many male bands, but there aren’t many female-fronted bands that don’t sound like Paramore, so it swings both ways.  So I guess there’s a spot in the market for a pop/rocky singer songwriter like me, a mixture of the two!

What would you say defines you as a woman (and female musician); what qualities do you desire from others- what are the most attractive qualities in people?

As a female artist, my music and persona is very honest, on stage, off stage, in videos or in person I’m who I am. I think that’s what defines me best… me! I think honesty and being yourself is the best quality anyone can have.

Finally: if you can offer some words to your fans; you get to pick any song (either your favourite or the one that suits your current mood) - name it…

I’ve had Shut Up And Dance stuck in my head all day, and it’s a cracking tune- such a pick-me-up when you’re feeling down!

[youtube https://www.youtube.com/watch?v=nbcCG7PkI18&w=560&h=315]

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[youtube https://www.youtube.com/watch?v=NU5Hi9AwuOA&w=560&h=315]

Ruby Lane

 

What attracted you (to take up) Vintage-edged Pop- as opposed to more traditional Pop/Rock sounds?

I've been singing Jazz and Blues for over a decade so can't help but incorporate influences from those into my music, which often gives it a vintage edge without meaning to.  But also, while I love those traditional pop sounds, I just love the extra sass that comes with a bit of retro!  Vintage is timeless, and always comes back round, so fingers-crossed my music will stand the test of time too...

Your music is designed to put smiles on faces; get feet tapping: with so many (contemporaries) erring towards introspective/emotional, what keeps you so upbeat/optimistic?

Introspection is all very well, and there are so many songwriters who do a great job of making honest, emotional music, but to be honest I feel a bit of an indulgent bastard if I dwell too much on that sort of stuff.  Optimism comes much more naturally to me in my life and music.  I believe that being 'glass half-full' is a choice and it's definitely how I prefer to live my life.

Leeds is producing a huge amount (of unique and spectacular musicians). What is it (about the city) that encourages this trend?

Agreed - there's so much talent here.  The music college has a lot to answer for - it turns out hundreds of talented graduates every year, and it's testament to Leeds that it keeps lots of those graduates in the city; adding new talent into the mix so it's never stagnant.

Which artists/acts in the modern scene inspire you- and are catching your ears?

Well I love a great Electro. singer sort of act, but also have a thing for '60s-inspired bands.  I'm in the midst of a hardcore festival season, and this week I've been watching Future Islands, Blur, Temples and Teleman - all were awesome.  On my hit list for Glastonbury next week are Future Islands again (the front man is worth seeing twice), Father John Misty, Ibeyi, FKA twigs; Mr. Lionel Richie and of course George Clinton and Parliament, Funkadelic and the Family Stone.

Any plans for new material: a new album or E.P. for 2015?

An E.P. is in order for this year I think!  I've got a ton of songs ready to go which is exciting - I've never had songs to choose from before!  It will include the couple of songs already on YouTube as well as some fully finger-clicking full band songs, which have more of a '50s twist.  It'll be ready before my birthday in November if it kills me.

Which female artists/albums- past or present- have inspired you?

Ella Fitzgerald and Nina Simone inspired me so much.  I learned every lyric, every inflection, researched the back catalogue, and I never stopped being amazing by their talent.  More recently Amy Winehouse, Caro Emerald and Lianne La Havas get massive kudos from me for all they did to bring Jazz and/or Swing into the mainstream.  And Lianne just because I love her too much.

Any new female artists you would recommend?

Ibeyi are top of my list of recommendations.  They're twins, French-Cuban, but they sing in a mixture of English and Yoruba, an old Nigerian language . It's sort of Electro. meets Afro-Jazz, super chilled and interesting - love it.  Also, not so new now but anyone who hasn't checked out Agnes Obel must do.  Especially live - her band of gorgeous string playing goddesses must be seen!

There is (gender inequality) in society; do you think there (is the same issue) in music? If so, what (do we need to) do to change this?

There's definitely gender inequality in music.  It's just an amplified version of the problems in wider society; women are sexualised and objectified, a pretty face to be looked at, and with expectations of how we should look, act, dress.  So we're stuck with a problem: do we play the game and dress in the sexy way audiences expect to make sure we get ahead?  Or do we eschew the norm, cover up, and make a stand?  I'm not sure we're ready for the latter but that's what should happen, and we, the audience, need to be prepared to look past it and seek out the talent, not just the sexy women..

What would you say defines you as a woman (and female musician); what qualities do you desire from others- what are the most attractive qualities in people?

What I hope defines me are energy and good vibes!  In life and in music, or at least that's what I'm going for... I love adventure and that's what I look for in others - people who are full of energy, and general up-for-it-ness.  I also find an instant friend in anyone who loves cat gifs.

Finally: if you can offer some words to your fans; you get to pick any song (either your favourite or the one that suits your current mood) - name it…

It's too hard to pick a favourite song but listen to Age by Lianne La Havas right now!  It's so simple and has the straightforward, straight-talking narrative that I like - and is sassy as fuck.  And once you're finished with that, put on Kiss Me Quick by yours truly.

@rubylanemusic

Ruby is a singer-songwriter, lover of all things soul, jazz and blues, and vintage addict. She been singing for a couple of decades and writing music for at least one decade, performing as herself and also previously as one quarter of female barberpop group Scarlet Street.

Described once by BBC 6's Tom Robinson as sounding like 'a northern Lily Allen meets Ella', she has shared stages with the likes of Ruby Turner, Mark Knopfler and the Sugababes. She trained at Leeds College of Music and frequently supports feminist and LGBTQ causes.

Ruby's songs take inspiration from her misadventures in love and sex, are always finger clicking with an optional hint of sauce, with frequent winks and infrequent sentimentality.

A new E.P. is on its way in 2015

[youtube https://www.youtube.com/watch?v=xcvL0wrHM1s&w=560&h=315]

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SoundCloud:

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[youtube https://www.youtube.com/watch?v=fgW-_cQuY0w&w=560&h=315]

Track Review: Elena Ramona- Happy Song

TRACK REVIEW:

Elena Ramona

 

Happy Song

9.5/10.0

Happy Song is available at:

https://soundcloud.com/elenaramona90/happy-song-demo

RELEASED: 18^th May, 2015

GENRES: Pop

IT is always great revisiting an artist …

who keeps producing stunning results.  Too many musicians/new acts (last a short time); the quality starts to drop- finding acts that evolve/improve is very rare (indeed).  Elena Ramona (has had a) busy 2015: some prestigious gigs; news songs- plans for a future record.  As this year propels into gear, Elena releases Happy Song: her most urgent and instant song to date- a tantilising glimpse (as to what) a future release could contain.

Beginning with a wordless vocal- a skyward paen- a spoken word snippet unfolds (strangely “lift going up” are the words uttered).  Knowing the background to the song- the pleasures of working life; the daily routine- (those words) makes more sense.  Adding a heavy (electronic) beat into the mix- an undertone of Dub-Step and Grime- the song mutates and develops; Elena’s voice snaps and cracks- almost providing a Rap-like delivery.  On the mic. she lets reality speak (“I’m 25/I’m still alive/Working that nine-to-five”) - almost seeing resigned to the fate (of the day job and all its pains.  There is a palpable sense (of wanting to break free); trying to fulfil her dreams- trapped inside a humdrum/undesirable life.  Backed by funk-laden vibes (and a bouncing, insatiable beat) Elena’s voice rides and rules: wracked by anxiety, our heroine wants to take a shot at stardom- break away from (the unhappiness) of the here-and-now.  Making the most of her lot, (Elena Ramona’s) Happy Song will get the customers (of her workplace) singing- whichever floor they are on; wherever they are.  I know how much Elena loves her colleagues and home; the work she puts in- she has a lot of fun/adventure (at her workplace).  Her ambitions and heart belong to music; she wants to make it her living- that ache and yearning comes through (in every note).  Propelled by the beat, Elena’s voice is sharp and gripping: every word (and line) hits the mark; her passion and talent lift the lyrics high (and makes you imagine her every move; happily tripping the shop floor; smiling and singing- lost in her daydreams).  The chorus is one of the most memorable (I have heard in a while): simple and unforgettable, it is sure to be a crowd-uniter: that which demands chanting; designed to get the masses singing- a pure and direct delight.  Elena Ramona’s quirkiness and personality comes out- her way with words and imagery; her subject matter; charming little vocal moments (giving the listener an insight into her working life).  Having reviewed her before- two E.P.s and other songs- she has grown and strengthen- her voice is stronger and more confident (than I have ever heard).  Happy Song is a triumph for Elena Ramona: incredible songwriting, a passionate vocal- a track that is hard to ignore.  This year has seen (the young artist) dream and perform; surprise and desire- it cannot be long until she is a household name.  If Happy Song is anything to go by, one thing is for sure...

IT is her time to shine.

[soundcloud url="https://api.soundcloud.com/tracks/206080437" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

________________________________________________________________________________

Follow Elena Ramona:

 

Facebook:

https://www.facebook.com/pages/Elena-Ramona/323928237668916

Twitter:

https://twitter.com/elenaramona90

SoundCloud:

https://soundcloud.com/elenaramona90

YouTube:

https://www.youtube.com/user/TheStathaki1

The Good, the Bad, the (Very) Ugly.

The Good, the Bad, and the (Very Ugly).

 

THE past few weeks have been quite ‘eye-opening’…

As I type this my legs are below-functional (and in need of a rest); it has been humbling (and touching) to get some great feedback- after doing a run (albeit a long one).  I have been pleased by the donations; the outpourings and support- some great people (making me feel very good about myself).  That is one of the best things about life: there are some sweet and wonderful people; humans that have a lot to deal with- yet show nothing but politeness, caring and sweetness.  I am not an overly-cynical human: not someone who (thinks little) of everyone; tars the world with the same brush- I know there are some incredible people out there.  It is those (people) that make everything better; inspire average humans (to do great things) - deserve nothing but good.  Life is a learning curve: I have many faults/downsides- which I desperately want to neutralise and overcome.  I would like to think that my ‘good points’ compensate- and anything less-than-great is, at the very worst, a minor flaw.  Great people make everything more palatable: they give you a safety net; an open heart- if things get bad, they (are there) for you.  To all of those people- across Facebook and Twitter; who I know personally- I have nothing but praise and thanks- keep being who you are.  They/you are the reason I keep pushing: determined to (try to) do as much good as I can- and make (however small) changes in the world.  When it comes to mankind; there is a discernible flip-side.

Maybe it is geographical bad luck (I shall refrain from naming-and-shaming/bad-mouthing when I was born/work), but my heart has sunk: what the hell is wrong with people?  The ‘anonymous’ area/areas contain some great people: lovely souls with big hearts; some truly decent examples- the trouble is, they are dwindling in numbers.  What I am seeing (more and more) is something rather distressing: that sense of entitlement; the superiority complex- another term for utter stupidity; selfish lack of altruism; a shocking sense of arrogance and selfishness.  Aside from the not-specific-to-this-area idiocy- the insanely terrible drivers; the gormlessly pedestrians; the sheer lack of manners and common decency- there is something very specific (to where I am): people who feel superior (and have nothing to feel superior about).  London has a reputation for being cold and inhuman- such a vast city is going to feel impersonal and frenetic- yet there are terrific areas: great spots with tremendous people; London has many upsides (that justify its schoolboy issues).  When you live (in an area/town) with none of those benefits, then what is left?  I see (too many examples) of people providing snootiness/arrogance towards the needy- the times I have seen Big Issue sellers offered sarcasm has enraged me.  All the great people (who do great things) are being drowned out- by the growing masses of ignorant/unkind/plain unspectacular.  There is a ‘plus side’, I guess:

When my current job ends (in two weeks) - aside from some local bar work- there is motivation: get out of the (let’s face it, soul-crushing) office environment- do something TRULY worthwhile.  Being dedicated (read: obsessed) with music and charity, the dream would be this: split work between D.J.-ing and music publicity; setting up a charity (and working in the community) - some songwriting/recording among this.  London is the dream destination (to begin with), with a view of (in a few years) moving further north: perhaps spending some time in the U.S./Australia- spending time seeing new places.  Buildings and scenes do not define a community: people do.  If there is (ample but) uncaringness and stupidity, then you have to get away- after doing something proactive.  It is not well enough to just sit back (and accept the way things are).  Even if people don’t want to change their bad ways (and most do not), you have to try- drill some common humanity into them; stop them being so arrogant/despicable.  The world has enough issues/horrors in it (some man-made; others natural) that are suffocating us- from cancer and illness to gun violence and racism.  Human beings should be edifying the planet; tackling injustices and horror- thinking about the larger world.  People that think of others (and are socially conscious) are the best kind- not just contended to selfishness consider their own (rather beige and humdrum) selves.

The point of this blog (there is one: it is to thank the best of you) is evident: the very special/kind humans will rule out- those that (will be noted for nothing).  It is good there are options out there- countries and counties with masses of lovelies- and reasons to not give in: manners and humanity is VERY cool- not something that should be taken for granted.  To those people- I have seen being abusive/mind-numbing/horrendous (too many of you out there) - then get your act together: the world does not have room for (people like) you.  The point of life is to embrace the best; those that take the time out for others- and being spectacular.  Thanks to everyone- lately and historically- who have been there; supported things I do; given my impetus to keep going- and follow their examples and…

KEEP showing them (how it’s done) x

Girls Aloud! The Best (New Female) Acts

Girls Aloud!

 

The Best (New Female) Acts.

NORMALLY when I do a feature (on my website), there are some…

familiar faces.  It is true- those faces are coming back here- to be joined with new ones: celebrating (the great women) of new music.  A lot of new music (seems to balance male and female-led music) yet in the mainstream- there still seems to be a male majority.  When it comes to bands (and the band market) is is very much male-dominated: there are relatively few female-led bands.  In terms of (society as a whole) there is gender inequality- with regards pay and opportunities.  Music seems to be more open-armed: it is encouraging to see so many (new female acts) coming through.  To celebrate that, I caught up (with some special people); keen to see how they were progressing- and what they thought (with regards to equality in the music industry)…

 

Lydia Baylis

 

 You had an itinerant and fascinating childhood/upbringing: what kind/type of music featured (in your formative years); any all-time favourite artists/albums?

Van Morrison’s Astral Weeks album!   (As well as lots of David Bowie).  My father was a big fan

A lot of songs/idea stem from heartbreak/personal crisis- you have always struck me as stronger and braver (than most contemporaries). How is life treating you at the moment? What themes/events are inspiring (you right now)?

I think songwriting is a way for me to exorcise heart-ache so I don't have to live it- that is why my songs are full of it - so my life doesn't have to be!  I am, by nature, a very happy person.

The (modern music scene) is seeing a rise in artists- solo and band-based. In tandem (with the growth of social media) do you see this as a good thing; have you experienced any problems/draw-backs?

I think obviously it makes it harder to be heard- to get the same platform - but overall art (and making it) should be for as many people as possible, by as many people as possible- so a widening can never overall be a bad thing.

What is next for you Lydia: is there new music forthcoming; album/E.P. plans?

Yes!  A new E.P. in July (which I am really excited about)

Having participated in Coffee House Sessions- performing in some unique and intimate coffee houses/cafes- how was those experiences? How does it differ (from bigger venues/events)?

More intimate surroundings can be more intimating, but more rewarding.  Certainly doing so many gigs in so few days was good for honing my live performance stills!

 Which female artists/albums- past or present- have inspired you?

Laura Marling, Florence Welch, Daughter; Joni Mitchell, Amie Mann

Any new female artists you would recommend?

Yes! Certainly Kaledia are amazing

There is (gender inequality) in society; do you think there (is the same issue) in music? If so, what (do we need to) do to change this?

I think overall gender equality has not been reached - but the music industry is probably fairer than most... It seems there are as many successful female artists as there are male.  I think probably age is more of a barrier to entry for the music industry than gender

What would you say defines you as a woman (and female musician); what qualities do you desire from others- what are the most attractive qualities in people?

Humour and kindness are the most attractive qualities in others

Finally: if you can offer some words to your fans; you get to pick any song (either your favourite or the one that suits your current mood) - name it…

Caught (on the new Florence + the Machine album)

[youtube https://www.youtube.com/watch?v=qRTQdCzpkrs&w=560&h=315]

Follow:

Official: http://www.lydiabaylis.com/

Facebook: https://www.facebook.com/lydiabaylis?fref=ts

[soundcloud url="https://api.soundcloud.com/tracks/86926808" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Sarah Collins

 You have faced some hard times- including recovering from a brain tumour. What does the coming year hold for you?

I believe everyone has to deal with hard times at some point in their lives and it's those hard times that make you a stronger person.  I now take every day as it comes, enjoy everything to the maximum (and never turn down opportunities that arise).  I go for it!  I've found that since I've started to think this way, great things come and happen so every day is a good day!

With some great gig requests coming up, are you looking to recruit a band? What qualities/players are you looking for?

The Northern Soul followers have been really supportive and amazing in accepting me (and complimenting me on my voice) and songs- and I love being introduced to new music and singing requests.  I have received a lot of gig enquiries for the U.K. and abroad and love singing with live musicians as it's the best!  It's great to share such a fantastic experience as singing and making music (that you love with friends and people) that are in it for the same reasons....the love of music! So yes, I'm in the process of putting together a N.S. band and have already received a lot of interest.

I love your cover versions- the range and amazing performances. Could you see a Sarah Collins album (covers or originals) in the pipeline?

I would love to put together a Sarah Collins album; probably of covers first (as I've received massive interest from my followers and subscribers who all want a copy)- so it will definitely happen at some point soon! I wouldn't rule out originals either as that is what I would love to do also; obviously keeping the old skool N.S./Motown vibe.

Your musical tastes- and songs you tackle- span decades (and genres). What was your music upbringing like?

Since being a very small child, I have been surrounded by music.  Vinyls were always continually played in our house and music was a massive part of my upbringing.  Mainly Motown/Soul/Northern Soul as my dad was a Mod and owned a scooter. He grew up in pubs so managed to keep all of the records from the jukeboxes to add to his personal collection.  I have now inherited all of the vinyls from Mum and Dad which is awesome! I have performed as a youngster in musical theatre productions working with professional casts and performing at some of the best theatres.  As a child, you pick everything up so quickly so even though I haven't had any lessons as such: I believe that having worked with professionals at such a young age was an excellent platform.  As I grew up I found myself in bands and being head hunted by other bands-therefore meeting and working with some excellent musicians and people, covering an array of genres of music.

Given your (tough last couple of years) you seem motivated and hungry: where do you see that (fire and ambition) taking you?

After giving birth to my beautiful little girl and feeling the happiest and healthiest ever and then, totally out of the blue (finding out the awful news about the huge brain tumour was such a trauma-, but whenever anything happens like that, you have to deal with it as you have no other option. I feel very lucky in lots of ways: yes I'm still not 100% yet (as the scarring from the removal of the tumour left me with epilepsy)- but I'm getting there now as it's being controlled with medication. I'm still alive to see my beautiful children grow (and enjoy happy times with my friends and family).  I can talk, I'm not paralysed or blind- so many things to be grateful for.  A trauma like that makes you live your life totally differently.  I was never shy of going for things before but I would often go along with things (or go with the flow), and now if I feel I should do something, I go for it!  I've always sung from the heart but even more so now.  Music is my therapy and makes me feel so good!  If great things happen, then even better but I'm in a really great place at the moment.  I have my health which is a massive thing!

Which female artists/albums- past or present- have inspired you?

Wow, so many female artists as I love an array of vocal styles (although mainly soulful and strong female artists) with so much emotion, so Gladys Knight, Randy Crawford, Diana Ross, Lulu, Tina Turner; Ella Fitzgerald and Ann Peebles (are up there), but I also love old country artists like Patsy Cline's vocal- so a real span of various artists.

Any new female artists you would recommend?

For a really chilled-out pure vocal, I love Billie Marten....mesmerising!  I also enjoy Lucy Spraggen (for her unique sound and quirky lyrics).  I love her track Tea and Toast! I cannot have my morning toast with a cuppa without thinking of her song now! ;0)

There is (gender inequality) in society; do you think there (is the same issue) in music? If so, what (do we need to) do to change this?

I really don't think there is inequality really as we have so many strong women and whether you're a woman or a man, if you work hard enough and have the drive to succeed, it will happen!

What would you say defines you as a woman (and female musician); what qualities do you desire from others- what are the most attractive qualities in people?

I'm a very down-to-earth character and proper Yorkshire lass!  I now live every day as if it is my last so really go for it in life and feel the need to help, care and do good things for others.  That's why it makes me feel so great (to hear that people are enjoying) me sharing my videos and voice.  I always sing from my heart and soul (as it is a way of me expressing my emotions and has really got me through some tough times!)  Soul music allows you to do that as the lyrics of some of the old songs are fabulous.  A lot of my followers have commented on how old skool my voice sounds- saying it's like hearing the vocal styles from their NS.. and Soul days, and therefore, bringing back great memories.  I admire people who make the most of their lives, people who are caring, not selfish; people who treat people the same (whether from poorer or richer backgrounds).

Finally: if you can offer some words to your fans; you get to pick any song (either your favourite or the one that suits your current mood) - name it…

The song I would choose would be You're The Best Thing That Ever Happened To Me by the fabulous Gladys Knight. Love the lyrics in that song! One of the lines is: "I guess you could say that I've been lucky"-  pretty much sums it up really!

 [youtube https://www.youtube.com/watch?v=XsNzC6tOFrI&w=420&h=315]

Follow:

Facebook:

https://www.facebook.com/sallycollinsmusic?fref=ts

Twitter:

https://twitter.com/SazzleCollins

[youtube https://www.youtube.com/watch?v=buJXzsXEfsM&w=420&h=315]

Cherie Gears

You are based in Yorkshire- home to many great music acts.  What is it (about the county and people) that produces such fine (and diverse music)?

I was attracted to Leeds because of the Jazz course at Leeds College of Music.  I instantly fell in love with the city (and its passion for live music). Venues such as H.I.F.I. and The Wardrobe were where I spent most of my evenings (performing or listening to other acts).  I think live music is addictive and when you watch it, you get an urge to do it yourself.  I have never felt like I have to fit a mould (and I think that has been helped by the fact Yorkshire welcomes diversity).  From the West Indian festival in Chapeltown to the arts festival in Chapel Allerton- there is always something going on which suites all music-lovers.

I have followed your work- both Scarlet Street and Little Violet.  Both acts play ‘older’ styles of music (with a modern twist).  What compelled you to play Electro.-Swing/Barbershop-style music, as opposed to Pop or Rock?

I have always been fascinated with retro. music, fashion and way of life: the 1920s to 1950s always appeared so glamorous and stylish to me, so I think it was only natural I would carry aspects of it (into my own musical career and song writing).  I went to Leeds College of Music (to study Jazz), and whilst I was there I performed in all kinds of bands (from Reggae to Funk)- soon the lines between the genres started to merge for me.  I think it’s important to keep music fresh and not regurgitate the same sound over and over.  Although I love Jazz and Barbershop, I want to keep the styles developing.  Mixing old with new is so much more exciting for me as an artist and performer.

When I reviewed you (as Little Violet) I was bowled-over by your talent: can we expect some new Little Violet material (soon)?

Thank you very much.  I am constantly writing new material and I am very excited about how our music is developing.  It’s really hard as a singer to be patient and wait for things to fall into place (in regards to labels releasing new material) but I have to be just that.  I do honestly believe it will be worth the wait though.

 In addition to your projects (including Func on the Rocks) you seem to never stop working.  How important is music- and connecting with fans- to you?

Invaluable.  I honestly think I’d go crazy if I didn’t preform at least twice a week.   Sometimes I’ll have 6 gigs in a row and be totally wiped out- but as soon as I have a day off I get restless and I’m itching to be performing again.  I would class myself as quite a shy girl, but when I am on stage something changes inside me (and all I want to do is make the audience love the music as much as I do).  Hearing a crowd sing my lyrics (or watching them dance to my tunes) is an incredibly overwhelming feeling.  It really makes all the long hours writing, rehearsing and recording all worthwhile.

You are one of the most unique artists I know (your voice, sense of style; compositions and such) - a breath of fresh air.  What advice would you give to newcomers: those looking to separate themselves from the crowd?

Don’t try to please everyone, you can’t! As soon as you start creating music from passion and love you’ll feel liberated and write music much more exciting than if your just trying to ‘fit in’.  I think it’s important to listen to all kinds of music and be influenced from a range of styles (so you can pick different bits and pieces that you like and fuse them together to make something new).  I have never followed fashion, trends (or tried to become something other than myself).  Maybe that’s because I’m lazy; but I’d like to think it’s because I know what I like (and don’t need to be told what I like by the media).

Which female artists/albums- past or present- have inspired you?

I was brought up with all kinds of music from Frank Sinatra to Alice Cooper.  I went to bed listening to my cassette Walkman and obsessed over Judy Garland and Dusty Springfield.  At uni. I fell in love with Imogen Heap: her music and her style, and every time I watch her perform live I feel inspired.  Jazz vocalist Rachelle Ferrell’s improvisational skills helped me see there are no boundaries (or limits to what you can do with your voice).  Once you get rid of any inhibitions and just let yourself go, you will be amazed at your potential.  I found a mixed tape with a track called Could You Believe when I was 15 (and instantly fell in love with the voice I heard); I didn’t know if it was a man or a woman (and I didn’t care).  Sabina Scuibba’s voice will always make me melt and her album Meet Me in London is always on standby in my car.

Any new female artists you would recommend?

All of the above!  Iconic voices such as Nina Simone and Ella Fitzgerald will always have a place in my heart. The haunting sounds of Beth Rowley are definitely worth indulging in- and Lianne La Havas, who seems to be getting her foot in the door of mainstream listeners (is a fantastic song-writer).

There is (gender inequality) in society; do you think there (is the same issue) in music?  If so, what (do we need to) do to change this?

Unfortunately I think is a constant battle for equality in all aspects of society and the music industry.  Female artists are sold as ‘the whole package’.  We are encouraged to look a certain way in order to sell more record.  I think it’s important we keep it about the music and not about what gender we are.  Empowering woman have been challenging (the music industry for decades).  Nina Simone, Janice Joplin, Patti Smith to Adele and Amy Winehouse: to name a few have all showed the world that it’s not just about having a pretty face- raw talent and good music will always stand the test of time.

What would you say defines you as a woman (and female musician); what qualities do you desire from others- what are the most attractive qualities in people?

Oww this is a hard one: I am a very sensitive and emotional woman, which probably helps me write songs (as I am always analysing how I feel).  I would say I am a woman driven by empathy for others; I love to take a look into other peoples worlds (and imagine how I would feel in their situation).  Being a lyricist is all about telling stories (and I like to use my personal experiences along) with my crazy imagination and what I observe from the outside world.  I love strong woman- unlike myself who is riddled with insecurities.  I have also lacked self-assurance (which has in someways always held me back from pursuing my dreams) whatever they may be.  I think most musicians or artists are their own worst enemy, always looking for reassurance.  I think the most attractive qualities in people are passion and contentment,-I know they are in some ways polar opposites but I find being in the presence of someone who is genially happy with their lives (but is still driven and excited by what they are doing) is very inspiring.

Finally: if you can offer some words to your fans; you get to pick any song (either your favourite or the one that suits your current mood) - name it…

My dad always used to sing this to me when I was little: unfortunately we lost him a few years back, so when I feel upset or need his advice, I sing this (and it makes me see things ain’t so bad after all)- 

“Life is just a bowl of cherries Don't take it serious,  Life's too mysterious You work,  You save, You worry so But you can't take your dough  When you go”

 [youtube https://www.youtube.com/watch?v=0x4U1NiJ7PI&w=420&h=315]

Follow (Little Violet):

Facebook:

https://www.facebook.com/littlevioletmusic?fref=ts

Twitter:

https://twitter.com/_Littleviolet

[youtube https://www.youtube.com/watch?v=vrwzvuZ0s-k&w=560&h=315]

Jen Armstrong

You are enjoying (the many wonders) of Nashville right now: how are the people treating you; how does it differ (to the U.K.)?

Nashville people are so welcoming and friendly, at least that’s my impression so far!  You know when you catch someone’s eye and they look away awkwardly and pretend it never happened? Well here you actually get a smile back.  A smile!  Fancy that!  I mean Nashville and the U.K. are worlds apart.  Having said that, it reminds me so much more of home than L.A.  It’s a small little city, smaller roads, lots of trees - lots of green.  Yeah I like it here :)

In addition to Nashville, you have been playing L.A. (and not for the first time): could you see yourself residing (in the U.S.) full-time?

Maybe.  I need to be rich enough to fly my family over whenever I want if I were to live here full time.  No I’m not joking.

You have a wonderfully warm and unique voice- and talent- which you bring to every song. Your cover versions (and originals) are hugely impressive: do you think (the fact they are so memorable) stems from your uniqueness and distinct personality?

Well thank you very much!  Gosh I don’t know - I just do what I do.  If they are memorable it’s just good luck I guess - I just do what comes naturally, and I’m so happy people enjoy what I do.

If you could change anything about life- music, personal or otherwise- what would it be?

Hmm, tricky one.  I guess I’d be a whole lot more successful than I am right now!  That would be a good start at least…

There have been many originals (from you) too: will we be seeing a new Jen Armstrong E.P. /L.P. in 2015/’16? Could you see yourself being a band-leader very soon (are you currently looking to put together a group)?

Yes, yes and yes. My dream is to tour the world with a band, with a kick-ass album and merchandise.  I hope it becomes a reality- and sooner rather than later!

Which female artists/albums- past or present- have inspired you?

Nerina Pallot.  Sara Bareilles.  Eva Cassidy.  Chaka.  Alicia Keys.  Avril Lavigne.

Any new female artists you would recommend?

I’m terribly un-on the ball (with new artists). (But one) lady I recently heard was Trishes (from L.A.). That lady is talented indeed.

There is (gender inequality) in society; do you think there (is the same issue) in music? If so, what (do we need to) do to change this?

Who knows - to be honest, I feel like I’m constantly struggling trying to reach a near impossible goal - maybe gender inequality adds to the mix but there’s so many things wrong with the industry; it’s hard to know where to start!

What would you say defines you as a woman (and female musician); what qualities do you desire from others- what are the most attractive qualities in people?

I feel like I bring a lot of passionate, drive and determination to the table.  Qualities that I believe to be important in everyone, not just women.  I like to make people laugh.  I try to be fair, common-sensical.  They’re all things I count as good qualities.

Finally: if you can offer some words to your fans; you get to pick any song (either your favourite or the one that suits your current mood) - name it…

Chariots of Fire.  Because I heard it twice today.  It’s epic.  It’s my soundtrack.  It’s your sound track. Be epic.

[youtube https://www.youtube.com/watch?v=RY3XiM7oGj0&w=420&h=315]

Follow:

Facebook:

https://www.facebook.com/jenarmstrongmusic?fref=ts

Twitter:

https://twitter.com/JAMusicUK

[youtube https://www.youtube.com/watch?v=a6EaQgQ4iwM&w=560&h=315]

Mel Lampro

(Front-woman of Braver than Fiction)

I know you have had (an incredibly tough year) - Mel was diagnosed with cancer- and faced obstacles: how are you feeling at the moment?

A lot has been learned in the last twelve months, Sam. As a band, we have found ourselves pitched from the spotlight glare to semi-darkness and near-obscurity. Nothing has been concrete and everything has been overshadowed with some kind of stifling veil that we have done our best to tear through. Mel is getting there, we are getting there; obstacles, as they say, are there to be overcome.

Your alma mater (Braver than Fiction) are back in your life (following a brief hiatus): any plans for new music (from you guys)?

Musically, the rest of the band combined have been my rock and all the long while they have been working away; with or without their lead singer in situ. On the days that I could not make rehearsals then they practiced without me and, if they ran out of things to review then they created more things. Beautiful, musical things to which I later added word things and we are honing them right now, ready to take to the studio so yes – a revamped set with new music awaits.

You are one of the finest lyricist/singers I have ever encountered: what advice would you give to new songwriters/talent coming through?

Why thank you, Sam! It is a fine feeling for any artist to know that they have reached anyone at all. I am not quite sure I am wholly qualified to advise anyone on such a subjective area but, I would say that I have learned not to be fearful of any subject. My personal viewpoint on writing is that trying to structure creativity is nonsense; there are no rules except your own rules and, if someone gave you a rule book, burn it, then write a song about it.

Upon now reading this, jobbing songwriters (and pretty much anyone who makes a living out of any type of creative undertaking) will be throwing their aprons over their heads at this effrontery and pointing out that they make a generous subsistence out of such configurations (which I do not).  Granted, there are many articles written by thriving songwriters on what makes a ‘hit’ song and how one should be structured but I am not convinced that any pattern is a perfect, universal magic recipe for success.

That said, there is a kind of a pattern to the way Braver than Fiction works as a band but it is more organic than organized; we tend to sense our way through ideas and forms until we know it feels right. That is my second small piece of advice; sometimes, you know when something is wrong – be prepared to stop, erase and start over. Not all songwriting is the blessed, instantaneous flow of inspiration straight from your burning soul to your awaiting lips and fingers. In fact, very little of it is and you will ultimately write a lot of crap between ‘good’ songs. Just don’t give up – never, ever give up.

As far as singing itself is concerned, all I can do is repeat (in increasingly higher octaves) the advice of others that is given often and often ignored. Look after your voice; get a vocal coach and/or find exercises online and train your instrument well. Then you will hold the confidence to vocalize every emotion you have written for as long as you possibly can.

As a woman- in a band of men- do you think there needs to (be more diversity/mixed gender bands); are there too many male-led/all-male bands about

No, I think it is what it is and the notion of paying lip service to "l'art pour l'art" so that every conceivable diverse need is met seems diluting and pointless to me.

However, it is irritating when perceived female musicians are viewed as a novelty and/or a less-capable artist. Just like my peers, regardless of their gender variations, I am a musician so personally, it doesn’t matter to me if we have breasts, beards or both (or indeed, neither). Nevertheless, I have faced discrimination for being female but to be objective, I have faced discrimination for my social status, heritage, age, sexuality, appearance, spiritual beliefs and even for being a parent - all (but not exclusively) from the music industry. It isn’t just the music industry which needs to change, it is our wider societies in general but there is no reason why one of the pebbles that make the ripples on that pool cannot be from the music industry. The potential power and influence of music and the artists who perform it should not be dismissed.

 In addition to music, you are very socially conscious (and altruistic): is it important musicians set a good example; do people in general need to be less selfish?

It is important that everyone sets a good example (or at least the best that they can – goodness knows, I am not perfect) for themselves as well as others. We are becoming such a scattered society that the fundamentals are becoming lost in a sea of social snapshots and media titbits. Family is becoming shattered and community a wasteland.

The world does seem a selfish place to me, much of the time with the less-privileged being judged for their lack of assets and the more advantaged expected to bail them out by default. We should all be paying it forward if and where we can; if any of us are in a position to help one another then it does not matter on what scale that help manifests as it is all relative. What we are doing is creating tiny blessings for others because we can and trust me, there may be a time when we need such a kindness ourselves.

Which female artists/albums- past or present- have inspired you?

If only you could see my music collection; Streisand to Amos, Holiday to Pink – its range spans maybe eighty years of recording history and almost every genre. I will always remain just a little in love with Stevie Nicks and in utter awe of Nina Simone, whilst Joan Jett and Patti Smith may very well have had quite a lot to do with the musician I am now. I still sometimes wallow in the nineties’ angst of Alanis Morissette’s Jagged Little Pill and occasionally throw myself about the place (although not so much recently, for obvious reasons) to a giant shot of Heart (especially "Crazy on You").

At the moment, I am particularly enjoying the work of the multi-talented Charlotte Eriksson AKA The Glass Child; not only is she eloquent but she has the most excellent taste in hats. I am also a huge admirer of Gin Wigmore and I am ecstatic to witness some new material emerging from her recently.

All of these artists have had an impact on me for sure but that is just a snapshot; in reality, the list is too long and the reach too vast. Tomorrow I will have thought of many more artists I could add to that list and wish I had.

Any new female artists you would recommend?

It depends what you mean by new; new to me or you? New as in emerged in the last six months or established three years ago and working like a daemon ever since but only now coming to recognition? I’ll take a stab at couple of possibilities.

If anyone is not watching Wolf Alice very closely right now then they need their brain poking. Ellie Rowsell is amazing and any band with a strong Angela Carter reference has to be alright in my book!

http://wolfalice.co.uk/

There is a band here in Sheffield called Desert Motel Club who are not so ‘new’ (they formed in 2012) but they are probably new to many of your readers. Alice Davis, their lead vocalist is incredible and takes you on quite the retro adventure; check them out:

https://youtu.be/rQWSWs-tDrw

There is (gender inequality) in society; do you think there (is the same issue) in music? If so, what (do we need to) do to change this?

There is discrimination in general across all society; I do not think we will see that addressed in our lifetimes. What pervades the music industry is the same inability to accept others as equals regardless of [insert any list of sensed differences here] and as much as it confounds me, I am truly at a loss to offer neither explanation nor solution. I do think that if more people looked for fewer reasons to cite any difference in a negative light it might be a start.

Gender bias is definitely a recognised occurrence everywhere, not just within the music industry and, as illustrated in this article from The Guardian a couple of years back – alive and kicking, even the apparently cultivated echelons of our orchestral ranks.

http://www.theguardian.com/women-in-leadership/2013/oct/14/blind-auditions-orchestras-gender-bias

Inequality needs a good kick in the pants.

What would you say defines you as a woman (and female musician); what qualities do you desire from others- what are the most attractive qualities in people?

Biologically, nothing defines me as a woman more than being a mother (others may have different definitions, of course but to me, this is the most important and will never change). I am certain that the role has had a significant impact on the way that I write/play and what I write/sing about but I do not think that the two share a fully-symbiotic relationship.

I do not distinguish myself as a ‘female musician’ in a way that being female and a musician are in some way disparate. I am a musician; that is my vocation. I am a female; that is my sex. That is it.

Human beings are amazing and I neither desire not demand anything in nor from others. There are traits that are important to me, such as loyalty, serenity, compassion, tolerance, humour and honesty. They rarely co-exist immaculately within one creature so I tend not to socialise with as many unicorns as I would like; instead I am inclined to hang around with people equally as defective as myself.

Finally: if you can offer some words to your fans; you get to pick any song (either your favourite or the one that suits your current mood) - name it…

My mood at this time is bordering on chaotic and it has been for some considerable time. I have moments of the blackest despair and soaring hope but mainly - chaos. This has spilled over into everything I do and so of course, the band has been affected by this chaos, staining us all like the blood on Bluebeard’s key. But, every day I am getting stronger and every day we are closer to announcing our return so, one of the songs I have actually been playing over and over just recently is Hozier’s “Work Song” (for which the music video is breath-taking, by the way) because it sustains my belief that with the right support we can face anything.

[youtube https://www.youtube.com/watch?v=nH7bjV0Q_44&w=560&h=315]

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[youtube https://www.youtube.com/watch?v=a7n7Er4MUZI&w=560&h=315]

Chess

 

You are working on (the) Great Gig in the Sky campaign (https://www.indiegogo.com/projects/chess-the-great-gig#/story) at the moment. How has the response been so far?

The response to the live video has been great. Lots of people have seen it and commented on it. I am truly grateful for those who have contributed and those who have shared the video.

I caught (your video for) The Great Gig in the Sky (Pink Floyd cover). The vocal (and closeness) to the original was staggering- a truly spine-tingling performance. Does your love of (artists like Freddie Mercury and Lady Gaga) go into your vocals (and contribute to your immense vocal range)?

Yes of course. I guess having those influences makes me perform that way.  Although for that song, I went through the process of the meaning of the song (i.e., the process of death):  1) don't want to die; 2) coming to terms with death; 3) succumbing to death, and ultimately, peace.

Two-part question: if you could name a fantasy band, who would (be in it)?  If you could only own three albums, which would you (opt for)?

- This is a hard question!!!! Too many great musicians to choose from: Brian May, Santana, Slash, Phil Collins......

- Stripped, Prince: Greatest Hits, Queen (any!)

I have known you for a few years; you are always working: any plans for some down-time and rest; or plans for a new E.P./album?

No rest, no!! I haven't even scraped the surface. I really want to make an album.  That's the next thing.

There are very few great venues/opportunities (for musicians in Surrey). Could you see yourself relocating in the future- maybe London or the U.S. (or further afield)?

Yes definitely, I am not one to stay in one place.  U.S.A., London ... wherever music takes me I will go.

Which female artists/albums- past or present- have inspired you?

Britney spears, Lady Gaga... Christina Aguilera in Stripped (as mentioned before); Stacie Orrico.

Any new female artists you would recommend?

I recommend checking out Kelly Erez There is (gender inequality) in society; do you think there (is the same issue) in music? If so, what (do we need to) do to change this?

I think music is a great way of showing what you represent and who you are.  Lots of women have brought their concerns of gender inequality though music and have had an impact.  Ultimately I think we should all work towards a more equal world where we let go of our ego and give away a little of what we have.  Be it opening our minds to new ideas, new people, helping the less fortunate…  I just think the problem lies within our reasoning.  If we all change a little bit, the world will change a lot.

What would you say defines you as a woman (and female musician); what qualities do you desire from others- what are the most attractive qualities in people? I am independent and I have always known what I want.  I believe anyone, man or woman, can do what they dream of doing (with the right dose of determination and perseverance). I admire people who are honest and driven.

Finally: if you can offer some words to your fans; you get to pick any song (either your favourite or the one that suits your current mood) - name it…

Keep Your Head Up - Andy Grammer.

Always makes me feel better!

[youtube https://www.youtube.com/watch?v=E-QUzwbRPyQ&w=560&h=315]

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[youtube https://www.youtube.com/watch?v=VEg2qprhCeg&w=560&h=315]

Sophia

You are still in your teens (Sophia is 18) and have achieved so much; songs like I’m Yours show such maturity:   is your upbringing/musical tastes the reason why?  

Haha… I’m such a serious soul! Well I guess I have grown up being surrounded by very diverse tastes in music and I like to listen to everything from classical to soul music.  So yes, this does influence my music I tend to write what I feel.  For me, the process of writing at the piano, usually in a darkened room- just creates the mood for this style and sound.

Based out of Liverpool, the city (obviously has a great) musical heritage: what is the music scene like in the city (in 2015)? 

Liverpool is alive with music: there always appears to be a major music festival or gig every week.  It is a great time to be making music in Liverpool.  There are also so many quality Open Mics to-  that encourage and support unsigned artists.  Liverpool truly is music city.

Your music mixes dark and deep beats; great Electro. Pop shades.  Can we expect a (new Sophia) album/E.P. soon? 

I think I am still working on my sound and really experimenting all the time.  As for a new E.P.?  Well I am writing and hoping to get back in the studio over the summer, so we’ll see how it all comes together.  I have also a few collaborations due to be out soon, so I am also looking forward to that.

A lot of young women/men will be looking up to you; inspired by your progression: what advice would you offer them? 

Be prepared to work hard.   It’s a really difficult profession to go into and break through and usually with very little financial support.  However, it is like all art, it takes time to develop your craft.   You have to enjoy what you are doing, and make the most of any opportunities you get.  Sometimes you can be performing in front of hundred (even thousands) of people- and other times just 10 or 20 in a bar.  It’s not how many people are there, it’s who is there.

 In a modern age- where social media is huge; competition is high- do you ever feel overwhelmed by (pressure to succeed)?   How do you cope with that? 

Coping with other people’s expectations can be a challenge, but I just focus on being me.  I’m not really into the whole social media side of things, not really into selfies and all of that, for me it’s just about the music.  As long as people keep listening and enjoying my music that is what's important.  At the moment I am just in the middle of my A -Levels, and I am trying so much to focus on those until the end of June.

Which female artists/albums- past or present- have inspired you? 

From as young as I can remember I have always been inspired by Nina Simone, how unique her voice is and her sings often put to simple melodies carry such deep meanings.  As a female pianist/singer I love listening to Alicia Keys:  how her vocals compliment her piano arrangement is something I aspire to do.

Any new female artists you would recommend. 

I recently found a girl called Alessa Cara and her song Here has been stuck in my head for days.  She's very R&B and chilled (with a great voice).

There is (gender inequality) in society; do you think there (is the same issue) in music?   If so, what (do we need to) do to change this?  

Yes, there is some inequality in the music industry, but I think that is just a reflection of society as a whole.  What do we do about it?  Just keep pushing the bar upwards and don't let it hold you back.

 Finally: if you can offer some words to your fans; you get to pick any song (either your favourite or the one that suits your current mood) - name it… 

Just keep listening to new music, songwriters depend on you the listener, you have the power to raise the profile of new artists, so if you hear something you like… don’t keep it to yourself J  Song: Sinnerman- Nina Simone.

[youtube https://www.youtube.com/watch?v=Bn5tiuZU4JI&w=420&h=315]

(Being a new artist to many- here's a bit about Sophia, in her own words):

“Sophia Ben-Yousef has firmly established herself as one of the North West’s breakthrough artists and has already been hotly tipped by critics and industry figures alike. Performing with many established artists, such as KOF, JP Cooper, Matthew Perryman Jones, Bill Ryder Jones and MOBO award winners Esco Williams and Jahaziel. Summer 2014, she performed on all 4 days of Liverpool international Music Festival (LIMF) on different stages, including the ‘itsliverpool’ stage and was named as the ‘One to Watch’ 2014 LIMF and Getintothis – Liverpool Echo 2015. She has had many London performances, including Kensington Roof Gardens, Proud Camden, The Water Rats, The Bedford Live, and many more. Sophia has regular airplay and live sessions on BBC Introducing Merseyside and BBC Radio Lancashire, and a variety of radio stations in Europe and the US.  Sophia was invited to support JP Cooper on his Liverpool leg of his UK tour and Tentrehook in Manchester on his UK tour. She will be supporting Akala at STAR Festival at Preston Guild Hall in September.  Sophia is also very excited to be part of the LIMF Commission – ‘The Revolution will be live’ performing alongside Mos Def, The Christians, Azwad, Malik and the O.G.’s in August this year at St. Georges Hall, Liverpool.  Sophia’s song ‘I’m Yours’ listed in the Top 30 Tracks in Merseyside 2014.”

http://www.getintothis.co.uk/2014/10/merseyside-musics-top-30-tracks-of-2014-so-far/

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[youtube https://www.youtube.com/watch?v=iUp8yFhONjY&w=560&h=315]

Nina Schofield

 

You have performed some amazing gigs lately- from Rotterdam to London.  Which venues/cities have been most memorable?

I recently had a wonderfully hectic few days performing in Holland and then rushing back to play a show at The Bedford in London – they were my favourite two gigs of recent.  In Holland I was supporting Dutch boyband Romeo, who are making a comeback- so it was really exciting to be part of something that meant so much to so many people (the band and fans over there included) and also to get to play to a brand new audience.  Then coming back to London and playing to a packed home crowd was an ace way to finish a few mental days’ worth of shows!

With so (many solo acts) coming through, what challenges do you face as an artist?  Are the growing numbers (of artists) good or bad (for the music scene)?

Everyone has something different to offer so I don’t think artists should see other artists as competition in that sense – If you have great music then someone out there is going to like it – I think the challenges lie in actually getting those people to hear your music.  So the right marketing and P.R. remains routed to ‘success’ in that respect.  I guess you have to look at it like any business and know that there will always be people coming up with bigger and better ideas (and you should use that as inspiration and motivation to keep bettering yourself and moving forward).

Your music is synonymous with upbeat and uplifting melodies/vocals (and is hugely effective).  Is your music tastes/personal happiness that has enforced this- or something else altogether?

Definitely my music tastes have had a huge impact on what I write.  I only want to write music that I would want to listen to myself, so when I write something I look for those chords and melodies that hit me in some way ( and grab me emotionally).

I know a lot of people (who are inspired by your music/artistry).  For those looking up to you; wanting to follow you: what advice/words could you offer?

That’s nice to hear!  Something that I try to live by with my life is ‘if it doesn’t make you happy, don’t do it’ – obviously you have to apply this sensibly, but I think essentially, everyone just wants to be happy.  Choosing happiness in even mundane everyday tasks can have a significant impact on your life as a whole.  So choose happiness if you can, and don’t let age define you!

A musician’s life can be challenging/full-on:  what typifies a Nina Schofield day/week?

It’s so different from day to day and week to week, but I can take you through a recent few days that I had.  During the last week of May I had a writing session for another female artist, flew to Amsterdam and did a sound check (and show supporting Romeo along with Swedish artist Alex Alexander); went to Fun X Radio early the next morning (with them) and then flew back later that day- and went on to London to play The Bedford!  That was quite an exciting time but some weeks are much less interesting :)

Which female artists/albums- past or present- have inspired you?

Imogen Heap Speak for Yourself is one of my favourite ever albums (and I urge everyone to go and buy it)!  I also love anything by Delta Goodrem; Cornflake Girl by Tori Amos; Breathe Me by Sia- and Regina Spektor.

There is (gender inequality) in society; do you think there (is the same issue) in music? If so, what (do we need to) do to change this?

Absolutely there is – its predominately a male run industry but you still see a lot of female business women making it big – look at people like Madonna and Beyoncé (who have built empires out of their music).  The problem is that sex sells and females are still feeling the pressure to succumb to showing skin in order to ‘make it’.  I think there’s a massive difference between celebrating the female figure and some of the crazy sex imagery (that is out there at the moment).  I’ve heard so many stories of women being told that they won’t be signed- unless they sex up their image as well- which is really sad. Unfortunately I think it’s a big issue in society in general rather than just being limited to music; but if the artists can take the power back( by remaining true to themselves and building a fan base) that way- then perhaps we can start to shift people’s perspectives back to talent and not just image.  I’m actually seeing how a lot of people on social media are tired of it already which is encouraging.

What would you say defines you as a woman (and female musician); what qualities do you desire from others- what are the most attractive qualities in people?

Apart from the obvious (funny, kind and generous folk) …People who work hard for what they want, motivated and optimistic people- and those who aren’t afraid to admit when they’ve made a mistake.  I also admire people who are open to all kinds of belief systems – those who are not completely rigid with their way of thinking and willing to listen to all opinions without judgement.

Finally: if you can offer some words to your fans; you get to pick any song (either your favourite or the one that suits your current mood) - name it…

I am in love with Carly Rae Jepson’s new song- so  I Really Like You would be my choice!  Puts me in a great mood and I hope it will for anyone reading!

[youtube https://www.youtube.com/watch?v=qV5lzRHrGeg&w=560&h=315]

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[youtube https://www.youtube.com/watch?v=AIzCPcDVheI&w=560&h=315]

Track Review: Crooked House Road- Mountain

TRACK REVIEW:

Crooked House Road

 

Mountain

9.6/10.0

Mountain is available at:

https://soundcloud.com/crooked-house-road/mountain

RELEASED: 20^th May, 2015

GENRES: Bluegrass/Pop/Folk

COUNTRY OF ORIGIN:

Canada

The album Crooked House Road is available at:

http://crookedhouseroad.bandcamp.com/

THERE has been a lot rattling around my mind…

when it comes to the music industry.  I have been seeing a lot of (disappointing music): a lot of it stemming from the band market.  Muse releases their new album (Drones) on Monday: an album that by all accounts, is receiving tepid reviews.  Too much pretentious; little direction; weak lyrics- Muse not really taking things forward.  I worry about ‘mainstream bands’: acts who have been around the block; know what they are doing- know what their fans want.  Away from them, the (likes of) The Libertines and Radiohead (have albums ahead): I hope that these two acts- who are among my all-time favourites- do not disappoint.  I wonder whether ‘personal issues’/stresses cause qualitative issues: Matt Bellamy (having separated from wife Kate Hudson) has channeled his anger into the music- it seems flailing and directionless.  Others bands- around the mainstream- have experienced similar woes: letting their personal issues cloud their talent.  You can find much more quality (and dependability) among solo acts: no band-mates to squabble with; more focus on the actual music process- fewer relationship quibbles.  That may be a black-and-white overstatement- and not entirely true- but there is something in it: music (from solo acts) seems more electrifying and interesting; more promise and nuance- less disappointment, at least.  When we look at ‘new music’- bands and acts starting to peek through- there is more maturity: how often do you see new acts go through relationship heartache; have meltdowns and tantrums- the eye is clearly trained towards success/quality.  That said, issues like money (finding funds to launch music/continue a career), promotional stresses (and the amount of work that is needed) causes frictions: I have seen some great bands hit the rocks.  Diversity helps; solid friendships are vital; a single voice is crucial- each member working towards the same ideal.  Crooked House Road are different it seems: they have a boy-girl formation; close-knit bonds; no sense of unease or anger- they are a free-spirited and uplifting act (from Toronto).  Being in my position- and veritable cat-nip for Canadian musicians- I see a lot of the country (I seem especially popular around Ontario- for whatever mystical reason).  Before I go into more detail- give you the run-down on the band- let me (let them) introduce them:

Shaina Silver-Baird  Mirian Kay Tom Mifflin Derek Gray Darren Eedens Josh Engel  Gram Whitty

“Crooked House Road is a Toronto-based indie-folk band that sets simple storytelling against lush harmonies and a bluesy backdrop to create an intimate live experience not to be missed.  Vocalist/violinist Shaina Silver-Baird formed Crooked House Road in 2013 as a vehicle to bring her lyrics and music to life. Mirian Kay (vocalist/guitarist) has been right by Shaina's side onstage and through the songwriting process, and together they have collaborated with contributing artists including Tom Mifflin, Darren Eedens, Derek Gray, Gram Whitty and Josh Engel, among others.  Recently they have played alongside The Lovely Feathers (EMI) and Juno nominee Annabelle Chvostek. They are currently recording their first full length album with Grammy nominee and Juno winning producer Ken Whiteley.”

Shaina Silver-Baird (is C.H.R.’s) stunning lead: an immensely captivating woman; a stunning beauty- a wonderful musician.  Joining with her (musical brothers and sisters) Crooked House Road are a rare treat: their mix of Bluegrass-cum-Indie magic is insatiable.  With their debut (self-titled) album on the market- a phenomenal achievement; I shall touch more on it in the final stages of this review- the band are on the rise.  Silver-Baird’s (stunningly evocative and scenic) words lead the charge: her talented crew lends their colour and candour- the resultant music is breath-taking to behold.  The Toronto band- unlike most of their contemporaries- has a talent for cross-pollination: mixing genres and styles; fusing cultures and time periods.  From Bluegrass and Indie, the band traverses R ‘n’ B through African music: all propelled by soaring harmonies and ethereal sighs.  This year has been productive and fruitful (for the fledgling act): since they formed (back in 2013) the band have honed their sound; expanded their ambitions- their debut album is the summation of their promise and individuality.  One of the most arresting and stunning acts about; the guys are a serious force- the future will be very bright indeed.

For those of you (trying to compare Crooked House Road) with another: you have a hard time ahead.  Playing such unique music- and having a distinct projection- there are few that equal them.  In terms of country-man acts, you could check out The Be Good Tanyas- a Vancouver-based act (making Bluegrass music) of supreme confidence.  Both uplifting and divine, Crooked’ match their splendor and urgency.  Although not as ethereal (as Crooked House Road), The Be Good’ have some comparable threads: the superb harmonies; the personal-cum-everyman lyrics; the emotional compositions.  Elliott Brood- based out of Toronto- is a faster (and more frenetic) Bluegrass equivalent- who offers a mixture of Pop, Indie and Folk (into the bargain).  The Wailin’ Jennys (are probably the best) ‘sound-alike’ act: those who come closest to distilling Crooked House Road’s ethics and sounds.  The Winnipeg wonders are female-only songsters; brimming with insatiable harmonies- sparring Bluegrass traditions with modern Pop sounds.  Crooked House Road is part of (Canada’s growing) Bluegrass sect: a genre that is synonymous with beauty, power and potential.  Separating from the pack, Crooked’ outrank their peers: better harmonies (more stirring and striking); keener insights (more cutting and nuanced lyrics); stronger songs- that beg you to keep coming back for more.  It is not just Silver-Baird’s personality and strengths (many of them) that define the band: they are strongest when united and in-step; each member brings their own talents to the show.  To my mind, Fleet Foxes are the best comparisons: in terms of strength and quality.  The Washington Folk band- who has produced two phenomenal L.P.s- comes to my thoughts.  Their vocal harmonies- otherworldly and heaven-sent- sit with evocative lyrics (that look at nature, retreat; introspection and the larger world) - backed with some tremendous compositions.  Crooked House Road should be proud; I can see them producing their own Helplessness Blues (Fleet Foxes 2011 masterpiece).  Satisfying, self-assured (and hysterically beautiful), Fleet’ marry Bluegrass with Folk- music of the highest order.  Crooked House Road is in their infancy: putting their initial steps together; growing by the year- it will not be long until they challenge (the regent heights of Fleet Foxes).

The here and now is…well, here.  Mountain is causing a lot of commotion: reviewers (and press alike) are salivating with delights- fans love what they hear.  Having just completed (a stop-me-if-you-can rotation of Mykonos- Fleet Foxes at their best) I was captivated by Mountain- a song that boasts similar etherealness and divinity.  Starting life with languid and aching vocals- Silver-Baird stretches her voice; her healingly scent climbs into the atmosphere- “I scream to the mountain” she sings with pride.  Semi-operatic and huge; intimate and tender: the opening moments are a mixture of sensitivity and declaration.  Our heroine is in the open; giving her voice to the mountain- her thoughts leading the charge.  Past the 0:30 mark, her comrades come into the fray: blending their tones, the shivers begin- a delicious cocktail of male-female voices; a sweet harmony of bliss.  Filled with energetic rush- and a heady cognation of Folk/Bluegrass strings- the song kicks up a gear.   With our lead in pensive mood (“Can’t see no heaven’s gate”), the song comes back down- there is a terrific blend of fast and beautiful; refrained and focused- for some investigation.  Words paint pictures of spoke-grabbing, wind-blowin’ drama: our heroine has a way with words (few of her stablemates possess); painting images of yearning love and letting go- lyrics that can be interpreted differently (depending on your psyche).  Propelled with finger-picking guitar (an authentic representation of ‘traditional Bluegrass’ tones), the song breathes and runs- the momentum and passion never relents.  Amidst the soothing (and uplifting) vocals- that have some Doo-Wop/Swing qualities to them- the words start to resonate: both oblique and direct; poetic and personal- you start to imagine scenarios.  Silver-Baird looks at mortality and meaning; affirmation and redemption- “The sky laughed a mortal joke” and “The water creeps higher” are two of the most immediate (and memorable) lyrical images.  With her mind cast- and her soul being discarded and overlooked- our heroine changes her voice: it has a sense of sneer and dismissal; a go-with-the-flow feel- there is never an overly-anxious tone; nothing insincere or forced.  When delivering (latter-moment verses)- “The sea, the sun, the rock, the moon/I’m too young, it’s all too soon…”- Silver-Baird adds accent and urgency- you can tell these words resonate with her.  Just as you start to settle in, that rush comes back: the vocals climb (and elongate); the composition tangles and dances- our heroine lets her voice hit (a pin-sharp) high; the song’s most healingly moment.  When the chorus is repeated- what creeping; flames of fire; pushing back home- the band lead in unison: voices combine; the words are teed-up and vibrant.  Both catchy and impassioned, it is a terrific (and terrifically memorable) chorus: designed to get one singing along; moving their feet to the rhythm.  As the song concludes, the fervency never desists: the moment is over too soon- the song ends its campaign.

   Congratulations go to the entire band: each member is expert and intuitive; focused and passionate- which gives Mountain such strength and wonder.  Silver-Baird leads terrifically; the vocal is sensational and gripping- her words whip up all kinds of images (few songwriters can wield the pen in quite the same way).  With violin in hand, her colleagues add their own weight: the harmonies are electric and unforgettable; the strings (and beats) ready and ripe- the composition is filed with Bluegrass ache; Pop passion- with Folk romance thrown in.  Spectral and special, the band is tight and close: they clearly have a great respect for one another.  Mountain is a song that implores (the feet to move) and lifts the spirit: inventive and original, here is a unique band- that supersedes expectations and (the homogenised sounds of the scene).  The lead-off track from Crooked House Road- and a perfect introduction to their craft and sound- the song is a huge triumph.  Ken Whiteley- a Juno-winning, Grammy-nominated producer- helms the album: ensuring each song bristles with energy and light; gets straight into the pre-frontal cortex (and seduces every ear).  With Silver-Baird up top, the band is on a mission: one of the strongest (and most insatiable) acts about- they will be (relatively) anonymous no longer.  Mountain is a testament of collective will: that desire to have fun and inspire; motivate and compel listeners- whilst showing (their peers) what is possible.

I have been skeptical about (reviewing Canadian music): about 90% of all requests emanate her- being London-based I want to focus on homegrown/different music (not just that which hails from Canada).  Having imposed an embargo- or some rules at least- I am surveying a Canadian act (every 2-3 months).  I am glad Crooked House Road did not pass me by: it would have been a huge error to overlook them.  From Silver-Baird’s otherworldly beauty (her lyrics, instrumentation and vocals) to Mirian Kay’s intuitive support and talent- not overlooking the rest of the band who are stunning musicians/vocalists- and you have a serious proposition.  In the U.K. - when it comes to new bands at least- we do not have Our Very Own Crooked House Road: a mixed-gender group who play Bluegrass/Indie sounds; have stirring harmonies- do things the same way.  Sure, there are similar acts: yet none who are quite as mesmeric and memorable.  Perhaps it is our (different and particular) culture; maybe we are more predictable: I hope musicians (over here) look at a wonderful act- take their merits on board.  On that point, I want the band to come play here: London would love to house them; how could they resist their psychotropic spine-shiver?  Whether they (require some financing and fan demand) or prefer Canadian audiences, we shall see: their debut album is gathering some pace.  Their (self-titled) album is bound with wisdom, sensuality and storytelling: a concoction of true-to-life honesty; romantic desire; stunning highs.  Across the ten tracks- my highlights are Tell Me A Story, Racin’ and Mountain- you get a lot of diversity: new stories and scenes; plenty of wonder- the band amaze (across every track).  The band- and their leading heroine- seem at ease and relaxed: their music comes across effortless and instinctive- although tight and well-rehearsed.  Silver-Baird would feel at home in London: the mix of cultures (our capitlal is famed for) comes out in her words; the bustle and cosmopolitanism (of London’s clans and streets) reflects in the sounds: variegated and multi-national.  It is the strength and vitality that strikes hardest: that empowered kick that is impossible to ignore- a pavement-pounding slam that gets into your heart; into the brain (and never lets go).  Maybe I am being overly-romantic, but (Silver-Baird) has a way of speaking to the masses: writing words that represent the city-dwelling dreamer; the woods-loving naturalist- the honest and earnest lovers.  The entire band has a close bond (that defines their music); a real knowing and understanding- they blend with supreme confidence; that natural kinship- every note produces something quite amazing.  I shall end this review- alas I ramble once more- returning to my (original point): concerning band break-ups/stresses; that uncertain sense of quality and control- the capricious nature of the music-lover.  Canadian musicians are among the most fertile and distinct: refusing to settle with one sound; each city/town produces something particular- fair fewer homogenised acts roam here.  In tandem, there is greater ease and purposes: there are not the stresses and dramas (some of Britain’s elite suffer).  With all that considered, it is no surprise (Crooked House Road) sound like they are here for the long-stay: that is exactly what is going to happen.  La Muse malade are on their deathbed; their like-minded artists showing the strains: eyes and ears are looking elsewhere- to acts that can focus and surprise; have stronger thoughts and ideas for sure.  If you like Bluegrass music, then check out Crooked House Road: for those not initiated, then do not be afraid- there is so much more at work here.  From African sounds- through to swelling harmonies- the boys (and girls) cast their new wide- take everyone along with them.  I renew my plea to them: come over to London; play some of our best venues- take their music to the British public.  Canada has a great music scene, yet bigger opportunities lie further afield: the likes of the U.K. and U.S. house vast markets; new fan-bases- a whole world of potential.  With the music scene (over here at least) in need of a shake-up, the scene is set: the likes of Crooked House Road are much-needed.  Seek out their album; fall in love with Mountain- see (what all the hype) is really about.   With other acts/’real life’ occupying my time- for the next couple of months- I am departing Canada (putting their music at the back of my thoughts) but what a way to do it.  If new music displays this kind of adventure and difference, then one thing is for sure…

MANY upcoming acts will feel a lot less anxious; free to create something quite sensational.

[youtube https://www.youtube.com/watch?v=KwzCgCysI_A&w=560&h=315]

________________________________________________________________________________

Follow Crooked House Road:

 

Official:

http://www.crookedhouseroad.com/home

Facebook:

https://www.facebook.com/CrookedHouseRoad

Twitter:

https://twitter.com/CrookedHouseRd

BandCamp:

http://crookedhouseroad.bandcamp.com/

Instagram:

https://instagram.com/Shainasb/

Music:

http://www.crookedhouseroad.com/music

 

______________________________________________________________________________

Videos:

https://www.youtube.com/channel/UCFW0S56W4-ghsuCL0UUDo0A

Tour:

http://www.crookedhouseroad.com/shows

Track Review: The Super Fuzz- Hooked

TRACK REVIEWS:

The Super Fuzz

Hooked

9.2/10.0

Hooked is available at:

https://www.youtube.com/user/TheSuperFuzzBand

 

The album Super Famous is available at:

https://itunes.apple.com/us/album/super-famous/id996763025

Released: 19^st May, 2015

GENRES: Power-Pop, Rock.

COUNTRY OF ORIGIN:

U.S.A.

WHEREAS a lot of my time is spent (in particular musical areas)...

including Canada; Indie music; some predictable stuff (when it comes to Rock music), today at least, there is something new- and genuinely curious.  There is scant fun- when it comes to new music- as everything seems to be serious.  I am not suggesting there should be a party-party (or PART-AY) atmosphere: what is wrong with lifting the mood; brining in some bonhomie- and creating smiles?  Puvlic expectation enforces sounds/moods: they look for something gripping and nuanced- a lot of times, this involves serious subjects; a more downward sound.  New bands- particular Rock/Pop acts- focus on traditional issues- love and heartache; personal introspection- which can be quite somber (or at best, not particular uplifting).  Bands that do things differently- and have a sense of adventure and cheer- go a bit further: inject some colour and swagger; uplift the listener.  I am not ‘down’ on most music: a great deal of bands/acts (I have reviewed) are very upbeat and cheery- and infuse plenty of humour (into their songs).  From the U.K. (to Canada), I have heard a lot: I have experienced nothing like The Super Fuzz.  Their name alone elicits smirks of insinuation: your mind theorises images and scenes- few are anything less than X-rated.  Yesterday- and today to be far- I am in a bad mood: remembering the legacy of Jeff Buckley (who died on 29^th May, 1997) I have been rather upset- remembering his music has made me reflect.  My all-time music idol, I have been listening to his music: wondering just how he can be gone.  In need of redemeption- and some essential energy- The Super Fuzz are up the challenge- one of the most immediate acts I have encountered.  Based out of Miami, the guys- mature gentleman if they’ll excuse the tip-toe side-step are as follows:

Chris Alvy : Guitar, Lead Vox Darrell Killingsworth : Bass, Vox Todd Taulbee : Drums, Vox Eric Sanchez : Guitar : Vox

“Described by one morning TV show host as “Scooby-Doo meets The Blues Brothers”, The Super Fuzz makes no apologies about wearing their classic rock sensibilities on their sleeve while infusing 70’s-style production reminiscent of the post-punk movement. With influences from Jellyfish and Redd Kross to The Beatles and The Beach Boys, the group’s debut CD, Art Noise, is a 12-song reflection of the their unabashed love of guitar rock and indie pop.  These Miami natives have relentlessly toured their home state of Florida since their inception last year. They have performed at the Sunfest Music Festival, International Pop Overthrow, and supported touring nationals like Soul Asylum, The Smithereens, Sister Hazel, Green Jello, and a bunch of others...”

The comparison to The Blues Brothers is quite apt: the band (in photos) have that ‘look’- cool and ‘80s-inspired; Jazz-cum-Soul brothers- in search of a good time.  With cigarettes hanging (from mouths); facial hair sitting proud; hats perched atop heads- they are a traditional act; good ol’-fashioned boys- guys who know how to make (good music).  New names to my mind, I have been keen to check them out: see exactly why they are so good; how their pasts have progressed.  In terms of Florida-based music, I am in the dark: with the exception of ‘N Sync (who was based in Orlando), who else is there?  If you are American, you are more familiar: we in the U.K. get drip-fed U.S. music; great acts tend to pass us by- a lot of great music is being hidden away.  Building a great reputation, the lads have a fun and crowd-uniting sound: that is not to say they are not serious contenders.  Influenced by everyone from The Black Keys to The Beatles- you can hear a little (of both acts) in their songs.  Few people can resist their charm and potency: The Super Fuzz is a band on a mission; crafting songs that marry vintage with brand-new; contemporary with older- thus ensuring they attract a wide array of followers.  Knowing of/having reviewed Fernando Perdomo- another south Florida musical hero- I am not shocked (The Super Fuzz) are so good- this area is spawning some awesome musicians (that we all should be aware of).

Mixing Beach Boys and The Beatles- that fun, ‘60s vibe- The Super Fuzz look back at the past: make sure their music has beach-set bliss; plenty of Power-Pop grace- mixes in a modern-day centrifuge.  Inspired by the early-days (The) Beatles; the Florida band put your mind (somewhere bygone and wonderful).  In terms of (more modern) influences, the likes of (Ohio’s) Black Keys come through: essences of their El Camino period (shows itself across Super Famous).  Sparring Blues-Rock guitars with uplifting harmonies; tying them around memorable lyrics- the Super Fuzz boys are every bit as equal (when it comes to potential and potency).  Inspired by- perhaps half-jokingly; stylistically in a sense- by The Blues Brothers, there are influences of ‘50s/’60s Blues: that swing, swagger (and dance-ability) comes out in their music. Essentially, The Super Fuzz is their own band: they are one of the most distinct I have come across.  They take (little shards) from the local scene- fellow musicians Fernando Perdomo count as influences (Perdomo used to be in the group- before embarking on his solo career)

When looking at their current album, it is worth looking back: to see how far the boys have come.  Art Noise (their debut L.P.) was a terrific start: the 12-track collection is filled with contours, shades and emotions- packed with different themes and dreams.  The title track is a perfect kick-off: heavier guitars sit with determined vocals; the song is focused and direct.  This Summer’s Day is more alacritous: it has melody and relaxation- together with Rock sounds- that tempts this listener in.  Songs like Something’s Missing and Born have sensitivity and introspection; Inside Job is perhaps (the album’s) finest moment.  Having released A Super Fuzzy X-Mas, the band arrives with Super Famous: their second L.P.  Their new material retains their core personality: all the same themes and sounds; influences and styles- yet expands upon the theme.  Having developed and augmented- since their debut- the band bring in new subjects (the writing and production values are improved and at their peak); the performances are tighter too.  Having upped their game- the lyrics are more addictive and memorable- the boys have fresh confidence: each track radiates and shines; there is greater depth and diversity.  Whilst retaining their core- and not compromising their ethics and unique sound- the band sound stronger and more electrifying- which is guaranteed to recruit new supporters and fans.  Too many bands do not make big leaps- or really make improvements from release to release- yet The Super Fuzz have grown and solidified- their music gets stronger with each passing record.  If you are a fan of the aforementioned- the likes of The Beatles and Beach Boys- you will find much to love.  Plenty of modernity lies in their music: from U.S. Blues-Rock to current-day Pop (the band has a kaleidoscope of sounds).  Essentially, the boys mix fun and romance; drama and Rock- plenty of sunshine is in there too.  Super Famous is a perfect representation of the band: an album intended to be loved by all (which it will be).

Beginning with a fuzz of guitars- a brief and blissed-out coda- the (album’s lead song) gets underway.  With Alvy at the microphone, the morning routine is afoot: “I wake up in the morning/and I check that my computer’s on…”  Letting his words tumble and spiral, there is a great sense of pace and urgency: in the initial stages, the band do not let the listener reflect- consequently (the album as a whole) makes an instant impression.  Having a youthful vibe (to the vocals) - reminding me of Fountains of Wayne-via-Blink-182- our hero is “feeling fine.”  A subject- and routine- that is close to us all; it is a song we can all relate to: how long from the time we wake, to checking emails/social media?  That idea of being ‘hooked’- stuck on social media; powerless to resists its inane charm- is explored: all of us (in our own way) rely too heavily (on Facebook and social media).  Not often explored (by other acts), there is that sense of Stockholm Syndrome: being hooked, but feeling at ease and unbothered.  The infectious delivery is bested (only by) the vocal: Alvy delivers his words with spirit and upbeat chirp.  Backed by the band- who supply a tight and delirious swirl- the song becomes seriously addictive.  As it progresses, the subjects is (expanded upon): sharing his photos online, our hero is doing what he does- a life with little human contact.  Having a slight edge of The Offspring- that Dexter Holland-esque sound- the band mix together ‘80s-‘90s U.S. sounds; infuse 1960s Beach Boys- top it off with modern vibes and superb production.  A terrific blend of humour and pathos, the song is designed to be remembered- its simplicity and directness burrows into the brain.  Our hero- after sharing his photos online- seems destined to (repeat the process) - there is that sense of necessity and dependency.  Fusing together Sunshine-Pop and Punk; a little bit of Rock and you have a hypnotic smoothie- a multifarious blend of flavours and sensations.  Insatiably upbeat, Hooked does what it sets out to do: have the listener hooked in; make sure you repeat (the song) over and over.  Wanting to walk away and surrender- the chorus is that which is not only memorable; it is a calling-out for help- our hero is powerless: the likes (of Facebook) has him drugged.  Dispensing its message in an economical manner- the song is 2:11; the link (for the track) includes the song Surprised Your Boyfriend’s Still Around- it is impressively impactful.  Both fun-filled and meaningful, it is not a disposable and throw-away track: here is a song that is hugely impressive and purposeful.  A personal confession- and warning sign to social media addicts- you will find yourself hitting ‘repeat’- going back and listening to the track.  Pairing a catchy chorus with a nuanced composition, Hooked is apt (in every sense).

Praise must be given (to the entire band).  Alvy’s vocals are light and breezy; soulful and distinct: you are hard-pushed to compare him with another.  Containing shades of Power-Pop/U.S. Rock singers- without being too heavy-handed- and you have a unique sound- that does a great service to the track.  The delivery is consistently impressive: filled with urgency and spirit, it adds conviction to every line.  His guitar work is impressive throughout: never overpowering or encroaching, it adds great weight to proceedings- at times light and summer-like; at others heavy and squalling.  Todd Taulbee’s percussion drives the song; leads from the back and keeps the spine steady: always focused and sharp, it is the heartbeat of Hooked (he also contributes backing vocals).  Daniel Killingsworth lets his bass snake and strike; groove and dance: it is both authoritative and unifying.  Showing himself to be an incredible player, the bass player features heavily in Hooked- and the album as a whole- making memorable impressions.

Having spoken with the band’s manager (Roman); listened to their music- and sought out their biography and influences- I am a dedicated fan.  With their Power-Pop mandates- reminding me of The Beatles and The Beach Boys- together with some Blues-Rock swing (The Black Keys at their peak), you can’t go wrong- investigate the boys now.  I have been busy in the U.K./Canada- and reviewing musicians here- it is nice to be back in the U.S.  One of my favourite (countries for music); and exploring a new region (I hope more Florida acts step forth- not TOO many, mind).  Being overly-familiar with music’s (more introverted) sounds: it is wonderful to experience sunshine and wit- something very much here-and-now.  Mixing their vintage influences; together with some modern vibes- The Super Fuzz boys are on a mission.  Celebrated (in their native U.S.), the band has a unique artistry: one that more should follow.  I will leave with a brief thought: that which concerns new music in general.  Too many bands- especially in this country- are too concerned with force (and heaviness) - there is little regard given to sunshine, humour- and something altogether lighter.  Few acts manage to lighten the mood; get the people dancing- without resorting to same-same subjects; love and heartbreak etc.  Employing original subject matters; going that extra mile- the Florida sun is much-welcomed here.  Disintermediating their influences- by only nodding to their idols- the band whip up a summer-time feel.  With (predominantly) U.K.-based acts- that play Rock and Pop- tending to play it safe (bar a special few), we need a shake-up: look towards U.S. shores; take some of their potential- and use it here.    It would be good- if The Super Fuzz played here- as London would welcome them in: they are guaranteed to blow away homogenised scenes; bring their magic to the capital.  Super Famous is accessible and nuanced: filled with fascinating tales; sensational scintillation- maker sure you investigate its wonders.  With few weak moments; plenty of fun and glory: this is an album (we should all here).  Perhaps ironically-titled, the boys are keen to keep going: play like they always have; enjoy their relative anonymity- that will not last long.  When the L.P. travels abroad- and reaches us here- the band will find new faces (and great support).  In a weekend that provides intermediate sunshine- and uncertain weather- I am clinging to The Super Fuzz- capable of banishing the British blues.  When you consider that it is…

A very refreshing change of pace.

[youtube https://www.youtube.com/watch?v=0dMCpU22Wxk&w=420&h=315]

________________________________________________________________________________

Follow The Super Fuzz:

Official:

http://thesuperfuzzmusic.com/music

Facebook:

https://www.facebook.com/thesuperfuzzmusic

Twitter:

https://twitter.com/superfuzzband

 _________________________________________________________________________

Videos:

http://thesuperfuzzmusic.com/videos

 

______________________________________________________________________________

Music:

http://thesuperfuzzmusic.com/music

Feature: Making Your Voice Heard

FEATURE:

 

Making Your Voice Heard

____________________________________________

With a need for change- and do something meaningful with life- I have had a hard think; what matters most to me: music, charity and helping others.  I look at a new idea- a charity concept- and the musicians (I hope can be involved)

___________________________________________

ONE of the most common themes (when it comes to others)…

is the issue of self-fulfillment: getting everything they can from life.  I am in that same boat: a month from losing my current job; I (find myself) looking around: having to take a long look at things.  Hating the town/area I live in- I could rant for hours about how awful (a hell of a lot of) the people are- there is definite stress: that need to go somewhere good; do a job with meaning- stop living in a rut.  I think it is a common theme: not wanting to waste life; starting achieving things- and make a real difference.  The simple question is this: how easy is it to really make a difference?  Whether you are a writer, musician or scientist: is it simple to change the world?  Many of us have lofty ambitions; desire to fulfil huge ambitions: the stress (of that not happening instantly) can lead to a lot of woe and depression.  I am publishing this blog for two reasons: to introduce a new charity idea/scheme; to highlight some great musicians (I hope can promote the cause).

The Charity: The Single Voice.

The inspiration:

Having thrown a few ideas around (using The Single Voice name), it seems the most logical choice: turning it into a charity.  The ‘social media/charity’ idea- https://musicmusingsandsuch.wordpress.com/2015/03/08/the-single-voice-one-language-for-all/- is still very much a-go- and will be used (to promote the charity).  Having mailed a friend of mine; she clarified things- simplifying is best; doing a charity-based idea is more feasible/obtainable.  In addition to being ‘disappointed’ by people- their lack of humanity/charity; pure selfishness and over-entitlement- it seems apt: get up and do something about it.  You cannot really rely on other people (for a lot of things); so being proactive is the solution- The Single Voice has a different wrinkle…

The idea:

Whereas most charities focus on one cause (illness or social aspect) The Single Voice raises money for multiple causes- unites all charities (under one umbrella).  In addition to promoting/publishing great causes (and their associative charities), there are some unique/personalized objects: promotion/awareness of mental health issues (and tackling those affected); highlighting ‘under-exposed’ causes- equal rights; gender equality; animal welfare; tackling racism etc.- that will come into the light.

Website/Launch:

The initiative will have a homepage: which will be where each person goes to register.  The campaign will be shared and spread to social media, but at the first point of contact, each person would start here.  Like Facebook and Twitter, registration is painless and quick: and a great way to connect with other users and like-minded people.  The homepage will be well-designed and eye-catching.  The top half will have various links: A-Z of Charities; Contact Details; Discussion Board; Events/Fundraisers; Latest Members; Links; Generated Profit (so far).  The bottom half will be fun and interactive.  It will depict a variety of locations: a comedy club; recording studio; film set; bar etc.  The sign will be the only constant- saying The Single Voice.  Whether attached to a studio (or comedy club) the figures (that interact will be from that world).  Musicians- past and present- will interact; comedy and film icons (too) - it will be constantly changing and moving.  Each figure will be animated- giving the homepage a great two-tone look/feel.

As part of the website, there will be a social media aspect: similar to Facebook/Twitter, but focusing on charity (rather than the usual things/posts).  The homepage will connect/promote other charities: there will be news feeds/updates that highlight worthy causes (both local and international); covering a range of issues.  The homepage will encourage others (to start their own charities); be a one-stop portal- that allows people to become more charity-minded; learn about important issues- do good in their community.

Location:

The main office (for the charity) would be (hopefully) based out of London- around the Shoreditch/Hackney area.  A lot of charities- such as Mind- are based in East London; it is a thriving area; there is a greater sense of community- it is up-and-coming.  In terms of rent/office space, it makes sense (locating out of the very centre of London); situating in a reputable area- somewhere that is close enough to the centre.  I mention this, because there will be a lot of promotional events- to launch the charity- that will take place around (the centre of London).

How it Differs:

The charity is very hands-on: employees/representative will get out into the community; spearhead initiatives- make a difference.  In addition to promoting causes (and raising funds) the emphasis is on involvement: getting into the towns/cities; seeing people first-hand- offering help.   As I mention, there is a leaning towards mental health (primarily raising funds/support to help the mentally ill), yet with (The Single Voice’s) ideals- uniting all causes/charities- recruiting as many people as possible.  The charity will have employees- representatives and patrons- but will look to the public: enroll the community; get them out (into the communities)- spreading the good word.  Some weeks there may be an emphasis on homelessness- raising funds; setting up events; visiting the homeless; one week a local hospice- getting fundraisers organised etc.

Going forward:

As I type, it is very much in the infancy: putting the initial stages together; gathering interest/feedback.  I will be registering the charity this year: next year, I will look to getting it going- organising an office/employees; setting up promotion/publicity.   A lot of charity work/social motivation seems compartmentalised- not everyone is aware of REALLY important causes; it gets buried in social media/the Internet.  The idea is to make everything more visible: get people involved directly.  Rather than have them solely donating/promoting, they would be physically part- helping with events; getting out into the world.

How (the charity) raises funds:

I have to mention music/entertainment I guess.  When I published my last ‘big’ blog- about The Single Voice- I mentioned Google: getting them on board to help raise funds.  Expanding on this idea- and using Google to help with funds- the way funds are raised is two-fold.  The ‘traditional’ method is still there: promoting charities and causes; organizing events; donating to Justgiving etc.  In addition, promotional ideas will be introduced.  Aside from the this- https://musicmusingsandsuch.wordpress.com/2015/03/08/the-single-voice-one-language-for-all/- there will be local events; novelty ideas: ways for big organisations/Google to help give.  Musicians- actors and creative people- are going to play a big part: one of the main parts of the idea.  The charity looks to raise funds/awareness through the arts: utilsling the creative arts; giving musicians an extra voice- actors, models and directors too.  Below, I have included some great musicians (I hope can be involved in promotional events/concerts/launch campaigns) yet there is another aspect: using music as a curative tool.  Music- performance and acting- can act as therapeutic aid; help people in times of woe- this is what I want to emphasise.  The homepage (for the charity) will promote new musicians; introduce older music- we may have forgotten about- and tie it all together.  The charity will help (to raise funds and awareness) for new musicians: help them to continue their craft/careers.  In turn, there is a reciprocity clause: creative folks helping to raise funds; splitting profits- and putting it into the charity.  It all sounds very ambitious- and some tangled knots- but it will all become clearer (future blogs and posts will clarify a lot).

What Now?

The charity works like a political party- it takes on a whole wealth of issues and considerations.  Putting money (people and support) in as many areas as possible, here is a way to unite music (and the arts) together with the people: get multitudes of issues/illnesses eradicated- try to make society better (and more conscientious).

How People Can Help:

From models to musicians (actors and business owners) I know a lot of (quite different people): a lot who are charity-minded and good-hearted.  Possessing ambition and impetus, it is key to have them involved: help with promotional videos; get their feedback- gauge their opinions.  We all want different things- when it comes to charity and making society better- and the idea is to include ALL of this.  The Single Voice is not a single-minded idea (focusing on one cause or subject): we are looking at helping as many possible- raising as much money (as is possible).  By getting Google involved; organising multiple fundraising events- looking to some wonderful people…

The Musicians: The Multiple Voices.

Through various promotional events/ideas: musicians will play a large part- existing ones; new ones I am discovering.  Supporting new music is essential; I adore all the bands (and acts) I have reviewed- they are all fantastic.  When The Single Voice gets ‘moving’ I want to call on (the below) to lend their voices: help the charity raise funds, and in turn, get their music promoted/highlighted.

Adi Ulmansky:

The Israel-born star has a talent hard to fault: a fresh and vibrant sound- not often heard in the current climate.  Currently on tour, her music is made for the people; it taps into heartache and life- reflects what we all feel.  An artist to cherish.

Why is she great?

A tremendous writer and vocalist; someone with an intoxicating and incredible personality- hope to see her in London, soon.

Follow: http://adiulmansky.com/

Scarlet Street:

Vintage ‘40s/’50s sounds; Doo-Wop and Swing: genres and time periods not often explored (many acts ignore the potential to be found).  A newly-formed act, the girls bring sunshine wherever they go- incredible singers that (breathe new life) to every song they touch.  Check out their Barbershop E.P.

Why are they great?

Insatiably optimistic; beaming smiles; adoring of their fans: a group who are impossible to dislike.  Their vocal harmonies- and good-time swing- is enough to melt everyone’s hearts.

Follow: http://www.scarletst.com/Scarlet_Street/Home_new.html

Goldbirds:

In their infancy (still) the Goldbirds crew have (just released) their debut single: the incredible Silver & Gold.  Packed with incredible riffs; cutting lyrics; terrific vocals: an act that is destined for festival glory.  Keep your eyes trained to their shore.

Why are they great?

The chemistry is instantaneous and unflinching: the guys are brand-new yet have a wonderful future.  From the evidence of one song, there is already a huge (buzz surrounding them).

Follow: http://www.goldbirdsband.com/

Nightwolf:

The creation of Ryan Wilcox, here is a daring and original artist- with a prodigious output.  Mixing genres and emotions, his (mainly instrumental) compositions are glorious to behold- his past work is packed with inspiration, genius and innovation.

Why is he great?

One of the most distinct artists around; his music begs for collaborators: his epic (and spine-tingling) music is rife with melody, wonder and potential.

Follow: https://soundcloud.com/nightwolfuk

Toni-Amanda Coe:

Having performed mostly cover versions, Surrey-based Toni-Amanda Coe has an impeccable voice: able to sooth with smoky allure; seduce with breathless beauty- an artist capable of owning any song.  I hope 2016 sees her record (an original/cover-based mix) E.P.; join together with a band- an artist with enormous potential.

Why is she great?

Working at a music venue- and a great supporter of musicians- she knows the industry (and what makes a great act).  With influences ranging from Hardcore to Rock, her (potential future) songwriting could be incredible- the early signs are incredibly promising.

Follow:  https://www.facebook.com/pages/Toni-Amanda-Coe/44186417431?fref=ts

Rosie and the Goldbug:

Having known Rosie Vanier (as part of Lightknife) the stunning singer (brings her talents to) Rosie and the Goldbug: a band with no signs of slowing; backed by incredible music- these guys will be a big act to watch.  Seek out their debut album- and latest single Running in the Dark- to see what all the fuss is about.

Why are they great?

An incredible (and incredibly beautiful) singer; a terrific Synth.-led band; the chemistry is electrifying (and gripping): their forthcoming material deserves a gigantic audience.

Follow: https://www.facebook.com/WEAREROSIEANDTHEGOLDBUG?_rdr

The Glass Child:

A sensational writer, poet; singer, musician- and all-round wonderful human.  Charlotte Eriksson- and her stunning alter ego- is adored the world round.  With her inspiring lyrics and heart-winning songs, the young artist is influencing a legion (of new songwriters)- the years will see her getting stronger and better.

Why is she great?

Always inspiring; constantly working: few other musicians contain as much passion and purpose.  You can tell (music is everything) to her; her fans means the world- in turn, they adore her.

Follow: http://www.charlotteeriksson.com/

The Updraft Imperative:

One of Australia’s finest (new bands) the Christian-Rock collective are on a rise: their album Chair is taking them all around the world.  Music for the devout (and non-devout alike) their music is addictive and spellbinding- ignore them at your peril.

Why are they great?

Uplifting and rousing; universal and soul-enriching, the guys tap into your soul’s (deepest recess) - bring something special out of you.  Gaining notoriety in the U.K., the boys are conquering the world- one nation at a time.

Follow: http://www.theupdraftimperative.com/

Bi:Lingual:

Fusing Rap and Hip-Hop; Metal and Rock, the lads know how to captivate: their music is among the most enlivening and instant (in the music world).  Original- and quotable- lyrics are backed by phenomenal vocals: the band is among the most tight and urgent around- their live performances are the thing of legends.

Why are they great?

Few bands tackle (and put together) Rap and Metal: none do it better than Bi:Lingual.  They tackle subjects originally; speak for the general public- a rebellious mouthpiece of the people.  The music world needs acts with attitude and leadership: line up behind these boys…

Follow: https://www.facebook.com/bilingualband

Braver than Fiction:

Having had a turbulent year- with their vocalist Mel Lampro being diagnosed with cancer- the band are coming back: their determination and focus is faultless.  Having reviewed their King of Crows (E.P.) I am anxious to see (what comes next): the band are among the most stellar around; the songwriting incredible- their kinship is unbreakable.

Why are they great?

Led by an incredible singer-songwriter (one of the finest this country has to offer), the band are Yorkshire gold- the coming year will see them (go on to great things).

Follow: https://www.facebook.com/braverthanfiction?fref=ts

The Moth Lantern:

This Lincolnshire act has everything at their disposal: Beatle-esque songwriting; stunning musicianship- heart-warming vocals.  Having had a terrific 2014- where they released their debut L.P.- the band are planning Light Waves’ follow-up.

Why are they great?

Their bond (and natural friendship) comes through in the music: every track sounds effortless and affirmative.  Seducing (their native Lincolnshire) the group are preparing new music- that will see win new fans.

Follow: https://www.facebook.com/themothlantern?fref=ts

Little Sparrow:

Katie Ware’s bird-like charm is bested by her insatiable beauty: a voice that can drop jaws.  Her Folk-orientated music contains wonderful characters, stories and insights- personal revelations and lovelorn tales.  Always bringing her music to the people, Ware has enthralled (towns and venues throughout the U.K.).

Why is she great?

A lovely lady; an unbelievable voice, Little Sparrow is taking flight: in a scene (filled with) solo artists; she ranks among the very finest.  Catch her live (if you can): it is here where (the biggest shivers) will be elicited.

Follow: http://www.littlesparrow.org/

Chenai Zinyuku:

With jaw-dropping looks; a rich (and soulful voice), Zinyuku is preparing her debut E.P.: a chance for the world to hear (her current ambitions and ideas).  A masterful interpreter, the London heroine should be on everyone’s mind.

Why is she great?

Living (her upcoming E.P.) is gathering excited whispers: she is a terrific songwriter; a humanitarian- a peace-loving soul.  This grace and beauty come out in her music: make sure you grab a copy (when the E.P. lands).

Follow: https://www.facebook.com/chenaimusic?fref=ts

Allusondrugs:

One of the fastest-rising bands of the moment; this Yorkshire-born troupe are wonderful: their touring schedule (this year) is pretty hectic.  With a front-man- with a stunning resemblance to Kurt Cobain- the boys have Nirvana’s Grunge spirit: they bring plenty of youth, personality (and cheek) to their music.

Why are they great?

Their social media ranks are rising: the boys earn nothing but (effusive) praise.  Epic tunes; memorable live performances- just the tip of (the Allusondrugs) iceberg.  Few bands (are as) made for the big-time.

Follow: https://www.facebook.com/Allusondrugs?fref=ts

Ivy & Gold:

With London Grammar being a little ‘dormant’- they have a new album out next year- Ivy & Gold fill a void: Electro.-Pop/Synth.-led majesty; alluring, sensuous vocals- detailed, kaleidoscopic compositions.  The London duo have a clear bond and affection: they are one of the most underrated acts around.

Why are they great?

Aside from their close kinship, Davies and Wilkinson are staggering talents: they have just played (the) Great Escape Festival- world domination is not far away?

Follow:  http://ivyandgoldmusic.co.uk/

Boom Tales:

Together with Eloise Lovell Anderson- their stunning Siren/honorary band member- this group have a truly original sound: Boho chic; dreamy vocals; stunning (and vivid) songs- few acts can ever compare.  Having had a (busy last year), the group are assessing their options- planning their next move.

Why are they great?

Their music must be heard: it has beauty and tranquility; operatic and harmonies- every emotion/colour you could imagine.  Calming and soothing; rousing and emotional- the group can soothe (the weariest of souls).

Follow: https://www.facebook.com/BoomTales?fref=ts

Gypsyfingers:

After (last year’s) Circus Life, I was blown away by this duo: their music/talent is hard to believe.  Tremendous writers and performers, Luke Oldfield and Victoria Frances are soulmates; a tremendous proposition- able to mix Rap-fast lyrics with Fleetwood Mac-esque Folk.

Why are they great?

Few acts (or duos) have as much potential (as Gypsyfingers): their last album was met with a sea of praise (including yours truly).

Follow: https://www.facebook.com/gypsyfingersmusic?fref=ts

Emily Kay:

With THAT distinct voice- with its charm and gravel; soul and potency- Kay is a startling proposition.  Her music is divine.  The Birmingham-based stunner is one of this country’s most arresting solo artists.

Why is she great?

Stunning to behold; a voice of pure wonder: there are not many (who would be) immune to her charms.  A constant performer/live act, Kay has admiration for her fans- a valuable asset (to the music world).

Follow: https://www.facebook.com/msemilykay?fref=ts

Los & The Deadlines:

I have reviewed this act a lot: at every turn, they compel and amaze.  Hard-hitting and hard-rocking; the guys are the complete package.  With their distinct looks- and acres of facial hair- the boys have an incredible sound- make sure you investigate these lads.

Why are they great?

They have a very original sound; that said, no two songs sound alike: they are keen to stay mobile and unpredictable- shifting themes and styles.  Each member displays clear passion and dedication; their tracks are tight and focused- the end results are scintillating.

Follow: http://www.losandthedeadlines.com/

Issimo:

One of my favourite acts, Abi and Marc never stop working.  Between new songs, cover versions; planning a big music video- the guys never seem to rest.  Brimming with charm, smile and passion, the duo are masterful songwriters- everything from wit (and comical by-play) and Pop mingles with Soul and Swing.

Why are they great?

Issimo is a hugely original and special act: a great sound and sensation; Marc and Abi have a special friendship- their (individual) talents blend wonderfully.  Another act with an incredible future ahead.

Follow: http://www.issimomusic.net/

Jen Armstrong:

An unbelievable young lady- currently planning a move to Nashville- here is an amazing talent.  Covering covers; owning originals- Armstrong is one of the finest singers in the world.  A terrific songwriter- who can do quirky and witty; passionate and emotional- few can match her talents.  Endlessly hard working, the music world needs her (and more like her).

Why is she great?

The music world is a tough bitch: Armstrong never seems to falter; her determination is unflinching.  With her natural talent, few should ignore her: I wish nothing but happiness for her.  There are too many untalented/vague artists kicking about: Armstrong is a breath of fresh air (we all need)

Follow: http://jenarmstrong.tv/official/Home.html

Marisa Rodriguez:

Rodriguez is an eye-watering beauty; a cheeky (and loveable personality): one of the brightest songwriters on the block.  Tackling covers (and her own songs) everything she touches glistens- backed by that wonderful voice.  One of this country’s most ambitious talents, Rodriguez promises great things- possible band collaboration; new material- the future is very much hers.

Why is she great?

Someone who never stops working: always promoting other acts, she has a clear affection (for her fellow musicians).  Her songs are packed with confessions and emotions; defiance and guts- intellect and beauty.  With a voice that could melt the sun, she is an immense talent.

Follow: https://www.facebook.com/marisarodriguezmusic?fref=ts

Ellene Masri:

A wonderful human, French-born (with Lebanese roots) Masri combines beauty and sensuality; Jazz and Soul- her voice is captivating and arresting.  A startling songwriter- who seems endless in her inspiration- her sense of feel is topped (only by) her wonderful voice- that can range from a romantic coo; climbs to a fevered explosion.

Why is she great?

One of the most passionate musicians around, the (music word) means everything to her.  Few other people have such dedication and focus- the coming year is going to be hers alone.

Follow: http://www.ellenemasri.com/

Julia Jensen (Moons of Jupiter):

An untapped talent, Jensen is a future star: a composer/musician with bags of talent.  With Danish (and Irish heritage), he songs/soundscapes whip up a myriad of visions: they are evocative and scenic; dreamy and gripping- dark and dangerous.  Like Nightwolf, Moons of Jupiter is that rarest of things: an act that can do anything; attract any singer; fit any mood- and win EVERY ear.

Why is she great?

Jensen is busy with studies- and music is in the background- yet I can see it coming (to the forefront): her inspiration seems endless; her (small collection) of songs are amazing and nuanced- an original and daring talent.

Follow:  https://www.facebook.com/MoonsOfJupiterMusic?fref=ts

Elena Ramona:

A bright and exceptional talent: Elena Ramona is a young artist with a lot to say.  Having reviewed her work- and interviewed her- she is a star-in-the-making.  Able to pen upbeat/catchy tunes; introspective personal reflection- she can pretty much do anything.

Why is she great?

A talent who never stops working, Elena is not a one-note artist: her songs range in themes and styles; her voice is nimble and expansive- she is capable of owning anything (she writes).  Few other artists have her confidence: fewer have her talent.

Follow:  https://www.facebook.com/pages/Elena-Ramona/323928237668916?fref=ts

Winter Knight:

When Darren Pereira formed Shiftin’ Shade- his Electro.-Swing alter-ego- I was blown away by the sounds: Pereira’s innovation and compositional genius.  Deftly able (to evoke the past), together with Adam Hume (his vocal collaborator) he was an exceptional force.  Bringing this momentum to his latest creation, Winter Knight possesses the same sense of adventure and wonder- only the rush and jive is replaced with something more tranquil.  Winter Knight (is Pereira's) launch for going solo- a big time ahead!

Why is he great?

Not a solo artist (per se), Winter Knight has massive potential: whether instrumental-only (or an act that draws in vocalists), who knows what is to come?  With Pereira’s songwriting talent, one thing is fir sure; you definitely need to investigate (this act).

Follow: https://www.facebook.com/pages/Winter-Knight/618469391572346?pnref=lhc

Sarah Collins:

A wonderful artist- and lovely human being- Collins is an endless talent: her work-rate is beyond belief.  Always singing and performing; touring extensively, she never seems to exhaust- having just recruited a band; her music is getting a wide audience.  Cutting her teeth with cover versions, Collins is a masterful singer- able to conquer any song (that comes into her path).

Why is she great?

A masterful talent, Collins’ voice is a peerless thing: stacked with power and panache; her beauty and soulfulness is captivating.  Having endured a tough road-to-glory, she is on the climb: her future is going to be incredibly bright.

Follow: https://www.facebook.com/sallycollinsmusic?fref=ts

Universal Thee:

The Scottish band has been on the scene a while: they are making plans for a new L.P.  With shades of Pavement and Pixies- drawing in flavours of Weezer too- the husband-and-wife-led act have a unique talent- they are an exceptional live act.  Incredible songwriting, wonderful melodies; stunning songbooks: if you seek these (in your music) then look no further.

Why are they great?

I have heard their new material (that could feature on their new album): it is truly amazing- they will be on the scene for years to come.

Follow: https://www.facebook.com/universalthee

Bianca Bazin:

A vibrant and exceptional talent- with the most intoxicating smile on earth- Bazin is putting together her debut cuts- having toured locally, she is ready to showcase her music.  Stunning of voice, Bazin has spades of charm and potential- her songwriting is truly awesome.  Performing (under the name Bee), few can ignore her charms- you are powerless to resist.

Why is she great?

An artist with plenty of experience, Bazin is no ingénue artist: she is a huge talent with a confident voice.  A lot of solo acts tend to falter early- balked by the pressures of music.  Bazin has no such qualms: her natural talent will see her rise to prominence.

Follow: https://www.facebook.com/BeeBazin?fref=ts

Chess:

Fran Galea has been on my radar (for a few years now).  Having reviewed her music- on a number of occasions- there is no stopping her: one of the biggest talents in this country.  She knows London holds big opportunities: I can see her moving there; being a permanent fixture (in some of the capital’s finest venues).  A phenomenal songwriter, she is influenced by the likes of Michael Jackson, Prince and Christina Agurilera- she brings each artist (in some form) into her music.

Why is she great?

Each E.P. offers something new: with every release she gets stronger (and more confident).  Still young and hungry, Chess is a stunning talent- an artist to be truly proud of.

Follow: http://www.chessgalea.com/

Nina Schofield:

Another artist (with spades of talent) the divine Schofield is a heartbreaker: a stunning artist with a tremendous artistry.  Her voice is impassioned and vivacious; her songs are filled with wonderful promise- her music is incredible.

Why is she great?

With her E.P. Colours, Schofield displayed her full range: songs bristling with invention and energy; passion and pride- all wrapped around that sensational voice.

Follow: http://www.ninaschofield.com/

Little Violet:

Another Cherie Gears outfit- she is part of Scarlet Street- Little Violet is a Swing wonder: full of vitality and swagger; smile and sass.  Her songs put you in mind (of classic-era Swing); her Electro.-Pop updates give life and breath- every song (of hers) burrows into the brain.  A tremendous talent- who can do no wrong- this year will see more L.V. activity.

Why is she great?

A prodigious singer/songwriter, Gears is a restless artist: someone deeply in love with music.  Choosing an under-trod path- tackling Swing and Doo-Wop- she is striking gold (from an under-tapped source) and reaping rewards- how long before she is a household name?

Follow: https://www.facebook.com/littlevioletmusic

Lydia Baylis:

A tremendous solo artist, Baylis has a rare talent: it is hard to compare her with anyone else.  Hugely original, she is a tantilising artist; someone with endless potential, keep your eyes peeled Baylis’ way.

Why is she great?

Few songwriters have such an ear for melody; a talent for songwriting- Baylis has exceptional insight and intelligence.  Designing songs for the masses, here is a wondrous talent- and someone we all need (in our lives).

Follow: http://www.lydiabaylis.com/

Gold Phoenix:

A new incarnation, this band mean business: they are both instant and fresh; alive and alert- making music to get crowds dancing (and chanting).  With golden riffs- and some wonderfully inventive sounds- the band are here to stay: a stunning act.

Why are they great?

Their debut (self-tiled) E.P. is packed with power and riffs; plenty of Blues and scuzz- the boys are a wild whirlwind.  Electric and bracing, urgent and memorable- natural world-beating sounds.

Follow: http://www.goldphoenixband.com/

Dana McKeon:

The Maltese-born artist can Beatbox like no other; a tremendous voice- someone with talent abound.  A stunning beauty, a natural influencer- someone who is unlike anyone else.  With each song comes new surprises: a variegated songwriter with immense talent.

Why is she great?

Plain originality and talent.  There is nothing fake and manufactured: she is just an unbelievable artist.  An original songwriter, her stories are inspiring and motivating; her voice (seemingly) endless- someone with a long future ahead.

Follow: http://www.danamckeon.com/

RKZ:

Another genius talent, RKZ mixes Rap and Hip-Hop; his artistry has few boundaries: his arsenal of work displays wonder and wit; romance and sensitivity.  Effortless as a collaborator- or on his own- RKZ is hugely influential- someone who will inspire a new generation.

Why is he great?

Being a champion (when it comes to fighting mental illness) this passion comes through in the music: RKZ is a man who feels compassion and empathy.  His music is just one side of him: a human who strives to make things better; always looking out for others- a U.K. treasure.

Follow: https://twitter.com/rkzuk

Gorilla Punch Radio:

A tremendous and unique band; a stunning outfit- their music is of the highest order.  With new music forthcoming, this is very much their time- mixing Foo Fighters and Coldplay they are a stunning troupe.

Why are they great?

In spite of having influcnes, the band are very much their own thing: the songs burnish with energy and uplift; the codas are addictive and intoxicating- this is music that warms the heart; and uplifts the soul.

Follow: http://www.gorillapunchradio.com/

Jingo:

A band that keeps getting better: Jingo are celebrating new success.  With new material on the market, the band is gathering huge plaudits: with each song they seem stronger and more assured.  A new album is in the pipeline; the group are preparing themselves- Jingo are one of the finest bands in this country.  With limitless potential- tremendous vocals and performances; varied and brilliant songs- they are a sensational proposition.

Why are they great?

In addition to their talent, each song reveals something new- they cover issues other bands do not.  Stunningly original, the band have a flair for environment and atmosphere- their particular blend is a fascinating thing.

Follow: https://soundcloud.com/jingomusic

Alison Levi:

Another artist (who has had a busy year), Levi is hardworking and tenacious: the next year will see her (come more into the fore).  With a stunning voice- and a cheeky personality- Levi is a sensational artist.  Mainly covers-based, I can see great things ahead: she has endless determination; boundless ambitious- a desire to seduce (and plenty at her disposal to achieve this).

Why are they great?

She is sassy and funny; beautiful and bright: a personality the music world needs.  I am sure 2016 will be a busy year for her, with plenty of options: maybe an album or E.P.; a lot more tour dates- something else?  Whatever happens, keep your thought primed her way.

Follow: http://www.alisonlevi.com/

Little Dove:

This U.S.-based act has elements of Queens of the Stone Age; plenty of awe and wonder: a duo with power and potential.  With Vanja James up front- her vocal-and-guitar assault is phenomenal- and you have a stunning act.  With intriguing songs- and lyrics that demand closer investigation- you have to hear these guys.  There are plans afoot (for new music): follow them and keep abreast.

Why are they great?

We do not herald a lot (of new U.S. acts) over here: this Californian act are in-demand here.  Propulsive and crowd-uniting; catchy and hypnotic- they are one of my favourite acts.

Follow: http://www.littledoveband.com/

Jonnythefirth:

Currently conjugating his second album- and looking to crowd-funding to get it happening- this Yorkshire legend is keeping busy: in addition he is working/recording with Crybabycry and Knuckle.  The tireless frontman is a U.K.-based Jack White: he can bring his talents to other bands (yet is strongest when going solo).  His previous L.P. was packed with Blues-Rock gems; headaches and heartache- absolute staggering moments.  With greater confidence (and gaining fresh inspiration) his second album could be a world-beater

Why is he great?

One of the best songwriters in the U.K., Jonny is an incredible guitarist (and singer).  Yorkshire is packed with musical genius: he ranks among the very finest.  An incredibly unique talent; a cheeky everyman- an ego-free master (of any music he touches)

Follow: https://www.facebook.com/jonnythefirth?fref=ts

Hannah Dorman:

Dorman mixes Pop/Country strands around electrifying Blues: her mixture of force and passion (together with something more settled) is a wonderful concoction.  Her songwriting is sharp and studied; her stories well-observed and inspirational- the effect, spellbinding.

Why is she great?

My final act: and one of the very best.  In the studio (at the moment), Dorman is preparing her future: she is a blissful star; someone with immense ability- one of the finest young singer-songwriters around.

Follow: http://www.hannahdorman.com/

It is still early days: just getting things onto paper is a big thing- crystalising ambitions is essential.  Things that are necessary for me (and others in a similar people) get away from a place/people that are not worth the trouble (no offence to the minority of people where I live who are genuinely nice); find a job/role that is purposeful/important; if you have goals/ambitions in life- go for them.  Essentially, taking action is vital: leaving things to other people will usually go wrong.  I have loved the support of (my musician) contacts: in turn, I have loved all their music; their ambition has definitely fuelled me.  When it all comes together, I hope they still have high hopes- I have seen a couple of great band split this year.  I shall leave you be- this has been quite a LONG one- with a final thought.  Music can help to change things- or at the least make them better- and put things into focus.  That desire to help others/general betterment should never fade: the world always needs good people.  No matter what people say (the imbeciles who plague the planet) and how you feel: never give up on that.  I have had enough of every aspect of annoyance- the constantly ill people I spend (my workday) with; my un-peaceful home-life; the selfish/hostile people where I live; those that don’t give a crap (too many out there)- there is better out there.  To the musicians and (anyone else) fed up with things: just go for it; to hell with what others think/say.  When it all comes down to it…

BABY steps  can leave huge impressions.

Track Review: Triaxis- Victorious

TRACK REVIEW:

Triaxis

 

Victorious

9.5/10.0

Victorious is available at:

https://soundcloud.com/rocksector/triaxis-victorius

RELEASED: 25th March, 2015

GENRES: Metal

COUNTRY OF ORIGIN:

Wales

The album Zero Hour is available from:

http://www.triaxis.info/discography-zerohour.html

Release date: 18th May 2015

Label: Rocksector Records

Drums recorded at Grindhouse Studios, engineering and produced by Scott Atkins. Guitars, Bass and Vocals engineered and produced by Glyn Wiliams. Produced by Glyn Williams, Scott Atkins, James Stephenson and Triaxis.

Mixed and Mastered by James Stephenson at Stymphalian Productions .

All tracks written by Triaxis. Except 'Death Machine' and 'End of Time' written by Triaxis and Owen Crawford.

Published by Scarlet Songs.

Cover Art and photography by Colin Marks: Rain Song Design.

Band Photography by Luke Padfield.

Artworking by Gavin Kirby and CJ Wilson.

Ossein ‘Oz’ created by Tom at Razorstorm.

AFTER assessing a Birmingham-based Alternative/Grunge act, thinks are getting heavier…

and more… Welsh.  In addition to (this being my first Welsh act) it is my first Metal review: surprising it has taken me this long (over three years essentially).  The genre is one that can be quite divisive: people either (passionately) love it or (violently) hate it.  Strangely, I am sort of in-between: I am a huge fan of Judas Priest and Metallica; a little virginal when it comes to other acts- I need to investigate the genre more closely.  A lot of Metal acts- particularly ‘90s-originated ones- were fairly hit-and-miss: a lot of knuckle-dragging noise was being produced.  Metal is at its finest (when the act making the music) is intelligent and nuanced- not just people who turn up; make a hell of a noise- with no regard for quality and inspiration.  Unless you listen to Daniel P. Carter (Radio One D.J.) or his ilk, Metal is not often heard (in the mainstream): it is a genre that is primarily exists in the underground.  The public still has a very narrow/cliché perception: many associate (the genre) with screaming and thrashing- and not a lot else.  It is a shame (this is the assumption) as Metal musicians are among the smartest out there: capable of producing some truly incredible music.  Sure, there is a lot of noise; a tonne or force and riffage (sic.)- a firestorm of fury and passion.  These are qualities associated with (a lot of genres) yet Metal gods (and goddesses) turn it up to 11: take that passion and crank up the volume.  Triaxis hail from Wales: a country synonymous (with great) Metal bands.  Bullet for My Valentine, Funeral for a Friend and Skindred (are among the country’s best).  Expunging the likes of Lostprophets (and their depraved lead singer) and you have quite a roster-Triaxis can rank among (Wales’) very finest.  Having been recommended by a friend (Haris); I am glad I have discovered them- the band are among the most impressive new acts coming through.  Before I go into more detail, let me (via their own words) introduce them:

Vocals - Krissie.  Drums - Giles. Rhythm guitar - CJ.  Lead Guitar - Glyn.  Bass Guitar - Becky.

“Triaxis are a heavy metal band from South Wales. Formed in 2006, Triaxis self-released their debut full-length album 'Key To The Kingdom' in 2009 to critical acclaim, including plaudits from Metal Hammer, Terrorizer, Zero Tolerance as well as coverage and praise from many leading music websites. They have also made numerous radio appearances, including airplay on Bruce Dickinson's BBC Rock Show. After headline grabbing sets at Hammerfest (2011 & 2013) and Bloodstock Open Air (2009 & 2012), the band signed to Rocksector Records in 2012 to release their second album, 'Rage and Retribution' (recorded at Foel Studios and engineered by James Stephenson of Stymphalian Productions) once again to critical acclaim. Triaxis have continued to perform extensively across the UK and Europe. Their first promotional video, for the single 'Black Trinity' (Dir: Adam Stevenson, ASAV), was released in 2013 and has since been nominated for a Pure Rawk Award, alongside a growing number of award nominations for the band members themselves. 2015 sees Triaxis release their third studio album 'Zero Hour' (produced by Glyn Williams, James Stephenson of Stympahlian Productions and Scott Atkins of Grindhouse Studios), funded through a PledgeMusic campaign, which achieved 100% of its target in nine hours via unprecedented support from Triaxis fans. With the first single 'Victorious' available for free download, Triaxis continue to expand their fan base and cement their place in the metal genre.”

Unlike a lot of Metal acts- especially ‘mainstream’ examples- Traixis have a boy-girl line-up: most Metal acts tend to be all-male.  This ‘diversity’ has made a big difference; added to their music- the bond between the musicians is clearly evident.  Arriving with their third album (Zero Hour) the band have no plans of slowing: through a (hugely successful) Pledgemusic campaign they were able to fund the L.P.- the support from their fans has been overwhelming.  The five-piece have big ambitions; plans for the future- a prestigious spot at Bloodlines awaits them.  It is not hard to see (why the band is so favoured) as their music draws in their influences- including Iron Maiden and Judas Priest- and adds their distinct personalities: Traixis sound very much like themselves (when it is all said and done).  I hope the band manage to conquer the U.K.: their latest album is taking large steps towards this goal.  Playing all across the country, they are recruiting acolytes (at a rate of knots): it cannot be long before the U.S. comes a-calling- their music has the potential to transcend barriers and nations.

Zero Hour (is the Welsh band’s) third album- and fourth release in total.  Having gone through a line-up change (Becky joined the band in 2014; the band’s newest sister), the group sound more gilded and galvanised- they have never sounded more assured.  Keys to the Kingdom- championed by the fine minds of Metal Hammer Magazine- was a masterful debut (they released an E.P. before; this was their debut album).  Confident and instant; ranged and stunning: here is an album with nary a weary song.  Bolstered (and ably led) by Krissie’s Heart-of-gold-cum-Judas’ vocals- that displays huge confident, intelligence, soul and fight- and you have an exceptional lead-in.  The band are together and in-step- right from the very first- track; the pace never relents (over 11 numbers); the themes explore mythology and strange characters- lords, geishas and phoenixes are all covered.  Still (relatively obscure)- the band still do not command the attention they deserve- Rage and Retribution was an exceptional sophomore effort- an album that expanded upon their early promise.  Following some passion-led write-ups- from Metal magazines and blogs- the band took that confidence; crafted an exceptional follow-up.  Gathering masses of critical acclaim- publications were filled with effusive dedication and love- the album stands (as an exceptional creation).  Inspired by the likes of Judas Priest and Metallica, there was no second-rate work here: the album stands among the finest (either of the aforementioned bands) created.  Rage’ was delivered in 2012: since then, there has been an eager wait- critics and fans have been salivating and speculating.  With a new member- and new influence abound- the band delivers their finest album yet: hard to believe given the quality on their last record.  Defined by exceptional songwriting- the lyrics and compositions are among the most detailed and inspiring to date- and tight performances, the band are on fire: Zero Hour is their masterpiece.  Packed with crowd-pleasing epics; instantly memorable songs (Stand Your Ground ranks among their finest songs so far) and you have a phenomenal record.  Among the jewels of Zero Hour lies Victorious: a song that (more than) lives up to its name.

The sound of “bloodshot eyes” opens the track: propelled by a frantic riff, the song spares no time (in drilling into the listener’s mind).  Frantic and frenetic, the band explodes to life: there is no time for a soft build-up; the song is an instant ball-kick.  With the heroine prepared to march “through the gates of Hell” there are declarations afoot: never has Krissie sounded so confident and strong-willed.  Riding the riptide- her band whip up a firestorm of sound and dark magic- and you are gripped.  Not just dedicated to the mosh pits and sweat-filled arenas, the song has enough melody (and restraint) to appeal to all listeners- including newcomers to the (Metal) genre.  If images of a “single victor” tearing (a poor unfortunate/situation) “limb from limb” (put you in mind of Game of Thrones), then you’d be right: the track is an epic warlord; a calling card to the masses- a rally-cry to the armies (and legions of Traixis fans).  Epic and statuesque; commanding and sword-wielding, our heroine stands proud: delivering her messages with heart and determination.  The band do not overcrowd ad flood the vocals- unlike a lot of Metal acts- which allows the lyrics to shine and pervade.  Pummeling percussion blends with guiding bass; stuttering (and fist-aloft) guitars build up the tension- the band project a myriad of images within the first stages of the song.  Never screamed or demented, the track mixes melody with potency: it is a track that wants to unite people- in an army of chorusing and chanting.  Hollow victories and final breaths are unfurled; electrifying guitars do reign- the song gets faster (and more furious) with each second.  As the band unify in voice- ensuring the messages and codas hit the mark- you are powerless to resist- it is a track that lodges into your brain; it never loses its power.  Before the 1:20 mark, the bass line comes to the fore: empowering and forceful, it is an extremely impressive performance.  Leading in the vocal, the song refrains slightly- our heroine leads the gods of war; her testament will be witnessed.  Allowing the spotlight (to focus on the words) the band step back slightly: it is a pause that is brief and essential.  Teasing the listener; allowing the imagination to conspire- the band are soon back in the fray.  Whether you imagine armies of dragons (ridden by axe-wielding warriors) or a modern equivalency, it is impossible (not to) imagine: the song is so vivid and imaginative; filled with action-packed scenes and powerful statements.  Most bands- that play outside of Metal- focus on love and relationships (*yawn*)- Traixis’ voyage into mystical realms (and armies coming together) is hugely admirable.  With riffs (and primal urges) that put me in mind (of Judas Priest’s finest work) and you have a terrific song: a crowd pleaser-in-waiting king.  By the half-way mark (of Victorious) you are fully invested: the chorus comes back in; you find yourself singing along- it is inevitable there will be some air guitar (bit of air drumming too, no less).  Whilst our heroine examines “the traitor in me” she is backed by (gurgling, male-led) backing vocals- it adds some roar and fist-aloft growl into the mix.  Where evil “sows the seeds of deceit”, the band seem like the Forces of Good: the cavalcade determined to rule the day; expel the spirits of hatred.  Packing atomic bomb-sized power, the track hits the heavens: the clans are balkanised; the scene is set- the fight is truly on (who would bet against Traixis?).  At the 3:00 mark, there (is unleashed) a squalling guitar coda: a viper stings with alacrity; fire and spark crackle (the audible sensation of swords slashing).  Guitars multiply and duel; the percussion tees and slams; the bass slithers and stings (among the enraptured arpeggio) - a delicious solo (that is a perfect punctuation point).  The final moments are dedicated to rapture and musicianship: the band come together supremely; linking their instruments in a testament of warfare- it seems the bodies are slain; the fires are burning (and the victor has been crowned).  Not forgetting some (much-needed) chant- in the final seconds- the band take the song to land- the head-nodding swagger never relents; the listener is gripped until the final second.

Kudos must be given to every band member: Victorious is a song that perfectly introduces Zero Hour.  With fantastic production values- that allows the vocal to shine; it perfectly mixes the instruments together without sounding over-produced- it is a superb-sounding song.  The lyrics are direct and picturesque: filled with imagination and imagery, it is impossible not to be drawn in.  Fight scenes and evil; spirits and dark overtones- the track has everything you can possibly want.  A crowd-pleading anthem it is designed to be quoted and chanted: few bands create something as immediate and memorable.  It is the band (and their performances) that bring Victorious to life: each member is at the very top of their game.  Krissie’s vocals are consistently inspiring and engaging: passionate and melodic; direct and warrior-like, it is a stunning performance.  For a song- and band- to inspire, you need a phenomenal singer: in Krissie, Trixis have this (in spades).  Bringing the lyrics to life (and displaying plenty of range and soul) the lead turns in a wonderful display.  Glyn’s (lead) guitar is an attacking beast: a spellbinding thing; a huge force of nature.  Going from grunting and wolf-like; mutating to a cosmic, fire-breathing thing- you cannot resist its charm.  An exceptional player, Glynn gives Victorious plenty of power and potency.  With C.J. (on rhythm guitar) you have a perfect 1-2: a guitar-wielding duo who perfectly understands one another.  The two blend effortlessly; they weave in and out (of one another) - they give the song an enormous weight of conviction and fire.  Becky’s bass sits perfectly in the mix: featuring on her first Triaxis album, there are no signs of nerves or shyness.  Sounding like- she has been a member since day one- you have a terrific performer: at times, her bass almost steals the show.  Both leading and authoritative, rebellious and domineering, she is one to watch.  Giles clearly has a passion for Metal: his percussion work ranks with some of his idols (Lars Ulrich would be proud of his work).  Almost octopus-like in its breadth; Giles unleashes enormous power and pummel- leading the band and keeping everything in-check.

Zero Hour is the band’s finest work (to date): it updates their existing sound and adds extra layers of awesomeness- they have never sounded more urgent and inspired.  With exceptional songwriting- and consistently impressive performances- few peers have their confidents and bombast.  Tracks like Death Machine and Queen of the Iceni (are as vivid as their title suggests); Liberty is the perfect opener- the title track is one of the finest (of the dozen songs on the album).  Krissie’s ‘varied background’- having sung in Soul and Swing bands- adds to the music: her vocals can go from soulful and seductive to eruptive and blood-lusting.  A natural leader, the songs would have sounded weaker (with a male lead).  Glynn and Giles (Triaxis’ male duo) add huge weight to proceedings: their guitar-and-drum courtship defines (the album’s pummel and lust) - few other musicians have their talent and urgency.  With Becky’s (prodigious) bass work- which guides and directs each number- and C.J.’s (rhythm guitar) skills- that perfectly pair (with Glyn’s axe) and you have an extraordinary band- each member knows their role; each does it perfectly.  Their new L.P. is gaining fervent praise- I hope my review does them justice- and gigs are pouring forth: the group is here to stay.  The band take good care of their fans; their official website is detailed and eye-catching: few other acts take as much trouble (to ensure their online portfolio is as impressive).  Growing in stature- with each new release and album- the quintet is bigger and bolder (than a few years ago) - keep your eyes open for them.  Traixis give Metal a great name- not that the genre should ever be doubted- with their professionalism and passion.  For those (who think Metal) is a niche genre- and is merely noise and thrash- then think again: there is plenty to love (with Traixis).  The bastard love-child of Iron Maiden and Judas Priest (having had an affair with Firewind on the side) the boy-slash-girl-slash-awesomeness should not be underestimated.  In a music scene- that is synonymised by a lot of bland and uninspired acts- needs an overhaul: Triaxis deserve wider acclaim and patronage.  Throughout the spring (and summer), the band embarks on more tour dates: taking their new album across the nation.  With their exceptional musicians- who have a clear respect and understanding of one another- and top-notch tunes (that stand up to repeated listens) and you have a bona fide stars.  One of the great things about reviewing- and there are quite a few- is discovering new acts: artists you’d never usually come across.  Zero Hour is an album that shows clear passion- the fact it was funded (by their fans) so quickly shows what faith people have- and dedication: the songwriter is consistently brilliant; the range and diversity is wonderful- there is not a weak link on the disc.  Metal is that black sheep (that always divides opinion): you are either going to be impassioned (to its wonder) or balked by its front (and sheer force of nature swagger).  Being a fan of Painkiller-era Judas’; a follower of Metallica (their self-titled album contains more riffage and tuneage (both, sic.) than any other album.  Triaxis have qualities of both: the instantaneousness and anthems; heritage and authority- few of their Metal contemporaries are as stunning (as them).  If you are a Metal virgin (it is a genre that will take your virginity roughly and with little foreplay) then do not fear: Traixis are a band of the people; they want to draw you in- and keep your attention focused.  Intelligent and nuanced; variegated and epic- the five-piece are stadium-ready stunners (I could see them being a Glastonbury/Isle of Wight fixture years from now).  Victorious is a track (that lives up to its name); make sure you submit to it…

AND discover a band at the peak of their powers.

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________________________________________________________________________________

Follow Triaxis:

Official:

 http://www.triaxis.info/

Facebook:

https://www.facebook.com/Triaxis

Twitter:

https://twitter.com/triaxis

 ______________________________________________________________________________

Music:

http://www.triaxis.info/discography.html

 _____________________________________________________________________________

Video:

http://www.triaxis.info/video-home.html

 

__________________________________________________________________________

Gigs:

http://www.triaxis.info/gigs.html

___________________________________________________________________________

Merchandise:

http://triaxis.bigcartel.com/product/rage-and-retribution

 

Track Review: MUTT- Etching

TRACK REVIEW:

MUTT

 

Etching

9.0/10.0

Etching is available at:

https://soundcloud.com/mutttheband/etching

The band’s E.P. (MUTT) is available at:

http://thebandmutt.bandcamp.com/

TRACK LISTING:

Saplings

Etching

Hammerheart

Silver

RELEASED: 9th^th May, 2015

GENRES: Alternative, Rock, Grunge, Dream-Pop

ORIGIN:

Birmingham, U.K.

Lottie Spencer - Vocals, Guitar (Track 3) Ollie Bennett - Guitar Tom Murray - Drums Liam Nevitt/Bob - Bass (Tracks 1 & 2) Sam Bicknell - Bass (Tracks 3 & 4)

All tracks written by Lottie Spencer and MUTT

All tracks recorded, mixed and mastered by Dave McCabe at Muthers Studio

Cover Artwork by Chris Beckett

Photography by David Buckingham

IT is nice to step away from something ‘predictable’ and…

discover music with a bit of edge- that is unusual and foreign.  The issue of change is large in my thoughts: at the moment, I am going through a lot of it (change); making new plans for life- aiming to be/do something different.  In addition to a job ending (in 6 weeks), I want to relocate (London to begin; further north as the years progress); start doing what I want to do in life- working in music and charity; not sitting at a desk all day.  Change can occur through circumstance; sometimes through luck and misfortune- a lot of time, it happens because of necessity.  It is okay to live a particular way of life: if it makes you miserable, then you need to get out.  From home-life to work: I hate every minute of every day.  That is not a life at all: it is the rock-bottom moment- a serious wake-up call to make change.  (I am doing this) as we speak; but whilst I ‘figure it all out’, music is providing a great distraction/compromise- and allowing me some escapism and inspiration.  Over the past few months, I have assessed some great music: a lot of it can be grouped into the same genres- there seems to be little shock-and-awe.  Whilst my soul belongs to ‘softer’ and tenderer music- Grace and Graceland (with their brotherly love and namesake identities are two of my all-time favourite albums) - my heart (and loins) will always lust for the primal- something that always does something wonderful.  I hope MUTT will not mind (me going off on a tangential direction) but it has struck my mind: what is it about music that makes it so special?  If I had to choose my ‘greatest ever’ albums, I would put The Bends, Grace, Graceland; Superunknown, Rubber Soul and Elephant among them.  In that list- and across my favourite songs- there is diversity and a split: half spirited and soulful; half raw and passionate.  At the moment, I am getting back to Beastie Boys: rediscovering Paul’s Boutique and all its wonders.  Sampling and experimental music is rare these days- perhaps because of the huge license costs of sampling others- and new musicians are on a tight budget.  If your money is low; if you are starting out: what does a new act do (to gain attention)?  MUTT are an act that fulfil all of my points: they experiment with genres and sounds; have a terrific lo-fi sound- whilst mingling impassioned swagger with more introverted moments.  Too many acts (I have reviewed lately) have sounded a little samey: portraying the same sound and themes; not really breaking away from that mould- it is good to hear something a little different.  Lottie Spencer, Ollie Bennett, Liam Nevitt and Tom Murray form the hound’s legs (of the dog’s bollocks).  The canine attack was formatted in 2013: since then, the group have been putting together (their self-titled) E.P. - building a reputation around their native Birmingham.  It is rare to hear bands come out of Birmingham- I have probably reviewed as many in Birmingham, Alabama as I have in the Midlands.  The Midlands have a great music scene, yet the big cities still grab the headlines: London is coming through and stealing a lot of current focus.  Away from the bright lights and capital gains, eyes should be trained further afield- discover musicians doing something great.  MUTT are in their infancy, and are still testing the water: seeing what the future holds; how fans/the press are going to take to them.

When it comes to comparing the band (to other acts) you would be slightly difficult.  A lot of new acts (on the scene) tend to stick to familiar sounds- replicate other bands and lack originality.  MUTT have a great Punk/Alternative sound- you could see them fitting into the scene of 1970s New York (playing CBGB and The Ding Dong Longue (on the Upper West Side).  Saying that, MUTT have some ‘modern vibes’- and sounds of current acts- like Royal Blood and Green Day.  Their raw and sparse production puts me in mind of Pixies and early-day Nirvana- around the time of Bleach.  With Spencer up top, I am put in mind of icons like Patti Smith, Joan Jett and Alison Mosshart- with shades of Debbie Harry in there.  It would be remiss to (say the band is the sum of) their parts, yet you can hear some others: great bands and acts (of past and present) come through in their music.  Defined by tight-knit and enlivened performances, the quartet invoke the spirits of (Punk and Grunge greats); unifying U.S. and U.K. sounds- flavours of London, Birmingham and Manchester into the bargain.  If you are new the band- and most people will be to be fair- you may be a little cautious: am I really going to like them?  What I would say is, that if you are a fan of most genres- and not picky and particular- then investigate MUTT- they do not push away anyone; they make music for the masses.  With a sound made for festivals (and small, sweaty bars) the band have a ubiquitous and mobile sound- I could well see them supporting all manner of other acts.  What impresses me most is the production values: it is lo-fi and raw; live-sounding and primal- whilst having professional and assured qualities.  Sharp and rushing; instant and memorable: the band are not disposable and expendable (instead primed for some long-term regard).  Whether you are a fan of Alternative music- including ‘genre sisters’ Grunge, Hard-Rock and Dream-Pop- or something more Pop-based, you will appreciate MUTT: a group that aim to galvanise and inspire fans; rather than balkanise and divide.

Following on from Sapling’s- the E.P.’s lead-off track- comes Etching: the E.P.’s most direct and memorable offering.  The band is keen to emphasise economy and concision (every track on their E.P. is a one-worded offering).  Starting with a bold and chest-beating introduction, Ethcing gets off to the races: it is a hot and heavy combination; a swaggering mixture of U.S. Punk and Alternative sounds.  Our heroine approaches the mic. with an alluring and pin-pricking vocal: an intoxicating sound that emphasises every word.  With fingers tangled- and souls being plucked- our heroine sounds aghast and angered: there is a sense of urgency and passion to hear delivery.  “My future follows the etching on your back…” sings Spencer: enraptured in her own words, you can hear that urgency and sweat.  The boys in the band make sure (they aid their comrade ably) with a full force of noise: the performances in the early stages perfectly blend Grunge grit with melodic overtones.  Images of future tense (and soul-burning possibility) are enflamed by fuzzed-out guitars; dead-eyed bass drive- rampantly flailing percussion.  In the midst of some loose and swinging moments is plenty of focus- every note is tight and assured.  Mixing the vocal stewardship of Parallel Lines-era Blondie (Spencer has hints of Debbie Harry at her peak); MUTT change through the gears: their passion and performances are unwavering; they never lose pace and power- there is a huge emphasis on the overall sound and sensation.  With some Black Sabbath riffs; Nirvana-esque stab- bonded to Dookie/Minority Green Day- you can hear some familiar sounds- the band update these influences with their own stamp and personality.  The chorus is (perhaps the song’s) most defining stamp: a simple and memorable coda that is built for chants and chorusing- the festival crowds and mosh pit-stalking fans.  Never losing its grip and prowess- the song is a shade under 5 minutes- the band keep Etching mobile and shape-shifting: incorporating different riffs and diversions; the track never seems wayward or overlong.  Each member steps up to the plate: before the 3-minute stage, a fuzzed-out riff starts things; it mutates with bass and percussion- developing into something dangerous and savage.  Our heroine seems malevolent and witch-like: slurring and teasing, the vocals crawl and swagger like a beast (feasting for blood).  Just as you feel like the song is coming to land, the band let loose: the volume rises; the vocal intensifies- the composition hits its peak.  As Etching comes to a close, you get a sense of exhaustion: having wrung the emotions; played with such force and passion- the listener needs a chance to relax/reflect.

A sharp and potent track (from a terrific E.P.) it is great to arrive upon MUTT: a band with a great sense of confidence and authority.  Etching is a song, very much in the mould of Royal Blood: designed to rule the festival scenes; put the authenticity back into music.  With their incredible bond- and expert performances- the song benefits hugely.  The bare and raw production values allow the band to come across as live-sounding- as though you were in the studio with them- which adds to the track.  Too much polish would dent its potential; strip away its true sound- and disvalue the lyrics.  One of the things- the band may want to think about in the future- is decipherability and intelligibility (some of the words and notes get lost in the mix; some of the lyrics are a little hard to fathom).  Spencer is a terrific singer- and one of the best new voices I have heard- who has a unique sense of projection and delivery.  Making sure her words slither and spiral; tease and tense- it is great to hear such a refreshing and urgent voice.  Backing Bennett (on guitar) the duo manages to whip up a storm of strings: fusing genres and emotions, the duo is compelling throughout.  Nevitt’s bass- Sam Bicknell plays bass on Hammerheart and Silver- is direct and driving throughout: guiding the song forward, it is a compelling force.  With Murray providing pummel and (percussive anger) and you have a solid backbone: a drummer who is by no means in the background.  Some minor detractions aside, Etching is a solid track (from a terrific band) and should see them go far- I can see them coming out with future E.P.s (and albums too).

MUTT’s (self-titled debut) is an impressive start: the group has a great deal of potential and class.  Backed by assured (and original) songwriting, the band has a close and gilded bond- every song is defined by a tight and urgent performance.  Most bands- when it comes to their infant days- seem a little nervy and shaky: this is not the case with MUTT.  From the streets of Birmingham, the four-piece have eyes for bigger things: when their name is fully recognized, they have the potential to travel far and wide- across the U.K. and U.S.  With music that is both familiar and different, the group is making a great start- and showcases their full abilities and qualities.  Their E.P. - and its four tracks- covers a lot of ground: various emotions and subjects are touched-upon.  There is not a weak track there; no real need for improvement: what I would say is for the band to look at clarity- a few of the lines and verses seem a little muted/indecipherable (either overcome by the composition are too low in the mix).  It is a minor ‘quibble’ among a sea of plaudits: the group should be very proud.  It would be good to see them expand upon this E.P.: think about taking a mini-tour; working on a new music video- getting their name and image out there.  The group’s E.P. is a four-track collection perfectly arranged/programmed: each track is fairly long; they manage to drop every ounce of possibility from every song.  Saplings is a perfect opener: a vibrant and rollicking track that is kick-ass and vivacious- a brain-rattling testament of MUTT’s ideals.  Hammerheart’s foreboding basslines; its savage attack-and-feast mentality is insatiable- propelled by a vocal that is both shivering and romantic (strangely enough).  Silver sees the band teasing and tempting: a perfect closer (and one of the E.P.’s most compelling tracks).  Never overcrowded or formulaic, the group shifts their sound: tracks modulate emotions and sensations; there is never a dull moment- MUTT is a bitttccchinnn’ (sic.) proposition.  I shall conclude- as I have been rambling on a bit- by looking to their future: just what the rest of the year has in store.  I would suggest the band augment their social media output.  Although it is early days, an official website would be great: it not only gives fans a clearer glimpse into the group- it puts all their information and links into a handy source.  The group has caught the ear of reviewers and the press: it would be awesome to see more interviews and personal information- who influences the group; where they hope to go.  The music speaks volumes, yet it would be good to know (the people behind the music) - get their names out there.  What is most important (I guess) for now, is the music: whether their fledgling offering is worth seeking-out.  The short answer is: hell-yeah!  Whilst not as instantaneous and monolithic (as the likes of Royal Blood and The Ramones for instance) the band are a step above (most of their) peers- more direct and hot-bloodied than most acts out there.  Forged by their close bond- and clear intuition- the four-piece have a definite future: where they go from here is their own choice.  Their self-titled record is a confident slice of music: an E.P. that deserves wider acclaim; gain a big following.  In a time of change- for myself and other musicians- it is great to hear a band with some guts: doing things their own way.  That is something...

EVERYONE should be inspired by.

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________________________________________________________________________________

Follow MUTT:

 

Facebook:

https://www.facebook.com/mutttheband

Twitter:

https://twitter.com/MUTTtheband

 __________________________________________________________________________

Music:

https://soundcloud.com/mutttheband

Track Review: This Modern Hope- Home

TRACK REVIEW:

This Modern Hope

 

Home

9.4/10.0

Home is available at:

https://soundcloud.com/thismodernhope/home

RELEASED: April, 2015

GENRES: Indie, Alternative

COUNTRY OF ORIGIN:

U.K.

BREAKING away- when it comes to releasing solo material …

can be tricky- especially when used to the comforts of a band.  When I first started speaking with Rob Payne- one of This Modern Hope’s heroes- he was part of a stunning band: the mighty (The) Bedroom Hour.  That group- fuelled by their Elbow-Meets-The-London-Streets poetry- struck the public consciousness: their music contained anthemic uplift; stunning performances- tender emotions into the mix.  Describing them in the past tense is quite tough: they were among my favourite acts (of the last few years).  With consistently tight-knit performances- leveed to songwriting that surpassed their peers- it seemed they had an enormous future- king of the festival circuit, no less.  Unfortunately- and it is the way of music- the band called it quits: decided to part company and go off (on their own).  Whether creative differences- or the pressures of financing their own music- The Bedroom Hour are no more.  Mr. Payne now steps away from the band: This Modern Hope is his latest incarnation.  With a moniker that is appropriately apt- the music already produced is capable of uniting festival crowds (and exciting critics far and wide).  A stunning group- with a clear direction and confidence- that is sure to go a long way: there is a definitely a gap for them in (this rather busy) market.  I shall circle back to the band, but for now, there is a point to raise: the life of the new band.  I have seen (too many) acts capitulate and collapse: the strains of gaining a foothold should not be underestimated.  Some terrific acts- from The Bedroom Hour to Crystal Seagulls- have departed.  It is hard to pinpoint a reason- as to why this is happening- and look at a solution.  I guess there will always be creative differences- for bands that are together for a while.  Personalities (and differing opinions) get in the way; the members have different ideals- invariably this can lead to break-up.  Finance is another issue: the cost of funding a music career can be astronomical.  It is always heartbreaking- when looking at great bands call it quits- and something that is happening quite a lot- the best bands survive (sometimes it seems) by sheer luck.  It sounds rather cynical, yet music is a lottery: sometimes the best do not survive; some need a lot of luck.  When it comes to music- and the band market in particular- the current crop is (largely) male-led: the sounds being put out can be quite similar.  If you look at the mainstream- and the bands currently working away- and you will find similarities: few established acts really stand out clearly.  There is a hell of a lot of Indie acts; some interesting Rock acts- artists with Electro.-Pop avenues.  The music’s best and brightest (bands) are well-established and veterans- having been on the scene for quite a few years- and there are few (truly unique) new (mainstream) artists.  To my mind- and not that I am an expert- the solo artists (of the mainstream) are impressing the most- and providing the most fascinating new releases.  The artists of the underground are always more tanitlising: there seems to be greater invention and diversity; better mobility and passion.  This Modern Hope have a certain something about them: they employ shades of (established acts) whilst retaining a clear personality- their music is very much inspired by their own lives/experiences.  Having crafted a number of tracks- the band are in their infancy still- there is a lot of promise: a new album is in the works; it is only a matter of time before good things shape up.  Payne is no stranger to great reviews: as part of The Bedroom Hour, critics salivated (when it came to their songs and records).  A stunning and original guitarist, his talents resonated with me: he brings his charm, intelligence and talents to This Modern Hope- a three-worded band to rival the best of them.

Tear Me Down- one of This Modern Hope’s new works- is orchestral and sweeping: the introduction has grandeur and passion; plenty of chilling emotion.  Lush and proud, bracing and embracing, there are shades of Elbow-meets-Oasis.  With his voice showcasing parts (of Noel Gallagher’s) northern burr, Payne has hints of (the Oasis front-man’s) voice- whilst injecting plenty of his own passion and personality.  Building from a stunning- and richly symphonic- introduction, the track never lets go: tender vocals meet with southern pride- there is a love story on the rocks.  Our hero (looks back at) mistakes and errors: he is letting his heart pour out.  Yearning for his love- a sweetheart he is pining for- it seems (that she) completes him.  It is a short and sweet song (that lingers long in the imagination).  By contrast- and a track that is only five days old- FlashBack is more intimate and soft.  Washes of Folk beauty overcome (the listener); legends like Nick Drake and Neil Young (can be detected at times) - it is a song that looks at hazy memories; a romance that is blossoming.  With spring vibes- the warmth and tenderness of the finger-picking- and winter chill- the affecting and romantic lyrics- there is plenty to admire.  The song’s lyrics look at remembrance and recollection: our hero never wants (to let go of his girl); their romance is just beginning- the sighed and haunting backing vocals add shivers to the lyrics.  Pastoral acoustic guitar- tied with direct and impassioned vocals- give the track a consistent momentum- it is a track that counterbalances the force and rush of Tear Me Down.  Having a trio of tracks in the bag- and these being the embryonic steps of This Modern Hope- it is hard to compare and examine- these are the raw and early steps; the first chance to witness the band.  In terms of quality, you cannot hint at any criticisms: the tracks are both different and stunning; each has their own idea and voice- both will demand the listener to repeat (until the full majesty and force comes to the fore).  Slow-burning- yet immediate and instant- the songs are fully-rounded and professional.  Payne knows his way around a great song- having been in the forefront of the Bedroom Hour mix- and it shows here: the singer/guitarist turns in a duo of terrific efforts.  Stepping away from his band work- whilst keeping some of The Bedroom Hour’s lovelorn-cum-hopeful strength in tact- Payne has crafted something quite special.  Home sits into the fold seamlessly: different from FlashBack and Tear Me Down- it is a track that is a natural playmate- and something distinctly wonderful.

When Home begins, so do the shivers: the introduction builds and swells (much like Tear Me Down).  Walls are closing in; our man is starting to feel a strain- he has to get away from (this place).  With his voice fully in command- both aching and controlled- the initial moments are affecting and urgent.  After that graceful introduction- which is a mini-opera in itself- there is no rush and over-insistence (Payne makes sure he lets the song breath and expand naturally).  Taking his “last-ever gasp”, our hero seems disaffected and in turmoil: looking to escape from here, he wants to start again.  It is his pride- in his own words- that carries him home.  When it comes to (these initial moments), Payne is in reflective mood: his words are those everyone can relate to.  What is terrific about the track- among other things it has to be said- is the composition.   Not your usual throw-something-vague-into-the-mix-and-hope-for-the-best, Payne takes care and consideration- the notes and beats are disseminated to eek the maximum emotional pay-off.  Not overly-earnest and forceful, there is a naturalness and intuition: a man who is used to crafting top-notch tracks; someone with experience in these matters.  There are no nerves or unsure utterances: everything on display is delivered with the utmost conviction and passion.  Those Noel Gallagher comparisons made start to come in: at times Payne sounds like Gallagher (circa. What’s The Story (Morning Glory)?).  That- mixed with a bit of Elbow’s early work- and you have something that is at once familiar (in a good way) and original.  Being influenced by the northern masters- Elbow and Oasis- and employing tales of his current (being based around the outskirts of London) there is a great coming-together- the sounds of the north with the stories of the south.  Too many bands- and solo acts, in fact- come across as boring and underwhelming.  Through a song- that is not your workaday explosion of guitars and histrionics- and you get a stunning piece.  Able to draw in their listener- by the power and pride of the words; the grip and potency of the composition- and you are hooked.  The story at work- our hero and his girl- with its romance and yearning; it is something we can all relate to- a familiar tale.  The way the words are employed- and the choice of words to begin with- is original and memorable.  You can build images and possibilities; picture the scenes as they unfold- become involved with every note and line.  Kudos must go to the composition itself: a soundscape that is never-ending in its potential.  A man (and band) that looks out for the affected- and represents their struggle- Home is a song for the every-man: a tale that is designed to unite (and inspire the listener).  Backed by exceptional production values- that allow the vocal to sit up top; whilst letting the composition chance to breathe and affect- the track is crystal-clear and unfettered- as natural and open as any I have heard.  Shimmering and anthemic, here is a song for the masses: something (maybe consciously) designed for the crowds- to my mind it would be the perfect album opener (if Payne is looking at track listing; which track fits where).  If you are looking for a new song (and a great new band), you should definitely begin here.

There are a lot of Indie/Alternative acts kicking about: a lot of my reviews tend to feature quite same-same bands.  The band market itself is synonymous with (these particular genres) and it can be hard distinguishing the very best (from the distinctly average).   For every Elbow you get a lot of arse- I can tell the difference between the two.  The former- and why that act are lauded and celebrated- comes down to three things: stunning and everyman lyrics (Guy Garvey is a master of the suburban lovelorn); tremendous consistency (the band craft stunning albums without losing their stride) and flexibility- Elbow started to write ‘happier’ songs when Garvey confessed he was “too happy” to write (woe-is-me tales of disconnectedness).  Bad/average bands do not abide by (these rules): they are placid and flaccid; immobile and generic- crafting the most beige and aimless of songs.  This Modern Hope are inspired by (in their own words) “bravado, passion and carelessness”.  It is these ingredients of grit, youthfulness and uplift that make the music what it is: sounds of the public; songs that resonate with everyone; truly memorable tales.  Knowing Payne- and his talents as a songwriter- it is clear (when a debut album drops) there will be plenty of range and colour- lots of diversions and side-streets; songbooks crammed with fascinating themes and dreams.  Home is just the start of things.  In spite of the tried-and-tested title (it is one of the most common song/album titles of all-time) there is nothing ordinary at work here: the track is at once personal and comforting; it is exhilarating and fresh- like nothing I have heard lately.  Excelsior to his music and dreams: let us hope the band take off; get the recognition truly deserved.  This Modern Hope plan on dropping an album: through crowd-funding and sourcing, there will be a chance (for the public to make it a reality).  If you do see that notification- I will be sure to share it around social media- make sure you donate- and get on the ground floor of an awesome endeavor.  Home is where the heart is; FlashBack and Tear Me Down are free to investigate- make sure you head on over (to the SoundCloud page for the band).  I will leave this review- relived, I am sure many of you are- with a brief note: concerning new acts.  The promotion/publicity circuit is brutal and exhausting: getting your name recongised/augmented can be a grueling reality- something that leads to heartache and anxiety.  Even the greatest acts struggle to get acclaim and attention- finding public ears disgracefully ill-informed.  Not to dampen This Modern Hope- and this point is meant to inspire them- but it is worth sticking with- great music deserves greater exposure and acclaim.  What with there being (a huge mass of music) on the market; it can be hard discovering the best out there- wading through oceans of sounds can be a head-spinning experience.  If you are looking for some great new acts- artists that are worth repeated patronage- then This Modern Hope should be included (in your regular rotation).  The talent and originality is all there; the ambition is clearly formed- the urgency and passion all in place.  Take some time out and jump into something new: an act with clear potential and aims for the future.  When an album does arrive- whether it is this year (or next) - it will be fascinating to behold: see what This Modern Hope is all about.  With a trio of songs on the market, the initial signs are deeply impressive- plenty to suggest long-term regard.  Sit back; listen to the tunes- let your imagination swim.  Mr. Payne (and his act) is going to be around for a while- the debut album is starting to take shape.  When it is released, I am confident bigger things will arrive: festival dates, great gigs; terrific music and good times.  When it all comes down to it…

THAT will be something to look forward to.

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________________________________________________________________________________

Follow This Modern Hope:

 

Offcial:

                http://www.thismodernhope.com/

Twitter:

https://twitter.com/thismodernhope

Facebook:

https://www.facebook.com/ThisModernHopeMusic/info?tab=page_info

YouTube:

https://www.youtube.com/channel/UCoezfwi011FeoW9kzzAqDaA

SoundCloud:

https://soundcloud.com/thismodernhope/home

Instagram:

https://instagram.com/thismodernhope/

Google+:

https://plus.google.com/u/0/+ThisModernHope/posts/p/pub

A Time for Change: Nobody Excluded

A Time for Change:

 

Nobody Excluded.

AS I get closer to another birthday (and an opportunity to feel bad…

about aging)- I have had time to reflect (and think ahead).  With The Single Voice (my charity idea) still pending- I am patiently waiting for Google to pen a reply; I will keep on them until they do- I have been looking around- seeing dislocation and heartache.  With an election coming up- I will be glad when it’s over so it isn't mentioned every few seconds- there is a time to affect change: elect a government that can make a difference.   In as much as that is the ‘aim’, I know the likely result: David Cameron will still be in No. 10 (when the results are announced).  I am glad (I live in a country) where I am not homeless: I have a lifestyle that is (whilst not comfortable) is certainly not desperate- I have a roof under my head.  It is great we have a national health service- a free health system for our citizens.  I wonder- with regards that last point- how long?

My main passion- when it comes to election promises/things this country needs- is our N.H.S.  If it were to be privatised, it would mean disaster: so many people would be excluded; many more would not be able to afford (to visit hospital; they would be selective about when they attend).  We have women’s rights- to a small extend- and something needs to be done: in 2015, we face (an almost Stone Age) system- where there a pay disparity; the rights of men supersede (that of women).  Mental health- and the stigma surrounding it- gets short shrift: no major party is pledging time/money into any real change (with regards this issue).  These are not just issues that matter to me: these are concerns we ALL share.  I am aware a government cannot address every concern: with a limit budget- and the country become overcrowded and overpopulated at a disturbing rate- we cannot all blame our current administration.  With the ‘average family’ growing- people selfishly shoving new life (into a small nation) with little concern for the future- you have to blame the public (to an extent).  It seems that something needs to be done: a new movement; something that can make (some small changes) - gain influence in years to come.

When Sandi Toksvig (help to found) Women’s Equality Party, I was relieved: someone (a group of women in fact) doing something great- forming a party that fights for a great cause.  In this day and age- where there is discrimination, racism and inequality at a socking rate- it is great to see (the issue of women’s inequality) addressed.  The party is in its infancy; it has the potential to affect some real change: the party wants to bring men into the fold; make it a non-exclusionary body- and get everyone working together.  Whether the party will ever gain seats in the Houses of Commons if to be seen- it seems very likely they can achieve this.  I have been thinking about something (along these lines) lately: trying to put something together; a body or movement that speaks to the minorities- addresses subjects/issues (the big parties overlook).  As I said a bit earlier: it is impossible to address every issue and problem.  There is plenty of room for (someone/something to come along) and challenge the established order: shake things up for the good; fill the gaps left by the main three parties.

Whether it will be a political party- starting small and getting people talking- or something else, I have been thinking hard: I want to start an organization that looks at mental health; aims for equality; puts money where it is needed- works at improving the plight of our musicians and talent; proffers charities and charitable organization.  Not just a niche party/body, it is a chance to answer some outcry: I know many people- who are voting and going to the polls- that want (a party or voice) that addresses THEIR concerns.  Part of the (thing with) The Single Voice, was to get charities augmented: have hundreds of causes- both local and worldwide- funded and highlighted- get people working in the community; inspiring others to go out and make a difference.  Whether it comes to fruition- and all the time I can walk and type it will- it will take some time to develop: seducing a beast like Google is going to take a lot of persuading/stalking.  In the meantime/in tandem, there is an opportunity (to unite people and get them involved): form a movement that listens to people- and formulates policies THEY suggest (not just sticking to a rigid party-formed agenda).

With Twitter and Facebook- being the oligarchs of social media- the pockets (of Zuckerberg) are getting wider; the bank balance is looking healthy.  I cannot critisise Facebook (too much) as I use it- and consider it a valuable tool and forum.  The thing is this: where is all the money (being raised through advertising) being spent?  In addition- to more pool tables being fitted at Facebook H.Q. - you have to wonder: that money is not going into improving the site.  In all the years Facebook has existed- however long it is now- there have been very minor changes (it has been redesigned and tweaked; some weird features- ‘poke’ for instance- have been removed).  When it comes to meaningful changes- harnessing a huge multi-million social media platform- there have been opportunities begging: get the young involved in politics; use the site to address social issues- add something meaningful to Facebook.  I love the fact I can post anything- usually inane shit and vague moaning- onto the site- as few people will listen to that kind of rubbish in the flesh.  I love the fact I can share music; promote musicians- and charities too- and ‘make a difference’- there is a chance to do so much more.

My mind/opinion is divided 50/50: between forming a ‘new’ social media/improved site; putting together a (minor) political party- each to be based in- and run out of- London.  The U.S. dominates the social media market- the richest and most influential people originate from here- and the most ‘charitable celebrities’ (by-and-large) are American.  This struck my mind hard: let’s get the U.K. back into the limelight (it was British man who invented the Internet (and the computer), remember.  What I want to do is create a platform that keeps the best features of Twitter/Facebook- the easy communication; simplicity of promoting/sharing important information- and take that further.  In addition to the ‘social’ side of things, the site would be divided into sections: health and charity; travel; music; film, T.V. and comedy; education etc. - it would read like a party manifesto.  With an eye-catching homepage- and making it easy to join/take part- the site aims to educate and motivate: get people in touch with the world; get them involved with charity; give the less well-of a chance to see the world- without being stuck in front of a screen.  Many musicians- and new acts coming through- feel the financial pinch: their music ambitions are turning into a nightmare; they struggle to make a living.  The site would aim to raise money- through huge sites like Google- and raiser funds for musicians; promote them effectively- in addition to making it easier to share/find great new music.  I will publish a full-length blog soon, yet an opportunity is out there: a way of creating something- almost political in nature- that not only can appeal to the Social Media Generation- it has a chance to make changes; speak to the minorities.

My idea- The Single Voice- is bubbling and boiling; my (much-storied/promised) concert will take place: these ideas take money and others.  When I can acquire the necessary funds/people- those ideas will be created.  I was wondering what people thought: would you buy into this idea?  If a site- or party indeed- were created (that made social media more relevant/much-improved) would people use it?  I am not trying to encourage people to use their laptops/P.C.s MORE- simply divide their time (between Facebook/Twitter and this site).  There are lot of different sites- that concentrate on music, politics, charity and so forth- yet none that unites them all- and puts them all under one roof.  A site/concept that would respond to feedback- and address the needs of all- it would be an online party, no less (a political movement online).

If I were to whip up a ‘manifesto’ would you vote (for me)?  Whereas the charity idea is reliant on Google- them fellas better come through- this is less dependent: it can work without their input/need.  Let me know what you think; if you have any ideas for the site- I want to get this put together (to help make some real changes).  Later today I will be starting an online petition; getting something put together- I am always looking to make change.  I know many of you are, too.  This is a chance to do something (about the issues we all face).

Remember to vote (on Thursday): let your voice be heard.  Whoever is P.M. on Thursday (hopefully not Mr. C.), there will be questions unanswered; gaps left gaping- holes that need to be filed.  When it comes down to it…

WE can help to fill them.

Q. and A.: New Musicians in 2015

Q. and A.:

New Musicians in 2015.

 _______________________________________________________________________________

As we head through 2015; I have been catching up (with some of my favourite music acts): keen to probe and uncover, I ask them about their influences and ambitions- and what music means to them...

_______________________________________________________________________________

The Questions…

1. What have been the highlights of your music career? Which memories stick out to you?
2. If you had to choose your favourite album and song what would they be (and why?)
3. If you could choose your major influences- with regards past music and present- who would you select?
4. You have had a lot of people supporting you- fans from around the world (willing you on). What would you say to them?
5. What do the coming months hold for you? What plans are ahead?
6. Finally, and in a sentence: What does music mean to you? How important is it in your life?

The Acts…

The Updraft Imperative

1. Josh: Personally, I was in Nepal in 2011 and performed as part of an outdoor concert to about 8-10,000 local Nepali people - not knowing what to make of it all. It was pretty awesome! As part of The Updraft Imperative, the last year has been a constant buzz. Really not knowing from one day to the next what exciting news might pop up. A couple of specifics… Just after Di started do some promotion work for us, we were reviewed by a guy we didn’t know (you might know him) and he gave us a great review. Something none of us really expected. I felt like that gave me confirmation that we were on the right track with our music. The other was getting to no.1 on the Sunset Island Music world unsigned band chart. I don’t even know if that’s a big deal or not, but it certainly felt like it! Murray: One of the major highlights would be recording our 1st studio album! It was awesome to take 10 songs, pull them apart, record & layer and do everything else to them, and then listen and share the finished product with the world!! Another was when a group of friends I was in a band with toured around Australia over the course of 2 weeks! Some of the venues we played at were amazing, like an old WWII hanger in the middle of no-where, and in someone's underground house in an outback mining town. Plenty of others but those 'stick out'. Pete: Probably not one single moment that sticks out. Recording for the first time was a memorable experience - as is the international attention our band is getting.

2. Josh: I think I have to say a self-titled album from ‘Downhere’. A somewhat well known Christian band. I wouldn’t say it was because of music genius. Although I think I appreciate their creativity and great voices. But more than that, I was listening to that album in a time of my life that was somewhat tumultuous, and so, it’s harbours memories of comfort. One song off that album called ‘Calmer of the Storm’ was/is a reminder to me that God is in control. Murray: MAN!!!! How hard's this question....ummmmm 'White Rice' by Magdalen off the album 'Revolutions'. It was my first foray into to the world of heavy groove/funk, and with Ken Tamplin shredding his way all over the place, it is my go-to song if I want to get amped!! Album? Well I would have to say 'Grace' by Jeff Buckley. An open, honest, raw yet intensely emotional album. The dynamics across the album are ridiculous, from his haunting gothic rework of an Elizabethan poem, to a no-holes-bared drop-D scream-fest!! Of course that's to go with the hundreds of my other 'favourites'. Pete: This is a hard one! Currently I'll say my favourite album is Asgeir's "In the silence" because just about every song is a winner. If I had to pick one, it would probably be "King and Cross" though.

3. Josh: Here’s a few….Abba, Petra, Queen, Rob Thomas, Josh Groban, Jason Mraz, Downhere, Jeff Buckley. Murray: Early would be Cat Stevens, Bread, America, Michael Card, Petra, Russ Taff (appearing also with The Imperials), and Barry Manilow (if I were to be completely honest). Later would come the likes of Led Zeppelin, Bach, Red Hot Chilli Peppers, Jeff Buckley, Jeff Beck, RATM. Pete: Argh! Right... RATM, Chilli Peppers, P.O.D., Daft punk, Asgeir, DC Talk... the list goes on!

4. One massive, sincere and heartfelt THANK YOU! Thanks for your best wishes, your messages, your interactions, your support for our music and album, and belief in what we are doing as band members and artists. We spend time constructing songs so that others may hear and enjoy them, and when that happens, it's a truly fulfilling and humbling experience. We are so fortunate to have some great people that support us and our music. We would also say don't be backwards in coming forwards. We know we only know a small percentage of you all, so we would love you to make yourself known. Send us a message and engage with us and we will do our best to be equally engaging with you!

5. Coming months… Murray, his wife and 4 kids, are currently relocating to a new property. It's on a big spread of land, and it also has a great space for him to set his studio up in again. Some song writing there with Pete and Josh is on the cards , as well as support band for a tour that helps fight human trafficking, a few other gigs and recording new music. We're all very much looking forward to mashing some tunes out in the studio again!! (and as everyone else forgot to mention, I'll point out that their 'hardworking, dedicated, loyal' promo manager is travelling half way round the world to see them next year and promote a 'new recording'! - Di x
6. Josh: Music is a part of life and I love so many aspects of it. It’s an encouragement, a release, a way to the soul, a joy, an excuse to dance, and a way of expression. What a gift! Murray: Music, I believe, is a gift from God. As I am able (to the best of my ability) to write songs I know it's especially important that others hear these songs and that their live's would be the better for hearing!! Pete: Music is a form of expression - a language that communicates the messages of the heart, regardless of your native tongue.

Follow The Updraft Imperative:

Official:

http://www.theupdraftimperative.com/

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https://www.facebook.com/theupdraftimperative?fref=ts

Twitter:

https://twitter.com/TUI_Official

[youtube https://www.youtube.com/watch?v=9_sT5vsePLI&w=560&h=315]

Allusondrugs

1. There's been a few, mostly some of the awesome gigs and tours we've been able to do. Over past year we've had the opportunity to play at Leeds and Reading Festival and do tours with Enter Shikari, Marmozets and Lonely The Brave. It's all very awesome.

2. Faaaaar too many to choose from. You should definitely check out All The Best Tapes' album RIGHT NOW! I don't want to tell you what to do, but you're doing yourself a massive injustice if you don't listen to some All The Best Tapes before you float away into the great abyss. Here is a great track from the album: https://www.youtube.com/watch?v=ABQz3k1au64 Here is the album: https://fxdrecords.bandcamp.com/album/all-the-best-tapes Here is their Facebook page: https://www.facebook.com/allthebesttapes

GO!!!

3. Again, far too much music to mention. We're all Deftones fans...

4. Be nice to each other so we can carry on loving you.

5. Lot's of gigs! This year we get to play some ace festivals like Great Escape, Download, Long Division, NASS and Y-Not. There's going to be some new music coming out soon too, WATCH THIS SPACE!

6. Music is the glue that binds us, Confucius once said, "If one should desire to know whether a kingdom is well-governed, if its morals are good or bad, the quality of its music will furnish the answer"

 Follow Allusondrugs:

Official:

http://www.allusondrugs.com/

Facebook:

https://www.facebook.com/Allusondrugs?fref=ts&ref=br_tf

Twitter:

https://twitter.com/allusondrugs

[youtube https://www.youtube.com/watch?v=fSJ7Zvo54_U&w=560&h=315]

Nina Schofield

 

1. So many fun things stick out! I feel lucky to say that – playing at packed festivals, releasing my last single ‘Over it Under it’ and getting such a great response on the radio and online. Having the song I wrote with Aurosonic (“Lift You Up”) played by Armin Van Buuren on his radio show…Being nominated for Best Female Vocal at The HMMA’s and Best Female Artist at the BOB Awards and so many other things. And I hope the best is yet to come..

2. My favourite album is without a doubt A Rush of Blood to The Head by Coldplay – I’m going to make it easy on myself and choose my favourite song from that album too which is God Put A Smile Upon My Face. Every song on that album takes me somewhere – I think that’s the sign of amazing music – I don’t even have to listen to the lyrics and I can feel the energy and passion behind the music. It’s inspiring!

3. Coldplay (!) Imogen Heap Michael Jackson Ocean Lab Taylor Swift Ellie Goulding There’s so many more, but we’d be here forever!

4. Thank you, and bear with me! I’m working hard behind the scenes to get everything as perfect as it can be for my next release and I’m grateful for everyone sticking with me so far. I can’t wait to get new music to everyone! I appreciate every tweet, message, instagram like…everything I get is noticed and appreciated. I hope my fans can see me as a friend too!

5.  The coming months are full of studio sessions for my own releases as well as for some records I’m featuring on which I’m really excited about! I’m hard at work on some other artists’ projects too which is great fun. I’m in the middle of planning my next trip out to L.A. and organising everything for my next release. I’ll be playing a free show at The Bedford in London on 2nd June for anyone who fancies hearing a sneak peek of my new tunes before their release!

6. Music is my motivation, my passion and my future; it connects everything I love in a special way

Follow Nina Schofield:

Official:

http://www.ninaschofield.com/

Facebook:

https://www.facebook.com/ninaschofieldmusic?fref=ts

Twitter:

https://twitter.com/nina_schofield

 [youtube https://www.youtube.com/watch?v=AIzCPcDVheI&w=560&h=315]

Los & The Deadlines

1. It's always hard to pick specific highlights, but I'd have to say going into the studio to record is always a very exciting time. Bringing in the songs you've worked at for so long, to hear them slowly come together track by track in the studio is an amazing feeling. Another highlight (more of a funny one) would be when we played a set at The Islington.. our song 'Standing In The Bank' is usually the ending of our set, a big wall of noise and sound where we all go crazy. After the song finished the sound engineer ran on the stage and frantically started checking the mics and equipment on stage, upon realising nothing was broken by our antics he turned around and said "wow.. you guys trashed the stage in the most professional way!".
2. At this very moment I would say Led Zeppelin IV - When The Levee Breaks (although that answer might be different tomorrow).. It's got it all, massive drums, hypnotic larger-than-life guitar riffs, a tasty harp-solo.. from the moment Bonham starts the intro it just commands your attention.
3. Queens of the Stone Age, Primus, Battles, The Mars Volta, De Staat, Soundgarden, Frank Zappa and many, many more..
4. Avoiding the expected soppy thank-yous.. we obviously are grateful for every single person that has supported us in any shape or form over the years.. the main thing we'd say is: we hope to play a show near you as soon as possible!
5. The coming months will be mainly centered around the release of the new 'Perfect Holiday' E.P. and promoting the hell out of it so as many people as possible get to hear it. Besides that the usual band-life continues, so more shows, much more writing and a healthy dose of band-banter.
6. Music is the noise that connects us all.

Follow Los & The Deadlines:

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Twitter:

https://twitter.com/losdeadlines

[youtube https://www.youtube.com/watch?v=VpuyKBL4Z6k&w=560&h=315]

Universal Thee

1. (Robin):The highlight so far has been the recent recording session that we've done. I really feel we've stepped it up to a whole new level. Last year I really enjoyed playing on the main stage at the audio soup festival. It's the loudest I've ever played through an amp and it was exciting to play on a huge stage.

2. My favorite album changes all the time. I am currently listening to a guided by voices album I created from all there mini albums, E.P.s (and B-Sides) during their first classic line up era. Bossanova by the Pixies. I hadn't listened to this for ages but have recently gone back to it. I'll always be a big Beatles and Nirvana fan as that's what I spent my youth listening too. Really love Big Star. Favorite song ever? Probably I See A Darkness by Bonnie Prince Billy

3.Biggest influences for me: Pixies, Big Star, Weezer; My Bloody Valentine, The Nerves, The Byrds; Gram Parsons, Teenage Fanclub, Jesus Lizard; early Metallica/Megadeth, Flaming Lips, Blur, Everly Brothers- Interpol's first album (Wire); early Dinosaur Jr,; Part Chimp, Mink Stoles.  Recently I like First Aid Kit. I liked person Pitch by Panda Bear and the first couple of Perfume Genius albums- particularly Mr. Peterson

4. I would like to say thanks to all our fans around the world. Your support is really appreciated and I hope you like the new album when it comes out.

5. We've recorded about half of the next album so will spend the next few months writing and recording the second half. We are playing at a few festivals this summer.

6. Music means everything to me and is mostly what I think about in my head. I love playing and writing. Highlight so far has been the recent recording session that we've done. I really feel we've stepped it up to a whole new level. Last year I really enjoyed playing on the main stage at the audio soup festival. It's the loudest I've ever played through an amp. and it was exciting to play on a huge stage.

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Twitter:

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SoundCloud:

https://soundcloud.com/universal-thee

[youtube https://www.youtube.com/watch?v=sjUzaqV8iyw&w=560&h=315]

Jen Armstrong

1. Winning the Make It Break It Award at LIPA when I was 16. That kind of kicked it all off for me! It was a great start to my career. I also loved opening for Nerina Pallot at Shepherds Bush Empire, and for Billy Ocean and The Proclaimers at a local festival.

2. I guess it has to be Ben Folds, Rocking The Suburbs. I could listen to it all day, every day. He’s one of my favourite, if not my favourite, artists. There are a handful of other albums and artists that mean a great deal to me too though.. picking one is too hard! Same goes with the song. I hold certain songs very close to my heart for different reasons. Love Song by Sara Bareilles, such a strong solid piano driven pop song that, again, I could listen to over and over and over. Video Killed The Radio Star- not only an amazing pop song, but so iconic and has itself lodged firmly as an important piece of pop music culture. Apres Un Reve, Faure. There are just too many. I could give you 100 of ‘my favourite songs that I couldn’t live without.’

3. Classical music. Various composers. I grew up with it, I played it, I listened to it, it was my life from 7-18 years old. It had a tremendous impact on who I am today as a musician, performer and writer. Hanson were the band who got me and my sister inspired to write music ourselves and form our own sibling band! I played the drums! Because of Hanson! And then bands like Savage Garden, Muse, Orson, The Feeling, Ben Folds Five.. massively influential bands for me as a teenager. Now? I’ll be honest, I need to expand my musical library. But Ben Folds, Gavin Degraw, Sara Bareilles.. massive inspirations. And people like Adele, Jessie J, Ed Sheeran - English folk putting an almighty stamp on the world with their music, wow I absolutely aspire to, and am inspired by that.

4. Thank you for believing in me. Every year that passes, I find myself faltering and questioning myself a little more. Without you, I would have given up a long time ago.

5. I’m in the States until August. Trying to ‘make it.’ My future plans all ride on the next 3 months.

6. I’m in a strange place right now. Music is my life. Always has been. But taking something so beautiful and forcing it in to a means of making money and creating fame, absolutely tarnishes the magic. Part of me wishes I had never embarked on this journey, and I had kept music as something special that I could run to when the world was closing in on me. It was my recess. It was my escape. It made me feel better. More and more it becomes the reason I can’t sleep at night. The reason I now question my life and my choices. I’m not blaming music, of course, music is wonderful. And it is so sad that I may have turned the music, the magic, in to a catalyst toward my self destruction.

Follow Jen Armstrong:

Official:

http://www.jenarmstrong.tv/official/Home.html

Facebook:

https://www.facebook.com/jenarmstrongmusic?fref=ts

Twitter:

https://twitter.com/jamusicuk

[youtube https://www.youtube.com/watch?v=mMN5nPjslpw&w=560&h=315]

Ellene Masri

1. Memories is what I hope to give people. I’m looking ahead for greater things and constantly trying to improve myself!

2. Rapture (Anita Baker) produced by Dean Gant (A.k.A. Sir Gant). The arrangements are wonderful and the musicians are some of my all-time favorite. (The late) Ricky Lawson on drums, Freddie Washington on bass, Paulinho Da Costa on percussion and of course Sir. Gant on keys. Song:  The Secret Life of Plants (Stevie Wonder)

3. Bob Marley, Stevie Wonder, Richard Bona, George Benson, the stunning India Arie... there are so many (artists I love).

4. Thank You. I Love You!
5. We shot a live video performance last Sunday in Los Angeles with Sir. Gant as the musical director, the Legendary Bennie Maupin on Saxophone, the coolest drummer Michael White; James Manning on Bass, David Leach on percussion (and myself on vocals and guitar). Its editing is in process. We have upcoming shows in Europe and the Middle East.

6. Music is my way of expression. Being able to express yourself as thoroughly as possible is a necessity in life

Follow Ellene Masri:

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http://www.ellenemasri.com/

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[youtube https://www.youtube.com/watch?v=OR_VFMGSlt0&w=420&h=315]

Track Review: The Bandicoots- Mind Your Manors

TRACK REVIEW:

The Bandicoots

 

Mind Your Manors

9.2/10.0

 

Mind Your Manors is available at:

https://soundcloud.com/thebandicoots/mind-your-manors/

RELEASED: 25^th March, 2015

GENRES: Rock

COUNTRY OF ORIGIN:

Canada

 

The E.P. This Is Why We Can’t Have Nice Things is available at:

https://soundcloud.com/thebandicoots/sets/this-is-why-we-cant-have-nice

I’M going to embrace my inner naivety; accept that …

I am just ‘well known’ among the streets of Hamilton, Ontario.  Every other day, I receive a new email: usually from an Ontarian band; proffering the same sort of music- I wonder why this is.  Not wanting to think the worse- that a huge record label is just sending (slightly edited) spam emails to me- I think it is just ‘luck’- maybe a previous review (being published by a fellow Canadian) has caught the imagination.  Regardless, this will be the last Ontario/Canadian review (for a long time): there comes a time when you have to employ some rationale- concentrate on homegrown bands; focus on diversity and difference.  Canadian music has always struck my ear- with its energy and sense of innovation- yet there has been some stagnation: the masses (that get in touch from Ontario) have started to clump and blend (into one).  Being slightly world-weary, I was surprised to come across The Bandicoots: a band that has that distinct edge; are a cut above the similar-sounding conveyor belts (of bands I have been receiving mail from).  As I train my mind back to London- and help some of my favourite U.K. acts get some recognition- I can at least (bid Canada farewell) with a lighter heart- relieved there is a positive (end) note.  Hamilton is a gorgeous city: an area with ethnic diversity (a lot of English live in this locality); wonderful cityscapes; stunning views- a wonderfully thriving economy.  It seems the citizens are not police-orientated- the amount of police-levelled hate crimes is pretty high- but you cannot fault the place: it is one of the most evocative and stunning areas of Canada (check out: http://en.wikipedia.org/wiki/Hamilton,_Ontario).  The likes of Caribou (and Nicole Appleton) call Hamilton home:  the port city is a safe haven for many musicians.  In terms of new music, there is activity a-plenty: many of Canada’s finest new acts are plying their trade in Hamilton.  The Bandicoots are one of the best (the city) has to offer: a hungry act who are aiming big.  With their latest E.P. - This Is Why We Can’t Have Nice Things- being dropped; it seems they are on the rise: early reviews have been glowing and positive.  Before I come back to the band (and Hamilton indeed) it seems pertinent to raise one issue: the plight of new musicians in this country (the U.K.).  I know a lot of great musicians- across twitter and Facebook- who are in real trouble: their finances are dwindling; their fate is waning.  I feel real sympathy and heartache: so many great acts are struggling; it is one of the saddest parts of music.  This country is producing a heap of new musicians: by the week, we are seeing clans of new bands/acts/artists- they are cramming into a small isle.  For the ‘established’ acts, what are they to do?  Many musicians (that I know) are finding life difficult: trying to get their voices heard is a real struggle- it is a sad sign of the times.  I hope something can be done: finding a way of gifting every musician an equal voice.  Maybe it is overly-optimistic; it seems fair the best should get (their fair) shout: have their music proffered and promoted (and witnessed by as many people as possible).  I’m not too sure with regards Canada: whether musicians there have that same struggle; have the same issues?  Canada has a population of (fewer than) 36 million- some 27 million fewer than the U.K.  The country (Canada) has a 50/50 split- of men and women- with their nation, wide and wonderful- a lot of open space and room.  It seems things are more ‘cramped’ here: the big cities and towns are compacted and suffocated.  Aside from moving to Canada- a drastic ‘Plan B’ potential- what are we to do?  It seems Canadian music is ripe and receptive: the new acts coming out are less stressed and angst-ridden; have a slightly ‘easier’ time of things.  That said; the possibilities (and opportunities) for Canadian acts are limited- compared with here in the U.K.  U.S. acts have the routes and contacts- and the major music cities- yet Canada seems self-sufficient: the musicians have a harder task than their U.S. counterparts.  Aside from the ‘tasks’ that face Canadian musicians, they seem- and Hamilton residents at least- to be less overwhelmed: their music is freer and more effortless.  The Bandicoots are showcasing this sense of alacrity: their debut E.P. is swimming in energy and youthfulness; acres of passion and swagger- that is sure to see them well-received here.

When it comes to (The Bandicoots’ current disc) it is worth looking back: to see how far they have come; how they have developed.  Their last release- appearing in December of last year- was No Turn on Red: one of (the quartet) of tracks from the E.P.  Swooning and shimmering in the introduction, the song is focused and fuzzy- the vocal is passionate and tempered.  One of the most direct tracks (from the E.P.), the boys are in-step: the performance is tight and electric.  Graceful and kicking; biting and honest, the song looks at leaving town: getting away and trying to find a way out.  A romantic suicide (almost), the song is a farewell: the hero is bidding goodbye; trying to get away from things.  Being the first foray- for the band and their music- the E.P. is purest (testament of what they are capable of).  Just After Dark- with its bounce and youthful vigour- is a gut-punch.  You cannot help but think of Arctic Monkeys: the band’s E.P. has the sound of early-career ‘Monkeys.  Just After Dark shares skin with Balaclava and D is for Dangerous: that same stop-start energy; the spy-theme-cum-shout-out sound- the swing and swagger arrives by the bucket load.  The vocal passion- the band’s committed and enflamed parabond- and delivery cannot be faulted- signs of Favourite Worst Nightmare’s (best moments) come to the fore. That is not to say anything negative: the band is not replicons of the Sheffield legends.  The E.P. is chocked full of personality and uniqueness: the Canadians have taken their own lives- the street scenes and romantic woes- and funneled it into distinct and personal songs.  Employing a pinch- of Turner-esque saltiness and Yorkshire pepperiness- and you get The Bandicoots: an act with their very own sound.  It is great to hear Arctic Monkeys come through in any form: for a while, most new U.K. bands were indebted to them.  As of late, that ‘trend’ has subsided: there is a tendency to think wider (and err away from their doors).  Being (that this is) a first effort- from the Canadian newbies- This Is Why We Can’t Have Nice Things is a stunning statement.  Four tracks of tight, focused- and variably emotional- numbers; it’s an E.P. sure to sell well over here- the sound is just what we favour over here.  The question is- when their sophomore effort arrives- how do they top/alter at all?  Do they stick with the same sound; widen their scope- or bring in different influences?  The boys are pretty unequivocal; their flair and passion is unwavering: their songs are packed with determination and nuance- qualities that will stand them in good stead.

Starting with a sensual slink; a call-and-response hard punch: Mind Your Manors begins its life with plenty of aim and potential.  Sparing no time (for wasted notes and loose ambitions), the tight (and springing) introduction is gripping- enough to get the mind working.  When the vocals come in, some intriguing words are brought in.  With a fascinating opening verse- “Those daydreaming eyes could likely see you to the moon/sending you packing for the stars on a hot air balloon/For days/Stuck in a haze/You ever see a place like this?”- you start to conspire and imagine.  With its poetic-ness and imagery, the band does not go for the base and asinine- they ensure their earliest words are striking and memorable. Allowing his voice to dream and drift, out hero has a lot on his mind: the heroine of his focus has a ‘shady’ day-time life.  “Replace your midnight pining for a bill in her thong” leaves little to the imagination- you can almost smell the sweat and stains of the strip club scene.  That sense of release and escape- the subject yearns for a hide-away beyond the reach “of the (tip) jar”- is a trademark for The Bandicoots- the E.P. has plenty of escape-and-run ambitions; that need to get to a better life- run from that which holds you back (and punishes the soul).  With his comrades providing ample support, Mind Your Manors hits for the grit- the hero does not (want to stay here) “any more than you.”  With those stories in your mind- the pole-straddling muse tearing up and dying inside- you get caught up in the drama and tableau.  The track has a merry streak- whether ironic or genuine- that gives it energy and panache: a combination of ‘60s Pop and Arctic Monkeys cheek lodges the melody in your mind.  Distracting by the composition- that is both subtle and powerful- you drag your attention to the forefront: the tale continues; the players progress.  Building off the strip-club-and-its-desperately-naïve-clientele parable, you can see the images all too clearly- the way (the patrons) think they have a shot; the dancers have anything for them (bar dreams of their wallets and credit cards).  With ‘Miss. Mary’ (the dancer) and ‘Maya’ (having “taken a stab”) the protagonists are making their mark: the boys have to hit up the cash machine; the bouncers are getting rough- it seems things have gotten out of hand.  You cannot (but admire) the wordplay- the pen is as mighty as the Arctic sword- which tumbles and spirals.  Both literary- with wit and pathos- it is detailed and scenic- in few words, the band manages to project vivid scenes and wonderful byplay.  The song’s ‘customers’- whether the band themselves (based on real events?) or fictional wannabes- have drama ahead: they have scared up money (to pay the tab); are preparing to tighten their laces (in order to outrun the muscle).  With its heart rooted towards Arctic-esque avenues, the lads never try to ape or copycat: their words and themes were never explored by Turner’s crew- they take a common situation and give it a fresh spin.  Concocting spiraling notes- mood changes and subtle key changes- the band never loses momentum; the song constantly pines and prods- taking your mind somewhere else.  Imbued with some terrific moments- the 2:30 mark gives way to a beautiful harmony; the most fervent and ecstatic point- the composition is glistening and delirious- a cornucopia of styles, swagger; beauty and stomp.  When the final moments come into view- the outro. has a cheeky glint and wink in its smile- you cannot help but reflect: shoot a smile and hit ‘repeat.’

The entire band puts in a hard shift: the performance and commitment is fantastic and impressive.  The vocals throughout are superb: that mixture of northern drawl (and Canadian accent) gives the lyrics real intent and meaning- few other singers would add such weight and conviction.  The words are (perhaps the most) impressive thing on display: a song sheet with plenty of quotable lines; ounces of memorability and vivacity- poetry and drama.  You cannot fault anything in display: Mind Your Manors is a song that is no fluke- the band produce three like-minded gems (into their E.P. repertoire).  Having listened to their new single- a few times now- I am deeply impressed: the song reveals new tricks/magic with every spin.  It is that kind of nuance/strength that will see the band inspire- hopefully they can bring their music to Britain (a nation awaits, sirs).

As the Ontario band embark on tour dates- taking their debut E.P. on the road- you have to tip your hat: the lads have produced music designed to unify the masses; get the festival crowds moving.  Whether a cynical ploy, or a natural development, and it leaves them with this conundrum: do they stay in Canada or move to the U.S. /U.K.?  With a sound British-influenced (in small parts) they have a definite future here: many crowds and towns would welcome them in.  This Is Why We Can’t Have Nice Things has cynicism and sarcasm; passion and openness- colour and black-and-white shades.  The band is committed and tight throughout: each song is defined by a clear and concise performance.  Allowing ragged and raucous edges (to come in), the band impress throughout.  Aided by fantastic production values- that allows vocal clarity and a raw sound to reign- and you have a triumphant effort.  Too few bands (especially in this country) have their minds set to the future: I am hearing too much anxiety and fear come out (in the sounds of the new-born musicians).  Whether it is a Canadian thing- and there is a more open and less tense market there- I am not sure.  It is a sign of the times I guess- that every candidate has a hard task ahead- that stress and nerves will take a hold: if you can think positively; have ambitious plans in your locker- this reflects in the music.  The Bandicoots are a group with no signs of quitting; no quarter is being levelled towards demure and fear- the band is looking forward and dead ahead.  Make sure you check out their E.P. - and new single- and take time to investigate a band that means business: a group we may be seeing in the U.K. in the near-future.  I will finish with (my earlier point coming back around): wonder why Hamilton, Ontario is a big player; comes to my attention (on a tri-weekly basis).  God knows why I am popular there- and whether any other areas of Canada will contact me- but it is ‘interesting’ at the very least.  If the music is varied and high quality then fair play: I am finding too much sameness come out here.  From such a beautiful (and varied) city, you would expect a bit more variegation and diversity: I hope bands here start to widen their aim and ambitions.  The Bandicoots have plenty of potential about them:  Mind Your Manors- with its clever wordplay- is a fine example (of what the group is about).  With music’s issues- compartmentalisation and wide mass of musicians- it is hard (for new acts) to make their mark- harder still to resonate and remain.  I hope The Bandicoots keep strong; bring in some new sounds (for their next release) - as much as anything, come play their music in Europe.  With so many (of this nation’s) finest starting to feel the pinch: it is essential we are given some fresh impetus.   I guess it is flattering- that so many Canadian acts are coming to my attention- and it is encouraging to see such energy here- as I step away from the country for a number of weeks.  When it comes down to it (and having many Hamilton residents coming to you), you could say this:

THERE are worse things in life.

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Follow The Bandicoots:

Official:

http://www.thebandicootsmusic.com/

Facebook:

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Twitter:

https://twitter.com/TheeBandicoots

SoundCloud:

https://soundcloud.com/thebandicoots

BandCamp:

http://thebandicoots.bandcamp.com/

Instagram:

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Music:

https://www.facebook.com/TheBandicootsMusic/app_204974879526524

 

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Videos:

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Track Review: Gelato- Room Service

TRACK REVIEW:

Gelato

 

Room Service

9.3/10.0

Room Service is available at:

https://www.youtube.com/watch?v=6elaGtN0A-U

RELEASED: 9^th March, 2015

GENRES: Alternative, Heavy Metal

COUNTRY OF ORIGIN:

U.K.

Gelato’s self-titled E.P. is available via:

http://gelatomusic.bandcamp.com/releases

Released: 10 March 2015

Drew - vocals & guitar

Phil - bass

Ben - drums

Recorded & mixed by: Tobin Jones at The Park Studios, London UK

Mastered by: Phil Joannides

IT has come to my attention the music industry is quite a…

cruel (and unflinching thing).  Actually, I sort of guessed that: over the last few weeks, I have noticed some great acts ‘call it time’- and close up shop forever.  A couple of my favourite (London) acts have disbanded; gone their separate ways- irked by the strains of music and its demands.   It is sad to see such a thing: a tremendous act have to quit; overcome by the pressures they face.  With so many acts coming through, you are going in (with no idea of where you will end up) - quite how things will work out.  I guess this is true of any industry/job: with music, there seems to be an edge of cruelty- an unpredictability that is unfair and harsh.  I have seen some fantastic acts dissolve; others who stress over their art- unsure whether they are doing the right thing.  A lot of the problem stems from money: not having enough to fund an entire career.  The cost of recording (even a single song) can be huge; parlaying that into an E.P. (more still) - it is asking huge demands of the musician.  Of course, creative difference can get in the way: it seems finance is the major bugaboo- and something that needs to be addressed.  Whether something can be done (and financing arranged for an act) is to be see; someone needs to take action- too much good music is dying needlessly.  The work is the main thing: being proud of what you are doing.  Whether there is a common solution (to avoid acts having to split/strain) is to be seen; for those playing (and starting up) such issues have to be put aside- and concentrate on the act of music-making.  When confidence is high (right from the start) that comes out: the public can embrace music (that is stunning).  Gelato have that confidence for sure: an act with a clear eye on the future.  Few bands possess quite the same sound, direction and urgency: their mix of quality and nuance is sure to see them be around (for years to come).  Before I continue, let me introduce you (to the band):

“The head-hitting, high-energy pace of GELATO brings a solid rock sound with pop undertones, reminiscent of the Foo's, Queens, and more.  After months of throat-shredding, string-snapping & stick-shedding, here is their debut EP, recorded with Tobin Jones (Bo Ningen, Twilight Sad, Cold Specks) and spearheaded by first single Room Service.  Join the party!”

There is nothing fake or false when it comes to Gelato: here is an act that is genuine; unconcerned with following anyone else.  Being familiar with groups like Los & The Deadlines and Allusondrugs, I know how good this country is (at producing hard-hitting bands with a real kick).  Throw in the likes of Bi:Lingual and there is a solid core coming through: acts that fuse genres into a boiling pot of noise, melody, wit, anger (and other varied, contrasting colours).  The boys have just arrived, yet the signs are all good: their debut E.P. is a trio of stunning slices; songs that bounce around the brain- a collection of rock-solid, soul-shaking tracks.  A lot of new acts coming out tend to play softer (that is to say less vivacious) sounds; concentrate on introspection and self-examination: if you come into a packed marketplace (with so many like-minded competitors) it is hard to distinguish and stand apart.  When things are shaked up; the volume is turned up- that is when something terrific occurs.  Gelato are already setting tongues wagging: their music is connecting with people; new audiences are switching onto their potential.  It is still early; it would be remiss to charge ahead: from what has come out, the guys have a lot of options- and chances to play some rather high-profile venues/dates.

If you have (not as yet) discovered the band, then there are two starting points: Foo Fighters and Queens of the Stone Age.  Both Dave Grohl—featured acts (Grohl was present during Queens’ Songs for the Deaf and Like Clockwise… albums) have made their mark- the lads have an essence of each.  To my mind, there is more Queens’ than Foo’- the vocals have that air of Josh Homme at his best (his braggadocio-cum-cool swing).  When Queens of the Stone Age launched Like Clockwise… I was astonished: I did not think the band would produce (something as wonderful) given what came before (Era Vulgaris).  When Like Clockwise… came out, my faith was renewed: the Californian boys were back at their best: an album solid with anthems and classics; a mixture of their glorious past (and renewed present).  Gelato have the force and prowess of Foo Fighters’ debut (their self-titled effort) - Punk elements came through; passionate performances abound; lunging urgency grip the imagination.  Don’t get caught up with other acts (when trying to assess Gelato): the band are their own beats; they simply borrow the odd bit (here and there).

Grumbling and moody vibes stir up Room Service: something dark is bubbling; the burbling bass notes kick the dust about- something dangerous is looking on.  Keeping the mood intense and unknowing the intro. begins to heighten and expand: the boys kick up the gears and expand their intentions- spiraling guitar fuses with hissing percussion; leading to a dizzying combination of sounds.  Keeping things focused and intense, Gelato tie in some wordlessness: a low-down hum reverberates; the chorus of sighs melts into the fray- the building blocks have been laid.  Just as you feel some explosion (is going to erupt) the vocal comes in: at first it is quite controlled and moody.  Emphasis is placed more on sound and feel- than clarity and decipherability- the grumble and sneer of the vocal means some of the lyrics are hard to pick up on.  This is no criticism or slight: the passion and intention of the song overcomes any slight minor.  Our front-man is missing out; his mind is casting out: his thoughts are spinning; his tongue lacerates and conspires- you start to build up your own interpretations.  Using the hotel/room service motif, one imagines something half-lit and flickering: a girl (or sweetheart) is on his mind- who he wants to keep by the phone- as the night draws in.  At its core- the song itself- has another interpretive possibility: a lonesome (or band-helmed) hero waiting for room service- impatiently treading the floor.  Whatever the listener imagines- and there is an open-ended quality to the lyrics- images do come flooding- ideas percolate thick and fast.  In the early stages, Room Service broods and prods: the low notes and insistent vocal has quite an overwhelming quality.  In spite of there being plenty of melodic nuance- the cooed backing vocals add relief and elliptical promise- there is a foreboding and harsh grip- something that adds to the track (and gets the listener on their toes).  Taking a little of Nevermind (Nirvana) with Foo Fighters’ early moments; pulsing in some Queens’ magic (especially their Songs for the Deaf-era work) and you get something quite special.  Room Service has plenty of punch and explosion: in the initial foray, these threats are kept mooted and demurred.  The boys have a wicked gleam in their eye; a seamless knack of mixing their talents together- incorporating elements of familiar sounds.  It is clear (listening to the lead do his thing) there is frustration and “missing out”- his mind is not calmed or settled; anxiety and anger are showing their skins.  Past the two-thirds mark, we get that sense of anger (come out to play) - the song expands and fizzes into life- those early introversions are dissipated; replaced with something vitriolic.  Never savage or reckless, the boys keep everything in order: ensure the song does not get lost in a swap of random notes- endless screaming and aimless pondering.  Catchy and addictive, you cannot help get lost in things: the chorus itself is an insatiable little thing (that begs for some sing-along chorusing).  Whether looking at a nervy hotel-based scene- or something disconnected and concerned with broken love- the band gets inside your head: each line seems to resonate and reverberate.  By the closing stages, the hypnotic swirl (grumbling vocals in the back; lighter vocals at the front- insatiable vibes around them) takes its toll- the group crank things to the max.  Just as you want a bit more, the song comes to its close: everything that has come before (still echoes in the head); the boys leave things with an evil glint.

You are hard-pressed to find detractions; have any criticisms at all- perhaps decipherability is an issue.  Some of the words are hard to understand- perhaps a lyrics sheet would be helpful- and get passed by: not a big issue when it comes to Room Service.  The vocals shine throughout: never overwrought and pretentious, there is genuine passion and personality- plenty of focus and force; light and optimism.  Drew’s vocal made have elements of Homme (and Grohl) without sounding sound-alike and forced- plenty of individuality and freshness come out.  When his guitar work comes into the light, you get the sense of a unique player- someone who has a real authority and understanding (and better than most of his contemporaries).  As a front-man he leads the music superbly: never stealing all focus, instead you get a real command and leadership- something that adds weight and wonder to the music on offer.  Phil’s bass almost steals the show: at the start it is viper-like and growling; as the song progresses, it expands and guides.  Never too lonesome and detached, it not only leads Room Service- making sure each word is giving plenty of stature and weight.  Ben’s percussion leads from the back; it is always statuesque and meaningful: marking himself out as a solid time-keeper, his sticks work keeps the song strong and intense- there is plenty of control and calm.  The entire band is tight and focused: they have a clear understanding and affection; each member knows their role- and plays it extremely well.  A band with a rich and varied sound, Room Service is just the start of things- their E.P. contains plenty of range and diversions whilst keeping their core sound loyal.

The E.P. Gelato is as varied (as the ice cream the band derives their name from): a packed and chocked arsenal of tastes, sensations and satisfaction- guaranteed to leave you wanting more.  Lead-off track (Get My Way) comes out of the gates snarling: a cutting and driving intro. leads the assault.  The sound of Queens of the Stone Age comes out: the glory days of Songs for the Deaf; that tremendous confidence and tremendous sound.  Hypnotic and swirling strings put me in mind of Homme (and his crew); the backing vocals (that coo with intimacy) have shades of Queens’ greatest moments- touching on their Lullabies to Paralyze work.  I adore both albums; the boys do not steal or mimic: instead incorporate (those albums’) best moments and finest assets- the result is wonderful.  With its U.S. vibes; the passion and urgency comes through in the delivery- swagger, energy and lust filters into every note.  I know Gelato are inspired by Foo Fighters- an act I have never liked at all- and they supersede the American masters- especially their latest L.P.  Being a huge fan of Dave Grohl (the drummer rather than a lead) I hear that coming out- the drumming is intense and tight; never overplayed or uncontrolled.  Ruffians closes the E.P.: a song that is brief and memorable; filled with the band’s core strengths.  A wonderful bookend- to Get My Way- here is a claustrophobic and suffocating number: one that comes with ragged edges; some lip-licking looseness- a vocal that is ice-cold and cigarette-smoking cool.

Gelato have shown (with their E.P.) they have the talent to remain: they are not one-trick wonders; they show a range of sounds (through the trio of songs).  The band remains tight and in-step throughout; each number seems well-rehearsed and authoritative- there is enough fun and frivolity to win over (the most stone-hearted listener).  The band manage to tease and tantilise: it would be great to hear some more tracks; expand on the three numbers- Gelato leaves you wanting (a lot) more.  With acts like Foo Fighters being past their best- they have been since their early days- and Queens’ slowing (although still immense), we need new kings: an act that have that Desert-Rock-cum-Californian cool to it; bits of mystique and dark magic- a concoction to please the senses.  What does the future hold?  Well, the band is going to playing and gigging: getting their music out there to the fans; getting people excited.  Whether the boys have album plans in their minds (or are thinking of touring the E.P.) I am not sure- their music would have some support across the U.S. (with its Queens of the Stone Age edges).  Returning to my opening point- that looks at why bands fault; the stresses that face musicians- I am pleased for Gelato: the band are concentrating on their work; the work is the main thing- hopefully financial issues are not going to come into play.  The band have a focused and tight sound; a clear affection- for each other and their songs- that is infectious and gripping: they will be capable of uniting fans of all genres- they are not out to exclude anyone.  With melody afoot; hard-rocking vibes being spat out- ample cool being wracked to 11- Gelato have a bright future.  Darlings like Royal Blood are getting (a lot of current) kudos: riding the crest of a wave; taking the bull by the horns.  I do not think this is a zeitgeist thing: the public have always embraced sounds that err on the side of heavy.  In conclusion, the band should be very proud: few acts have the ability to mix by-gone (and legendary) bands with their original and distinct personality- mixes them together to provide something both fresh and familiar.  With summer looming, we all need something upbeat and crowd-pleasing: sounds that unite crowds; get feet moving- and get the voices chanting loud.  Take the time to discover something special; an act that have ammunition to go far- and take the market by storm.  Whether you are fan of Foo Fighters and Queens of the Stone Age (or not) then do not despair: their music is designed to unite- and not divide.  Gelato is just the start of things- and the band will not get ahead of themselves- but the signs are all good…

THE boys are here to stay.

[youtube https://www.youtube.com/watch?v=6elaGtN0A-U&w=560&h=315]

________________________________________________________________________________

Follow Gelato:

 

Facebook:

https://www.facebook.com/GelatoMusic

BandCamp:

http://gelatomusic.bandcamp.com/releases

_________________________________________________________________________

Music:

https://www.facebook.com/GelatoMusic/app_204974879526524

 

______________________________________________________________________________

Videos:

https://www.youtube.com/channel/UCULLt9GxP5txTyf-ZwtSEFQ

 

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Tour:

https://www.facebook.com/GelatoMusic/events