INTERVIEW: Alluri

INTERVIEW:

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Alluri

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IT has been amazing speaking with Alluri…

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about his new single, Don’t Lose Touch, and how he came to work with Glen Matlock. He explains how the former Sex Pistol found his work and whether they will work together again; what sort of gigs are coming up – Alluri tells me about a cool Spotify playlist that has come to mind.

I ask when music came into his life and what sort of material might come in the future; how he spends his moments away from music; whether there are any ambitions to fulfil before the end of the year – he talks about his Indian heritage and bringing that into his music.

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Hi, Alluri. How are you? How has your week been?

Been good. Thanks for asking. My week has been less busy than the last one. Perhaps some songwriting is in order

For those new to your music; can you introduce yourself, please?

I am bloke from Hyderabad in South India who fell in love with Rock ‘n’ Roll music. After my first album, Man of Truth, I had a crisis of identity and ended up recording my second album in Telugu, my native language, which is due to be released in its entirety in August of this year.

Don’t Lose Touch is your new single. What is the tale behind it?

I wrote this song in December 2016 with a friend. I was out of love with songwriting and I had to force myself to write this song. I am happy with what turned out.

Glen Matlock produces the song. How did you come to meet him?! Was it intimidating having a Sex Pistol in the studio?!

I was at home with my niece and nephew in November last year. I was playing the guitar one morning. On stopping my practice, my sister forced me to continue as my nephew had just woken up. I wasn’t too keen on playing so I thought I would scare him away by playing an acoustic version of Anarchy in the U.K. To my surprise, he started dancing instead. So, I decided to cover that for my gig at Transmusicales in Rennes.

A YouTube link to this half-Telugu, half-English cover of the song was sent to him via Twitter by my manager. Glen loved it and retweeted it. After this, he was sent a demo to Don’t Lose Touch which he liked so he ended up producing the song. We recorded it in Milan with Tommaso Colliva who had worked with me on my Telugu album. It was a fun process. It wasn’t intimidating.  He was very cordial and easy to work with. In fact, after the first day in the studio, he asked me if he was too bossy. I said: “You are alright, Glen! If anybody can be bossy, you certainly have earned the right to be so”.

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Do you two have plans to work together again? What did Matlock bring to your music?

We will be playing a gig in India on 1st August. He is coming over to India for the first time. Should be fun. In regards my music; he got a great bassline and a harder edge to the song by making the most subtle of changes. Perhaps we will record an album together. Who the hell knows!

What plans are there for more material? Are you working on stuff at the moment?

My identity crisis is done so I am back to writing songs in English. I have just finished recording three new songs with producer Adrian Hall in Surrey. These are new songs that I had finished writing in Jan this year. Essentially, I am working towards my third album so there will be some E.P.s on the way before that.

Do you recall when music came into your life? Were you raised around a lot of musical stimuli?

My father in his youth in the '80s in India used to be an ardent listener of BBC Worldwide radio. So, by the time I was born, he ended up buying C.D.s of Classical music, John Lennon; Tears for Fears and Elton John. He, in fact, forced me into learning Western classical violin and piano at age four, which I didn’t take to very well.

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Having been raised in India; do you take any elements from the music and people into your current music?

Musically, the sense of rhythm, at times, can be influenced by Indian music. Apart from that, the lyrics are written from the perspective of a well-travelled Indian man.

Will there be any live dates coming up? Where can we see you play?

I will be playing a gig in August in Mumbai and Hyderabad to promote my Telugu album. Of course, Glen Matlock is coming over for the Mumbai gig. Apart from this, if things go as planned, there will be gigs later in the year in England and Europe

Do you have any ambitions to fulfil before the end of the year?

To write about thirty more songs and do demos for them. Essentially, focus on songwriting for the third album.

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

Nothing really comes to mind - played a gig last week in London which Glen Matlock came to. So, watching him bob his head to my half-Telugu, half-English cover of Anarchy in the U.K. was pretty special.

Which three albums mean the most to you, would you say?

I am the proudest of my Telugu album. But, currently, the third album is what means most to me as I am in the process of writing it.

What advice would you give to new artists coming through?

Focus on the songwriting.

Are there any new artists you recommend we check out?

The music used on this documentary called Wild Wild Country has been a revelation to me. There is a Spotify playlist. I have been listening to that incessantly over the last few months. Great music and great new artists I found there.

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Do you get much time to chill away from music? How do you unwind?

Cricket and cooking.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that

Green Point Reprise by Jim Jones and the Righteous Mind. Came out a couple of months ago. Cheers!

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Follow Alluri

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INTERVIEW: James Francis

INTERVIEW:

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James Francis

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THE man has had a busy past couple of months…

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what with performing at the Royal Wedding and promoting his new single, Free to Be Me! I ask James Francis what it was like singing on that big day and the inspiration behind his latest tune; whether there is more material coming down the line – Francis talks about his faith and how Gospel resonates in him.

I ask whether there is a new artist we need to check out and whether he gets time to detach away from music; which albums are important to him; if there are going to be touring dates approaching – he gives some useful advice for upcoming songwriters.

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For those new to your music; can you introduce yourself, please?

My first single, Want It All, says a lot about who I am. I'm an ambitious creative who wants it all – a great career full of good music and amazing experiences! My music is a fusion of Soul, Hip-Hop and R&B. I can't say it fits neatly into any one of those genres because I love to experiment and push creative boundaries.

Free to Be Me is my second release and also speaks volumes about who I am. Whether it’s the colour of my skin, the area I grew up in or my faith; people have always tried to box me into some sort of stereotype. Free to Be Me is my way of responding to that: I feel it's important that we can feel good about ourselves and celebrate our identity.

The video for Free to Be Me is out. What was it like making the video? What is the story behind the song?

Making the video was a lot of fun. The video director, Chalky, was great and had a lot of good ideas for me to work with. As it was a public road, we filmed very early in the morning when I could play about more and not be disrupted by cars and passers-by etc.

Is there more material coming along? Are you working on anything else?

Yes. I'm working on another single and an E.P. As well as an artist, I'm a songwriter at heart so I'm always experimenting and creating new material.

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When did music come into your life? Do you remember which artists captured your imagination?

When I was growing up, singers like Luther Vandross and Stevie Wonder inspired me to sing. It wasn't until my mid-teens that I started taking it seriously and joined the Aria Vocal Academy, started by the late Eugene Johnson 

It seems like Gospel and Soul are important. Do you consider yourself to be spiritual and have a religious side?

Yes. I am a Christian; my values and faith are grounded in that. Although, I wouldn’t say my music is strictly Gospel: the content is based on my view of life which is seen through a Christian lens.

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What was it like performing for the Kingdom Choir at the Royal Wedding last month?! What was the day like?

I love being a part of the Kingdom Choir. We’re such a great bunch of friends that we have almost become like family. To have had the privilege of singing at the Royal Wedding in such great company was amazing. We got driven to Windsor by police escort and, even though we arrived super-early, the atmosphere was already full of excitement and celebration when we got there.

What you didn’t get to see on T.V. was us singing as the Royals were leaving the church. All the celebrities were clapping along as we belted out This Little Light of Mine. It is definitely an experience I will never forget.

The rendition of Stand By Me reached number-seven in the iTunes Charts. Was that quite an intense and unexpected moment?!

Most definitely. Our focus was to do you a great job for the Royals and make their day special. We had no ambition of entering the charts. So, when it happened, it was a really nice surprise. We truly feel blessed by the response we’ve had.

Are there going to be any tour dates coming up? Where can we see you play?

The best place to see me sing at the moment is online. On my YouTube channel, you’ll find links to my official music videos and some acoustic versions too. I don’t have any events lined up at the moment but you can sign up to the mailing list on my website to make sure you’re one of the first to know when dates are announced.

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Do you have any ambitions to fulfil before the end of the year?

There are exciting things lined up for both my solo career and my work in the Kingdom Choir which include travel and performances at some significant venues. By the end of the year, I at least hope to have stamped a good few pages in my passport!

 Have you got a favourite memory from your time in music – the one that sticks in the mind?

Singing at the Royal Wedding will definitely be a memory I’ll never forget and a story I will pass on to my children for years to come.

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Which three albums mean the most to you, would you say?

Michael Jackson - Thriller

Stevie Wonder - Songs in the Key of Life

Musiq Soulchild - Aijuswanaseing 

What advice would you give to new artists coming through?

Definitely, focus on creating the best music you can.  It’s not about copying other people or trying to fit into the latest trend. Put your own mark on the music industry and don’t be afraid to be different.

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IN THIS PHOTO: Sharlene-Monique

Are there any new artists you recommend we check out?

Sharlene-Monique is a great new artist who is also a part of the Kingdom Choir. She has a unique, soulful jazzy voice and her new E.P., Destiny, is definitely one to download.

Do you get much time to chill away from music? How do you unwind?

My wife and I recently had a baby boy; so much of my chill time at the moment is taken up with changing nappies and keeping him entertained. When there is a little quiet time we like watching movies.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

One of my favorites at the moment is Get You by Daniel Ceasar (ft. Kali Uchis). It’s my go to song when I want to chill and relax.

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INTERVIEW: Danielle Lewis

INTERVIEW:

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Danielle Lewis

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TAKING us through a peaceful Sunday…

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is Danielle Lewis, who speaks to me about her upcoming E.P., Live Forever. I wanted to know what inspired the work and how she got Cian Ciaran to remix the title cut. She tells me about the music she grew up around what sort of gigs we can expect in the future.

Lewis shares three albums that have impacted her and a favourite memory from music; what she wants to get accomplished before the end of 2018 – she recommends a new act we need to keep our eyes open for.

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Hi, Danielle. How are you? How has your week been?

Hello. I’m great, thank you. Rehearsing the live set with my wonderful band this week; ready for the release of my new E.P., Live Forever.

For those new to your music; can you introduce yourself, please?

I’m a contemporary Folk artist from West Wales and just started my record label, Red Robin Records, where I’ll be releasing my new music this summer.

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Live Forever, your new E.P., is out on 6th July. How does it feel having it recorded and ready to go?!

It feels surreal - but extremely grateful and excited. I’ve been working on these songs over a couple of years and took time out to evolve and grow at my own pace. I was very lucky to have met my producer Secondson, who’s been a wonderful mentor to me. He knew exactly what I wanted to create and gave my songs so much dignity.

Are there particular stories and moments from your life that go into the songs? Do you have a personal favourite from the set?

Each song I write always has an element of my personal past experiences; emotions I still feel and how I’m changing and growing in the present. I feel like a layer comes off every time. Live Forever holds a personal pain and a desire to be a better person (and have better people around me).

The eponymous track seems to be a bit of a standout. Is it true Cian Ciaran is remixing the track?!

Yes, definitely! My producer introduced me to him and he loved everything he heard. I’m excited about our collaboration. He’s an incredible musician and producer and will, no doubt, add even more depth to this track.

How did music arrive in your life? Which C.D.s and albums might we have found on your childhood floor?

Singing came naturally for me from a very young age: it was a craving to be on stage. I grew up listening to a mix of music, but my mother’s Country tapes and brother’s film soundtrack C.D.s stood out. The raw lyrics and epic orchestral backdrops must have instilled in me. If I have to name something, it’s Townes Van Zandt.

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Your voice is especially striking. Does it take a lot of training to get that sort of power and range?!

Thank you. I’ve only ever learnt from time and experience in how best to look after my voice and what suits me. I don’t like to push it out very loud and would rather focus on control and tone.

Are there going to be any tour dates coming up? Where can we see you play?

There will definitely be some live dates on the way. Make sure you keep up to date via my website and Facebook.

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If we came to see you live; what sort of set might we experience? Is the stage somewhere you love to be?

Performing is where it’s at for me. I like intimate spaces and I like big halls, so who knows. You’ll have to come and witness it for yourself. Ha!

Do you have any ambitions to fulfil before the end of the year?

Just to bring out this record - that I’m so pleased with - and take it on the road. I’m already writing new stuff, too.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I was introduced to living legend Tom Paxton at Folk Alliance International in Kansas City in February. There was a large crowd forming around us at the time taking photos and watching. He heard my new music then kissed me on the head. He was blown away and that was a lovely memory.

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Which three albums mean the most to you, would you say?

Linda Perhacs – Parallelograms; Cocteau Twins - Heaven or Las Vegas and Townes Van Zandt - Delta Momma Blues.

What advice would you give to new artists coming through?

Take your time. Take your time to find your strength as an artist; whether it’s in the voice, writing or playing (and build on that). Be gracious and say ‘no’ sometimes.

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IN THIS PHOTO: Pageants

Are there any new artists you recommend we check out?

Pageants.

Do you get much time to chill away from music? How do you unwind?

I always make time to walk in nature or by the seaside on daily basis. It’s definitely part of the job.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Townes Van Zandt (ft. Calvin Russell) - Waiting Around to Die.

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INTERVIEW: Adam Lanceley

INTERVIEW:

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Adam Lanceley

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I rarely have the chance to speak with artists…

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who have undergone trauma and come out the other side with huge positivity. Adam Lanceley suffered an horrific car accident as a child and was told he wouldn’t survive. Not only is he still with us but he is making exceptional music – I talk to him about the new track, The Train’s Gone, and his album, Epitaph to Innocence.

Lanceley talks about his love of The Beach Boys and what music means to him; whether he has any ambitions to fulfil before the end of this year; where we can catch him performing – he ends the interview by selecting a rather ace song!

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Hey, Adam. How are you? Can you introduce yourself, please?

Hello, readers and music fans! My name’s Adam Lanceley and I’m a singer-songwriter.

What can you tell me about the track, The Train’s Gone? What is the story behind it?

The first single from my seventh album, Epitaph to Innocence, is called The Train’s Gone. Unlike the other tunes on the album, this one and the final song, A Lover Like You, were written and recorded a few years ago in a different studio. I always think rather than explain to people what your songs are about; it makes them far more interesting if you keep a little bit of mystery behind them and let the listener decide what they think it means – so, check it out!

The song is from the album, Epitaph to Innocence. How did the album come together? How does it compare to your earliest stuff?

In this album, I hope you’ll be able to notice a progression in both the production and delivery - if you compare it to my earlier stuff. I am very keen on exploring new sounds and use of instruments to keep my music fresh.

Can you reveal what sort of music you respond to? What sounds did you grow up around?

It would be a lie to say that I’ve always been passionate about music. My taste, though, has always been ‘old-skool’ – going back to Roy Orbison and Elvis Presley. It was when I first heard The Beach Boys that my interest in music – particularly, my love for 1960s' West Coast music started to increase. I fell in love with their harmonies and brand of easy, feelgood music.  I used to love listening to stories about the California music scene from a close family friend who used to live with and drum for Sonny & Cher! Pretty cool, hey – in fact, he was even the percussionist on their smash hit I Got You Babe!

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You were involved in a car crash when you were ten. Can you tell me about it and what impact that had on your life?!

When I was ten, I had a severe car crash which I was not expected to recover from. Other people will tell me what an amazing recovery I’ve made but, to be honest, I don’t really think about it like that. When I get more reflective, though, I’m very grateful to have been able to have got where I am today - writing and playing my music.

How important is music to you? Is it a sort of therapy?

Music has always been both powerful and helpful to me in dealing with things life’s thrown at me.

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Have you got any tour dates coming up? Where can we see you play?

I haven’t got any tour dates planned at the moment, but I’ve got to get back into the London live music scene when I’ve dealt with a few issues; so, put your head around the door of the 12 Bar Club or The Fighting Cocks - or any of the cool venues and maybe I’ll be playing there!

Do you get chance to unwind away from music? How do you spend your free time?

For some people, sport is the most important force in life: for others, it’s something else entirely. For me, it’s definitely music.

What ambitions do you have to fulfil before the end of the year?

As far as ambitions go, I try not to get too carried away with them. I put enough pressure on myself anyway! I am going to try to start performing live again before the end of the year, though.

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What have been your fondest memories from your time in music?

Some of the most memorable times I’ve had have come from my time in music. Some of the outrageous situations I’ve found myself in the studio still make me laugh to myself! I don’t think they’d look very good in print, though! Hearing The Beach Boys perform live at Wembley Arena on their 50th Anniversary World Tour would have to be right up there as well.

Which three albums mean the most to you, would you say?

The three albums that mean the most to me, I would say, would have to be really thought-provoking, reflective ones: Pet Sounds (The Beach Boys), Bridge Over Troubled Water (Simon & Garfunkel) and Hotel California (Eagles).

What advice would you offer new songwriters coming through?

The advice I’d give to new artists coming through would be: if you don’t really love music do something else, because it’s hard work. But, if you do, then stick at it because there’s no more powerful vehicle.

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Which new artists do you recommend we check out?

I couldn’t tell you what new artists you should check out because I’ve been so busy recording this album lately. BUT, THEY ARE OUT THERE! Go and check out the venues near you!

How do you relax away from music? Do you get time to chill?

When I want to relax away from music, I tend to work out VERY HARD! It’s worth it for the endorphin rush!

Finally, and for being a good sport; you can select a song to end with and I'll play it here.

The song I would request is God Only Knows by The Beach Boys

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INTERVIEW: Me for Queen

INTERVIEW:

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Me for Queen

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THE music Me for Queen is putting out there…

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differs from anything I have heard! I have been speaking with her about the latest track, Loose End, and what its story is. She has been discussing her PledgeMusic campaign and funding the album of the same name.

I was eager to know which albums have influenced her most and what it was like recording in Portugal; how London affects her songwriting and outlook; whether female artists are seen as unequal and warrant more focus; whether she gets time to chill – the songwriter recommends some artists we should get our ears around.

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Hi, Me for Queen. How are you? How has your week been?

Lovely, thanks! I’m just back from nearly a month in Germany and am enjoying some time at home…

For those new to your music; can you introduce yourself, please?

Sure. I am a singer-songwriter and purveyor of ‘Soul-Folk’. I used to say ‘piano-led’ but the last two singles have been guitar-led so…

What can you reveal about the song, Loose End? What is the story behind it?

I wrote the song having thought I'd finished the album! Last in, first out…

I was just messing around on the guitar one afternoon then started singing the chorus then, about half an hour later, had finished it. I tried not to overthink it. Then, once I'd made a rough demo at home with drums/some backing, I really felt good about it and was singing it over and over again...so sent it on to Jim, my producer, then we booked an extra day to track it! Lyrically, it really seemed to pull together a load of things on the album as well; really satisfyingly and, basically, by accident, so I suddenly realised maybe I had an album title in there too...

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I was thinking about the Desiderata poem, for some reason, as well as this general time in life where I find myself and a lot of friends having the same conversations. It’s easy to sit fretting about what direction you’re headed in/whether you’re on the right track in whatever walk of life. Having left London and a ‘proper’ job, even though I’m far away from friends and family, I strangely feel more available, emotionally – and this song is sort of reaching out to anyone that is in that fretting space (myself included!). It’s about trusting that if you carve out a bit of space in your life to let your mind noodle, even if it feels scary, that is often where the good stuff lies.

It is taken from the album of the same name. I know it is being funded through PledgeMusic. What has the response been like to the campaign?

Great, so far! We’re nearly at 40% (at the time of this interview) and it will be open up until and probably beyond the album release in September. This is my third PledgeMusic campaign and they’ve all felt quite different but, every time, I’m amazed at the way PledgeMusic has found a place where patrons of independent music can find artists to support. I think it’s such a great resource.

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The songs were written back in Portugal. Does hearing the songs make you think of your roots and your family?

Just to be clear: I’m from Scotland, not Portugal! The adventure to Porto has been an experiment - we wanted to learn a new language and try something totally different for a while, with no distractions, and, a year later, here I am with an album!

How does London affect you as a songwriter? Is it a great city in terms of influence?

I loved living in London, but I feel like I can appreciate it more now that I’m no longer based there full-time. It’s such a buzzy place: you can’t not be inspired by it in some way. The record that feels most London-centric is probably Iron Horse, which is definitely set in a city (it’s a concept album about cycling) and I really like that. It feels part of a very distinct time and place.

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Many sites and stations are celebrating female artists and putting them in the spotlight. Do you feel like female artists are overlooked and need to shout louder to get attention?

Yes! In all sorts of ways, it still feels unequal. I’m glad at least it’s getting some more air-time with more public discussions - for example, recently, regards festival line-ups. I look forward to the day when I’m not described as a ‘female artist’ but maybe, for now, quotas are the only way forward…especially in an industry where so many of these decisions are being made by men; quite often, unconsciously. We all do it!

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Which musicians do you count as idols? Were you raised around a lot of different sounds?

At home, my dad would listen to and play lots of Blues stuff like Muddy Waters, Big Bill Broonzy...but there was a real mix. Through learning Classical piano and cello I listened to a real range of things; my parents were great at taking us out to see live music as much as possible. My brother introduced me to Jeff Buckley in my late-teens and that was an album I became quite obsessed with (Grace).

Also; I remember a friend from orchestra camp (yes, I was extremely cool) playing me the Lauryn Hill album (The Miseducation of Lauryn Hill) when I was thirteen and I was totally captivated. That led me to people like Aaliyah, Jill Scott/a more ‘R&B’ tip. So, yes, it was a pretty eclectic diet which continues to this day – I think it’s important to listen to as wide a range of stuff as possible.

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Are there going to be any tour dates coming up? Where can we see you play?

Yes! I’ll be playing a London show on 30th July supporting Tusks at the Camden Assembly as part of the Warchild concert series. Then, I’ll be touring the U.K. in September, finishing at 1000 Island in London on 3rd October.

Do you have any ambitions to fulfil before the end of the year?

My ambition last year was to tour Germany, which has happened this year, so I’m pretty pleased about that. I’m so proud of the album - I’m just looking forward to the tour and giving the record the best launch possible!

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

Oooh; I have lots - from over twenty years of performing (I started young…). In terms of life-changing musical moments, the songwriting workshop I did with Gretchen Peters two summers ago is pretty high up there. I talk about it a lot. But, it really was a total game-changer for me as an artist and as a person! I’m normally sceptical about these things but I did genuinely have a vision coming out of that – like a semi-religious experience. It was extraordinary and just came at exactly the right time; inspiring me to just keep on trucking. I know this all sounds slightly insane but that’s what happened.

Which three albums mean the most to you, would you say?

Björk – Post

Lauryn Hill – The Miseducation of Lauryn Hill

Jeff Buckley - Grace

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What advice would you give to new artists coming through?

Keep writing. Write and write and write. Be as hungry as you can whilst not letting anyone take the piss. Play as much as you can. Work hard and get out there and meet people.

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Are there any new artists you recommend we check out?

I don’t know what classifies as a ‘new’ artist. I love listening to the Fresh on the Net stuff, where I was lucky enough to be featured recently - there is SO much good stuff out there that doesn’t get enough airtime. Neither of them is ‘new’ but, this week, MELLAH and Kirsty Merryn sounded just brilliant on Tom Robinson’s most-recent mixtape.

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IN THIS PHOTO: Kirsty Merryn

Do you get much time to chill away from music? How do you unwind?

Music is quite all-encompassing, particularly if you are an independent artist. I’m currently in the middle of a promotion-heavy cycle with the PledgeMusic campaign having now launched - and with a single to promote, and tours to book; all of which I do myself. But, switching off and/or hiding my phone down the back of the sofa and reading a book is a good start. Or going for a swim.

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Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I recently discovered Will Stratton, an American artist who releases through Bella Union. My producer, Jim Wallis, has worked with him on his new record and I happened to catch his Celtic Connections show earlier this year and have since become completely obsessed with his song, Some Ride. I just think it’s so beautifully simple and eloquent.

At the peak of my obsession, I was listening to it around five times a day… 

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Follow Me for Queen

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TRACK REVIEW: Justin Nozuka - No Place in Mind  

TRACK REVIEW:

 

Justin Nozuka

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 No Place in Mind

 

9.5/10

 

 

The track, No Place in Mind, is available via:

https://open.spotify.com/track/6BYb8RVAVC8bAOx6H74CtK

GENRES:

Alternative; Folk

ORIGIN:

Toronto, Canada/Devon, U.K.

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The album, Run to Waters, is available via:

https://open.spotify.com/album/1mI50yWLjr9U0nxktpWrNs

RELEASE DATE:

18th May, 2018

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ON this occasion…

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I wanted to look at a few different aspects of an incredible songwriter. Before I come to look at Justin Nozuka’s latest track; I will explore Alternative and Folk movements that dissipate stresses and remind one of the greats; the Canadian market and why the nation warrants more focus and promotion; albums that mean the world to artists and get big support from fans; finding the right producer that can harness your sound and bring out the best – I will end seeing where Justin Nozuka can go. I have written about Folk and Alternative sounds before and, in every case, there is something different you can take away. It is hard to categorise Nozuka’s music because it has rougher edges that remind one of the stadium artists but there are gentler movements that have that acoustic bliss. What gets into the mind regarding Nozuka’s music is the fact it can take you to another world and transport one. I have heard a lot of gentler and calmer sounds that are fine on the paper but they do not really linger in the mind for too long. It can be difficult taking the volume down and making sure you grab a person’s ears. I often look out and think about the variety and what sort of music is around. I am more and more determined to embrace the artists who perform something soothing and calm the mind. Whilst there is some real entrance and beauty in Nozuka’s music; you get real emotional depth and lyrics that make you project and conspire. I have been listening a lot to artists like Nick Drake and Joni Mitchell: two of the Folk greats who, between them, managed to change and progress music. I feel there is still too much emphasis on Pop and the bigger sounds that are commercial and sound huge on the radio. There is nothing wrong with that but I wonder whether we do not commit enough of our time and energy to artists who have something real to say.

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You cannot say there is a lack of wonder out there but I think we all place too much prominence on commercial sounds and Pop artists. I will stop my bashing of the genre and move on – my real point relates to music that does more to the heart and soul. Whilst there are a lot of artists who can take the mood down and get the listener dreaming and drifting; Nozuka is someone who can bring real passion to the party. I will talk more about Run to Waters and the track, No Place in Mind, but there is a lot to unravel regarding his personality and ethos. I am trying to unpick and define his music because of the beauty and evocative spirit one gets from it. I have mentioned some Folk greats but, look around the scene right now and there are some great musicians who provide sensationally scenic and passionate music. None of them, to me, have the same blend of qualities as Justin Nozuka. As he progresses and makes his next steps; you look back and see how far he has come. I listen to the earliest cuts he released and it seems, where he is now, holds real meaning and importance. I will talk about his album and why it means so much to him but you listen to the songs and so much of his self and soul go into things. Listeners want to relate to a songwriter and understand who they are but they want to find music that makes them feel better and removes anxieties. You can find a common mind and someone like us (in the music) and when you hear the sounds unfurl; you are drawn into the picture and everything else seems to fade away. That medicinal and curative quality keeps you coming back and hooked on his music. Were he to throw in loads of electric guitars and drums then the impact might not be the same. It is the fact he has this seductive and calming quality that leaves the music in the memory for a long time to come.

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Although Nozuka is an American-Canadian artist; he is based in Toronto and takes my mind to the nation. I have written a lot about Canadian music and, whilst I have taken a small break, I am back there and looking at what is coming from the country. I feel we often get gripped with the American and British sounds but never really look elsewhere. Australia is a great country for music and we do not really look there a lot. It is a full and varied nation but, I guess, it is not quite as popular and exposed as it should be. Maybe we should spend more time there and see how many fantastic musicians are playing there right now. The same is true of Canada and there is no real reason why we should overlook the country. Australia is a long way away and there are not as prominent Australian musicians as there are Canadian. What gets me is the fact there is this clear wonder and variety around but we do not spend enough time with it. Toronto is a fantastic area for new music but, to be fair, the whole of Canada is capable of genius. I have been looking around the nation for a few years and, every artist I encounter, I get something unique and fantastic. The Canadians do things differently and put more into their music – compared to the U.K. and U.S. I am not sure whether it is something in the air but there is something wonderful about Canadian music. Justin Nozuka is one of those artists who take from the sights and sounds around him and differs from anything out there. Look at the music coming from Run to Waters and there is that balance of the personal and universal. There is a lot to deconstruct but you find a lot to relate to and take away. It is not a surprise to see another Canadian artist emerge and create music that remains lodged in the heart.

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PHOTO CREDIT: @culturefrenzy

I will move onto new aspects in a minute but I wanted to stay in Canada and see what is happening there. You can say the music landscape is the same and artists are, broadly, of the same mind. That is not true and, if you look at Canada, there is an identity and national spirit that is not like anything else. Artists tend to look at the past and uncover aspects others have not thought of. They are more impassioned and keen to connect with the listener; they are more innovative and are keen to touch people and make them feel involved with what is going on. Maybe other nations have those qualities but I am always drawn to Canada and what is coming from there. I feel we should all be more aware of what is happening and the terrific music emerging. Rather than solely stick with the U.S. and U.K., we need to be more broad-minded and discover all the terrific music available out in the world. Canada is a terrific country that constantly surprises me. Justin Nozuka is a terrific musician who has a big future – he will consider whether he wants to remain in Canada, I guess. I think the media pays a little attention to Canada but do they get as much exposure as the U.S.?! I am not suggesting he packs his bags but his music deserves big love and a wider stage. Nozuka has worked tirelessly to get his songs to the masses and making opportunities for himself. It is wonderful watching him grow and seeing how much music means to him. I hope the latest L.P. from him draws people to Canada and gets them looking at the nation’s wide and fascinating music scene. The reprieve of stresses and anxieties (in his music) makes you fall hard and stick with him. Nozuka is among an army of Canadian-based artists who are making changes in music and showing themselves to be future-ready stars.

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I will look at a song from Run to Waters that stands out to me but, before then, let’s look at the album and how it came together. 2014’s Ulysees was the last album from Nozuka and, since then, he has put two E.P.s to the world: High Tide and Low Tide. We have seen music from the album appear on both E.P.s and it has bridged the gap nicely. It has been a long creative process and there have been some developments and changes in his style since then. The 2014-released record was a success and showed what Nozuka was all about. I feel Run to Waters is a bigger and more ambitious work that explores new ground and sounds stronger. Nozuka has always been incredible and ambitious but he has crafted something that integrates all his past work and current curiosities into the blend. Nozuka created the album over a period of two years (and a few months) and was apologetic to the fans for the silence. Not a lot had been heard, in terms of albums, since 2014 and many thought he was dormant. What was actually occurring was that creative swell and process – putting out ideas and making sure they were as good as they could be. Nozuka thanked his fans for their patience and explained how he had the privilege to work with producer Chris Bond. Run to Waters was recording between Canada and England and seems to take from both nations. You have the landscapes of both nations working away. Canada is a nation we associate with snow and icier conditions; mountains and a vast vista. There is that coming out in the music but you get the cities and personalities of Canada working alongside things. The English part of the album relates to the pastoral beauty and the gentle countryside; the quaintness one gets and the bubbling streams. Getting these two worlds combining in one album is an extraordinary thing to hear, indeed!

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I am not surprised Nozuka took that long to record the album and ensure it was as good as it could be. Chris Bond has worked closely with Nozuka and ensured all of his talent and visions are realised as effectively as possible. The songwriter has been dreaming of the record for a long time and wanted to be sure it was worth the wait and would thrill the crowds. I can see where all that focus and attention has gone. You listen to the music and know how much energy and determination has been expended. I feel artists get pressured to release quickly and ensure their name is out there in the ether. You get this expectation upon the shoulders and feel a little strange. The market is hot and busy and so it can be daunting creating something quickly that means you remain relevant and fresh. Rather than rush-release an album and follow 2014’s L.P. with something that was not satisfying; Nozuka, instead, crafted a beautiful record that made sense to him and felt natural. You can look at the album every way you want and examine Run to Waters from various different angles. One can be forensic and dissect the songs but, when it all comes down to it, the music comes from the heart and has that instant, unforgettable quality. You are, as I said, calmed and hugged by the sounds but there is so much intrigue and colour running right through. I can imagine the creative process was gradual – experimentation and false-starts – but all the wait and time has been worth it! The fact Nozuka reached out to his fans and explained why there was a gap in release shows how much they mean to him – and how much music means to him, too. Finding the right producer can be difficult these days. There are so many options and it can be a gamble working with someone you are not familiar with.

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Maybe there is a long history between Chris Bond and Justin Nozuka but you get the feeling their association is fairly recent and there was that instant and mutual affection. Looking at Chris Bond’s website and, actually, he worked on both of Nozuka’s between-albums E.P.s. There is, then, that familiarity and understanding of what he is about. Rather than radically change the sound of his 2014 and create something too commercial and strange; Bond has brought new angles and ideas from Nozuka and strengthened his work. He has produced for Eliza Shadadd and Tom Speight. His record is pretty impressive and he has had the experience of working with a broad range of artists and learning a lot from them. Whilst there are differences between what Eliza Shadadd and Justin Nozuka are throwing out there; the common denomination is their authority, passion and quality. Chris Bond has worked tirelessly on Nozuka’s latest album and the two have created this understanding and friendship. I hope they work together in the future because you can detect a respect for one another that means the music is neither compromised nor one-sided. Both have equal say and there is a terrific balance. The music is fresh and has polish but not enough so the soulfulness and beauty is washed away. I am not a big authority when it comes to producers – and why certain ones stand out from the pack – but I am familiar with Chris Bond’s work and what he is all about. The man has years’ experience and has been with Justin Nozuka for a little while. Many artists are self-producing and guiding themselves but I feel there is a lot to be said about researching and working with a producer that can bring in some objectivity and outside guidance. You only need listen to the first few seconds of No Place in Mind to know the record has been worth the wait. I am reminded of Folk greats and the best of the current market.

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I will look at the record, and standout track, soon but I wanted to look at where Nozuka can head and what he is capable of. The artist is reaching out to fans and, as the album has been out for a few weeks, he is touring and promoting heavily. Once the dust has settled and the record has done its work; you wonder where he is going from there and whether there will be other songs. I guess he will record again next year and spend the remainder of 2018 touring and reaching new people. I often see artists who have early promise and lose their spark a little way down the line. It is disappointing seeing musicians lose that edge and fade away a bit. Justin Nozuka has a strong start to life and has evolved and strengthened over the past few years. His latest album is his strongest work yet and shows he wants to remain on the scene for a long time to come. There is a lot to love about his music and there are elements that other songwriters do not bring into their work. I feel Nozuka could succeed if he remained in Canada but I wonder whether he will move to the U.K. or U.S. I am not trying to dictate but the music he is putting out there deserves a wide an audience as possible. Let us see where he goes and how the next year plays out, shall we? I am keen to watch him grow and determined to stick with his music. You get so much glory and beauty coming from the music; there is an entrancing and addictive quality that means you come back and keep listening. I have seen and discovered a lot of musicians but there is something about Justin Nozuka that leads me to believe he can be around for many more years to come. Let us get down to business and look at a cut from his latest album: the terrific No Place in Mind.

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Listening to the finger-picking and bouncing strings and one is reminded of Nick Drake. I get little elements and suggestions of Pink Moon (Drake’s third and final studio album) – with a bit more lightness and breeze coming through. The notes conspire and tangle; the mind looks out into the natural world at fields and streams – you have that physical and instant sense of exploration. When the hero comes to the microphone; his voice has that combination of feather-light and grave. You have a stern sense of caution but there is a wistfulness and desire to wander the land. He is heading off with no place in mind and gets some air. Maybe there has been some hard times and stress before him: he is looking to erode that friction and discover a calmer climb. The vocals are instantly graceful and stunning; you are buckled by the softness and nuance that emanates from every breath and word. The delicate and velvet-soft voice leads the listener through the song and you feel as though you are walking alongside Nozuka. The guitar remains gentle and unobtrusive but adds a lot of direction and emotional candour. The hero has no destination in his mind but he has a pack on his back and is strolling down by the river. Maybe there is no crisis and turmoil that needs to be combatted. You never feel like Nozuka is stretched and looking for a salvation. He is determined to clear the head but, rather than escaping demons and denying the truth; the man is looking for inspiration and needs to breathe. I guess every musician feels pressure at some point and needs that space to get perspective. Rather than project woe and bring the listener down; Nozuka is inviting them in as he observes trees hanging and recalling fond memories. There are embers of Classical strings and something elegant working in the background; Nozuka’s vocals are layered when the song rises and the song grows and blossoms like a flower.

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What strikes me is how calm and controlled Nozuka sounds. He is painting these scenes and explaining how trees and sights along the way make him think about old summers and times past. At every stage, you are imagining and wondering where the song will head next. Nozuka’s vocal can go from touching and gentle but is capable of projecting real punch and rush. The man skips rocks in the river and jumps into the inviting waters. Drums come in and create occasional waves; there is that mirroring of the lyrics and the physicality of the song is impressive indeed. The beauty of nature and the banquet of colour keep those dark days at bay and carries the hero through the rubble. I mentioned how there is not that anxiety and need to escape in the song: maybe there are ghosts that have not left and these wandering adventures are here to banish the blues. The more the song goes on, the more you escape and submit to its beauty and teasing touch. Justin Nozuka is one of these singers who can lull you in and affect your soul but carries emotional weight and has so many contours engrained. The entire experience is fascinating and enriching. Although, in my mind, No Place in Mind, is the best track from Run to Waters; it sets up the album and tells you what is to come. I have listened to the song a few times over and there are new revelations that come through every time. For me, personally, I found a lot of relevance in the song. You can approach a track like No Place in Mind as a pure form of release – nothing personal but the beauty and entice can unburden you – or take something away from it. Whatever you do with it; I suggest you listen a few times and see how various lines and notes unfurl and sprout through time. Justin Nozuka has crafted a terrific song that warms like the sun but tempts you into a cooling dip by the river. The scents, sights and sounds of nature come through and it is impossible to listen to the song and not be taken away and affected.

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Justin Nozuka has seen his music played on T.V. shows in the U.K. and has a solid fanbase over here. No Place in Mind is a track that has been out a while and gained a lot of traction on streaming sites. I have been following his work for a little bit but there are so many years ahead of him and I would urge everyone to jump onto the wagon of Justin Nozuka and follow where he goes. It is a great time for him and, with a new album out, there are new eyes coming his way. The Toronto-based musician has worked hard on Run to Waters and it has been the result of hard labour and a lot of love. Working with Chris Bond; the talented musicians has put his all into the music and wants people to connect very strongly. You listen to other tracks on the album like Hourglass and Heavy Stone and you can take something away with you. Although the eleven songs are from Nozuka’s heart and have personal relevance to him; each listener can interpret the songs and find something familiarity in there. I have connected with the songs and really found something to bond with. That is the mark of a truly great songwriter: someone who can be honest and open through music but ensure every listener is involved and part of the process. I will leave things here but hope everyone gets out there and catches Justin Nozuka’s music. I am not sure what his tour plans are – and whether he will come to the U.K. – but keep an eye on his social media pages and keep abreast of the latest happenings. There is so much going on – and much to love – and I know Nozuka will be a permanent fixture in the music industry. Run to Waters might have taken a while to get to the people but, when you listen to the songs unfold and remain in the mind, you know all of that time and focus has been worth it. Sit back, open your eyes (and mind) and watch Justin Nozuka…

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STEP out into the world.  

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Follow Justin Nozuka

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FEATURE: The Barefoot/'Paul Is Dead’ Conspiracy Theories Were Wrong... Why Paul McCartney’s Genius and Relevance Will Never Fade

FEATURE:

 


The Barefoot/'Paul Is Dead’ Conspiracy Theories Were Wrong...

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PHOTO CREDIT: Getty Images 

Why Paul McCartney’s Genius and Relevance Will Never Fade

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HIS first solo album in five years…

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IMAGE CREDIT: Getty Images

will be released on 7th September and is getting people chatting and sweating – Egypt Station has a fascinating title and its lead-off double A-side, I Don’t Know and Come on to Me, have been unveiled into the world. The single’s songs, between them, show the hard-pushing and kicking Paul McCartney and the more tender and romantic songwriter. The record itself will contain sixteen tracks and include bookended instrumentals, Station I and Station II. There will be epic songs (Despite Repeated Warnings) and contentment (Happy with You); the music, according to McCartney, is like moving between stations/destinations and exploring different landscapes. Given the way McCartney protested in the U.S. recently – regarding gun violence and the need for stricter control – one cannot help but see political anger and societal observation in the titles and motifs. A lot of the wordplay and resonance stems from older McCartney work and, in many ways, it is a nice reminder of why the former Beatle has been able to stay in the public bosom for so long. 2013’s New was met with critical acclaim and showed fresh innovation and the need to look ahead – compared to more wistful and backwards-looking albums that came before. A few years down the line and there is a balance of contemporary relevance and a sojourn through his back catalogue. Many will see some Beatles-like strands and familiar touches.

That has been the case, I guess, with most of Paul McCartney’s solo career. Look at McCartney – released in 1970 – and one could detect the leftover sounds of The Beatles. A couple of new revelations and news stories have sparked a fresh desire for McCartney and what he has to offer. He was interviewed by Matt Everitt on BBC Radio 6 Music and talked about his latest album and how excited he was to get going. Everitt posed to McCartney and interesting question: whether he is good at self-editing and able to see through all the positivity and celebration. There are few who would call any McCartney music sub-standard, and so, the master has to look at his music and whether it is the best version of himself. Even at the age of seventy-six; there is no slowing the living legend. The interview with Everitt showed why Paul McCartney can never leave the heart and captivate the masses. He comes across as endlessly friendly and revealing; able to chat about The Beatles and his new life; witty and self-deprecating when he needs to be. In many ways, the current-time McCartney is not too different from the Beatle we all adored and cherished back in the 1960s. Rather than go through the annals of The Beatles – I will write a Beatles piece later in the year to celebrate the fiftieth anniversary of their eponymous album – I am delighted there is new material coming.

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IN THIS PHOTO: Paul McCartney recording his album, Egypt Station/PHOTO CREDIT: Sam Rock for DIY

Not that I can claim any credit but I have a knack of wondering when certain artists are going to release more material – why such a gap?! I did it with Royal Blood (a regret I still hold) and London Grammar; I did it with Florence + the Machine and The Avalanches. I cannot claim any psychic ability – nobody can, for that matter – but I can sense when certain artists are about to brew and release new music. Maybe that is not the best superpower to hold – as opposed invisibility, super-human strength of the ability to bring four women to simultaneous climax – it does mean I can get an impression of how that artist has been thinking and working. Paul McCartney didn’t need to rush and get an album out double-quick: New was released via Virgin EMI in the U.K. and Egypt Station will come out through Capitol. The man can choose labels and take his sweet time to get the material just-so. I was fearful we would not see another McCartney release before, well…you know…but the man is back and releasing again! What we have already heard of Egypt Station suggests the Liverpool icon is in top form and showing the rest of the music world how it should be done. I guess political events around the world, especially the Trump-led U.S., have seeped into his consciousness and compelled new ideas.

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PHOTO CREDIT: Joe Schildhorn/BFA/REX Shutterstock

One of the reasons I feel a 2018 Paul McCartney album is a great thing is because the big guns of music, largely, have not delivered. The finest records of this year so far have come from artists that get less attention than the big stars – it is down to the Wings lead to save the day and prove why he has remained essential and beloved since the early-1960s. Not only has McCartney written some of the finest songs of our lifetime; he gives so much to the people and, in response, there is that love and worship. When he was speaking with Matt Everitt; you were sucked in by his voice and the playful language he used. The effect you get hearing him discuss old endeavours and ventures make the heart skip a beat – God knows what it must have been like being in the same room as him! I predict McCartney’s seventeenth solo album will be one of the very best of 2018 – guaranteed to rival all the most-hyped and critically-lauded records! I am not one to cry at music – only when accompanied by projectile vomiting and disgust – but seeing McCartney join James Corden on his Carpool Karaoke almost brought me to tears. Say what you want about Corden – most people do and hold unwarranted hatred towards him – but the man has helped create one of the finest televisual/musical moments of this year.

I am not a fan of the feature myself but there have been some editions that have justified the acclaim and spotlight (Stevie Wonder appearing, for one!). Nobody would ever expect Paul McCartney to appear on it, right?! Not only did he drive around Liverpool but he played a low-attended and surprise gig at the Philharmonic pub in Liverpool. The small collection of punters was agog when they witnessed McCartney stride onto the small stage with his band in tow! The legend rattled off some old favourite – including Back in the U.S.S.R. and Hey Jude – and got people singing and dancing. Corden joined McCartney on stage for the finale, Hey Jude, and there were visible tears on the cheeks of those witnessing a true moment of history! How often will that ever happen in our lifetime…I would suggest this is a once-only event that many would love to have witnessed. To see Macca in such an intimate and charming setting will remain in the memories of those who were there for the rest of their lives! During the Carpool Karaoke segment; McCartney explained the origins to some of his songs; the pair drove through Liverpool and there was that wistfulness from the ageing musician. He fondly recalled writing a segment of A Day in the Life in a small house – where he ran for the bus and was late (we all remember that part of the track!) – and waxed lyrical about his former bandmates and coming up with ideas that would lead to unbelievable songwriting.

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IN THIS PHOTO: The cover for The Beatles' final (in terms of recording) album, Abbey Road/PHOTO CREDIT: Getty Images

There is a bittersweet aspect to the recent attention paid to Paul McCartney. It is sad knowing that, in not too many years, he will not be with us and we might be seeing some of his last recordings. As much as we’d like to see McCartney continue for decades; time marches on and we cannot hold onto him forever. Whilst it sounds rather morbid; there is plenty of energy in him and the man wants to keep putting music out into the universe. I still remember hearing The Beatles’ music for the first time as a child and being stunned by this new world and strange language. It was the most evocative and memorable moment of my childhood and I always plump towards the early sounds the boys put out (1962-1965) because of that energy, sense of growth and simplicity. The Beatles developed and evolved but, at every stage, Paul McCartney kept coming up with staggering songs. Whilst some of his solo, post-Beatles work has not been golden; we can forgive him as he has given the world so much wonder and brilliance. I am a huge fan of all The Beatles’ albums and love their film work, too – A Hard Day’s Night is one of my absolute favourite flicks!

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IN THIS PHOTO: The Beatles in A Hard Day's Night (1964)/PHOTO CREDIT: Getty Images/Press

McCartney exudes a modest and sense of utilitarianism we could go with running this country! He may have left Liverpool decades ago but he still knows his roots and can bond with the common man with absolute ease! There are musicians who have an ego and are willing to distance themselves from the people who make them what they are: Paul McCartney has a love for the public and, in return, there is a huge passion for him. His eyes have crow’s feet and there are shadows cast overhead. He talked to Matt Everitt and some of the songs on his latest album look at age and bad moods – the man is capable of being human and reflecting the same stressed and worries we all have. We need those songwriters who understand us and can write songs that strike the collective chord. This has always been what Paul McCartney is about: in 2018, he still reflects our desires and speaks for us. The past week or so has been amazing and seen the Beatles icon capture new minds and bring fresh material into the world. McCartney, as he said in the interview, has problems like anyone else. Whether you are President Obama (or the former President…) or John Lennon; we all have our demons and we can talk about it. With Paul McCartney by our side and putting music out into the world; we all feel less alone and have the feeling we can achieve anything…

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IN THIS PHOTO: Paul McCartney recording his album, Egypt StationPHOTO CREDIT: Sam Rock for DIY

WE put our minds to.

FEATURE: Spotlight: FiFi Rong

FEATURE:

 


Spotlight

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PHOTO CREDIT: @stefanoboski, @mr.focu ‬⠀  

FiFi Rong

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SOME artists release a few things here and there…

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PHOTO CREDIT: @jamikelatif

and that is about it! You wait for ages and, before long, they get around to releasing material. That is never the case with FiFi Rong. She is about to embark on a crowd-funding campaign for her latest E.P., The Crown. The work tackles power-play and ego; machinations and divisions – topped with all the usual excellence and innovation we would associate with Rong. I have investigated her music a few times and, with each new move, you get something different and fascinating. Whether it is an icier and moonlit coda or a fierce and vibrant slam – the electronics and sonic textures she weaves are delectable and supreme. One thinks of artists such as FKA twigs and Björk when listening to FiFi Rong – her music occupies a similar ground and you get that blend of physically intense and gorgeous. Whereas her Icelandic peer looks more to the natural world and building her own world; Rong seems to collect from her surroundings and fuses all these elements together – like a hungry and agile explorer casting and surging into the world. There is going to be a lot of interest with her upcoming E.P. and I would expect a lot of people to get behind it. It is another extraordinary development and move from an artist who continues to rise and make her way through the music world.

Go back to her Forbidden Desire EP and there is something teasing and yearning in songs such as Holy and You Hurt Me. Go back further to 2015’s Violently Silent EP and you get five unique tracks: from the stomping and rushing Slow Poison to the more elegant and seductive Since When. I will end the Spotlight feature by collating a playlist of her songs and how she has transformed in the past few years. 2017’s The Same Road and The One explore new ground: the former has a racing Pop mandate that fuses with Electronic suggestions and Alternative cuts. There is something almost island-themed and Reggae-like regarding The One. It sweats and slowly struts its way through the scene in a way I have never heard from Rong. There are so many different sides to the exotic and quixotic FiFi Rong. Look at her 2013 album, Wrong, and you have all that confidence and variation right from the off. The choice track, in my view, is Hurt Outa Sudden. It is a juddering, mysterious thing that mixes Portishead, Björk and a world of music into a bubbling cauldron and lets it simmer. There is no denying how brilliant Rong was as early as 2013. Although her music brings in more light and range now – she has mutated and brought in greater width – you cannot deny the originality and sense of direction she sported back then.

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PHOTO CREDIT: @stefanoboski, @mr.focu ‬⠀

I am excited to see what she comes up with on her new E.P. and whether she reverts to the darker world and more nervy sounds of her earlier work or continues with the sort of thing we heard on this year’s Awake – an E.P. that showed breeze, breathy vocals and a melting of positive Pop and edgier sounds. Horizon, from the E.P., is one of the best things I have ever heard from FiFi Rong: it moves through motions and stages and, whilst the lyrics grab your ear and whisper into your mind; the composition stutters, jabs and runs in all sorts of directions! The sheer passion and love Rong has for the music is what captivates. She is not conforming and aligning herself according to marketing zodiac signs and label demands: what she puts out is done in her own way and she only moves to the beat of her own drum. Alongside the music itself, you get fashion, style and innovation. Rong is someone who can take care of every stage of production and has a great knowledge of production and music technology. She is as interested in the workings of machinery and technology; how various sounds and effects can emphasise emotions and introduce vivid imaginations. Although there is other personnel on her work; the control and influence exerted by Rong herself mean there are fewer hands picking and pulling away – the music does not suffer and sounds more natural and free because of it.

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I have mentioned a few other musicians – each of them is known for creating their own identity and standing out from the pack. FiFi Rong’s Asian background goes into her look and music. You have the fusion of Eastern designs and makeup; that translates into her music and you get a great flavour of Asia. Alongside this is a U.S./U.K. combination that makes Rong a fascinating and eye-catching proposition. There is immense beauty and sexuality in her work; a subtlety one moment that goes to rapture and ecstasy – that seamless unity of the delicate and passionate makes her such a force in the industry. The images one gets from her social media accounts certainty grabs the brain and gets into the soul. She mixes up her images; from black-and-white shots that contain smoke and beauty to colourful and bright-lit shots that show that explosive unification of East and West. In an age where few artists are regularly providing change and images; it is nice to see Rong take an offensive outlook and showcase her talent regarding imagery and music. The way FiFi Rong engages with her fans and has that connection is another reason to gravitate towards her music. She is a complete artist and somebody who makes every effort to push boundaries and defy the odds. I have featured Rong a number of times but keep coming back because her world and music gets bigger and stronger.

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PHOTO CREDIT: @parisseawell

One could look at highlights and which period of FiFi Rong’s career is the best. It is impossible to limit your views and get to grips with the enormity of her work. I love how she has changed and the way her music continues to pick up new ideas and keep the audience guessing. Big radio stations and musicians are backing her music; there is no denying the brilliance of her design and how keen her ambitions are. The Crown is going to be a much-anticipated release and one I am really looking forward to. Rong has travelled around the world and is attracted to different people and cultures. Like fantastic innovators – modern-day geniuses like Damon Albarn – Rong looks around her and brings worldly eclecticism into one place. Her stock and world is a fascinating place and one everyone should be involved with. I shall leave things here but urge people to keep their eyes cast her way – the rest of this year is going to be intense and exciting. There are few artists out there like FiFi Rong. Surrender to her magic and let the incredible forces of nature get into the blood and do their thing! She has been around for a few years but there are many more years left in her. It is scary to think how far along she will be in a couple of years, even. If anyone was primed and ready to take her music to the mainstream and mix it up then it is FiFi Rong. When you listen to what she is producing right now then you have to think that moment is…

RIGHT around the corner.

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Follow FiFi Rong

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INTERVIEW: Anna Aaron

INTERVIEW:

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Anna Aaron

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FROM a couple of U.S. artists…

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I am hopping over to Switzerland to speak with Anna Aaron. She has been telling me about the single, Why Not, and whether there is going to be an E.P./more singles coming before the end of this year – I was interested to know what sort of music and sounds inspire her own.

Aaron talks about meeting Sophie Hunger and its impact; what the scene is like in Switzerland at the moment; whether there are gigs coming up; which new acts we should be aware of – she tells me whether there is any time to relax away from music.

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Hi, Anna. How are you? How has your week been?

Hi! I'm great, thanks; I hope you are too. We released a new song on Friday and the video for it is coming next - so it's been a busy week but it's going great.

For those new to your music; can you introduce yourself, please?

My new album is about my childhood which I spent with my family in Asia. I tried to find out which parts of my imagination and inner-images are influenced by those memories and to somehow translate it all into songs. It's like building a dream-world, because it's not inspired by the actual thing it refers to but by the thing as it exists in your personal memory. To explore those fields, musically, can be very interesting.

What is the story behind Why Not? How did it start its life?

Why Not was one of the first songs I recorded at home alone. I was working on the new album with my brother in his studio but continued writing new material parallel to that. I never really meant to share the song because I thought the lyrics made me too vulnerable emotionally but, at some point, it leaked out to a few of my friends and I realized it seemed to touch a nerve so I finally decided to get it mastered and it ended up on the album.

Is there going to be more material coming this year? What are you working on?

Yes. There is a lot more material coming. We will release two more singles before the end of the year - then the album - and then I'll probably just continue releasing songs because I've been writing a lot.

You are a Swiss musician. Is there a big music industry in the country? How easy is it getting noticed?!

I think, among other musicians, it's not so hard to get noticed because the community is very enthusiastic and supportive - and everyone is interested in what everyone else is doing, which is nice. However; I guess I'm referring to more of an underground scene here. The ‘official’ music industry is a different story. If your sound is a little more uncompromising or adventurous it's next-to-impossible to get airplay, for example. Switzerland is so small it gets swallowed – we just listen to what's big in the neighbouring countries or in the U.S.A.

Tell me how you came to meet Sophie Hunger – one of the first people to really connect with your music. How important is she to your success?

I was recording demos on my mother's computer and uploading them to the internet. One day, Sophie Hunger found them and I still vividly remember the sentence she wrote on my page: “Ich verspüre das Bedürfnis diese Musik aufzuessen”, which means “I feel the urge to eat this music”. She was not yet as internationally known as she is today but was becoming an underground cult celebrity in Zürich so, obviously, I kind of lost it when I saw she had been listening to my songs.

She introduced me to her management a few months later and they offered me a contract. Sophie lives in Berlin now and is releasing a new album soon. She still means a lot to me.

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What sort of music did you grow up around? Was there a specific point where you knew music was what you wanted to do?

I think the point when I achieved the self-confidence to call myself a musician was when I realized my work was developing a life of its own and it was leading me somewhere. It suddenly became this firm, stable thing that I felt I was able to lean on. I knew from then on it was good enough and real enough to always support my personal identity.

Can we see you tour this year? What gigs do you have coming along?

My drummer and I are preparing to play some shows in Switzerland and Germany till the end of the year and the full tour will start when the album is out.

Might you come and play over in the U.K. at all?

I definitely hope so!

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What do you hope to achieve in 2018?

I'm teaching myself to become better at producing so hopefully I can make some progress this year and finally become a professional nerd.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

My favourite memories related to touring and recording are the funny ones – for example; I sometimes still laugh at the jokes we made with David Kosten and Ben Christophers when we were working on my second album. They have a silly and ridiculous humor; I was literally crying with laughter at times. Or, one night in the Czech Republic our tour bus was extremely dusty from the road and, when we came back to it after the show, someone had written on the windshield with their finger: ‘I wish my wife was this dirty’. It's the silly little memories that stick.

Which three albums mean the most to you, would you say?

Agape – Agape/Love – Love by Popol Vuh; Loveless by My Bloody Valentine and In the Aeroplane Over the Sea - Neutral Milk Hotel.

What advice would you give to new artists coming through?

Try to teach yourself as much as possible; it's so easy nowadays with the Internet. Your sound will retain so much more of its purity if you shape it on your own as far as you possibly can.

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IMAGE CREDIT: HEX

Are there any new artists you recommend we check out?

I recently heard a band play live that blew my mind; they're called HEX and they're from Geneva. ASBEST, another band whom I love, was also playing at the same festival. They recorded their debut album in the U.K. a few weeks ago.

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PHOTO CREDIT: Emilie Zoé

Do you get much time to chill away from music? How do you unwind?

I have never-ending to-do lists at the moment so the times I actually get to sit down and focus on music really feel like getting to be alone and do what I want. I don't feel the need to unwind from music. When I come home from touring, though, I just sleep for three days.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Thanks! My friend Odd Beholder's song, Coins! “If you wish upon a well/you cannot drink the water”

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Follow Anna Aaron

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INTERVIEW: Alex Riddle

INTERVIEW:

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Alex Riddle

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BASED out of Houston, Texas…

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Alex Riddle is in a great place to get his terrific music heard and appreciated. He tells me about his upcoming E.P., Snow White, and which song from the collection stands out from the rest – he tells me about being compared to the likes of Jeff Buckley and The National.

Riddle chooses some new artists to get excited about; which albums are important to him; if there are any gigs booked in the diary at the moment; whether we will see him in Britain anytime soon – he ends the interview by selecting an incredible Bob Dylan cover.

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Hi, Alex. How are you? How has your week been?

Great, thank you.

For those new to your music; can you introduce yourself, please?

I’m a singer/songwriter from Texas. My music tends toward the eclectic but people regularly bring up names like Jeff Buckley and The National when they hear me. I am happy with those comparisons.

Snow White is your new E.P. What sort of themes inspired the songs on the E.P.?

Oh, you know, the classic ones: life and death; war and peace; crime and punishment. 

Is there a song from Snow White you would select as a highlight?

Probably Snow White, the song. It has great performances from the band and a pretty catchy chorus to boot - which I hear the kids are into these days.

How do songs come together for you? Do you set time to write or do you wait for inspiration to hit?

Where do I get my ideas? There’s not one way they happen...

Sometimes a song will hit me all at once. Sometimes I’ll finish writing it months, even years, after the initial inspiration hit.

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Which artists do you count as influences? Did you grow up around a lot of music?

My influences are all over the place: I don’t try to emulate anybody in particular. What I do, really, is whenever I hear something that really grabs me, I try to figure out what it is about that thing - whether it’s a chord change or a vocal riff - that has that effect on me. I guess you could say that’s my principle for taking in influences.

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You are based out of Houston, Texas. What is the music scene like there at the moment?

Houston has tons of talent, but it’s spread over too great an area. The sprawl is aggressive and it affects the culture. 

Can we see you tour this year? What gigs do you have coming along?

With any luck, I’ll hit the road for a bit after I release the album that I’m currently working on.

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Do you think you’ll come to the U.K. later this year?

I would love to come to the U.K. - have somebody from the U.K. gimme a call.

What do you hope to achieve in 2018?

A full-length album is in the works. I’m very excited about those tunes. 

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

Playing House of Blues for a music festival in Houston was very fun. I’d been going to concerts there since I was a teenager. It was a trip playing the same stage where I’d seen people from B.B. King to St. Vincent.

Which three albums mean the most to you, would you say?

Chris Whitley and Jeff Lang — Dislocation Blues

The Eastern Sea — Plague

Joanna Newsom — Ys

What advice would you give to new artists coming through?

Play out of town at regular intervals - not just every now and then.

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IN THIS PHOTO: Buck Meek

Are there any new artists you recommend we check out?

Check out Buck Meek’s new solo record (he’s the guitarist from Big Thief and a fellow Texan).

Do you get much time to chill away from music? How do you unwind?

I read Trump’s tweets. There’s just something very soothing about them.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

How about a tune from one of those albums above?

Chris Whitley and Jeff Lang - Changing of the Guard

This is actually a cover of a much-overlooked song from Bob Dylan’s 1978 album, Street Legal. Chris Whitley and Jeff Lang give Dylan’s rocker a subdued urgency which, to my mind, captures the true spirit of the song. Frankly; everyone should know about Changing of the Guard

Honorable mention: The Eastern Sea - Wasn’t for Love

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INTERVIEW: Kris Angelis

INTERVIEW:

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Kris Angelis

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THE majestic Kris Angelis has been telling me…

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about her incredible single, Photobooth, and whether there is more material coming later in the year. The American songwriter talks about music arriving in her life and how she spends her free space and time; whether awards and plaudits (she has received) propel and influence her – she discusses gigs and whether she’ll come to the U.K.

Angelis provides advice for new artists and talks about her acting work; whether there are some new acts we should keep abreast of; if there are any ambitions she wants to fulfil before the end of the year – she ends the interview with a rather cool choice.

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Hi, Kris. How are you? How has your week been?

Hi! I’m busy; busy trying to get everything done involved with putting out my new E.P. My week was fun. I went up to Seattle to film an interview and performance for a show called Band in Seattle. Everyone on the show was great and I used to spend a lot of time up there and lived in the area for about a year - so it was fun to be back and the weather was gorgeous!

For those new to your music; can you introduce yourself, please?

Hello! I’m a Folk-Pop singer/songwriter. I was born in Gainesville, FL and spent my childhood on a farm outside the city with horses and cows and a bunch of my family all living on the farm! Then, we all moved to Carmel, CA where I started acting in plays and eventually moved to Los Angeles to pursue acting and music. I have a cat named Ilean because her adorable little head is always tilting a little left-of-center due to an ear infection when she was a kitten before I adopted her. I talk about what I like to do other than music later on.

Photobooth is your new single. What is the story behind it?

It’s based on a fun night that I thought was finally going to be the beginning of something but it turned out to be the end. It’s about saving those moments and not letting them become tainted by how they turned out or ‘what could have been’. I thought it was an interesting and relatable concept how we can have such fully-formed emotions and imagined futures captured in a moment and then all that’s left is the photo.

It seems there is a personal edge and some emotional memories attached to the song. Was it hard putting the words together and casting your mind back?

Not really. I had thought about those images and memories a lot and had processed it so by the time I was forming them into a song; the lyrics came easily and it wasn’t emotionally hard to go there - especially because that song is more about the happy moments that were caught in the photobooth than the way it ended up.

How do you feel you’ve progressed as an artist since your beginning? Do you feel more confident now?

I absolutely feel more confident now! When I first started, I was terrified to co-write because I was afraid of what the other person would think and now I love co-writing. I still sometimes say things that don’t work - but so does the other person and that is why we co-write. Two minds can more quickly decide what works and what doesn’t and the things that don’t often lead to the great stuff! I also used to be so scared to sing in front of people. I would shake and barely be able to make a sound, so it still kind of amazes me that I do this! I’m not saying that I don’t still have insecurities or things I want to get better at (or try differently but that’s good).

 We need to feel some discomfort to grow.

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PHOTO CREDIT: @shilohstrong

Are you working on other material at the moment? Will we see more before the end of the year?

Yes! I actually just completed an E.P. that Photobooth is the first track on. It’s called Pieces That Were Stolen, and it’s set to come out on August 3rd. I’m also hoping to put out a Christmas E.P. and possibly another covers E.P. - but that might be at the beginning of next year.

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Your music has won awards and you are a celebrated songwriter. Does that recognition and plaudit drive you forward and keep you aiming high?

Yes! It definitely helps to have that outside encouragement and recognition. I’ve always aimed high but I think every little win makes you believe that the big ones are possible and, regardless of winning, you can learn a lot and get seen by more people from being part of competitions. Throwing your hat in the ring is a huge step and a win in itself.

Which artists did you grow up listening to? Who do you rank as musical idols?

I grew up listening to my parent’s records: The Beatles, the Eagles; The Platters, The Archies; Elton John, Nat King Cole; Garth Brooks and Classical like Strauss, Tchaikovsky and Mozart. Then, I started discovering music for myself and the biggest one that really launched my interested in learning harmonies and making music was Hanson. I’m still a fan and go to their shows when they come to L.A.! My bass player is actually their bass player now!

I also listened to Dave Matthews, Rufus Wainwright; David Gray, Queen, Elvis Presley; Creedence Clearwater Revival, The Monkees; Tom Petty and so many more that I’m going to kick myself for not mentioning - and then the other artist I discovered who was a huge catalyst for me in my own songwriting was Brandi Carlile. Since then, I also look up to Ingrid Michealson, Damian Rice; Ray LaMontagne, Katie Herzig; Gregory Alan Isakov, Regina Spektor; Rachel Platten, Rachael Yamagata and, most recently, Jeff Hahn to name a few.

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How does your acting work and performance skills mix and blend with your musical expression?

People have always told me that I’m very expressive on stage. I guess maybe I should watch videos of myself to see exactly what that looks like other than some pretty intense faces sometimes! I guess it’s probably due to a lot of training I went through with the Physical Theater Conservatory and company I’m an original member of, Not Man Apart. We did a lot of work on grounding and using your whole body. Also, I suppose, the experience of being on stage, telling stories and getting feelings across to an audience comes through when I’m singing as well.

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I try to just experience what the song is for me and connect with the audience and hopefully they feel it in whatever way it’s resonating with them. That’s what I love about music and songs: they can have so many meanings for different people and even for the same people at different times.

Can we see you tour this year? What gigs do you have coming along?

I will be on tour all over Germany, put on by Songs & Whispers, from August 21st to Sept 23rd. I am hoping and planning to do some touring in the U.S. before the end of the year and that is still in the planning stages.  Coming up, I have a couple of shows at Hahn Winery in Soledad, CA on July 1st and Aug 5th…and my big C.D. release/birthday show is on July 21st at the Hotel Cafe at 8 P.M.! You can get tickets for just $10 here.

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Might you come to the U.K. and play here?

I have played in the U.K. before at the Edinburgh Fringe festival and I really want to come back! I might be able to get over there after the Germany tour.

Do you have any ambitions to fulfil before the end of the year?

My goal is to sell out the Hotel Cafe show on July 21st and to get my E.P. on the Billboard Heatseeker Charts. I’m hoping to get a lot of pre-orders and downloads in the first week to make that happen! I also really want to go to Italy; just to go there and eat delicious pasta.

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PHOTO CREDIT: @shilohstrong

Have you got a favourite memory from your time in music – the one that sticks in the mind?

There are a lot of wonderful moments but some of my favorite times have been when I was busking at the Edinburgh Fringe festival with my twin sister. We sing melodic songs with harmonies and an acoustic guitar so, while most of the other performers could not do their shows in the rain, that was our golden time.

We would sit out along the wall of St. Giles Cathedral with an umbrella and I guess it just went with the environment of rain and lights shining off the wet pavement - and people would stop huddled under their umbrellas and listen. We had over fifty people gathered around in the rain sometimes. I couldn’t believe it! It felt magical and intimate and honest.

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PHOTO CREDIT: @shilohstrong

Which three albums mean the most to you, would you say?

Oh, wow...that’s such a commitment!

Going along with the stories of the artists who influenced the sparking of my musical career the most, I guess I’d have to say the first albums I heard of those artists: Middle of Nowhere by Hanson and the Acoustic E.P. by Brandi Carlile (along with her eponymous debut album) Those were formative and I still love them! 

Is it weird if I say my own first album The Left Atrium for the third one? Since the question is which ones mean the most, that is true. That album was extremely personal and the first time I picked myself up and did all the planning; was very hands-on with the musical arrangements, promotion etc. and it was a huge personal accomplishment and a big step in my career.

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What advice would you give to new artists coming through?

Write as much as you can - it doesn’t all have to be perfect and amazing.  Keep going. Try new things; be resourceful, persistent and polite. The ones who succeed are the ones who are left. Surround yourself with positive people who are doing what you want to do. Read and listen to music business books and podcasts.

Look up Ari Herstand’s book.

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IN THIS PHOTO: Paris Carney

Are there any new artists you recommend we check out?

Crimson Calamity, Lyndzie Taylor; Paris Carney/O’Neil Hudson (she has two projects with different names and both are great!); Dree Mon; Jon Bryant. These are not NEW but if you haven’t heard of Gregory Alan Isakov, Katie Herzig or Jeff Hahn, you should!

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IN THIS PHOTO: Jon Bryant

Do you get much time to chill away from music? How do you unwind?

I don’t know if it’s really unwinding because I get competitive (in a friendly way) but I love playing games with my family and friends. We play running charades, Pandemic Legacy and D&D. I just got the Game of Thrones Settlers of Catan which I’m very excited to play once I finish all the prep work for getting the E.P. out. I’m going to get a little break soon for 4th July (our Independence Day) and I’m going to go up to Northern California and breathe the fresh air; go to the beach, drink wine among the redwoods and laugh with friends.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

How about I Was Born by Hanson. I think most people haven’t heard anything of theirs since Mmmbop and they’ve been making great music ever since then - with I Was Born coming out just last year. It’s my jam when I’m feeling like I want to take on the world and it would be awesome for other people to hear it and get uplifted, inspired and pumped too! (That or Muscadine (or Wine and Whiskey) by Jeff Hahn - so beautiful)

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Follow Kris Angelis

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INTERVIEW: NOIA

INTERVIEW:

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PHOTO CREDIT: Carlos Viani

NOIA

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I have been speaking with the talented Canadian duo…

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NOIA about their album, Maybe Forever. Ashley and Eduardo select their favourite songs from the record and tell me how they got together; what the music scene is like in Montréal is right now – they reveal touring plans and state whether a trip to the U.K. is a possibility.

The guys tell me about their D.I.Y. approach to music and what equipment they used to record Maybe Forever; if they get time to escape away from music; some new acts we need to get our ears around – they end the song by selecting some fine cuts.

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Hi, guys. How are you? How has your week been?

Hi! It’s been great! We just played a really fun outdoor show and the day before we were interviewed by a local radio. Other than that; we've been enjoying the summer here in Montreal!

For those new to your music; can you introduce yourselves, please?

To quote our bio: “Part dance-rock, part electro-pop, Montreal indie duo NOIA is the fruit of the creative collusion between musicians Ashley Long and Eduardo Noya Schreus”.

Your L.P., Maybe Forever, is out. Are there particular themes that define the album? What was it like recording it?

For this specific album, there are no themes in particular that could be singled out. In terms of recording the album, it was a fun/hard and interesting process that took place over quite a few winter months. The vocal/guitar/bass recordings took about a week; then we spent another week in Miami mixing with our friend Reuven Amiel.

Do you each have favourite cuts from the record?

Eduardo: Save Yourself.

Ashley: A tie between Too Much Attention and Ding Ding.

I believe the album was a D.I.Y.-made thing where you took care of every stage. Can you describe the sort of equipment and spaces that brought the songs to life?

Both were crucial for the inspiration on this album. We started using hardware because Ed was feeling more and more turned off with D.A.W.s (digital audio workstations.) Our hardware consists of a sampler, a drum machine and three synths. The touch of real equipment and the learning process that accompanied it refreshed everything. The other 50% was getting a jam space, which allowed us to play very loud and actually feel the sound vibrations better.

To be standing up while creating makes a big difference in contrast to making music sitting down in front of a computer. We loved it so much that we began going every day! Even when other bands were scheduled, we would wait and go late at night.

How did NOIA get together? Ashley and Eduardo. When did you meet one another?

We met through a cat (haha!). This is how we always start the tale…

We had a mutual friend from whom Eduardo adopted a cat, the wonderful El Niño.  Ed mentioned he was interested in finding a female vocalist to go in a new direction with his project, which was solely instrumental at the time. She recommended me (Ashley) and it all took off from there. He contacted me and I immediately liked him and his music. We instantly clicked, played one of our first shows at Rojo Nova - a cultural festival in São Paulo, Brazil - and the rest is history!

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PHOTO CREDIT: Carlos Viani

Is Montreal a great area for creating music and finding influence?

Montreal is definitely an awesome place to make music. Finding influence is a bit harder when you want to broaden your scope because scenes are quite insular here but, if you really make the effort, you can find so many different kinds of music in this city.

Where are you heading on tour? Where can we catch you?

We are actually going to start working on that very soon. We were very busy wrapping up everything for the release of this album: our first album! Ed has been focused on scoring music for a couple of French T.V. series (Versailles and Philharmonia), so we’ll hopefully get out on the road once he’s all wrapped up!

Might you head to the U.K. and play this year?

That would be amazing, especially since we have often been told that our music would fit well in the European music scene. We’ll let you know as soon as we confirm any U.K. shows. Can’t wait to play there in the near-future!

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What do you hope to achieve in 2018?

We’re working on writing and recording our next album which we hope to have ready for release later this year - and we’d like to play as many shows as possible because it’s so much fun!

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

One of our mutual favourite memories was an illegal show here in Montreal that was organized by good friends of ours. It was a huge rave in an abandoned city tunnel where hundreds of people were losing their minds (in a good way). Halfway through our set, people were so hectic we almost had our equipment knocked over. Haha! Everyone’s energy was amazing and the space was really, really cool. Soon after, we were voted Cult MTL’s #1 Best Electronic Act which we suspected (but still have no proof!) was a result of that show…

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If you could support any musician alive today, and choose your own rider, what would that entail?

Eduardo: My friend Michael Lucas, an amazing drummer who currently plays in a Berlin-based band called Rabia Sorda, among others; Peruvian ceviche and San Pedro cactus.

Ashley: ALL OF MY AMAZING MUSICIAN FRIENDS!  Popcorn and mango lassi.

What advice would you give to new artists coming through?

Believe in yourself! Never forget that it’s all about having fun AND mainly be genuine: don’t emulate anybody else’s music.

Are there any new artists you recommend we check out?

Our friends Gabriel Vigliensoni, Colin Jenkins; Dengue Dengue Dengue and, if you like video stuff, Justine Durand and Max Hattler.

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IN THIS PHOTO: Dengue Dengue Dengue

Do you get much time to chill away from music? How do you unwind?

We do not unwind from music: Ed works on music scores during the day and we jam normally at night. Ashley is studying illustration among other things. In our free time, we love camping, travelling; bike trips, surfing and skateboarding!

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Ashley: Mort Garson - Baby's Tears Blues (I secretly call this ‘The Plant Detective’ in my head whenever I hear it. You’ll see why…)

Ed: Lou Miami - Dancing with Death

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Follow NOIA

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INTERVIEW: Kasai

INTERVIEW:

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Kasai

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THIS weekend is a varied and interesting one…

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that is for damn sure! I have been getting to know Kasai better and ask about the extraordinary album, Guns to Shoot. They tell me about the album’s themes and how the songs came together; how the band themselves all found one another – I ask whether there are any gigs on the cards.

I learn which new artists we should seek out and whether, in the mind of Kasai, Rock and Alternative is healthy and making a comeback – the boys each select a song to end the interview with.

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Hi, guys. How are you? How has your week been?

We are fine, thanks. A pretty good week working on a new batch of songs together at our bassist’s flat.

For those new to your music; can you introduce yourselves, please?

We are Kasai and we play genuine, old-school Rock ‘n’ Roll: so; a simple four-piece setup with screamy vocals….and the occasional, with much reluctance from Jay, second guitar on some songs.

Talk to me about Guns to Shoot. What are the themes and ideas that influenced the songs?

Mostly, personal stuff which is irrelevant to everyone else. We like the listener to make up his/her own theme or story to our songs.

Is there a cut you’d each select as a highlight from the record?

Benzo: We talked a lot about what is our favourite and, usually, we can’t agree. I think one track - which is little special touch for all of us - would be Run.

Jay: Mine would be Guns to Shoot, Rose and Run…

Jack: Yeah; Run - although I’m pretty happy with how most of them came out.

How did Kasai get together? When did that spark come?

When dinosaurs ruled the earth (circa 2003); Jack and Jay started Kasai (or ‘The Juice’ as we were previously known as). I think we both were (just) bored with our lives and the life choices we had made. But, we had ideas that we could make into songs. So, we hooked up, started a band and, many lineups later, we are Kasai - with Benzo and Rich.

Although…we could be a real-life version of Spinal Tap with our live music experiences (smiles).

How does a Kasai song come together? Do you all pitch in or do will someone take a song and bring it to the band?

It’s a bit of both, really.

Someone brings an idea which can be a short riff and then the band builds a song. Or, someone could bring in a 90%-ready song and we just put finishing touches to it. The discussions could be very zen and peaceful to a full-on heated argument about where a song should go. But, we enjoy it nonetheless - apart from when Jay sulks. Jay’s sulks can last for weeks.

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Usually, they are resolved when one of us buys him a lolly; ruffles his hair and tells him that we do still love him. He just needs to work on his behaviour, sometimes. He then wipes the snot from his nose; we have a cuddle, agree that Jack is right and move on.

Jay: I just want to say, I’m not happy with this response (sulks).

Do you think Hard-Rock and Alternative sounds are struggling right now? How do you stand out from the pack, would you say?!

If you’re not one of the big bands from the '80s and '90s then, yes, it’s really hard to get a crowd for yourself because the dynamic has changed. We think grass-roots live music is struggling generally as people don’t venture out too much - and we talk about this in our song, Get Out, which is the first track of the album.

How do we stand out? Honestly; we don’t do anything special. Our music is honest and that has taken us to the U.S., India (yes…you read that right) and to the Middle East to play shows. I hear we have some fans (maybe, one) in Japan, too. I think one of the things that have improved us over the years is focusing on enjoying what we are doing as much as possible. We all get lost in the music we play. We have a lot of respect for each other as musicians and jamming together is a bit like a mini holiday from all the boring stuff in life.

Once upon a time, we cared a lot more about how we looked, what our image was supposed to be; how to improve our stage presence etc. Retrospectively, we think giving a s*it about that stuff probably made us worse. It is much more fun now and we like to think that comes through in our music; particularly live.

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Where are you heading on tour? Where can we catch you?

We play in London normally and our next gig is at The Islington (in Angel) on 14th July. We are also excited to be playing the Big Red (Holloway Road) on 21st September with our mate Jamie Sloane’s (from Whisky Blood) band. We want to do a few festivals (if offered a last-minute slot) but we aim to play in the U.K. and some venues around Europe generally.

Is the stage where the music comes alive would you say? Do you all love the thrill of performing?

Definitely. I think there is a magic of playing live no matter what the genre. But, for us, playing live to a live audience is brilliant.

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What do you hope to achieve in 2018?

Some more exposure for our album, Guns to Shoot. I think we have a great album and the lack of exposure is a killer: it is, unfortunately, about ‘who you know’ rather than ‘what you can do’ in the industry.

Having said that…we’ve already started to work on our next project so this year is going to be exciting.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

You don’t normally remember the best ones. Perhaps one was when some Dutch Osho Rajneeshs (yes, the Wild Wild Country ones) approached us when we did a gig in Pune, India (in 2009) saying we reminded them of Led Zeppelin and that we should play at The Ashram. We wanted to but we had another gig to play so we passed.

But, they came across as cool people.

If you could support any musician alive today, and choose your own rider, what would that entail?

Musicians we would love to support: we would say Clutch, Guns N’ Roses; Slash, Derek Trucks; Q.O.T.S.A. (Queens of the Stone Age), Foo Fighters and Led Zeppelin etc. etc.

Rider? Too long a list to type here - but most of it is for Jay…

What advice would you give to new artists coming through?

1)      Don’t do it to become famous – and…

2)      All members of your band should learn a DAW as it helps with the writing.

3)      Don’t be a c*nt. There really is no excuse.

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IN THIS PHOTO: BearWolves

Are there any new artists you recommend we check out?

Two bands which are no more really: BearWolves and Bad Mother Earth. There was also an American band called Astro Van from Seattle, Washington. We played with when we were touring the West Coast and they were brilliant.

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IN THIS PHOTO: Bad Mother Earth

Do you get much time to chill away from music? How do you unwind?

I Think music IS the chill away from life. Bence likes to stick his willy in a toaster while reciting The Lord’s Prayer. He says it focuses his 'chi' - the weird bastard.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Jay: Down in the Flood - The Derek Trucks Band

Benzo: Touch My Blues Away (Live) - Jessy Martens and Band

Jack: Milkcow’s Calf Blues - Eric Clapton (awesome cover of an awesome song - play the original, too).

Rich: Grace - Jeff Buckley

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Jay: Can I just say, on behalf of the band, thank you, Sam, for your time in interviewing us. All of your readers can download our music for free for a limited time…

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Follow Kasai

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FEATURE: The June Playlist: Vol. 4: Macca’s Back in Town

FEATURE:

 

The June Playlist

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 IN THIS PHOTO: Sir Paul McCartney 

Vol. 4: Macca’s Back in Town

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THERE are some weeks…

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IN THIS PHOTO: Tash Sultana

where you get a consistent stream of great songs and others where it is quite weak – nothing stands out from the pack, it seems. This week balances smaller, less-startling cuts alongside big songs from the likes of Underworld (and Iggy Pop), Tash Sultana; Kanye West and Nile Rodgers (and CHIC) – a certain Paul McCartney has released a double A-side (I have included Come on to Me).

It is great to see the Beatles legend back in action and releasing incredible material – ahead of the release of a new album, Egypt Station – and show the music world how it is done. Sit down and enjoy his contribution, and many others, to a varied and talk-worthy week of music.

ALL PHOTOS (unless credited otherwise): Getty Images/Artist

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Paul McCartney – Come on to Me

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Her – Icarus

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Darwin Deez – Queen of Spades

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PHOTO CREDIT: @TomBeard86

Florence + the Machine – Big God

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St. Vincent – Fast Slow Disco

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Underworld (ft. Iggy Pop) – I’ll See Big

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Kanye West - Violent Crimes

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Lil Xan & Charli XCX - Moonlight

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Kimba x Dawn – Version of Me

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Beach House – Black Car

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Father John Misty – God’ s Favourite Customer

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Nile Rodgers & CHIC (ft. Mura Masa, Cosha and Vic Mensa) – Till the World Falls

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All Saints – Love Lasts Forever

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Amen Dunes – Believe

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NAO – Another Lifetime

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Pumarosa – Lions' Den

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Gorillaz (ft. Snoop Dogg, Jamie Principle) – Hollywood

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Meghan Trainor – All the Ways

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PHOTO CREDIT: Dara Munnis Photography

Tash Sultana – Salvation

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PHOTO CREDIT: Paul Hampartsoumian/Shutterstock 

Mobb Deep – Boom Goes the Cannon

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Years & Years – Palo Santo

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Bebe Rexha – Knees

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Kamasi Washington – Connections

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Nine Inch Nails – Over and Out

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Ariana Grande (ft. Nicki Minaj) - the light is coming

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Lizzo – Boys

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PHOTO CREDIT: Dan Kendall Photography

The Magic Gang - All That I Want Is You

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Marshmello – Rooftops

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Demi Lovato - Sober

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6LACK – Switch

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Tom Walker – My Way

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Halsey (ft. Lauren Jauregui) - Strangers

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Otzeki - Angry Fix

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Tessa Violet - Crush

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Big Spring – New Wave

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Elley Duhé – LOST MY MIND

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Feeder – Just the Way I’m Feeling

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Charlotte Lawrence – I Bet

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Jaden Smith – GHOST

TRACK REVIEW: Elena Ramona - Electric Love

TRACK REVIEW:

 

Elena Ramona

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Electric Love

 

9.4/10

 

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The track, Electric Love, is available via:

https://soundcloud.com/elenaramonaofficial/electric-love

GENRES:

Pop; Alternative

ORIGIN:

Surrey/London, U.K.

RELEASE DATE:

14th June, 2018

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I realise…

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PHOTO CREDIT: @MichaelSweeney

one of the pledges I made for my blog was to look only to new artists. By that, I mean those I have not featured before: many might recognise Elena Ramona and the fact she has featured here a few times. I am making very few exceptions but, when it comes to her music, she acts as an example of someone who continues to seek new excitement and explore new territory. I will come to her new song, Electric Love, very soon but, before then, I want to address music that makes its way beyond the speakers and laptops; artists who have come a long way and continue to expand their horizons; 1980s and the sounds of the decade coming back into modern music; a need to move into a wider market and broaden views; Pop and why it is shifting and split at the moment – those who have the passion and dedication to go all the way in the business. I will look, first, at Elena Ramona and how she has come a long way. I have heard her music played on T.V. shows like This Morning and now, with Electric Love, it is being heard in Superdrug stores. That might sound like a minor achievement but it is one few songwriters can claim. Not only do many thousands of people know her music and have heard it played; up and down the country, we will hear her new song filling our ears. In a competitive and busy industry; there are so few slots and chances for artists to get ahead and earn that sense of wonder. Elena Ramona has that rare honour and is being taken to heart by those in T.V. Couple that with retail backing and you have a nice spread and diverse portfolio. The reason I wanted to raise the point was to examine how much has become a little insular and anonymous in some ways.

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PHOTO CREDIT: @MichaelSweeney

We all listen to what we love and, unless we interact at gigs, how often do we bond over music outside of social media? I feel we are conversing less and the act of discussing music is less physical and social. It is strange we have come to this but I know there is a way through it. Getting music played in shops and on the screen means viewers and consumers can directly interact and share their feelings; we see music reach that wide remit and it is taking songs away from streaming sites and out into the open. It shows artists like Elena Ramona have an adaptable and eclectic quality that is appealing to radio stations, producers and fans alike. I feel a spot on a daytime show or being played in a national store is a great way of transitioning to films and bigger T.V. shows. Who is to say, a few months from now, a big producer and company will not be overlooking Elena Ramona: they will knock on her door and ask if her latest cut can be used on their show. I can see that happening and know it is only a matter of time before she gets right across the nation. I have heard many people getting their music played on shows like Made in Chelsea – that may not be her cup of tea… - but it is another layer of exposure and big kudos. I feel film and entertainment is where the songwriter’s work will sound best. I can see her songs backing some great independent film or accompanying a comedic moment, perhaps. I have followed Elena Ramona since the start and her music keeps on changing and building. She is able to write something stirring and emotional and, on her next release, it will be a funky and danceable jam. She is determined to get her music beyond the comforts of home and touch as many humans as is possible. That is an impressive and ambition feat from an artist who has man more years ahead of her.

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One reason why she has managed to endure and set her horizons is the variability of the music itself. I will examine Electric Love and its motions but, look back, and you see the different colours she has worn. The first few songs Elena Ramona released were fantastic and dealt with personal subjects. Whether tackling a lying boyfriend or paying tribute to her father; these songs were from her heart and showed a songwriter who was willing to change her game and not produce the same song every time. I have seen her stride out and incorporate fresh elements with every release. Look at where she is now and there is that natural confidence and intuition. The music is more positive, lyrically, and it seems her heart and head are in a happier space. Of course, there will be bad days and normal heartaches – of romance and personal realms – but the young talent is projecting summer tunes and feelgood vibes right now. In any case; we are seeing such ability and strength come from the music. Elena Ramona was never nervous and unsure but I am noticing leaps and bounds come from her. She is still in her twenties and, as she moves through her career, I wonder where her music will take her. Right now, there is that mix of Pop and Soul but I wonder whether other genres and sounds will come to play when she gets further down the line. That will be interesting to see and I know people will love whatever she offers up. I am seeing a few artists quit and limit their scope; they are retreating or playing it safe with music. Many feel the way to remain is to copy others or play in a very commercial/unambitious wheelhouse. That might seem logical to some but, to me, those who succeed and endure are the ones who take risks and transform.

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Every new Elena Ramona song has her blend of qualities and D.N.A. in them – there is a distinct stamp and sound one can associate with her. What one gets is fresh endeavour and motivation from someone who is able to step into any territory she feels fit to explore. Not only does Elena Ramona have a voice that could belt out a big Pop song or seduce when singing tenderly; she loves to write about a number of different subjects and does not want to be pinned and honed. It is easy to see why people are falling for her music and why it is getting into some very important hands. Music, being busy and competitive, means each artist needs to think big and how they can make a success of their careers. It is all very well having big dreams and striking high but you need to be able to execute it and create something original. People can see through artists who mimic and feel it wrong to show individuality. I know there will be more material from Elena Ramona and one wonders what she will create on her next offering. She is more alive and desiring than she has ever been. One wonders how long it will be until she is standing on some big stages and getting her music to some huge crowds. The reason I make this declaration – or ask the question – is the sensation one gets from the songs. You are part of the process and have something physical and immediate. The songwriter wants people to get together and talk about her music; those who do not move and feel connected to Electric Love need to get themselves checked over! All of the energy and physicality one gets from her latest single is part of a plan from someone who wants to play a bigger role in the industry. She is setting her sights on success and reaching as many people as is possible. I know that achievement will take a while but she is making all the right moves and creating some incredible movements right now.

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I will chat about Pop and why there are dangers and joys in the sector but the 1980s, oddly, comes to mind. A lot of artists are putting the decade’s music into their own – many might claim that has been the way for a very long time! Some see the 1980s as a jokey and minor time that offered little beyond big hair and commercial Pop. We forget all the brilliance that was around there and, with artists putting the 1980s into the modern day, there is new appreciation and fascination. Not everything from the 1980s is great: there was some rather dodgy Pop and some movements (like New Romantics) had some bad moments. What was great about the 1980s was the variety we had then and some of those terrific and fun Pop-makers. Look at icons like Madonna and Kylie Minogue – and those around them – and we have artists who have endured for decades. I feel we are bonding with 1980s-inspired sound is the fun and sense of nostalgia that we get. There is a beguiling quality and strange energy that we feel and, just short of getting the mullets back out; we have that link to the past and a, well…something that is lacking in many songs. By that, I mean (the 1980s-inspired songs) take us back to the decade but updates the sound. Those artists who are borrowing from the 1980s are not lazily repeating and not adding their own touch; they are presenting their own version and taking it in a new direction. It is not only the more commercial Pop artists of the decade the likes of Elena Ramona are inspired by. Look at the decade as a whole and what was happening then. You had the division of chart Pop and bigger bands who were less concerned with commercial success. We had so much happening and a variety of tastes and sounds playing alongside one another in the decade. More and more, artists are taking guidance from the 1980s and marrying it with modern production.

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PHOTO CREDIT: @MichaelSweeney

I will move onto a new consideration in a minute but I am compelled to look at the 1980s and why we are hooked on it. The 1990s, of course, plays a bigger role in modern music but I am glad we are not overlooking its predecessor decade. It can be risky taking from that time and making it fit into our times. There was some real cheese back then and I am not sure many would be willing to hear something like that now – there is a reason it is dated and unable to exist now. Listen to Electric Love and there is not an overt and explicit take on the 1980s: what we get are suggestions of the Pop from back then and the sort of joy and giddiness that defined the biggest hits. I wonder whether people are looking around modern music and considering whether optimism and uplift are being removed. Many bigger artists are introverted and creating songs more personal and emotive. It is great to write like that but, when you get that in spades, it can be quite exhausting and samey. I am always on the look out for music that provides scintillation and energy without seeming shallow and predictable. That is a tough challenge but, when it does happen, it gets you in a better frame of mind and does something wonderful. In another sense, there is a new generation coming through who are not being raised on music from the 1980s. They are being brought up listening to modern stuff and might be unaware of what came before. New artists are bringing the 1980s back to the fore and ensuring the best of the decade is kept alive! In the case of Elena Ramona; she is exploring new ground and showing how adaptable she really is. There are Pop artists who are willing to do that and continue to seek: others are less capable and that is causing some troubles in music.

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IMAGE CREDIT: Ben Couzens

There is a new album out that is causing divisions among critics. I shall not name it – it is from an American Pop artist – but her latest work has been given some four-star reviews and some rather poor ones, too. Some claim the music is vacuous and filled with trite observations and songs that have no soul and depth. Others claim there are anthems and modern Pop numbers that stand the test and get into the brain. It is weird seeing how different people can have such diverse and polemic views. It shows that Pop is not immune to interpretation and demands. I think there are a lot of modern artists who try to write something catchy and nuanced and, rather than do that, come up with something hollow and misguided. It is tough making something that gets into the head and brings something new to the game. Pop is a genre that has its critics and always struggled to find widespread acclaim. There are so many artists who produce trite and sugary music that does nothing to the head or heart. Rather than be troubled and feel we need to do something about it; it is best to celebrate those who are giving the genre a good name and providing their own take. British Pop, I feel, has a different flavour from that of the U.S. The nations have their natural stars and they have their own style. Look at Elena Ramona and I get the impression she takes a little from U.S. Pop/R&B and some shades from British Pop. It is a nice balance and cuisine that reminds one of the 1980s but keeps your head right in the present. The music she is writing walks that tense line of familiar and personal. Rather than write lyrics that are cliché and ill-defined; she is penning words that get into the brain and conspire repetition but have depth and edge to them.

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PHOTO CREDIT: @MichaelSweeney

Her sounds are quite sharp and sassy and she tops that off with big vocals and plenty of heart. With Elena Ramona, you get the sweetness and vanilla-cool vibes; plenty of tease and allure with plenty of body and tang. It is a heady and exciting brew that makes for fulsome and long-lasting music. Elena Ramona has kept her ear to the ground and gauged what people want and who people are responding to. There are some bad Pop artists and those who make music for charts and those who do not really have deep and excellent tastes. Instead of go for something simple and commercial, her latest gem is a more ambitious and personal song that challenges the head – it moves the body and mind at the same time. I wonder whether there is a new romance, or old dream, that compelled the music to come alive. We can all relate to the views and lines that are laid out in the song. Not only can we bond and understand the song but there are so many different elements fizzing and working away to intrigue future listening. I wonder whether Elena Ramona will go into R&B/U.S. territory for her next song or look to the 1990s for inspiration – maybe something E.D.M.-inspired, perhaps?! The world is hers and you can sense a young woman who does not want to settle and conform. Those who venture and look around them are always going to reach a wider remit. You have those who want to remain limited and not stray too far from what they know. That is all well and good but I wonder how much artistic satisfaction you get. Elena Ramona wants her music to get as far as possible and reach new people every day. I feel there is something to discuss when it comes to her future and where she might head.

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PHOTO CREDIT: @MichaelSweeney

The songwriter is based in the South and has an official website out right now. She is building her arsenal and planning more music. I can see the sparkle in her eyes and hear how much music means to her. Local radio performances and chats have come out and she has built a great name for herself. What I would like to see if the songwriter gets around the country and take her music further. Being based where she is; there is not a hugely varied and successful music scene. There are a few Pop artists and good bands but it is pretty quiet and unspectacular when you think about it. Look to London (rather than Surrey) and you have much more choice and choice coming from the place – much cooler, credible and successful. The people are nicer and more ambitious there and a bigger platform for musicians to play. I know Elena Ramona has played London dates but I feel that is where she needs to set her views. Even if she does not move there – I would advise she does in the future; to get the opportunities she needs – the sheer scope of venues and crowds means she cannot deny the draw. Many financial constraints limit touring but she is someone whose music can be taken to heart by those in other nations and continents. Getting out of the local mindset and thinking bigger is crucial. Every new song gets her stock rising and shows she is in this for the long haul. Her arresting voice and original songs are making their way up the country but I would like to see the artist look more to London and the bigger cities. International touring is a future possibility and, to get there, that London acclaim needs to arrive. She has the ammunition and talent to carve out some territory in the capital. I wonder whether she might consider some more dates up there by the end of the year.

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It is all well playing locally but, if the country/town has a limited scene and does not produce many big artists – and has very few good venues – then that can cause an issue. I can see Elena Ramona get to bigger cities and tour in places like the U.S. Her music has that accessible and familiar quality that can translate and cross borders pretty naturally. I want to see her get her body out there and attack these cities. She has done a lot in her local area but there is a big world waiting for her. Eclectic Love is a song that warrants a big platform and could thrill a willing crowd pretty much anywhere. She has a collection of great songs under her belt and would be able to produce a great set for the fans. Consider areas like London and Brighton; Manchester and Glasgow and she could enjoy a great reception and find good success. She is one of the most promising acts out there at the moment and I know how hard she works to get her music heard. Right now, as she has a fond following and great sound; taking things that bit further and thinking bigger is essential. I can envisage Elena Ramona being a national artist who will tackle big festivals. 2018 has been a busy year for her and, looking ahead, the doors are opening before her. The fact so many stations and people are reacting to her music means she is striking a chord and doing something right! She is business-minded and very smart; there is that willingness to adapt and bend; she has knowledge of the industry and passion to succeed and remain. All of these ingredients and chemistry means she could create a huge bang and do something sensational. 2019 will be a vital year and one where we might see an album (I feel she is ready) and the young artist travel around the country and get her music to the masses – maybe some foreign dates would be involved.

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Elena Ramona’s latest track comes out of the traps with chatter, vivaciousness and plenty of light. You hear some voices mixed and fast; there is a great sense of confidence and electronic strobing that fuses into the skin and excites you. I was hooked from the off and followed the song closely. The heroine is seduced by a smile and seems to have fallen for someone. Maybe it has been a rather hard road to lust and love but there is someone in her mind that she cannot forget. She is hypnotised and it seems this love is forever – I wonder whether it is a man being looked at or someone from the past; a friend maybe. As you decipher whether romantic passion or loyalty are being looked at; you are attracted to the bass and electronics; you get a mixture of Pop and Disco; some little shades of Rock and Soul melting into one another. Maybe the vocal, at times, is a little low down in the mix – the composition getting more attention than the voice; it can drown some of the words – but it is the way the vocal plays with the music and leads it that is fascinating to see. Elena Ramona can work in any genre and is able to create truly fantastic music. She has that affinity and knowledge that means she can step into 1980s-inspired Pop and make it sound completely natural. Electric Love is that simple celebration of something pure and unadulterated. You get impressions of the weather – a thunder that remains under her beating heart – and a joy from the heroine. Rather than look at love and affection in a small and ordinary way; there is this heightened and dramatic tone that builds images and big visions. You get the sense this romance is heating up and there are some issues lurking underneath. Maybe it has been challenging getting to this point or some obstacles along the way.

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PHOTO CREDIT: @MichaelSweeney

What is obvious is the sense of desire that is working away and how fulfilling this love is. The chorus has that big 1980s hit that pumps and vibrates; it pushes and dances with wide arms and a huge smile. You are caught by the chorus and are taking back in time as you do. The heroine cannot get enough of this electric feeling and does not want to escape the feeling. The listener is sucked into the song and cannot help but move their feet in time to the music. The sunny vibes and energy that comes from the track mean many festival-goers would love to hear it. Electric Love has that outside sensation and openness that could get the crowds singing and bouncing together. There is a whoop and changing electronics; the song mutates and goes through stages as we follow the story. At every interval, there is that fascination and joy that keeps smiles on the faces and the body motivated. It seems like the hero has been on her mind for a long time and this moment is the coming together. Never salacious and explicit; there are tease and tension that creates a palatable rawness. The heroine desires that touch and satisfaction that seems to have been missing from her life. You listen to the song and see that balance of simplicity and complex. The chorus has that charm and catchiness that lodges in the head: the verses explore the story and provide more language and possibilities. When they are brought together, you get a full and intriguing song that we can all take something from. As the weather is hotting and things are getting sweatier; the sunshine and seductiveness you get from Electric Love seem like a perfect soundtrack! It is another accomplished and confident offering from a songwriter who is determined to change the music industry and nestle herself among the very best out there.

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Electric Love is a fantastic offering from a songwriter who continues to evolve and impress. I have mooted the possibility of touring and national recognition. You have to wonder how long it will be until Elena Ramona is being called to the big festivals and has the chance to reach the world. Her music continues to grow and, with every release, she is reaching more people and standing out. I am so pleased for her and know what hard work and commitment she offers music. I am not sure whether an E.P. is due before the end of this year but I am sure there is big demand for more music from her. Let’s continue to back Elena Ramon and share her music as much as we can. I am a big fan of her work and cannot wait to see where she goes next. What strikes me is how varied and changing her music is. She does not stay in one genre and keep things limited. You get a wide and challenging sound that continues to shift and subvert expectations - that is a quality few possess and I feel will get her all the acclaim and success she deserves. The songwriter will keep her head strong and have her visions set on future glory. Electric Love shows she is ready to battle and has all the components to remain for many years to come. A fantastic song that gets right into the brain and stays with you for ages; Electric Love is a stunning thing that one will hear played in Superdrug stores. I am excited for Elena Ramona and wonder what her next move is. Only she knows that but it is true when I say I am not the only one…

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WHO will be watching with great interest!

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Follow Elena Ramona

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INTERVIEW: Alexander Biggs

INTERVIEW:

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Alexander Biggs

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I have been listening to Car Ride…

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by Alexander Biggs and excited to speak with its creator. Biggs talks about the song and whether there will be more material this year; how it feels getting traction from some big radio names; whether Melbourne (where he is from) is a great musical landscape – Biggs talks about idols and tastes.

I ask him whether there are gigs booked and how he spends time away from music; whether he has a favourite memory from his career so far; how being on stage makes him feel – he ends the interview by selecting an underrated Bob Dylan track.

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Hi, Alexander. How are you? How has your week been?

My week has been good, thanks.

For those new to your music; can you introduce yourself, please?

I’m Alexander Biggs and I write songs and sing them.

Car Ride is new. Can you reveal the story behind the song?

I like songs most when I have to experience them and find an understanding in them for myself. The song is out in the world and is now the property of anyone who listens to it - so it’s better if I ask them what it means.

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Might we see other new cuts coming later in the year?

Yeah. I’m pretty eager to put more music out pretty quickly. It’s best to act quickly on recorded music because, a lot of the time, the songs have been around for a while and they can quickly become old songs. A few of the songs were written right before recording this year, though, so thankful I’m excited about them still.

Past songs like Out in the Dark and Tidal Wave have been backed by BBC Radio and gained a lot of love! Does that give you a lot of heart and encouragement?

I really appreciate the support that I’ve had from radio all over the world and from streaming services but I try not to think too much about it. I’m thankful of the encouragement but I feel my time is better spent encouraging myself and trying hard to believe in myself than to get it from any outside sources. Getting encouragement from anywhere outside of myself runs the risk of affecting my efforts.

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PHOTO CREDIT: Al Parkinson

Which musicians made a big impact when you were growing up? Who do you count as idols?

Growing up, I was really into My Chemical Romance and Paramore, so I suppose they’ve had an impact on me in their own subtle way. At the end of my teens, I was introduced to Elliott Smith too, who was a pivotal artist for me. I try not to idolise anyone because everyone’s out there trying to do their own thing and make their own way and I should be doing the same.

Less looking out, more looking in…

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You are from Melbourne. What is it like recording music there? Is it a fantastically supportive and compelling part of the world?

Melbourne is a diverse and supportive part of the industry in Australia. I think it’s only as supportive as you are willing to be involved, though. I see artists every now and then visit or move here and almost expect to be held up and supported but it still takes time like any other community. I like writing and recording in Melbourne because it’s an inspiring place to live.

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Can we see you tour this year? What gigs do you have coming along?

I’m hoping to be back for the end of the year.

You live show has been celebrated and noted. Is the stage where you feel alive and free?

I’m not entirely sure I feel alive and free. Some days, the stage is a place to celebrate and some days it’s just a place that I work. There are so many underlying factors.

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Do you have any ambitions to fulfil before the end of the year?

I want to release a lot more music and tour more overseas.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I don’t have a favourite but the first memory that came into my head was when a stranger left me a drink on the bar and a story with the bar staff - that I reminded him of a younger self. I was at university and playing shows around town under a different name. I probably sucked. I remember wondering about that person and their story; whether they were happy.

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Which three albums mean the most to you, would you say?

Hard to say: I have a rotating list…

What advice would you give to new artists coming through?

Keep trying...

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IN THIS PHOTO: RAThammock/PHOTO CREDIT: William Patston Photography

Are there any new artists you recommend we check out?

RAThammock, Mickey Cooper; Phoebe Bridgers (she’s not that new), Buck Meek (he’s not new either but his new album is ten/ten).

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IN THIS PHOTO: Phoebe Bridgers

Do you get much time to chill away from music? How do you unwind?

I feel like I’m always doing something with music, whether that’s playing or listening or recording or talking about it. I unwind with more music. I did a meditation camp for ten days a month and a bit ago where you aren’t allowed to speak and when I came back I thought that I’d forgotten how to sing.

After that, I feel musically rejuvenated and inspired - so, I suppose I would say meditation courses help.

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Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Wigwam - Bob Dylan

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Follow Alexander Biggs

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INTERVIEW: Toya Delazy

INTERVIEW:

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PHOTO CREDIT: Superbalist 

Toya Delazy

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THERE is so much to draw the eye and ear to Toya Delazy.

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PHOTO CREDIT: Alisson Chaigneau

She has been telling me about her epic new cut, London Town, and moving from South Africa to London; what it is like being cast as the first black Powerpuff Girl; if there is a new artist we need to look out for – what sort of tour dates are coming up.

Delazy tells me how she got into being an M.C. and songwriter; what ambitions she wants to fulfil before the end of the year; if she gets chance to chill away from music; what we can expect going forward – she ends the interview by selecting a rather fine song.

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Hi, Toya. How are you? How has your week been?

I'm fine. My week has been hectic as usual; lots of stuff happening - I got back from attending the Midem in Cannes last Friday where I was part of two panels and also part of their first-ever songwriting camp -  I've been moving house as well for the first time since I arrived in London.

It feels like an upgrade after sharing for three years and I'm still in the East which is like a dope area; so I'm feeling kind of good. Currently, I’m preparing for a live Facebook interview which is going to be for the launch of the new season of The Powerpuff Girls - as the partnership has been renewed after the successful addition of the first black sister (Bliss)!

And it's only midweek...

For those new to your music; can you introduce yourself, please?

I am a pianist, singer; rapper and producer; originally from South Africa, now settled in London - my genre of music is whatever vibes me in a Jazz/Electro/Hip-Hop-sorta-way. 

 

London Town is your new single. Can you tell me what the story behind it is?

It's about the London mentality, especially in the arts scene - how we get around the city getting interconnected; it's about the melting pot boiling over. I feel I have finally gotten to the place where I fully understand the city and know how to move with it instead of letting it overwhelm me. So, it basically celebrates London as a cradle of diversity and multiculturalism.

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PHOTO CREDIT: Simon Wisbey

What was it like working with Rymez on the track? Did the collaboration add to the intensity and flow of the song?

He is a star! I first met him through D.J. Sbu who is one of South Africa's biggest self-made entrepreneurs and C.E.O. of Mofaya - South Africa's first black-owned energy drink. He was making tunes with him and invited me over. A year later, I called Rhymez up for some studio time after I wrote the bassline of London Town (and lyrics); I needed someone to help me package it nicely.

He was so humble and really great artist; a real pleasure to work with; open to collaboration and he loved the fact I had worked on the bass already. Chill guy!

Do you think there will be more singles out before next year?

Yup! Some of the songs I recorded in Cannes at the Midem songwriting camp are going to be released: one of them is in collaboration with Elvis Crespo; I can't say too much. Magical vibes!

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PHOTO CREDIT: Claire Bilyard

I understand you will voice the first black Powerpuff Girl? How does that make you feel?

Really great; bearing in mind the history The Powerpuff Girls has and the impact they have made in the animation world and kids worldwide. I used to love them growing up: it's like living a childhood dream; more excitingly is the positive spotlight on Africa and diversity in the animation world. It's really sparked exciting conversations which is great. It's a movement that had to happen.

Are race and inequality something that is not being tackled enough in modern music? Do you think there is an imbalance that is affecting black artists?

Modern music has no race or inequality: it’s the purest; the furthest it can be from some authoritarian model. Modern music is the epitome of freedom. The problem is old mentalities which seem minced into every modern success story. It's clear that people just want a chance to be themselves and feel alive - we want tolerance and equality and anyone against that is a social pariah.

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PHOTO CREDIT: Alisson Chaigneau

How did you get started as a songwriter and M.C.? How important is London and its energy regarding your creativity? 

I started writing songs from an early age as I started piano from the age of nine; after high-school, I started playing in pubs in Durban, South Africa - I joined cyphers and attended lots of local art events just so people could get to see me.

London destroyed the restraint I had and allowed me to function as my honest self. I threw myself into my artistry and that type of freedom is rare to find. Also; the city squeezed me and made me really face the reality of being a musician and I didn't run back to Africa where I was more comfortable - being uncomfortable is the key ingredient to unlocking yourself and find yourself. So, musically, it's been amazing: so much to sing about so many emotions to deal with...

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PHOTO CREDIT: Richard Hanson

Which artists are most important to you? Who do you recognise as idols?

Artists that are humble but have all the reason not to be and artists that are genuine and original:

Black Coffee - first met him when I hit the African scene and he was already established. I always admired him since then; thereafter, we would bump into each other at international events and he is still the KwaZulu-Natal bro I remember looking up to when I was young - and now making a serious name for himself in the world. 

Can we see you tour this year? What gigs do you have coming along?

Yes. My European tour is coming along so far on my calendar:

Cologne Pride - 7th July 

Bristol Pride - 14th July. 

Do you have any ambitions to fulfil before the end of the year?

Yes. I have to make all my buddies know how to replicate a Zulu ‘Q’ sound: it's like watching a dog with peanut butter on the roof of the mouth when everyone is practising it, but the joys of hearing a Non-Zulu utter their first "Qoh" is so satisfying.

Also; I would like to get London Town on one of the big radios after it reached number-three on the Club Chart - hoping the music video shows the vibes and peeps love them to be honest... 

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Have you got a favourite memory from your time in music – the one that sticks in the mind

Performing at the Apollo Theater in Harlem for the first time, as part of the Africa Now series, made me feel like I was spearheading the voice of the next generation.

Which three albums mean the most to you, would you say?

The Miseducation of Lauryn Hill by Lauryn Hill

If it wasn't for Sister Act, I would have never discovered her! Her selfless desire to feed the heart with her voice; her lyrics and soul really helped shaped me into mixing my piano with Hip-Hop.

Nirvana - Nevermind

The wild spirit of freedom they brought with them; the musicality and the ease at which it was all done - remarkable band. 

Nina Simone - I Put a Spell on You

How the vulnerability in her voice was the most beautiful thing to channel the keys (and vice versa). How she lost herself in the moment and meant every word while still putting the Soul and Jazz into the keys - breathtaking artist. 

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PHOTO CREDIT: Frostee

 What advice would you give to new artists coming through?

Keep going: it's a hill all the way. Stay original, because everyone else has been taken. Don't take it too seriously; have fun and, if you don't love it, then don't do it. 

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IN THIS PHOTO: Che Lingo

Are there any new artists you recommend we check out?

Che Lingo. I love the way he raps articulately and pensively! One of my favourite artists at the moment…

 Do you get much time to chill away from music? How do you unwind?

Yes. I make the time – otherwise; living every day in the studio or in your bedroom; waiting for performances to come up can do your head in. I learnt to take better control of my compulsiveness. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Ok. Please play me Muzi (ft. Tiro) - Questions

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Follow Toya Delazy

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INTERVIEW: Dawson Reeve

INTERVIEW:

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Dawson Reeve

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MIXING busking with international performance…

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there are two sides to Dawson Reeve. I have been talking with the London-based artist about busking and whether there will be touring later this year; what inspired his new song, Hurricanes; if there is more material arriving shortly – Reeve discusses his musical idols and favourite new artists.

I ask whether there is a treasured musical memory that sticks in his mind; a few albums that are especially important to him; whether there is an opportunity to kick back outside of music; what advice he would give to artists coming through – he ends the interview with a stunning James Blake cut.

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Hi, Dawson. How are you? How has your week been?

Great, thanks! I spent last week visiting family, eating cream teas and surfing in Cornwall - and the weekend busking around London’s Bankside in glorious sunshine.

For those new to your music; can you introduce yourself, please?

I’m Dawson Reeve; a Derbyshire lad who now calls London home.

Hurricanes seems to document a sense of fear and holding back. How much of the song is about having to deal with hard conversations and emotions?

It’s funny you should say that…

I wrote Hurricanes after a tough conversation with my girlfriend at the time. Literally, she walked out the door and the song just poured out. Songwriting is very cathartic for me: it’s a snapshot of how I was feeling at that moment in time. Hurricanes is about the power of words; how just one sentence can destroy a relationship of years.

I notice an evolution with every cut. Do you think you are growing stronger with each release?

I hope so! I’ve been sitting on these tracks for a while so it’s great to finally get them into the world.

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Might we see more material this year?

Hurricanes is the second track off of my Circumstance E.P., which is being released on 11th July.

How did you get into music? Did you grow up around a lot of different sounds?

We were given an old out of tune piano for free when I was six, so I started taking lessons. I went through school doing my Classical piano grades, then took up guitar and drums at fourteen. I played in Pop-Punk bands though secondary-school. I also played in a Jazz orchestra growing up so had a really eclectic grounding in music. I’ve always been on a musical path but didn’t find my voice and songwriting until I was studying a Leeds College of Music around nineteen, where I moved away from Classical and more to contemporary compositions.

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How did you transition from busking to making your own stuff? Did you learn a lot of talents and skills from busking?

Initially, when I started busking in Leeds seven years ago, I didn’t have any of my own songs. I was a timid teenager and I’ll be the first to admit my voice wasn’t up to much. Seven years on and hundreds of hours performing and perfecting later, I’m still busking today and I know I’ve grown in so many ways; partly from the skills I’ve acquired playing in the streets. You have to own the space, you have to give a performance that is going to make someone stop in their tracks and want to listen.

I love seeing people connect with my music and busking gives me the opportunity to connect with hundreds, if not thousands, of people in one day. Also, I’m on their level; not on a stage miles away, so I can talk to people and tell them about my music.

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Can we see you tour this year? What gigs do you have coming along?

After a year of pretty much non-stop touring, I’m having a little break to write new material. You can catch me playing at The Ned on 18th June and an intimate show at Escargot on 3rd July - both in London. After that, I’ll be booking Sofar Sounds gigs around the U.K. to try out new material and, of course, you can see me playing on the streets around Bankside.

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You have toured all over the world! Is it the different faces and new places that draw you to the road?

I’ve always had an innate desire to travel and explore and I’m lucky that I can combine this with my music. I love discovering new cultures and sounds. I was in Colombia in February and music and dance is everywhere. The atmosphere in a smoky, sweaty salsa club in Cartagena with a live band was something I will never forget. 

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Do you have any ambitions to fulfil before the end of the year?

I would love to get some visuals to accompany my music - any videographer out there hit me up!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Performing at the House of Blues Anaheim, in L.A, in front of 2000 people for the Loop Station World Championships (in 2013) was a definite highlight for me, as was touring the West Coast of the States afterwards.

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Which three albums mean the most to you, would you say?

Origin of Symmetry by Muse was the first album I really got into. Matt Bellamy’s vocal and Classical/ Rock crossover style blew my mind.

One by One by the Foo Fighters was also one of the first albums I listened to and transports me back to being an angsty teenager. Plus, everyone knows Dave Grohl is the Nicest Guy in Rock.

I don’t really listen to many albums all the way through anymore, in the age of Spotify playlists, but one album I could never get tired off is James Blake’s self-titled debut. It was like nothing I’d ever heard before and he is still one of my favourite artists. James Blake has definitely been an influence on the E.P., especially on a track called Hitting Home. 

What advice would you give to new artists coming through?

Work hard, be persistent; experience as much as you can.

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IN THIS PHOTO: Kevin Garrett

Are there any new artists you recommend we check out?

I’m a big fan of Kevin Garrett - check out Coloring (or ‘Colouring’).

Also; Rhys Lewis - Reason to Hate You is a tune!

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IN THIS PHOTO: Rhys Lewis

Do you get much time to chill away from music? How do you unwind?

I love to be active; mainly running and swimming. Running gives me a chance to think and, when I swim, it’s almost like meditation. I don’t think about anything apart from what lap I’m on. I’m always going on spontaneous trips, too. Nothing like a new city and new experience to spark an idea for a song….

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

It’s got to be The Wilhelm Scream, possibly my favourite track from the James Blake album. Thanks for having me!

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Follow Dawson Reeve

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INTERVIEW: Roz Yuen

INTERVIEW:

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Roz Yuen

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I have set time aside…

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to talk with the amazing Roz Yuen about her stunning E.P., Feel So Good. The single of the same name is out so I was curious what thought process started that song – and what themes go into the E.P.

Yuen moved from Australia to Berlin and talks about the German capital’s allure; how young she was when music really struck her; if there are British tour dates later this year; which new artists we should show some love – she selects three albums that mean a lot to her.

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Hi, Roz. How are you? How has your week been?

Great, thanks! This week has been a nice balance of working in the studios and time hanging with friends in the sun.

For those new to your music; can you introduce yourself, please?

I’m a Berlin-based vocalist, songwriter and music producer from Melbourne, Australia. I make downtempo Electronica-Pop with an experimental edge.

Tell me about the single, Feel So Good. Can you explain what inspired the song?

The song is about a type of intimacy you share with strangers. I had just moved to Berlin without knowing anyone. It can be an isolating and lonely experience. However, when you have a clean slate it can feel really liberating, too. You get to share that moment in your life with people who have no perceived ideas about who you are. It’s a special type of bond or closeness.

It is from the E.P. of the same name. What sort of themes inspired the songwriting?

A running theme behind my three-track E.P. is intimacy. I draw from my experiences and like to tell stories about the people I encounter; the city’s natural rhythm and flow and the sounds that create its atmosphere.

It seems Berlin is important to where you are now. Is the city a perfect place to make and promote your music?

For now, yes! Berlin is chill, progressive and at forefront of things that really excite me like immersive audio-visual experiences. I also get amazing opportunities to meet and collaborate with creatives from all around the world.

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Do you think the music you are producing now is your best? How have you progressed as an artist, would you say?

I am making music that is an authentic expression of what I want to say - others can decide what they think it is my best. I have gained more confidence in my music production skills and realising the creative vision in my head. However, I’m always learning and growing with each song I write.

How did music come into your life? Which artists made an impression on you as a child?

My dad tells me he used to catch me singing in my cot. My parents exposed me to The Beatles and ABBA. I also remember singing along to Belinda Carlisle’s Runaway Horses on C.D. which belonged to my aunt.

Are there going to be any tour dates coming up? Where can we see you play?

I definitely intend to tour Europe. I did a lot of gigs when I was in Melbourne. However, since moving to Berlin in August 2017, I have focused on writing new work and developing my skills as a music producer. I absolutely love performing live and can’t wait to get stuck into it.

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Will you come to the U.K. and perform here?

I have a strong affection for the U.K. having lived in London for two years. I’d love to perform there again. So, the answer is ‘Yes!’

Do you have any ambitions to fulfil before the end of the year?

I am already working on songs for my next E.P. My ambitions are to finish the tracks and then partner up with a label to release them in early-2019. In the meantime, I’ll also be doing some shows.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

A defining moment in my music career was when I volunteered as a Performing Arts Leader to run a choir for the U.K. homeless charity event, Crisis at Christmas. In the middle of our rendition of Stand by Me, Sir Ian McKellen walked in and watched us perform. It reaffirmed why I invest so much and devote my life to making music. Music is a human need which has the power to connect you with other people and lift you up at your lowest.

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Which three albums mean the most to you, would you say?

Amy Winehouse - Back to Black

Her soulful vocals and witty dark lyricism have gotten me through some tough times.

Massive Attack – Mezzanine

This textually-rich Trip-Hop gem has been highly influential in shaping my sound.

Burial – Untrue

Words that come to mind when thinking of the album: ‘timeless’, ‘visceral’; ‘ambient’, ‘melancholic’ and ‘warm’. It’s aspirational.

What advice would you give to new artists coming through?

Patience, perseverance and passion for the journey are what will sustain you through the highs and lows of a career in music.

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Are there any new artists you recommend we check out?

I am a huge fan of TOTEM from Copenhagen who makes new wave Synth-Pop. An amazing songwriter and hardworking music producer - it makes me think of New Order and The Cure.

I also rate Icelandic artist, Breazy Daze who has just dropped a lo-fi and dreamy single, She Knows.

Another hot tip is DJ Chick’n and the Cuntry Roosters; a British all-female trio that combines Punk and Techno. When their music is released it is going to go off - and I will be in the audience joining everyone.

Do you get much time to chill away from music? How do you unwind?

I am a bit of a workaholic and music-obsessed. However, my favourite unwinding activities include baths, lazing around on a picnic rug in the park or wandering around contemporary art museums.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

On my recent trip to London, I picked up several vinyl records from the lovely people at One Little Indian, including an L.P. from French artist, s a r a s a r a. I’d love for you to play her track, Love, which was co-produced and mixed by Matthew Herbert. It reminds me of Björk and Fever Ray.

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Follow Roz Yuen

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INTERVIEW: me&you

INTERVIEW:

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me&you

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THE sibling duo of me&you…

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are an exciting proposition I was determined to find out more about. They have been telling me about their latest single, Georgia, and how that song was born. I discover why they spent time in a campervan in New Zeeland and what we can expect from their Chasing Trails EP.

Connor and Karlee talk about talk about their influenced and whether they will be touring outside of California; new names we need to get our ears around; whether they’ll come to the U.K. – they end the interview by selecting a couple of corking songs!

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Hi, guys. How are you? How has your week been?

Been well! Hope the same for you!

For those new to your music; can you introduce yourselves, please

Hey, world; we’re Connor and Karlee and our band is called me&you. We’re a brother-and-sister duo from California and have been playing music and writing songs together ever since we can remember.

Georgia is your latest single. What can you reveal about it?

Georgia came about two years ago now. We wrote it while living in a campervan in New Zealand together. It’s a song about people getting the love that they deserve and not settling for anything less…and it sounds great in the car with the windows rolled down in the summer.

Or, at least we think so...

What can you reveal about the Chasing Trails EP? How did it come together? What sort of themes do you explore?

Chasing Trails was a concept born from living on the road. While living in the van in New Zealand; we’d wake up every morning and have no plans. We’d just get up and go and not worry about where we ended up, as long as we were enjoying the process. That became a big metaphor for our lives and for our music - and thus the Chasing Trails EP was born. This E.P. is about following our paths and not getting in the way of our ourselves.

Connor and Karlee. When did ‘me&you’ come together? As brother and sister; does the music come together naturally?

We have always played music together in many capacities: talent shows when we were kids, high-school Pop/Rock bands and our previous band, Connor and Karlee. We were ready for a change and weren't quite sure what that meant yet. One day, we were having this discussion about wanting to be a band that makes people feel like they can relate to our music - and us.

We’re just some kids that love making music and we want other people to feel the way we do when we write a song. We want to bring people together, not apart; especially in today's world.  We kept saying “All we’ve got is me and you…”; we used that as a lyric in one of the songs on the record...so, we called the band ‘me&you’.

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Who do you count as musical influences? Did you grow up around a variety of sounds?

Oh man; we could bore you to death but, if we gave you a shortlist, it would probably include: Lord Huron, John Mayer; Jim Croce, Gordon Lightfoot; Glen Campbell, Carly Simon; James Taylor and lots and lots of others. I guess we’re an ‘Indie-Folk’ band but we are heavily influenced by a lot of Pop music as well: bands like The 1975, Coldplay; Justin Timberlake etc...

Is it true you spent late-2016 traveling around New Zealand in a campervan?! Was that an experience that led to songwriting and inspiration?

It is true. We lived in the campervan for one month traveling around New Zealand. We’d basically get up every day and start driving. It led to a lot of unexpected adventures (hel-biking; bungee-jumping, mountain climbing…) and gave us the freedom we needed to just sit down and write. We needed some isolation - and we definitely found that in the van in N.Z.

Where are you heading on tour? Where can we catch you?

We plan to start doing some touring this fall; starting with California and branching out from there.

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Have you performed in the U.K. at all? Might we see you here?

We have not, yet…we definitely plan to come to the U.K. to do some touring in the near-future.

What do you hope to achieve in 2018?

In 2018, we are really trying to get our music out there and heard. It’s a weird time in the music industry: full of Spotify playlists, YouTube channels etc. Ultimately, we really just want to have our music heard by people and, hopefully, have it affect them and do something for them the way it did for us.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Karlee and I were at a songwriting retreat back in April and we had an opportunity to play Georgia acoustically in front of all of our songwriting friends at the retreat. During the bridge of the song, we sing “We all get broken we all get lost/we’re always hoping love will come” over and over and every single person joined in and sang as loud as they could. It was one of those moments of pure expression and emotion that are so hard to get.

The power of that many people in a room singing about something real is pretty untouchable. You start with this little melody on acoustic guitar and hope it means something to someone someday. That night we finally felt like someone got it...

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If you could support any musician alive today, and choose your own rider, what would that entail?

Wow; that’s a loaded question. If we had to choose, it would probably be someone like Coldplay. They're so iconic and such great songwriters. Plus, they play in stadiums for the most part. So, that would be cool.

Our rider would probably include whiskey and chocolate. We’re very simple people.

Karlee: I would argue for someone like Brandi Carlile. She’s a huge inspiration to me and she plays in beautiful theatres – and, yes, whiskey and chocolate are a must.

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What advice would you give to new artists coming through?

Connor: Our advice would be to never stop writing songs: no matter what happens in the music world, it always starts with a song.

Karlee: I would also add that success is subjective. It can be achieved on many different levels: you don’t have to be selling out stadiums to have a career in music. As long as you’re happy and doing what you love, you’re set...there’s no hard and fast formula anymore so don’t compare yourself too harshly to other creators in the business.

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IN THIS IMAGE: Gregory Alan Isakov/IMAGE CREDIT: Blue Gabor Caleel

Are there any new artists you recommend we check out?

If we had to name a few: Gregory Alan Isakov, Manzanita (from our hometown); Madison Cunningham is great – as are The Night Game and our friend Augustus James.  

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IN THIS PHOTO: Madison Cunningham

Do you get much time to chill away from music? How do you unwind?

We do; we have to make time for it. It breathes fresh air into everything. We try to get up to the mountains as much as possible. We backpack, mountain bike; hike and do anything and everything to get us outdoors. It inspires most of our music and allows us to escape.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Connor: This song is absolutely beautiful and everyone should hear it: The Paper Kites: Nothing More Than That

Karlee: Oh. I’d have to choose one of my favorites right now: Feelings - Madison Cunningham

 

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