Track Review: Kelly Oliver- Miles to Tralee

TRACK REVIEW:

 

Kelly Oliver

 

Miles to Tralee

9.5/10.0

Miles to Tralee is available at:

https://www.youtube.com/watch?v=yCZQZRoSNLM

RELEASED: 20^th November, 2015

GENRES: Acoustic-Folk

ORIGIN:

Hertfordshire, U.K.

The album Bedlam is available to pre-order via:

http://folkstockrecords.bandcamp.com/album/bedlam

TRACK LISTING:

Bedlam- 9.4

Lay our Heavy Heads- 9.4

Jericho- 9.5

Miles to Tralee- 9.5

In the City- 9.4

The Other Woman- 9.5

Same World- 9.4

Ghosts at Night- 9.4

Die this Way- 9.5

Rio- 9.5

DOWNLOAD:

Jericho; Miles to Tralee; The Other Woman; Die this Way; Rio

STANDOUT TRACK:

Miles to Tralee

LABEL:

Folkstock Records

http://folkstockrecords.com/

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THIS week is a bit of a girls’ week which is okay...

by me.  In addition to interviews with some great artists, I get the chance to review some wonderful female talent- the best coming out the U.K. at the moment.  Before I introduce my featured artist, I wanted to talk about the gender balance in new music; the Folk genre and its depth- in addition to how to succeed in 2016.  I have been thinking about females in music and how they often get overlooked.  I am not going to launch into a protracted diatribe about gender inequality in music, yet there is something interesting to note.  When it comes to the festival line-ups, there is always the favouring of bands- they, in the majority, are composed of men.  When it comes to mainstream recognition and attention there is still a proliferation of male-only attention.  Too often there seems to be uneven focus given to the men of music- whilst their female peers are overlooked.  Not to politicise the issue, but there should be greater equality and balance.  Whether this is something that will rectify itself in 2016 has yet to be seen; something needs to happen to affect change and provide genuine equality.  When it comes to the underground, there are so many great female artists coming through- that will take the mainstream by storm.  I hope their promotion and succession will see them applauded and equal- rather than have to struggle to gain kudos and support.  In my opinion, the best solo artists in new music are female.  I am not sure what they do differently (to the guys) but there is a definite ambition and soulfulness their male compatriots lack.  As the new year is upon us, eyes are looking out to music to see who is going to emerge and prosper.  Last year- when it came to new music- saw some fantastic bands and artists emerge.  My attention was split between the U.K. and U.S.; through various genres and sounds- plenty to get excited about throughout 2016.  When it comes to the solo artists of this year, the female artists are leading the charge- showing huge passion, fortitude and innovation.  Among the most talked-about and promising is Kelly Oliver.  An artist who has made huge strides in a couple of years, this year will see her rise through the ranks and come to prominence.  Having captured the ear and patronage of some movers-and-shakers; some of music’s most influential figures- I cannot wait to see what she achieves.  Before I continue on my point, let me introduce her to you:

“This Land, released in October 2014 by Folkstock Records, features legendary fiddle player Dave Swarbrick, as well as BBC Folk Award Nominees Sunjay and Luke Jackson. Kelly has appeared live on BBC regional stations, including BBC London radio in an interview with Gaby Roslin. Her singles 'Diamond Girl', 'Jericho', 'Rio' and 'Same World'  have enjoyed numerous regional BBC and local radio plays, including on BBC Radio 2’s Folk Show with Mark Radcliffe, Bob Harris’ BBC Radio 2 Sunday show and Chris Hawkins' BBC 6 Music show. 

2014 saw 4* album reviews from R2 Magazine and The Telegraph Music and 'This Land' was included in The Telegraph’s 68 Best Folk Albums of 2014. It also earned a nomination for FATEA Magazine’s Best Debut Album of 2014. Festival credentials include Larmer Tree Festival, Rhythms of the World and performing twice at Cambridge Folk Festival for Hitchin Folk Club, and Kelly has supported such acts as Cara Dillon, Barbara Dickson, CC Smugglers, The Young’uns and Chris and Kellie While, among many others. Kelly also headlines her own shows and has spent 2015 playing various gigs across the UK, making live BBC Radio appearances around the country, recording an Ont Sofa session in London and making her first live TV appearance on London Live. In October 2015, Kelly was awarded Best Female Solo Artist at the Cambridge NMG Awards, along with an upcoming slot at Secret Garden Party in 2016. She was also a BBC Introducing guest on The Mark Forrest Show, was which broadcast to all 40 regional BBC stations”.

Last year saw Oliver capitalise on her success and make her way into the public consciousness.  Having seduced and enthralled with her debut album (This Land) many were impressed by the depth and originality of her work.  Being so young you would forgive Oliver for taking time out and traveling a little.  Being an ambitious and prolific talent, Oliver has kept the momentum going: her forthcoming album Bedlam is already receiving impressive reviews.  It seems like the Folk star has no limits and is stunning the music world with her beautiful voice and immersive music.  It is that terrific voice and wonderful pen that has lead critics and listeners to a near-paradise: few have been able to ignore songs that reach into the heart and provoke such strong reactions.  The genre of Folk is one that still seems to be marginalised and overlooked.  Aside from a few contemporary purveyors; the Folk artists of the new music scene have to fighter harder for recognition.  With the music world still favouring band-led music and Pop sounds- perhaps Alternative is up there too- more eyes need to focus on Folk.  Many have the impressions it will be purely acoustic guitar-based and sounds like ‘60s and ‘70s acts- Bob Dylan, Joni Mitchell etc.  That style of Folk is still popular- and rightfully so you can imagine- yet the Folk artists of today fuse genres and show a huge amount of colour.  Kelly Oliver is probably one of the most colourful artists I have seen.  Her official website and album artwork is vibrant and multifarious; she always has an infectious smile and an immense amount of charm.  Not only does Oliver blend traditional Acoustic-Folk sounds with a deeply personal projection; she has a huge connection with her fans and an accessibility few of her peers possess.  The artists that succeed this year will be those that do things differently and originally.  The past year- in my mind anyway- saw stagnation when it came to (a lot of) band music.  A fair few solo artists sounded tired and uninspired- in need of retuning and revamping.  The likes of Oliver is a much-needed breath of fresh air that is going to have a stunning 2016.  Bedlam is the sound of a young woman who very much has her sights set on long-term success.  With so few sound-alike acts out there, she stands alone: a wonderful young musician that is going to be a festival favourite in years to come.

Whereas Miles to Tralee and Bedlam are Oliver’s latest incarnations, it is worth looking back to assess her earliest days.  This Land’s opening track is The Witch of Walkern.  With a rousing and bouncing acoustic sound; Oliver’s agile and fairy-light voice (with evocations of a young Kate Bush) soars and seduces.  Witch trails, confessions and death-by-water tableau boast an imagination that belies her tender years.  Oliver proves what a mature and intelligent songwriter she is; how expressive and confident her voice is- on a sublime opener.  Diamond Girl is a soft and tender number that shows Oliver’s romantic and lush side.  The song’s central figure is a sort-of rough diamond that lacks a necessary compassion.  A ‘perfect’ love that dims with every day; it sees two people drifting apart and losing that connection.

Mr. Officer is one of the album’s most haunted and vivid songs.  Looking at a boy who goes to jail- and could spend the rest of his life there- it is a song that boasts a truly splendid vocal.  A cobweb-delicate weave that has such urgency, you get caught up in the song’s story.  Harmonica blasts and lilting acoustic guitar puts me in mind of early-days Dylan; the vocal-and-lyrics combination has touches of Court and Spark-era Joni Mitchell.  Showing maturity, nuance and wit; a song that has such movement and swoon- another of the album’s best moments.  A Gush of Wind shows Oliver at her most literary and lyrical impressive: words and a narrative that is stunning in its detail, quality and originality.  Backed by a touching and gorgeous vocal; it is a classic Folk song- something that could easily sit in the cannon of Mitchell, Dylan and their peers.

Album closer Playing with Sand looks at family life and struggle.  Throughout the album, Oliver casts her mind back into history; there is a vintage edge to the songs.  Tracks look at older-days families living off the land; literary figures picked from the pages of Jane Austen.  With one of the most sensual and rousing vocals on display; it is also one of the most supremely-rich narratives on the record.  Wonderful story and amazing characterisations result in a song that lingers long after it has ended.

   Bedlam expands upon the promise of This Land and develops her sound.  This Land was synonymous with amazing vocals that brought the images to life.  Those songs looked at family dynamics and broken love; heartbroken heroes and incarcerated anti-heroes.  The logarithms of the lyrics have not changed a lot throughout Bedlam- I will review it later on- but bring in new colours and inspirations.  Oliver casts her mind to new horizons and towns; new voyages and love- keeping that distinct pen and storytelling quality high.  Characters and scenes tumble with brilliance and sparkle; the vocals are reliably stunning and entrancing.  Whereas the themes and vocals have not needed to alter and improve; what is clear is the added confidence and authority throughout Bedlam.  This Land was a stunning collection that showed immense conviction and maturity.  Bedlam builds on this and sees the young heroine nail and own every single word and syllable.  The songs are even more intoxicating (than that of This Land); the nuance greater and more spellbinding; the compositions are deeper and more hard-hitting.

When the album is released in March it will be greeted with praise and passion by her existing fan-base; critics and writers will find new layers and sides to an extraordinary talent.  Given her rate of progression, it will be startling to see just how far Oliver can go.  Already as strong and assured as some of Acoustic-Folk’s best names- Laura Marling and The Staves- the British treasure is someone with a very bright future ahead of her.

Looking at Miles to Tralee- the latest song to be released from Oliver- and you get Bedlam’s most intriguing and standout moment.  In front of an elongated (and deeply aching string) is a fervent percussion-and-guitar combination that infuses urgent energy and potential into the song.  Kicking and upbeat, you are at once in-tune with the song; relaxed and ready for what is to come.  Oliver’s Irish background begins with the introduction which sees Celtic sways mix with traditional Folk elements; a blend of English and Irish sounds.  That introduction builds and builds; it creates its own images and compels the listener to nod along- helpless to resist its charm and feet-sweep appeal.  As the introduction builds to its peak- those strings yearning to the point of explosion- the composition is taken down slightly; it demurs and relaxes slightly to allow our heroine to step to the microphone.  The entire song could be seen as a semi-autobiographical testament.  The initial words (“There was a young girl from Tralee/Moved to England to feed her family”).  The young girl from Tralee earnt her wages alone; before sending them home to her family.  Those initial words have a historical element to them.  You can imagine it being set in the 19^th century perhaps: where there was greater poverty and that need to emigrate- go to the big cities and make a living.  That said, the lyrics could be applied to a music career and the need to pursue dreams- and support the (less-well-off) family back in Ireland.  Oliver’s voice is at its more serene and breezy in the initial lines.  She does not needlessly emote or over-do the sentiments; allowing her voice to tell the story and ensure it is perfectly ascribed.  A master of projection and dynamic; Oliver pulls the listener into the tale- so one envisions everything being sung.  The track has an innocence and by-gone romance to it: our heroine (whether Oliver is placing herself as the heroine here) meets a cap-wearing boy from London- he is going to show her around the country.  Having arrived from Ireland to seek work and life; she has met this boy and is being taken in hand- much to her delight it seems.  You can hear the pleasure and comfort in the vocal; the radiance and romance is entrancing and comforting.  It seems the initial romance/intrigue might be short-lived; our heroine prefers and yearns for the familiarity of home.  Seeming alien and disconnected in England; there is that ambition to get back to Tralee.  If she could walk the sea and had it in her; that is where she would want to be.  At every stage I was wondering whether Oliver is recollecting something from her past.  Whilst not as poverty-stricken and older-days as the lyrics suggest; you feel like there is some first-hand relevance to the words.  Perhaps- having found herself in a strange town/country- there is that desire to be home and somewhere she feels safe.  Whether fictional or not, you get caught in a tale that everyone can relate to- feeling foreign and uncertain in a strange climate; seeking an escape from the vicissitudes of another land.  After the anxiety and longing from the verses; Oliver allows the song to break into a composition focus.  Those home-grown strings and merriment provide some relief and sense of fun- for the heroine; it is almost a call from across the ocean.   The next verse continues the hyperbole themes: walking across the oceans and journeying for miles in order to get back home.  There is clearly a lot of sadness at heart; the soul has been blackened and a lot of tears seem to be pent-up.  You ache and emphasise with the heroine; hoping she makes it back home you wonder what it is (about England) that has caused this distress.  Across Bedlam you get various sides to Oliver’s vocal and how she projects herself.  Here she is at her most impassioned and determined.

It is clear the song means a lot to her, and as such, you get one the most committed and beautiful vocal from the album (in my view).  Wanting to walk to the door where she was born; you get a racing and breathless vocal that is determined to get its message across- backed by a tight and compelling composition.  Never suffocating or too intense; that vocal stops for breath and never overwhelms proceedings- it is kept balanced, disciplined and hugely likeable.  Towards the song’s end you get some of the most intriguing lyrics on the album- “If our sailor boy should die/Is it our blood that keeps us alive? /When our second sailor boy dies/Is it the grief that takes our mind?”  I began to wonder what was being referenced here.  A little oblique; a little tragic and emotional, these are words that stand in the mind and contrast the rest- that are comparatively simple and direct.  By the final strings and notes you wish Miles to Tralee would continue a little longer- not willing to let it go so soon.

One of Bedlam’s tracks that has no other writers on board (Oliver wrote this alone) you get a true and honest account from a young writer who gets more assured and fascinating with every new release.  There is that mix of personal and fictional- hallmarks that have defined Oliver’s work- and it is a song that implores you to become part of it; get lost in its notes and lyrics and imagine what is happening- create a story and your own interpretation.  One of the most straight-forward songs on the album; Miles to Tralee wears its heart on its sleeve; it is about escaping somewhere unfamiliar and strange- that homesick feeling that compels people to regress somewhere safe and familiar.  Oliver’s voice is consistently engaging and stunning throughout- never becoming too overwrought or emotive.  You do wonder whether there was resolution and satisfaction- if our heroine got back to the homeland and back to her family.  There is a charming historical bent to the song which places its heart in another time; although its themes- homesickness and need to emigrate; feeling out of place and lost- are subjects that everyone can relate to.  Miles to Tralee is a track with few musicians and other bodies.  Stu Hanna produced the song but also provided most of the instrumentation (including fiddle, mandola and tenor banjo).  Accompanying Oliver (she plays guitar) and you have a song that sounds like there is a whole band playing- in reality it is just Oliver and Hanna.  It is that close relationship and understanding that results in one of the most memorable songs Kelly Oliver has ever written.

Miles to Tralee is Bedlam’s finest moment; yet the album is a joy from start to finish.  The title track begins with a merry kick and a sense of abandonment.  Looking at bringing a girl into the world she wasn’t prepared for; the track has an infectious spirit and a great ‘traditional Folk’ feel to it.  On this album Oliver has brought in new producers and helmers- who contribute to the writing- and mixes stripped-back songs with more ornate and layered songs.  Beginning with a song that could easily fit onto This Land; it provides an accessible transition for her fan-base- whilst introducing new themes and subjects into the lyrics.  A claustrophobic and scar-bearing songs; our heroine has her child removed and is vilified by her husband- again the song fuses classic literature with darker sides of life.  It has an old-age and classic-literature feel to it; the projection and delivery of the lyrics is stunning.  Whereas most singers have a flat and predictable delivery; Oliver lets her voice glide and stop; it contorts and expands- bringing the words to life and giving them a sense of occasion and drama.

   Lay our Heavy Heads looks at a place “where the river flows”; it is a gentle and secluded escape; the boats are moored and the scenes are set.  The track looks at a devotional love and bond between the hero and heroine.  When the days are dark and hope is gone (the hero states) he will stand by his girl.  Departing from traditional love songs and their cliché lyrics- Oliver is a much more intelligent and distinct lyricist.  Mixing fascinating slices of literature with modern-day insights.  Being such a young songwriter, you do not expect the depth and quality of the lyrics.  Having studied Folk artists for the last few years, Oliver has really developed her songwriting and is at her most fascinating.  You get sounds of ’70s Folk heroines throughout the performance.  It has a traditional sound yet you cannot escape that modern edge to it.  The composition blends strings and percussion- a delirious rapture that augments the song- and backing vocals.  One of the highlights from Bedlam; it shows the young heroine in extraordinary voice.

Jericho is a song that is available to the public- one of the first tasters from Bedlam- and has been met with celebratory praise.  Featuring harmonica, violin and dulcimer (among other instruments) it is one of the busiest and most multi-layered tracks.  Placing the emphasis on the vocal, the track sees a girl go to fight in Jericho- and bring back her prize; the boy.  It has quite a Celtic feel to it and you instantly start to transport yourself into the midst of the song.  Showcasing some of the album’s most noteworthy and vivid lyrics; it is a beautifully-performed story that has an indelible chorus- one of the catchiest and most memorable songs from the young heroine.  Drawing from Oliver’s Irish background, the band behind her- including Ciaran Algar on violin and backing vocals- is at their most electric.  The song was co-written/produced by Nigel Stonier and mixes the biblical story of Jericho with a modern-day feel and sound.  One of the best tracks from Bedlam; it has already gathered heady support and praise. 

   In the City is one of Oliver’s most personal songs- she wrote and co-produced it- and sees her voice at its most flight-fancying and seductive.  Gliding in delicately-picked strings and elongated harmonica, it is a gorgeous and tender song that looks at the dazzle and haze of the city- the desire to be ensconced within the safe haven of home.  In the city- the hero and heroine- the duo are losing their head and spirit; conflict is unfolding and the lovers are estranged.  Throughout there is a need to return to the country/home and rekindle a flame that is dulled and fizzling.

   The Other Woman is one of the most straight-forward and direct love songs on the album.  Not hiding behind florid words or fanciful fantasy; it has more urgency and bare emotion than album siblings.  Our heroine’s man proclaims his love and devotion; when the morning comes he is in the arms of another woman- a deceit that is italicised in a heartbroken vocal performance.  One of the most sparse and stripped songs on the album, you get a fragile and vulnerable woman who has been cheated and overlooked.  Whoever the other woman is; she is put first and adored- much to the dismay and sadness of our heroine.  Oliver delivers one of her most affecting vocals to date- bringing that sense of implosion and abandonment to life.

   Same World begins with a charming and beautiful mandolin which takes the album in another direction.  One of the most evocative and delirious introductions, it is another love song that goes straight to the heart.  Our heroine and her boy are dreaming of the same thing in the same world.  Throughout there is a sense of childhood and innocence; two souls laughing like ten-year-olds- that wonderful innocence persists for the duration of the track.  Underlying the purity and potential- backed by a stunning vocal turn and tight composition- there is some heartache and uncertainty.  The hero’s life is “standing in the way” and maybe causing obstacles between the two.  Another Kelly Oliver original (without the help of co-writers) you wonder what inspired the track- whether there was real-life recollection or if it was drawn from a dream/fantasy.

    Ghosts at Night looks at emotional haunt and the soul being plagued.  Our heroine directs her words at a friend/lover and sees the hurt that is inside them.  They are drifting “out to the open sea” and a feather floating in the breeze.  One of the most vivid and memorable set of lyrics; we get various metaphors and images that highlight this sense of detachment and loss- there is mystique and mystery lurking underneath.  I wonder whether this is a former sweetheart being represented; maybe a friend who has lost their way- the performance is delivered with heart and sheer passion.

   Die This Way is one of the most stunning and unsettling tracks Oliver has ever created.  The opening verse looks at our heroine not wanting to fly home- she has seen how planes are shot from the sky- which you could be about modern-day terrorism; or have their heart set in history.  There is a tangible and gripping fear in Oliver’s voice as she projects those fears and nerves in the song.  Listeners will be able to relate to that sense of uncertainty and political unrest.  As the song progresses we get images of gun-toting men and frontier-destroying barbarians.  Women have their bones crushed- as they walk alone in the street- there are a lot of modern-day evils and relevance.  It is not clear whether Oliver is ascribing the fears and torments of the modern world or placing her song in fiction and fantasy.  One of her most assured and immediate vocals on the album, it is a wonderful performance.

The album's swansong comes in the form of Rio.  A track that is miles away from Duran Duran's namesake (thankfully perhaps) it starts with a terrific energy and merriment.  One of the album's most overtly uplifted and firecracker moments; it sees Oliver let her voice glide and seduce with alacrity.  Ensuring Bedlam ends with a bang; Rio sees dreams of the Brazilian city comes under the microscope.  All it has to offer is here- the sun and sensations; the verve and strange glamour; the beautiful bodies- with our heroine in desirous and itinerant mood.  Whereas Miles to Tralee saw Oliver talk about the need to return home- from a place that is unusual and unwelcoming- we get the reverse here.  Casting herself as a tourist perhaps- and becoming entranced by the city's splendour- we get a dizzying array of images and sights- people praying to the "lord of the mountain".  Those cosmopolitan voices mix in a song that draws you into a tropical climate; there is such a sunniness and vibrancy to the vocal- one of the most applaud-worthy on the album.  Whether Oliver visited the city- or is using it as a metaphor for something else- you can certainty here that passion and joy come through.  When Oliver sings about having her heart filled with dreams and memories; Rio working its magic- I get reminiscences and flavour-notes of Kirsty MacColl.  Whether the late legend is an influence on Oliver I am not sure; you can hear that same tremendous urgency and quality in the vocal.  Backed by a wonderful composition- that mixes so many different strands and sounds together- you have a song that demands repeated plays and listens.  One of the most redemptive and hope-filled songs you can hear; it is impossible not to be swept up by the bonhomie and delirious jig.  One of the most indelible choruses Oliver has performed- Rio ends Bedlam with a huge smile; and one of the album's best songs.  The song resolves the conflicts and heartaches of previous tracks; ending with a positive note.

Bedlam is an album that is more collaborative than This Land.  Bringing in co-writers and new producers; a range of musicians and artists- it has a more rounded and layered feel.  More colourful and vibrant, here Oliver has gone electric- whereas her debut was a more acoustic and pastoral affair.  This has not resulted in an artist having her voice muted; quite the opposite in fact.  Whereas This Land was staggeringly confident and assured it showed just what could happen- a stunning building block for the young artist.  Oliver has assembled a fantastic team that adds to her songs and voice without stealing the focus away.  The entire album sees Oliver at her peak and in extraordinary form.  Her lyrics are more borderline-genius than ever and are hugely impressive and mature.  With no weak lines or clichés, she stands as one of the greatest songwriters in the country.  That incredible voice is more mature and developed than before.  Showing new emotions, shades and contours; each song is defined by stunning intuition and skill from the young songwriter.  Backed by wonderful musicians and producers and you have an album that could stand as 2016’s very finest- even before its official release.

Bedlam is an album that marks Oliver out as a serious talent to watch.  Miles to Tralee is an invigorating and heartwarming song that is hard to resist and ignore.  Replete with a glistening voice and endless talent, I am not surprised Oliver is gaining so much kudos and respect.  One of the U.K.’s most promising young artists, make sure you grab the album when it is released in a couple of months (but you can get your hands on a copy ahead of the official release (6th March) by going to one of the gigs on the tour; or pre-ordering from her website now, which will be dispatched at the end of January when the tour starts.  A soft release is available from the website on January 28th).  I urge you to look back at Oliver’s work and witness an artist with a very special and original voice.  It is that urgency, passion and soul- three words that are commonplace in my reviews- that blends with beautiful reflection and stunning compositions.  I see too many young artists squander initial promise and sell-out their principles; change their identity and burn out.  With so much pressure being put on young musicians, it is vital to take time and create music that sounds natural and true to who you are- not bend to the capricious desires of the mainstream media.  Before wrapping up things, I wanted to circle back to my original points about female artists of music; Folk and ways to succeed in 2016.  I have seen a lot of upcoming female artists stifled by the comparative lack of attention (compared to their male colleagues) when it comes to their music.  With mainstream attentions still fixated by band music- and it being a male-dominated sector- I fear this imbalance will not abate into this year.  It is a shame there are inequalities in music because most of the best artists emerging (in my view) are female.  It may be the case that 2016’s finest mainstream albums were male-heavy (except for the likes of Adele and Courtney Barnett) but it is an entirely different story in the underground.  Let’s hope there are fewer transgressions and quasi-misogynistic trends in music as 2016 progresses.  Kelly Oliver is proving what the majority of female artists are proving: they are just as strong as- and in a lot of cases, stronger- than their male peers.  I shall leave this thorny, controversial issue to another time; but it is worth reflecting on the year ahead.  As I said up-top; there are some great artists coming through already- I am reviewing a few in the coming weeks- that are demonstrating huge prowess and potential.  Kelly Oliver has amazed me with her fresh sound and nuanced music.  Having been lucky to get a press-only/advanced link to the album- *sticks tongue out smugly*- I have been revisiting songs and moments; digging into divine moments and hidden treasures.  The mainstream is going to showcase some great artists and albums this year- whether will get anything as biblical as Kendrick Lamar’s To Pimp a Butterfly has yet to be seen- and will see some existing legends produce new work.  Innovation and invention will be the order of the day when it comes to new music’s kings/queens-in-waiting.  There are too many insipid and lackluster artists around; so public demands will want their musicians to be more forward-thinking and striking.  Oliver is one of those artists who has developed since her earliest days.  Without losing her identity and voice, she has expanded and augmented her talent- getting better and stronger with every new release.  If you sheer away at the Folk clichés- the acoustic guitar-holding singers talking about nature, peace and love- then you will discover a genre that is contemporary,   Packing plenty of wonderment, uplift and depth; Folk is a genre that is attracting a lot of musicians- and with very good reason.

Kelly Oliver’s top-of-the-table consistency and drive is setting her out as one of music’s most mouth-watering and scintillating singer-songwriters.  Bedlam is a marvel of an album that has no fuller material and only stunning moments- songs that keep revealing layers and beauty with every listen.  Oliver has a varied collection of influences- from The Staves and Bob Dylan through to Steve Earl and Joni Mitchell- which she infuses and mixes into her own, inimitable brand of music.  Miles to Tralee is one of the most instant and fantastic tracks I have heard for many a-month; it sets the album’s objectives out wonderfully- just what the fans and listeners can expect.  Investigate one of Britain’s brightest talents and dive into her warm and comforting musical waters.  Behind the colourful artwork and intoxicating beauty is an artist that has huge maturity, compassion and talent.  Having garnered praise from some rather lofty names- including Bob “Whispering” Harris- it is no hardly shocking when you play her music.  2016 has only begun yet I am fully-confident Kelly Oliver will be one of the names bothering critics’ end-of-year polls come December.  Immerse yourself in a special music talent with many years ahead.  A wonderful, sure-fire way to beat…

 

THE winter blues.

[youtube https://www.youtube.com/watch?v=yCZQZRoSNLM&w=560&h=315]

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Follow Kelly Oliver:

• 

Official:

http://kellyoliver.co.uk/

Facebook:

https://www.facebook.com/kellyolivermusic/?fref=ts

Twitter:

https://twitter.com/KellyOliverUK

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Music:

https://soundcloud.com/kellyoliver

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Video:

https://www.youtube.com/channel/UCe-rtusTwX8JK3CvqBtrvyw

 

Interview: Eden Jones

Interview:

 

 

Eden Jones

 

IT is going to be exciting to see which artists make a mark through 2016…

For my money, Eden Jones is going to be one of the hot names to watch this year.  With a stunning range of music behind her- she is planning gigs throughout 2016- we will be seeing new material and  fresh revelations from the stunning young artist.  With so many singer-songwriters emerging, Jones sticks in the memory and is hard to forget.  I was keen to see how 2015 treated her; plans for the coming year- which artists have inspired and influenced her music and voice.

Hi Eden.  I hope you are well.  How has your day week been? 

Hey I am great thank you; I had a blessed holiday period with my family and friends.  I had some new home studio toys to play with so I kept busy.  Christmas and the New Year is always a great time to recharge, reevaluate and get focused so I’m ready for 2016

You split your time between L.A. and London.  How do the cities differ in terms of music/people and what compelled you to travel to L.A.?

I think they differ loads.  London is more about live music, gigging and getting yourself out there.  I find L.A. a great place for studio sessions and getting the majority of the writing done- so it’s a great mix, and hell, who doesn’t want to be spending their down time soaking up some rays and hiking!  I have such an incredible team and friend network in L.A. that it really is a second home.

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Wild Hearts is your latest track- and a track I hope to review- and really spoke to me.  What inspired you to write it?

I guess I used to live my life robotic; to society's standards.  Then adolescence came and I made my mistakes; after a few years of being thoroughly lost a friend of mine told me if I wanted to see the world just do it- if I wanted to sing then sing loud.  I guess the song comes from my experiences after that conversation.  It resonated with me so deeply and now I live day-to-day, doing something I love and loving what this beautiful Earth has to offer us.  It’s not conventional but more and more people are breaking free from the constraints of the rat race and finding peace and happiness in nature; and even if it’s just for an hour a day, I try to disconnect from social media and modern life to take in some of its beauty.  Wild Hearts is written from that place I go to when I’m not taking pictures of the stuff around me; just taking it all in and experiencing real life.

I think your voice defines your music.  It has soul and passion.  There is plenty of rawness and vulnerability.  Which singers have been influential when shaping that stunning voice?

Thank you.  I try to sing every word and lyric like I’m telling a story and I love other story-tellers.  From tribal singing to Kate Bush and Bjork- who are two incredible female artists that tell their story with emotion in their voice.  I take inspiration from them.

A lot of musicians I know are successful because they feel like outsiders; some feel misunderstood.  What compelled you to become a musician and have you had any struggles/bad times that have influenced you to make music?

I think everyone has a past and has had struggles.  We all have people who affect our happiness and we all make decisions that create pain in our own worlds and I certainly have made mine.  My music is like a diary of the pain; the hurt and coming out the other side stronger and at peace with it all.   Every experience can be learnt from and I’ve learnt to forgive and find inner-strength to find a positive in my past.

Last year was quite busy for you.  What does 2016 have in store?  An E.P. or album in the pipeline? 

Yes, I am working on new music all the time.  I love being in the studio and getting a song in my inbox from a producer finished is like Christmas morning!

Being a young woman in the music industry; have you found any challenges/inequality when trying to get your music made and your voice heard?  Do you think there is a gender imbalance in the industry?

I have been really lucky and had an incredible response from other people in the industry both male and female.  I have had my fair share of labeling though.  I speak in a public school accent and this has for sure been something that has been mentioned along the way.  People have assumed that I have had financial help.

I must admit I do revel in telling them I have done it all myself; living in hostels and worked my ass off in full-time work at the same time as recording and creating my own fate.  I like to think in today’s society it doesn’t matter who you are, what sex you are; where you are from or the colour of your skin- If you keep your feet on the ground then hard work pays off.

In terms of your influences and idols; who has been particularly important to you growing up?

I guess like everyone the music your parents listen to tend to shape your music ear.  My dad loved Queen and Dire Straits and my mum was an Enya and Adam Ant fan.  We always had music on growing up and the vast spectrum of styles has defiantly helped mould my eclectic style.

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If you had to pick a song/moment from your career which stands out this most which would it be?

I think it would be The Hunger- a song I wrote with Carsten Lindberg in the U.S. this summer.  I wanted to create something for a friend of mine who is recovering in hospital after a pretty serious accident.  I spent nearly a year writing notes, poems, letters and nothing quite said what I wanted it to.  But with Carsten he captured the emotion so beautifully in the track that the lyrics and melody just came out.  We recorded at his home in Los Angeles and I cried my way through the vocal takes.  We kept them pretty raw and (still) when I listen to the song I tear-up most times.  This track resembles strength beyond comprehension and the whole experience from writing to recording was very spiritual for me.  I just hope my friend loves it as much as I do; he is my hero and for sure the bravest and strongest human I have ever been blessed to know.

A lot of music emanates from heartache and relationships.  Has love and relationships been important when it comes to your music.  What is your creative process when writing a new song?

Yes, I think heartache is something everyone can relate to.  I have had some pretty distressing times and also some incredible friendships and relationships in my past; and always write from experience.  When I start a session I like to get to know the producer and any co-writers so they can understand the story we are going to tell and can feel the emotion behind the lyrics.

There will be some young artists inspired to follow in your footsteps.  What advice would you give them?

Every journey is different but I think just do something you love, don’t chase the money or fame, just enjoy every day; and then if it doesn’t work out you have a life of laughs and experience money couldn’t  buy, and that will forever put a smile on your face.

It seems like you have a great bond and connection with your social media followers.  How important have they been with regards your music and success?

My social media followers are incredible.  I have such support and it always surprises me how sweet and kind people are.  I have people promote and help me from all around the world and I feel very lucky.  I just can’t wait to repay them all with a finished album.

What one gift would you like if you could choose anything?

I have such a blessed life full of wonderful friends and family that I couldn’t wish for anything for myself. Health, peace and strength for all those who need it would be the best gift.  Thanks and maybe a puppy… who doesn’t love puppies!? :)

Finally- and for being a good egg- you can name any song you like; I’ll play it here…

Well it has to be Dakota by Stereophonics.  They invited me to their show at the O2 last month and it was so incredible live.  They have been going for 20 years and still pack out a venue as big at the O2 arena with fans of every age.  They are ultimately one of the coolest bands and their live performances are note-perfect.

[youtube https://www.youtube.com/watch?v=SzBJQnD7TRM&w=420&h=315]

______________________________________

Follow Eden Jones:

 

Official:

http://www.edenjonesmusic.com/

Facebook:

https://www.facebook.com/edenjonesmusic/?fref=ts

Twitter:

https://twitter.com/edenjonesmusic

YouTube:

https://www.youtube.com/watch?v=2nOail9mRxE

SoundCloud:

https://soundcloud.com/edenjonesmusic

Instagram:

https://www.instagram.com/edenjones.music/

Interview: The State of Georgia

Interview:

 

 

The State of Georgia

WITH 2016 now in full swing, I am spending the next week…

checking in with some of my favourite artists of the last year (in addition to some new peeps).  Georgiana Jakubiak’s moniker The State of Georgia is releasing a new album this year- with big plans afoot- so I was keen to catch up with her and see what was in store...

Hi Georgina.  I hope you are well.  How was Christmas and New Year?

Christmas and New Year were great thanks!  Spent it in Cornwall with my family (that's where I'm from).  It was all about my 2-year-old!

Looking back at the past year- either personally or music-wise- what have been the highlights for you?

Musically I managed to get funded on Kickstarter which meant I could finish my album (which has taken me two years)!  That felt amazing to finally finish it and I'm really pleased.  Personally I found out I'm having another baby, eek!

Your latest album Roses & Swallows is completed and almost ready to be released.  What can you tell us about it and its themes/sounds?

Roses & Swallows is an album of Pop songs.  People are scared of the word 'Pop' but I try to write melodic, catchy songs which mean something.  There's a lot about family on there and friends.  I love good ‘80s Pop like Fleetwood Mac and Kate Bush- listening to Haim a lot and Sia.

I know the album was funded via Kickstarter.  How vital have the fans been with regards getting the album made?

I usually fund everything myself by playing at weddings and teaching but I was struggling towards the end; everything is so expensive!  So grateful for the fans for helping me out.  Thanks everyone!  They get the album before everyone else.

Being based out of Yorkshire there are a lot of great artists playing throughout the county.  Any particular bands/acts you would recommend?

Oh there's loads!  I did some singing for The Ainsley Band in the summer as part of Long Division festival in Wakefield- where they recorded an album live and the audience heard the mix in headphones.  The album is great and they are a brilliant band; check them out!  Other friends Jonny the Firth, Rosie Doonan- who's working on new album too- Mi Mye (lots of Wakefield bands but I actually live in Leeds)

Listening to your music and it is hard to think of other singers/artists.  Which artists were important with regards shaping your music and passion?

Skunk Anansie were the first band that made me want to sing.  Skin's voice is amazing so I started singing her songs at school and never looked back.  I love Kate Bush and Tori Amos.  When I get stuck in the studio I always say 'what would Kate do?'.  I toured for a long time in a band called The Research- I was the bass player and sang so got to see so much music over the years.  I always love seeing girls in bands; check out The September Girls.  They are super cool.

What other plans are ahead for 2016?

Release a single No Man's Land which I'm making a video for in the next month hopefully; then release the album end of March.  Album launch party 1st of April at Unity Wakefield so rehearsals for that.  All before having a baby end of May.

When it comes to writing music, what inspires your creative process?  Do you set time aside to write or do songs form when inspiration strikes?

I don't get much time to set aside so usually when inspiration strikes, or in-between singing students when I'm sat at the piano.  Songs sometimes take shape in bits and come together in the studio.  I record at Greenmount Studios (in Leeds) with good friends Lee Smith and Jamie Lockhart- they produce me and do a great job!

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We have a few mutual music friends (including Jonnythefirth).  Any particular upcoming bands/artists you would recommend?

I think I said them all in the earlier question, whoops!  Yeah Jonny is on the album on guitar; he's a great guy.

I am curious to ask this of musicians.  If you had to choose one song/album that is most important to you, what would it be?

That's really hard!  Kate Bush's Hounds of Love is a longtime favourite.  I went to see her last year and it blew my tiny mind.  I've also met her! (I like to throw that one into conversation).  She is lovely.

Music means a lot of things to various people.  What does it mean to you personally?

It means everything; I don't know what I'd do without it!  It's my therapy; keeps me kind of sane.

If you had to choose your proudest achievement- or the moment that means the most to you- what would it be?

Nonmusical, but having my little boy!  I've played some big gigs and done some great things but I don't think anything compares really.  He's my best creation!

What advice would you give to any new songwriters coming through?

Keep trying, talk to people; make your own luck.

Have you any plans to come and play London- and perhaps internationally- when the album is released?

Possibly, depends what happens with it.  Will have to take some time out to have my second baby but it didn't keep me off for long last time.

Finally, and for being such a good sport, you can name any song, and I will play it here…

[youtube https://www.youtube.com/watch?v=CgTRmb1HBnE&w=560&h=315]

_____________________________________

Follow The State of Georgia

 

Official:

http://georginalashbrook.wix.com/thestateofgeorgia

Facebook:

https://www.facebook.com/thestateofgeorgia/?fref=ts

Twitter:

https://twitter.com/stateofg

Feature: Music Websites- The Need for Change

FEATURE:

 

 

Music Websites

 

 

 

The Need for Change

ONE of the most stressful and disheartening things about…

2015 was the struggle to find great new music.  That is not to say there was a deficit of quality; quite the opposite in fact- it was just a struggle discovering it.  There is so much emphasis on social media- sites like Twitter and Facebook- but how useful is it when it comes to music?  These sites are great when it comes to statuses, photos etc.; but what about music?  To my mind there are no websites dedicated to promoting music and providing something comprehensive.  I have waxed lyrical about this when talking about Psychoacoustics- the website I hope to put together that remedies this slight- but it is something that really riles me.

When it comes to new music; there is so much emerging by the week.  All around the world there are hungry and eager musicians breaking through but so little discipline and exposure.  Unless you are on social media- and hear about music via a friend or connection- so much music will pass you by.  There is no excuse for such a sloppy and lazy approach to music.  If new musicians are to be given a fair shake- and get the attention and listenership they deserve- they need a platform that will do them justice.  Facebook and Twitter are very limited in their effectiveness and connections.  As I said; unless you are sort of ‘in the right place at the right time’ you will not be aware of so many great artists.  There are a lot of music websites that do very specific things.  Whether it is Internet radio or gig promotions; there is a website out there for you.

It shouldn’t be that hard to create a site that channels and focuses new music into a one-stop portal.  You can break it down by city, genre or sound; make it easy for the user/listener to discover some fantastic artists.  All you would need to do is visit the site- Psychoacoustics seems like the most likely option; unless someone else gets there first- and have a browse.  You would link the site to social media so bands and artists would post updates and news onto the site- it would integrate existing social media/music websites into one website.

The same issue arising when it comes to existing music- something a little easier to control and organise- and getting to grips with its full potential.  So often I have haphazardly been searching on YouTube and come across a great song from years past- maybe something that was an old favourite.  Too often I discover bands and acts I never heard of; those that I should be aware of- I have stumbled upon it by dumb chance.  The same principle applies here- as I have said with new music- where you could have another area of the website that would organise the music more effectively.  Whether you wanted to search a particular decade or genre; maybe a particular band or album- it would make it simple to get the music you want.  YouTube is the site that houses this music yet they have no system that effectively lays out the music and allows the music-lover to find lost treasures and bygone treats.

As this year continues I shall be seeking the best in new music; keen to see what is on offer.  Too often I have to put out Facebook shouts to the masses: seeing if they can recommend a great artist to review.  Why isn’t there a website that makes things easier for the likes of me?  It doesn’t need to be hugely developed and sparkling; just somewhere I can hunt ALL the new music coming out.  It is 2016 so let’s hope- if I can’t get there first- someone focuses away from social media/technology and spends some time and money on something people NEED.  Not only will it ease the stress of music-lovers and aficionados but make new music easier to access and share.  When it is all said and done…

ISN’T that the point all along?!

Track Review: Kirbanu- Drifting

TRACK REVIEW:

 

Kirbanu

  

Drifting

9.4/10.0

Drifting is available at:

https://soundcloud.com/kirbanu/drifting

RELEASED:

2016

GENRES: Pop

ORIGIN:

Adelaide, Australia

The album Drifting was released on 01.01.'16 and is available at:

https://kirbanu.bandcamp.com/album/drifting

TRACK LISTING:

Drifting- 9.4

My Old Friend- 9.3

Haunted by a Shadow- 9.3

Let Me Love You- 9.3

Closed Eyes- 9.4

The Voice Inside- 9.3

You’re Beautiful- 9.4

Time Goes On- 9.3

DOWNLOAD:

Drifting; Closed Eyes; You’re Beautiful

STANDOUT TRACK:

Drifting

____________________________________

FOR the first time this year it is not only a great solo artist…

I get to review, but someone who raises a few interesting points regarding music.  Before introducing my featured act, I am looking at music outside the U.K.; the importance of travel and relocation- the sounds that are shaping up for this year.  Most of last year was dedicated to discovering and fostering U.K.-born acts; artists that did not stray too far beyond Britain.  Over the coming year I will be looking at more international acts and what they have to offer.  A lot of music outlets tend to concentrate on their homegrown artists and do not give much of a glimpse to musicians from other countries.  Some of my fondest discoveries from 2015 were those artists that hail from outside the U.K.  Not only do I get to discover a new sound/artist but investigate a new country and culture.  What I noticed from last year is the amount of musicians moving abroad and changing their locations.  Whether it was a move outside the U.K. - or a slight move within the country- I have seen a lot of emigration and change.  I am not bringing it up as an idle point; movement and change has brought about some musical transformation and improvement.  Musicians are constantly looking for inspiration and something new; a landscape that will influence their mind and support their goals.  Changing homes and location can do a hell of a lot for music: the artist gets a chance to take in fresh faces and scenes; find some new impetus.  I mention this point because my featured act originated in Australia (Adelaide) but now resides in Germany.  It seems the people and sights of Heidelberg have motivated and compelled Kirbanu; her new home has brought about song inspiration and a lot of happiness.  I am not saying musicians need to find a new country/town in order to find inspiration; staying in the same spot can lead to some stagnation and limitation.  Little is known about the Australian-born star- there are few biographical details on her official site- but the young artist has had a busy past year.  Her album Drifting has just been released (yesterday): the culmination of hard work and dedication; the album shows a stunning talent with many years ahead of her (I shall be doing a review of the album near the end of this piece).  A few weeks ago I was looking at Australian artists and how fertile the country is- few eyes look there when it comes to the brightest musicians.  When it comes to Adelaide itself, bands such as Cold Chisel and Atlas Genius sit alongside Double Dragon and Virgin Black.  With direct contemporaries such as Joy Sparkes and Naomi Keyte putting Adelaide on the map, it is not shocking to see Kirbanu emerge and prosper.  The south Australian hub is up there with Sydney, Melbourne and Perth (when it comes to the best new music).  I hope 2016 sees journalist and the music press dedicate more time outside the U.S. and U.K.  When you expand your horizons and take your mind across the globe; you can discover some stunning music and fascinating artists.  Kirbanu has essences of her Adelaide solo contemporaries- a distinct accent and sound that merges with something contemporary- but draws in inspirations of her new home.  When it comes to Kirbanu’s music, that voice is the queen: the central figure that captivates and seduces at will.  In developing the voice, Kirbanu assesses it thus (information sourced from her official website):

“So at this point you could think that I was born a singer. That I was gifted from age 4 with the perfect sound. That my parents groomed me through childhood to cultivate my gift. Perhaps this fantasy would lead me to some fancy music conservatory like Julliard. And then culminate in a mesmerizing performance onstage with Beyoncé in front of millions. Great though it would be, this picture couldn’t be further from the truth…

Though I’ve loved singing all my life, for a long time I lacked the confidence to seriously pursue it. Even when I was finally performing on stage, I still had so many doubts about my voice. I was incredibly insecure. Having grown up in a world where music was basically forbidden, I felt ashamed of longing to be a singer. This fear was so strong that I sang in front of no one. I kept my love shut away. I practiced only in my car, in secret.

But true love cannot be pacified. And as I aged my love became a wild fire burning inside, longing to be released. I needed to sing. I had to understand the voice. I felt like a bird trapped, longing for release and I knew I could only find that release through embracing and empowering my voice. So I cracked”.

2015 was the Adelaidean’s finest to date; she is clearly reveling in her surroundings the fans that support her.  Drifting is the result of that new-found inspiration and happiness: an album that sees Kirbanu let her magic voice soar and hit the soul; present touching love songs and personal insight.  There are a lot of great female artists coming through, although few have such a distinctive sound and vocal- something that has seen Kirbanu’s social media numbers climb.  Into this month, Kirbanu tours Australia and gets a chance to ‘come home’- enthrall her native crowd and show them what they’re missing.  This year will see Kirbanu tour her new album and reach out to new audiences.  The album shows a lot of hard work and attention; immense amounts of heart and passion- there is no telling what the next year will hold.  After such a prosperous and busy 2015; I am sure Kirbanu will keep that momentum going and produce yet more new music.  I hope she comes to the U.K. and plays here; there are plenty of venues and towns that would welcome her fondly.  With so many new musicians coming through, it will be challenging narrowing-down the best this year has to offer.  You would be hard-pressed to find anyone as immediate and memorable as Kirbanu.  Her music may not hit you instantly; it reveals new layers and insights as you re-investigate- sounds that have plenty of nuance and long-term appeal.  She digs into common-day themes whilst giving them a personal perspective; ensuring the listener can relate and empathise with the songs.  If you have not encountered her new album, make sure you check it out.

Drifting is one of the first of Kirbanu’s works I have encountered.  Whilst reviewing the title track- and checking the album out as a whole- it was prudent to look back and see how the Adelaide-born artist has progressed.  From the earliest days, Kirbanu has showcased that peerless and stunning voice.  If you check out her YouTube channel, you can hear the cover versions she makes her own.  From Birdy’s All About You to Florence and the Machine’s Cosmic Love; you get new insight and life into existing songs- they are transformed and made new.  Most of Kirbanu’s original material is contained within Drifting; Wrapped in Your Love was released last year- and is one of the few songs not contained on the album.  A paen and love song to her husband (one would assume); the song showcases devotion and a huge passion- appreciation for what has been given and what she has.  A simple and upbeat acoustic-led composition; it allows that rich and vibrant voice to create something soulful and bold.   Her latest material shows greater confidence and depth.  The compositions are more varied and deep; the subject matter goes away from love to take in other topics- a fully-rounded and complete work.  Whilst Wrapped in Your Love was a great song from the young artist; it was a sign of things to come.  Given the confidence and talent displayed throughout Drifting, it will be great to see what strikes Kirbanu next.

When it comes to Drifting, I was keen to focus upon its title track.  Beginning with a soft and delicate acoustic lead; you become relaxed and fascinated from the off- swept up by the gentility and gracefulness of the strings.  As that introduction builds and develops- becoming atmospheric and eerie in places; instilled with wistfulness and beauty- our heroine comes to the microphone.  In the early stages, she recalls decisions around emigration- leaving her home and relocating to another country.  It instantly stands out as one of the most personal and reflective tracks on the album- that move from Australia to Germany.  The people “and the stories they’d spin” never resonated with Kirbanu; that distance and sense of not fitting in- that underlying need to go somewhere she belonged.  Whether directly referencing her move to Germany I am not sure- although one assumes this is being attested- you can hear that reality and urgency in the vocal.  The performance has some sadness and sensitivity early on; anxious when recalling time at ‘home’- that dislocation and lack of identity.  Having “sailed off across the world” the heroine began her travels in that need for a new home.  In a way Drifting can be seen as an impersonal song or metaphor for love.  If not seen as a directly autobiographical, the words could apply to that search for love and personal belonging- being a better and happier person.   That escape and adventure has seen the heroine expand her horizons and experience something magical.  Having seen so many new faces and places, you can hear that sense of relief and happiness- something that was long-overdue and almost spiritual.  In spite of the travels and new experiences, the biggest change has been inside of her.  As the chorus comes to play you get a sense of someone who has lost her identity; was drifting at sea- perhaps not all is well it seems.  This constant movement and relocation has not been as beneficial as hoped.  With so many countries visited- so many faces and stories seen and heard- you get the impression of a nomad; a woman that is searching for stability and an anchor- she is lost at sea and unsure of where she belongs.  Feeling she is “going blind”; you get vivid and unforgettable images portrayed.  The vocal changes course as the song progresses.  In the early stages- when the lyrics look at the heroine relocating and moving- it is almost spoken; it is calmer and sweeter.  When thoughts look at personal heartache and loss you get a more impassioned and urgent vocal sound.  That tension and hurt is evident and unescapable as you immerse yourself in the song and follow the lyrics- following the heroine as she goes from place to place.  As our heroine talks about anchors and not being rooted; a tribal and rampant drum comes in to give the track that needed heartbeat- something that brings huge force and resonance to proceedings.  Being lost and drifting at sea; in need of something safe and secure- you cannot help but to wonder how things resolved themselves.  Knowing Kirbanu is happy where she is right now- and it seems her home is where her heart is- it is curious what inspired the song.  The musician’s life will see them constantly travel and meet new people; not being settled and endlessly moving- it is a song that many can relate to.  In other aspects, the song could be a broader look at love and personal happiness.  It takes time to find someone that means a lot to you; someone that fulfils you.  Whereas other album tracks look at happiness and fulfillment; Drifting deals more with harsher concerns and something more upsetting.  At every stage you are rooting for the heroine and want to see her happy- hoping she found her feet eventually.  The composition never encroaches on the mood and remains supportive and augmentative.  That exhilarating drum introduction gives the track extra spark and life; the rousing strings give it energy and movement.  As the song enters the final third, you get an introduction of something more haunted and spectral- aching electronics and something more shadowy.  As a composer, Kirbanu always pays close attention and ensures the composition is as effective as the vocal.  The quiet-loud dynamic of the song- the way it can be restrained and then suddenly explode- keeps the listener on their toes for sure.  It is the constant passion and soulfulness that makes Drifting such a standout.  The lyrics deal with common-day and relatable concerns.  Although deeply personal to Kirbanu; there are going to be so many people listening in the same boat- a boat that has no clear destination.

Congratulations must be given to Kirbanu whose voice is at its most agile and passionate throughout the song.  Showcasing beauty and sensitivity; introspective emotion and something deeply moving- a performance that is hard to fault.  The lyrics give an insight into her mind and past; the words are never clichéd or predictable- something that few other musicians can boast.  Supported by a composition that gives plenty of colour and drama to the song; Drifting is a song that gets inside the heart and evokes emotion and reflection.  Few artists are capable of producing songs so immediate and striking.  Drifting is an album that provides so many gems; none as quite as mesmeric as the title track.

It is clear 2015 has been a prosperous and happy one for Kirbanu.  With Heidelberg offering up its daily beauty and inspiration; that joy and comfort is reflected in the music she makes.  Few people can deny that incredible voice and the quality of the songs being offered.  Throughout Drifting- I shall do a mini-review soon- you get insights into the Australian; her love and admiration she has- whilst it explores universal themes and heartaches.  It is not a coincidence social media numbers are climbing and she has such a loyal fan-base.  On a daily basis- throughout Facebook and Twitter- there are effusive messages and supportive praise.  That music is resonating with people and drawing a lot of people in.  Perhaps it is the passion and commitment injected into every song; that voice and all it can do- maybe something difficult to explain.  Whatever the reason behind things, it is clear Kirbanu is a name to watch in 2016.  I started by stating how few people tend to look outside the U.K. and U.S. with regards new music.  People tend to go where the media leads them.  A lot of media outlets tend to rely too heavily on their homegrown artists and overlook the wonderful music that originates farther afield.  I have loved what Australia offered throughout 2015.  It is a country that has produced some of new music’s most original and memorable artists.  Let’s hope media trends are overhauled and they start to open their minds slightly- so much great music is being lost or discovered by chance.  Social media can make a difference but it is so vast it is impossible to get a grip on it.  I guess we just have to be thankful for the artists we come across when they do.  Kirbanu is one of the most vibrant and passionate musicians I have come across.  She has such respect for her fans and is keen to connect with them daily.  That love is reciprocated; it translates into music which is brimming with heart and soul; such a memorable sound.  It seems like relocation and emigration works wonders for the mind of a musician.  Always seeking fresh faces and desires; changing scenery can lead to reinvention and huge inspiration.  Although Kirbanu was born in Australia she lives in Germany.  Not wanting to be anywhere else it seems; Heidelberg has got her creative juices flowing and resulted in some amazing moments.  This coming year is going to see a lot of hungry young artists come through; all eager to make their mark and grab the attention of the media.  I have never been a fan of end-of-year polls and who is tipped to be the best for the coming year.  It is always more reliable following your own instincts and arriving at your own conclusions.

In addition to its title track; Drifting boasts plenty of wonderful moments and surprises.  My Old Friend begins with an intrepid and spring-time acoustic sound; pastoral and serene it gets the listener into a peaceful mindset.  The song looks at our heroine and a friend- recounting a time when they were young- and the adventures they shared.  Days at the beach and under the sun; the duo were inseparable and free.  With her voice at its most evocative and breathless; you get a song that is so vivid and scenic.  As our heroine is a “gypsy”- and wandering the world- her subject is based in London- you begin to wonder who is being recalled.  The song continues its picturesque and story-like projection; drawing you into a tale of separation and desire- that need to rekindle something that once burned so bright.  Haunted by a Shadow has a more spirited and hard introduction.  Our heroine’s heart has been frozen a thousand times; there seems to be something lingering on her mind.  When she closes her eyes and tries to sleep; this spectral burden is weighing her down.  Suffocated and plagued by this feeling- there is some obliqueness that does not reveal the full extent of the troubles- you get a song of trouble and anxiety.  Kirbanu’s voice keeps the song uplifted and emotive; it never strays into depressive territory- it is full-bloodied and defiant.  That chorus is one of the most sing-along and memorable on the record- monsters and ghosts under the bed; that lingering fear- and shows our heroine is adept at creating indelible hooks and choruses no matter what the subject.

After the suffocated stress and desperation of the previous track; Let Me Love You offers something more serene and hopeful.  Our heroine wants her man to lie beside her; rest their head and put down their weapon- just lie there with her.  One of the most arresting and pin-sharp vocals arrives here: filled with sweetness and passion it is heartfelt and hugely soulful.  Bare-naked and honest, the track explores purging the past and the need to find togetherness- opening the heart and “let love inside”.  The composition mixes delicate piano notes with a springing acoustic guitar line that melts together wonderfully- backed by some aching strings to create something operatic and dramatic.  Closed Eyes starts with one of the album’s most unique introductions; it leads to a vocal that is instilled with beauty and passion.  Semi-operatic and hugely powerful, the track looks at sinking ships and painful pasts- the subconscious being affected by things that have come before.  Again that composition remains fairly sparse yet effective: the electric keys and languid strings fuse wonderfully to create something emotional, rich and stunning.  Transcending into wordless vocals; you have one of the album’s pinnacles: a track that truly showcases the depth and breadth of Kirbanu’s vocals and compositional talents.  The Voice Inside sees a subject sitting confused alone- “a battle with yourself”- and thinking things through.  Looking at herself, our heroine investigates the voice inside her; projects outward to people who are confused and conflicted.  That friction and confliction is tearing them apart; they need to fight for redemption and “turning your back on who you’re supposed to be”.  It is here we get the most varied and evolving composition.  Samba moments melt with Jazz notes; there is plenty of energy and dance within the song.  Urging chance-taking and listening to that voice; doing things differently and living life better- it is one of the album’s most positive and hopeful tracks.

   You’re Beautiful kicks into gear with a sprite and uplifting sound.  Our heroine looks at someone who is failing; judging themselves by who they’re not- there are fears that are blinding the song’s subject.  The “iron fortress” in the skin is causing pain and blocking things out; there is baggage causing damage too- a lot of vivid images and raw emotions come to the surface.  It is uncertain who is being referred to- if it is a friend or a former love- but there is a sympathy and understanding in the lyrics.  There is no accusation or judgement; just an understanding and support.  The song’s hero/heroine is unique and special; they can overcome the hurdles- and can make things better.  You cannot help but be caught in the rush and effusiveness of the vocal; that rousing composition- the song acts as a theme song for anyone in the same position.  Time Goes On brings the album to a gentle and contemplative close.  Looking at life’s dichotomies and bookends; mortality explored and explained- life goes on regardless.  The composition boasts yearning cello and gentle acoustic guitar; a tender piano sound that perfectly soundtracks the themes of passing moments and life’s realities.  It brings to close an album that mixes emotions and themes; it is constantly engaging and enthralling- promoted by a voice that has endless beauty and potential.  Drifting is an album that can ease the mind and keep troubles at bay; take you somewhere special and do something wonderful.  With exceptional production values and perfect track-listing- each song is wonderfully polished; tracks are exactly where they should be- you get an album that stands up to repeated assaults and reveals new beauty…

WITH every fresh investigation.

[soundcloud url="https://api.soundcloud.com/tracks/219186741" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

___________________________________________________

Follow Kirbanu:

 

Official:

http://www.kirbanumusic.com/

Facebook:

https://www.facebook.com/kirbanu/?fref=ts

Twitter:

https://twitter.com/kirbanu

Instagram:

https://www.instagram.com/kirbanu/

______________________________

Music:

https://soundcloud.com/kirbanu

__________________________________

Videos:

https://www.youtube.com/user/kirbanu

Feature: Sounds of 2016- Part Three

FEATURE:

 

  

Sounds of 2016- Part Three

______________________

THIS coming week I have been looking ahead to 2016…

and the bands/acts/musicians that will making a mark throughout the year.  From U.S. treasures to British bands, there are so many passionate and great musicians making plans for the coming year- new recordings and tour dates; it will be exciting to see.  Time for the final 30 …

DreamVacation

 

[soundcloud url="https://api.soundcloud.com/tracks/213981498" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow DreamVacation: 

Official:

http://www.wedreamvacation.com/

Facebook:

https://www.facebook.com/dreamvacationmusic/?fref=ts

Martha Paton

[soundcloud url="https://api.soundcloud.com/tracks/188484014" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow Martha Paton:

Official:

http://www.marthapaton.com/

Facebook:

https://www.facebook.com/martha.music/?fref=ts

Hannah Pisani

[soundcloud url="https://api.soundcloud.com/tracks/236188397" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow Hannah Pisani:

Official:

http://www.hannahpisanimusic.co.uk/

Facebook:

https://www.facebook.com/HannahPisaniMusic/?fref=ts

Rosie Crow

[youtube https://www.youtube.com/watch?v=Q0DrLxpRznc&w=560&h=315]

Follow Rosie Crow:

Twitter:

https://twitter.com/rosiecrowmusic

Facebook:

https://www.facebook.com/rosiecrowmusic/?fref=ts

Meat Loving Vegans

[soundcloud url="https://api.soundcloud.com/tracks/213108730" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow Meat Loving Vegans:

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http://www.meatlovingvegans.com/

Facebook:

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Vinyl Staircase

[soundcloud url="https://api.soundcloud.com/tracks/227678622" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow Vinyl Staircase:

Official:

http://vinylstaircase.co.uk/

Facebook:

https://www.facebook.com/Vinyl.Staircase/?fref=ts

 

Henrietta

[youtube https://www.youtube.com/watch?v=yWhi9MPCnm8&w=560&h=315]

Follow Henrietta:

YouTube:

https://www.youtube.com/channel/UCQfp324Rg-b450nBLVty1bA

Facebook:

https://www.facebook.com/henriettaanu/?fref=ts

Gemma Louise Doyle

[youtube https://www.youtube.com/watch?v=tjonLM-yZ2c&w=560&h=315]

Follow Gemma Louise Doyle:

Facebook:

https://www.facebook.com/gemmalouisedoyleprofessionalvocalist/?fref=ts

Official:

http://www.gemma-doyle.com/

In Hoodies

[youtube https://www.youtube.com/watch?v=hA4tqdwl6HQ&w=560&h=315]

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http://www.inhoodies.com/

Facebook:

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The Condors

[youtube https://www.youtube.com/watch?v=DqJZluwVmz8&w=560&h=315]

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Facebook:

https://www.facebook.com/wearethecondors/?fref=ts

Official:

http://www.thecondorsmusic.com/

False Advertising

[youtube https://www.youtube.com/watch?v=BfCdXLvcY4Y&w=560&h=315]

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http://falseadvertising.co/

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Tiny Rhymes

[soundcloud url="https://api.soundcloud.com/tracks/208358194" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

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The Falling Birds

 

[soundcloud url="https://api.soundcloud.com/tracks/227081012" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

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Ruby Lane Music

[soundcloud url="https://api.soundcloud.com/tracks/169919575" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

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Sir Gant and the Invisible Force

[youtube https://www.youtube.com/watch?v=i6Hb_CCLNkk&w=560&h=315]

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Official:

http://www.sirgantmusic.com/

Lisa Marini

[bandcamp width=350 height=470 album=2018683747 size=large bgcol=ffffff linkcol=0687f5 tracklist=false track=122747599]

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Sophia Ben Yousef

[soundcloud url="https://api.soundcloud.com/tracks/223063914" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow Sophia Ben Yousef:

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Kobadelta

[soundcloud url="https://api.soundcloud.com/tracks/196793626" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow Kobadelta:

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The Moth Lantern

 

[soundcloud url="https://api.soundcloud.com/tracks/217563468" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow The Moth Lantern:

Official:

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Shaydes

Follow Shaydes:

Official:

http://www.shaydes.co.uk/

Facebook:

https://www.facebook.com/shaydesofficial/?fref=ts

Their single All You Want is available from:

https://itunes.apple.com/gb/album/all-you-want-single/id1064956271?app=music&ign-mpt=uo%3D4

 

The Glass Child

[soundcloud url="https://api.soundcloud.com/tracks/165011269" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow The Glass Child:

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Facebook:

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God Damn

[youtube https://www.youtube.com/watch?v=v-VgA6-mEv8&w=560&h=315]

Follow God Damn

Official:

http://goddamntheband.com/

Facebook:

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Beth Macari

[soundcloud url="https://api.soundcloud.com/tracks/206513616" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow Beth Macari:

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Facebook:

https://www.facebook.com/bethmacarimusic/?fref=ts

Little Violet

[youtube https://www.youtube.com/watch?v=vrwzvuZ0s-k&w=560&h=315]

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Twitter:

https://twitter.com/_Littleviolet

Facebook:

https://www.facebook.com/littlevioletmusic/?fref=ts

Rouge United

 

[bandcamp width=350 height=470 album=1073013147 size=large bgcol=ffffff linkcol=0687f5 tracklist=false]

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Little Dove

[soundcloud url="https://api.soundcloud.com/tracks/199962473" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow Little Dove:

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Facebook:

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NINA

[youtube https://www.youtube.com/watch?v=uJseFSFi3hg&w=560&h=315]

Follow NINA:

Official:

http://www.ninasounduk.com/

Facebook:

https://www.facebook.com/NinaSoundUK/?fref=ts

Lydia Baylis

[youtube https://www.youtube.com/watch?v=fpa7ABHyk_c&w=560&h=315]

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https://lydiabaylis.com/

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Gelato

 

[youtube https://www.youtube.com/watch?v=6elaGtN0A-U&w=560&h=315]

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Twitter:

https://twitter.com/GELATOMusicYeah

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https://www.facebook.com/GelatoMusic/?fref=ts

Mrs. Skannotto

 

[bandcamp width=350 height=470 album=3754640385 size=large bgcol=ffffff linkcol=0687f5 tracklist=false track=1777054702]

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Official:

http://www.mrsska.com/

Facebook:

https://www.facebook.com/skannotto/?fref=ts

Feature: Sounds of 2016- Part Two

FEATURE:

 

 

Sounds of 2016- Part Two

THIS coming week I will be looking ahead to 2016…

And the bands/acts/musicians making a mark throughout the year.  From U.S. treasures to British bands, there are so many passionate and great musicians making plans for the coming year- new recordings and tour dates; it will be exciting to see.  Time for the next 30 …

Lauren Housley

 

[bandcamp width=350 height=470 album=1312593268 size=large bgcol=ffffff linkcol=0687f5 tracklist=false track=2779668825]

Follow Lauren Housley:

Official:

http://laurenhousley.co.uk/

Facebook:

https://www.facebook.com/laurenhousleymusic

Noah Clouds

 

[bandcamp width=350 height=470 album=2977922604 size=large bgcol=ffffff linkcol=0687f5 tracklist=false track=714174249]

Follow Noah Clouds:

Official:

http://noahclouds.com/

Facebook:

https://www.facebook.com/noahclouds/?fref=ts

Manda

[youtube https://www.youtube.com/watch?v=fns0veohx58&w=560&h=315]

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http://mandaofficial.com/

Facebook:

https://www.facebook.com/mandaofficial/?fref=ts

Them & Us

[soundcloud url="https://api.soundcloud.com/tracks/231391542" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow Them & Us:

Official:

http://www.themandusofficial.com/

Facebook:

https://www.facebook.com/themandusofficial/?fref=ts

Eliza Shaddad

[soundcloud url="https://api.soundcloud.com/tracks/230246826" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow Eliza Shaddad:

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http://www.elizashaddad.com/Eliza_Shaddad/Home.html

Facebook:

https://www.facebook.com/ElizaShaddad/?fref=ts

Little Sparrow

 

[youtube https://www.youtube.com/watch?v=KRt-R0NO_m8&w=560&h=315]

Follow Little Sparrow:

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http://www.littlesparrow.org/

Facebook:

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The Vim Dicta

[youtube https://www.youtube.com/watch?v=5HpHY6NPdP0&w=560&h=315]

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Official:

http://thevimdicta.bandzoogle.com/

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IV Rox

[soundcloud url="https://api.soundcloud.com/tracks/219971023" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

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Twitter:

https://twitter.com/IVROX?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor

 

Elizabeth Ajao

 

[soundcloud url="https://api.soundcloud.com/tracks/210052076" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow Elizabeth Ajao:

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https://www.facebook.com/elizabethajaomusic/?fref=ts

Gold Phoenix

[soundcloud url="https://api.soundcloud.com/tracks/183110381" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow Gold Phoenix

Facebook:

https://www.facebook.com/goldphoenixband/?fref=ts

Official:

http://www.goldphoenixband.com/

Kirbanu

 

[soundcloud url="https://api.soundcloud.com/tracks/219186741" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow Kirbanu:

Official:

http://www.kirbanumusic.com/

Facebook:

https://www.facebook.com/kirbanu/?fref=ts

Boundless Brothers

[soundcloud url="https://api.soundcloud.com/tracks/168991451" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow Boundless Brothers:

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http://www.boundlessbrothers.com/

Facebook:

https://www.facebook.com/boundlessbrothers/?fref=ts

Ina Reni

[soundcloud url="https://api.soundcloud.com/tracks/206355654" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow Ina Reni:

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http://inareninow.com/

Facebook:

https://www.facebook.com/ina.reni/?fref=ts

Waiting for Wednesday

[soundcloud url="https://api.soundcloud.com/tracks/99351402" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow Waiting for Wednesdsay;

Facebook:

https://www.facebook.com/WaitingforWednesday/?fref=ts

Official:

http://www.waitingforwednesday.co.uk/

Tigercub

[soundcloud url="https://api.soundcloud.com/tracks/225898683" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow Tigercub:

Facebook:

https://www.facebook.com/tigercubtigercub/?fref=ts

Official:

http://tigercubtigercub.co.uk/

Archi Deep and the Monkeyshakers

[youtube https://www.youtube.com/watch?v=oXq2n4WeQ_8&w=560&h=315]

Follow Archi Deep and the Monkeyshakers:

Official:

http://www.archideep.com/

Facebook:

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Aphty Khea

[soundcloud url="https://api.soundcloud.com/tracks/227075463" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow Aphty Khea:

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Facebook:

https://www.facebook.com/MantRahOfficial/?fref=ts

Jess Meuse

[soundcloud url="https://api.soundcloud.com/tracks/239420664" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow Jess Meuse:

Official:

http://www.jessicameuse.com/

Facebook:

https://www.facebook.com/IdolJessicaMeuse/?fref=nf

Next State

 

[soundcloud url="https://api.soundcloud.com/tracks/232181229" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

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https://twitter.com/NextState_

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https://www.facebook.com/nextstate1/?fref=ts

Los and the Deadlines

[soundcloud url="https://api.soundcloud.com/tracks/199862851" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow Los and the Deadlines:

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http://www.losandthedeadlines.com/

Facebook:

https://www.facebook.com/losandthedeadlines/?fref=ts

Issimo

[soundcloud url="https://api.soundcloud.com/tracks/216895404" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Follow Issimo:

Official:

http://www.issimomusic.net/

Facebook:

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The Updraft Imperative

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The Tuts

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Sarah Collins

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Alison Levi

 

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Jonnythefirth

[bandcamp width=350 height=470 album=3857401020 size=large bgcol=ffffff linkcol=0687f5 tracklist=false track=2726239472]

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Goldbirds

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Melinda Ortner

 

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Quinn Archer

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The State of Georgia

 

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Feature: Sounds of 2016- Part One

FEATURE:

 

 

 

Sounds of 2016- Part One

THIS coming week I will be looking ahead to 2016…

and the bands/acts/musicians making a mark throughout the year.  From U.S. treasures to British bands, there are so many passionate and great musicians making plans for the coming year- new recordings and tour dates; it will be exciting to see.  I start with the first 30 acts to watch…

 __________________________

Sofia Talvik

 

[soundcloud url="https://api.soundcloud.com/tracks/190608286" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

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Dana McKeon

 

[bandcamp width=350 height=470 album=204923027 size=large bgcol=ffffff linkcol=0687f5 tracklist=false track=2143010816]

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Jingo

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Country Boy

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Ellie Rose

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Mayflower

 

[soundcloud url="https://api.soundcloud.com/tracks/225910161" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

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The Dangerhounds

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Lola Coca

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Jen Armstrong

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The Mono LPs

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Echo Arcadia

 

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FiFi Rong

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Bahjat

[youtube https://www.youtube.com/watch?v=7nb6FKsAtcg&w=560&h=315]

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Svelte

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Chess

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The Mouse Outfit

[youtube https://www.youtube.com/watch?v=kXLPWi1B5DI&w=560&h=315]

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Gypsyfingers

[soundcloud url="https://api.soundcloud.com/tracks/146889936" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

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Universal Thee

[soundcloud url="https://api.soundcloud.com/tracks/236767186" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

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These Your Children

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This Modern Hope

[soundcloud url="https://api.soundcloud.com/tracks/234261578" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

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Braver than Fiction

[youtube https://www.youtube.com/watch?v=a7n7Er4MUZI&w=560&h=315]

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The Black Fields

[soundcloud url="https://api.soundcloud.com/tracks/234727878" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

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Allusondrugs

[soundcloud url="https://api.soundcloud.com/tracks/154984346" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

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Elena Ramona

[soundcloud url="https://api.soundcloud.com/tracks/192671423" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

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Rews

 

[youtube https://www.youtube.com/watch?v=dMAtei5wn4I&w=560&h=315]

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Jo Kelsey Music

[soundcloud url="https://api.soundcloud.com/tracks/159819376" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

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Ellene Masri

[youtube https://www.youtube.com/watch?v=OR_VFMGSlt0&w=420&h=315]

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Sameblod

 

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Billie Marten

 

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ADI

[soundcloud url="https://api.soundcloud.com/tracks/225026336" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

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Antifreeze in Summer: The Lyrics

TRACK LISTING:

"The Journey"

Mine's a Double!

Amelia

East End Boys

Hold On, Don't Let Go

Love at Third Sight

______________________________

“The Journey” (5:34)

 

Female pop star:

“I don’t think I could have done this without the support of my friends, family…and…um…it’s been an emotional rollercoaster; like fate, you know?  Yeah, but like, it’s been one incredible journey…”

VERSE 1:

Give me a break honey, for Christ’s sake

You ain’t got a clue what a struggle takes

Been on a journey?  You ain’t moved a yard

Sounding like everyone else out there isn’t that hard

Putting nonsense lyrics over a contemporary composition

Don’t want to be an original just settle for tradition

But no, no, I’ll humour you girl

You been traveling the globe an emotional whirl

Nightly blood-shed violence; some geezer kicks your door

Another sleepless night and conversations with the law

That rite-of-passage that’s a hard ol’ life

Not obsessing on social media over shares, comments or likes

The ReverbNation charts; the YouTube views and shit

Your pouting Instagram photos; your epileptic fits

Male solo artist:

“Man I have to work all day, like.  Why ain’t local radio playing my songs?  I put in all the clichés, you know; heartache and love so what did I do wrong?  It has a nice piano line and a chorus you can sing.  One Direction make it work so why aren’t I worth a damn…”

VERSE 2:

You wanna know why eh?  Because there’s 20 million like you

Want the green, won’t bleed red, all blue blood; black that ain’t true

All tweak and faked; no soul, emotion, no point

So long as you get the money you don’t care about this joint

Could get them buzzing with a catchy beat and slick rhyme

That would take some talent though; a little bit of time

But don’t bother yourself, no, it’ll be okay we’ll make do

Guess there’s a pioneer out there; a couple, a few?

Wanna make a difference then cut the talent show crap

Don’t give me that hard-luck bullshit; it’s all fallen in your lap

You ever seen a fight they didn’t show on Netflix?

I know you’ve dated so losers and no some no-good pricks

I’d rather have my music heard by a few ‘cos the hurt is real

Don’t give a damn ‘bout Kiss F.M. so long as I can feel…

Like me, a real person; saying what’s happening out there

All you sound-alike bands; your clean-cut and well-quaffed hair

Band member:

“We’d like to thank our fans this year for supporting the album and inspiring the music.  It’s been really hard, but you know, but it has been our best year and one hell of a journey…”

VERSE 3:

Excuse me mate, toss that work around; you even know what it means?

It ain’t a spiritual thing or emotional definition or a dream

It is physical progression, a movement then I’ll listen man

I don’t hear anything ground-breaking in your 3-chord jams

Foo Fighters riffs, Arctic Monkeys vocals, a girl on your mind?

It seems like miss what’s-her-name ain’t really been too kind

Ah bless, she broke your heart?  Must be the fucking first

Because everyone’s doing it the same and putting it all in verse

Why not pick your language carefully; do something quite bold

Because that whining and ball-bitchin’ is getting somewhat old

Throw in a key change; a nifty or sleepy chorus

How could something so fresh ever go and bore us?

Radio D.J.:

“A new Indie band with a promising future.  Catchy choruses and stunning vocals that are getting people excited.  Songs that deal with very real-life issues and…”

VERSE 4:

You been penniless lately?  Felt the sting of depression strike?

Or did some naughty boy in Nikes just run off with your bike?

Can’t afford a Caribbean holiday so you’ll have to go to France

I’ll put this all down in writing of the public give me a chance

How about you sleep alone or spend a night out on the street?

All those who struggle that you walk past begging at your feet

The kids with no happiness; no prospects, no fun

You have that silver spoon in your mouth; well they have a gun

When they get free they’ll document it over an industrial loop

Some liquid bass, cutting words; something more astute

May not be a chart smash; the teenage girls may get vexed

It won’t appeal to your Facebook posts, first-world problems, texts…

Death of the Sweetheart is here giving an even-hand education

Antifreeze in Summer in your veins brings about a new sensation

Let’s make a change and take it back to make the future bright

Because what we have right here?  Well (laughs) oh yeah…right

Girl band member:

“Thanks to everyone that’s listened to us.  Those struggles we had this year with the chart positions and break-ups.  Having the fans’ confidence, like, has you know?  It’s been a real blessing; helping us every step of the way on this... incredible journey”.

Mine’s a Double! (3:32)

 

CHORUS:

Oi, oi, don’t want no trouble

Oh boy if I get buried under the rubble

Savloy no-one’s going to burst my bubble

Oi mate, make mine a double!

VERSE 1:

Right it’s Friday that would make this wine o’ clock!

Except let’s start with beers wouldn’t want the lads to mock

Three layers-thick at the bar; what the ‘ell!

If that geezer knocks my pint I’ll send him to Hell!

Don’t want to fight just ignite a J.D. and coke!

Throw a Jagerbomb in there a Courvoisier, mad jokes!

I’ll fall on my arse I’m not a turtle; I’ll be straight back!

Show the girls some muscle; flash a little crack

By the time it comes to close I’ll be wasted on the street

Lying in a daze, ambulance and paramedics by my feet

Then it’s off to hospital me, Darren, Mick and Den

Hey hey by the morning break I’ll be back at it all again

CHORUS

Narrator:

“Let’s break this down shall we?

Why not sort your life out.  What are you boozing for?

You know alcohol is a depressant so I don’t want to bore

But get a grip; have a life and maybe on a Friday night

You write a song, do something productive not star in fight

The hazy heads and expensive meds.; does it really make it better?

You’re A&E, D.O.A., D.U.I., D.I.V.; try choosing some different letters”.

VERSE 2:

Back at The King’s Head and Suzy’s looking pretty firm

Get another pint and yeah bruv, think it’ll be my turn

Take her to an alleyway and seduce her from behind

Then when we’re done I’ll walk her home; that would be kind?

Right now I’m, wankered; and man this pool table’s upside down!

(Laughs) It’s alright Daz; another Stella will turn it the right way round

I may be late for work again but the boss I know he’ll be mad

Screw it we’re only young once; having fun out with the lads

No harm done apart from some broken arm; he’ll walk it off!

(Landlord): Last call people!

You what?  I’m not having that, he’s well soft!

I pay that guy’s wages; what you looking at you mug!?

Let’s have five more for the road and get away from all these thugs!

CHORUS

Narrator:

“Let’s break this down shall we?

(Starts to fade down):

Do I need to repeat myself, it just seems like…”

CHORUS

Amelia (5:54)

 

Boys’ choir:

“Three years in a row you’ve been voted the most popular girl’s name

For even-more years before you’ve been the boys’ favourite dame

Give it is this life and live it in the next

The wordplay you scream out every time you have s-e-x

Istanbul not Constantinople; an empire all-but purged

Amelia you’re breaking our heart; shaking our confidence daily”.

VERSE 1:

It must have been last Friday and I was at the local K.F.C.

I flashed my glance in your direction; you chatting at your friend Tracey

Your fake fur and false tan; that attitude was pretty real

Those bed notches on your cheek; this girl’s out for a thrill!

Was chatting shit to Dave whilst ordering my bargain bucket

As you looked my way tried to smile, but, oh man, fuck it!

I blew my nerve and paid my words you laughed that girlish coo

Tottering your 3ft heels to that outside Beemer; all shiny, new and blue

Kissing that cropped-haired guy with tattoos; a muscled prick I see

Your chaperone, dog with a bone, one-night man, she wouldn’t want me

That cheeky grin you threw me as that car pulled away

Gave me some false hope; I explained this all to expertly to Dave

So I left with the chicken and hope in heart; mayonnaise on jeans

We cracked a crude sexual one-liner; well you know what I mean!

VERSE 2:

A vision in Essex astro-suede those boys all like it rough

But behind it all Amelia is quite shy; she ain’t really that tough

The girl from west of Mayfair; the boy from the east of Hackney Wick

Yeah, this could happen so all you fools can just hit the bricks!

Now I down a can of Budweiser and head to the Club U.S.A.

To the local spot where the underage psychos all play away

The bouncer starts all shirty and wants to see some I.D.

I flash a nervous smile and a hand over a handsome bribery fee

Past the vomiting couple doing it doggy on the stairs

Through the doors to the Viper Room where hope battles with despair

Sweaty pissheads rhapsodise to Calvin Harris, Swedish Mafia or some shit

Rude boys slipping Es discreetly to 16-year-old girls well off their tits

To the toilets, ah yes, a confidence boost; every toilet door being pounded

Orgasms among the muted bass-lines all my confidence was compounded

Oh Amelia, you’re breaking my heart, you’re shaking my confidence daily!

VERSE 3:

So I fight my way to the bar, pushed asunder by some leery dick

One racist geezer shouts “mental oriental!”; Jesus some people are so thick!

Down another G&T, wish these V.I.P.s and G.I.T.s would R.I.P.

Although not in peace because you can’t hear a word among all this noise

No humanity just profanity; no eye contact, just people staring at expensive toys

Just about to call it quits whilst Dave calls up for a taxi

He turns and says “Ain’t that the K.F.C. bird and her mate Tracey?”

Every eye swerves verve and every boy turns to perve

An angel from south of Highbury; these clowns all got a nerve!

Their Mockney accents and cheap lines: “You must have fallen from Heaven”!

Give us a break mate, what are you, like eleven?

Nah, I’m out of here; I accidentally brush Amelia on my way out

Grab my coat from the pink-haired girl with the purple lipstick pout

The girl on my mind she ameliorating my life; excuse my crafty wordplay

If I play it cool and causal, you know it might well be my day!

VERSE 4:

Alone in the July air as siren’s blare the fuzz are here

Cuffing all the hooligans; getting too fresh, seven too many beers

While the wagons pull away, see Amelia fumble for a Marlboro Light

I drift in and seize the chance and say: “Don’t I know you, right?”

We share a lame old joke regarding queuing in line for our K.F.C.

I laugh all nervous and lean in, she smiles and kisses me

Dave distracts Tracey with a Shakespearean aside; I hail a cab

We buckle in and race up-town destined for my pad

Arriving at the curb we get out: “’ere mate, keep the change!”

Get heavy in the bedroom I show her my full histrionic range

It’s all a blur the next morning see the lipstick mark on my pillow

Knickers on the bed stand, radio playing that song about Amarillo

Walking back from the bathroom I see a note there and read it aloud:

“Darling I don’t feel very proud.  I’m a career girl and don’t commit; I really had a ball.  Maybe I’ll see you in K.F.C. (lol) or maybe not at all”

I wipe away a tear; that girl stole my heart and...

Oh shit, she stole my phone, wallet, everything!

What a mug I can hear it now, the boys’ choir they will all sing:

Boys’ choir:

“Easy son, it’s not your fault don’t let her get to you

By this time tomorrow she’ll be dumping number 2-0-2

That girl she ain’t a true love; not a true love see mate

You two were different classes this ain’t your fate

A decent and naïve boy a fine motor but second-hand car

Just thank your stars you didn’t end up with that vixen Amelia”.

Amelia, you’re breaking our heart, you’re shaking our confidence daily.

Damn.

East End Boys (8:12)

 

Prologue:

This is Death of the Sweetheart and Antifreeze is Summer.  Rhymes not slick as the streets or pack that dizzy beat; but last night, saw this…

ACT 1, SCENE 1:

Joe: What the hell, you seen Facebook status, who is this Tina girl all hating?

(Reading it out): “Joe Buckley is a real prick and should die”.  You hear that mate?

Hero: Just let it go mate; it’s only social media so don’t let it grate

Blow it off bud, we’re next in line get your coinage primed

Joe: Nah fuck that; Claire Menzie liked this post; what a bloody joke!

Share, like, comment?

Claire that Dyke must be on something!

Hero: Who the Hell is Tina anyway

That girl I saw you with the other day?

Joe: Just a girl I dated, so overrated

Wouldn’t want to procreate so hit it hard to third base

Then she was all in my grill; wouldn’t let me go until…

Kept saying she wanted to date; hung up wanted to chill with mates

Now she’s posting this scorn for all and sundry to see

Look, now; likes are up to 6; comments now up to 23!

Hero: I’m having the spicy zinger burger.  You?

Joe: True, alright I’ll let it lie

Even though I hope that bird dies

Look mate it’s that fine piece Amelia

She’s be the top of my bucket list

The finger-licking chick I’d like to kiss

Speaking of buckets, Tina can kick it when I bring it

Fuck it!

Hero: Just cool it mate, you ain’t thinking at your best

Just let’s go home and get rid of all this stress

Joe: Nah get the boys and the Ford Fiesta

When Amelia bends can see the crack in her jugs, ah!

Pray one day she’ll let me mess with her

Get the rest of the boys from the Isle of Dogs

That girl has got me down and grinding me cogs

Know you’d rather spend a night chatting reflective pronouns

I’d rather take revenge; that bitch the low-blow, hoe-down

So let’s get ourselves sharpish into town

(Across town the girls offer their retort…)

SCENE II:

Claire: Oh Tina, that slag Joe is cussing you bad

That post I commented; said he’d like to cut me bad

What a tool a loser, he’s so sad

Truth must hurt; that ain’t a man he’s a lad!

Tina: Look at the Facebook status

“That Chelsea slag Tina really hates us”

Current location: Camden

Let’s go in tandem, get the rest of the girls

Get The Swifts crew

Take on that boy and make him blue

Thinks I’m a slow-honed, low-boned, hoe-down

I’ve seen his mum and galactic bum; takes one to know one!

(Girls all laugh)

Claire: Woah, stop the car- the light are still on

Tony Turner’s Deluxe Knives and Guns

Let’s grab a pistol for fun the geezer owes me one

Tina: Yeah, sure; ain’t that your man Rebecca?

Rebecca: Nah boy was crap in bed; like a 2-inch pecker

Guess this is his way to over-compensate

But nah, it’s cool, we’re sweet, we’re mates

Claire: Be quick mind, we’re going to be late

Tina: Relax Joe’s retarded; doubt he can even drive

By the end of the night he’ll wish he ain’t alive

Not lucky enough for suicide

How dare he hurt my pride!

(Across town…)

SCENE III:

Hero: Mate, this is going too far

Let’s just grab a quiet pint at the bar

In the morning you’ll be over her

Instead of mock her; have that bird Amelia

Joe: Yeah she’d be good for my ego

Great for the show and blow; a walk down death row

Rich: What you talking about Joe?

Joe: Shut up Rich just drive this shit bro!

Don’t go so freaking slow put down the toe

Tina’s current location: Camden

Damn man, she’s so near!

Just want her to disappear

Rich: Woah, that girl; ain’t that her girl Stacy?

Claire, Rebecca, Tina, Trish; man they look pretty tasty

There they are by their Peugeot 306

Walking into the bar and taking Instagram pics

Hero: Woah look at the new post; that girl’s real sick!

Joe: What!  Oh come on; that girl gets on my wick

Okay, we’re here, that’s it!

(Back to the girls…)

SCENE IV:

Rebecca: That guy across the bar ain’t that Nick Goldfini?

Is it him or global warming melting the ice in my martini?

Trish: That’s a Lambrini you div; you’re stirred and shaken

He always orders doubles that lout; look at the glasses he’s breaking

Spray tan, all mouth, a yob; could I be any clearer?

Rebecca: Ark at her, why don’t you look in the mirror!

(Girls all laugh)

Tina: Yep soon as I see him won’t be fun

I’ll make the boy a Joe-k; excuse the dodgy pun!

Claire: Let’s make it to the Banbury Estate

Know some spots there a couple of close mates

Tina: Wait, The Filth might be there with their lot

Every night there's someone there getting shot

Rebecca: Chill hun; it’ll all be sweet

Got a shooter and ten ready feet

Don’t give a rat’s about that twat!

(To the boys…)

SCENE V:

Joe: Says on Facebook she’s off to the Bambury Estate?

We’ll seal them off to seal their fate

Put the hammer down don’t wanna be late

(Fellow drive shouts abuse): Shut up mate!

Narrator:

Act I and our gangs are balkanised and dehumanised

As it progresses we are witness to an incredible journey

Go sit back because mine’s a double

Because man there’s going to be trouble

Death of the Sweetheart, Antifreeze in Summer act II:

ACT II, SCENE 1:

Joe: There’s The Swifts crew but between me and you…

(The two gangs meet)

It’s all spoilt girls, just… Oi Tina, what the Hell!

Tina: Don’t give me that all you do is yell!

Joe: Where you get off telling all those lies?!

Tina: Christ boy, just open your eyes!

Think you have an alibi?

All you do is screw, cheat and lie!

Joe: Excuse my righteous indignation

Back at Dance Station you gave no clear indications

That night we met you wanted no strings

Then you kept bugging me, my phone never stopped ringing

What happened; thought we were in it for the fun?

Oh shit, wait; that girl got a gun?!

What’s the Hell’s going on!

Tina: Relax man, it’s firing blanks

Like you that night to God I thank

Joe: Funny stuff but she’s a nut when goaded

You tell me that pistol ain’t loaded?

Tina: Look I’m sorry should have left it at sex

Joe: No fair play, I was perplexed but I did wrong

You hear that?  From the club there; this is our song?

You want to dance along?!

The composition changes to a Latin dance as the lovers dance

SCENE II:

Tina: Alright you soppy monkey

You move like King Kong mind, not funky

Joe: Think you’ll find he’s a hairy ape

Just like Becks your blonde mate

(Tina laughs)

Tina: Oi, quiet she’ll hear you

For now I just want to be near you

And Becks will be a mum in 26 days

Not sure about the dad; they’re running the D.N.A.

Never really wanted it to come to a fight

Just kiss me and we’ll dance instead tonight!

Sirens blare. 

SCENE III:

Hero: Oh Christ what am I doing here?!

Just wanted to stay home with a beer

We’ll be arrested and I’ll have a record

Why do we need this trouble and negative discord?

Stacy: Which of you called the law?!

Mick: They could have heard you in Cheshire with that mouth of yours!

Stacy: Hey Mick, how would you like a gun in the mouth?

Mick: From what I hear you’ve been sampling guns further south

(Cat calls and howls from the gangs)

Stacy: Yeah, well I’d put a bullet in your brain

By the time I find it I’d have serious finger pain

Mick: Or menstrual pains, you’re such a psycho!

Gun cocks as an approximation of The Rumble (from West Side Story) kicks in

SCENE IV:

Tina (talking): Hey, hey, just stop, put it down!  It’s all okay me and Joe and cool now.  We had a chat and want to move to Norfolk.  That was the plan to just get away from London.

Joe (talking): Get away from the gang life and start a music store.  Still up for it babe?

Tina: Course babe.  That incredible journey.

Police car door slams.

Police officer: Metropolitan Police.  Nobody move!

Hear the gangs run and disperse.

SCENE V:

Hero: Oh God, I don’t need this stress

Why does everyone here want to imitate the U.S.?

Settling feuds with the click of a gun?

Rather be home with Seinfeld re-runs

What happened to the country, we used to be sane?

Now everybody wants to blow everyone else’s brains out

Used to be Great Britain now we’re two-faced U.S. louts

Can’t wait until August when I get to finally emigrate

Female Police Officer: You might as well stop there’s nowhere to run!

Stacy: Who are you to talk pig; I’ve got a gun!

Police officer: Don’t move, don’t move!

Hero: Guys, guys stop, need to call my mum; she’ll-

A shot rings out and hits the Hero.  Screams and cries from the gangs.

Ah!  Ow; oh crap.  (Cries).

The score goes to strings and piano.

FINALE:

Didn’t really want to be part of a gang

Just didn’t fit in and was all alone

Was good people of my age wanted me to hang

Got to get away from the stress I felt at home

Wish I had told my parents

How sorry I am and how much they meant

Mum drinking heavily when she thought I wasn’t looking

Dad counting his mortality in possessions the cancer really shook him

One losing her mind in spirits; the other losing his body through disease

Most days wrapped up in myself never hear their mortal pleas

Through all my loneliness and depression they always cared

Put me first and in return I was never really truly there

I’m sorry I was a burden; I’m sorry I love you!

Now it’s too late if I make it and wake

Just want a chance to be a better man with a  sounder plan

These messed-up friends in their dead-end world

These East End boys let the West End girls shoot them...

Police officer: DOWN!  Nobody move!

Joe and Tina run.

Joe: Got to stop, he’s dying!

Tina: He’s gone babe; no use in trying

Female Police Officer (on radio): I.C.1. male, 22-year-old; gunshot wound to the chest...

Ambulance Crew: So sorry guys did out best; nothing we could do; can I call anyone for you?

Police Officer: Stacy Pilkington, you’re under arrest for murder!

Nobody else move you’re all under arrest!

Rich: What?!

Rebecca: You heard her!

Rich: All of this because of a Facebook post for shit's sake!

Rebecca: We didn’t start this; where’s Joe and Tina; they’re our mates!

Ambulance speed away.  Hear Hero’s phone beep.

Answerphone: You have one new message.

Hi sweetie this is your mum.  Just heard there’s a shooting in Islington.  Not sure if you are near?  Just being overly-cautious but with me and your dad being unwell- just worried about you.  Just wanted to say we love you.  Oh, it’s Mum by the way (Dad in the background says “he knows!” as both laugh).  Call us back; love you.

Hear feet stomp and out of breath sound as Joe and Tina get into car and program satellite navigation.

Sat Nav: "Choose your destination".

(Taps it in)

"Is Norwich, Norfolk correct?"

(Taps again)

"Calculating distance: 123 miles.  Set as new destination?"

Slight pause.  Tap again as turn engine on and drive away fast.

Hold On, Don’t Let Go (5:30)

 

Narrator:

It’s Christmas Day and all I want to do is blow my mind away

Can’t smile or think; just numb, I’m not a human any more…

VERSE 1:

I know it can be lonely and appreciate how bad it can feel

When people think you’re overreacting; try to walk in your heels

“There are people who have it worse in the world” they say again and again

What  fucking good is that?  You know how I feel; you in my brain?!

You know how it feels to daydream of an eternal sleep?

Every time I see happy lovers all I want to do is hide and weep

Depression is a black dog; hundreds of shades and dozens of breeds

So how do I know which is biting me and when they’re through with the feed?

When you find yourself on the ledge don’t look down just up

You’re a ledge yourself; don't think there's never much hope in that cup

It’s half-empty now but soon enough it’ll be 5/6ths full

All those people that put you down will seem so very small

You stand tall and follow those dreams; make a better world

Those scars will heal, you’ll find a foothold; fall for some great girl...

Who makes it all seem better; makes you a brand-new man

I know it sounds impossible but men and women you can do it…you can.

CHORUS:

I don’t know how you feel but I know that you can touch

The soul is just a counterbalance for a heart that feels too much

I know you pray for sunshine when all you get is snow

But please don’t give in; hold on, don’t let go!

VERSE 2:

I ain’t never kissed a girl or shared my bed at night

I’ve never felt the blinding light of those blessed with perfect sight

But I have hope I’ll write it down in a five-and-a-half minute song

And those who feel just like me would happily sing along?

You’re so low but just know just how far you can truly see

It sounds unlikely, you can smother that beast, and then you’ll be free

No platitudes just gratitude; just the person you used to be

The booze we used to numb ourselves just crumbs in a champagne glass

Lift that flute don’t refute the brute- raise a toast to a bygone past

You see the boys in the band and those Pop stars who have it so easy

Don’t let it knock your voice and aim; don’t let it make you queasy

Don’t compare yourself, just prepare yourself; they’re jealous of what you’ve got

You’re beautiful and strong; if life gives you a gun then take a shot

You don’t need all that jewelry; those B.M.W.s and Mercedes Benz

They are so much poorer than you; your riches they can’t comprehend...

How much stronger you are; your scars are static veins

The honour badge you know it’ll end; it’s only a temporary pain

We’re all in the same boat so let’s all row against this tide

This hell-ride, runaway bride; bad side, brain fried

We’re tongue-tied, happiness dried, just wish you could hide

CHORUS

VERSE 3:

Look I’ve been there; in fact I’m going through it still

Always so tired of being tired; sick of being ill

Don’t have a lot of excitement; no money or real friends

This ain’t an unquenchable thirst curse I know one day it’ll end

Like a verse I guess that’s played for too long

As a reminder of how far I’ve come I’ll sing along

Because that song made me who I am for better or worse

I’m going into clichés, I’m sorry it’s just a verse

Don’t pray to God he ain’t there; this is all down to you

If you’re kicked down into the gutter be sure to look at the stars

Because only something so bright and distance knows how lonely you are

I’m walking Hell and I’ll keep on walking to those who understand

Just hope these words motivate you in the best way that they can

So I’ll leave it up to you with this because I believe it sums it up

That vessel that was once half-empty is now a full-up cup

When you can’t climb out the hole your heart is far too torn

One day you’ll wake and realise that this morning you’re reborn

Repeat chorus *2 

Love at Third Sight (4:14)

CHORUS:

It was love at third sight; the most gorgeous girl I’ve ever seen

An angel with Prada wings; the heroine in all my dreams.

VERSE 1:

It’s Saturday; I’m down on my luck my wallet clasp is bent

Had to hock the last of my porn DVDs to make this month’s rent

Need to blow off some steam so fumble into a local Costa Coffee

Almost have a cardiac arrest when I see the queue in front of me

The middle-aged woman taking for-bloody-ever to decide

Barista keeps cool but inside he’s planning a double homicide

She goes for a double-shot vanilla, triple-shit hazelnut Frappuccino

I ask for a beer to lighten mood; he sighs; not the worse he’s seen though

Grab a copy of The Sun and make my way to a vacant near-by seat

Dodge the city bankers and the woman with babies swinging from her teat

I flick to the sports pages when an angel sits just ten feet away

I completely ruin the ambiance as my Crazy Frog ringtone plays

VERSE 2:

I let Mum bounce to answerphone; girl didn’t notice it, she’s alone

Playfully manipulating her bright-blonde fringe distracted by her smartphone

There’s a little glance it’s furtive; man, the most beautiful I’ve ever seen

I keep it together and smile back gotta keep this dirty mind spring clean

Whilst she goes to the counter I read the first page

Some Manchester bird with her breasts out; Simon Cowell’s wage raise

Oh look!  A bit about terrorism... continued on page 34

Our government bombing innocent countries; what the fuck we voting for?!

Prime Minister stands proudly grinning like a constipated school boy

Doesn’t have a grasp on reality; let’s overthrown them let’s destroy 'em

Along with his cronies taking the ‘great’ right out of The British Isles

I’m getting wound up sodistract myself with a quiz about menopausal piles

CHORUS

VERSE 3:

She smiles again I’m nervous so I make shapes with my underground card

Casually quaffing the Americano and trying not to sweat too hard

A barista lets out a scream, got burnt on that milk-making steamer

Drops a cup in his best French; think we’re going to need a cleaner!

As I scribble a crude anatomy on the receipt from the pawn shop

The girl licks the chocolate from her lip and makes my jaw drop

And my phone!  Oh shit!  The battery’s out; people are staring!

Fumble it back into position and shoot a smile; that’s quite daring!

Giving my T-shirt a pull a man says I’m the loudest chap he’s ever met

Never been in a coffee shop with such a delightfully honest etiquette!

This could well be like Paris except for that unmistakable sound

Of Westminster City Council tearing a historical monument down

CHORUS

VERSE 4:

I digress as I recall my mother’s advice about not punching above my weight

Guess it’s not that extrapolatable, it just helps me to relate

I’m getting nervous so I read the sports page: Arsenal lose again!

A local beggar comes into the place creating looks of disdain

I plant some gold in his palm; he hooks away my half-empty Americano

Cheeky sod!  The girl smiles, seems my generosity has really charmed her

She goes to leave but a crowd blocks me; walk brazen in front of my gaze

Where did that girl go?  Which way; oh man, oh my days!

Resigned I scoop the underground ticket; no eye contact don’t want my anger to transfer to them

Although secretly I hope all these lovely people take a running sprint straight into the Thames

Then I see a note left on a table; 11 digits, her name... XX

Today is my day; can’t help beaming mate; oi, oi, success!

CHORUS

CODA:

Things are on the up, hail a taxi can’t believe my luck

Just then the paper flies out my hand, out of sight...

Oh f-!

Feature: Death of the Sweetheart- Antifreeze in Summer

FEATURE:

 

 

Death of the Sweetheart

 

Antifreeze in Summer

 

IT has been a long time since a zeitgeist really swept across music…

and really brought about movement and change.  My favourite music is Rock and Jazz Rock; Jazz itself and ‘90s sounds- love the ‘60s and ‘70s masters too.  Recently I have been getting into the U.K.’s early-2000s Garage/Hip-Hop blenders- the likes of The Streets and Dizzee Rascal.  The former has particularly compelled me; listening to Original Pirate Material (the debut from The Streets) and you get that confidence and genius; the amazing and unique sound- an artist with a rare and special voice.  Mike Skinner (The Streets’ human voice) followed up that debut with an even better album- the peerless A Grand Don’t Come For Free.  This was a concept album that looked at the British streets and drinking culture; the seedy figures and everyday concerns- music that spoke to the working-class and those often ignored in music.  A stunningly intelligent writer with a  savage wit; Skinner ensured his music packed serious poetic cut with tremendous compositions- resulting in music of the highest order.  Dizzee Rascal emerged at the same time with his 1-2 wonder: that phenomenal debut Boy in da Corner; its no-less-impressive follow-up Showtime.  Those albums showed two of Britain’s best- in fact possibly the only- rappers; writing music that documented the concerns of the youth- the struggles and issues they faced.  Perhaps it was a product of the time- and captured a feeling and desire- but I’d like to think that spark could be recaptured.  Being quite unhappy as-of-late; I decided to see if I can write something positive.  Over the last few days I have written a five-track E.P. I hope to get out next year:

The Title:

Antifreeze in Summer

A play on words that looks at the problems of the modern times.  Antifreeze (in this context) refers to heroine; how people with nothing bad in their life- who have privilege and advantage- turn to the drug and try to ‘cure’ themselves.  It also refers to global warming and the changing climate; in addition to the depression people can feel when all is sunny and bright- themes that are explored in the E.P.

The album cover would boast a striking central image.  Inspired by the photo below; it would be a similar shot that perfectly documents the themes and ideas of the E.P. - something that is haunting, beautiful and memorable.

The Collaboration

Having written the lyrics; I will be working on the compositions and basic instrumental tracks.  I am hoping to pitch the songs to a singer I know- who has the perfect voice for it- and contribute to the vocals.  It essentially will be a duo project- vocals switch and you get two different perspectives- that brings in collaborators.  Because a few of the tracks have female ‘voices’; there will be a few female singers involved- that can play characters and add their talents to the mix.  Listen to the likes of Boy in da Corner and A Grand Don’t Come For Free and that is the sort of sound I am going for- vocalists that add a raw and street-level sound- expect for the final track which would showcase a soulful female voice.

There will be the odd sample thrown in but in terms of compositions there is a chance for other musicians.  A lot of the music will be composed by the band/laptops but there will be harder guitars and beats; some liquid and funky bass- bringing some great musicians into the fold.

The Making/Funding

I hope to get the tracks started and rolling in the spring; with the view of releasing the E.P. by the end of 2016.  It would be funded via a Kickstarter campaign- to afford the recording and production- where the backers would be offered rewards.  This would include appearing in the lead music video and lending their voice to the album.  I hope to record the album in London and Manchester; there will be home recording too giving it a D.I.Y. feel.  Because it is an ambitious album- even though it is quite simple- it will involve a lot of studio time (in addition to home recording).

The Tracks

Antifreeze in Summer would be a five-track E.P. that would tackle modern-day concerns.

“The Journey” (5:34)

A track that pokes fun of pious musicians that describe everything as a journey.  Tackling Pop stars with few issues and problems; it is a song that looks at real struggle and real music- cutting down bland bands and acts that sound alike and say nothing new.  The track would marry a hard and heavy beat with electronic fever; tying in some moody and edgy strings- similar in key to Catch Me If You Can’s score- and guest vocals.

Mine’s a Double! (3:32)

This would be one of the most direct and assaulting tracks.  Hard and primal; it would address the drinking culture and the types that numb themselves with alcohol- not giving a damn how much destruction they cause.  Looking at a central figure and his guest to get as drunk as possible; it would mix with contrasting voices- the hero getting smashed and causing trouble; the narrator then tries to talk sense to proceedings.

Amelia (5:54)

A tale that sees the hero goes to K.F.C. at the weekend with his friend Dave.  There is meets a girl called Amelia.  She is very different and has a boyfriend with a B.M.W.  Making brief eye contact in the queue our man is smitten even though they are very different- she has expensive clothes and different tastes.  Later that night the hero and Dave go to a local club where there is chaos and mayhem.  Amelia is there and they are separate all night- our hero unable to break through the crowd but they meet outside.  Going to the hero’s place, they spend the night- our man thinks this is love and the real thing.  Seeing a note left by Amelia; she has just used him and he’s another notch for her.  Taking inspiration from the song Cecilia- the song paraphrases the lines “Cecilia, you’re breaking my heart/you’re shaking my confidence daily”.  It is a love story from different perspectives.  Taking in the sights and sounds of a London night; it has flavours of early-career The Streets.

East End Boys (8:12)

The most ambitious track on the E.P. it would parody West Side Story.  Looking at a gang of girls- in the sense they are social media-obsessed and rather shallow- called The Swifts from Chelsea; an East End gang called The Isle Dogz (they hail from Isle of Dogs).  The song's lead male starts in K.F.C. with a friend when he spots Facebook.  A row and battle starts because of an offensive comment Tina made about Joe.  Tina and Joe are the former lovers; Joe stopped calling her and she was too clingy.  Just as comments are being left on the post the boys decide to confront the girls; the gangs both meet in Camden one evening- after the girls stop by a gun shop on their way.

The lovers lead their gangs and argue in the street- the gang members all taking verbal shots at the other- until the two dance and kiss in the street.  The police have been called and the gangs run from the sirens.  They get to the Banbury Estate (Islington) where things get heated.  Until this point one of the Isle Dogz (the narrator) has been cautious and apprehensive- he is the only one that wants this to stop and not be there.

The second act sees the lovers arguing and trying to keep control.  Both want to escape to Norfolk for a quieter life but are dragged in by debt, drugs and gang loyalty.  Just as the gangs are heated and at their fiercest- after a silly dispute- one of the girls find a gun.  As they rumble, the narrator gets caught in the crossfire- as he slumps to the street.  Just as he bleeds and slips away he regrets not having been honest to his parents- told how much they mean to him.  His mum and dad are struggling but look after him- his depression and issues- but he never said how much it meant.  The narrator dies.  The guilty girl is in shock- “Now I kill too, because now I have love”- paraphrases West Side Story’s immortal line- as sirens blare once more.  As our hero drifts away, the gangs circle his body.  As the stretcher is lead away arrests are made and the story ends- Tina and Joe makes it away in a stolen car and headed for Norfolk.  The final sounds we hear is a voice message on the hero's phone- his mum apologising and asking him to call her- and the satellite navigation setting route for Norwich- as the two speed away.

The song utilises the West Side story The Rumble and a harder rock sound- blending with something orchestral.  It features guest vocals- from gang members to police- but the central sane voice is from the narrator- who watches the madness unfold.  There would be a few parodies of West End Girls- paraphrasing the odd line and borrowing composition snippets- but would look at gun violence and the need to ape the U.S.; the gang culture still faced- how the young feel the need to eradicate one another for respect.  There would be plenty of wit and humour among everything giving the song balance.  The track would bring in previous characters/songs- Amelia is in K.F.C.; the opening line would see us announce the song/band; stating we're having a double (before the tale begins); claiming it to be a huge emotional journey.

Hold On, Don’t Let Go (5:30)

An emotional and redemptive final number that looks at anxieties and depressions- people facing their bleakest days.  The hero expels his own troubles and woes; how people can’t grip how serious things are- and understand what he’s going through.  It has a positive message that implores everyone to hold on and know things will get better.  That honest and raw emotion is backed by the E.P.’s most simple and sparse composition- strings and a piano line; a classical guitar tumble that adds some light and energy- that promises things will get better; giving guidance to those in a similar boat.

As Is Now…

The lyrics are all written so it is a case of getting the compositions sorted and the ‘band/act’ formed.  I am really pleased with the subjects, lyrics and ideas that have come out- I have not suffered any blocks or struggled to get the thoughts down.  I hope it comes to light very soon and that that sound- The Streets and early-‘00s- captures something missing in music.  There are a few good Hip-Hop/Garage acts yet few that actually address subjects away from love and money.  Whilst The Streets and Dizzee are not at their peak- The Streets lost credibility and momentum after the sophomore album; Dizzee is declining- it seems like there is a need and hole to be filled.

Hope that 2016 brings serious happiness and improvement for us all; and some great and

WONDERFUL music.

Track Review: Ted Z. and the Wranglers- Go Find Your Heaven

TRACK REVIEW:

 

Ted Z. and the Wranglers

 

Go Find Your Heaven

 

9.6 /10.0

Go Find Your Heaven is available at:

https://soundcloud.com/ted-z-and-the-wranglers/go-find-your-heaven-radio-edit-1

RELEASED: September, 2015

GENRES: Americana; Folk

ORIGIN:

California, U.S.A.

The album Ghost Train is out now:

https://tedzandthewranglers.bandcamp.com/album/ghost-train

TRACK LISTING:  Hold On- 9.4

Joseph Ratcliffe- 9.4

Go Find Your Heaven- 9.6

Kansas- 9.4

Trouble- 9.5

Bitter Hands- 9.5

Ghost Train- 9.6

Ball and Chain- 9.6

Sam Whitaker- 9.4

Postcard- 9.5

Broken- 9.5

DOWNLOAD:

Go Find Your Heaven; Bitter Hands; Ghost Train; Ball and Chain

STAND-OUT TRACK:

Go Find Your Heaven

____________________________________

WITH the final days of the year upon us; Christmas even closer...

it is worth reflecting on the year’s music and which albums are worth noting; the individuality of some of music’s best- in addition to  the variety of Americana/Folk acts emerging.  The best and brightest albums from this year have been synonymous with acts that have pushed the envelope and injected colour and originality into their sounds.  Kendrick Lamar and his album To Pimp a Butterfly has topped critics’ list of 2015’s best.  The Hip-Hop gem has seen black politics come to the fore and his timing is wonderful.  Now more than ever an album like this needs to exist: something that blends outrage and anger with self-examination and urgency.  Critics and fans have embraced the album and its meaning; that relevant and needed sense of disgust and rebellion- mixed into Deep-Jazz threads and hard Hip-Hop beats.  Elsewhere, Courtney Barrnett emerged with her album Sometime I Sit and Think, and Sometimes I Just Sit.  That collection was celebrated for its humour and anger; the mixes and contrasts delighted the public.  Not a Rock ‘n’ Roll album that reinvented the genre; it didn’t really need to when it came down it- Barnett put so much originality and invention into the music as it was.  In a music world of rather bland and tired Rock acts; Barnett went further and expanded the lyrical themes of her peers- creating something deeper and more compelling.  The final album- that gained recognition and widespread acclaim- was Jamie xx’s disc, In Colour.  The immersive and multifarious soundscapes fluid compositions were unlike anything out forward this year.  Throw in accessibility, heart and dreaminess and you have an album that has resonated with listeners and critics alike.  Jamie xx crafted something minimalist yet widely expansive: an album that grows with each listener and shows so many layers and intricacies.  My point is that these albums are as distinct and original as any.  Critics have not embraced the fetid and asinine releases from Rock heavyweights and chart-friendly acts.  It would be disheartening to see a list compiled of top-40 records and the dross played across Kiss F.M. and Heart.  As the music-buying public has related to the outsiders of music- those that stray away from the pack- it shows 2016 will be a similar year for endeavor and quality I have slated the lack of great bands coming through- the best albums of the year have been largely created by solo acts- yet there are some quirky and bracing bands that are causing excitement.  This is my last review of the year- and the final California-based assessment for some time- so it is fitting we comes to a band that not only portrays that uniqueness and vibrancy music needs; they are a group that does not concern itself with fitting in and mainstream expectations- just making music the way they feel; doing what sounds right to them.  Before I get to them, it is worth looking at the necessity for variation and personality in music.  The artists and albums I highlighted resulted from musicians who have spent time and effort; differ hugely from the chart-friendly acts and those gracing the covers of Pop magazines.  From hard, grizzled and compelling Australian Rock (Barnett) to hypnotic Hip-Hop politics (Lamar) - via the stunning soundscapes of England’s Jamie xx- and you have consistency and contrasts a-plenty.  Each album drips with authority and passion; each stays in the mind and provides nuance and strength- this is what acts should be looking at when crafting their sounds.  There are far too many artists that stick too closely to others; do not delve deep enough and provide originality or anything exceptional.  You do not have to reinvent music to come up with unique music, alas- just put more thought and attention into things.  In terms of the bands of 2015- and focusing on the mainstream here- there have been few truly unexpected treats and wonders.  Whilst it has been the solo artists making biggest impressions; the bands of the underground are more convincing and enduring.  One of these rather special groups comes in the form of Ted Z. and the Wranglers.  Looking and listening to them you may expect them to emanate from Nashville or the Deep South- they have a certain Country flavor; one of the red states’ artists.  The blue state boys hail from California and mix Country flavours of the south with Americana tradition and outlaw Blues.  The mix of sounds and themes has electrified listeners and really struck a chord.  Before I continue on my point, let me introduce you to my featured act:

“Ted Z and the Wranglers, of Southern California, deliver outlaw country-charged rock. Ted's catchy story-songs are fully-realized tales of love, regret, getting older, and getting in trouble. The band stirs up its Americana influences, featuring quick picking and bluesy slide guitar over galloping train beats and swinging shuffles.

The Wranglers are Dan Mages (bass), Mike Myers (drums, vocals), and Ted Z. (lead and slide guitar, vocals). The band has honed its sound on big stages and in biker bars alike. They get audiences dancing and bring them back for more.

Ted Z and The Wranglers were signed to Rip Cat Records in 2015. Their first label release, Ghost Train, was recorded at Yellow Dog Studios in Wimberley, TX and produced by Monty Byrom (Big House, Eddie Money)”.

The good ol’ boys of Ted Z.’ sojourned to Texas to record their album (Ghost Train) to give it that authenticity- find inspiration from the state and create something with its heart very much set there.  What you get from the album is the work of a band that has few limits- they do not define themselves to be Californian or Texan.  The music they offer is from a band who have been around for a while and are in no danger of slowing down- one of the most hard-working and ambitious groups on the scene.  Americana is a genre that is being given new lease of life and motivation lately.  A lot of the Americana artists I have reviewed this year have emanated from the U.K. - acts that have faux Americana accents; yet are keen to provide their take on the genre.  It is one of those musical avenues that appeal to the romantic and daring: people that want to create something memorable and long-lasting.  Americana is not just about Folk/Country blends and rather stilted and defined themes: you can stretch the genre and you have enormous possibilities.  Ted Z. and the Wranglers are inspired by the likes of Jack White and Bob Dylan; they go hard and electric when they need to- Folk-tinged and reflective at other times.  After the release of the album; the boys have been touring and taking their music on the road- this will continue into 2016.  If you have not met these rebel-rousing, fun-having boys then make sure you correct this- they will be an underground band making their way to the surface real soon.

Ghost Train shows the band at the height of their power.  The most compelling and complete work they have ever produced; it sees them embrace all their idols and influences- from Elvis Presley to Jack White- in an album of heart, granite; passion and wonderful American vignettes.  The band’s 2014 release Like a King showed the boys increase their confidence and scope to create something that topped their early promise and work- songs like Rather and Afraid of Dying.  The band steps up their game and sound tighter and more additive than ever.  The title track has a relentless wave and drive to it; the vocal yearns with soulfulness and intention- the lyrics show that unique and distinct Ted Z. and the Wranglers flair.  Virginia is one of their most impassioned and romantic numbers up until this point.  Chasing rivers downtown; our man is love-sick and cannot get over it- that yearning and pain comes to the surface.  Tomorrow ends the E.P. with reflectiveness and some need for love.  Investigating dreams and the future; it is a song that has sensitivity and honesty.  The band have improved and stretched their sound since their last E.P.  Ghost Train takes the softer and more introspective moments and broadens the horizons and genres.  There are more Blues-Rock jams and harder sounds here; the band has become more adventurous with their themes- taking their pen across the country and through strange avenues.  The music is more nuanced and the volume turned up; there are fewer weak moments and the group infuses more colour and weight into their music.  The likes of Elvis, Dylan and Jack White make appearances in different forms- the previous work was more restrained and defined- and Ted Z.’ have created an album that builds on early promise and develops it impressively- without losing their personalities and core sound.  With that rate of progression and ambition it will be great to see what the Californian band come up with in the next year.  I can see another E.P. created that reflects their current malaise and desires- something that continues where Ghost Train left off.  Their current album is one of the most immediate and bold I have heard in a while; so much depth and diversion to be found- something all bands should look towards.

Go Find Your Heaven is perhaps the truest reflection of Ted Z. and the Wranglers’ sound.  It brings together all the themes and threads of Ghost Train- marrying a variety of genres and sounds.  The introduction mixes Blues and Acoustic strands to elicit something romantic and upbeat; calming and reflective- something both complicated and simple at the same time.  The listener gets drawn into that beautiful and soul-pleasing sound; making you wonder just what is coming next.  That initial intrigue builds and flourishes from the initial seconds.  The electric guitar becomes more prominent and hard-hitting; it twangs and drives with determination and pride- infuses electricity and feet-kicking energy into the mix.  With our hero’s voice committed and solid- reminding me a little of Bruce Springsteen- it is 3 in the morning; the girl beside him looks familiar (“she looks just like you”).  In a God-forsaken town- that seems to be dragging her/our hero down- there is that need to go find Heaven and something more idyllic.  Those yearning and heart-rending vocals are among the most impressive and pure the band has ever come up with.  The percussion remains committed and propulsive in the early moments- supporting that vocal and making the emotions and lyrics more urgent.  The girl has been forced into a shotgun wedding- with whom we are not made aware- but you start to dive into the song and the scenes being projected.  The band have always had one part of their mind in the past- no surprise given their make-up and look- but this song has the feel of ‘40s/’50s America; perhaps somewhere down south- a simple town with rather old-fashioned and immoral ideals.  With its heart and images torn from the pages of classic literature- that forced-love and suppression-against-the-tide- and you have a song that seems familiar and relatable.  With “angels of mercy” and cowboys into the song, you get something that definitely places its heart down in Texas.  The central figure (the heroine) needs some salvation and an escape from her life as it is.  Our hero will wait for the girl- as he implores her to go find her truth and Heaven.  As seasons pass, there is that need to break away from the entrapment and suffocation.  The song never becomes too heavy-handed or forceful; never slight or too tender- a perfect blend and balance of emotions.  The band remains supportive and tight throughout the track; ensuring the lyrics are given a chance to shine whilst providing plenty of atmosphere and evocation.

Our man is not right for the girl (“I’ll never do”) and that sense of letting-her-go-for-her-own-good shows some maturity and class.  Maybe that sentiment is a reflection on the town and culture of the times- and indicative of the south many decades ago- whereas the land offer happiness and hope.  Perhaps the heroine needs to go to the big cities or California- somewhere safer and moral-driven; where something happier lies.  Our hero comes to the microphone yet his heart is heavy- Nashville is making him feel blue- and there is that sense of loss and heartache.  The man has taken the paychecks and spent it all on booze; there is that old-time charm to the song that makes it constantly engaging and fascinating.  With its novel-like development and feel, Go Find Your Heaven is an original and compelling song from one of the U.S.’s most original acts.  Whilst our man is trying to move on and find something new- his girl just won’t do; they are too different- he seems unable to move past her.  His new girl looks like the last; he has subconsciously chosen someone like her- clearly unable to get past the separation.  The track shows two different people from two different worlds.  Whilst the heroine seems destined for the city and a wealthier life- where things are done differently- the hero seems prone to stay in the south among the loose morals and strange figures.  It is a testament from a hero who wants the girl badly yet knows they are not right for one another.  The lyrics have simplicity at heart yet compel deeper thought and interpretation.  That chorus seems more relevant and haunting with each interpretation- as the full weight of emotions becomes clear.  The final moments see the band unite and express that loss and hope in a rhapsody of acoustic strings and Americana reflection.  The compositional coda offers some closure to an extent although there are mysterious and questions unanswered- you wonder how it worked out for the duo.  The band come together beautifully to showcase some fine finger-picking and tenderness; plenty of emotion and soothing undertones.  By the final moments you hear that chorus once more and become engrossed in that endlessly-compelling and beautiful sound.

Across Ghost Train, there is so much range and depth; a variety of moods and themes explored.  Among the softer and romantic moments stands Go Find Your Heaven.  A song that looks at miscast love and heady desires; it shows a vintage backdrop against ever-relevant and relatable heartache.  The band come together wonderfully to present a song that is the album’s best.  Dan Mages’ bass keeps the song level and focused; ensuring all the themes and sounds are held together perfectly- not allowing anything to become undisciplined or loose.  Mike Myers lets his sturdy and impassioned percussion whip up a lot of emotion and force- giving the song its needed urgency and grit.  Our front-man Ted Z. stands out front with a dedicated vocal performance- and some superb guitar chops- to give the song its heart and conviction.  Backed by a wonderful and polished production; Go Find Your Heaven is a song that will linger in the mind and gives you a true impression of the band.   If you have not heard Ted Z. and the Wranglers do what they do best then you need to start here.  It shows a songwriting progression and confidence that will see them do great business in 2016.  Few bands are deft and able spreading themselves across multiple genres and themes.  Having been together for a while- and having such a close bond- the Californian boys demonstrate why they are so popular and loved.  I hope their music gets more exposure in the U.K. as it will not only create new fans and admirers; it will motivate other bands to rise up and follow their lead- a new scene and sense of fun in this country.

Ghost Train is filled with songs that stick in the mind and compel the imagination.  The work of a passion for music; a love of many genres and artists- they have few limits and boundaries when it comes to their sources- it golds together in a creation that brims with passion and fun; there is emotion and reflection too- everything the modern listeners desires and demands.  The boys of Ted Z. and the Wranglers have a great sense of humour and have crafted a band that have an everyman appeal and a knowing wink to them.  If you hop to Facebook- and see their biography- their interests are listed as hop-making and metal-detecting; academia and latex clothing.  It is an insight into the minds of men who want to embrace the public and let their personalities shine.  So many musicians are stuffy and insular; they do not reach out and provide anything human and impressive.  So many bands sit and write music; they get into the studio and release the songs- it seems procedural and robotic to an extent.  The Californian band had a ball making the music and wants to keep that degree of fun and frivolity burning bright.  The next year will see them perform in California and bring their inimitable Americana blends to their state-mate folk.  It would be great to see the U.S. band hop a plane and come play in the U.K.  We have so few bands like them; it would give people here a chance to encounter something fresh, ambitious and hugely impressive.  We have some rather offbeat and quirky acts that evoke Americana sounds and sensations of bygone days; it seems rather forced at times and not as authentic as you’d hope- hardly a wonder when you consider they are British.  Our Americana boys are authentic and pure; their music is the result of shared passion and ideals- I would love to see more from the group into the next year.  Before closing it is worth looking at the best from this year and Ghost Train- the latest album from the Californian band.  With Hendrixk Lamar and Jamie xx providing some of 2016’s best albums- their mix of raw emotion and expansive dream-scapes- the music world desires artists that go further and stray away from the predictable.  So many bands this year have come and gone without leaving much of an impression at all.  The critics’ end-of-year lists have revealed what is making them tick- and what the general public wants- so it is worth looking at artists with a similar ambition and personality.  In 2016 I think we will shy away from bands that have an Indie/Alternative sound- and look to Foo Fighters and Nirvana for influence- and see the rise of the solo artists and duos.  The band market is still relevant yet the solo artists are doing things differently and creating more nuance and surprise.  When it comes to the hopes of the band realm we must look to the underground and their brightest shining through.  Ted Z. & the Wranglers are not your average guitar-slamming Alternative players that sounds replicated and insipid- they are a bona fide band who do things different and have a very unique personality.  Ghost Train is a collection of songs that mix Blues-Rock riffs and Garage undertones; Country romance and Folk introspection- plenty of interesting characters and sights; wonderfully lines and stunning choruses.

   Hold On begins with a familiar and bracing introduction- a little like Cocaine (Eric Clapton’s version) - but then mutates into something smooth and flowing.  An upbeat and uplifting song that has a redemptive and inspiration message: keep holding if you have no hope or feel alone.  Joseph Ratcliff boasts sparkling Blues guitars and a merry swing: a song that swaggers and dances.  The lyrics look at a giant called Joseph Ratcliff- slayed by our hero in his garden.  The quirky and vivid images tie in romance and pennies in wishing wells.  Kansas is another racing and itinerant track that pays tribute to the state.  There is a central romance and the need for embrace- there is fever in the morning and Hell burning through the night- as you get drawn into that effusive and gripping vocal.  Trouble is one of the album’s most contemplative and calmer numbers.  A little of Dylan comes through- the vocals are quite scratched and strained- and you get a semblance of ‘60s-‘70s Folk.  Perhaps the most accessible number on the album; it has a radio-friendly kick but retains the unique take of Ted Z. & the Wranglers.  Bitter Hands has a bulldozer and delirious opener that see echoed and distorted strings marry a racing, train-like beat.  That Americana core is emphasised- money woes and relationship troubles against the backdrop of the wonderfully varied land- which shows the band having a ball in the studio.  Catchy chorusing and united vocals highlight a song that is indelible in its appeal and nuance.  The title track is a calm and reflective thing (to start with).  Looking at music’s lost- the ghost train full of stars- we see the likes of John Lennon paid tribute and assessed.  It is an original take on a delicate subject- the legacy these great musicians and figures have left- dealt with affectionately and with great heart.  With the likes of Ricky Nelson and Jim Morrison riding that train- he has “whiskey on his mind”- it is a vidia and terrifically evocative song.  Ball and Chain is a rousing and merry track that has a definite Blues kick to it.  One of the most electric and impassioned vocals on the disc; there is a little element of Elvis to the vocals- a stunning mix of Rock ‘n’ Roll heritage and White Stripes-esque Blues.  A feet-kicking, hoe-down stomp; it is a tremendous band performance that is tight and utterly stunning.  Sam Whitaker is a more modern take on the Blues.  You get that stomp of Jack White with a bit of The Black Keys.  Making it more accessible to the younger generations; it manages to take its lyrical heart to more traditional areas- that will appeal and spike the (slightly) older listeners.  It is one of the album’s most energised and rousing tracks- it never relents its charge and kick.  Postcard returns to that more traditional Americana/Folk sound; it has a quivering vocal- sides of Elvis come back into the mix- and themes of romance and vintage ideals.  With its heart in the 1950s, you imagine yourself in an old novel or black-and-white film.  Among the romance and purity is wit and humour scenes- dentures flying and chaos in the fold- as the band seem at their most assured and effortless.  Another catchy and nuanced composition backs the track wonderfully.  Broken is one of the most distinct songs on the record- perhaps the softest and most reflective.  A heart-bearing and haunted track it sees the hero bare his soul and show his scars.  Reminding me of early-Dylan and Neil Young it showcases a very mature lyrical voice- some of the finest lines across the album- as philosophical questions and inner-pain is explored.  A wonderful album from a band...

WE all should take to heart.

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Follow Ted Z. & the Wranglers:

 

Official:

http://www.tedzandthewranglers.com/

Facebook:

https://www.facebook.com/tedzandthewranglers/

Twitter:

https://twitter.com/TedZnWranglers

Instagram:

https://www.instagram.com/tedzandthewranglers/#

______________________________________

Music:

https://soundcloud.com/ted-z-and-the-wranglers

___________________________________

Video:

https://www.youtube.com/user/TedZandTheWranglers

 

Track Review: Even in Arcadia- Electric Thumb

TRACK REVIEW:

 

Even in Arcadia

 

 

Electric Thumb

9.3/10.0

Electric Thumb is available at:

https://soundcloud.com/xeveninarcadiax/even-in-arcadia-electric-thum

RELEASED: September, 2015

GENRES: Alt.-Rock

ORIGIN:

Glasgow, U.K.

The E.P. Blue Prints is available at:

https://soundcloud.com/xeveninarcadiax/sets/blue-prints-ep

TRACK LISTING:

Electric Thumb- 9.3

City in the Dark- 9.2

Weave a Web (Acoustic) - 9.2

STANDOUT TRACK:

Electric Thumb

____________________________________

ON this rare occasion…

I get to review a band from an area of the U.K. I have not visited for a while: that would be Scotland then.  Before I reach my featured act, it is worth bringing Scotland into the mix; in addition to looking a Grunge/Alt.-Rock sounds- plus the need for some escapism in music.  I have not had a chance to review a Scottish act for some time.  I believe the last time I did it was the fellow-Arcadians, Echo Arcadia (wonder if the two bands know each other; should have a special Arcadia-related party) - so it is great to be back in Scotland.  Having finished another L.A.-based review, one can see the huge shifts going to Glasgow- not just in terms of geography (the L.A. of Scotland, maybe?) but the musical styles and acts coming through.  What I love about Scotland is there are so many D.I.Y. acts emerging: unconcerned with record label approval; there is a more honest and hard-working bunch of musicians coming through.  In Glasgow and Edinburgh (other parts of the country too) there are a lot of bands emerging that play the heavier side of things- as opposed to solo artists and duos for instance.  I am not sure whether it is a ‘Scottish thing’ yet there seems to be a predominance of Alternative/Rock bands coming out- each bringing something new to the table.  The thing that amazes me most about the bands of Scotland is that work ethic and honesty that comes out in the music- the emotion and raw touches that few other areas do so well.  I am not sure whether it is down to the people- and particular characteristics indicative and exclusive to them- or something else; whatever it is (is) leading to some fantastic music.  In addition to Echo Arcadia- a band that plays dreamier Alternative sounds- I am close with Universal Thee- a Grunge/Alternative band in the mould of Pavement and Pixies.  Perhaps the closest comparisons with Even in Arcadia, I was interested to see what the band was about and what they could offer.  Being female-led, it also reminded me of the aforementioned Scottish acts- each of who have a female lead/joint-lead vocalist.  There seems to be a different dynamic and way of working in Scotland- greater equality and originality; stronger bonds among bands which is resulting in more natural brilliance and surprise.  One of the main reasons I have slated a lot of bands this year- the last time I shall bandy this feathered bow about in 2015- is the cessation of originality and emotion; the music is either predictable or copycat or lacks any depth and memorability- leaving you rather annoyed and underwhelmed.  Bands that come through who are new and fresh; who leave impressions on the mind- leading me to my featured act.  Before I continue with a new point, let me introduce Glasgow’s Even in Arcadia.

Vocals - Hazel Gore Guitar - Christopher Garvin Bass - Chris Gore Drums - Blair Martin

“Even in Arcadia are a female fronted rock band from Glasgow formed in 2014. 

Intricate guitars, thought provoking lyrics, powerful female vocals and a hard hitting rhythm section blend together to give a distinguished sound. It is hard to class the band in one genre but they have been described as "New Wave vocals meet Punk Rock guitars". Influences are varied across the band and include; Patti Smith, The Ramones, Nirvana, Blondie, Siouxsie and the Banshees and Blue Oyster Cult.

Despite only being together a short period of time, the band have already featured on radio stations across the globe. In 2014, Even in Arcadia released their debut EP "Weave A Web". The EP can be heard on their various social media sites.

In September 2015, the band released their new EP "Blue Prints”.

Just looking at the band’s influences- the likes of The Ramones and Patti Smith gives you an insight into their music and feel.  Not confined to a single genre- essentially creating their own sub-genre- the band have distinguished themselves as ones to watch; a group that should be making some significant moves in 2015.  When you are forming a band you decide what sort of sound you want to present- dependent and influenced by your idols I guess.  There are so many bands that do not cast their attention back and look at the legends of music.  So many young musicians have such ignorance of music; their attention spans do not go beyond the 1990s- as a result, you get a lot of predictable and immobile acts.  My generation have the warped opinion music is at its best now- it has been on a slide since the heydays of the ‘90s- and tend to concentrate on the established acts on the scene at the moment.  The best bands take influence from older-day acts and those that have already left their mark- making their own music much richer and rounded.   Although music has declined over the last couple of decades, there are plenty of great acts that are standing out and making a real difference.  Even in Arcadia have only been together a year but are showing signs they are one of those bands for 2016- that we all will be hearing more of in time.  Their latest E.P. capitalises on their debut work and ups the game: the group sound more essential and confident than ever before; honed and completely in control.  Grunge and Alternative genres are those that have been well-represented over the year; a popular choice for young bands as there is plenty of chance for raw edges and emotion- music that is exhilarating and hugely evocative.  Being a fan of Soundgarden, Pearl Jam and Nirvana- ‘90s legends when Grunge was taking off- it is great to hear an act that evoke a little of their spirit- whilst showing so many more sides and ideas.  Being winter- and with Christmas looming- we need some escapism as the days close in; let music do its work and take our minds somewhere else.  Already saturated and exhausted by the constant and mind-numbing array of Christmas-themed songs- the same tracks played over and over- I have been seeking music that differs completely and affords me the opportunity to find something genuinely new and great.  The guys and gal of Even in Arcadia are an act who I will be watching as we go into 2016; keeping an eye on what they are all about- seeing how Blue Prints resonates with music-lovers.  So far they have been getting great feedback with regards the E.P. - it was released a few months ago- and has seen their fan-base rise.  The next year will see the band do some touring and prepare some new music- whether they choose to release another E.P. - and let’s hope they are afforded the chance to tour beyond Scotland- come down to the south and enthrall the crowds here.

It is great to hear the latest sounds from Even in Arcadia.  They show a band with a lot of potential and future ahead of them.  If you want an insight into how Blue Prints differs- from their original work and how they have come on- then it is worth looking back at the earliest moments from the band.  Stuck in a Current was released last year and starts with a shimmering and subtle arpeggio.  That raw Punk sound and its sparse production makes the track sound live and urgent.  You do not get a lot of polish or sheen making the composition and vocal sound immediate and unfettered.  Whilst some of the vocals get a little lost in the mix; the song looks at being stuck in a current state of mind- the heroine is coasting and seems entranced in an unsettled mindset.  Reminding me of Patti Smith and Siouxsie and the Banshees, you get a clash of U.S. /U.K. Punk of the ‘70s.  The song has that sound of a jam- although a lot more rounded- and is built off few lyrics; repeating the central messages to get that claustrophobic and walls-closing-in sense.

   Weave a Web is the band’s debut E.P. and matches Stuck in a Current alongside two other tracks.  The title track begins with glistening and upbeat guitar strings.  Sounding more polished and rounded then earlier cuts; it has a sensation of ‘90s Grunge with a distinct sound of the Glasgow band.  The song looks at entrapment and struggling in a web.  Whoever has weaved the web- whether it is a lover or friend of the band- and causes intrigue and speculation.  The vocal has that reliably impassioned and cigarette-smoke allure to it that draws in the listener; impressed by that energy and raw edge that comes through.  With its heart between ‘70s Punk and ‘90s Grunge, you get a great mix of sounds that shows the band at their peak- as tight and compelling as they ever have.  The band’s distinct chorus work- that sees key words elongated and repeated into a mantra- mixes with a bold and energetic performance.  Our heroine is tumbling and falling.  Whether there is emotional discourse or something haunting her; some romantic ideals and intentions- you get the feeling of someone on the edge and losing some emotional ground.  The vocal is as strong as any on the E.P. whilst the band presents a different dynamic and blend- mixing Punk and Grunge yet injecting something softer into proceedings.  The entire E.P. shows confidence and commitment from a group with a great knowledge of music and its past.

   Blue Prints sees a development and step forward for the band.  Whilst they keep their Punk core and live sound intact; the production values are stronger and more polished- making the songs clearer and more decipherable.  In past tracks, the band has suffered some clarity and intelligibility issues: vocals get dragged too far down and there is problems understanding some of the lyrics.  The vocals are more assured and nuanced than before; showing greater emotional depth and ideas- more distinction and originality into the bargain.  The band has created an E.P. exploring different scenes and progressing their sounds.  It is a natural step that has brought in new listeners and made their songs more accessible without losing their grit, originality and live-sounding aesthetic.  Many bands tend to slavishly stick to their original sound and do not show any evolution or change- meaning their lifespan is limited and they have limited careers.  Even in Arcadia get stronger and more confident as time progresses; more inspired and assured- even though their debut E.P. is a stunning and hugely memorable effort.

I wanted to focus on Electric Thumb as it is the best representation of the band’s current sound ad direction.  Whilst they have not altered (or needed to) their core sound; they have shown some new sides and subjects- all brought brilliantly to life on Blue Prints.  Beginning with more kick and upbeat energy than any other track (the band has produced) you get some Pop melody and softness in the early exchanges- making it perhaps more accessible to some than other numbers.  The band come up with something full-bodied and catchy without expending needless energy and cluttering the sound- they craft an addictive little riff that brilliantly fuses with bass and percussion.  With some funky edges and a spirited heart, you get initial lyrics that look at knife-bearing deceit and something quite double-cross.  Whether the song’s title refers to online attack or has its origins elsewhere; you get the impression of someone attacking the heroine- although she cannot see the knife/their face as it is perpetrated.  The lead vocal has that distinct Even in Arcadia tone; although it sounds more trembling and anxious than I have ever heard.   These electronic weapons- bombs and knives being dropped and sharpened- give that initial impression of cyber warfare and vengeance.  With static I.P.s and sinister anonymity, you get a song that has an original and distinct side.  Even in Arcadia like to craft songs that stray away from the predictability of love and its perils- what 99% of other acts do to death- and dig deeper.  In these early moments you get a modern-day concern and ill uncovered and testified- an issue we can all relate to and understand.  The band infuses one of their most heady and scintillating compositions so far.  Putting their own stamp on Grunge and Punk flavours; you get a composition with more diversity than light than you’d expect.  My initial impressions develop as our numb heroine starts to withdraw and retreat.  Unable to feel the night and the light, there is some ambiguity and mystique to the lyrics.  Whilst there are one or two clarity issues still- it would be good to have the song’s lyrics on SoundCloud- you get drawn into that electric and wracked vocal that shows some vulnerability and pain.  Whether affected and struck by an enemy or central figure- or just enveloped by life, there is a relatable anxiety to the track.  The entire track seems to be about anxieties and fears of the modern age.  Whereas songs like City in the Dark explore drinking cultures and the binges and chaos around Glasgow- the early-hour scenes and characters that define it (for better or worse) - here you get something more personal and detached.  With the heroine letting her voice fully explore and delve into the emotion you get a little semblance of Wolf Alice- the same sort of lyrical ideas and vocal sound comes out in spots.  The band have stated in interviews how this song is related to physical anxieties and stresses; the strains and dangers of modern life- inspired by the likes of Foo Fighters and Pixies.  While it has the sound of those bands; there is a classic Indie feel to it- recalling other influences like The Cure and The Smiths.  Throughout the E.P., the Glagow band unites the ‘80s Indie/Alternative sounds with U.S. Grunge and Rock- via some ‘70s Punk.  It is a layered and deep sound that makes songs such as Electric Thumb so compelling.  You can hear the attention and details flood and strike as those central lyrics and themes- feeling numb with fear spreading through the veins- is reintroduced and isolated.  Even in Arcadia are a band that taps into modern-day concerns and issues relevant to the listener.  Not making the song too morbid or suffocating; you get plenty of light and melody in a composition that runs a gamut of emotions.  The band is at their tightest and more insistent here; they always sound urgent and essential- this is perhaps their finest moment.  It is no surprise the song is a live favourite as it has that sing-along chorus and a familiarity that will get many moving in time and dancing- evocative and reminiscent in equal measures.  As the track gets towards its closing moments, you get that chorus-heavy ride that ensures those key themes and ideas are punched into the mind- the building tension becomes palpable.  Our heroine never explodes or collapses under the weight of these emotions; she remains firm and buoyant to ensure the song has a dignity and composure to it.  Employing few lyrics- they repeat lines and the chorus predominantly- you have a track with an economical sense and knowledge of its strengths.  Were there too many lyrics it would distill the effectiveness and potency.  The vocals remain gutsy and on-edge throughout; making that tangible sense of anxiety more real.

It is great to see what Even in Arcadia have come up with.  Blue Prints continues to gain ground and wins new fans and support by the week.  The guys have toured the songs around Scotland and play King Tut’s Wah Wah Hut in Glasgow tomorrow (that has hosted the likes of Oasis) and will be a great chance for those songs to be heard by a new set of faces.  Electric Thumb is the band’s key cut from the E.P. that will go down really well among the new fans tomorrow- and see them gain fresh respect and support.  Having recorded the E.P. live- hence that live sound and feel to things- it gives Electric Thumb a really direct and emotional sound.  Gore lets her stunning and evocative voice hit its peak throughout the track.  Expertly letting the song’s anxiety themes bleed into the vocal; you get an emotive and nuanced performance that compelled me to repeat the song- to hear that vocal do its work.  It manages to summon up so many possibilities and ideas- bringing to mind the great Punk icons Patti Smith and Joe Strummer.  You get so many different sides and genres coming through- from ‘80s Indie to ‘90s Grunge- whilst retaining a distinct accent and originality.  Garvin ensures his guitar summons enough emotion and electricity to do the song full justice.  Mixing hard-hitting fears with something lighter and more introspective- you get melody and heart among the barbed-wire intensity and bite.  Never encroaching on the vocal or stepping too far out front; you get a performance that superbly lifts and drives the vocal- providing the song’s edginess and danger.  For a song that looks at smothered emotions and uncertainty; Garvin projects so much colour, emotion and riffs into the agenda- whilst offering something more soothed and contemplative when required.  Chris Gore ensures his bass keeps the song controlled and disciplined.  Given the weight and importance of the foreground, you need a bass player who can tie everything together and keep the sound stable- Core manages this with expertise and intuition.  Melodic and light when the song reflects; striking and viper-like when the volume is notched up- again, the instrument is used to drive the song and propel that lead vocal.  Blending wonderfully with his band-mates, you get an accomplished and nuanced performance- from someone who has been vital in shaping the band’s sound.  A player with a clear identity and determination; it will be great to see how this talent blossoms across future releases.  With Martin providing a stunning and masculine backbone; you have a drummer that has the strength and intensity of the Grunge legends- the Dave Grohls and Matt Camerons- but with an Indie/Gothic sensibility.  Because Electric Thumb ventures between genres and decades- going into Punk and Alternative grounds- you get a song that invokes Pixies and Foo Fighters; The Cure and Patti Smith- Martin handles everything with ease and produces a commanding and dramatic performance.  Backed by an assured and wonderful production value- it is a live-recorded song that has polish to it- you get plenty of clarity and energy coming through.  The highlight of Blue Prints; Electric Thumb is a triumph from one of Scotland’s most scintillating and promising young bands.

There are a lot of acts coming through at the moment; each one provides something a little different from the rest- it can be daunting deciding who the worthy ones to follow are.  Even in Arcadia have a great local fan-base yet their popularity stretches beyond Glasgow and Scotland.  Having been inspired by the likes of Blue Oyster Cult and Blondie- in addition to Grunge legends and Punk heroes- combined with their own voice and sense of style.  The combination works wonders in their music; sounds and sensations that have enthralled fans and lead to some big predictions- I can see the guys being festival headliners a few years down the line.  Ensuring their keep consistent and busy; Blue Prints is a confident and assured statement from a band on the rise- I shall review the E.P. below.  Scotland is a country that has always been synonymous with musical endeavor and quality- the likes of Belle and Sebastian, Primal Scream; Idewild and Orange Juice call Scotland home- yet few critics and media types focus their attentions here.  In addition to modern acts like Chvches and Young Fathers- the latter of who won the Mercury Prize last year for their debut album- are showing what pedigree and force Scotland has,  Whilst there are some great solo acts out of Scotland, they are more synonymous with their bands.  I am not sure whether it is a personality/community thing- Scottish musicians find inspiration when surrounded by others- or something else; it is a part of the U.K. where more people should focus.  Most of the Scottish bands I have witnessed tend to play harder Alternative sounds- as opposed to Pop and Folk for instance.  Glasgow is a cultural epicenter and a city that is showcasing some of music’s most tantillsing modern prospects- from Chvrches and Prides through to Catholic Action and Tijuana Bibles- all the way to the Synth.-Pop of WHITE.  It is not surprising Even in Arcadia sound so confident and ambitious given the sort of musical community and contemporaries they have.  Less bustling and compacted than London; Glasgow is nurturing some fantastic artists that we should all behold- set our sights away from the likes of London and Manchester for a while.  A lot of Even in Arcadia’s contemporaries have a sense of predictability to them- not showing great originality or presence- yet our featured act have distinction and clear personality.  Creating music that you can escape to and get lost in- a perfect antidote to Christmas sounds and the overly-gleeful parade of carols- and discover something wonderful.  Those female-fronted vocals give the music a depth and richness that few other bands possess- the likes of Chvches and Happy Meals boast tremendous female vocalists- and create lasting after-impressions.  If you go into the market and want to create Grunge/Alternative-Rock sounds, it is vital to create that balance of tradition and originality: have something that evokes a sense of the past yet sounds fresh and personal.  Too many acts replicate Nirvana or Queens of the Stone Age; have little ambition or ideas when it comes to things.  The acts that will succeed and flourish in the New Year are those who show something distinct.  I can see Even in Arcadia doing some good things in 2016.  It is clear they have more music up their sleeves; they want to tour as far as possible- maybe making their way down to London at some point?  Blue Prints is a stunning thee-track release that shows why so many people are following one of Glasgow’s best new bands.

   City in the Dark is the E.P.’s sophomore track that keeps the pace of Electric Thumb going.  Beginning with a primal thud and a carnivorous bassline, you get a song that evokes images and thoughts from the very first seconds.  From its raw and killer-on-the-loose beginnings, the introduction evolves and grows into something more harmonious and balanced- eliciting light and heart after a while.  Portraying the transition from darkness to light; the band have spent a lot of time crafting an opening that gets you to attention and readies you for what is to come.  In the city is the “darkest hour”; our heroine wants to be joined (she does not mention who) as you begin to immerse yourself in the lyrics and what they offer.  The composition remains support and light; it does not needlessly tumble and strike- allowing those vocals to come to the forefront and the lyrics to be heard.   Looking at souls “avoiding pain” once more the band emphasise a central message/coda to get inside the head- creating an unnerving wave and sense of unease.  The band step the composition up and provide necessary weight and urgency.  The percussion is especially notable; exploding and pummeling with insistency you get a track that builds in stature and emotion as the seconds progress.  One of those songs that seems destined for arenas and live performances- one that could unite and captivate the crowds into song- it has a catchiness and familiarity to it.  Recalling Punk masters and mistresses of the ‘70s; taking in modern-day (Scottish) acts lie Chvrches- you get a rounded and fascinating track.  Being one of the E.P.’s longest songs, it is given time and chance to develop and mutates- that central vocal has its own endeavours and ideas.  Building in intensity and precision; you get caught in the whirlwind of emotions and desires.  Whilst the song looks at the city’s darkness and the haunted figures that linger; there is some mystery to it- you wonder what has inspired the track and how it came to be.  One of the most rounded and emotive songs from Blue Prints; City in the Dark is one of those songs that could gain serious radio play very soon.

Weave a Web (Acoustic) shows a new angle to the debut E.P.-era track- giving it new life and meaning.  The lyrics are more decipherable and there is greater clarity on this recording- making the lyrics more relatable and tangible.  Our heroine seems trapped and is waiting in a safe haven; there seems to be a danger nearing in and you can sense that anxiety.  What you get from the song is more bare emotion and live-sounding flair than before- the song is less gritty but more haunted.  If you consider Nirvana and their live recording for M.T.V. - where they were unplugged and incredible- you could hear new meanings and nuance in their classics.  Stripping back their album tracks- they performed a few covers among the set-list- you got a chance to see a hard and vibrant band take things back and reveal some sensitivity.  Weave a Web works wonderfully when propulsive and granite; it has a new appeal and relevance when the guys take it back to basics- making it sound like a new and original number.  Our girl is in the web and waiting to trap her prey- her voice sounds even more gripping and dramatic on the original cut.  You start to wonder the origins of the song- who she is battling and what has caused this- and naturally you go to relationship grounds.  Backed by bouncing and flowing strings, you get a more honest and soul-bearing vocal- impossible not to think of Patti Smith when it is in full flight- that gives the song new dimensions.  One of the lesser-heard tracks on the E.P., it at least shows how adaptable the band are- reinventing their own material and offering a different sound.  Whilst they are an electric guitar-based band who plays harder sounds; it is nice to end with a song that has some emotional outpouring and something less busy.  Bringing Blue Prints down to an impressive close, you feel compelled to go back in and revisit moments; take in stuff you missed first time around- those layers and details that may drift by first time.  If you want to discover a great young band with a distinct sound and a sure future ahead, then spend some time…

 

WITH Even in Arcadia.

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Follow Even in Arcadia:

 

Facebook:

https://www.facebook.com/weareeveninarcadia

Twitter:

https://twitter.com/xeveninarcadiax

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Music:

https://soundcloud.com/xeveninarcadiax

Track Review: REL- Before the Storm

TRACK REVIEW:

 

REL

 

 

Before the Storm

 

9.4/10.0

Before the Storm is available at:

https://soundcloud.com/r-e-l-music/before-the-storm

RELEASED: 13^th October, 2015

GENRES: Evoca.-Pop/Alternative/R&B

ORIGIN:

L.A., U.S.A.

Written/composed by Arielle Sitrick & Travis Bunn. Produced by Travis Bunn & Bill Burke

Artwork by Juan Ándres Rivera.

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OVER the next few days I will be wrapping up reviews for this year...

and winding-down L.A.-based artists.  It has been great seeing what the city offer but it is time to step away to other locations and see what is around at the moment.  Before I pack up my U.S. bags- Wednesday will see the last U.S. review for a while- it is back in a city that has provided much speculation and promise this year.  REL (or ‘rel’; it varies now and then) is my featured artist and someone who has made big waves with her unique sounds and daring blend of genres and ideas.  Before I come to her, I wanted to look at female solo artists in L.A.; genres such as R&B and Pop- in addition to the importance of social media and music-sharing websites.  L.A. is lining some terrific solo acts for the following year.  When it comes to the boys the likes of Evan Mellows- and his dark-sexy R&B mixings- is going to be one to watch for sure.  It is worrying that it’s so hard to actually find out the names to watch into the next year.  A Google search shows few promising results; you have to be very specific with your search terms.  There is not a website that is dedicated to showcasing new artists and narrowing them by city and genre.  If I want to find out L.A.-based female solo artists to watch (for 206) then where do you go?  It is alarming that in 2015 there is no website focused on music and all it has to offer- something huge and all-encompassing.  It is a pity because I know L.A. has a lot of great solo acts right now- that will come to the public attention in dribs and drabs it seems- especially when it comes to the girls.  There are some great girl groups coming through in L.A. - Punk and Hard-Rock treasures- but it is the solo sector that seems to be most promising.  Like New York; L.A. specialises in ambitious, genre-mixing artists; those that provide something dreamy and passionate- with darker edges and plenty of power.  When it comes to genres- those that are going to be played and represented- there are a going to be quite a lot of R&B/Pop acts emerging.  These genres are well represented yet few artists mix them together and experiment with what is possible- exploiting the emotional and sonic ground on offer.  Each genre has potential and flexibility in its own right yet when you splice and blend them- same goes with any two other genres- you get a richer and wider sound; something that packs a bigger emotional punch.  My featured artist is someone that deserves a lot greater attention and needs big recognition in 2016- her music warrants serious investigation and respect.  Before I continue my point, let me introduce you to one of L.A.’s hottest female solo artists:

“r e l/20 years old / 20 years wise/full of dreams and poems and love/curious, passionate, compassionate. r e l is a 20 year old artist based out of Los Angeles. r e l ’s music radiates emotion, embodying what she calls “evoca-pop”– music that makes you think and feel– and what has been labeled by music-tastemakers and fans as dream pop/alternative r&b.  This past May she released her debut self-titled EP containing the upbeat, ever popular track, “Plateau”. r e l ’s music has been featured on notable blogs such as MTV Iggy, Hilly Dilly, BaebleMusic, Crack in the Road, and Impose Magazine. r e l has played at several historic venues throughout the Los Angeles area including The House of Blues, Room 5, and The Mint, along with playing industry showcases including the DL at Dirty Laundry and BMI’s Acoustic Lounge. She has been working nonstop on new music and visuals for her upcoming EP”.

REL is an artist of-the-moment who displays huge ambition and love for what she does.  When it comes to marketing your music and connecting with fans, social media and music-sharing websites are pivotal and crucial.  Over the past year, the L.A. star has produced a string of wonderful songs and moments; dazzled with her self-titled E.P. - gaining the eyes and ears of some very high-profile publications.  It is the way REL utilises social media and other sites- the likes of SoundCloud especially- that has connected her music with a wide range of people.  I still find so many acts that negate the importance of social media and the music-sharing websites.  A lot of bands and acts limit themselves to Facebook and Twitter- some stick to Facebook alone- and do not put their music out there.  It is all very well having a great sound and a promising talent: if you fail to make your music readily-available and widespread then you will not pick up the fans and they will look elsewhere.  It is not to say you need to be on every music website and flood people with updates.  Too many acts are being cagey and naïve with regards their music- foolhardy considering how competitive and packed the music industry is.  REL has a great team behind her for sure- ensuring her music is put in the right hands and gets exposure- but the L.A. artist’s stunning sound and distinct blends have done a lot of the talking.  As we go into 2016, it is clear she is going to make a name for herself- there will be new material and tour dates on the agenda.  It is still the early days for her so it is wise to remain realistic and not leap ahead.  From what she has produced already there are clear signs of an artist who does things differently- someone that has a singular voice that needs to be encouraged and loved.  Getting more assured and confident with every song, it signals a very bright and busy future for the young heroine.  Just how far she can go is anyone’s guess.

Taking Before the Storm into consideration, it is worth tracking back to REL’s previous outings- seeing how her music has developed and shifted.  Love Your Neighbour was released a year ago- before her self-titled E.P. - and showed a very distinct lyrical style.  Backed by ghostly and sparse backings- something quite unsettling in fact- the heroine looks at twisted shadows and blood splatters on the wall.  Taking us into a song that looks at knife wounds and haunted dreams, you get some vivid images and a compelling story.  Whereas the chorus implores loving your neighbour (“as yourself”); the verses take us into troubled and disturbing avenues- presenting images that will linger in the mind for a while.  REL’s vocal remains impassioned and firm throughout- barely changing course and projection from start to finish- to give the song quite an edgy and emotional sound.  We look at a man with red in his eyes and a lustful hatred burning deep.  With his meat cleaver by his side, there are yearnings for chaos and murder- the neighbourhood is about to get a rude wake-up.  The song focuses on the troubled minds and peculiar figures that can lurk behind doors; taking us into very unique and murky waters.

   Heading for the Sun featured on REL’s self-titled debut and changed course from Before the Storm.  Whereas that song was more dark and haunting; Heading for the Sun is a more upbeat and fast-paced song.  REL lets her voice roll and rap- as opposed to the more static delivery of before- to create something that takes us into R&B territory.  The heroine’s voice is lighter and more impassioned; images of space exploration and solar flight and “all systems go”.  Using these lyrics as metaphors for love and relationships- I may be off the mark but that is the way I interpret it- the song boasts one of the most accessible and memorable choruses REL has produced.  Across the E.P. the L.A. musician mixed that accessibility and relatable themes with something more singular and dark- ensuring her music crossed boundaries and unites a lot of new fans.

  Plateau is one of the mist memorable and celebrated tracks from REL- a song that has garnered a lot of attention and focus.  The song was featured on various blogs and music publications because of its upbeat composition and consistent energy.  Whereas the backing is quite uplifted, the lyrics look at time slipping away- personal concerns and reaching the end of the road.  As the title suggests, there is little room to manoeuvre and compromise.  It seems like a particular relationship is being investigated and explained.  That need to turn the clock back and do things differently; it is clear there are struggles and need for resolutions.  REL employs a very distinct lyrical style that is more image-provoking and dream-like than many of her contemporaries.  Whilst many go for simple phrasing and language, she ensures her words have an idiosyncrasy and intelligence to them- delivered with a tumbling and impassioned weight.  Throughout the song you get to focus on the vocal and lyric- the composition adds urgency and emotion yet is second nature to the foreground- and the confessions of a young woman who wants change in her life.  The song repeats the chorus and central mantra- more so towards the ending- ensuring those words and sound stick in the mind.  Boasting a contemporary sound and relatability- there are shades of Rhianna and other Pop-R&B crossover acts- meaning it success and popularity is no surprise.  Whilst not as individual and unique as some previous outings, it shows new confidence and a change in direction- whilst retaining those original lyrics and stunning vocals.

Before the Storm continues the lyrical themes and idea of the E.P. - presented in that unique way but tapping into common themes- and could well have sat across that work.  It seems like REL has found her niche and sound; there is not a lot of need to change things up much- it will be interesting to see where she goes now.  The self-titled E.P. was a full and frank work that showed the L.A. heroine explore issues of love and relations; stress and strain- composed and presented with a very distinct style and projection.  Over the course of the last year I get hear her confidence grow and little changes here and there.  REL’s earliest work pushed her lyrics to darker avenues and demonstrated a song-writing talent with a need to distinguish herself from the pack.  Whilst her vocals were not as developed and rounded as later work; what you got what that urgency and conviction from the very start.  As time has progressed the music has become lighter and more upbeat; the Pop and R&B genres have been fused more readily and prolifically- that vocal has become more wide-ranging and impactful.  Each song has its own pace and sounds; the vocal can twist and turn- it can rap and roll.  This gives the music much more freedom and mobility- something that we will see more of in 2016.

Before the Storm emerges with an appropriately moody and evocative beginning.  Darker electronics whip up images of clouds and rain; something quite uncertain and dangerous is at work.  On this song, REL sounds at her most upset and troubled.  Due to the discontent and friction in her relationship, her mind is heavy and her heart is burdened.  Presenting lyrics that are among her most direct, accessible and simple- they do not have the poetic edges and obliqueness as before; the need to keep them simple ensures the full force of the emotions gets to the listener- in a song that will speak to a lot of listeners.  The track begins with a vocal flow that gives some light and uplift to a rather unsettled and heart-aching song.  Speaking to her man- the reason behind the relationship disillusionment is not clear- she reminisces about the old times and having fun.  Perhaps things have got too heavy and they tried to run too quickly.  Back when there were fewer ties and they were just having a fling, it seemed to be simpler and more pure- the happiness was there.  Maybe their relationship was solid and defined; something might have come between them and has caused friction- our heroine is expelling her demons and trying to understand things.  It appears there is some resentment and fall-out given what has happened; the lyrics point to someone who has a wrong to right- a lot of pain carried around with her.  Backed by a thumping beat and an emotional sparseness- the composition remains quite bare and uncluttered early on- the vocal remains determined and strong.  The prize fighter is winding up and preparing a whirlwind for her former lover.  “I got a trick or two up my sleeve/You aren’t gonna see them but you’re gonna feel them” suggests someone who has been played and deceived too many times- time to put the man in his place and equal the score.  Soon enough the composition becomes fuller and more driven- a neat and catchy beat meets swelling electronics- as our heroine talks of “The brawl is done, the fight is far from done”- signalling the duo are going to be in each other’s lives for a while now.  It appears like the man has been cheating or telling lies; messing our heroine around and being no-good- something that is a common ill in relationships.  In the beginning REL let it be known she liked it slow- I presume the speed of a relationship rather than sexual preferences- and this has been misinterpreted and abused.

Perhaps the guy has been lazy and inattentive; spent too much time with the boys and sniffing around other girls- assuming the relationship was causal and open.  Whatever the circumstances behind the disservice; you sense that bristling angered and spiked intention.  Our heroine’s voice never becomes too enraptured or strained; there is restraint and focus for sure- to allow those words and sentiments to be appreciated.  The composition remains fairly predictable in a way.  A lot of R&B/Pop acts present a similar mix of beats and electronics; in this case it is the right way to score the song- any other configuration or sound would do it an injustice.  Riding that supportive and hard-hitting beat, you transport yourself into the battle and war.  Amidst the themes of love-gone-wrong and bad fall-out there is enough obliqueness to keep the mystery building- no statement as to what happened to cause the rift.  Maybe there are a lot of reasons and problems that have resulted in the explosion- it is clear the man is at fault.  Our heroine prepares her punch and cyclone; he will not see the attack coming- but he’s going to feel its force.  Empowered and vengeful; you get hooked into the passion and menace being built.  Keeping her language simple and direct- not as highfalutin and unique as before- ensures that emotional resonance rules and she does not bury her feelings.  By complicating the lyrics and making them too detached you would not get that spark and reality- the sign of a songwriter who understands the importance of developing, evolution and change.  A terrific song that will appeal to a wide range of listeners- it blends R&B beats alongside more uplifted Pop moments- and Before the Storm takes effect.  As the song continues a lot of the lyrics are reintroduced- like a mission statement or bellicose chant- but we get some new insight and revelations.  It seems like the man was playing her; fooling around and trying to get the upper hand- it took her by surprise.  Those sentiments and insights see the vocal toned down and isolated- before the composition wave whips once more.  Our heroine has a surprise or two and is determined to get vengeance and justice.  Boasting a contemporary sound that has its heart in the mainstream; there is enough grit and individuality to ensure it has more authority and depth than a lot of chart-based music.  REL has always been an artist with far more grit and appeal than the slew of Pop acts on the scene- the sort that produce rather unforgettable and simplistic songs- but has ensured her sound are as accessible as they are unique.  That composition keeps developing and pushing the heroine forward; driving the words and providing a pulpit for our girl to let her voice be heard.  I am not sure who her lover is/was but one thing is for sure: he is being given a serious kick in the teeth throughout the track.  By the final moments, there is a malevolent laugh and that desire to level the score.  A song that not appeals to done-wrong girlfriends; its messages and ideas can be appreciated and understood by anyone- it is not a song that distances anyone or creates any walls.  One of the most confident and determined songs I have heard from REL; it shows just what she can offer music in 2016.

I am not sure whether Before the Storm marks at the sound of what is to come- where relationship recriminations are in focus- but the language here is more simple and straightforward than before.  A song that required few diversions and false avenues; the messages and words cannot be misinterpreted by anyone.  It shows a songwriter that can ably seduce when going for the jugular- just as she can when in poetic territory.  Every time REL looks at love and its issues, she presents her words and thoughts in a new and very unique way.  Perhaps Before the Storm is the most accessible and everyday representation from her- her previous numbers showcase stunning wordplay and depth- but it is a required move here.  Given the weight of emotions and circumstances surrounding the song- the pains and heartache that motivated the song- you need a set of lyrics that can be understood and interpreted by all.  The power and primacy of the vocals brings you right into the song and makes you side for the heroine- balkanised against the wrong-doing boy and his mean tricks.  Alongside Travis Bunn; REL has created a song that packs a huge emotional wallop.  Whether this will form the basis of her forthcoming E.P. - there is speculation there is new material afoot- it will be fascinating to see what comes about.  As it stands, Before the Storm is a fascinating stand-alone that will keep her old fans very happy- whilst bringing in new supporters.  Retaining the sounds and compositional elements of her older work- whilst developing her songbook and emotional angle- you have a young artists with maturity, range and a huge amount of potential- a songwriter and artist that seems limitless when it comes to the music.  I cannot wait to see where that inspiration takes her next.

There are so many solo artists out there it can be challenging and impossible to find out which ones are worth closer scrutiny into the next year.  I have bemoaned the lack of appropriate websites that represent all of music and making it easy to find musicians by city and genre- surely not that hard an achievement?  If something like that were introduced it would make it a lot simpler to locate YOUR type of music and the likes of REL.  As it was, I came across her via good fortune in a way- a representative for REL contacted me- but chances are I would not have heard her music otherwise.  I know there are tonnes of new musicians coming through but it is possible to narrow it down and organise things- make it a lot easier for the listeners to find the kind of music they want; in addition to stuff they may not have previously discovered.  Our L.A. heroine is making the most of her online portfolio and ensuring she takes her music as far and wide as she can.  With a sea of contemporaries vying for airplay and recognition, REL has developed and honed a sound that is very much hers- few other singers come across the same way.  In the modern musical climate, it is vital you attack publicity and promotion on all fronts.  A lot of new and inexperienced artists put themselves on Facebook and Twitter yet ignore SoundCloud and BandCamp.  I have seen a lot of artists put their music on iTunes only- meaning relatively few people ever hear it.  I understand the need for finance and making money from your songs but with so many musicians giving it away, can you afford to do this?  There is no room for naivety in music as it is so competitive and packed.  REL has made sure she gets her name and words out to the public as effectively as possible- it is no coincidence she is seeing the fruits of her labours blossom and inspire.  Having played at some rather prestigious venues- including Dirty Laundry and B.M.I’s Acoustic Longue- she is sowing the seeds for an assured and prosperous future.  Blogs and music publications have taken the music to heart and been seduced by those rare blends of sound and lyrics- stemming from an artist with originality and intelligence.  L.A. is a musical neighbourhood that houses some of music’s most adventurous and fascinating artists.  Being used to London and the U.K., when I get a chance to travel to the U.S.; I get to see the difference that is happening there- the wonderful young artists that are emerging and playing.  L.A. has a lot of great solo artists emanating; REL is one of the most hungry and distinct of them all- let’s hope she continues with strength and determination.  Songs like Plateau get you thinking and conspiring.  Its lyrics mix romance and something classical- “The candle from the little shop in Paris, our adventure/Wax and wicker sitting on your dresser to remember” with something contemporary and new- “Watching Netflix in your bed/Back when you remembered every word I said”.  Heading for the Sun looked at an imploding romance- sun to burn out in the sun- employing space terminology and imagery (“You're facing Mars, I'm facing Jupiter/Locked inside these bars, but you're still keeping score/I'm losing air, but you're so full of it (hot!)
/This spaceship didn't come with the right toolkit”).

From her days of neighbourhood dangerous and religious symbolism; the salt-themed relationship woes and a unique insight into a young artist on the hunt- REL is developing into one of the most special and formidable writers around.  Her way with words and phrases is intoxicating; the way she lets her voice glide and strike is phenomenal- an artist with a huge soul and passion.  There are few artists out there who have such a sharp pen and a way with words.  Too many musicians stick with clichés and platitudes; keep language simple and do not give that much depth- meaning their music does not stay in the memory for long.  Picking apart REL’s words and thoughts gives you an insight into her mind and music; it makes the whole listening experience that much richer and more rewarding.  2016 is a year that should see a change in musical fortunes- there were few genuinely great acts in the mainstream- so let’s hope new music’s best and sharpest will transcend from the underground to give music the spark it desperately requires.  If you have not heard the stunning L.A. resident do her thing; make sure you check out her music and watch a rare talent come to life.  Getting stronger and more fascinating by the release- she is one of those artists that will be playing for years to come.  I say this about every artist- and it is a point that needs repeating- but let’s hope REL comes and plays the U.K.  It would give the nation a chance to see one of the U.S.’s finest solo talents take her unique blends and sounds to a new audience- her music has no limitations and every listener can appreciate what she says.  With there being so many straight-ahead Pop and R&B artists around, it is great to see an artist invent her own genre (Evoca.-Pop) and fuse different sounds and blends into a wonderful whole.  Congratulations to REL and what she has created in Before the Storm.  That lyrical individuality and intellect is intact; the heroine keeps those mandates of love and separation intact- it is a musical consistent that is always going to be in vogue- and gives the subject new life and twists.  Those evocative and poetic words show a young woman with a fertile and hungry imagination.  The passionate vocals and intuitive sense of dynamics and mobility result in a song that never loses its fascination and sense of the unexpected.  Take some time today to discover a new artist that has cut herself from the pack and is showing a huge amount of potential.  With so many of music’s new and ambitious starting to wane and fade, it is great to see an artist…

IN no danger of fading any time soon.

[youtube https://www.youtube.com/watch?v=OeIrkerR4UA&w=560&h=315]

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Follow REL:

 

Official:

http://www.rel-music.com/

Facebook:

https://www.facebook.com/therealREL

Twitter:

https://twitter.com/music_by_rel

Instagram:

https://www.instagram.com/musicbyrel/

 _____________________________________

Music:

https://soundcloud.com/r-e-l-music

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Videos:

http://www.rel-music.com/#!videos/ca0z

 

Track Review: Mayflower- Sienna

TRACK REVIEW:

 

Mayflower

 

 

Sienna

 

9.5/10.0

Sienna is available at:

https://soundcloud.com/wearemayflower/sienna

RELEASED: 28^th September, 2015

GENRES: Rock & Roll

ORIGIN:

Manchester, U.K.

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THERE are contrasts to the reviewing world that see...

experienced and established acts sit alongside brand-new artists.  Before I get around to mentioning my featured act, it is interesting to see the new bands coming through.  I have stated how there is unreliable quality control; a lot of acts seem to be determined to just come along and play for the hell of it- not enough distinction to really appeal to the listener and fans.  I have come across so many acts that either sound like someone else or have so little about them- just the mere suggestion of something good.  I wanted to mention new bands in general- it seems apt as we head into 2016- and just what they can offer music.  All of my cynical words aside- I am a bit down when it comes to band at the moment- I have seen quite a few bands that could make an impression into the next year.  The bands that stay in the mind are the ones who inject plenty of originality, diversity and nuance.  Of course, it is hard to be truly original and distinct these days- even the best bands have an essence of others to them- but there is plenty of room to maneuver and appeal.  I think a lot of the issues arise when bands look at the media and what is being expected of them.  The groups that are highlighted tend to play heavier sounds- Rock, Alternative etc.- so that is that inclination to compose and replicate those sounds; in the hope that this will lead to approval and success.  Solo artists have a lot more mobility when it comes to their music.  Hip/Hop-Rap, Electro.; Pop or Country- you name it; they have fewer limitations it seems.  You do not get that same genre-diversity that solo acts portray- there is more predictability at work.  Even if you work in slightly narrow confines, that does not mean you are limited and in trouble.  From the subject matter to the vocals; along to the compositions- there is so much potential for wonder and originality.  Those acts that are sticking in the imagination- causing a little of fevered praise and excitement- need only make a few tweaks to the recipe to create something sizzling and delicious.  When it comes to our featured artists, little is known about them at all.

Oliver Gaydon: Lead vocals, rhythm guitar

Jacob Calvert: Lead guitar

Mike Cromey: Bass guitar

Jim Mulherin: Drums

“Manchester-based four-piece Mayflower was born in 2014. The band’s early chemistry spawned a host of original material, not restricted to one style, but displaying broad influence and a clear focus on the importance of crafting their songs.

In just a matter of months, the band has headlined Night & Day Café, sold out The Castle Hotel and performed a live session track on the Introducing Show on BBC Radio Manchester.

Mayflower’s second demo, The Dice Man, has received extensive support on the Introducing Show and the group have received praise from Michelle Hussey and Natalie-Eve Williams for the strength of their songwriting”.

They hail from Manchester- a subject I will explore in more depth soon- and are making their first moves into the music world.   It would be good for the lads to put a little biography on Facebook; maybe have a link to their official site included here- a way of letting people know who they are and where they want to head.  At this time they have a new track out (Sienna) that is receiving impassioned feedback and a lot of heady praise.  Before getting down to their music- and what the guys have set in their future- it is great to be back in the north and in Manchester.  It is hardly worth mentioning what a reputation the city has when it comes to producing fantastic music.  During the ‘80s and ‘90s the likes of The Smiths, Oasis and The Stone Roses set the music world alight with their phenomenal sounds- three of the most influential modern acts you could think of.  As we moved into the ‘00s, there seems to be a split of sorts; there were fewer great Manchester bands coming through- other cities and towns were showing the way and producing the greatest artists.  Over the past few years I have seen some great Mancunian acts emerge that have recalled some of the glory-days wonder of the likes of The Stone Rose et al.  It is impossible to recapture and reproduce the wonder of the ‘80s-‘90s regency- music will never get within touching distance of being that good again- but that is not to say we should switch off and concentrate on the solo acts.  Mayflower are one of those acts that seem unconcerned with being pigeonholed and topping critics’ lists.  Their originality and natural personalities have gone into their music to ensure it resonates with listeners and sets them aside from the flock of other bands- contented to dance to the beat of the critics’ drum.  I love seeing an act come through with their very early number- their sapling steps are the most exciting and nervous; that very first chance for the public to hear what they are all about.  Mayflower are one of these bands that pride substance and soul above sheer force and a wrecking ball approach.  I love gritty and anthemic bands; those that can lacerate for a good cause- pen songs that have stadiums jumping and rocking.  The trouble is, there are too many bands that aim this high and fail- it creates a rather depressing state of affairs.  The groups that remain longest in the mindset are those who dig deeper and create something more enduring and emotive.  That is not to say bands need to be overly-sensitive and soft; just realise the importance of depth and melody; soulfulness and colour- when you put all this together you get music with greater importance and longevity.  Our Manchester lads have been excitedly reviewing feedback from fans and reviewers; seeing where they head next- just what the future holds for them.  It will be great to see the boys up their game and create a charge in 2016.  If they can get more music on their official website; give the public some insight into their live and influences- how they tick and where they came from- that will lead to big social media numbers.  Their music- their fifth song at this stage- is doing all the talking and creating a serious wave of excitement and anticipation.  Into 2016 I can see them crafting an E.P.; something that showcases their talents to great effect- a chance for the public to experience Mayflower in full flight.  That is all ahead of them, but for now, Sienna is garnering a lot of love and support- no surprise when you dig down to its core and explore its beauty.

Although Mayflower have released Many Clouds, Mayflower; The Dice Man and Rapa Nui; you have the hardest time trying to locate them- not sure why they have been expunged by the band (except for the odd site here and there).

   The Dice Man is available here-https://amazingtunes.com/mayflower/tunes/337103- and begins with a soft and uplifting coda.  Chiming strings and a determined percussion welcome in the track- such a dream and assured introduction.  Backing away from pure Rock and something harder; Mayflower go for a softer and more studied approach to the music.  Recalling a little of Richard Ashcroft’s verve; you have a song that has swagger and confidence- yet displays a tender heart and sensitivity.  Our hero is galvanising his patience and waiting for calls- seemingly hanging by the phone waiting for a girl to ring.  It seems like a bond has been solidified long ago; the lovers have been through the motions and have a complex history.  Too often they have not waited for the morning; rushed into things and been too hasty- resulting in fall-out and problems.  The song looks at patience and that need for discipline; a mature and intelligent approach to relationships- something that is a defining them in their music.  The composition remains quite lo-key and unobtrusive: it ably lifts the emotions whilst creating something quite tender and semi-operatic.  That central vocal is powerful and inflamed; yearning and burning in equal measures- something that gives the track so much panache and potency.  Memories of ‘90s bands- the likes of The Verve and Oasis- create fond recollections and musical nostalgia.  The lads ensure their feet and motifs are in the present-day; making sure that original edge and direction shines through.

Sienna is the most available and truest sense of what the band are all about.  Whether they felt their previous demos are not up to their best- and wanted to keep their finest work in the mindset- it is a shame as I know how well their previous songs were received.  On the plus side, it has not dampened their potential and quality one bit.  Their latest demo shows a lot of promise and improvement; they have come on strides and sound at their most essential- boding well for future sounds.

I was excited to review Sienna, given the passion and praise it has already received.  Blogs and reviewers have stated its melodic potency and beauty; that central vocal performance- bringing the song’s emotions to life- and the originality the song possesses.  Not as off-to-the-races as their previous tracks- Many Clouds was also noted for its immediacy and harder edges- there is a subtleness and slow-build quality that sees the boys embrace a more nuanced and mature approach.  The initial words see our front-man assess a relationship and the recollection of times past.  Having lost “nothing from those times” where “liberty followed”.  Off the back of an entranced and seducing introduction- nimble and atmospheric guitar notes create a hazy and morning-awake sensation that seems wholly appropriate- and you have a dreamy and reminiscent number.  Our hero is looking at his girl and the times they shared together.  Perhaps they have been through disagreements and turbulence before; the vocal has the sound of a man who has witnessed too much and had too many sleepless nights- that need for something happier and more comforting seems to linger in his soul.  The band ensure they do not distill the song’s message- offering a considerate backing that drips with emotion and subtle shades- perfect augmenting that need for change and improvement.  Perhaps I am misreading those initial concerns and feelings.  Our hero lets his voice drift and hover across the horizon; allowing it to portray sensitivity and longing.  That central figure- Sienna, the heroine- is someone we will all have images of.  If you go to SoundCloud and see the art work for the single; there is an extraordinarily captivating woman/model pictured- unsure who she is; I guess a friend of the band- which comes pretty close to my impressions/views of her.  Someone quite slight and slender she has immense beauty and a wicked side to her- able to make you forget your troubles and strains- someone who is fun and happy-go-lucky.  Once upon a time the morning sun and the new dawn seemed like a remedy for the hero- it was the “only cure” it appears- when his girl as not around.

Whether the two have parted way or they are in different locations; you get the idea our man is sleeping alone and looking out the window- dreaming of his girl and wishing she was there.  I hope the band work the song up and record a video- include the model in the video- as it’s an evocative song with plenty of wonderful possibilities.  You get a cross between Elbow’s dripping emotions and a bit of early-career The Verve: a blend of Soul and haunting Alternative.  That dreamy nature of the song- every review has highlighted this- makes the lyrics and vocals so entrancing.  When the band lead into the chorus you get the most seductive and head-spinning vocal- it recalls the vocal harmonies of ‘60s Power-Pop and is a sensational moment.  Unable to escape the power and soothe of the song; each listener will be carried along and project themselves in the scenery.  In past numbers, Mayflower have looked at the importance of patience and not squandering moments; making the most of the time romance has- it seems like Sienna is a bedfellow to their past endeavours.  Our hero has hazy recollections and swirling snippets of times past- when the two were together at their peak- and seems to be yearning strong.  Having left too soon and maybe made a mistake there is that need to make things right and reclaim what has been lost- have Sienna back with him.  I am not sure as to the origins of the song- whether our hero has based the song on a relationship he had- but you can hear that conviction and rawness come out in the song.  The vocal aches and pains for that sense of emptiness; there is a soul burning and bleeding- perhaps kicking himself for something said or done.  It is not made clear why the two sweethearts are separated or what has caused this distance; what is clear is the emotions that come out in the song.  The band unite wonderfully to ensure there is a constant momentum and beautiful soundtrack.  The strings and percussion act as blood-rush and breath; strings that are pulled to create the most vivid and direct representation of the mood- a vivid and urgent sound that few bands can match.  It appears like there may be hope for togetherness and another chance.  The chorus gives impressions our boy will see Sienna; maybe in dreams or reality there will be another opportunity for the two.  As direct as the vocal is, the lyrics have an oblique nature that means the real truth and ending are known only to the band- whether the sweethearts made it back to one another and who the girl is.  Even though it is a demo-quality song; it sounds like a perfectly mixed and balanced track- raw enough to convey the reality of the song yet professional enough to ensure it sounds slick and accessible.  Fans and commentators have noted how graceful and beautiful (Sienna is); the shades and emotions that intertwine- that stunning and emotion-drenched lead vocal.  The composition goes a long way to filling blanks and pushing the story forward.  With distinct views in my head- the beautiful heroine holds hope her boy will do right and they will be together- you get an itinerant and mobile feel to the composition.  It has a terrific flow and energy that means you picture images and sunlight; flickering night-time rain and images of the players- our man looking out across the Manchester day; our heroine close-by and thinking.  The song has that feel of winter: something that can keep you warm when it is dark and unsure; it is perfect when you are alone and listening in bed- just staring at the ceiling and letting your thoughts wander.  Plagued by problems and uncertainties; when other things let you down and life seems scary- “Sienna’s waiting there”.  It seems like the remedy and rescue for our hero yet could be the representation of solace for everyone- the faithful girl that gives you comfort and hope in spite of everything.  As the final notes chime my mind goes to something more straight-forward and simple: a bond that is still pure; when our boy has a hard day and he needs warm arms- when he comes home, Sienna is waiting.  The beauty of the song is that it says so much with so few words.  It has the feel of a love song with different meanings.  In the early stages I got the sense the lovers were split and a break-up was being mourned.  As you get to the chorus- and the song develops some- my thoughts turned to something happier and more hopeful.  It seems like the hero used to be alone; the only comfort he has was a new day or some small glimmer- now his girl is here he has something stronger and much better in his life.  Whatever the true nature- and however you interpret the song- you cannot deny its immense beauty and purity.  Not shrouded in cynicism or fake emotions it is a song that drips with passion and desire.

   Sienna is a song that definitely needs taking further and exploring.  Although it is a ‘demo’ it does not need any more work really.  Perhaps Mayflower could add a string section- perhaps just a lone cello would add the additional shiver and kiss the song needs- and perhaps a little piano coda towards the end.  That said, the comparative sparseness may be what makes the song so essential and right- any more notes and ingredients may distill it and water-down its majestic sweep.  That central vocal by Gaydon is from a man who has lived every moment of the song.  Whether Sienna is an alias or sobriquet- or is the name of his true love- I am not sure; it is a song that is filled with conviction and jaw-drop.  I would love to see the boys take this back into the studio and really take it that step further.  The song has no rough edges yet shows just how potent and it could be- a very little tweaks here and there could turn the song into something transcendent.  I am not going to be a backseat producer- the boys have shown how intuitive they are- but Sienna is a track that shows a young band in terrific form.  It will be great to see a video for the song- I would love to be a part of that somehow- as there is so much possibility and wonderful concepts you could levy.  Congratulations to the band that are as tight and wonderful as ever; creating their finest statement to date.  That composition brings ‘60s and ‘90s sounds through a modern-day blender to create something dark and dreamy; chinks of light and tenderness- it evokes so many images and intimacies.  Perfectly backing that soulful and powerful vocal; you get sounds that drive the song to impossible heights whilst remaining understated and subtle.  It is a hard trick to pull off yet one the band has managed.  There is positivity and hope in the song- with so many bands offering negativity among hard sounds- so to hear a band provide this (and keep their sounds graceful and melodic) is something music needs right now.  Their latest track is just the catalyst Mayflower needs to get the E.P. juices flowing.  Let’s hope the following year sees them take their wonderful sounds as far as they can.

It is terrific seeing a young band with so much potential ahead of them.  I get irked and depressed by the lack of quality and consistency that is coming from bands at the moment.  Every week, there is a flood of new artists that are touted as being ones to watch- there are few that ever live up to the hype and expectations.  Perhaps we need to lower expectations somewhat- not in a bad way; just stop putting so much pressure on acts- and focus on the minority of stunning bands emerging right now.  Mayflower are starting out their career but the initial signs are very promising and encouraging.  Sienna has captured a lot of attention from music-lovers around the U.K. - something about the track resonates with the public.  Those soulful and direct vocals are backed by a lush and emotive composition- stirring lyrics that show plenty of heart and intention.  Manchester is showing what potential its bands have at the moment.  All-girl group PINS have a hard sound with raw edges and plenty of nuance- a band that has a big future.  Horsebeach- and their sounds that recall The Smiths and Real Estate- have unveiled plenty of singles and albums.  They will continue that charge into 2016 and set themselves up as one of the big names to watch closely.  Blossoms are a lite-Psychedelic five-piece that have already been lauded by the B.B.C.; throw in the ‘80s-cum-Beach Boys blend of Whyte Horse and you have some bands with a lot of potential and power.  It is early for the lads of Mayflower, yet I can see their ship sailing far and wide.  Off the back of their new track, they show translatable mixes that could see them demanded across the water.  Before taking this thing to a close, it is pressing I look at the future for the guys; also reflecting on the importance of those first songs out the traps- ensuring your name and music gets the appreciation and patronage it deserves.  Mayflower have shown how adept they are at those uplifting and stunning melodies- like The La’s but a lot better and less cloying- in addition to impressively mature and soulful vocals.  Too many young bands need to prove they are youthful and fresh- this often means immature lyrics and rather unfocused and rambling compositions.  Not keen to tie themselves to anyone else- that originality and personality marks them out especially- our lads have created music that has personal relevance; it reaches out further to connect with the audience- there is accessibility and familiarity too.  I would like to see Mayflower really take hold of this momentum they have and keep the energy strong.  They have the potential to create an E.P. that will rank among music’s best; deep and varied with plenty of emotion and passion.  They have a few songs under their belt- so have the ammunition and material to come together- so it will be fascinating to see where that takes them.  Already backed and tipped by the likes of B.B.C. Radio 6 and (Manchester’s) B.B.C. Introducing; the lads have gained impressive kudos- setting them up for a huge year.  With a few songs in the ether you get an impression of a band mutating and evolving their sound.  They are growing in stature and confidence; more originality and personality is in Sienna- as opposed their previous cuts- and their intention grows bigger by the moment.  Tight and focused; nuanced and full of spark, this is a band that has a lot more to say.  They have been together just over a year and covered some good ground already- the hopes are high for these lads.  When bands come through- and are at the stage as Mayflower- it is important to remain original and true to your own voice.  I have seen so many acts start off hot; only to succumb to market expectation and sell themselves out- lose that authenticity and do what everyone else is doing.  You would be forgiven for thinking Mayflower are going to follow suit; I know how much detail and thought they put into their music- they are not a band abut to compromise and change who they are.  It is also easy to see the band as a debut-single act- their previous songs are not available on SoundCloud or anywhere else it seems- so it would be great for the boys to dig them out and make them readily available.  When it comes to beating the crowds and forging ahead; it is vital to go in attacking and put as much out as you can- Mayflower have such a great sound; the public want to hear as much as they can.  The lack of musical visibility and history is a minor quibble from a band who are gaining ground by the week.  After national radio-play and attention, it is the start of something fantastic.  Make sure you hear the beautiful Sienna- a gorgeous girl and mystical figure- that has already seduced and buckled knees around the music globe.  The lads have the ability to get their music far and wide; take their songs abroad- who knows how far they will head.  For now, they have their feet planted and are reveling in their recent achievements.  With their new track creating a serious buzz, you have no excuse to…

MISS out on a terrific young act.

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Follow Mayflower:

 

Official:

http://mayflowermusic.co.uk/

Facebook:

https://www.facebook.com/wearemayflower/?fref=ts

Twitter:

https://twitter.com/mayflowermcr

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Music:

https://soundcloud.com/wearemayflower

Track Review: Sofia Talvik- Starwalker

TRACK REVIEW:

 

 

Sofia Talvik

 

Starwalker

9.6/10.0

Starwalker is available at:

http://music.sofiatalvik.com/track/starwalker

The album Big Sky Country is available at:

http://music.sofiatalvik.com/album/big-sky-country

TRACK LISTING:

Aha-Aha- 9.5

Big Sky Country- 9.5

Dusty Heart, Empty Hand- 9.4

Lullaby- 9.3

A Matter of the Hearts- 9.4

Starwalker- 9.6

Bonfire- 9.4

Jasmine, Rose and Sage- 9.5

Give Me a Home- 9.4

Fairground- 9.3

So- 9.4

DOWNLOAD:

Aha-Aha; Big Sky Country; Skywalker; Jasmine, Rose and Sage

STANDOUT TRACK:

Starwalker

RELEASED: April 14th, 2015

GENRES: Country; Folk; Pop

ORIGIN:

Gothenburg, Sweden

All songs written by Sofia Talvik, except ­“Starwalker” by Buffy Sainte-Marie (Kobalt Music). Vocals and ­acoustic guitar Sofia Talvik, electric and acoustic guitar, dobro and lap steel Marcus Högquist, bass Janne Manninen, drums and percussion Joakim Lundgren, banjo John Bullard, violin Mathis Richter-Reichhelm. Guest musicians on “Give Me A Home” - David Floer: cello, Jozsef Nemeth: piano. All other instruments by Sofia Talvik. The Big Sky Choir Boys: Jonas Westin, Isaac Cheong, Jim ­Magdefrau. Produced by Sofia Talvik. Recorded in Mahoni Studios, Berlin, Recipe Music Studios, Stockholm. Mixed and mastered by Mathis Richter-Reichhelm. Graphic design by Sofia Talvik.

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WITH the days creeping towards Christmas and...

the pressures of the occasion getting to many; music is that elixir and comfort that we all need.  I myself have more stress now than at any point- family and financial woes; job unhappiness and uncertainty of the next year- so naturally turn to music; it is the only thing that really understands and makes things bearable- never asking for anything but attention and passion.  A lot of musicians are going quiet this time of year- preparing their moves for the next year- making an early impression on the scene.  For that reason, it has been great reviewing Sofia Talvik- someone whose music is appropriate and wonderful all-year-round; perfect for this time- sounds that take you somewhere safe and warm.  Before I introduce her and her latest album it is worth mentioning Swedish music; prolificacy and consistency in music and female solo artists of the moment- and the variation of sounds on offer.  Perhaps themes I have trodden before- it is apt they are evoked fully today- Sweden keeps providing wonderful and varied music.  Artists that seemingly have no boundaries and limitations; the Scandinavian artists have a little more adventurousness and passion to them.  It is not just the passion that amazes but the unusual-ness of what comes through.  Looking at the likes of Anna von Hausswolff- and her album The Miraculous- you get a semblance of Sweden’s true magic- the limitless ability and sonic adventure being presented.  It must be something in the air or landscape.  Sweden is noted for its beauty and friendliness; the stunning scenery and the wonderfully rich musical heritage.  Away from the bustle and strains of city life you get artists that are among the finest in all of music.  The likes of DNKL (fellow Gothenburg musicians), Fredo Sundemo and I Break Horses were big names last year- and have kept that intrigue and quality firm this year.  Throw Mapei, NoNoNo and Wildbirds and Peacedrums in there and you can see what a colourful array of young stunners are coming through- check them all out now for a full understanding.  As 2016 comes to view, those artists will make an impact but so many more are too.  Maybe the mystery is that Sweden is just showing better quality and passion- as opposed to conspiracies regarding landscape and the lifestyle- which should give us in the U.K. something to take note of.  I love how many genres are teased and intertwined; my featured artist is one of the most varied and wide-ranging acts around.  In Sweden there is a love of sunny Pop and Electro. sounds; terrific Alternative acts and some wonderfully compelling solo acts.  Before I raise a couple of new points; it is worth introducing you to Sofia Talvik:

“We all know the Swedes can write a mean pop songs – but what about folk songs? Well, one artist is nonchalantly transferring the charm and fun found in most pop songs into sweet, acoustic twang. Sofia Talvik, brings bubbly blonde ambition to this raw and often quiet genre with a captivating breath of fresh air.  Growing up in Sweden her music has always had a special tint of her Scandinavian heritage, making her a favorite among music lovers, but her 16 month, and 37 state long tour, through the USA (in an RV) has moved the new album closer to the Americana tradition. The adventure on the road spurred a lot of emotions, both those of triumph and joy, but also those of self doubt and defeat - all of which found their way into the songs of ”Big Sky Country”.  ”Even though this young lady is from Sweden, I’d place her at the forefront of the American vanguard. One listen will tell you why and how.” - Rob Ross, PopDose.com  Living like a musical nomad, moving from place to place, slowly but steadily building her audience through her heartfelt and personal performances she got to experience the USA in a way few people do. The people she met opened their homes and hearts to her and some of them even made it into her songs. But the new album is not a diary from her tour, it’s more of a storybook of emotions, new and old in which everyone can find their own place.  Recorded in Sweden, Germany and the U.S over the course of four months the album is now being released in the U.S and Canada in April through Caroline/Universal. Although simple and acoustic, the album sounds full but not overbearingly so. Twangy electric guitars and tasteful banjo fills highlights in just the right places, as Sofia’s own acoustic guitar provides the steady base of the songs.”

Talvik is one of the most prolific artists I have seen in years.  Clearly there is a lot of love and support for her music.  Having crafted a series of E.P.s, albums and songs; it seems the young Swede has no signs of slowing and retreating- becoming more potent and amazing with every new release.  Her sounds dig deep into the heart and elicit something truly awestruck and amazed.  One of the best and most intuitive songwriter on the scene; her music takes your mind to the scenes and sights she sings- it is such vivid and raw music that rewards those that love music with depth and soul.  Big Sky Country is as stunning and rich as its cover art: music that covers a wealth of topics and explores love, hope and wonderful characters.  There are few artists that have the prolific and consistency as Talvik.  A lot of new acts start nervously and take a while to release something new- there can be big gaps between E.P.s.  Talvik has a great work rate when it comes to music; constantly writing and recording she has kept fans and reviewers salivating with her staggering sounds.  As 2015 draws to its close Big Sky Country- a mini-review will be near the end of this piece- is a truly awesome statement from one of the music world’s biggest propositions.  The gorgeous Swede could well go onto conquer the U.S. and see her music being adored there- there is no reason why she could not tour the country very soon.  That said, the U.K. loves her music and it would be great to see her come here and play.  With so many great female artists emerging; Talvik ranks among the most talked-about and talented I have encountered.  That soft, swooning and emotive voice ensures every word is brought to life with force; no listener is immune to the wonder and passion.  Some of new music’s female artists are letting the ball drop and come through quite insincere and lacking.  Among the variable quality there are a band of artists that are truly entranced in music and giving everything to it- those acts we should all watch for in the next year.  Talvik is a true talent with immense song-writing ability and a voice impossible to compare with anyone else- how far she can go in 2016 is anyone’s guess.  I can see an E.P. or album emerging; some tour dates too- hopefully she can come and play London.  If you have not heard Big Sky Country; ensure it is at the top of your ‘to-do list’.

When it comes to the 2015 sounds of Sofia Talvik is savvy looking back to see how she has progressed and evolved.  Florida was an album released in 2010 and boasted vivid and bold sounds- just look at the cover art to the album!  Building from her softer and gentler beginnings- that is what her sound was defined as- the album marked a shift towards bigger and bolder arrangements.  Trombones, cellos and orchestral touches ensured the album provided a richer and more ambitious shift- bringing richness and variation into the fray.  The album highlights the drums- Talvik wanted it to be a central figure- and the album marks a love letter to the U.S. - a country the heroine is keen to explore.  The entire album shows a consistency and musical adventurousness: genres and themes are mixed to create a great blend of Country, Folk and Pop.

The Owls Are Not What They Seem was released at a time (2011) when Talvik was preparing a work visa for the U.S. - about to tour the nation.  The songs signal a return to basics and that stripped-down approach.  The album’s aesthetics look at D.I.Y., bedroom-recorded numbers that have intimacy and sparseness.  There is great atmosphere and emotion throughout: you picture yourself alongside Talvik; there is that drama and closeness that brings you into each song- such a wonderfully direct and passionate album.  The album explores delusions, good and evil and love; the inequalities of relationships and the need for compassion- themes and ideas every listener can relate to.  The vocals boasted dreaminess and huge effects- that breezy and passion the likes of Lana Del Rey bring into their music.  In spite of the D.I.Y. approach there is a lot of atmosphere and cinematics to the music- the compositions bring in classical strings and a variety of sounds to create a lush and heart-warming collection.

   Big Sky Country marked a return for Talvik after a little while- the songs were recorded over several months whilst our heroine and once again was inspired by the U.S.  Whilst touring and living there she got the chance to reflect the people, places and landscapes into an album that is her finest work- that creation that blends the big and bold sounds with the intimacy and sparseness.  Combining various (previous) albums together; Big Sky Country shows Talvik at her most impressive, stunning and best.  The horizons and possibilities are explored; that unwavering passion for people and places; the album is that storybook that unites the old and new- into an album that has gained a huge amount of respect and kudos from fans and reviewers.

We have an artist that gets stronger and more impressive with every new release.  It means the next year will be very exciting and interesting.  It would be great to see another E.P. released.  Whether Talvik locates to the U.S.- or records in Sweden- it will be fantastic discovering what comes next; whether an E.P. or an album- a new chance to see another side to the young artist.  Given what Big Sky Country offers, who knows just how far she can go.

I was keen to explore Starwalker as it represents all the emotions and ideas of Big Sky Country.  Written by Buffy Sainte-Marie- Talvik makes the song sound deeply personal and meaningful- it is a stunning number. Beginning with a couple of electronic strums- eliciting a dark Country vibe with something atmospheric and bold- you get a song that begins with urgency and strange feelings.  A deeply emotional and direct beginning, it soon explodes into a rapturous and delirious wordless chorus- our heroine lets her voice fly and entwine.  From the darkness and twilight danger you get that morning sunshine and awakening- taking the listener through a 180 degree spin within a few seconds.  Captivated by that raw energy and stunning rush; the song builds these wordless vocals together to create colourful strands and contrasting emotions.  There is that mixture of tribal clarion call and spiritual awakening.  Our heroine is letting her soul fly and her emotions soar- it is a bracing and urgent opening that makes the listener stand to attention and become entranced.  Our heroine lets it be known that “Starwalker, he’s a friend of mine/you’ve seen him looking fine”; making you wonder the origins and truth of the lyrics.  Quite oblique and fantastical; there is that sense of dream and detachment.  Whether Starwalker is an alias for a lover or a dedication to the beauty of nature- a natural force that is giving her strength and focus- you are hooked by those special and original words.  It has a literary approach to it that compels you to imagine images and possibilities.  My mind instantly went to a giant landscape or a rolling scene- like the cover to Big Sky Country.  Perhaps enveloped in the night’s air there is that lone light in the sky- something quite mystical and strange.  It is good to hear a song whose origins and nature is not that obvious and evident- something that every listener will have their own view on.  Whilst a lot of musicians go straight for love and relationships- the themes are explored in the album- Talvik prefers a more novel and personal approach to things.  Her songs look at nature and geography; something that strays away from pure emotions and heartbreak.  Whilst the vocals and instrumentation climbs and stuns; my mind keeps digging into those vocals- and what they represent.  The song has a consistent energy and energy that makes the imagery and lyrics come to life and get straight inside the mind- it will remain there for a long time to come.  Propelled and captured by the passion in that vocal; I was looking towards it seems Starwalker is a “straight talker”; it is best not to drink wine- that mystery and unexpectedness keeps coming.  Maybe Starwalker is a truth or personal honesty; if you drink you become more honest and foolish perhaps- maybe I am over-reaching and missing the point.  That is the true beauty of the song: there is no direct meaning (for the listener at least) so you are always trying to find what the song is looking at/saying.  Wolf Rider is introduced in the next verse- a friend of ours and someone who opens doors- that looks at another figure or emotional representation.  Perhaps she embodies opportunity and potential- that spirit inside that makes everything possible and provides chance and hope.  It is said she’s a “sweet grass burner” and a “dog soldier”- those vivid and quirky ideas take your thoughts in another direction.  After that mystical quest and outpouring- taking in the lyrics your head starts to layer images and scenes- our heroine lets that wordless vocal call across the night.  It seems like Talvik is providing a paen to nature and the beauty of the outdoors- embracing it and its captive grace.  As our characters and figures have been paid tribute; the holy light guards the night- our heroine asks it to “pray up your medicine song”.  It seems the richness and medicinal qualities of the night have infused the spirit; caused something quite primal and wonderful in our heroine.  That enticing and strange vocal call has a beauty and serenity to it- in the verses Talvik sounds a little like Laura Marling.  Lightning woman and thunder child are in the mix this time- nominal representations of the meteorological- that embody harsh weather and the change of climate.  You can imagine the country sky exploding and bursting with colour and light.  The clouds build and the thunder rolls; our lady asks them to “aim straight, stand tall”.  Bringing the listener into the song directly- and summoning such an army of wonderful images- you cannot help but get lost in the energy, emotion and raw passion that are created.  That vocal remains firm and rousing from start to finish- never dropping or letting that electricity dim at all.  That combination of elements and figures; the coming-together or weather and nature- leads to a song that is a stunning and vivid creation.  The composition has a terrific percussion that helps to summon that idea of thunder and drive; the passion and pummel the song represents.  Bringing in aching strings to the mix; it sees Talvik create something euphoric, atmospheric and bold- embracing that fuller sound of the past.  The final moments see the vocal come fully into effect and return to that wordless coda.  Our heroine allows her voice to reflect that raw passion and strong emotion- the listener is always guessing and imagining the images and ideas being explored.  By the final notes you get to reflect and breathe- taking everything in and getting to the bottom of Starwalker.

Starwalker is the most urgent and impressive number from Big Sky Country.  A great representation of Sofia Talvik and her various sides; I was amazed by the depth and ambition explored across the song- there are plenty of gems across the record.  That sense of oblique and mysterious continues right across the album.  Aha-Aha starts things with a little more directness and tangible relatability.  Words about sealing your heart with faith; looking in the mirror- it has a more personal and human element to things.  Talvik’s voice is pure and beautiful throughout; ensuring she gives the song the heart and soul it requires- one of the most beautiful and aching songs across the record.  That need for redemption and hope comes out; pushing you and keeping sweethearts close- not losing what’s inside and what could be.  A stunningly assured and strong opener- I get shades of Led Zeppelin III within the composition- there is a nice mix of pastoral Folk and something Country-based.  The title track is the most evocative and heart-aching song across the album.  Talvik’s voice is stunning and tender across a song that looks at the Blue Ridge Mountains and Texas; across the U.S. and the states.  The heroine takes her lyrics across America and the passion for the country; it recounts Talvik’s journeys and travels- and the great people she has met.  Perhaps the album’s most soul-bearing and love-filled song; it is a love song to a vibrant, varied and wonderful country.  Dusty Heart, Empty Hand has a catchy drive to it that puts it firmly into Country territory.  That compelling pace and passion comes out in a song that looks at betrayal and deceived hearts.  With her voice clear and emotive; the song recalls a troubled relationship that ended in pain- the song’s hero let the heroine down; caused her suffering and loss.  One of the most accessible and relatable songs on the album; it is a moment listeners can relate and understand.  Beautiful and sensitivity, you are powerless to resist the track and all its magic.

Lullaby is one of the most emotional-drained songs on the album.  There are images of beauty and a sweetheart’s boots; the purity and possibility of the summer morning.  Everything is good outside yet the hero wishes they were dead- something is missing or there is emptiness.  Matching summer purity with something raw and unsettled; you get a song that shows a troubled heart and some lingering depression- something that remains in the mind and makes you speculate.  It is one of the most naked and honest songs across Big Sky Country.  The vocal is pure and focused allowing those words to get inside the mind and make you think- one of the standouts from the album for sure.  A Matter of the Hearts again recalls a love-gone-wrong parable.  Our heroine has let her man go- and may have been the wiser of the two- but there are recriminations and fall-out.  As things have broken down and the love has gone cold; that is not to say the heroine is cold herself- missing her man and unsure why this is.  The strength of that love has not evaporated and there are those lingering feeling and desires- represented by a vocal that drips with passion and purity.  The composition is one of the most sparse and bare across the record; appropriate given the subject matter.  Bonfire is another song that looks at lust and desirability.  Our heroine’s heart bursts like a bonfire at the seams; it aches and yearns for a particular man- it is a raw and evocative number.  With the intensity of that passion- and the fact her heart and chest are cracked open- there is nowhere else to put that love; the reservoir has run dry.  You get a gentility and purity once more; the vocal is at the centre and allowed free reign to intoxicate and seduce.  A very touching and honest number, it clearly stems from a personal place- a relationship or situation that has caused some pains and lingering emotions.  Jasmine, Rose and Sage could be a Simon and Garfunkel companionship- the second part of the cooking extravaganza- but displays raw emotions and some of the most standout lyrics on the album.  Our heroine implores a subject to “hold her hand, still so small and warm in yours”; and she is drifting away like sand.  Whereas a lot of the songs across Big Sky Country look at love and simple emotions; here we get something a little more oblique and open- a song that once more provokes you to interpret and understand what is being sung.  The vocal and composition are not too heavy-handed and dark; there is lightness and uplift to it that keeps things levelled and buoyant- you never feel depressed or suffocated by things.  A wonderfully-written track that showcases Talvik’s song-writing chops; it is one of the album’s most evocative numbers.

Give Me a Home has a tumbling guitar coda that promotes grace and beauty.  Our heroine pays tribute to the sky- it provides a happier ending and possibility- and wants to be comforting by the stars and their light.  Maybe escaping something tormenting and fearful; wanting to run and get away from things- it is an emotional number that shows the soul bared and feelings come to the surface.  Where the buffalos roam there is always a chance for something new and safe; maybe things at the moment or not ideal or welcome.  Our heroine has been told she will lose faith (as she gets old) but as long as the sky’s there- and the country reaches out to her- she will not lose that hope inside.  Fairground has a merry and uplifted sound that contrasts the lyrics somewhat.  Our heroine has been down the same road she has been before; there is that fatigue and sense of hopelessness.  Maybe life was meant to be better; the fairground lights would shine for her- things are not changing and purpose seems to be lacking.  There are obstacles and pitfalls to get around; a constant danger and uncertainty to life- that need to find something happier and more pure.  You are always sympathising with the heroine and the strain she shows.  A beautiful and sensitive song; it shows that haunted and struggling side to her- something that provokes empathy and self-reflection.  So brings things to a close with gentleness and a stunning vocal.  The song looks at fears and trepidations; the pains and uncertainties.  Whether speaking to a lover or a friend; they (the friend) are regretting things not said and the darkness they feel- things being kept inside and cloistered.  Our heroine loves them for it and shows her support; paying tribute to someone that is going through hard times- yet has a supportive friend in Talvik.  The album is brought to close with something redemptive and hopeful; the feeling things will get better and the darkness will abate- a necessary uplift and sense of purity.

Across the album you get an immense amount of emotion, passion and diversity.  The production values are stunning; it allows the vocals and instruments to resonate and shine- bringing the words to life and giving the music the openness it needs.  Never polished or too shiny; Big Sky Country is a compelling and stunning work from one of music’s finest artists.  The songs tackle a range of subjects, emotions and scenes.  One moment we have a song that pays tribute to the U.S. and its varied geography; we go to haunted emotions and dislocated love- heading towards issues surrounding pain and personal unhappiness.  Love songs deal with real emotions and longing; themes that listeners can appreciate and understand.  Within the 11-track album we get something more oblique and literary.  Strange and wonderful characters tangle with meteorological moments and mystical themes- giving the album a depth and range that few other musicians are capable of.  Talvik shows herself to be one of the most unique and sharp lyricists around.  Deftly able to convey heavy emotions and romantic stress; she is as authoritative when taking her songs somewhere spiritual and oblique.  A singer with a rich, passionate and gorgeous voice; here is an artist with few bounds and limitations.  There is so much quality and wonder to be found across Big Sky Country.  If you are not familiar with Sofia Talvik and her body of work; you will want to check her album out.  A window into a wonderful soul with a big future; you cannot refute the amazement and nuance the album offers.

I predict some wonderful things for Talvik in 2016.  After a prosperous and busy 2015, the next year will see her tour across the U.S. (I would presume) and find new inspiration for recordings.  Each new album has a vivid and wonderful backstory.  A lot of artists record albums and E.P.s because they want their voice heard; they need to get something out there- Talvik is an artist that records when inspiration strikes; distilling her experiences and travels into music that wonderful travelogues and spellbinding stories.  Sweden is producing some of the strongest and most vibrant artists across all of music.  The variation and depth being explored is staggering; the sheer passion and love put into music is not equalled in any other country- you have a nation that should be in closer focus.  The U.K. and U.S. are always at the forefront of attention and expectation- other nations often get overlooked and ignored.  Few would naturally place themselves in Sweden when it comes to the best new music.  If you listen to Talvik and her peers; you get such an amazing difference and way of working- a naturalness and ethic that leads to some of music’s most amazing and long-lasting sounds.  It is the variety and genre-pollination that impresses me most.  The country seems less stressful and anxious; the artists are writing music because something wonderful hits them- not just to fill a gap or ensure they are not forgotten.  Before wrapping this thing up, it is worth looking at consistency and the female solo acts that are about right now.  This year I have been lucky enough to assess some wonderful female acts that provided a little something new.  From Electro. acts to Pop treasures, 2015 has boasted some fine and talented artists.  Few have really done what Talvik is offering music.  One of the most unique and special solo artists in music; her sounds and songs transport your mind across the lands and takes the imagination with it.  There are so many new acts coming out at the moment- the quality is rather unsure to be fair- so it is a pleasure to follow an artists that gets stronger and more assured with each new release.  Big Sky Country shows the Swede at the peak of her powers- more in love with music than she has ever been.  Having recorded and performed for years now; Talvik is one of the most consistent and prolific artists I have come across.  Nobody can deny how special her music is and where she is headed- the next few years will be very prosperous for her.  I hope Talvik comes and performs in the U.K.; spends some time in London perhaps- new inspiration for a future release.  It seems Talvik’s heart and soul belongs to the U.S.: a nation that has inspired a lot of her music; I guess the heroine will be spending a lot of time here next year.  If you are unfamiliar with Talvik then dig into her past and see the progression of a young woman that gives everything she has to music.  That passion and emotion shine throughout.  With every release Talvik describes the recording process and what inspired it; explains the details and gives the listener a direct insight into its formation- how many other acts do that?  Someone who loves her fans and the bond they provide; you would be foolish to ignore one of music’s most special and shining jewels.  Big Sky Country may be a few months old but its effects and wonder are still being talked about- a truly special album from a serious musical talent.  With the last few days of 2015 approaching, it is rewarding to find a musician that will be making big waves into 2016.  Embrace the passion, serenity and contradictions of…

A staggering musical force.

[bandcamp width=350 height=470 album=2175540067 size=large bgcol=ffffff linkcol=0687f5 tracklist=false track=806091658]

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Follow Sofia Talvik:

 

Official:

http://music.sofiatalvik.com/

Facebook:

https://www.facebook.com/sofiatalvikmusic/?fref=ts

Twitter:

https://twitter.com/sofiatalvik

Instagram:

https://www.instagram.com/sofiatalvikmusic/

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Music:

https://soundcloud.com/makakimusic

 

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Videos:

https://www.youtube.com/channel/UCrcYavR_4HZ1HpIf2JM5FaA

 

E.P. Review: DreamVacation- DreamVacation

E.P. REVIEW:

 

DreamVacation

 

 

DreamVacation

 

9.4/10.0

DreamVacation available at:

https://soundcloud.com/dreamvacationmusic/sets/ep

RELEASED: July, 2015

GENRES: Shoegaze; Alternative

ORIGIN:

L.A., U.S.A.

TRACK LISTING:

Window Room- 9.4

Press Play- 9.5

End of Time- 9.4

STANDOUT TRACK:

Press Play

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BEFORE coming to my featured act and what they offer…

I am reminded again of Los Angeles and making an impression with E.P.s; in addition to the more serene and dreamy side of music.  With Christmas fast approaching I have been looking around for music that takes my mind away from the relentless jingle and bonhomie of Christmas songs.  It has got to that stage where these songs are filling the head and everywhere you go.  I am sort of glad Christmas is almost over as it gets a bit much in the end- you want something else to distract and bring you back into the world of new music.  The last few weeks I have heard a great array of sounds and some distinct acts- each with their own projection and sense of promise.  When it comes to music in general I tend to find there are a lot of acts at the moment going for urgency and passion- rather than presenting something introspective and dreamy.  I shall raise that point soon, but for now- and for the final time this year- I want to concentrate a bit on L.A. and the U.S.  I have been paying tribute to U.S. music for a while now, and with good reason.  The U.K. acts I have been reviewing are fairly similar in nature- or at least do not break too far away from the predictable- and tend not to be as expansive and diverse as U.S. acts.  It may be an over-generalisation yet I find American artists have a bit more depth and ambition with regards their music.  Perhaps it is just an issue of numbers- the population of the U.S. far outranks that of the U.K.- yet it may be something to do with the media and expectations; the support artists get from their peers- or something else entirely.  I have never visited L.A. but am compelled to next year: the music coming from here is among the most exciting and varied you will witness.  I am not sure what is creating this trend and sway but it is great to investigate the music of L.A. and the U.S. - every week some stunning and fascinating act is coming through.  When you are embarking on an E.P. it is crucial you make an impression right from the off.  I have heard too many bands and artists come out with E.P.s that are so slight and forgettable it is disappointing and heartbreaking to hear.  It costs a lot to create an E.P.- from the studio costs to the musicians- so you have got to ensure your finished product is as sharp and exceptional as it possibly is.  Maybe musicians are giving it their all but I find there is still too much vague and unimpressive sounds coming out- a general fatigue and lack of inspiration and ambition.  When an act does get it right- and creates something that is scintillating and memorable- it gives the listener a lot of hope and thought.  This brings me to my featured act DreamVacation who compel you with their name alone:

“DreamVacation’s stunning new self-titled EP sweeps you away with a brooding melodic power and hard-edged yet atmospheric guitars behind lead singer Ray Silva’s emotional vocals. The EP was produced by John Rausch, engineer and track architect for such powerhouses as Taylor Swift, Pink, Florence and the Machine, Foxes and Birdie.  DreamVacation's stellar lineup includes Gerry Matthews on bass and backing vocals, Morgan Terrinoni on guitar, and Noah Alexander on drums. The band members previously supported live acts such as Foster the People, Airborne Toxic Event, The War On Drugs and Matt & Kim.  The EP was written at a rehearsal space in downtown LA, and recorded in Kingsize Soundlabs in Eagle Rock.  “LA is such a juxtaposition of opposing landscapes,” says Ray Silva. “One minute your rolling through a really upscale area and the next you find yourself on 6th Ave passing the inner city refugee camps of the homeless.”  The band members’ personal stories over the last three years have been equally up and down. They’ve endured breakups, living out of rehearsal spaces or cars, marriages falling apart, and family deaths. But they learned to write as a group, and that forged songs such as “Window Room,” “Press Play,” and “End of Time”.

The L.A. group has made impressive strides this year.  Their music has been featured on T.V. shows and they have worked with some fantastic producers- gaining a great reputation and a lot of new fans.  Their social media numbers are rising but I find they have a lot more ground to conquer.  DreamVacation are a relatively unknown quantity in the U.K. so it would be great to see them get more support here- and perform at some of our best venues.  I mention this because the U.K. does not have many acts like DreamVacation at all.  The band has gone through some turbulent times and has managed to funnel the highs and lows into music that goes straight to heart and elicits dreamy scenes and vivid imagery.  It has been a busy and productive year for the guys so let’s hope the following year provides them with a lot more success and possibility.  If they manage to get to the U.K. it would be wonderful to see them in London.  The self-titled E.P. is not just dream-laden landscape and introspection: there is plenty of drama and emotion; rich compositions that inspire passion and smile- rounded sounds that compel your mind to imagine and conspire.  As Christmas is fully upon us it is worth retreating into music that does something rather special and distracts you from that nauseating and overly-gleeful sound.  DreamVacation are embarking upon their first steps but have already made big impressions so far.  It is not surprising to see a band with so much confidence and originality gain respect and acclaim- let’s hope this continues into 2016.  Their self-titled E.P. is a three-track collection that shows a lot of heart and beauty; something every listener will be able to relate to.

The L.A. band plays Shoegaze/Alternative sounds that have very few comparisons.  If you are looking for any comparable acts, then it might be quite challenging.  The new band is an act that is starting out so it is also hard to compare their new sounds with old.  The best thing you can do is embrace the new music on its own merit and think where the band could head from here.  Being such a unique and distinct band, it is going to be fascinating to see whether they vary their sounds or offer something new (when it comes to future E.P.s).  Having few direct comparisons, I can see the L.A. band coming out with another similar E.P. (to their self-titled debut) and continuing their fascinating charge.

Keen to see what the band’s E.P. would produce, the opening track Window Room is a tender and impassioned track that begins on subtle and atmospheric foundations.  Sparse notes melt with handclasp to create something that contrasts urgency with dreaminess and relaxation.  Our hero comes to the microphone and presents some vivid images and stark emotions.  With skin being pulled back; blood id drawn.  Whether insights into a troubled mind or a representation of a breaking love; there is a bold and troubling series of words that come from our man.  With his voice haunted and firm, you wonder just what inspires the song.  A heroine/hero watches him through “the open door”; perhaps he is attesting a relationship or a lover- maybe an argument or debate has raged; a tough time in their bond.  Things are quite oblique and emotive in the early stages making it hard to dig to any clear truths.  The song brilliantly compels myriad themes and ideas.  Our hero is stepping outside himself some more; laying down his soul is being laid out on the line.   The composition builds from tender and slight strings before exploding into something intense and drama-filled.  Backing the seriousness and heartache of the lyrics; the band whip-up a wonderfully evocative and passionate coda that augments those emotions and takes the song in a new direction.  After the band combine in this moment; build up the atmosphere and take the song to its sonic peak- our hero returns to the microphone.  The lyrics remain oblique and detached soon.  Our man moves to the sound of his heroine’s voice; caught in a boring love and a conundrum, you can sense something anxious and unsettling come through in the vocal.  Whilst the composition sees fiery and tight strings fuse with sturdy and impassioned percussion- held together and firm by the bass- our hero’s voice has a strange romantic edge to it; a swooning and gliding tone that adds some heart and lightness to the lyrics.  It appears a relationship is still going but the bond between the two is starting to break.  This view that “ain’t the truth” is deceiving and confusing.  Maybe things are not as ideal and special as they once were; perhaps they are just going through the motions- perhaps deeper and more personal doubts are in mind.  Lyrics concerning mortality and death are brought in; some rather stark sentiments come into the track creating something quite haunted and wracked.  It is not sure what has inspired this song and whether our hero is in a better place.  Window Room is a track whose truth is perhaps only known to the band itself.  From listening to the opening verses I was torn between issues of love and personal investigation.  It appears a great deal of tension is being assessed; our man’s mind and head is in a worrying place- that need for escape and answers.  As “my body falls apart” you cannot help but feel that surrender and lack of hope.  Maybe he needs a pure love to revive him; wasted words are being traded- our man is sacrificing a lot himself and desires something of a saviour.  As the song progresses- and our hero implores a girl to lay here for real- you feel like things might work out; perhaps there is going to be hope.  The beauty of the song is those contradictions and possibilities.  Early on you get ideas of shattered love and a dislocation.  As the song progresses there seems to be that desire to find and embrace passion- just lay alongside a heroine and drift away.  I am not sure whether personal events have compelled the song- or whether it is something fictional- but you cannot ignore that urgency and performance from DreamVacation.  One of the most impressive aspects of the song is the composition which continues to grow and develop; it goes through motions and moments- creating something quite beautiful.  The composition reminds me of Wild Beasts- the terrific and legendary U.K. act- and the sound they play.  Part-dreamy, part-emotive there is so many colours and layers built into the instrumentation.  A fantastic way to kick off the E.P.; Window Room is a wonderful insight into the L.A. band and what the E.P. will provide.

   Press Play is the E.P.’s most stunning moment (in my mind) in no small part because of its introduction.  Again you get those slight and sparse strings; there is an echo and ghostliness to them that really gets inside the mind.  Starting things off with a haunting and emotive sound; you wonder what is coming next and just where the song will lead.  The band provide their most rounded and deep composition; from the very first stages it ducks and dives; mutates and evolves- summoning so much emotion and possibility.  From that hollow and spectral start, the instruments build and combine- leading to something hugely atmospheric and dream-like.  The E.P.’s longest track; Press Play boasts a wonderful introduction that stretches and journeys far.  Constantly revolving and driving, you get caught in the magic of the thing; the way it keeps on growing and grabbing- huge evocation and promise is built before a single note is sung.  When our man does come to the microphone, his voice is firmer than before; less haunted perhaps.  It seems like a love is breaking down once more- or there is some dispute and disconnection- as the images provoke your mind to go there.  Whilst our hero is cast into the freezing rain, it seems like he is being ostracised and pushed away.  Maybe his intentions are pure and he is being open- and is suffering as a result- but it is another song whose meanings and clarity may only be known to the band.  What is most impressive about the song is the vocal and composition.  The former has a rich and sonorous tone to it- without being too heavy- reminding me of Jim Morrison in places.  The composition continues to engage and sparkle; lovely little touches and moments are brought together to create a wonderful rich and emotive harmony.  What I would say to the band here- and is an issue on the E.P. - is the vocal is mixed too low in the song.  The clarity suffers and it is hard to understand what lyrics are being sung.  Perhaps composition is being ranked ahead of the vocal but it does cause a lot of the song to be lost in translation- you can only really pick out the odd word here and there.  That said; Press Play is a triumph or mood and performance over clarity and decipherability.  The title compels images of stop-start.  Perhaps the love has frozen and stalled somewhat- the two might be growing distant and drifting- but by pressing play you can reignite that spark and get things back on track.  Images of doom and struggle are juxtaposed against hopefulness and making time- there is a lot of personal anxiety being explored in the song.  The band is at their tightest and most compelling here.  That composition keeps building and changing; always utterly insistent and emotive.  Allowing the vocal to really shine- our hero climbs into a wordless falsetto- it is the perfect blend of their talents and voices; something that leads to near-transcendent promise.  Towards the end you see our man wander into empty space; somewhere his girl used to be perhaps things have taken a sour turn- it may not be possible to rekindle the flame and get things back.  The raw emotion of the vocals draws you into things and makes you root for the man.  Maybe the song is that need to rewind and recapture what is being lost; get that love back and the happiness- things as they are not causing a lot of haunt and upset.  It is perhaps worth noting how intense the vocal gets towards the final stages: a howling and ecstatic outpouring that takes you by surprise.  A stunning moment from the L.A. band; Press Play is a hard track to forget.

  End of Time is another slow-building and moody introduction that builds as time ticks.  An eerie electronic sound is matched with the occasional electric guitar note that melts wonderfully.  The song develops a bouncing and emotional kick that once again brings me to thoughts of Wild Beasts.  Lighter and more accessible than previous numbers, the song has a slight sense of optimism and hope to the beginnings.  More radiant and sprite than before; that power and panache comes through strong.  When our hero comes to the microphone he is looking across the distant and divide- staring into a million eyes- and casting his mind out.  Maybe reflecting on things or reaching deep inside; he is searching his soul and at his most tender.  That vocal soundtracks a love and affection that is very important.  “I’ll still care for you” claims our man; he has a passion for a girl that is deep in his mind.  Wanting her to be there with him, you can feel that intensity and need.  Drawing his girl back into the world, you begin to wonder what the origins of this song are.  That necessity to spend more time (and have more time) is clear; perhaps opportunities have been wasted and needless moments have been wasted- our hero wants to recapture some of the past and make up for lost time.  Letting his voice emote and stretch, you become captivated by the honest and purity that is being expounded.  The band combines in one of their most rapturous and explosive compositions- that properly and nobly back the song’s plight and ideals.  Twanging strings and sturdy bass; tender percussion all unite to elicit something quite tingling and impassioned.  A song that never wastes time itself- always busy and fascinated throughout- there are “bright lights” and satellites; the idea to settle down and be together- maybe the two lovers have different intentions and goals in life.  The vocals are lyrics are clear and more decipherable than previous tracks making it easier to appreciate and understand what is being said.  With that said, there is obliqueness and mystery lingering at the heart of matters.  The band are a little cagey when it comes to full disclosure; never really revealing too much of themselves- leaving the listener to piece things together and interpret things their own way.  With End of Time being such a stunning and sparkling work; you find yourself powerless to resist the weight of that composition- the raw urgency of the vocals and the emotions being explored.

Congratulations must go to the L.A. band who has crafted an assured and constant E.P.  DreamVacation is a trio of songs that has a unique identity and a lot to say.  The band have honed a very particular sound and model- that ranks them as one of the most distinct in music- which is something you do not find a lot.  Reminding me of early-days Wild Beasts- not sure if the L.A. group have heard them- you get plenty of emotion, depth and atmosphere.  From dreamy and haunted moments you get explosions of sound and vocals- colours burst and emotions sizzle.  The percussion is notable for creating a huge backbone and leadership.  The ticking and beating heartbeat of the record; it is a sound and sensation that provides the most urgent and pulsating moments.  Impressively restrained- it never needlessly gets too heavy- you get a hell of a lot of depth and nuance; an authorities sound from a stunning percussionist.  The bass guides proceedings and keeps things leveled and tight.  With so many emotions and ideas being explored, you need a bass part that keeps all the strands held together- and ensures every sight and lyric is given appropriate energy.  Plenty of melody and rhythm comes through; acres of command and authority- making sure DreamVacation is an E.P. that remains controlled and firm.  Throw in the guitars which are at the heart of everything; they give the record its colour and life; the passion and soul- so many ideas and contrasts are brought in.  It is amazing how much depth and innovation comes out in the guitars; there are some fantastic riffs and beautiful notes- giving the music such a rich and stunning sound.  Our hero’s voice ranges between emotionally cracked and disarmingly passionate.  Few vocalists have such an original voice- again you can’t compare it with anyone else- that is backed by the stunning musicianship and tight performances.  Eliciting cinematic drama and dreamy introspection; you have a vocalist that leads the song with terrific lust, sensitivity and heart.  The only minor drawback is the decipherability and lack of clarity.  Sometimes the vocal gets buried in the composition making it tricky to understand the lyrics.  It only affects about a third of the E.P. but it would be nice to hear the composition mixed a little lower- so there is more balance and get that vocal singing loud and clear.  Toss away that slight missive and you have an E.P. with stunning production values and a lot of nuance.  One of the most bracing and atmospheric things I have heard in a long time; DreamVacation is a stunning statement from a band that are doing their own thing- that should inspire other acts to follow their lead.

Having listened to DreamVacation’s debut E.P. it shows a band with a bright future and a very original voice.  There are few acts emerging that sound as distinct and hungry as the L.A. group- every note and moment resonates with a very special passion.  Across the trio of tracks you get introduced to some very vivid scenes and emotions; your mind is taken away and seduced- every listener will comes away with a different experience.  Before taking things to a close it is worth mentioning L.A. music and E.P.s in general- and what is to come across the following year.  The U.S.A. has been very busy this year and given the music world some of the best and most spectacular music of 2015.  I love the British acts at the moment yet I find our U.S. counterparts have a little more verve and originality- music that is more ambitious and far-reaching.  I have tried to speculate the reasons behind this, but perhaps there isn’t a particular one- it is just the way things are at the moment.  Whilst New York bands and acts fascinated me earlier in the year, it is L.A. that has been making a charge towards the end of the year.  This past few weeks has seen a lot of great Los Angeles acts come to my attention- each one has a distinct sound and projection.  Critics and media in the U.K. only really assess L.A. acts rarely; they tend to focus more on the homegrown acts and what is coming through here.  There is so much hungry and originality coming from the city (and state) we should be spending more time over there- really embracing what is happening right now.  DreamVacation have shown how important it is to make big strides when you put down your very first sounds.  If you create an E.P. or album that does not hit you upon first listen it is unlikely listeners will return again to see if there’s anything they have missed.  Most bands and acts take this as an invitation to play very heavy and unsubtle sounds- essentially inject as much power into the mix as they can.  Even if you are a Rock/Alternative band, you can do something wonderful and memorable without creating needless pummel and noise.  Subtlety and intelligence go a long way in music- commodities that are not often traded and promoted- and is something to think about.  DreamVacation have created a sturdy and impressive E.P. that hints at what their future could hold.  Not going in with five or six tracks- they have managed to elicit huge amount of beauty from a trio of tracks.  It is clear a lot of thought and detail has gone into the music; the boys have not simply rushed a release to get their names out there.  An E.P. is a statement of your music and sound; something that should sell you to the public- for that reason, you need to come up with something that does you justice.  DreamVacation’s self-titled cut is a great insight into a young band that has a lot more to say.  As stunning as the E.P. is you feel their best and finest moments are still ahead of them.  Few bands play the type of music DreamVacation play.  Forsaking the necessity to go in hard and rushing; the band take things down and offer something more contemplative, emotive and honest.  Each member has gone through a turbulent and fractious year- this has not come at the expense of musical excellence and focus.  Instead, the band has channeled their strains and upheaval into something cathartic and emotionally bare.  The following year will be quite an interesting one for music and what is emerging.  A few acts have shown they are going to be names to behold; it is always challenging focusing on the very finest out there- hard to say just who is going to be in the mindset into 2016.  I am confident in saying DreamVacation will be creating quite a buzz next year and building on this early promise.  Whether they decide to release another or E.P. we can only speculate yet they should be congratulated on their progress and achievements thus far.  L.A. is a contrast of neighbourhoods, landscapes and scenery.  From moment to moment you can witness something vastly different; it has such a variation and diversity it is perhaps compelling musicians to write and create sounds.  The big cities have that cosmopolitanism and ability to really inspire musicians into action- try to capture the magic their city creates.  DreamVacation want to present music that promotes kindness and a new way of thinking; does something wonderful and gets the listener thinking more clearly and widely.  When listening to the E.P. you will certainly be engrossed by the colours, contrasts and atmospherics- ranging from jagged and raw to deliriously escapist.  Dive into DreamVacation and an E.P. that compels and stuns the imagination.  A band to be taken very seriously; make sure you surrender to the beauty of…

ONE of L.A.’s very finest new acts.

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Follow DreamVacation:

 

Official:

http://www.wedreamvacation.com/

Facebook:

https://www.facebook.com/dreamvacationmusic

Twitter:

https://twitter.com/wedreamvacation

Instagram:

https://www.instagram.com/wedreamvacation/

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Music:

https://soundcloud.com/dreamvacationmusic

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Videos:

https://www.youtube.com/channel/UCWAwVTH9KdF47pw-uC_HzPw

Track Review: The Dangerhounds- Big Bad Wolf

TRACK REVIEW:

 

The Dangerhounds

 

 

Big Bad Wolf

 

9.6/10.0

Big Bad Wolf is available at:

https://soundcloud.com/thedangerhounds/big-bad-wolf

RELEASED: 12^th October, 2015

GENRES: Indie-Rock

ORIGIN:

Leeds, U.K.

The Big Bad Wolf E.P. is available at:

https://soundcloud.com/thedangerhounds/sets/big-bad-wolf-ep

TRACK LISTING:

Big Bad Wolf- 9.6

Santiago- 9.5

Stop Crying- 9.5

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I have known The Dangerhounds’ front-man Adam Hume...

For a while now; having followed his career since his collaborations with Shiftin’ Shade- a Yorkshire-based Electro.-Swing artist.  Before introducing him and his new band, it is worth reflecting on the Indie-Rock bands across the world; the importance of memorability and roundedness in songs and what it takes to make an impression in 2016.  I have been a bit critical of the state of Indie-Rock/Alternative bands as I hear a lot of very predictable acts out there.  It is not a complete write-off across the genres; the main issue is there are too many bands that go for hard and heavy sounds- replicating the likes of Queens of the Stone Age, Foo Fighters etc.  It is great to hear music that has some vitality, passion and stunning riffs- it is also not that hard to create something original and fresh.  Too many new bands find the surest way to get attention and respect is to reproduce an existing sound- a lazy and unforgivable shortcut to getting into the festival rotations.  The best bands are those that do not play such uninspired and routine sounds- dig deeper and instil personality into their music.  My mind has been looking more to towards older Jazz music as-of-late; the early-‘00s Hip-Hop/Rap artists- something with passion, bite and emotion.  I am finding a lot of acts are too sterile and underwhelming: not evoking any real reaction or doing anything different from what has already come out.  It may be a generalisation, but I am a little disappointed by the lack of stunning bands coming through this year- it seems like the music industry has had a quiet year in 2015.  Indie and Alternative bands created the biggest buzz and tend to rake in the critical praise; it is understandable that so many bands want to play in these genres and make their mark.  My featured band has nothing to worry about as they are among the small percentage of acts that are doing something different and interesting.  If you want to make impact and impressions in music then you need to present more than simple pummel and riffs; create something more rounded and nuanced- throw some emotion, texture and intelligence into the music.  You do not have to water-down and distil your music by doing this; it is possible to come up with something urgent and passionate by stretching your imagination and stepping out the comfort zone.  Even if you are inspired by the likes of Foo Fighters and Queens of the Stone Age then take their core and sprinkle in something unique- little colours and touches that make the music more distinct and personal.  Too many bands are fearful when it comes to putting music out there.  I hear so many acts that play it safe and sound so timid and limited upon initial venture- either that or they just go in too hard and burn-out.  There is a hell of a lot of pressure for new musicians- the amount of competition and the cost of making music- so it is elementary acts take time and think things through.  The Dangerhounds are a band that seems unstressed by the predictable expectations for Indie-Rock bands; they have taken great care to ensure their music differs from what is out there- it has resonated with a huge amount of listeners.  Before I carry on; let me introduce The Dangerhounds to you:

“Brad Moorcroft (Bass), Tris Ellis (Drums) and Adam Hume (Rhythm Guitar, Vocals) and Obi Davis (Lead Guitar).

We are The Dangerhounds, a Leeds based indie rock band taking influence from the likes of Kings of Leon, The Wombats and The Strokes.

The Dangerhounds are a high energy band who specialise in catchy, energizing, sing-along choruses that are tough to not tap your feet too”.

I know what Adam Hume is capable of and how well his voice can blend into any scenario- if you have not heard Shiftin’ Shade’s collaborations with him- https://soundcloud.com/shiftin-shade- then make sure you investigate.  Having made his impression on some stunning Electro.-Swing songs, it is great to hear him front a new band with a huge amount of potential.  The guys are not your everyday Indie-Rock band that sounds like everyone else.  Although they take inspiration from a wide range of acts- including The Wombats and Razorlight.  Commentators and fans have noted how stunning the melodies are; the tight and wonderful rhythms get inside the head- the emotional and impactful vocals take you by surprise.  It is hardly surprising to see Yorkshire provide another wonderful artist.  Having spent a lot of my writing career here- and assessed so many terrific acts from the county- The Dangerhounds mark themselves as names to watch as we slip into 2016.  Their Big Bad Wolf E.P. was dropped earlier in the year and has already garnered some serious radio play- played in full on B.B.C. Radio Yorkshire- Hume plays all the parts on the E.P.; the rest of the band will combine for a live-version E.P. soon.  The three-track E.P. is a focused and memorable collection and shows how to make an impact.  With their music being played in the U.S. too, it is evident the chaps are going to have a busy new year and take their songs far and wide- I would not be surprised to see them embarking on some transcontinental sojourns very soon.  The Dangerhounds effortlessly mingle Pop and mainstream sing-along into something grittier and with Rock edge.  Their music evokes impassioned crowd reactions and gets inside the head- compelling you to come back time and time again.  The Dangerhounds are showing you do not have to replicate other bands too obvious in order to connect with crowds and get your music noted.  The Dangerhounds are going to ensure they are standing shoulder-to-shoulder with the best of them.  Big Bad Wolf E.P. is a mission statement that marks them as one of the groups to watch closely.

When it comes to The Dangerhounds, it is hard to compare their current work with older sounds- seeing as their E.P. is their first real offering for the music world.  The guys used to be a three-piece but added a fourth member to make their sounds even more hard-hitting and rounded.  The band is constantly developing and evolving; working on their sound and picking up as much live experience as they can.  If you are new to the quartet then it is advisable you seek out some of their influences to see where they came from.  The Wombats are a band renowned for their singalong choruses and hooks; they have never really grabbed the critics are gained huge commercial success.  The Dangerhounds excel where The Wombats fall down yet they do take a little bit of their essence into their own sounds.  Like The Wombats our boys employ wit, heart and passion into their music; wrap it up in uplifting and effusive choruses- to create fevered crowd singalong and captivating moments.  Their Glitterbug album (released) this year was their best-received effort: the polished and infectious album mixed ‘80s Electronica with ‘90s ‘Britpop’ sensations.  Layered, kinetic and in the mood for a party; the album fared better than past works- signalled a resurgence for the band.  The Dangerhounds have a similarly bold and memorable approach to their music.  The compositions mix subtleties with late-night haze and music that compels the feet to move.

Before assessing the E.P., I was chatting with their lead Adam Hume who explained:

"The E.P. was recorded before there was a band, they were just demos that I made.  The live versions are the same songs; they just have slightly different drum fills etc., that human aspect.  We're recording a live E.P. soon".

The title track to the band’s E.P. ensures attentions and souls are gripped from the very first seconds.  A gritty, concrete and rumbling introduction summons so much passion and grumble that you are powerless to resist its animalistic prowl.  With its heart in the realm of ‘00s Punk- again the likes of The Strokes come through in the introduction- our hero arrives at the microphone with intention and swagger.  It is the way Hume utters and pronounces the lyrics that really stick in the mind.  When he delivers the line “It’s going to be one of those nights” he stutters the ‘n’ in night- creating a twitchiness and potency that cannot be overlooked.  Like Santiago and Stop Crying, there are self-doubts, anxieties and stresses early on.  It seems like Big Bad Wolf is a song that is apt considering its title.  Perhaps a concept album or a slice into his state of mind; each track on the E.P. shows emotion and confession- the title track is probably the most intense and memorable of the three (tracks).  Our man is walking the streets and encapsulated within the glow of the neon lights.  With a heroine by his side it seems like daggers are being cast to the side of his head; that glaring look is causing him some tension and unease.  It is not clear whether that looks is meant hatefully or sexually- whether there is tension and argument or some foreplay at work- yet our hero seems in anxious mood.  The stuttered vocal and unique pronunciation gives the track an originality and energy that is impressive and memorable.  The girl is a “wrecking machine like you’ve never seen”- leading me to believe that there is something more negative and fraught being assessed- with our man caught in the spell and swirl.  You notice little touches in the song that add to the curiosity and quality.  The bass neatly tees-up the guitars and creates an underlying tension and intensity; the guitars then explode like fireworks to convey that emotion- the drums crackling like gunfire.  With so much attention towards compositional dynamics and nuance; you get a song that is layered and wonderfully assured; a tight performance that must be commended.  Our hero’s voice drips with emotion and soul; aching and yearning in equal measures- one of the most impressive vocal performances across the E.P.  The girl is the big bad wolf who is chomping and snarling with ferocity and carnivorous danger.  Whatever has led to this attack- whether that is her personality or she has caused friction- you begin to wonder and speculate.  Although Big Bad Wolf E.P. is not strictly a concept E.P.; it can be conceived as one.  The opener track here sets the scene and introduces the heroine- the opening salvo and first cracks in the dyke- whereas Santiago looks at the fall-out and self-destruction; Stop Crying picks things up the next day and the simmering tensions still there.  Whether our lead has a particular girl in mind- a relationship that has been particular relevant- I am not sure yet you can hear that conviction and meaningfulness in every word.   The crazy lady in question- our man delivers the ‘c’ in crazy with stutter; like The Feeling’s track Never Be Lonely but in a far superior track- is looking for that first bite and not relinquishing her quest for blood.  I am not sure whether the girl is s current/former girlfriend or just some stalker-type that has latched-onto our hero.  I get the impression our man knows the girl and there is a bit of history behind things.  Perhaps a relationship has ended in the past but the message was not received- it appears the heroine is not one to take refusal as an absolute.  That idiosyncratic delivery- the stuttered vocals and hypnotic melody- make the song such a stunner; you get swept up in the imagery and power of the composition.  Whilst a lot of bands offer songs that lack concision and economy- or are too vague and thread-bare- the Leeds group remain consistently tight throughout- the tracks on the E.P. range from two-and-a-half minutes to just under three minutes.  The guys know how good their music is- they get their message across quickly and effectively- and the fans have responded appropriately.  Big Bad Wolf is the most popular track and it is not hard to see why.  From that mesmeric introduction, you do not get a chance to breathe and relax- the song remains exhilarating and spellbinding to the very last.  By the 1:40 mark the chorus comes to an end and there is a slight pause in the second; it begins to build as our hero unveils a wordless chorus- something the band do on each track across the E.P. - to give brief respite and reflection.  Youthful rebellion mixes with Punk savage in a song that will unite younger and older fans; it crosses genres and has a honed and universal sound to it that has struck a chord with listeners.  Just as you think things are starting to wane and end; the song jumps into life and the chorus comes back into the mix- the boys are masterful when it comes to subverting expectations and creating a consistently unpredictable mood.  Everyone will be able to relate to the sentiments and lyrics unfolding throughout Big Bad Wolf.  It is a track that sees a jilted/loopy heroine undeterred by obstacles looking to claim her man- a song here that mixes humour and with a real concern and anxiety.  Our lead keeps his voice emotional and soulful throughout- Hume has such a range to his tones he is deftly able to make everything sound convincing and hugely urgent- and ensures the song never loses its magic and sparkle.  The band keep that raw energy and passion burning to the very last- it is the tightest and most rounded composition on the E.P.  By the final notes you wonder how things worked out- and whether our hero managed to evade the wolf and her blood-thirsty lust.  If you interpret the E.P. as a storyline/concept then he managed to evade her- perhaps only briefly to his regret.  Big Bad Wolf is one of the most direct and clear songs on the E.P.- its message is quite evident and it is the least oblique track here- making it perhaps the most accessible and immediate the band have created.

Kudos must be given to Hume as a performer, but first of all, the production and mixing must be congratulated.  A lot of music is ruined because of poor production values and mixing.  A lot of times the vocal is mixed far too low in the mix- it is the most important aspect so why do it? - making it hard to understand the lyrics and what is being said.  At other times the guitars and drums and too low and they lose their intention and potential.  It is hard to get that balance just so; when you do it brings the song fully to life.  Across the E.P. - and especially on the title track here- every element and instruments is perfectly brought together to create a polished and crackling track- one that is near-impossible to ignore.  The song sound polished and clear but retains its unique edge and Punk attitude.  Great attention has been given to ensure the song is as stunning and memorable as it could be.  Fans and commentators have commended the production values throughout and how assured they are.  Our man make Big Bad Wolf such a snarling and stunning beast.  The bass is a guiding light that keeps the track in-check and offers a sonic snarl and sense of misadventure.  Eliciting grooving rhythms and snaking hips; it weaves inside the composition to propel the vocal and drums- creating a stunning partnership with the guitars.  One of the most intuitive and unique bass sounds around; it is great to hear someone with so much authority and command at work.  The percussion is delivered with a lot of force and passion- although Hume claims the band version will be a lot sturdier with better fills; the drums are midi and the guitars are all re-amped in software from D.I .recordings.  Hume combines guitars to create intense emotion and endlessly impressive moments.  Across Big Bad Wolf you get so much vibrancy, emotion and savageness- perfectly backing the song’s lyrics and themes.  Never too forceful or intense, what you get are performances with plenty of nuance and depth- they perfectly sit with the drums and bass.  Perhaps the biggest impressions are made by Hume (as a singer) himself whose vocal is at its intense and impassioned best.  Some singers have vocal tics and idiosyncrasies and Hume is no exception.  Those stuttered syllables and wordless utterances transcends his performances above those of his peers- one of the most assured and inventive singers on the block.  Having worked with other artists- and given the chance to let his voice work in various genres and scenarios- it shows across the song.  Never nervous or unsure, Hume elicits so many shades and sides throughout the title track- bringing in his previous experience and showcasing the full extent of his voice.  Leading the music with enormous conviction and emotion; you have a front-man that is at his best here- you can see him getting better and stronger with every song the band produces.  Big Bad Wolf is a perfect E.P. opener and a song that is statement of intent from one of the U.K.’s hottest propositions  If you have not heard the Leeds act in full flight, then this is the perfect place to start.  The live versions will come soon- a new live E.P. will see the full band incorporate parts rather than Hume alone.

Big Bad Wolf E.P. is a trio of songs that will stick in the brain for weeks to come.  So many effete and aimless bands are out there so it is rewarding and fantastic seeing a group come through that offer long-term potential and terrifically assured music.  The connection and bond creates dynamic tension, emotion and uplift; stunningly evocative singalongs and tenderness too.  So much colour and passion goes into the blend it is not a surprise The Dangerhounds have captured the heart of so many listeners.  Hume marks himself out to be one of the most nimble and striking singers on the scene: capable of turning any song into a stone-wall classic.  Offering astonishing bass, guitar and drum support and you have a tight-knit group that are going to be festival favourites in no time.  Before I give a mini-review of the E.P., it is worth circling back to the concerns of Indie-Rock, lack of originality and what you need to make an impact in 2016.  I hope Indie-Rock bands coming through take heed and concentrate on their music before releasing it to the public.  I get the feeling too many groups are lazily copycatting their influences and rushing their music- negating the importance of original voice and personality.  I have witnessed too many bands dissolve and crumble due to lack of support and disharmony within their ranks.  To survive and flourish in the music world you need to craft music that has your own stamp on it.  The likes of Foo Fighters and Queens of the Stone Age seem to find themselves reincarnated in too many up-and-coming acts- it is disheartening to find so few original bands coming out.  When you do find a group that dares to be different- understanding the vitality of straying from the pack- that is when you get excited and start to find hope.  Our Leeds quartet (Hume for now; he will be joined by his band-mates on the live E.P.,) has some clear influences- The Wombats, Razorlight and The Strokes especially- yet they are never too obvious and worn on their sleeves.  What you find is a little essence of each at certain moments; when the mood calls Hume teases in a bit of other acts- ensuring their music has that blend of originality and familiarity too.  I have paid tribute to Yorkshire and how fertile the county is; just how many fantastic acts are hailing from the county.  I have given up trying to explain the reason behind this prosperity yet it might be something to do with the people and climate there.  Perhaps less stressful and crowded than London and the north-west, Yorkshire acts are among the most spellbinding and carefree I witness.  Of course every band and musician is tense and gets stressed; Yorkshire musicians come across less suffocated and harried than their southern peers- as a result the music has room to shine and breathe.  I am sure Yorkshire will be stamping some terrific new acts and bands into the following year- ensure you keep your eyes trained here.  The Dangerhounds offer something distinct and new- not just recycled sounds like so many others- they ensure emotion and depth mingles alongside something gritty, hard and impassioned.  With so few bands digging deep and offering singalong moments- there is a certain seriousness that is pervading the scene- it is refreshing to see someone ensure that kinetic energy and layered music evoke something wonderful.  It is hardly coincidental The Dangerhounds are enjoying rich rewards and seeing their social media numbers rocket right now.  The year is almost through and January/February are months vital for new acts- whether you are touring or releasing new music; it is important to make a big impression early on.  The Dangerhounds will be hitting the road and planning their next moves; making sure they remain in the consciousness and get ahead of their contemporaries.  Big Bad Wolf E.P. is a collection that showcases huge potential and consistently exceptional songwriting.  It hints at just what it to come and how far they can go.  It will be great to hear the live E.P. and see the rest of the band take on Hume's parts- and give new life to the songs.

    Santiago is the E.P.’s second track; a number that begins with a frantic ramble and urgency.  Reminding me of The Strokes and The Libertines; you get that street-level Punk vibe and a youthful spirit that has been lacking in music lately.  Hume ensure all of the tracks begin with a kick and race; keen to get the listener hooked and seduced within the first few seconds.  The Chilean capital is a great song title and something that got me interested before I heard a note.  After that avalanche of guitar notes and percussion pound; the mood starts to level and our hero comes to the microphone.  It seems our man wakes up each morning with a “little less dignity”.  Perhaps going through a tough time or feeling the effects of ageing- despite his tender years- you hear a voice that is brimming with emotion and openness.  Riding that reliable groove and stunning composition, it appears bridges are being burned and our man has fewer friends.  What the circumstances are behind this change- maybe they have different ideals and goals in life- it is clear something more haunted and anxious is being ascribed.  The Dangerhounds will never let the mood dip down too low- they always present sonic kicks and uplift- yet to do not betray the importance of the emotion and rawness being portrayed.  Hume’s voice is effortless when upbeat and riding the wave; it is equally assured and passionate when bearing his soul and singing about harsher and more emotive themes.  Backed by a fizzing and stabbing riff- that puts me in mind of Razorlight’s Golden Touch- the song keep that bristling tension and nervousness building.  Our hero is thinking only of himself; selfishly ignoring others and perhaps concentrating on his own needs and wants.  It is an honest and impressive perspective- few singers and bands cast self-blame and that open- but you always feel sympathy with his plight.  Never cocky or lacking earnestness; that vocal remains firm and strong in the midst of self-confession and outpouring.  A stunningly executed composition supports a brilliant melody that leads a hugely memorable chorus.  Once more you get some wordless vocals to add to the intensity and passion; that constant upbeat and energy in the composition gives the song a ‘90s feel- think of Ocean Colour Scene, Reef and their contemporaries.  Perhaps there is the recollection of a drunken night.  Our boy might have woken a little worse for wear it seems.  Maybe wanting to keep that momentum going, it is a call-out to a friend- to paint the town red and have fun.  At its heart there seems to be a need to self-destruct slightly or dull a pain- whether a relationship break-up or something else- that lurks in the undergrowth.  Evoking the raw Punk energy of The Strokes, you have a song that has anthemic swagger and a festival-ready sound- with a distinct Britishness to it.  The Dangerhounds never fully sound like any other band; their uniqueness and personality always wins over.  Hume has leant his voice to Electro.-Swing tracks- with their heart in the ‘30s and ‘40s- and manages to convey an old-time, vintage sound to the song.  Mixing decades together seamlessly- hoping between the ‘30s, ‘90s and present-day- you get a performance with a huge amount of depth and nuance.  Santiago has a radio-friendly sound to it that will appeal to the mainstream yet remains raw enough to translate into the festivals and live arenas- striking those that prefer their music on the harder side of things.  The lads remain compellingly tight and addictive throughout.  The percussion is a constant avalanche that creates a wonderful backbone and drive.  With the bass summoning melody, rhythm and a huge amount of energy; it backs the guitars which are insatiable in their intensity and power.  A brilliant and uplifting track that stays inside the head and provokes you to listen to it again and again- no mean feat in the modern climate!

Stop Crying begins with a blitz of guitars and an insatiable intensity that takes you by surprise.  Starting off with urgency and huge pummels; a catchy and hypnotic riff comes through that bristles with electricity and passion.  One of the most immediate introductions I have heard this year the track begins with a huge impact.  Our hero has intensity and rush going through his veins and marrow; his head is ready to blow and people don’t know “what I’ve been through”.  Whether directing his words to a girlfriend or close alliance- someone that may be causing stress and not understanding him- there is this explosive missive that lays his thoughts on the line.  A “one-man wrecking crew” you get a full sense of just how pressing and powerful these feelings are.  Ensuring themes of suffocation and pain are not too oppressive; the band gives the song a beautiful groove that makes the feet tap and the body move.  Hume’s vocals remain light enough as not overwhelm; he makes sure each words and line is giving maximum attention- creating a wonderful energy and real sense of emotion.  Maybe he is talking about a particular girl that is a little spoiled and thinks she will get whatever she wants.  The lack of sympathy and support is evoked in a chorus that has a high-octane sound an energy that cannot be dismissed.  The music is at its tightest and most exhilarating here: combining wonderfully, it offer so much force and catchiness.  Linking the sound of ‘90s Indie/’Britpop’ together with something of-the-moment the track evokes fond memories and reminds you of artists past.   One of the most instantly memorable songs I have heard for a while, that fantastic and polished production- that mixes everything superbly without compromising the rawness needed- ensures the song fully explodes to life.  All the instruments sit superbly together and can be heard; that vocal is high enough in the mix to ensure there is clarity and resonance- without toning-down the ferocious percussion and swaggering guitar/bass work.  In the “heart of an earthquake”, there is evident tension and upheaval afoot.  When our hero and his girl are in the car, little irritants and quirks are setting him off- from the knuckle-cracking to things being said.  It is easy to directly go for issues concerning love and broken relationships; perhaps there is a friendship that is showing strains and breaks.  You get an original perspective on the theme and a lot of wit instilled into the lyrics.  You picture yourself alongside our man and what he is going through- trying to keep his emotions in check and perhaps losing the battle.  It appears there is a long history and there have been frictions building for a good while now.  This song recounts the shift from dormancy to eruption: the expulsion of those sizzling emotions and building anger.  Making sure those lyrics and vocals are given an appropriate soundtrack; Hume ensures everything comes together superbly to form a composition with underlying tension and power- whilst ensuring there is catchiness and colour to be found too.  Hume’s vocal has a nice clarity and depth that has a guttural edge and a passionate core.  Able to stretch his tones to convey a wealth of emotions- a nice wordless coda past the half-way mark is one such example- you have a frontman that can make everything sound urgent, compelling and convincing.  Backed by a superb melody and a wonderful composition, it is hard to ignore Stop Crying.  Sure to be a live favourite, I would not be surprised to see the song feature heavily across radio stations next year.  It is a sharp and short blast that conveys so much within its time.  You wonder just how things worked out in the song- our hero was on the border of sociopathic violence it seems- and whether the duo reconciled or found any sort of compromise.  Too many bands create long and droning songs- unable to keep it tight, economical and qualitative- yet The Dangerhounds (Hume this time around) have masterfully crafted a song that packs in a huge amount in the short space.  A stunning sign-off from their E.P., it is a song that will be impossible to forget.  That could be said of Big Bad Wolf E.P. which marks an act with a big future ahead.  Do not miss the chance to witness a fine young band…

 

GIVING Indie-Rock the kick it needs.

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Follow The Dangerhounds:

 

Official:

http://thedangerhounds.com/

Facebook:

https://www.facebook.com/thedangerhounds/?fref=ts

Twitter:

https://twitter.com/dangerhounds

_____________________________

Music:

https://soundcloud.com/thedangerhounds

 

This Week's Albums: December 16th, 2015

This Week’s Albums

 

December 16^th, 2015

 

 

 

 

IT is a case of “Something old, something new/something ‘borrowed’, something…

 

that doesn’t rhyme”.  I do a D.J. gig every week at The Stoke Pub and Pizzeria (https://www.facebook.com/TheStokeGuildford?fref=ts); I have the opportunity to play four different albums: one that is ‘old’ (to my mind, anything pre-1985), something ‘new’ (released brand-new that week); something influential (and has inspired a genre/other acts) - in addition to dealer’s choice (any album I choose).  Having done this for over a year-and played everything from Graceland to Pearl Jam; FKA twigs to Beastie Boys- it is enormous fun.  I get to talk to people about music; play some awesome stuff- turn people on to some great/forgotten sounds- well, I try to!  I shall publish this every week; try and highlight some fantastic albums- maybe some you have forgotten about.

The Old:  Funkadelic- Maggot Brain (1971)

 

9.5/10

The last album to feature the original Funkadelic line-up; their 1971 milestone stretches between Psychedelia, Gospel, Soul and Rock sounds- to create one of the finest albums of the decade.  The heavily-sampled Can You Get to That is a traditional Folk-led song- that differed from the band’s Funk-orientated sound.  Super Stupid looks an idiot drug-user who buys the wrong drugs- to inevitable consequences- whilst Wars of Armageddon mixes sound effects and samples around byzantine and obscure lyrics.   The seven-track album is perhaps defined by the incredible title cut: an instrumental execration that sees Eddie Hazel delivers a brain-busting solo (apparently George Clinton advised him to play as though his mama had died).  That mix of melancholy and introspection are delicious as are the delirious funk-outs; samples, odd avenues and Gospel chants- all supremely delivered by a band at the peak of their creative visions.  Trombones, Jew’s harp and bongo go into a delirious musical smoke that guarantees blissful transcendence; thought-provoking moments- the album looks at class struggles and brotherhood- and compels you to revisit it again and again.  Not an obvious album for a lot of people; it sure should be- as it’s an undeniable classic that becomes more relevant and necessary as time goes on.

DOWNLOAD: Maggot Brain; You and Your Folks, Me and My Folks; Super Stupid

STAND-OUT TRACK: Maggot Brain

[youtube https://www.youtube.com/watch?v=JOKn33-q4Ao&w=420&h=315]

The New: Jennylee- Right On! (Out Now)

 

6.5/10

The good new releases seem to become fewer as the calendar year progresses.  Not to throw scorn on December’s offerings but Jennylee’s latest album is a work that will excite upon initial listen without remaining in the mind for long.  The Warpaint bassist (the exceptional L.A. female-only four-piece) has embarked into the spotlight- losing some of the magic that made her alma mater so special.  Blind is an appealing (if slow) opener that does not set the tone for the rest of the album.  That expert bass work- that is mixed to create an awkward balance of tension and muted promise- is one of the defining highs of the album.  While Jenny Lee Lindberg is a fantastic musician; her voice is not quite arresting enough to sustain interest across an entire album.  That grip and popularity may hone itself in the future but for now Right On! is a record that shows only patchy promise.  When the music does hit its stride- as on the chilly vibes of never and the sparse Disco flavours of offerings- the heroine provides variation and personality.  Hazy and languorous he fresh is an addictive, mantra-like song- the line “he’s so fresh, he’s so fresh, he’s so fresh” will not escape the brain easily.  Riot and white devil show what the album should possess: urgency, danger and a sense of the unpredictable.  That said; the emotional and sonic contrast results in an album with emotional depth and a unique personality.  Let us hope the Warpaint bassist uses this album as a springboard to greater work- the potential and promise is all there.

DOWNLOAD: riot; he fresh; white devil

STAND-OUT TRACK: he fresh

[youtube https://www.youtube.com/watch?v=yzPTy7Emo1Y&w=560&h=315]

The Influencer:  The Streets- Original Pirate Material (2002)

9.5/10

The turn of the 20^th century saw hungry British rappers/Hip-Hop artists burst onto the scene- providing an arresting, dazzling and mind-bending insight into modern Britain and the realities of the streets.  A year before Dizzee Rascal’s eponymous debut (Boy in da Corner) came Mike Skinner’s The Streets.  The Midland-born artist switched between assured and witty rapping to spoken word pontifications.  The Streets’ opuses of getting drunk and eating chips; getting into danger and making ends meet was a daring and stunning insight into modern-day realities- an album that holds huge weight 13 years on.  Skinner is not as frantic and assured as the likes of Dizzee yet his flow-acceleration is not the main attraction: the asphalt-pounding poet is a man who delivers huge blows with his unique and urgent authority.  Funny, vulnerable and hugely intelligent; the album showed immense talent and ability from an artist fresh on the scene.  There is a quirky Britishness about Skinner’s rapping (the line “I wholeheartedly agree with your viewpoint” is less likely to provoke thoughts of gun-fire gang wars; more a quiet cup of tea with your nan) yet it is those eccentricities and loveable moments that make Original Pirate Material a phenomenal work.  Whilst Sharp Darts and Too Much Brandy are hard-riding and short mission statements the likes of Has It Come to This? were defined as lyrical slices of genius; Don’t Mug Yourself is a bouncing and dizzying array of images- texting a girl from the night before; Skinner’s friend Calvin offering some gravity and common sense.  With Let’s Push Things Forward mixing Reggae bliss and huge intentions- the song looks at the importance of pushing sounds forward and evolving; not buying the same old crap- and boasts some of the album’s finest lyrics.  A true masterwork that should be applauded hugely.

DOWNLOAD: Let’s Push Things Forward; Don’t Mug Yourself; Weak Become Heroes

STAND-OUT TRACK: Let’s Push Things Forward

[youtube https://www.youtube.com/watch?v=I4iA_w81MpU&w=560&h=315]

The ‘Other One’: Beck- Mellow Gold (1994)

 

9.0/10

One of the defining albums of 1994- in music’s most prosperous and peerless year- few artists came onto the scene with such an assured debut.  Beck Hansen is not a man to be bound by limitations: Mellow Gold willingly hops between Hip-Hop, Rap, Rock and Country; taking in samples and quirky sonic touches- resulting in an album that has a freewheelin’ confidence and surreal wordplay.  It is those beat-poet/junkie lyrics that make the songs so vivid, original and down-right odd.  Recorded at home- and not benefiting from studio cohesion and focus- you get an inspiring album propelled by ideas and depth; as opposed to force and pummel.  Standout song Loser is perhaps Beck’s best-loved track- it is not the only stunner across the album.  The Garage-inspired Fuckin’ With My Head (Mountain Dew Rock) is a dizzying and vivid assault that is among the album’s most immediate tracks.  Sweet Sunshine sees Beck at his most fuzzed-out and unsettling whilst Blackhole is far more redemptive and touching than its title suggests- a gorgeous and acoustic-led track that sees Beck mix instruments (sitar among violins) with lyrics at their most oblique and image-provoking.  Whilst the U.S. master is more comfortable in mature and contemplative mode these days, look back when he was at his reckless and limitless best.  Few artists have ever matched Beck for genre-pollination and songwriting genius; Mellow Gold is an album that shook the scene and welcomed a one-of-a-kind to the musical bosom.  Mellow Gold is definitely not mellow (not for the most anyway) yet its gold-standard credentials cannot be argued.

DOWNLOAD: Loser; Fuckin’ With My Head (Mountain Dew Rock); Blackhole

STAND-OUT TRACK: Loser

[youtube https://www.youtube.com/watch?v=YgSPaXgAdzE&w=420&h=315]

Track Review: (The Ambition)- Will You Be Mine

TRACK REVIEW:

 

(The Ambition)

 

 

Will You Be Mine

9.1/10.0

Will You Be Mine is available at:

https://www.youtube.com/watch?v=P9LNemMIuDg

RELEASED: 2^nd October, 2015

GENRES: Pop-Rock

ORIGIN:

Liverpool, U.K.

____________________________________

TODAY offers me a unique stand-away from the normal…

crop of bands coming through at the moment.  In addition to reviewing my first parenthetical band; it is a chance to witness a young group who are among the most tender and fledgling out there- whilst demonstrating huge confidence and assuredness early on.  Before I get to them, let me talk about young bands- that go against the boy band market- the music of Liverpool and the dwindling Rock market.  Let’s start by looking at young bands coming out at the moment.  It seems like music’s fresh-faced are becoming younger by the year.  I am seeing a lot of teenage acts coming out that sound completely tight and fully-formed.  Of course youthfulness does not equate to appeal and quality- there are a lot of very young bands that sound underdeveloped and lacking.  The media has an obsession with music and age- they get into a delirious tizzy every time a baby-faced clan arrived with stunning music- which is putting a lot of pressure on the rest of music.  A great deal of artists coming through feel the need to hit particular targets by a certain age- if they do not do it they can feel adjudged to be a failure.  The fact of the matter is that a lot of these younger acts are quite insignificant and lacking any real promise and bite- making anxieties and stresses (from other musicians) inappropriate.  It is great when a young band come along that actually possesses balls and a sense of longevity.  It is always quite hard to see which bands are going to be genuine contenders when it comes to the next year.  My featured act plays a mixture of Pop and Rock.  Whilst I am not a fan of some of the acts they have supported- I find Scouting for Girls unbearably annoying and poor- (The Ambition) are in no way or shape anything like the predictable crop of Pop-lite nonsense you hear blaring from the likes of Heart or Capital F.M.  If you dump any comparisons with your Five Seconds of Summer, One Direction and their ilk- the sort of money-makers that record companies love to mould and replicate with no ear for quality and musicality- we have an act that have more in common with Rock’s elite.  Whilst their best work is ahead of them, there is enough to suggest (The Ambition) will live up the hype and create something great in 2016.  Before I go into more depth, let me introduce Liverpool’s promising young act:

“Tipped by the industry as the next big thing, The Ambition is made up of Jack Morton, Ant Brady and Scott and Max Mealey. The Liverpool based four piece exploded online in 2015 and have established a hardcore fan base which is growing at an incredible rate.

The Ambition have already made an impact on the main stages of some of the UK's most prestigious events and festivals.  Performing their high energy, catchy rock pop sets and appearing at events alongside the likes of Scouting for Girls, Rebecca Ferguson and Basement Jaxx. 

Showing no sign of slowing down and setting up camp in the studio working on their next EP, 2016 is set to be an exciting year for The Ambition”.

The band has a down-to-earth and fan-friendly look that will see them featured on the front of magazines and playlist rotations.  We all get pre-conceived ideas when it comes to the fresh-looking bands and what they will offer in terms of music.  You do not need to look a certain way- or be a particular age in fact- to create music that brims with quality and appeal.  What (The Ambition) does is bridge the gap between radio-friendly Pop- there are enough teenage edges to appeal to the young girls and boys of music- whilst stretching their ambitions to fuse something more credible and appealing- harder Rock sounds that give you a flavor of bygone legends.  I have seen some fantastic acts this year that have plenty of scope; it seems our Liverpool clan could be mixing it among the hungriest music has to offer.  Liverpool is a city that is staying in the public consciousness when it comes to new music.  There seems to be this north-south divide with regards music and the attention of the media.  As much as I love London the bands/acts playing here; it is worth extending sights and seeing what the north of the divide can provide.  Take the sapling lads of (The Ambition) and you get little touches of Oasis and Arctic Monkeys; some Power-Pop of the ‘60s- elements from the north and their hometown into the mix.  Were they just to offer aimless heaviness and nonsensical choruses and you’d skip past them and lose concentration- instead their music rewards concentration and provides something deeper and more enduring.  I am really impressed by the bands coming out of Liverpool at this time.  Liverpool Calling hosted the likes of Jackobins- an act I have reviewed before- and Organ Freeman.  Whilst the bands have not reinvented the wheel- it is hard to display true originality and lack of compromise- they produce music that is elementary in its passion and fever; it is arena-filling and crowd-winning.  With the likes of Hooton Tennis Club and Strange Collective creating buzz and excitement; Liverpool is showing just how productive and fertile she is.  It is perhaps no surprise that (The Ambition) have captured the mindset and attentions of the city: they make music that rivals the best out there; it has a universal flair and appeal that means they will be festival favourites.  Whilst a lot of Liverpool bands go straight for the jugular- and tend to focus too heavily on Rock and Alternative- our featured act dig a little deeper and ply some colours and subtleties of Pop into the fold.  At the moment Rock seems to be suffering serious illness.  Perhaps passing years and lack of maneuverable room has led to problems and a cessation of innovation.  I am finding there are too few Rock bands that sound new and different.  Many are contended to cling onto their idols without altering the sound and pushing themselves- it leads to a lot of short-term acts that waste a lot of time and effort.  Even the likes of Royal Blood- and their critically-lauded debut- are too close to the likes of The White Stripes, Queens of the Stone Age and Foo Fighters.  Whilst Royal Blood have enough punch, epic anthems and ability to throw off the lack of originality; their newly-bred peers are not faring too well by comparison.   For that reason you need to bring other genres into your music and ensure it does not become insipid and predictable.  Thankfully (The Inspiration) have a boss sound with nouse and diversity to it.  They will be going onto create their best moments; their early movements showcase plenty of promise and force- outranking most of their peers and demonstrating why they have been hotly-tipped to be kings of 2016.

If you want a full assessment of Will You Be Mine, then it is worth digging into the past of the young band.  Jack Morton, Scott Mealey, Max Mealey and Anthony Brady have crafted a few other songs which show what a prospect (The Ambition) is.  Their debut E.P. Journeys was released earlier this year and was a chance to get into the mindset of a terrific young band laying down their marker.  Next To You shows maturity and impassioned vocals amidst rushing sonics and a central message of heartfelt love and intention.  Our hero wants to return home and be next to his girl.  Able to conquer the world and take anything on; he would not ask for anything were he to be beside his girl.  There are shades of Pop contemporaries and bands yet the boys have more edge and nuance than their peers.  Mixing sounds of ‘80s Pop (in a good way) there is less reliance on processing, Auto-tune and too-polished production.  You get some raw emotion and naturalness come out in the song- the E.P. has terrific production and definite quality- that means it sounds more grown-up and compelling than 90% of the Pop fodder out there.  You and Me continues alongside the same lines of dedicated love and yearning.  Propelled by a sprite and cheery composition the vocals are at their most insistent and urgent on the disc.  Spiked and electric guitars add some much-needed grit into a story that evokes the deliriousness of ‘60s Power-Pop around themes that look at dream-like love and intoxicating bonds.  The song’s heroine has got her man tied-up and fantasising; hooked and fascinated by all she offers- caught up in a spell.  Why the themes and ideas expressed are commonplace and cliché; the band utilise them to their own means and come up with sentiment that will appeal to their teenage audience- whilst boasting an adultness and strength that sets them aside from any preconceptions and easily labeling.  Our man is dreaming when the lights go out; the infectious and simple chorus hook has a Folk edge to it that will get people chanting and chorusing along.  It is the endless positivity and alacrity that makes the song impossible to dislike.  The highlight from Journeys; it sees a band that can pen a hook and keep audiences compelled to the end.  Never Let You Down expands their compositions and brings something more Rock-tinged and harder into the fray.  A merry and skipping composition showcases another bold and direct vocal that deals with love and the voice of a heroine.  Once again you get vocal chanting and chorus- not the inane way Coldplay trot it out in every track- but something that has a boisterous charm and heart to it.  Whilst the composition has an energy and spring to it; the lyrics are more introspective and haunted at their core.  There is a lot of positivity and hope yet some lingering pain and emptiness can be heard beneath the surface.  Adding emotional depth is vital with regards musical respect and development; listeners of all ages can appreciate what the E.P. offers and how far it reaches.

Since the E.P. - and bearing Will You Be Mine into things- the band have not reshaped and changed their sound a lot.  Being a brand-new act, you would not expect them to sound like Metallica or Basement Jaxx on their new track; they do sound more confident and nuanced here.  Whilst their E.P. was a bold and accomplished release; they have a bit more intrigue and passion about them.  It is crucial to keep their melodic and sunny approach in their music; what they have done is offer more variation and range in their latest cut- that could lead to a different-sounding E.P. in 2016.  I know the boys are going to be touring and in the studio again; it will be great to see the music live and up-close.  They are that confident and complete straight off the blocks- let’s hope they keep that momentum firm in the coming year.

With a high production video and a terrific story-line, it shows the band have a lot of confidence in Will You Be Mine.  The track gets off to a racing start with a spiraling guitar coda that promotes vitality, raggedness and emotional conflict.  The boys show how together and tight they are from the start; keeping everything quite tense and nervy- whilst allowing some space and reflectiveness to creep in.  The early vocal is rich in emotion and soulfulness; conveying conviction and a great sense of desire.  Our hero attests it’s not “too late to go back to that place where we used to be”.  Whether documenting an emotional space or a geographical location; there is that need to reconnect with his girl and get her back.  It is not clear whether the relationship has hit the rocks or whether there is just a sense of detachment between them.  Perhaps things have petered-out and there isn’t that necessary spark and kismet between them.  Our hero’s heart will always call out “for you and me”; there is that flaming passion and need underpinning the vocals.  A lot of listeners will be able to connect with those themes of desire and loss; the need to connect with something that may have passed- unwilling to surrender and let it die.  Augmented by that heartfelt and rich vocal, we here our hero “see that look in your eye”; the one that tells him not to go- you become intrigued by the reasons and truths behind the song.  Perhaps our man has to step away or focus on something else- maybe the realities of music life and their demands are having an effect- but it is clear the break-up is unwanted and unpopular.  The decision seems to be more firm with our hero; that need to start afresh and step away is evident.  Remembering his girl and those initial impressions- how she looked and the glint in her eyes- there are evocations of a better past and the purity of the initial moments.  Perhaps the idealism and expectations have changed; the reality of the bond has come into view- that is why he has to step away.  Their ambitions and desires seem separate and there is little room for compromise or an agreement.  Causing strain and emotions, you can hear that regret and sense of fear in the hero’s voice.  Backed by a composition that provides support and strength- not cheapening proceedings with sunniness and false emotions- and you have a song that remains focused and mature throughout.  Wondering how he could replace someone that “used to be my everything” the lyrics do not stray too far from the likes of their contemporaries- although that is no bad thing.  When it comes to love and relationships, it is hard to craft lines that are original and that distinct- without losing their universality and truth.  Few listeners can refute the passion and power that is emitted from the vocal; that will to explain things and express that pain and loss.  Our boy is struggling to stand quietly by his girl; there are words and things he needs to say- perhaps remaining quiet to avoid conflict or say things that may make things worse.  There are some silent moments and awkwardness as things are starting to crumble; the reality the two may not see one another- and life as they know it is going to change forever.  Among the throng of heartache and suffering there is a stoic and resilience to things; you feel like our hero will be able to regroup and get back to life as normal.  Whilst he is in the eye of the storm he has tried to keep his emotions in-check and together; he is letting it all go at the moment and submitting to the sheer force of the break-up.  It seems like the relationship may have been less storybook than first imagined.  It seems our man was “led astray” and been lied to.  Now he is finding his way “back home” there is that given of improvement and a mature attitude to things.  The video for the song looks at a middle-aged couple at a hospital bed.  The husband sits by his wife as she starts to fade and deteriorate- leading to different impressions and interpretations.  Part of your brain could relate the words to family concern- perhaps a fond relative that is starting to get ill and depart- although one suspects the video’s plot is designed to portray a love that is breaking down for reasons that cannot be avoided.  Quite an intriguing and open-for-interpretation, the boys ensure those heavy words and wracked souls are not too dark and shadowy.  The wordless vocal and rousing chorus injects enough optimism and energy to keep the song vibrant and uplifted.  The chorus and its declarations- whether the girl will be his- is perhaps that need to recapture something that has faded and the refusal to move on.  The song has some obliqueness and mixed messages that keep it fascinating.  Whilst our man seems to be rebuilding and accepting the break-up there is that denial and that want to get the girl back (and recapture what they had).  Whether it is ever possible- or he is fooling himself and knows it is a hopeless cause- it gets the listener guessing and hooked.  The band creates a vibrant swirl and attack that enforced the song’s messages and keeps that drama and electricity firm to the last notes.

With bands like Coldplay taking their foot off the gas- short of ideas and repeating themselves; songs that don’t match their glory days- we need Pop-Rock bands that have the potential to remain surprising and strong.  Being a teenage band you would excuse some sharp corners and ragged edges to the music.  What you get is a band that sounds like they have been playing for many years- they are as tight and assured as any out there.  Their lyrics are quite every day and universal- they document common themes and do not stray too far from worn subjects- although it is a move that is necessary and smart.  Their audience and listeners have been through similar experiences and want to hear songs that reflect their life and pain.  Were the band to pen something that was out of the comfort zone then they would lose followers and alienate their fans.  Packing much more punch and energy into one song than most bands create across an album; you have spades of nuance and recommendations here.  I am not a huge fan of Pop-Rock bands but have found an act I can get on board with and relate to.  They have plenty of maturity and aerodynamics that means the vocals and compositions do not get bogged-down into predictable and bland waters.  Perhaps their most focused and memorable work; here is a band that matures and develops with each new release.  The performances are impressive and stunning throughout the song; contrasting sensitivity and raw emotion with dignity and aplomb.  With the scene being defined by a lack of quality- critics beholding bands that are not worth their weight- it is refreshing to see the Liverpool boys come along and earn their plaudits.  They have had a busy and productive 2015 so should be very proud of what they have achieved.  They connect with so many people and Will You Be Mine is an assured and brilliant song that will see their fan-base rise.

Whether it is The Ambition or (The Ambition); they are not a band that need changing or parenthetic.  I was a little wary reviewing the band- thinking we would have a One Direction-type act that would cause me some ethical conflicts- yet I am pleased to announce they are a lot more appealing and stunning than any boy band out there.  In spite of the fact the boys are in the teens; that does not lead to music that is infantile and immature.  Beyond the moody photography- the boys barely crack a smile in any of their press releases- it is a red herring that is quite necessary.  Were there too many zany shots and stupid photos- you know the type favoured in teen magazines- they would be written-off as another off-the-rack boyband with nothing to say and nauseating personalities.  If their music were moody and downbeat then they would lack appeal and any sort of longevity.  What the Liverpool band does is showcase mature and adult aesthetics with music that ties sunny Pop of the mainstream with some credible Rock edges favoured on the current scene.  When it comes to tipping new bands for 2016- and those we should all keep an eye out- it is well worth putting some time and energy in the direction of (The Ambition).  The boys recently played at Harrods- an experienced that seemed unique and unforgettable- and they are mounting a charge on the musical landscape.  Will You Be Mine is another bold move by one of the hottest up-and-coming bands around.  I stated Liverpool breeds quality and consistency; no exaggeration when thinking of our featured bands and what they have shown so far.  If you check out Google- and search for ‘best Liverpool bands of 2015’- you get a good range of acts that show variety and promise.  (The Ambition) are creeping up and gaining impressions and support from all the right quarters.  Being so young it is forgivable they have an essence of mainstream Pop- it is necessary to appeal to their target audience- but I can see them developing and expanding their sound as the years progress.  The early signs are hugely encouraging and show a band that want to remain on the scene for a long time yet.  With so many young bands out there; the media are crawling over themselves to highlight and proclaim certain bands as ‘the next big thing’.  I am always sceptical by these lists- including the B.B.C.’s annual list that is always a little shaky- and find that they do not reflect public tastes and the majority of music-lovers.  We should not herald and focus on bands because they are young- it does not mean they will be good or last even- but on the quality of their recordings.  When you discover an act that is young AND good then it is worth making predications and speculations.  With Liverpool mothering some of the U.K.’s best bands we should keep our attention on the north-west city.  It seems like Rock is going through a recession at the moment and not giving the same returns it did a few years back- the acts coming through don’t have the originality and inventiveness they once had.  It will be good to see (The Ambition) come and play London and take their Pop-cum-Rock sounds in person.  Their optimism and powerful choruses are equalled by their lyrics which tap common themes and give them a personal spin.  I am tired and fed-up of the bland and inane Pop bands that come through- as are most of the public for the matter- so it is good to see a band come through with a bit of gravitas and difference.  Let’s hope our Liverpool band get back into the studio and lay down some new sounds for 2016.  Will You Be Mine is an insight into what they can achieve and where they are now.  It is a mixture of youthful love and multi-coloured sounds wrapped around a tight and mature performance that result in plenty of appeal and weight.  It may be too early to see exactly how far (The Ambition) will head but for now- and bearing their latest single in mind- it is all looking quite rosy and prosperous.  If you are hesitant about embracing sunshine Pop and something teenage, then do not be put off by history and the current crop coming out.  With these boys coming through…

 

POP is being given a good name.

[youtube https://www.youtube.com/watch?v=P9LNemMIuDg&w=560&h=315]

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Follow (The Ambition):

Official:

http://www.theambitionofficial.com/

Facebook:

https://www.facebook.com/TheAmbitionMusic/

Twitter:

https://twitter.com/TheAmbitionBand

Instagram:

https://www.instagram.com/THEAMBITIONMUSIC/

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Music:

https://soundcloud.com/theambitionmusic

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Videos: https://www.youtube.com/channel/UCNbVz80q7hu7vfqBrzKwPbQ

Track Review: Lola Coca- Bad Girlfriend

TRACK REVIEW:

 

 

Lola Coca

 

 

Bad Girlfriend

9.8/10.0

Bad Girlfriend is available at:

https://www.youtube.com/watch?v=d4y7tIJF7a8

RELEASED: 4^th December, 2015

GENRES: Pop; Hip-Hop; Ska

ORIGIN:

London, U.K.

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AMONG the colourlessness of some of music’s newest progeny…

it is always rewarding stumbling upon an artist that is vivacious, bold and hugely memorable.  I shall introduce you to my featured artist very soon, but for the moment, I am reminded of a few different subjects.  The first concerns personality, colour and brashness; the second looks at female Ska/Hip-Hop artists in the U.K.; the third concerns originality in songwriting.  When you look around new music and the artists that are coming through; there are few that really catch your imagination and compel you to dig deeper.  Whether it is a lack of energy or a rather stilted sound- I have not been seduced by too many artists lately.  I know how vital it is to work on the sound but that does not mean you need to sacrifice everything else.  I hear so many artists produce great/fairly good music yet nothing else really lingers in the mind.  You do not need to force a personality and aesthetic to make the listener compelled and fascinated.  It can be a way of thinking; a direction in songwriting or certain flair- little touches that go a long way.  A lot of new musicians- when it comes to interviews, photoshoots and such- come across as samey and overly-processed.  I find a lot of artists display vituperative attitudes and (are) needless childish to grab attention.  The most pure, addictive and long-lasting musicians are those that are naturally interesting and do not force things.  It may seem like an odd point to mention- yet when it comes to my featured act- here we have someone that ranks among music’s most interesting and alluring new artists.  Before I continue this point- and raise a couple more into the mix- it is time to say ‘hello’ to Lola Coca.  Londoner Lola- and her near-spoonerism name- is a fascinating artist that really intrigues me.  The London-based artist is splitting her time between L.A. (where she records) and the capital.  Reading interviews she has conducted you get the idea of a young woman that does not fake that infectious personality.  She has a raw edge and plenty of attitude; she seems one of the most humble and modest people in music.

Reluctant to call herself a singer or rapper- that modest strain coming in- there are definite expectations and nerves.  It is not just Lola Coca’s incredible genetics that have got her where she is today.  Her modesty aside you have a young musician with an incredible originality and honesty about her.  The heroine bears her emotions and subverts expectations; she is a brave and sensitive artist who has an undeniable and burning passion for music.  Music is the thing that keeps Lola up at night and keeps her heart beating strong.  I talked about lack of personalities in music- for all those dull and mind-numbing new acts coming through- Lola Coca seems to be the antidote.  Her fashion and looks- mixing bright colours and multi-blends outfits; vibrant contrasts and a blend of U.S. and U.K. fashions- is the result of someone drinking in the London cosmopolitanism.  You can tell how much the London residents inspire Lola; how the varied landscape and areas have impacted her direction.  The young star has an infectious sense of humour and down-to-earth appeal that has drawn in fans and followers- all falling in love with that wonderfully compelling and entrancing human.  There is not a great deal of female Ska/Hip-Hop artists in music.  I am currently obsessing myself in the genres- I hope Lola won’t mind me going on a brief tangent- and am an obsessive Dizzee Rascal fan; someone getting back into Cypress Hill- reveling in the force and magic of Missy Elliot.  Even Hip-Hop-lite artists Nelly Furtado- who I adore for her vocal delivery and sassiness- are filling my ears and soul.  Rap, Hip-Hop and Ska are those genres that seem to go under-the-radar; a minor force that is secondary to Pop and mainstream concerns.  It is a shame because there are so many great acts coming through.  Lola Coca is one of those rare humans: a white female rapper.  Whilst a lot of her heroines- the likes of Kelis for one- are black American artists; here we have a white rapper from the south of England.  I am straining my mind to think of anyone quite like our heroine.  It is understandable there are some nerves when it comes to her music- with so few being like her- but is great to see an ambitious young woman do something new with the genres.  Lola does not just play the U.S.-themed Hip-Hop/Rap we are all familiar with: she teases in ‘90s Pop undertones with Ska bliss; sweet-leaf chills and sharp edges that kicks ass.  There is so little originality coming through in a lot of music from our young artists.  Lola Coca is one of the rarest and most unique artists I have come across in a while.  A young woman you want to hug and keep safe- someone that deserves a wonderful human to mould her passion and ideas- there is an incredible strength and rebelliousness to her.  Bad Girlfriend is an offering that subverts expectations and offers a new slant on love.  Mixing p***-tease promise- her boy is not getting a ‘special birthday present’ this year- there is soulfulness, sensitivity and wit to be found.  Not just the result of her production team; you get a lot of insight into the woman behind Lola Coca.  Most new artists coming onto the scene- this is our heroine making her sapling steps- tend to write songs about heartbreak and no-good fellas; maybe something about being hurt and scarred by love.  Whether that is the logical first chess move; if market expectations demand that- Lola Coca is someone who has skewed the mould and come up with something more fascinating, original and wonderful.  Whilst a lot of media and reviewers are making easy comparisons with Lily Allen- a no-nonsense Londoner with a mix of cutting and cherry- that betrays the true potential of Lola Coca.  She is her own woman and has a lot more to her than Allen-esque strands.  A lover of the likes of Amy Winehouse; you can hear that Blues soulfulness and dark lust in her voice.  Lola’s love of ‘90s music comes through in the evocative and memory-strewn bliss-sounds.  The sharp tongue and strong skin is a match for her Hip-Hop/Rap favourites.  What you get is an artist that has colour, passion and heart; an effortless ability and huge future.  I know the young heroine has some trepidations and high hopes; I can see an album emerging in 2016.  Bad Girlfriend is an original and hugely memorable song that will see her gain momentum and inspiration.  With such a compelling and stunning mind; I know there will be some terrific songs emerging- tied together by her assured and exceptional team.  I hope her social media numbers rise- they are scandalously short of what they should be- I know of venues and musicians that have fallen under her spell.  2016 will be a bumper year for her and the chance for her to spread her wings- and show music just how immense she is.

Lola is making her first steps into music; it is hard to compare her new sounds with bygone music- seeing how far she has progressed and changed.  Bad Girlfriend is her newest cut that shows a fertile imagination and an assured singer.  Love Songs is another number that is online; it shows a contrast to Bad Girlfriend.  The opening notes mix crackling with romantic strings; a fusion of sounds that gets the imagination pricked from the first moments.  Old-style and vintage guitars- reminding me of ‘50s Rock ‘n’ Roll with Doo-Wop lingering- there is a bit of Swing to the introduction too.  Lola’s voice comes in firm and ready to tell of her “confidential” and “secret heart”.  Seemingly too shy to give her heart freely; there is that central message- “love songs are for losers”- that shows wit, spikiness and vulnerability.  The song goes against the common grain to deliver something old-cum-modern; that endless vinyl crackle and sparse guitar puts your mind in the ‘40s and ‘50s- it is a vintage song that has a modern heartbeat.  Sunny and effusive vocal layers bring the song to life and give it a vivacious and technicolour smile.  The flowing rhymes and emotive vocals see our heroine waiting for her man- she will hold out for his touch- and not giving too much away.  Perhaps a bedfellow of Bad Girlfriend- both look at denial and restrain whilst having different courses and ideals- it is a track that has an addictive and coolness to it.  Swinging, swaggering and London-esque; the song takes you to some wonderful streets- you build images and immerse yourself in the passion and heart of the music.  If love songs are for losers then our heroine “may never wake up”.  Lola’s voice has a crackle of Lily Allen; a soulful belt of Amy Winehouse: when it comes to to things you have a vocal that is very much its own beast; it mixes unique personality and tones to distance itself enough.  Towards the closing moments Lola injects some rapping into the track.  Our girl is “too scared to take the risk” and seems to be showing a vulnerable side to herself.  After the firm and effusive beginnings we have something more introspective and heart-bearing.  Showcasing her natural affinity for Hip-Hop and Rap; the mixture of the first phase- that indelible sway and cheer- blends seamlessly against the more jagged and hard-hitting rhymes.  Our heroine is “too shy” to perhaps be herself.  Love Songs is a track that balks against the traditional (love songs) out there; those ideals and romanticised notions.  There is a reality and relatability to Love Songs.  Some of us are shy and hesitant to be ourselves; the truth of things is that love and relationships can be hard from the start- a track that brims with meaning and personal insight.  You feel empathy with Lola and what she is saying; that desire to be with someone and be open- perhaps too reticent and coquettish to let her personality and qualities out.  A piano-slam and charming outro complete a track that is stunningly confident and assured.

Match Love Songs against Bad Girlfriend and you have two sides to an intoxicating and spellbinding artist.  Able to keep unified personality in two very different songs- the composition and lyrics have very unique perspectives- and you just wonder how far she can go.  In Love Songs, Lola Coca shows such a passionate, urgent and gorgeous vocal.  Letting her Blues/Soul voice mix with her M.C. /Rap skills and you have a song that will appeal to a mass of listeners- and lovers of multiple genres.  It has such a mobility and quality to it that is hard to ignore.  The lyrics are quotable and hugely memorable; the composition is full and unexpected- those vintage elements are a wonderful touch.  The equal to Bad Girlfriend; it is a 1-2 that has not been equaled this year.  Most artists come in a little vague and timid; really not letting themselves reveal too much or go in too hard.  Our heroine is a young woman that has a need to be heard and understood.  Someone that has vulnerability and hesitations; these sides are expounded and exposed in a song that points to an extraordinary talent.  This all means the following year will be exciting and filled with possibilities.  I can see Love Songs and Bad Girlfriend making their way into an E.P.  I have always dabbled with the album title Love Songs Without Choruses- that could be interpreted as a coital innuendo into the bargain- and easily house the likes of Bad Girlfriend and Love Songs.  Whatever Lola Coca has in mind will be great to see.  I can envisage an 11-track collection that fully explores and uncovers her spectrum of talents.  Maybe some more direct and edgy Hip-Hop slams- putting the heels into some no-good fellas- and soul-bearing Soul numbers will be stirred into a psychotropic and gorgeous-smelling bouquet of music.  With that stunning voice and huge ambition fully charged there is no telling where Lola Coca could head.

The stunning weight of Bad Girlfriend has set social media ablaze.  In the initial seconds you get some Ska/Reggae steps that are hugely infectious and wonderful.  Mixed low and echoed in the background, there are dope beats, infectious Salsa rhymes combined with a wordless cry from the heroine.  Compelling the feet to sachet and weave around; it is a funky and inventive statement that shows some Hip-Hop vibes and summer-time chill.  That girlish giggle and cute-as-hell opening leads to something swooning, dizzying and sky-diving.  A high-pitched vocal holds in the background to give the impression of bellicose cry and huge emotion.  Everything is kept levelled and disciplined in the early exchanges- backed by fantastic production values and phenomenal mixing.  Before our heroine arrives to the microphone; you get caught up in the scenic and vivid kiss of the introduction.  Its Latin workout-cum street-walking coolness is an infectious bond that gets you smiling and exciting.  Whereas Love Songs saw Lola come in with a Pop/Soul vocal- that leads into Rap- here we get something that is urgent and fast-racing from the very go.  Our girl “tried to hide, tried to lie…”- rapping and reeling against the swirling electronics and chaotic blend of the background- she is turning her man on “like a night light”.  The man has his birthday and is expecting a lot of sugar from his girl.  Perhaps that has been the pattern of the past- maybe former girlfriends have complied with his veracious and slavish demands- but our heroine is not so compliant and obvious.  Wanting to keep him on a lead and get the blood rushing to other parts- it is a cheeky and witty number that shows plenty of attitude and spunk (ironically).   Our heroine shows great authority and natural ability in the early exchanges.  A lot of new artists that go for Rap/Hip-Hop seem unsure and foolish in their early days- needing to cut their teeth on a few demos before launching into a single.  Lola seems like she has been doing this for year.  You can tell the likes of Missy Elliot have had their bearing: you can hear some of the U.S. queen’s cut and voice in the stunning lyrical tumble of Bad Girlfriend.  Our heroine lets her voice weave and snake with huge effect.  The mix of wit and original wording makes the song such a gripping and wonderful beast.  Her boy is begging like a puppy for attention.  Maybe pretty and good for the eyes; he is someone that certainly gets Lola’s engine running- but he needs to know his boundaries and cool his jets.  Her man is “embarrassing” and making a fool of himself.  You can tell how much fun Lola has recording this- you can practically hear the grin on her face- and she sounds completely in-command; controlling the song and ensuring every word hits the mark.   Riding a sparse and dancing beat- some wonderful compositional touches augment the emotions and ensure the vocal is driven and supported- our heroine is highly infectious and stunning.  Stopping him before he “hits the poontang”; our girl is hot and cold- too hot to handle but perhaps a little cold to the touch- there is that desire to relax and get her own way.  With no shopping stress and clichés; she just wants to kick back and spend her own way.  The lyrics mix U.S. and U.K. phrasing; the language-blend means the song will cross borders and easily translate to U.S. radio stations.  It is not a cynical move or calculated risk; here is a young woman with a love of U.S. and U.K. music- it is effortless; funneled into a consistent and wonderful work.  As the song progresses you get images and ideas of the story.  Our heroine is withholding sex due to the cloying and desperate pleas of her man.  Whether the need to establish control or just toss cold water on the boy- who may be putting physical acts above any real emotional connection- and there is some vulnerability and sensitivity that comes out.  Lola does not want to be objectified or controlled; she calls the shots and wants to be treated like a real personal.  As the song progresses you cannot escape that mix of quality, uniqueness and humour.  Sound effects are throwing in to match the lyrics- tills opening and closing; dog growls and little snippets of violin strings- as our girl rolls her eyes.  With fake astonishment she realises her man has a birthday and a big week ahead- which means sex in his mind for the most part.  Confessing to be a “bad actress” you get someone that may have been faking the motions- bad news for the boy’s ego- and someone that does not give a crap about his libidinous desires and impure motives.  I get little snippets of The Streets and Dizzee Rascal; bits of Missy Elliot and Kelis.  You have some street-wise flows and frantic rhymes- a lot of modern rappers are too slow and not cutting enough- whereas Lola presents some original bites and wonderfully inventive lyrics.  Like a young Dizzee- his debut album was bound with genius words and scintillating raps- here you get a fast-flowing and mesmeric flow from the young artist.  Dizzee looked at sleazy sorts and the sort of disreputable, controversial characters you find around town- the sort that need to get put in their place.  The Streets- especially on Original Pirate Material- mixed some stunning humour with spoken word professions and insights.

Kelis and Missy Elliot mix that sassiness and strong female vibes- showing control and dominance- with quirkiness and sonic invention.  Think of Kelis’ Wanderland and you get a comparable artist that sounds effortlessly assured and in the zone.  The genre-switching and parodying brings extra light and colour to the proceedings which see Rap and U.S. Hip-Hop merge with an accessible Pop chorus and hugely memorable chanting.  When the chorus does arrive that Bad Girlfriend chant is as addictive and memorable as you can imagine- it is an extra kick in the balls for the song’s hero.  Our girl confesses she does not known “when your birthday is” and that doesn’t really matter- she will not be led and told what to do.  It is that brassy and humourous attack that makes the song endlessly appealing and brilliant.  Those dazzling flows and terrific soundscapes effortlessly lead to the chorus which transforms into something sarcastic and contrary.  An echoed and processed vocal (by her heroine) recalls the sound of a phone message- she confesses how much she misses him; how much she wants to kiss him.  When the vocal comes hard into the mix, those sentiments were insincere.  Her man is a fool that is causing her too much strain and annoyance.  Whether he is too eager to get to the bedroom- and thinks he is the best thing since sliced bread- our heroine is putting him where he belongs.  Our girl has been checking Twitter and emails; looking at pictures and looking for mentions of her (there are none) - she hits-up his friends and goes clubbing instead.  Not wanting to crawl back to him like an animal there is that strong message that will speak to young females listening- the sort that have felt smothered and controlled by boys when they want real men who have genuine soul and kindness.  Lola is a young woman with a lot of life (she wants to live) and is keener to experience the unpredictability of the night- rather than as sworded night in with her boy.  Our girl gives more insight into her man and what he’s like.  Someone that is too keen and clingy; whose mother does his washing- Lola is always going to be “that thing between them”.  Not sure why this is- I guess there is too much of the mum in Lola; perhaps her son has been exaggerating things- you get an insight into domestic strife and disapproving relatives.  Maybe the mother has false ideas of her son and wants a girlfriend that is more complicit and not as strong.  Lola is an independent and brave girl that does not get controlled and dictated to.  This has caused ructions with her man (and his mum); those sly and catty words- the mum is not out of earshot like she thinks- has compelled a song that is a fingers-up to the man and his stupidity.  By the second chorus- and another chance to chant and sing that infectious slam- our girl seems even more compelled and fighting.  “Oh no!” she states; wanting her man to get off his knees- I think it means he is begging rather than anything else that comes to mind- and get a grip.  It is “not you it’s me”- in the sense our heroine needs better and wants to find something pure- and it is the “end of the road”.  With a slightly patronising and kiss-off attitude; the song is given a bouncing and twanging bass line- it adds extra grit and spike to the words and creates an infectious undercurrent.  At all stages the composition remains mobile and interchangeable: going where the lyrics need it to, you get emotional resonance and a cornucopia of ideas, genres and sounds- held together expertly to ably support Lola.  With that choruses being repeated; that growing passion- our heroine is “all up in your business”- you are hypnotised and sucked into that wonderful vortex- before some Tango-themed piano notes bring the song down to a close.

It is hard to take Bad Girlfriend in on a single listen- I went back and forth to listen to words and music- as it is a staggeringly ambitious and impressive offering.  So much passion and conviction comes out in an artist who is just starting out.  That same confidence and authority the likes of Kelis, Dizzee', and The Streets showed in their debuts; here we get a young artist who seems ready-made and fully-formed.  Few singers have such an amazing urgency and talent so early.  When she raps and rides there are no weaknesses; a phenomenally assured Rap artist you are amazed by the flows and rhymes.  Lola’s voice is a stunningly vivid and emotional one- she is effortless when talking about sex and bad guys; sensitive topics and throwing zingers into the mix- and it makes Bad Girlfriend such a huge achievement.  The songwriting is amazing throughout the track.  The lyrics are as sharp and quotable as any I have heard this year.  So many ideas are thrown in; there is a huge amount of imagery and possibility within the song.  It is a track that will resonate with listeners and be familiar to some.  Completely natural and modern-day it is that blend of contemporary and vintage that seduce.  Whilst our heroine tweaks her voice- offering accentuations, accents; dips and dives- the composition mixes Latin/Tango dance with pulsating beats and tribal warfare.  You get sound effects and wordless vocals; teasing strings and a huge amount of atmosphere and evocation.  The production is ripe, clear and wonderfully assured: it ensures every beat and note is heard and clear; perfectly mixes each element to create a compelling song that is nuanced to hell.  You keep repeating the song- drugged and hooked by the addictive sound and wonderment within- and you will need several spins just to get on top of things.  A wonderfully confident assault from a fantastic young artist; there is no telling just how good she can get.  Bad Girlfriend is rightfully being heralded and celebrated among music’s reviewers and lovers.  If Lola Coca has given indications she is uncertain about herself- as a ‘singer’ per se and a rapper-then I am not sure why.  As a vocalist she has a rich and gorgeous voice that drips with passion, emotion and strength- one of the fieriest and most soulful voices I have witnessed.  She is easily capable of matching her heroines and influences- it is no hyperbole to say she could own the U.S. and dominate the charts- and seems completely limitless, untamed and unstoppable.  A juggernaut slam that has honesty and truth- let’s hope the boy in question has been given his marching orders- it is an insight into a young woman who wants to be loved but not at the expense of her dignity.  A modern icon that should be highlighted- rather than the vacuous and vanilla-weak we have doing the rounds- huge congratulations to the stunning Lola Coca- 2016 is going to be your year!

Few column inches have been dedicated to Lola Coca the musician.  The heartbreaking model has been noted for her glorious cheekbones and immense beauty- it is something that is unavoidable and secondary to the music.  Lola herself has said in interviews she wants some distance from modelling.  In songs that wag fingers at G.Q. cover-featuring models/artists she can hardly deliver those messages with true conviction- being someone who features on magazines herself!  The head-turning Londoner has already amazed the model world; she is making steps to seducing the music world too.  Lola Coca is not your average Pop artist who offers sugary compositions among messages of immature boys and crocodile tears.  Our heroine is someone that has her ears and eyes on vintage sounds- a lover of Jazz and old-skool Hip-Hop beats- she melts it into something contemporary and of-the-moment.  The Amy Winehouse familiarities might not seem obvious upon first sight- the two are quite different as people- but that’s where you’d be wrong.  Their musical ambitions and tastes are incredibly similar; that personality-mix and lovable nature is almost identical- don’t be surprised to see Lola making a similarly impressive charge for the music summit.  Winehouse was that black-and-white movie heroine with an incredible voice; those Jazz/Soul workings backed lyrics showing heartache, love and loss in new light- tracks like Love Is a Losing Game and Back to Black have not been equaled by anyone since.  Bad Girlfriend is a stunning track and one of the finest songs I have heard this year.  I can imagine Lola expanding her sound to come up with something Winehouse-esque: backed by stunning horns and beats; a swaggering vocal that mixes ‘50s heartbreak with a f***-you kiss-off.  Lola’s love of Hip-Hop and U.S. Rap could see her delve into something street-smart and London-esque.  Imagine Dizzee and The Streets given a Lola-esque transformation: she has that ability and voice that could see her match the spit, flows and lacerated passion of our finest recent M.C.s.  Take into mind Lola’s Pop flavours and Ska layers.  That could be parlayed into something summer-vibed and sensual; a colourful Mark Ronson-esque composition that gets into the mind and provokes smiles and delirious feet-tapping.

She may have reservations and big boots to fill but she should have no fear- the next year will see her music developed and really explode.  I would love to work with her in some way- helping to promote or interviewing her- as we have a rare artist that has a genuinely big future.  That voice could pretty much conquer any territory she seeks; the variegated genre-fuse means she has an adaptable and utilitarian vehicle- able to traverse any landscape she wants.  Being her first steps, it is always sage to reign things in and offer some reflection.  There may be cynics that snort at the idea of a model-turned-singer seeking credibility and respect- think of some or her foresisters that have embarked down this road- but here is someone who was born to be a musician- modelling was sort of a happy accident; the result of incredible beauty.  Before I complete things, I wanted to circle back (perhaps with greater relevance this time) to themes of U.K. Hip-Hop/Rap; originality and the need for distinction and individuality in music.   On a side-note, I can see Lola Coca doing a mean and boss-woman version of Kelis’ Caught Out There- it seems a song that our heroine could give new life to and reinvent- it is impressive to see a young artist that instantly gets into the imagination.  I am tired and depressed by the meek and vanilla Pop artists that have vapid personalities and senselessly slight sounds.  Throw in new bands that can be copycats with a predictably lame look/sound- music that lacks balls, diversions and nuance- and you have a new music scene that has produced some variable quality this year.  The best and most enduring artists are those that go the extra mile and let their personality shine.  Having read interviews with Lola Coca; I was seduced by the voice of a young woman with such a relatable and lovable personality.  She has no pretenses, needless profanity and shallowness.  Articulate, funny and hugely intelligent; there is vulnerability, shyness and sensitive in there too.  You get a young woman who has a natural edge to her- quite bold and brash when she needs to be- who always brings it down to earth when she talks of music, passion and the future.  Bad Girlfriend is a song that is receiving serious kudos and some admiring sighs-knowing we have a wonderful proposition on our hand.  I am not sure whether Lola has a man in her life; it seems like she has encountered the wrong sort of boys- someone that perhaps is addicted to the bad-boy types; those that will always let her down.  When it comes to her music, perhaps that naïve and understandable typecasting is good for her music- if it can produce some Kelis/Winehouse-esque confessions and stunners; then keep it up!  With regards the future, maybe settle for a nice guy who will take good care; someone who can provide substance and dependability- and inspire new songwriting themes and personality stability.  There are some great Hip-Hop/Rap artists coming through yet few white female types.  It may seem like a stereotype to say that the best Rap and Hip-Hop emerges from black artists- and especially acts out of the U.S. - but it is certainly more common.  It is great to see the likes of Lola Coca come through with genuine passion and authority for what she does.  Best of luck to the stunning Londoner and let’s hope the following year offers her happiness, opportunities and stunning achievements.  I know there is an album in her mind; she has firepower and enormous passion for what she does.  The music world is crammed with young artists all wanting to make her name; it is hard to dig down and see which ones are worth a second look.  The Southsea-born heroine will want to focus on Bad Girlfriend and how it does- before looking too far ahead to new music and next year- but I know how well she will do.  If you have not heard Lola Coca then involve yourself in her music and spread the word- get those social media numbers flowing and growing- and watch a brave and stunning young artist embark upon her career.  With such an original artistry and fantastic support behind her it is only a matter of time before…

SHE is a household name.

[youtube https://www.youtube.com/watch?v=d4y7tIJF7a8&w=560&h=315]

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