FEATURE: The Digital Mixtape: Incredible Motown Tracks

FEATURE:

 

 

The Digital Mixtape

PHOTO CREDIT: Tima Miroshnichenko/Pexels

 

Incredible Motown Tracks

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I did explore this subject…

IN THIS PHOTO: The Temptations in 1965

for a playlist back in 2020. However, I wanted to revisit Motown songs for this Digital Mixtape. I am going to include a selection of classics from the legendary label. I have been listening to groups like The Temptations. Get Ready, one of their classics, has been in my ear and head for a while. I can see it opening a film. A title sequence song that could lead to something incredible. Even though is problematic celebrating the song’s writer and producer Smokey Robinson at the moment, I wanted to put the focus on the group rather than the song’s creator. Put The Temptations alongside other greats like Mary Wells, The Four Tops, and Martha and the Vandellas. There is a lot to celebrate about Motown and its legacy. However, as this article from earlier in the year, Motown also empowered many female artists. Giving the spotlight to women:

From the very beginning, Motown, as we know it now, would never have been built successfully without women. Berry Gordy Jr’s mother, Bertha, was a successful business owner alongside her husband, Berry Gordy, Sr. It may not be so vast a leap, then, to assume that she instilled an entrepreneurial spirit in her children – particularly Berry and his four sisters. Through them, a spirit of Motown and female empowerment was fostered, with the company giving chances to women in almost every aspect of its running, from overseeing the finances to shaping the label’s iconic fashion sense, launching the careers of its biggest stars, and penning the songs those stars recorded.

Esther Gordy, the eldest sister, worked as the Senior Vice President of Motown and joined the family business in 1961, remaining there until 1972, when Berry Gordy relocated the label to Los Angeles and Esther chose to remain in Detroit. She would go on to found the Motown Museum – which remains a popular tourist attraction to this day. Loucye Gordy, Berry’s third sister, died suddenly in 1965, but in her short time at the label she proved vital to the Motown structure, overseeing both Motown’s finances and its publishing arm.

But perhaps it is sisters Anna and Gwen Gordy whose impact on Motown can be most readily felt. Anna Records, founded by Gwen and Billy Davis in 1958 and named after Gwen’s sister, issued Barrett Strong’s stone-cold classic, “Money (That’s What I Want)”. Anna was also a songwriter who, along with her husband, Marvin Gaye, co-wrote “Flyin’ High (In The Friendly Sky)” for Marvin’s 1971 album, What’s Going On, and also earned a credit on “Just To Keep You Satisfied,” which closes 1973’s Let’s Get It On. Together, Anna and Marvin also wrote songs for The Originals, including their biggest hit, “The Bells,” which would later be covered by the singer-songwriter Laura Nyro.

Gwen Gordy Fuqua, the youngest Gordy sister, was also an entrepreneur and songwriter, who, along with Berry, wrote hits for Jackie Wilson during the 50s. Gwen was integral to the evolution of Motown’s style, as she hired Maxine Powell to oversee a finishing school to ensure that the label’s roster looked and behaved the part. By teaching its artists to walk, talk, and dance like stars, Motown launched its performers into the mainstream, demanding that audiences take notice of these polished and talented artists – pushing against racial and gender barriers to show that these were incredible talents worthy of radio play and TV appearances and that their skin color or socio-economic backgrounds shouldn’t define them, or hold them back. Arguably it was the Motown girl groups who really got the most out of this experience.

Signed, sealed, delivered: female songwriters

It wasn’t just the female singers who gained successful opportunities during their time at Motown; some of its finest female songwriters were also given a shot. Much like Martha Reeves, Syreeta first worked for Motown as a receptionist. After a brief spell recording for the label in 1968 (under the name Rita Wright) she began dating Stevie Wonder and the pair started writing songs together, including The Spinners’ glorious “It’s A Shame.”

Other female songwriters to collaborate with Stevie Wonder include Yvonne Wright (“Evil,” “You’ve Got It Bad Girl,” “Little Girl Blue”) and Sylvia Moy (“Uptight (Everything’s Alright),” “My Cherie Amour”), the latter of whom who also established herself as a producer. Even Stevie Wonder’s mother, Lula Mae Hardaway, received writing credits on Motown releases – including on one of Wonder’s biggest hits, “Signed, Sealed, Delivered I’m Yours.”

Gloria Jones, whose “Tainted Love” has become a Northern soul classic, also spent time at Motown and provided material for The Supremes and Gladys Knight & The Pips, writing “If I Were Your Woman” alongside Pam Sawyer – whose own writing career is phenomenally varied and extensive.

Enduring successes: feminist subjects

When it came to recording material, there were plenty of interesting topics for Motown’s female artists to sing about. Alongside the standard fare of romantic numbers or songs about heartbreak, there were occasional songs laced with socio-political concern, such as Martha & The Vandellas’ “Dancing In The Street” or even, to an extent, “Nowhere To Run,” with its tale of a stifling and damaging relationship. But on their 1968 album Love Child, Diana Ross & The Supremes addressed more delicate topics, such as pregnancy, illegitimacy, and motherhood”.

I am going to end with a mixtape of some wonderful Motown cuts. Many of them by amazing women who no doubt inspired many artists who followed them. A distinct and extraordinary sound, I do wonder how many artists working today know about the rich history of Motown. There are various documentaries that are worth seeking out. Motown: The Sound of Young America is worth getting and reading. Some might notice the omission of Smokey Robinson and the Miracles but, given the accusations of sexual assault and rape against him, I could not include him for this playlist – even though he helped define Motown. For those familiar with Motown or completely new to it, below are some of the incredible artists that…

HELPED define the legendry label.