Track Review: Nelson Can- Miami

TRACK REVIEW:

Nelson Can

 

Miami

9.7/10.0

Miami is available at:

https://soundcloud.com/nelsoncan/miami

 

The album Now Is Your Time To Deliver is available through:

https://nelsoncan.bandcamp.com/album/now-is-your-time-to-deliver

TRACK LISTING:

Miami

Attack

Now Is Your Time To Deliver

Letting Go

Glorious

Here To Stay

Talk About It

A New Condition For Life

Go Low

You Don’t Know

RELEASED: 15^th September, 2014

GENRES: Rock

COUNTRY OF ORIGIN:

Denmark

WHAT with the British ‘spring’ (being somewhat predictable), it is nice to throw something…

fresh and new into the mix.  Having (come off the back of) reviewing Marisa Rodriguez- a Berkshire-based songwriter- my attentions move further away: all the way to Denmark.  My featured act have had quite a busy (last few weeks): having supported Royal Blood (through their tour of Scandinavia) the two acts share common ground.  Whereas there are two Royal Blood boys (three girls in Nelson Can) their dynamic is the same: just vocal, drum and bass- no guitars or tinsel.  The sound being produced- from Nelson Can and Royal Blood- is much in demand: it is the meat and bones of Rock; pure grit and primeval ooze.  That is not to say (this type of music) is merely swaggering and dumbed-down lyrics: Royal Blood have shown you can mix relatable words with some nuanced and crowd-uniting sounds.  Living near (to where Royal Blood hail), I have seen few comparable acts: those bands (or duos) who go back to basic- and harness the delirious, gilded sounds of ‘Classic Rock’.  The modern scene (is seeing) too many effete bands: those that do not get under the skin; have no masculinity or potency- just vague sound and aimless wandering.  Before I continue on, let me introduce Nelson Can:

“Nelson Can is a Danish trio founded in 2011.

Bass, drums and vocals.

Members: Signe SigneSigne, Maria Juntunen and Selina Gin.”

Nelson Can are a rarity: in the fact that they are a female trio.  If you were to name three other (acts of this formation) you might be hard-pressed (Haim are the only one that come to mind).  In fact, female bands (of any sort) are a rarity- the mainstream still favours/produces a mass of male-dominated bands.  I have always been for equality in music- in terms of gender and age/race- and to my mind, music lacks that.  Bands are too homogenised and predictable: beholden to age-old principles and male-only clans.  Nelson Can hail from Denmark: a country few of us think of (when it comes to new music).  I am excited about them for a number of different reasons.  There are a lot of female (solo acts) but few bands: we need more of them coming through.  In the realm of new music (there are quite a few) yet few translate to the mainstream: here is an act that is going to hit the big time (in next to no time).  It is their passion for music- contemporary acts like The Black Keys; older bands like The Doors- which goes into their sounds.  Instilled with personality, punch and passion, Nelson Can are one of the most immediate and jaw-dropping acts around: songs that defy you to ignore them.  It was perhaps inevitable- giving they have a lot in common with Royal Blood- their recent (mini tour of Scandanavia) was such a success.  I hope the girls get to the U.K. very soon (I know they have dates here later next week).  I can well see them rocking Reading (and Leeds), Glastonbury (and the Isle of Wight Festival) in the next few years: perhaps playing the same bill as their Brighton brothers of Rock.  Nelson Can work off the principles of dogmatic growl; sparse sounds- the essence of urgent Rock.  In a time where piano-laden swathes (litter overly-earnest ballads) the Danish trio defies convention: roll with more authority than most of their male counterparts.  With so many of the ‘old guard’- like Foo Fighters: a band I can’t stand the sound of- slopping into middle-age, Nelson Can are a much-needed injection of force.  Now Is Your Time To Deliver (their new album) can be taken too ways: either a shout-out (to their contemporaries) or a mantra to themselves- that desire to show everyone exactly how they do things.  Celebrated and critically-acclaimed (in their native Denmark), fans from around the world have studied the L.P.- fallen in love with its mesmeric sounds.

If you are new to Nelson Can (most of us will be) it is worth checking out their early sounds.  This time last year, the girls burst onto the scene: Attack was a typically suitable title.  Before then, the trio had unveiled releases: their self-titled E.P. was released in 2012 (and was their debut cut).  Attack was their most immediate- and to my mind, best- representation: that moment when they hit their peak; really started to hit their stride.  Being phenomenal out of the block (the song) has coo and bounce: it is a slow-build that entrances and entices.  Having a sense of dance to it (it is a song that flirts with Electro.-Pop elements) with trip and headiness.  Husky and sensual vocals arrive; the smoke and sass comes through- the vocal reminded me parts Florence Welch and Bjork.  Tighter and more intuitive (than their debut E.P.) the girls are seamlessly in-step- there is not a loose or unsure note.  That said; the trio makes the song sound cool and relaxed- in spite of the fact it is a taut and focused assault.  Raw emotions show their intent; yet there is plenty of melody and calm: the marriage is a beautifully memorable one (and their finest track to date).  EP2 arrived (not long after Attack; the song featured on the E.P.) and expanded on their early promise- new inspiration came to the fore.  Call Me When You Want To Get Laid contains a typically astute and alluring introduction.  The title- and indeed the chorus- has its tongue in cheek; there is sarcasm and grit; sexiness and directness- the girls are at their most cutting.  Twists-a-plenty lurk with wordless vocals: there is a terrific dynamic that runs throughout; the song builds before quieting down- then comes back for more (matching the sex-seeking tableau).  The song’s ‘hero’ comes across vividly: there is twist and unexpectedness amongst the lyrics.  With a sound that seems inspired by Detroit- and the likes of The White Stripes- there is a distinct Nelson Can approach- the girls merely sprinkle hints of others (such as The Kills and The Doors).  A beautiful mix of whistling, whisper (and spit) makes it a tremendous track.  Go Low (the E.P.’s swansong) is a memorable closer: tribal and ethereal beginnings make it an instant vote-winner.  Shades of Icky Thump (The White Stripes’ final album) can be detected; Blues Rock-cum- Soul peeks out (The Black Keys’ influence too) - the girls are in fine form.  Another tight and superbly performed track, that mixture of loose and perfectionism arrives- a song that sounds effortless yet vital.  With an effecting mantra- “Dig yourself a deeper grave”- is a song you are loathed to forget.  Since those records, the girls have arrived at their L.P. - their most expansive representation to date.  Containing the same mix of energy and soothe (as their previous work) the L.P. takes it a step further: there are new shades and sounds (to be heard).  Tracks like Glorious and A New Condition For Life are particularly standout- older numbers like Attack and Go Low are on the album.  Seamlessly blending their old sounds (with the newer) every song sounds natural and focused.  The biggest difference- since their early days- is the sense of identity. The trio sound more unique- and take fewer parables from Stripes/Keys/Doors etc. - and have crafted quite a distinct sound.  Keeping those Blues-Rocks sounds intact, they have expanded: developed as songwriters and really sharpened their pen.   The vocals- from Selina Gin- are more confident and assured; the bass and drum positively crackle and ignite- the three-piece are at their most urgent and impressive.  This not only bodes well for the future, but will come to the fore (through live performances) - the U.K. is in for a treat (when the Danish act arrives in the next few days).

Having listening (to Now Is Your Time To Deliver), I have selected its opening number (to review) - my favourite song from the album.  Miami- not to be confused with Will Smith’s track (thankfully) - spares no time (in getting off to the races).  Groan and bubble starts to build (a synth.-like sound comes out; only created through bass).  The wordless vocals- a trademark for Nelson Can- start to come out.  A call-and-response chorus is presented- ‘yays’ and ‘ayes’ swirl like a centrifuge.  With some impressively powerful percussion- played with focus, control and passion- back up the vocals: the bass does a tremendous job of ramping up the emotions.  In the same way as Royal Blood- especially on tracks like Figure It Out and Loose Change- whip up quite a storm, the girls do likewise (only their ace card is a slow-build of vocals and mood).  You can hear the tension (and palpable) cries: before the first verse arrives, your mind is already conspiring and imagining.   It is said- “All these rules and regulations”- let our heroine be; live her life (as she wishes)- the words are delivered with an impish sense of desire.  With a distinct (Danish) accent mingling with some Florence-esque prowess (the vocal) is a powerful and driving force: it never comes across as histrionic or overbearing; just in control and direct.  Positively bursting at the seams, the voice becomes hotter (and heavier): backed by some fuzzed/blissed-out bass (and punchy percussion) the song swaggers and sways.  Fuzzy and hazy; moonstruck and delirious, you are caught in the moment- when a musical parable is unleashed, you get a chance for reflection.  After an exhilarating and lustful opening, the girls transform the psyche: ‘60s Psychedelia mingles with ‘90s/’00s Blues-Rock haze (as though Jimi Hendrix and Jack White have decided to jam together).  Putting my mind on a sun-kissed highway- not sure why; just does- there is a breeze and heat to proceedings (a slight kiss of Queens of the Stone Age’s desert luster comes out).  Perhaps Miami is an apropos title: the beaches and sun; the sensuality and bare flesh- there is evocativeness within the song (that puts your mind there).  Before you can demure- and slip into your imagination’s desires- that primal coda comes in- the calls and swirling “someone”s hit the brain like a ballistic explosion.  Never encroaching or overly-harsh, there is sensuality, subtlety and sensuousness- that dynamic is something Nelson Can has perfected.  Miami is a song that is both instant and nuanced: a song that reveals new traicks (and pleasures) with each listen.  Those who think ‘here is a female Royal Blood’ will have to think again: the trio is their own masters.  Sure, they contain just bass, vocals and drums: their sound is completely different.  Betraying a debt to nobody, their unique flair (is the abiding takeaway).  Flecks of The Black Keys, Florence and the Machine (with a drizzle of The Kills and The White Stripes) is detectable: they are minor notes in (an otherwise) heady boiling bot.  Having listened to the track (six or seven times) a few things come to mind: the kinship is at the top of the list.  The girls sound completely tight and in awe: as though they have been playing for decades.  Few (new) bands have such a close-knit and natural bond- this makes the song so much more impressive and immense.  The vocals trip inside one another; overlap and play- never tripping over their own feet.  Bass work is constant and imperious: one of the most stunning facets of the song.  Urgent and driving; melodic and delirious- it is a wonderful performance.  The drum work stomps and rolls; pulses and kicks- giving the song a taut and authoritative backbone.  When the three unite, you get the biggest shivers: the most forceful tingles are elicited.  There are more urgent and primal tracks (on the album) although few are as delirious- the kind of song that can unify the hipsters, Rock aficionado and Miami beaches (into an armistice of sweat-dripping dance).  Suitable for the twilight bars (as it is the clement lust of the sand), Miami is a wonderful track- and a perfect way to kick off their album.  Make sure you investigate the track; keep playing it to death (as it is will never leave you brain).

After a successful- and hugely memorable- tour of Scandinavia with Royal Blood, the girls are preparing to head to the U.K.  On Wednesday, the trio is in Shoreditch (an area of London I hope to move to very soon) and will be entrancing the London throng.  From there, they head across the U.K. (in addition to playing other London dates) - before heading away.  I would urge anyone- whether you favour their brand of music or not- to go see them play.  A slightly new commodity, the girls will certainly grow in reputation: their U.K. gigs will set many (music publications and critics here) into a frenzy- compelled by their incredible sounds.  Many reviewers and commentators have bemoaned (the fact there are few ‘genuine’ rock acts around): it seems like Royal Blood have been carrying a very heavy torch.  It seems the perfect time for Nelson Can to shine: take the opportunity to stake their claim; pitch their tent in an empty field (and inspire legions of others).  Whereas most of my female-led music (is from solo artists) it is great to hear a female band: one that rocks harder and more strikingly than any out there.  I am not sure why there are (in comparison to the men) few female bands; it is something that needs to change- the likes of Nelson Can will change that.  Now Is Your Time To Deliver is an album packed with awesome songs: all quite brief and memorable; no fillers and wasted moments to be found.  In spite of the fact (the album has been out for a few months) the girls must be looking forward to (the rest of the year)- perhaps a new album or E.P. is in their mind?  They will certainly be looking to take their music on the road: perhaps the likes of the U.S. and Australia will come calling?  Let’s hope so, as they have terrific everyman personalities; that desire to succeed and inspire- that hunger to enthrall crowds far and wide.  Miami is a terrific lead-off track; a clarion call of desire: a great representation (of what the album contains).  I shall depart (with a scant thought) concerning the girls: their plans for 2015.  I shall do my best to come see them play (if not this time around; when they next come to town).  I know they are comfortable in Denmark, yet I hope they make the U.K. their ‘second home’.  Being a unique act, there are ample venues that would welcome them in: festivals like Camden Rocks seems made for them!  With the summer looming (theoretically at least) their time is now: that window to grab the critics by the scrotum (and rip it straight off).  Filled with attack, direction (and lust) the girls are no one-dimensional act- their loveable personalities and natural warmth makes them a fascinating prospect.  Apologies if I have vacillated too much…

BUT here is an act you need to seek out.

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________________________________________________________________________________

Follow Nelson Can:

Official:

http://nelsoncan.com/

Facebook:

https://www.facebook.com/nelsoncanband?fref=ts

Twitter:

https://twitter.com/Nelson_Can

BandCamp:

http://nelsoncan.bandcamp.com/

Instagram:

https://instagram.com/nelsoncan/

___________________________________________________________________________

Music:

https://soundcloud.com/nelsoncan

 

______________________________________________________________________________

Videos:

https://www.youtube.com/user/nelsoncanDK

 

Track Review: Marisa Rodriguez- Come Home

TRACK REVIEW:

Marisa Rodriguez

Come Home

9.6/10.0

Come Home is available at:

https://soundcloud.com/marisarodriguezmusic/come-home-marisa-rodriguez

RELEASED: 5^th September, 2014

GENRES: Pop; Folk; Alternative

COUNTRY OF ORIGIN:

U.K.

THIS weekend shows a distinct sense of contrast…

for many different reasons.  My ’subject’ today is an hungry artist: someone whom works tirelessly- around Berkshire and Surrey- to seduce ears (and hearts) - she is someone who is a name to watch.  Tomorrow, I look at a Danish ‘girl band’ (they are a Rock act with a lot more credibility than your average manufactured Pop act): currently supporting Royal Blood as they tour Scandinavia- an act that surely have a glistening future.  One of the great things about reviewing- apart from the chance to focus on something singular and personal- is the range of people/musicians I happen upon (from all around the world).  At the moment, my inbox is awash with requests: acts from about the globe are keen to be assessed.  Aside from the (mass of emails coming from) Hamilton, Ontario- not sure why Ontario likes me so much- I have been very fortunate (to ‘see’ such sights and nations).  Having covered four continents; traversed the length (and breadth of the U.K.)- assessed U.S., Australian, European and local talent- it is great to see what is out there.  As much as I adore international music- especially that emanating from North America- it is humbling to witness some (great local) sounds: those tangible up-comers (you can pop down the road and see play live).  Marisa Rodriguez is someone I am familiar with: well-versed with regards her stunning music; having met her, I know how hard she works- and how passionate she is about music.  Few (other singers) have such a yearning and unwavering determination: that insatiable desire to succeed and inspire- this comes through in her varied (and striking) music.  In addition to being an incredible songwriter- and one of the most mature and intelligent lyricists from the modern set- I adore her voice: that heartbreaking (and multifarious) peacock that opens its plumage (upon will) - delighting with every flick and sweep.  Before I continue, let me introduce Rodriguez to you (in her own words):

“I knew I wanted to sing forever! :-) However cliché it may sound, I did sing into a little plastic microphone to my parents DAILY in the living room! I have pictures somewhere.. but I think I will refrain from letting those loose on the web! xD

Throughout school I had a tough time, and I moved around a lot because of family things.  By the time I'd finished my GCSE's, my passion for music had began to spiral out of control. Although I had always written poetry, I had started writing songs and performing towards the end of GCSE and it was all I wanted to do/could concentrate on when I was doing my first year of A Levels. I got to the end of my first year of 6th form and decided I couldn't stand it anymore! I just wanted to get better at music in general, as I'd not had any lessons up until then; I was self taught in singing, guitar & songwriting and all I wanted was to learn more about it all!

That is when I found the Academy of Contemporary Music (ACM).

Money has been a struggle the last few years whilst I've been there, but it's definitely been worth it. I've met some amazing people/musicians, learnt a lot about the industry and have got to do what I love the most whilst also gaining a degree! :-)

I'm on my last year now! There's still a lot I need to figure out, but I've realised that you just have to go with it, as I seem to learn something new everyday!

I'm also always trying to improve my music/write new songs, not only for myself but as collaboration projects with other producers/artists.

I hope this wasn't too long winded and gives you an insight into the life of Marisa. :-) Hope you like the music.”

In a market crammed with solo artists- ranging from the immense to the downright ear-offending- Rodriguez is making her way (and growing in confidence).  Before I investigate Rodriguez further- and look back at her chest of previous work- it is worth noting this: 2015 will be a busy and prosperous one (for Rodriguez).  I know- from following her on Facebook- she holds some anxieties (with regards her music development and ambitions); questions her motives and ideals- her resilience is something to be admired.  Having overcome a lot of troubles- and worked harder than any other musician I know- she is on the cusp of something special: an E.P. is mooted (for later in the year); she is performing regularly (and entrancing intimate crowds).  Having amassed an impressive array of tracks (originals and cover versions) she has plenty of options- with regards compiling an E.P. (or album, perhaps).  Finance is always an issue- when an artist comes to getting an E.P. together- although Kickstarter will be kind: she will hit any ‘target’ she puts out there (and raise the necessary funds).  I hope that is in her mind, as (Rodriguez) has shown what an agile and alluring songwriter she is- someone endlessly inspired; always scribbling lyrics and new ideas.  Modern music suffers from incongruity: plenty of new artists coming through; few resonate (long) in the imagination- the dispirited and uneconomical returns are quite worrying.  With a lot of people (of my generation at least) looking back at past music- whilst embracing the few wonderful new acts- we are in need of ensuring artists: songwriters with a mobility and sense of longevity; those who are not (going to show themselves to be) a transitory grace.  Rodriguez has enough moxy and focus: tied around her silky and powerful voice.

With regards assessing (Marisa Rodriguez in her current form) it is worth looking back: to see how far she has come/developed as an artist.  Once Bitten, Twice Shy arrived 3 years ago: it is a strong and impassioned number- showcasing Rodriguez’s strong (and distinct voice).  With a simple and catchy acoustic flair, the melody (and sound) sticks in the mind.  Talking about (leaving things behind; battling regrets and doubts) the song has a modern and current sound- with lyrics designed to inspire and motivate.  Although- as the song attests- she has faced some hardships; there is redemption and strength- Rodriguez talks of (letting someone down) and finding new meaning.  With powerful crescendos (and a compelling performance) is a terrific early number- with a fine set of lyrics to boot.  One of Rodriguez’s earlier (original tracks) she negates the pitfalls of her peers- too much woe and introspection; not enough range and positivity.  Once Bitten’ shows plenty of firepower and beauty; ample confidence and naturalness- Rodriguez is gripping and compelling throughout.  Dust- written around the same sort of time (as Once Bitten’) is subtler (and more serene).  With shades of Kate Bush and Eva Cassidy- in the softer moments- there is breathiness and sexuality; evocativeness and grit: the young singer runs a gauntlet of emotions.  With hints of Lucy Rose (and Mazy Star) it is a touching and scintillating number- that shows a very unique personality (and voice).  Developing her voice (and songbook) Tails or Heads- one of her most recent original works- has passion and bounce: Rodriguez looks at dislocated love and fractured relations.  With an introduction- that shows (rather unexpectedly) shades of Nirvana- there is plenty of oomph and bounce.  Suggestions of Paramore and Kelly Clarkson (during the most uplifted vocal moments), the track is a potent and energised beauty.  The lyrics look at harder times- where demands were made of her; sour times being dealt with- yet Rodriguez shows resilience and strength- her heart and soul will not be dampened and scarred.  Boasting a fine melody and chorus- that puts me in mind of Alanis Morissette’s You Outta Know- it is a wonderful track (that shows how much Rodriguez has developed as a songwriter).  Both extemporaneous and perfectionist, Rodriguez blends acoustic kick and vigour; ties it to someone inspirational and thought-provoking lyrics- wrapped around vocals which are at once caramel and chocolate; stirring and knee-dropping the next.  Over the course of a couple of years, Rodriguez has expanded her voice; sharpened her songwriting- galvanised and augmented her early promise.  Having tackled cover versions- from the likes of London Grammar, Kate Bush and Sia- the vocal work (on Heads or Tails) sounds stronger and more gripping; the songwriting is more confident and quotable- the overall effect is mesmeric.  Having grown as an artist, the arrival of Come Home- at the latter stages of last year- was met with huge anticipation and expectation.

The aforementioned tracks with swan-like glide and delicacy: a yearning and aching piano parable (filled with crystalline beauty).  Putting me in mind of Parachutes-era Coldplay (and its finer romantic numbers) Rodriguez shows some nimble fingers; some exceptional playing- ensuring she leads the listener in.  Building off of (some wordless vocals), there is little time to reflect: the song’s messages and meanings get underway quickly.  Whereas Rodriguez’s previous numbers (with the exception of a few) are acoustic-led; Come Home relies on (in the early stages) piano: giving the number a classic edge; romantic seduction and serenity.  When our heroine steps to the microphone, her thoughts turn to a sweetheart- someone who “left so easily.”  Looking for answers and guidance (Rodriguez) is looking around- wondering how things went wrong.  Whether some blame (should go her way) - a rare thing for a songwriter to not go for the jugular of their subject- there is some humility and openness: no bitterness and finger-pointing.  Rodriguez keeps her voice low and smoky: it not only adds weight to the lyrics; it gives the mood a sense of shadow and introspection.  When listening to the song, you get some clear imagery: our heroine listening to (a special song for the couple) and thinking back- reflecting on fonder times.  As the song develops, your thoughts mutate- and the title becomes more relevant- leading away from break-up (and towards something more romantic).  Not wanting to banish her man, there is that abiding feel of longing: that need for a rekindling; reignite a deep and meaningful bond.  Delivering (the song’s title) with elongated power, the song climbs and builds: the tingles come readily; it becomes more powerful and stirring.  Letting the composition act as a guide, Rodriguez puts her voice at the forefront: it ranges from incredible soulfulness to full-bloodied lust.  Modern singers like Hannah Reid and Florence Welch (are synonymous with their range and potency), yet neither boasts Rodriguez’s spectrum: she has a distinct sound yet seems effortlessly capable of molding her voice to fit her lyrics.  Early on, there is looking-back: the vocal is tremulous and quivering; bold and alive.  Towards the mid-point, the track settles back down (for the chorus) where our heroine focuses her ambition: the return of her beau.  Each new delivery (of the words ‘come home’) shows new shades: alluring sexuality; sensitive regard; emotional vulnerability; incredible panache.  Towards the 2:30 mark, Rodriguez is at her peak: her voice is enflamed and ecstatic; a maze of emotion and passion.  Desperate for redemption and resolution, you are gripped by the conviction- how much the words mean (to the heroine).  Few other singers have such an incredible set of lungs: not only is the vocal powerful; it is steeped with nuance and colour.  Just as you get caught (in a wave of heartache), the final moments arrive: allowing Rodriguez a chance to refrain.  Her voice here- during the close- is soft and pin-sharp.  With sensual reflectiveness, Come Home comes to land: the listener is left wondering how the story ends.  Whether (our heroine) found satisfaction- or was left to sleep with a heavy heart- we do not know.  What is clear is the effect the song has: it is a number you are compelled to reinvestigate and study; it is hard to ignore its prowess and power.  Heartache and anxiety inspires some great musical moments: how they are translated can be hit-and-miss.  Over the last few months, artists like James Bay have left me cold- in fact, a lot of the new crop sound tired and bland; robotic and inane.  Rodriguez- like her comrades in the underground- shows much more vitality and personality.  Inspired by the likes of Kelly Clarkson and Coldplay, it is unfair (to compare her) to anyone: Rodriguez is an original and unique artist.  Packed with romance, emotion and shiver, Come Home is a terrific creation: a song that has resonated with many people (and inspired our heroine to keep writing).  Whether an E.P. will arrive by summer (or come later in the year) Come Home must surely feature- it is one of Rodriguez’s finest creations.  From her earlier days, the young artist is still learning: gaining fresh insight and inspiration.  Having seen some of (her most recent) lyrics, there is plenty of diversity: Rodriguez herself is not just concerned with heartache; her poetic gifts touch on many different arenas.  A multicoloured and mobile writer, Rodriguez (and any future release) will be met with fervent excitement- I cannot wait to hear it!  Taking all this into mind, it is hard to ignore her main virtue: that wondrous voice.  Heartbreaking and seductive; exquisite and bejeweled, it is hard to shake it (and why would you?!).  It not only makes Come Home such a (stunning number) - it sets her apart from her contemporaries (and is one of the most stunning voices I have ever heard).

With today (proving to be somewhat lugubrious) from a meteorological standpoint, it is worth seeking comfort (in the security and warm embrace) music offers- sounds that can put a smile to the lips.  There are some merit-worthy acts coming through- from all around the world; catering to all tastes- although the ‘buzz’ (being projected by the music media) is around the old guard.  With Blur announced (for the Isle of Wight Festival; The Magic Whip is imminent); The Libertines coming back strong- and Laura Marling having crafted another sublime L.P.- it is time to get fresh blood trending.  Marisa Rodriguez has a voice that is endlessly adaptable: look at her list of cover versions; she not only transforms (every song she tackles) she seems completely natural and dominant (like she was singing one of her own creations).  It is when she puts pen to paper; you start to see something quite unique: one of these new acts capable (of rubbing shoulders with the finest singer-songwriters around the world).  There is still a hegemony and clamber for bands (and the band market): festivals pretty much revolve around them it seems.  The solo artist has a harder life: taking it on alone, their existence is a lot harder and more exhausting.  Getting acclaim (with so many others acts coming through) is a hard and inscrutable mistress: many quit and burn-out (galled by the endless pressure they face).  I know Rodriguez has had some ‘moments’- where the balance of work, music and ‘life’ has caused her mind to doubt- yet I know how tirelessly she works: someone who is never going to give up (on her goals).  Come Home is a track that resonates with me- having first heard it upon its release- and a hint to the future: what her (possible) E.P. could contain; what themes/ideas will be explored.  Having penned a few other originals- and taking on a series of covers- over the last few months, Rodriguez is in fine voice: ideas are percolating and forming (almost by the week).  With song ideas, fragments (of lyrics and tracks) being teased- it will not be long before a fully-fledged release is unveiled.  That day will be an important one: a chance for the rest of the world to hear (what Rodriguez) is all about- and assess her songwriting prowess to the full.  When she does drop an E.P., she will face an ‘interesting’ choice: will (the E.P.) contain all originals; or will a cover version be in there?  Rodriguez has an incredible songwriter talent; she is deftly able to make existing songs sound fresh and new.  I am sure she will not want to think TOO far ahead: as we speak, the young talent is looking ahead (to future performances).  Regularly hosting ‘open mic.’ nights- and encouraging the folk of Berkshire to come hear (some great local talent) - she is building a name for herself.  It would be great to see an official website- a central point with everything Marisa Rodriguez on it- to attract fans and followers (and give record labels and venues a chance to see her full portfolio).  In addition, Rodriguez has a great Twitter opportunity: regular updates and ‘checking in’ could see her numbers rise- I know many international venues/acts/followers keen to stay close to her electronic tongue.  With her Facebook numbers increasing- and sparks of inspiration occurring frequently- this year will be a great one (for her).  Come Home is a testament of what she is about: an artist who channels personal dislocation (and sadness) into something ethereal and beautiful- topped off by her inimitable and spine-straightening voice.  If you are looking to escape the rain- or tired by the predictable plod of pedestrian new music- then you should do yourself a favour: investigate an artist with a unique voice; someone who will be producing music (many years) from now.  A gorgeous and stunning talent- with an altruistic approach to her fellow musicians- there is ample to entice the eye: I predict some special times ahead.  With regards (a future E.P./tour) the heroine is keeping level-headed: making sure she is fully ready (before putting anything out there).  With a new manager on board, Rodriguez is gaining momentum: it cannot be long before (high profile) London venues coming a-knocking.  Her sound is that which is easily exportable: I know (similar-sounding) artists performing across L.A. and California- whether that is something Rodriguez wants to consider, I am not sue.  The bottom line is (is that) she is a songwriter who has options and choices: if she remains focused and infused; she will get her due rewards.  Marisa Rodriguez is an artist on the rise: make sure you check out her wonderful music.  With the champions of the mainstream (stealing all the limelight) - and new music having to curtsey with demure regard- listen to an artist (with a gilded future looming); someone who resonates in the mind…

AND provides something genuinely inspiring

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________________________________________________________________________________

Follow Marisa Rodriguez:

Facebook:

https://www.facebook.com/marisarodriguezmusic?fref=ts

Twitter:

https://twitter.com/marisasingsalot

___________________________________________________________________________

Music:

https://soundcloud.com/marisarodriguezmusic

 

______________________________________________________________________________

Videos:

https://www.youtube.com/channel/UCDsbJj47SZ4UhIE4yMHVfXw

 

The Single Voice: The 'Foreplay Stage'

The Single Voice

The 'Foreplay Stage' (Feeling Optimistic)

OKAY, so I'll play this like a birth: use the analogy with as few mentions...

to the (rather graphic) process as possible.  In fact, I have never been that 'pretentious' (I hope) when describing any of my campaigns/fundraisers (if I use the word 'journey' once, I will castrate myself).  Just wanted to give those- with any vague anticipation and interest- a heads-up/progress report.  After a busy weekend (so far)- of reviewing and what have you- I am dedicating (tomorrow) to conceptualising/solidifying my plans...

So far, I have written to a few big names- Google of course; Stephen Fry too- to get some support/backing.  It would be great (were Google) to take interest: throw their weight behind it (and realise it's a good/risk-free idea).  For those who have not read my initial blog (https://musicmusingsandsuch.wordpress.com/2015/03/08/the-single-voice-one-language-for-all/): I am getting revved-up about this- I think it could be a winner.  If it all goes 'to plan' (and it gets launched) there are back hopes: raising millions for lots of charities; raising awareness of gender/equality issues; promoting new music; giving a voice to 'forgotten'/stigmatised illnesses...so much more.  I have pretty good plans for the website- making it informative, full-bodied and eye-catching (ensuring the registration process is as pain-free as possible).

If Google are on board, I would like to think (a conservative estimate) the scheme could launch this time next year- and run for a full year.  The Single Voice relies on very little initial effort (from the user): the great thing is- once you have signed up-  it is a case of sitting back and watching the donations/fundraising climb.  It is perhaps the most ambitious charity idea ever- in some sense- but I am not off-put: there is no reason it could not succeed/be launched...

When I get more word back (from Google/various celebs.) I will keep you all updated.  When it is 'a go', I would love for (musicians, actors, comedians etc.) to do some promotional videos- can be humorous or unique... to get people on board.  Once that happens, on with the journey...

OH fuck.

Track Review: Allegories (Ft. MEAGHA)- Evaporate

TRACK REVIEW:

Allegories (Ft. MEAGHA)

 

Evaporate

9.5/10.0

Evaporate is available at:

https://www.youtube.com/watch?v=xvIKp3UgVyg&feature=youtu.be

RELEASED: 26^th February, 2015

GENRE: Synth.-Pop

COUNTRY OF ORIGIN:

Canada

OKKKKKKKKAAAAAYYYYY…

This one might be a bit brief.  A lot of acts (come to me) fully armed: biography in place; photos a-plenty- gig information and what have you.  Today: I am going to have to make assumptions (without padding this review too much).  Allegories do not exist (their ‘official website’ says as much) - to the extend they are unknown quantity.  Like Daft Punk, you are looking at a duo: there is no background information; few images on hand- everything is very much under wraps.  What I do know- I think anyway- is that they are an Ontarian band: an area of the planet that comes to my attention a lot (what is it about Canada and this blog?!).  The duo is a relatively new configuration- having released one song previously- and are building up quite a head of steam: in small part due to their sense of mystique and anonymity.  I am ambivalent- and go back and forth- when it comes to ‘detail’ and music: whether it is good to give a lot of information away; a mistake to be too aloof.  In a social media age- where you have to be forthcoming to such a degree- it is always smart giving (the general public) plenty of insight: where you come from; who inspires you- although some do take this concept a little too far.  We do not need to know EVERYTHING about a musician- bowel movements; food habits etc. - yet we need to know something at least.  Allegories let their music do the shouting: it would be nice to gain some insight (into their work and background).  Perhaps- when they start hitting their stride- they will be a little less coquettish: open up a little and give something away.  As it stands, the guys are a slight gamble: which makes their music very exciting.  If you have strong songs- which they seem to have already- then you need not sweat stuff (like biography etc.)- they have the musical balls to make their point heard.  At the moment (in 2015) the lads are starting to build their fan-base: the social media numbers are climbing modestly; the reviews are starting to come in.  The mask-wearing mystery men of Allegories want to keep people guessing: perhaps they find the business of music-making more essential than personal revelations.  On this occasion- for the song Evaporate- the too-cool-for-school innovators have drafted in MEAGHA: someone just as fascinating (as the chaps themselves).  Her Twitter account (is recently back up) and gives few personal insights- she sounds like a fascinating character, no less.  Annoyingly beautiful; striking body art; one hell of a voice- and a likeable, vote-winning personality.  Whether she resides in Canada (I cannot gleam that from Twitter) is unknown- she is sure to be in our thoughts (in years to come).  The bond- formed quickly and efficiently- is natural and striking; one presumes there is a little history/understanding between them- Evaporate shows a seamless and tight-knit understanding.

Funny Way of Loving You (is Allegories’) previous track- the first outing for the twosome.  Building and swirling- from the off- the song instantly makes a mark: designed to get inside of your head (with the initial beats).  Dreamy and hypnotic; dark and pressing, the composition is a rich and detailed one: yet sounds effortless and loose.  When the vocal comes in, it is relaxed and seductive- a sound fans of The National would admire.  Whilst the vocal (is not as sonorous and deep) as Matt Berninger’s, it is a sensual and seductive tone- that perfectly augments the music.  Counterpart of the (insistent and crackling backing) the vocal is an ice-cool and reflective thing: our hero reflects on a love (of a different kind).  Looking back at mistakes and missteps- midst the aural shower of electronics- there is regret and introspection; humour too- whilst the song’s theme is original and perfectly delivered.  An impressive and confident track, it shows (the boys of Allegories) are bold and fearless; steeped with natural ability and intuition.  For such a memorable debut cut: it would be hard to top it, surely?  With Evaporate, it seems like they have (done just that) - and improved on their tremendous start.

Evaporate begins with clatter and bubble: dream-like swathes and echoed vocals; blending beautifully in harmony.  Wasting no time in making its mark, the track (puts me in mind of) the likes of London Grammar and FKA twigs.  It has the former’s breathy and entrancing allure; the latter’s sharp and exciting edge- combined to create something urgent and passionate.  Imagining Hannah Reid (London Grammar’s leading lady) stepping towards the microphone, the listener is intrigued (and left curious)- how the song will develop.  MEAGHA speaks of “everything that’s closed…to me”: imploring to a (focal figure) to offer some guidance and support- her voice awash with ache and longing.  Whereas the composition is ripe, receptive and busy- employing layers of notes, synths. and undertones- the vocal is a restrained and relaxed beauty: wonderfully contrasting against the composition.  MEAGHA has an alluring and breathless sigh; a voice that sounds both fractured and headstrong- making sure each word resonates and affects.  Imploring (her man and hero) to “kiss me”: there is a sense of a woman who yearns for affection; a sense of satisfaction is required (a desire to be fulfilled).  Never expressing the sentiments too whole-heartedly and heavy-handed, the vocal is a serene and flowing breeze- putting me in mind (of some of) FKA twigs’ current sounds.  Enraptured (by the music around her) our heroine comes more into focus- her voice sharpens and spikes.  Keeping that ethereal and ghost-like whisper in the mix, the voice starts to stand up: become stern and attentive; making sure the words and understood and emphasised.  Addressing her anonymous other, MEAGHA asks why (are they so familiar) with each other; there are questions and doubts- that desire seems to be palpable and overwhelming.  As the storyline goes on, the composition keeps evolving and moving: tiny little details come into view; there is so much to hear and absorb.  Not contended to project a lazy and one-dimensional electronic soundscape, the boys infuse so much attention and work (into their sound)- forgoing the trend of lazy and unimaginative compositional work (so many of their contemporaries favour).  Whilst it does remind me of some of (our finest Electro.) acts, it is very much their own beast- following off (from where their previous track) left off- a natural step and progression.  MEAGHA seems a perfect fit: her voice the natural light that guides Evaporate.  Not just sensual and sensitive, the voice rises and peaks- the high notes and crystalline and delicate; her most impassioned moments belt out with pure force and emotion.  A singer with mobility and huge range; there is no second-fiddle here: not a collaborator who is there to merely provide some vocals (to benefit an artist’s composition).  MEAGHA showcases her full range of tricks: she perfectly fits into the song; making sure her voice perfectly complements the (music around her).  Before the 3:00 marker, she is at her most bird-like: her high-pitched coo stirs and glides.  Vocal lines blend (and interact): powerful rises meet with swooning moments; she intersects inside her own voice, adding layers and beauty to Evaporate.  The composition itself never relents or slows: it mutates and evolves with ease: ensuring the listener is always keeping one eye on the foreground; one to the background.  The final minute (or so) provides a little bit of a dummy: you think the song is coming down to land (it starts to fade away a bit).  Just as you are ready to relax, it builds back up- coming off the back of some very delicate and beautiful compositional notes.  Presenting some urgent clatter; tribal percussion; street-wise clatter (and some dizzy sounds) the outro. Is a perfect final- bringing Evaporate to a memorable conclusion.  I have mentioned the likes of London Grammar and FKA twigs- this track has more in common with the latter.  In a musical sense, you can definitely draw parallels- let’s not forget FKA twigs was nominated for a Mercury Prize- which is very impressive; a popular and in-demand sound.  The innovative duo has managed to cram a lot of life, love, lust and force (from their composition): created something quite charming and beautiful.  It would be terrific to see more songs like this (appear on an album or E.P.).  A slightly different animal (to the last endeavor); Allegories prove what an inventive and wide-ranging talent they are: everything they come up with seems so natural and effortless.  It is the details and depth that impresses most: the care they put into their sounds; the subtle little diversions (few of us may notice at first).  Were it them singing (and meant in no offensive way at all) the track may not have been as memorable- it (is a song) that cries out for a female voice.  Clearly keen to select the RIGHT voice, MEAGHA is the perfect Siren- a singer I would like to hear a lot more from.  Not just your average throw-everything-into-the-mix-and-hope-for-the-best singer (like so many out there) she is a vibrant and stunning talent- and surely must rejoin with Allegories in future days.  Sexy and vibrant, shy and vulnerable: she is a voice that can do just about anything.  Perhaps not as cloaked as her colleagues, I would encourage MEAGHA to put out her own music: get into the studio and let the world discover that gripping voice.  For now, the two sides come together to give us something quite of-the-moment- Evaporate certainly does not fade from the mind.  What is in store (for both Allegories and MEAGHA): who knows, eh?  MEAGHA has clearly enjoyed her time with Allegories- from what she relates on Twitter- so let’s not rule out (them working together down the line).  Evaporate is a song for here and now: something that is perfect for spring night; the dream of summer and all it could bring- a song we all need to hear.

After investigating Evaporate- and Allegories at their strongest- I am excited for their future: let’s hope they expand their social media accounts (gives us a bit more personal information and background).  Their music is (indeed fantastic) and hopefully they (with MEAGHA) will come to the U.K. - there are crowds waiting for them.  In our scene- over here at least- there is a dominance of Pop and Rock- Synth.-Pop is not a genre as popular (as it should be).  Artists like Allegories should be embraced more: their sounds and style is ready-made for summer; capable of uniting dancefloors- turning bad moods (into good ones).  Canada is knocking at my door- there are plenty of great musicians out there- and showing themselves to be (one of the most) fervent music nations out there.  MEAGHA is a voice (and talent) that deserves greater exposure: a stunning and scintillating singer with a big future.  Whether the two parties collaborate in the future- or work solo- is anyone’s guess: they should definitely conjoin again.  What more is there to say?  Evaporate is a memorable and incredible slice of Electro.-Pop: a song that could soundtrack clubs and dancefloors (and invigorate crowds).  Let’s hope the camera-shy Allegories succumb to popularity: crank out some new music as soon as possible.  They are musicians that have a great (and original sounds): capable of gaining popularity beyond their native land- a sound that is universal and nuanced.  In a music scene (with more than enough bland and vague sounds) it is refreshing to come across something fresh and alert: music that demands attention (and repeated plays).  Whether you are ‘for’ or ‘against’ (scant and thin online portfolios) it is the music that stands the test of time- and the most important facet.  On the evidence of Evaporate, the Canadians are on a surge…

LONG may it continue!

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________________________________________________________________________________

Follow Allegories:

 

Facebook:

https://www.facebook.com/allegoriestype

Twitter:

https://twitter.com/allegoriestype

SoundCloud:

https://soundcloud.com/allegoriestype

YouTube:

https://www.youtube.com/channel/UCVMytTN8jv35W7StKn7gTPw

 ___________________________________________________________________________

Follow MEAGHA:

Twitter:

https://twitter.com/MEAGHAHAHA

Track Reviews: Hannah Dorman- Take Control/Save The Day

TRACK REVIEWS:

Hannah Dorman

 

Take Control/Save The Day

9.4/10.0- 9.3/10.0

Take Control is available at:

https://www.youtube.com/watch?v=3Bf14t8emi4

Released: 1^st March, 2015

Save The Day is available at:

https://www.youtube.com/watch?v=NU5Hi9AwuOA

Released: 15^th March, 2015

GENRES: Country/Rock

COUNTRY OF ORIGIN:

U.K

HAVING just about ‘recovered’ from the (bombshell that was) Muse’s new single (Psycho)...

It suddenly dawned on me: I have heard this (song) before.  I love the band (especially their older/mid-career work) yet am a little ambivalent: Psycho sounds (like a retread of) Uprising- their lead-off track from (their 2009 album, The Resistance).  There is that (same bounce intoxicating) bounce: similar riffs; plenty of spunk-cum-grit- with added expletives.   There is no denying Psycho is a beautiful thing: a hard-arsed and heavy kick to the teeth; an intro. That borrows into the brain- a track that demands fist-pumping and vermillion rage.  Among its primeval (and political) swagger, there are some ‘drawbacks’: chief among them is its immobility.  In trying to ‘recreate their best days’ they have, rather concerning, replicated them- rather than evolved naturally.   Critics (and reviewers) have noted- with regards the track- some of its ‘cheesier’ lyrics (phrases like “your ass is mine” appear); the rederivation (of their past work) - the all-too-familiar bombast.  That all said (it sounds like a critical backlash): I love the song.  It is a granite boulder to the face; a much-needed re-injection of British Rock (Royal Blood can’t do all the work?).  In the ‘new music realm’ (these kind of moments) come in different forms.  Solo artists have impressed me lately: their determination and sounds are some of the most fascinating (being introduced into music).  Perhaps their majesty does not emanate from a hellacious riff: moreover a delicate vocal; an inspiring lyric.  In the U.K., we are spoiled for choice: the new solo artists coming through offer much variation, spice and wonder.  Most of the ‘best and brightest’ are coming from the larger cities- Manchester, Leeds, London etc.- 2015 will see that change.  Over the past few weeks, I have been rather uplifted: many of my music (online contacts) are coming up the ranks- and hitting their stride.  Surrey’s Chess (Fran Galea), Emma Stevens and Elena Ramona (are all making big plans) - showing the music world what they are made of.  It is heartening and humbling to see: the young crop gaining momentum and leverage.  Too much focus is paid to the ‘stars’ and big names: those we are all (over-) familiar with.  Last year was a rather mediocre one- with regards mainstream music- so eyes are casting their sights farther afield.  Now so (more than ever), new musicians are in vogue- and getting their chance to grab attention.  I am always looking around for a new sound- moments of accidental beauty- something quite stunning (it can be a hard task in new music at the best of times).  The new, young females (18-25) are leading the charge: producing finer- and stronger material- than their male counterparts.  Their words (and lyrics) seem more original; their voices more distinct (and less homogenised) - their compositions richer, (more) varied; more nuanced.  My featured artist is making herself heard...

Dorman has been keeping busy (as of late).  In addition to perform (around Surrey and London), she has recorded two new videos (to be reviewed anon).  The first time I experienced Dorman was when her E.P. (Words) was released.  Impressed by the ambition and originality (of the release), I was compelled: determined to seek out (more of her music).  Many critics (and radio stations) have been stunned by Dorman’s sound: a young artist touching Country-Rock with such conviction and flair.  So many contemporaries tend to veer towards Pop/Soul: few investigate Country and take on this genre.  Dorman does not merely ‘dabble’ with the genres: you can tell how much she loves them; how much they mean to her.  Before I continue, let me introduce (Dorman) to you:

“British Country Rock singer songwriter Hannah Dorman brings her unique style to the genre. With the emphasis on pop rock, there’s a dusting of country to be heard in all her songs. Lyrically mature, honest and relatable, Hannah delivers her songs with her distinct raw vocal power and a personable presence. This dedicated singer will draw you in with catchy melodies and a driven rhythm section. Her inspiration and eclectic influences are not obvious but some give resonance to her music. With KT Tunstall as her main influence, Anastasia, Shania Twain, Pretty Reckless and Kelly Clarkson all have their place.”

There are a lot of female artists on the scene: many have a similar sound and sense of identity (or lack thereof).  Dorman is one of few artists that are doing things differently: taking the effort to be bold; taking on a sound that few others attempt.  This ingenuity and passion has resulted in serious plaudits: her fan numbers are swelling; fond reviews have poured in.  The coming months are sure to be exciting ones: the young artist (surely will be planning) for big things; perhaps a new record.  The momentum- Dorman is gaining at present- has seen her social media fan-base grow- many new listeners and supporters are coming in.  It will be exciting to see where she will go next: whether she moves to London; performs internationally- puts out an L.P.

Dorman’s current movements are impressive and hugely promising.  She has kept her distinct and true sound: the heroine sounds more assured and relaxed; stronger in her skin.  While Dorman’s previous work is filled with wonderful moments, her latest videos hint at fresh inspiration: her voice seems stronger (somehow); her intent and conviction (at an all-time high).  In assessing Dorman’s current development, it is worth looking back (at her previous work).  Rent This Space was unveiled a few months ago- it has been met with applause and fond regard.  It is not hard to see why (the song is so popular).  Those familiar (with Dorman’s sapling work) will find much to treasure.  The song begins with romantic swell: a woozy and heartfelt build occurs; the track grows in anticipation and pride.  Dorman’s strong and impassioned vocals steal the show: making each word and thought filled with conviction and emotion.  Backed by a stunning and tight (band performance), it is a terrific track.  Looking at regret and transitory passion: Dorman is merely (renting space in someone’s heart) and advises caution.  Scarred- by previous heartache and loss- it is clear she does not want to repeat events- and advises (here beau/subject) - of this fact.  One Thing (On Your Mind) was released a year ago: it is a song that shows Dorman at her most direct.  The song begins with crackle and stutter: it rolls and rollicks; judders and sways- keeping the listener on their toes.  Perhaps inspired by real-life events, Dorman is retracting the advances (of an overly-eager young man); pushing against a cloying longing.  Perhaps I have misinterpreted: it sounds like a track inspired by a specific subject (someone perhaps that has caused some pain and upheaval).  Not bogged down with mordent anger, the composition is fresh and alert; summery and breezy- packed with plenty of punch and gravel.  Complete with a contemporary vibe, the influence of Shania Twain and Kelly Clarkson comes out- Dorman displays her distinct personality and skin (without sounding too much like anyone else).  Words was my first exposure the young artist: her stunning E.P. was packed with nuance, strength (and memorable moments).  In My Place boasts a catchy and instant introduction- it spares no time in lodging inside your mind.  Wordless vocals mix with dreamy sighs- Dorman is at her introspective best.  Thinking things will be better (with someone else in her place); there is a sense of regret: the song never feels overwhelmed or heavy-handed.  Maybe is a gentler and more sedate animal: a romantic song filled with longing.  Flowing wave-like, the song never lets go: Dorman herself will never cease.  Over the last two years, Dorman has grown as an artist.  Already a unique and stunning songwriter (from the earliest days), she has become more confident and distinct- she sounds (on her new tracks) bolder and sassier; stunning and sensual.  Her live performances- and impressive work-rate- has cemented her sound: her voice has grown stronger; her flair and passion emphasised.

If you are unfamiliar with Dorman (and her body of work): a few of her ‘influences’ may fill the cracks.  Inspired by the U.K. Country-Rock of K.T. Tunstall, Dorman possesses a similar sass and conviction: that energy and multifarious songwriting.  Inspired by U.S. acts such as Shania Twain, The Pretty Reckless (and Kelly Clarkson), Dorman instills a little (of each) into her own sound.  When her songs are at their toughest, you can hear shades of The Pretty Reckless.  When (Dorman’s voice) rises and powers, suggestions of Clarkson come out.  Normally- in this section of the review- I expand on this point (why someone sounds like their idols) yet Dorman is quite different: it is very hard to compare her with anyone.  Only taking (the slightest essence) from each artist, Dorman is clearly her own woman: a songwriter indebted to nobody.  This distinction and originality has resonated with critics (and listeners) - and makes her songs so impressive.

Arriving fresh (and hot off) the press, Dorman’s latest songs have come to the fore- her first new material for a few months.  After performing around Surrey and London, Dorman has gained some fresh confidence and inspiration- Take Control bristles with vigour and directness.   Beginning with a Rock-infused introduction, the mood starts to come down: Dorman steps into the spotlight.  Elongating and stretching her voice, the messages coming through loud and clear.  Backed by her band cohorts, our heroine has some clear advice: if you want to do it for yourself (and keep in control), then it is within your reach.  Motivational and uplifting, this (inspiring coda) is supported by a passionate and soulful vocal- Dorman sounds rich and filled with intent.  As the song progresses, some doubts creep in: whether (the subject) is trying their hardest; truly alright.  Letting her voice hit (crystalline highs) and soar upwards, you get a real sense of imagery and story: imagining someone lacking that extra self-confidence; demure and reserved somewhat.  Whether- referring to a sweetheart or friend- there is some ambiguity within: whether a lover is not (as strong as they should be) or whether a friend doubts their potential.  Letting Dorman’s voice shine, the band provides ample support: the performance is consistently tight and strong.  Never encroaching into the mix, the boys ensure they drive the song forward (the percussion is particular noteworthy and punchy) - there is a clear bond and understanding (between the players).  Enraptured in her own tale, Dorman’s voice shine beautifully: switching between delicate swoon and belting highs; natural and genuine with each gear change.  The band (in this video) look at ease and fired-up: there is no sense of loose edges or nerves.  The simpatico and fraternal bond (they share with their sibling) results in an incredible performance: Dorman herself sounds- and looks- completely at ease (in front of the microphone).  When speaking of intentions- saying one thing yet doing another- there is a real longing in the vocal (as though Dorman has had her heart broken; been let down by someone).  Perhaps I am off the mark; it is clear there is a need for improvement (from her subject)- yet Dorman does not seem too concerned (whether they try harder; she seems determined to carry on regardless).  Making sure notes and lines (stick in the mind) the track- and chorus especially- is a catchy and swaying affair- mixing U.S. Country sunshine with British Rock granite.  That summer-cum-rain juxtaposition blends superbly: at one moment you are smiling widely; the next rooting for our heroine.  The track has a great sense of rhythm, movement and dynamic: going down to a soften kiss; building up to a fevered chant.  Towards the latter stages, Dorman keeps her focus clear: that chorus is re-injected and repeated- its messages designed to resonate and affect.  As the band whip up the decibels (for one last round) you find yourself longing (to repeat the song) - it has a sense of brevity and tease (in spite of it being nearly 4 minutes long).  Closest in tone (to songs like Rent This Space) Dorman sounds comfortable and assured when powering and soaring- expanding on the promise of her previous E.P.  Take Control has oomph and panache; that killer touch and sweet touch- topped off with a tight-knit (band performance) and stunning lead vocal.  Keep the language and lyrics direct and simple (yet complete with originality, depth and wisdom), Dorman is a wise head on young shoulders: someone who knows how to win a smile with as few words as possible.

In contrast to Take Control- and its deterministic motifs- Save The Day is a softer track (and reminds me of her Words-era work).  Keen to revisit her early days- yet showcase her galvanised conviction and confidence- the vocal is queen (once more).  Beginning with an acoustic-lead seduce, the song sees Dorman in reflective voice: asking (the song’s subject) why they need to escape; there is a lingering sense of trepidation and concern.  Once more elongating and hanging (her words), it is hard not be romanced by its power and longing- the vocal is dripping with honey and chocolate tones.  Building its structure and pace, the band come (more into) the fray- offering support and aural weight.  As Dorman looks around her- and a focal point who seems to be on their way- you sense some unease and disbelief.  Perhaps knowing all too well; when it comes (to the song’s subject) she will not believe “a word you say.”  Like its predecessor, Save The Day has a hint of mystery and autobiography: whether an ex-flame (or friend) is being assessed, it is hard to determine.  Whether the story is autobiographical, you cannot doubt the credentials of the vocal: truth and meaning come through in each line; the need to make a very real point.  Unlike a lot of her peers- who prefer to rush their songs; bury the vocal amidst a wave of guitars and sound- Dorman lets the track breathe and resonate.  The band (once more) keep everything in check; make sure the song progresses with intent- there is a sparseness that is to be commended.  Allowing her voice and words to shine brightest, you are allowed to get inside the song- the track almost pulls you into the studio (or in this case, has you watching the music video being filmed).  Proving she is nobody’s fool, our heroine is keen to be heard: she has been played before; had her trust abused- this is almost a cautionary tale.  The final seconds see the band infusing subtle little moves: electric guitar licks; some subtle percussion; sturdy- and guiding- bass notes- making sure everything is fluid and full-bodied (until the end).  Keen for the chorus (to be sung and remembered) it possessed a charm and sense of catchiness.  Once more (like Take Control), there is a mix of simplicity and depth: a knowledge and love of Country-Rock; delivered with an original and striking voice.

Tomorrow (when my next review is up) I will be stepping away from the U.K. - circumnavigating the musical waters of Central America; taking my mind somewhere new.  Music reviewing gives me the chance to (metaphorically) travel: I always prefer keeping my feet (close to) home- discovering what local musicians are producing.  Dorman is a young and eager talent: somebody with plenty of potential.  Her natural beauty and charm (will help her massively); her innate talent is evident- she is a distinct and structured artist.  Too many singers- in terms of new music- mimic their idols: come across as second-rate sound-alike.  In a busy (and cut-throat) scramble, you need to be distinct- Dorman understands this.  Throughout this year, Dorman will be honing her craft: coming up with new sounds and planning her future.  On the evidence (of a duo of songs) I am deeply impressed: surely a shining star of the future?  Her music- and natural, incredible sound- is striking and memorable: the ‘small details’ really hit home.  So many musicians neglect social media- do not bother coming up with an official website.  Dorman’s (official site) is well-designed and clear: allowing new listeners an insight into her work, world- and social media outlets.  Put all this together- coupled with the fact she is young and creatively fertile- and you know (she will be making) big waves.  The corpulent demands of music-lovers put pressure on new acts- so many works their backsides off to impress.  Dorman has a refreshing sense of confidence and ease: few artists sound as assured and intimate.  For now we have (a selection of songs) to enjoy: it will not be long until E.P.s and albums are forthcoming- and a selection of high-profile gigs.  If Muse are struggling- to reinvent their sturdy wheels- then Dorman is an artist who will face (no such issue) - her mobility and wide-ranging talent is evident.  I shall conclude with a thought: that which concerns British music.  Our nation has always been at the forefront (when it comes to phenomenal music) alongside the U.S. - this is especially true of the new crop.  Bands have always (seemed to dominate) public attention- solo acts are starting to redress the balance.  If you are looking for artists (who are very much) a much-of-a-muchness- you have your options covered.  Those seeking something refreshing have to dig a little deeper: surrender to the fortuideness of social media/word-of-mouth.  With acts (like Dorman) coming through, I am less fearful- there are plenty of great artists (out there).  Dorman will not be thinking too far ahead (keeping her feet planted) yet she should be proud of her current output- it indicates a stunning and original voice.  Among the slew of (unoriginal and predictable) musicians, it is great to discover something distinct- that sticks in the memory.  Her evolution may be commencement, but one thing is clear...

HER particular brand of music is much in demand.

[youtube https://www.youtube.com/watch?v=3Bf14t8emi4&w=560&h=315]

________________________________________________________________________________

Follow Hannah Dorman:

Official:

http://www.hannahdorman.com/

Facebook:

https://www.facebook.com/HannahDormanUK

Twitter:

https://twitter.com/hannahdorman

Instagram:

https://instagram.com/hannah_dorman

 _________________________________________________________________________________

Music:

https://soundcloud.com/hannahdorman

____________________________________________________________________________

Videos:

https://www.youtube.com/user/HannahDorman

__________________________________________________________________________

Merchandise:

http://www.hannahdorman.com/merch/hannah-dorman-merchandise.html 

Life (Re-)Begins At... 32?

Life (Re-)Begins at… 32?

 

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Having lived (up until now) a somewhat ‘comfortable’ (read: inopportune) life, I have reached a plateau: it is time (to not only talk about change) but to do it- and start being ‘happy’

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FOR the past twenty-six hours I have had a (rather drum ‘n’ bass) headache…

This bad-ass little ingrate has been gnarling at my brain: causing quite a cyclone (of annoyance and reflection).  I do not believe in fate, destiny (or anything as unproven and ridiculous as that): I do believe in circumstance- if stress is causing you pain; do something about it.  In seven-or-so weeks I will be 32: quite an unspectacular age- nobody really does ‘celebrates’ that.  I always saw (being 30) as a milestone- in a rather arbitrary way- of accomplishment: so many people (including me) have a ‘Things to do before you’re 30’ list.  When I look back on it, I realise one thing: I have achieved (none of them).

It seems I have been living in a bit of a rut.  Tomorrow is (another dreaded Monday) and a chance to be quite depressed: a new working week never fills me with (anything other than upset).  I do not detest my job, yet I feel like I am wasting my time.  I am constantly stressed and agitated: I work around some VERY noisy people- the stream-of-consciousness throat-clearing/nose-unblocking is an all-day asylum trip.  Being someone (who is filled with sociopathic rage) but loud people/irritable noises, it is not a fun life.  Earning a meagre wage (I know I am lucky to have a job; yet I earn bugger-all for it) and living/working in an area I do not particularly like, I am feeling like a burden (to myself).   Just recently (I have been inspired by) a blog post- from our very own Jameela Jamil- entitled ‘A Time for Change’ (http://jameelajamil.co.uk/post/113320054145/a-time-for-change).   In it, she recalls a rather fateful visit to the doctor’s: when a moment of mortality focus forced her into a rather life-changing decision.  ‘Abandoning’ (well: taking a sojourn from) her London life, she decided to relocate to L.A. - take a one-way trip to the U.S.- and fulfil a life-long dream.  It is interesting how hard times (and scary moments) produce moments of clarity- epiphanies, if you will.

(On a brief sidebar: take a look at Jameela’s blog posts/entries- they are eye-opening, extremely mature and intelligently-written).

I have recently written to Jameela-forgetting she was no longer in London; she may never get my letter- as she is one of this country’s biggest talents: someone dedicated to helping others; a fighter of many-a-cause.  Hoping (that she will lend her name/voice to my charity idea- more below), I was inspired by her words: she has been very brave and courageous.  Too many people live life ‘for the hell of it’; go through the (com)motions- never really ‘go for it’.  I hope Jameela gets to see this (blog post) as her words have given me that ‘push’: compelled me to stop messing about.  For the last few years I have been caught in a cycle of boring-job-hollow-life-procrastination-London-avoiding-unhappy-me quagmire: how long can you keep doing that?  Most people do not know what they want from life (and need to stick in their comfort zone), but I do…

Music:

Nothing in life is more important (to me than music): it is the one thing (on earth) that unites people- even if you do not like music (and are a freak of a human) then you have an opinion (on it).  Music does not ask for anything or bug you; it does not break your heart or cause you pain (well, in a good way it does)- it is always there; ready to make you happy.  I love my ‘part-time’ reviewing (at https://musicmusingsandsuch.wordpress.com/).  Just today, I (had the pleasure of) reviewing The Jackobins: a Liverpool quintet of the highest order.  Next week I am reviewing a Canadian band (in fact, Canadian music is filing the month of March for me).  Over the last several years I have reviewed music from five continents; reviewed Royal Blood (before they became studs); have helped (in an indirect way) to get bands/acts heard- and get people knocking at their doors.  It is a rewarding- and sometimes tiring- venture: something I aim to ‘perfect’ (I have not really hit my peak yet).

Music-making is my main desire: I have always longed to ‘get the band together’.  I have the band name; I have the album title- and fourteen songs worked-up- and all the cover art (and designs figured out).  Presuming at some stage (I can overcome my stage fright/nerves) I want to make ‘music-making’ a reality- eve n if I record one L.P., it will be a (literal) dream come true.  Music recording is a full-time job; it requires a lot of passion, determination (you will get knocked back a lot) and money (something a lot of my music peeps are finding out the hard way).  As soon as I can get to London, I want to get some boys (and girls) together: get jamming and make (my songs) a reality.  It sounds like a cliché- a rather over-seen dream- but (to my mind) there is no better vocation- it is truly spellbinding.

Living:

I do not enjoy living (where I live) - around Surrey and West Sussex.  It is too homogenized; there is little ambition; too many ‘unhealthy’/loud people; little surprise, awe and spectacle.  I know London is not exactly quiet: the thing is, it is busy for a reason.  There are rough parts of the city for sure- I would not live around Elephant and Castle for a second- and there are a lot of expensive parts.  In addition (to some cool people advising the push to London) they have said Hackney is a great part to rent (in)- it is not too expensive; it is up-and-coming; not as ‘reputable’ as it once was (with regards violence and crime).  Shoreditch is quite ‘do-able’, too- in reality I would live in Covent Garden (yet would never be able to afford it unless I went on the game, and let’s be fair, I wouldn’t make enough!).  Hackney is vibrant and multi-cultural; you can find charming coffee shops (devoid of screeching children, selfish parents and Smartphone-staring simps.); feed off the relaxation/vibrancy and become inspired.  Being close (to the centre of town) it is a good ‘starting point’: a good jumping-off point (and a place where you can meet like-minded people).  London is fantastic because it is filled with ambitious people; humans who share (the same) drive; thoughts and feelings- who understand why you are there; do not laugh/ignore your ambitions and dreams.  A cozy/affordable place around Hackney would be great- an opportunity to start a-new.

Love:

‘Being single can be good for you’ they say: being single can suck one.  I have been solo for… well, ever.  Being single is only beneficial in contrast (to having been in) a relationship- a chance to heal wounds; clear your head and think about yourself.  I admire those that are independent; who do not rely on someone to make them happy- do not need validation through romance.  I used to be one of these people: recently I have developed feelings for (sounding like a Hallmark card here) a particular girl; someone I work with- someone who does all sorts of funny things with my insides (although it may just be because of my poor diet).  Having someone in your life can make things easier: you have someone to talk to; wake up to/with; share your desires with- and travel the world with.  Whether the tableaux of she-who-will-remain-nameless pans out (being me, it probably won’t) is immaterial: I am at that stage where I want to find love; be in a relationship.  I am not bothered about marriage; I never want to have children (I don’t like them and would never want to risk passing my depression to them; seeing them suffer that)- I just want to be someone’s ‘other half’.  Being stressed-out suffocates your energy; timetables your mood- and makes relationships near-impossible.  I hope a move to London/a new lease will take care of ‘the love issues’- and lead to a relationship (I can only hope).

Health:

Before I conclude (and stop rambling) I must confess: I have been a bit of a coward.  I have not been looking after my mental health (obviously) - having depression and generalised anxiety disorder is not fun- and am tired of it (the endless headaches are enough to make me want to crawl into a hole).  My physical health takes a hit (because of depression) yet I could be doing more.  I am committed to becoming vegetarian: in truth I do not like the taste of meat and feel my moral objections are not being fulfilled.  I eat far too much sugar- to the point where my heart should have exploded- and although I run half-marathons, I could be A LOT fitter: I am always in fear of ‘bad news’.  Like Jameela, I have had one of those heart-stopping moments (in her case it was a lump on her breast; for me a mole on my arm- my aunt died of skin cancer).  Cancer is an unholy fucker: an arsehole that bullies and (whilst I do not have it) the merest suggestion scares the hell out of me.  Living the way I do- the office job; the unhappiness- I am a person who eats crap and does little to override it.  My physique is pretty good (not to boast) yet my internal organs are a potential blitzkrieg of living-on-borrowed-time wannabes.  I realise I am fault: I have been too gutless to take care of myself.  Moving away will allow me to detox and re-evaluate: become vegetarian (properly); cut down on sugar (and caffeine) and start feeling better inside- the better you feel inside, the better you feel on the outside (or is it the other way around?).

Charity:

Lastly- and the real reason for this blog- is my desire to ‘do more’: try to make changes in the world.  I consider myself to be an altruistic human.  I regularly run half-marathons (for charity); spend the weekends doing good deeds/doing good; try to promote new music as much as humanely possible- get involved with charity; make sure my colleagues and family are looked after.  In addition (to making music and reviewing new music) I want to dive into charity work: do as much for others as I can.  Recently, I posted a blog entitled The Single Voice: a (hopeful) online charity campaign designed to raise (potentially millions) for multiple charities.  Seeing the likes of Jameela Jamil campaign and write; raise important issues; write so eloquently and intelligently, has compelled me to start this puppy.  Her- and my- contemporaries are becoming more motivated; starting to become conscious (of the turmoil and dislocation around us) - yet more can be done.  Not to blow my own trumpet- like Louis Armstrong on crystal meth- but the details are all here: https://musicmusingsandsuch.wordpress.com/2015/03/08/the-single-voice-one-language-for-all/

I am determined to make it a reality: get this idea global; connect people around a single cause.  I am neither an idealistic human (I am as pragmatic as they come) nor a naïve idiot- I am someone who hears a human scream and it kills the crap out of me.  A cat crying scars me; a cancer diagnosis destroys me; gender inequality enrages me- so many ills and inequities occur around us.  It is asking a lot- that a single campaign can change/improve that- yet I am hopeful!  On Friday I will be posting two letters: one will be to the H.Q. of YouTube; the other to the (H.Q. of) Google- pitching the idea and asking for their help.  I am the most ambitious human on earth- and will probably never hear a reply/word- but am not going to silence my inner voice… I will keep barking and yelling until someone takes notice.  I will be writing to a few celebrities; hoping they can assist (when the idea becomes a reality).

Most people do not crystalise their ambitions so effusively (and in detail), but as I write this I have a grinding headache; my shoulders are sagging- I am drowning out (the throat-clearing noises and endless noise of my living space) with music… it is a horribly tense and pointless life.  Why just live for the sake of breathing- there is no point being where you are (doing what you do) if you are miserable and angry.  Tomorrow is Monday- and a soul-destroying chance to hate myself- as it will be in eight days- change will not come about instantly.  I know what I want; who I want to be- what I want to achieve.  On May 9^th I will be 32: with no a lot to shout about.  I know I am not old- and have youth on my side- but need to start making moves; getting my shit together and being a better, brighter, happier and more practical human.  There are plenty of years to do boring jobs; live in boring places- that time is decades down the line.  Small things- like a blog from a celebrity; a moment of realisation- can make big differences; get the cogs moving- force you into action.  I hope people will read this- and if they are like me, be inspired- I hope Jameela sees it- although she may never do- and above all I (hope this): 2015 will be a year to remember.

I have yawned and yacked for long enough.  Recently someone said to me: “You’re only young once.”  Translation: what the hell are you doing being angry all of the time?!  It is hard to make changes- most people don’t- but it can change things for the better… I deserve some peace and happiness (right?).  Have a great Sunday night- now Top Gear is off air, what the hell am I going to watch?!- and enjoy the pre-work (Monday) blues.  If I can (decide to make changes/get better) then so can anyone.  Whether you make a minor change (or about-face your life) it is worth the risk.  Who knows what will happen?  One thing is for sure:

IT will all be worth it (in the end) x

Email: saml889@hotmail.com

Twitter: https://twitter.com/samliddicott

Facebook: https://www.facebook.com/sam.liddicott.7

E.P. Review: The Jackobins- Ghosts

E.P. REVIEW:

The Jackobins

Ghosts

9.5/10.0

 

Ghosts is available at:

https://itunes.apple.com/gb/album/ghosts-ep/id949992452

TRACK LISTING:

The Otherside- 9.5

She Always Says- 9.4

Ghosts- 9.5

Prussia- 9.6

DOWNLOAD:

Ghosts, Prussia

STANDOUT TRACK:

Prussia

RELEASED: 13^th December, 2014

GENRES: Alternative, Rock

COUNTRY OF ORIGIN:

U.K.

IT seems like a (bit of a) lottery in the music scene…

with regards success.  So many acts face a hard and long wait: see if the public will warm to their music; take them on board- ensure they are successful.  I have reviewed a host of wonderful and diverse acts: some have potential for immediate success- many may have to wait a little longer.  With social media being freely available: it seems like a mixed blessing.  Too many people (who use Facebook and Twitter) tend to be a little slack: many great acts and artists are overlooked (and not shared with their followers).  I love how social media can mobilise the masses; get music shared quickly- too many people are not using it effectively.  Too many great musicians are languishing in the realms of compartmentalisation: having their sounds shared with clans and (small groups).  It is impossible to promote ALL the great and good: it is easy to do more; help more musicians- put a greater effort in.  If the users of social media do not (do their due diligence) then the music must shout loudest: blow away cynical cobwebs.  This year is going to be a great one (for new music) and promises some terrific discovery: something for everyone will be available.  The likes of The Libertines and Radiohead are preparing new albums; last year’s warriors (Royal Blood) are still ringing in the ears- it seems that Alternative/Rock sounds are still very much (in vogue)- the most sought-after sounds (by the general public).  Solo artists have their fans and followers, yet it is the ‘harder’ bands that do bigger business: seem to unite a greater number; prick the ear more readily and eagerly.  Maybe tradition and history has a lot to answer for- bands like Led Zeppelin and The Rolling Stones being so influential- or perhaps that (harder sounds) is what people go for- we seem to gravitate towards very particular sounds.  My featured band are one of the most vibrant and exciting bands of the moment.  Before I go into more depth, let me introduce them:

Vocals - Dominic Bassnett

Guitar – Veso

Keys - John Whittingham

Bass - Chris Marriott

Drums - Marc Terry

“Regarded as one of best upcoming bands on the unsigned scene, the Liverpool 5 piece, barely a year old has wasted no time in generating a massive buzz about themselves. Substantial live and social media following has established the band as of the several acts considered to break out big in 2015. The Jackobins have appeared on BBC, XFM, Amazing Radio alongside a wide variety of other FM and online radio stations across the U.K and have regular airplay at Anfield infront of an audience of over 45k. They have been featured in numerous magazines and blogs and have just seen off their first tour of more than 15 dates, in which the band sold out 3 shows, including their home town. The Jackobins have managed to secure several festivals slots for 2015 and have so far played alongside The Rifles, Dexters, Flagship to name a few. 2014 saw the band play more than 50 shows across the U.K in total.

The Jackobins first official release came in on the 13th of Dec 2014 in the format of a four track E.P titled “Ghosts”. The E.P was recorded in The Motor Museum (Arctic Monkeys, Oasis, Jake Bugg, 1975), mastered by Robin Scmitdt (owner of several Grammy awards) and has been received with much critical acclaim. The release has pushed the band into several different charts and propelled them on the road towards much deserved national and international recognition.  With another release on the cards, plans for a second tour in motion and so many upcoming festivals, The Jackobins and their fans sure have a lot to look forward to in 2015.”

With a sharp, informative (and well-designed) webpage; loads of social media coverage- a terrific body of music- it is not a surprise the boys are riding a huge wave.  Liverpool (historically at least) has always produced tremendous music: recently, the likes of London and Manchester have been stealing the limelight.  Wasting little time, The Jackobins have shot to prominence: amassing thousands of online followers and being touted as (one of the best new acts) on the block.  In addition to them being a savvy bunch (with regards their social media strategy) it is their music that has resonated- won so many hearts and minds.  I am predicting a huge year for the five-piece: they have a festival-ready sound that means they are assured glory.  Stadium gigs and prestigious dates await: the lads have confidence, ammunition- and bags of natural talent.  Having generated a huge buzz, their E.P. (Ghosts) is the culmination of their force and passion- a record that is setting critical tongues wagging.

(The band’s) self-titled E.P. was unleashed last year, and gave impressions of what they were about: all that promise and energy was cemented from the get-go.  Gaining some impressive reviews (and kind words) the band would have been inspired- they have grown in confidence (since their debut).  Many bands- when they are starting out- put out cover versions: the band have gone in direct and confidentially.  Wanting to spare no time with other people’s material; the lads want the world to hear THIER thoughts and ideas.  Their first impressions are incredibly encouraging: they point to a band that has a terrific voice; a sense of identity and intention- plenty of punch, melody and passion.  When it comes to (the band’s) influences, The Jackobins have quite an impressive list:

The Stone Roses, The Verve, Radiohead, The Doors, Hendrix, Nick Drake, Johnny Cash, The Beatles, Queen, Led Zeppelin, The Who, QOTA, Nirvana, The Rolling Stones, Tom Petty, Kula Shaker, Fleetwood Mac, Neil Young, Black Sabbath, Jack White, The Black Crowes, Stevie Ray Vaughn, The Libertines, The Killers, David Bowie, The Velvet Underground, Pink Floyd, Kasabian, R.E.M.

It is clear (the band has) incredible taste in music: it would be unfair to say they are the inferior comparisons.  What The Jackobins do is to instill a dose of each act- incorporate Zeppelin-esque swagger; Radiohead’s ‘90s edge; The Stone Roses’ confidence and magic.  A lot of new acts tend to have homogenised and narrow influences: they have shallow record collections and tend to display a hollow ear for legendary sounds.  Those acts tend to touch few; have limited success- scant creativity and flair.  The bands that have a great spectrum of influence have bigger potential: if they can rein-in (their mass of influences) then they connect more readily.  The Jackobins have a great range of idols- from the ‘60s to modern-day- and utilize this in their music.  Injecting plenty of (their own) personality and panache, the boys drizzle essences of (the greats) to create something quite unique- yet music that seems familiar and classic.  Ghosts is an E.P. that gets out of the blocks; it lodges in your brain- sounds bracing and uplifting; deep and thoughtful.  With so much emotion, nuance and diversity (in their music) it is no shock the lads are so popular- that can only improve throughout 2015.

Jingle, gleam and vibrant chimes (open The Otherside): a track filled with early promise and energy.  Employing elements of The Who and Led Zeppelin (during their Led Zeppelin III regency) the intro. is a compelling and striking moment-  leading to an immediate and emotive vocal.  Our front-man is in impassioned and imploring mood.  Speaking words like (“yesterday’s gone”), the band summon up a dizzying array of colours and notes: backing our man in his pleas and implores.  There is a slightly ambiguity and mystery to the lyrics: in my mind, I see a sweetheart (past or present) being spoken to- someone who is not grabbing life by the throat.  There is inspiration and advice; redemption and hope- plenty of passion.  Words speak of ‘shackles’ and vices: the need to escape imprisonment and confines; escape the past- get to the other side.  Never ignoring its energetic and fast-flowing pace, the track boats a memorable and unique vocal take- you would be hard-pressed to compare Bassnett to any other singers.  His range and intent is to be admired: the band is up to the task and equal- making sure there are no wasted notes.  Repeated codas; unique vocals; summery sounds- the song is hard to escape and overlook.  Big in its own soul; focused and strong-willed: it is a song designed to unite the masses in song.  Already proving itself a fan favourite: The Otherside is a perfect statement of intent- a song that displays all the band’s key facets and attributes.  Overcome and gripped by the drama and mood, the listener is buoyed and uplifted: a song to welcome summer in with a huge smile.

With some wordless chanting, She Always Says arrives with little hesitation and build-up: it gets straight to the races.  Showcasing the energy and alacrity of its predecessor, the track ramps up the serotonin: makes sure the listener is stood to attention.  The Jackobins are a band that looks for urgency and immediacy: their songs instantly stick in the mind; no time to build and sculpt.  This sense of urgency- combined with tight and emphatic band performances- makes tracks like She Always Says so catchy and memorable.  Melting early-days Counting Crows (with some ‘60s flavours); our hero ventures down Chester Street- to the door of his girl (whose mother insists “she’s out”).  Whether (our hero) has done wrong- or whether his girl is tease- you get the sense of forbidden love- maybe a rift has occurred.  This sense of story and drama juxtaposes with the gleeful mood: the listener is left curious and compelled.  As the track progresses, our man seems wracked and anxious: returning to his hometown (and old haunts) you get a sense of the Ghosts motif- things are abandoned and changed; the locals are gone and everything has passed over.  Perhaps looking at bygone days; lamenting the loss of love and youth, (the E.P.’s title) has depth and meaning: each new track reveals a different side; a new ghost; a troubled heart.  Here, there is a real sense of change and dislocation- two lovers are separated by geography, maturity and personality.  Our front-man seems genuinely tormented and pained: how he longs to reclaim the older days; reclaim some of the youthful glory- it seems that this will never happen.  As the song reaches its dying moments, the band keep the atmosphere rushing and boisterous- making sure things end with a positive (and vibrant) edge.

The title track is next up: and one of the E.P.’s standout moments.  Beginning with some romance, tranquility and ethereal chill, the intro. builds and mutates.  From its eerie and tender beginnings, it leads to a chorus of wordlessness (ghostly chants, if you will).  With some ladishness and (Wild Beats-style) vocals, our front-man comes to the fore.  Boasting one of the most impressive compositions- gorgeous guitar chimes; bolstering percussion; nimble bass- the track remains engaging and evert-changing: it shifts and alters direction.  Early words look (at our man and his girl) flying “so high”: they are wandering around in a dream.  Our man notes how the world is changing- as he sleeps- and ghosts are stalking the night- vivid images fill the mind.  Floating upside down; lost in a daze: this is a track that looks at loneliness, loss and change.  Whereas previous numbers have hinted at change and abandonment; here the message is more direct and unerring- tremulous vocals add to this sense of fear.  Displaying a histrionic range- and emotional palette like few other singers- you are entranced by the vocal: it adds huge plaudit and conviction to each word- whilst snaking and evolving over the course of a few seconds.  ‘Anthemic’ is a word (many critics have levied towards the band) and this is certainly true of Ghosts: a song that is designed to be a centerpiece- one of their best live tracks.  Squalling guitars take the track down- an essence of ‘Holy Bible Manic Street Preachers is in there-finished with some cosmic notes (and aching piano notes).

If you were looking for some rough edges: well here it is.  All the grit, gravel and ramble (of the likes of Zeppelin and The White Stripes) come to play- few would have excepted something like this.  Arriving with a vermillion fury, Prussia is a track that means business.  Rushing and fighting, the song looks at (“the enemy”)- our man is under the microscope here.  Being seen as an oppressor or foe, you wonder who has it in for him- perhaps a lover or old friend?  With his voice spiked and electric, Prussia keeps a level-head and stoutness: it is primal and determined Rock at its best.  Head-swinging and filmic, the track has epic pretentions: it is another song that is sure to seduce the live crowds.  Keeping its language economical and simple, the central codas are reintroduced- interspersed with some kick-ass riffs.  Throwing in some psychedelic hints; some spacey and discordant chords, the band are filled with vigour and intent.  “A place in the sun” it is said, “is all we ever want”: a sense of intrigue fills the words.  Designed to be chant-able and memorable, the boys design their words (around the needs of the crowds)- words and sentiments that come rolling from their (beer-stained) tongues.  As the band climb “higher and higher”, the composition gets busier and multifarious.  As the final notes come into view, you are still drunken by the giddiness and energy of the track- those insatiable swaggers that punch their way through the mist.  A delirious and hypnotic track, it is the perfect final- to an accomplished and incredible E.P.

With a (forthcoming date) at Tramlines booked; reviews tumbling in- the momentum (The Jackobins are collating) is vastly impressive.  Many reviewers have stated the band is primed for the festival rotation: the sort of act that crowds drink beer to; dance gleefully for; fall in love with.  There is some truth to this: The Jackobins have so much confidence and natural ability, they will transition wonderfully.  With an E.P. under their belt, the lads may want to take a breather: do some more touring and not get ahead of themselves.  A great deal of acts are languish at the edges; waiting for their break- slowly building their reputation.  The Jackobins have managed to do a lot (in such a short time): they are still infants, yet have achieved so much- drawn in so many fans.  Ghosts is a tight, focused and memorable E.P.: a quartet of tracks that demand repeated plays; get under your skin- remind you of some legendary musical moments.  The Liverpool five-piece are seamless in their performances: no loose edges; everything sounds well-rehearsed and professional.  Like all great bands, there is no hint of over-perfectionism: The Jackobins have a loose, ragged and rough side to them; giving their music greater depth and charm.  I will be interested to see where the boys go from here: if they choose to put out an album (this year) or see how the E.P. fares.  With such acclaim coming their way, the boys will not be short of options- I am sure some huge dates await.  Their music is polymathic; their lust endless and unyielding- their sound permanent and intoxicating.  Managing to sound distinct- in a scene defined by sameness and unoriginal intent- let’s hope The Jackobins keep pressing hard.  As music legends like Blur prepare to define 2015, we should not overlook the new breed: the successors to the throne.  There are few bands (and artists) as reputable and statuesque as The Jackobins: they seem to get bigger by the week.  Make sure you investigate Ghosts; seek out their spectral and supernatural vibes- and believe the hype.  The quintet has some big dates coming up; various towns (and cities) to play- who knows where they go from here?  On the evidence of their debut E.P., things look rosy and promising.  In years to come, will Reading (and Leeds) and Glastonbury be options (for the band)?  With everything that has come before; everything that is unfolding…

NOBODY would bet against them.

[youtube https://www.youtube.com/watch?v=VRLkv-matsk&w=560&h=315]

________________________________________________________________________________

Follow The Jackobins:

Official:

http://www.thejackobins.co.uk/

Facebook:

https://www.facebook.com/jackobins

Twitter:

https://twitter.com/thejackobins

Instagram:

https://instagram.com/thejackobinsofficial/

 ___________________________________________________________________________

Music:

https://soundcloud.com/thejackobins

 

_______________________________________________________________________

Tour Dates:

http://www.thejackobins.co.uk/#!dates/c15hi

______________________________________________________________________________

Videos:

http://www.thejackobins.co.uk/#!media/c1e6o

 _____________________________________________________________________

Merchandise:

http://www.thejackobins.co.uk/#!shop/c1402

 

The Single Voice: One Language... For All

The Single Voice:

“One Language… For All”

  “IN a world full of people, only some want to fly…

Isn’t that crazy?”

Well- to quote/mis-quote- the words of Seal: yes, it is a bit.  Over the past few months, I have been particularly devout, with regards ‘helping others’: feeling I am not doing enough to be a ‘better person’.  I enjoy my semi-regular half-marathons (I am taking on my 5^th- for (the) Alzheimer's Society- in June); I like to spend the weekends doing ‘good deeds/helping out'; I have launched a few charity/social  media campaigns- it makes me feel more useful (as a person).  One of the things that is getting me down is the unfairness of life.  A few people I know have (recently) been diagnosed with cancer; others are struggling to fulfill their dream (as a musician); others are suffering horrible illness.  I guess you can say that it’s part of life: with so many people (on the planet), not everyone can live happily/healthily.  As glib and unhelpful- advice/words like that are- it is still unacceptable (in 2015) that so many people go unnoticed: so many blights blot the world’s landscape.  I am a man who is not just committed to (supporting certain charities): I am passionate about various causes.  In addition to (supporting equal pay/rights) for women, I am passionate about animal welfare: I am dedicated to supporting (the eradication) of racism, homophobia and inequality- gun violence and social deprivation are not exactly (twin barrels) of laughs!  There seems to be a great deal of people unconcerned with ‘making a change’- at least doing very minimal motions.  When it comes to supporting causes; donating a bit of money here and there- I know exactly (of my contacts on social media) will ‘step up’- most will not bother.  I know we all have budgets- I earn less than most people I know- and it seems disheartening (so few are motivated) to do more.  I feel- as a person- that I can do a bit more: dedicate more of my free time to volunteer/get involved with campaigns and protests.  Across the world, there are some great (annual) charity campaigns.  Red Nose Day (Comic Relief) is looming large; Stand Up for Shelter and Children in Need do their part- they are hugely important events.  In so much as those events tend to focus (for the most part) of children (who are the minority of the population), they seem to capture the imagination at specific times- namely when they are televised.  For the remainder of the year, momentum tends to be lost.  Social media have tried to ‘buck the trend’.  The dreaded/loved/cold Ice Bucket Challenge was a worldwide success (last year), yet seems to have petered to a standstill: I hope people are still donating to fight A.L.S.  I have always thought- in order to perpetually unite the ranks on social media/general public- something a little longer-lasting needs to take place.  This brings me down to my point…

The Single Voice.

The campaign I want to launch is an online (one): something that anyone- neigh everyone- should be taking part in.  Whereas charity events- like Comic Relief- raise money for specific causes; this (idea) is designed to unite all charities- raise funds and awareness for all causes.  Being passionate about various charities- and angered by certain illnesses and social inequalities- I feel that certain ‘issues’ are being overlooked.  Through public engagement- and an easy but fun idea- here is a chance to raise serious awareness for important issues- raise money (to help defeat) some rather vile problems.  Rather than community events (or sponsored events) this idea uses YouTube (and videos on the site) to raise money.

How it Raises Money.

The campaign is designed to bring together YouTube, Google, Apple and Microsoft: some of the most influential and important (companies on the planet).  I will go into more depth (below) but the way (the user) raises funds is through YouTube ‘views’: every time someone views a video (you have uploaded)- 15p is donated to your chosen charity (an additional 5p is donated for every 'like').  YouTube is the ‘hosting site’: it is their website that is the basis of the campaign.  Google will be the ones who are donating the money.  Each user/member- who chooses to take part- will register on the main site (see below) and through advertising and increased search results, Google will gain revenue- which in turn will be donated into The Single Voice.  Companies like Google and Apple generate enormous profits each year; they do great work but have a lot of profit coming in.  Finding a (legal and non-invasive way) for them to generate more funds- by advertising and getting more ‘business’- would allow them to channel this money into the campaign.  There is the potential (for an individual) to raise millions (possible tens of millions over the campaign) for a great cause- either something at a local level; or a national issue.

The Main Site.

The initiative will have a homepage: which will be where each person goes to register.  The campaign will be shared and spread to social media, but at the first point of contact, each person would start here.  Like Facebook and Twitter, registration is painless and quick: and a great way to connect with other users and like-minded people.  The homepage will be well-designed and eye-catching.  The top half will have various links: A-Z of Charities; Contact Details; Discussion Board; Events/Fundraisers; Latest Members; Links; Generated Profit (so far).  The bottom half will be fun and interactive.  It will depict a variety of locations: a comedy club; recording studio; film set; bar etc.  The sign will be the only constant- saying The Single Voice.  Whether attached to a studio (or comedy club) the figures (that interact will be from that world).  Musicians- past and present- will interact; comedy and film icons (too)- it will be constantly changing and moving.  Each figure will be animated- giving the homepage a great two-tone look/feel.  I shall expand more/give 'the fully skinny' in my next blog. (middle of June).

Registration.

Each person will be asked to register simple details: name, D.O.B., location; campaigns; total raised (and several others).  It will work a little like Facebook, where there is a profile page: it will be a simple process and contain plenty of information- although nothing too personal or revealing.  From the registration page, there are links to social media- where you can easily promote your page/share your success.  When all the personal details/key details are entered, then comes the ‘fun part’.  The Single Voice has the option of 25 different YouTube-based ‘initiatives’/ideas.    These will be split into categories: Film and T.V., comedy, music, miscellaneous.

Each new member is allowed to ‘sign-up’/choose five of the twenty options.  For each initiative you will be selecting a different charity (I will go into more depth later).  On the profile page will be your list of ‘initiatives’.  By each of your selections will be the total (money) you have raised; how many times your idea/entry has been shared (and how many times you have shared it).  This charity campaign will run for a year- from its launch date- and your selected charities will get donations each month (at the end of each month, however much you have raised will be donated to them).

The Initiatives.

There are twenty five different ideas- covering film, T.V., music and advertising.  As I have said, each person will be allowed to select five different ideas (from the list of twenty five).  Each person could be involved with the campaign for five years  When you register, it will ask you to select from the list- which idea/choice you want- and there will be a step-by-step guide.  It is very easy and simple to complete.  Before I explain how it is done; here is what you can choose from (among others):

Top-10 Songs.  Like Desert Island Discs and Tracks of My Years, each user gets to choose their 10 favourite/most important songs.  There is an option- on each entry- for a user to commentate/explain why they have chosen (what they have selected) but it is a great chance for the person to share their favourite songs.

New Music. This is an option that is a chance (for new music to be heard).  A person can give the world a chance to discover new music/musicians.  If a new band/act has posted to YouTube, then their music can be shared.  There is a chance to select your ten favourite songs (from new acts).

Music Videos. It is nice and simple: choose your favourite ten music videos.  Whether it is from a new band- or classic act- you get a chance to have a good think- what you consider to be the best of the breed.

Comedy. Whether it is a short clip- lasting a few seconds- or a full-length film/T.V. episode, this is comedy-orientated.  Whatever makes you laugh the most: get it uploaded!  I shall expand on this more- and what I would select- but you can choose a stand-up show; an episode of The Simpsons- or a comedic home-made video/prank.

Drama/film. Again, whether it is an episode of Breaking Bad- if they are allowed on YouTube- or a short film, this is the chance to get it shared.

Originals. This is the chance for a user to create something new- and upload to YouTube.  Not a chance for self-promotion, it is a chance to flex your creative muscles.  It can be anything you want: a mock advert; a new song; a comedy sketch- whatever you fancy.

Commercials/Misc. If you have favourite adverts then you can get them seen hear.  This option gives voice to other videos: those weird and wonderful videos- YouTube seems to proffer by the bucket-load.  Beauty blogs and ‘how-to’ videos; home-made videos can be selected.  The rules are simple: it can be anything (as long as it is not sexual, offensive, and violent- or violates YouTube’s rules).

There are- as I have mentioned- 25 different choices; appealing enough to everyone- that gives the user a chance- not only to think about their favourite music/films etc.- but discover new and exciting work. Beyond Social Media.

Of course, the point of the campaign is not to share music/film- just for the sake of it.  The idea is to raise money and awareness of causes and charities.  On the home page, you get a chance to share your ideas and videos- and raise money (each time they get a ‘view).  When you select a charity- for each entry- there is an information button: this gives you huge information and links.  If you select Diabetes U.K., then you get to find out about the charity.  There are links to their website; how to get involved in the community; how to spot the signs (of diabetes); ways to further becoming involved with the charity- runs, fundraisers, volunteering etc.  This will be the case for every charity.  It means that, not only does the user get to learn more about their chosen charities (and causes); other people do too.  On the site’s main page, there is an A-Z of Charities: a full list of all charities; information, links and videos for each. In addition engaging people more with charities and causes; there is a hope it will lead to more community involvement.  There is a chance to ‘represent’/choose (to support) women’s rights, stamp out gun violence, support local communities and boroughs- causes not usually represented by the big fundraisers.  In addition to giving information about each, there are ways for you to get involved: get out onto the street and make a difference.  Raising money will be a huge and important part of the idea, but it is hoped that the government will take note- issues and campaigns will be highlighted; a chance to change law- change people’s lives and initiate social change. Not only does one get to learn more about charities and causes- the main objective of the campaign- there is a secondary bonus’.  Each time you compile a list; there is a chance to benefit others.  Say you have selected Top 10 Songs.  After you have selected each track, there will be a link on each video/selection.  Song and album information is provided; links to other (similar) acts; ways to record your own music/become a musician.  In terms of new music, there is a chance to help new musicians (links to campaigns; ways to share their music and causes); find great new acts; support local venues and festivals- ways to bring about equality and change for musicians.  The same goes for film and music videos: ways to become a director/actor; local schools and campaigns; links to similar films/videos; local schemes; ways to support other charities and causes etc. All of this video-selecting and information-finding is designed to be quick to share/promote.  With a click of the button you can share you entries/profile to social media; encouraging friends to get involved- taking this thing viral.  It is A fun, quick, and educational scheme; with the potential to raise a lot of money very fast. If I was doing the ‘comedy option’, these three videos would be first up: when I was feeling very down recently they helped me hugely (and dehydrated me in the process- and all from the same T.V. show):

https://www.youtube.com/watch?v=Fs786SYC_iQ

https://www.youtube.com/watch?v=lMPJZ4YZnqI

https://www.youtube.com/watch?v=XR-MovUcZLA

Ambassadors.

The idea is going to take a lot of promotion and co-operation.  When it does start out: the website is designed, everyone has said ‘yes’, there needs to be some great backing.  The idea is to get five celebrities involved from three continents- North America, Europe and Australia.  They would cover the fields of T.V., film, music and comedy.  Covering a range of ages, both genders- who have a track record of benevolence and charity work.  I am wiring to various celebrities at the moment, but it when the scheme is kicked off- it would be great to have some terrific names involved.  They would post (comedic/fun/serious) videos on YouTube: hopefully inspiring ‘undecided voters’ to become involved- and reminding everyone what they are doing this for.

Intended (main) ambassadors:

U.K.: Stephen Fry

U.S.: Olivia Wilde

Going Forward.

At the moment there is the idea and determination: without contracts being signed; sites being designed- the big guns being involved.  Of course it is not going to be as simple as it should be- 'some' celebrities (and huge companies) are as apathetic as they come- so will take a lot of effort and campaigning.  The point of this blog/the early stages is to gauge opinion: would people take part?  Would it interest people?  Could this work?  What are the 'pitfalls'/'down-sides'?  For each entry people select (from the list) you have to donate a small sum yourself (rather than relying on others) but this should not put people off- it is a chance to engage and unite social media; represent all charities; try to make some genuine change.  The rest of this year- in terms of this campaign- will be to get people talking; get names involved- contact YouTube and Google- and get them saying ‘yes’.  I want to launch this within a year- it sounds a long way off but will take a lot of work.  Above all, it will rely on people getting involved: I want it to be a lot bigger than the Ice Bucket Challenge.  It is a golden opportunity to raise millions (and more) for a lot of causes; raise awareness of various issues- get people involved (on the street; in the community etc.) So that is it- those are the details.  Of course- when developments are made- some more specific details can come through- website designs; how to etc.  I have tried a few social media-related campaigns- sadly none have really taken off.  When I raised one (for Mind) a few lovely people got involved: when it came to sharing it; their friends didn't push it forward.  Same goes (with regards one I tried for Shelter).  I have launched a Kickstarter campaign- to get new musicians together to record a cover version; to raise for charity- but it has received no donations.  Every time I launch a JustGiving page (for various half-marathons) only a few people donate.  It always leaves me really annoyed and disappointed: do people really only look out for themselves/those closest to them?  People are reticent about donating to charity- concerned they will not have enough money for themselves.  This initiative relies on a small amount from the general public (250 British pennies per entry)- the rest comes from Google.  I have contacted some celebrities (Olivia Wilde is the latest: she is in U.S.; she is one of my generation's most impressive voices/talents- someone who is very charity conscious; has a great passion for change; hope she takes to the idea...)  I hope every (celebrity) get involved; but the public have to embrace it: there is no reason why not.  It requires no real talent or effort; it is all simple and effective; it will give you new information and incentive and above all, it is fun.  Unlike my other charity attempts, I am never going to give up on this- if it takes the rest of my.  I (like many) are sick of so many (good people) suffering; so many sectors ignores- so much needless discrimination and inequality (in a supposed developed society) - time to stop pissing about.  There are a lot of people who are motivated (to try to change things) but not as many as there should be- that needs to change too.  I am going to keep sharing and flogging this idea until I am blue in the face; until people take notice- until it is launched (and is successful).  Nobody will give me a good reason (why it would not work/flourish) so for that reason, I will not put it aside- I am sick of only a few people (I know) getting involved with worthwhile causes and events.  If you want things to get better; want to get things changes- you can’t rely on other people to take care of it.  There is a lot of hard work ahead; a great deal of protest and (getting angry): that is the price you have to pay.  I am solidifying and developing the idea: making additions/improvements by the day.  I will publish an updated blog. in May: celebrities I have contacted; development with Google; website designs; plan of action- make this blog. more comprehensive and fully-rounded. With some big days/fundraisers ahead- International Women’s Day; Comic Relief etc. - do not overlook this one…

WE all need to start getting more involved.

Contact Me:

https://www.facebook.com/sam.liddicott.7

https://twitter.com/samliddicott

saml889@hotmail.com

Track Review: Hannah Robinson- Curious

TRACK REVIEW:

Hannah Robinson

 

Curious

9.3/10.0

Curious is available at:

 https://www.youtube.com/watch?v=yvwCawRO75A

RELEASED: 20^th February, 2015

GENRES: Pop

COUNTRY OF ORIGIN:

U.K.

PRODUCED BY:

Scott McKeon & Stephen Darrell Smith (C) 2015

The E.P. Water, Carry Me is available from 13^th   April.   Pre-order at:

http://hannahrobinson.bandcamp.com/

THERE seems to be some renewed optimism in the world of music…

and especially new music.  Over the past few years, I have been fortunate enough to review some fantastic acts: many of who began quite nervously and unsure.  My words and commendations have not (necessarily aided) the rise (of the now-successful acts) yet it is pleasing to see success- great musicians starting to get their ‘dues’.  The industry is a hard and tough thing to conquer: every week, a slew of new bands and acts emerge from the cracks.  There seems to be a sense of predictability coming through (still): there is not a great deal of superseding.  Bands tend to be- in the mainstream at least- male-dominated/led; solo acts tend to get overlooked (by comparison).  New musicians are going a long way to overthrowing this eventuality; making sure there is some unpredictability and momentum building.  Having reviewed bands (for the last couple of times) it is great to come across an eager and much-anticipated sole voice: a singer/songwriter that is gaining some impressive acclaim.  This year is going to see some exciting things happen in music: big legends like Blur and The Libertines are (producing new albums); some exciting sapling artists are starting to come through- terrific new sounds and possibilities are starting to present themselves.  It is pleasing to see so many eager and ambitious musicians come through: with such a jam-packed scene, you wonder how many will ‘succeed’.  It is not good enough to merely arrive with guitar in hand: a songbook to your chest; armed with ‘good intentions’.  Those artists that stick in the mind are the ones that (go beyond what is expected): add personality, surprise and originality to their music.  My featured artist knows this all too well: she is not a performer contented to put in the bare minimum; she is hard-working and endlessly plugs; her voice is distinct and memorable- her songs filled with wonderful insight and stories.  Before I conclude this section/my point, I will introduce (Hannah Robinson) to you:

“Singer-songwriter Hannah Robinson’s blues-tinged vocals belies her age.

Performing as a soloist and with her band, in London as well as in her native Dorset, her busy live schedule sees her playing venues such as The Bedford and Salisbury Arts Centre, and festivals including Larmer Tree Festival and Purbeck Folk Festival.

2015 will see the release of 'Water, Carry Me', a brand new four track EP of original material, following her 2012 debut album ‘Oil and Turpentine’. In this, Hannah is working alongside musicians including Scott McKeon (Lana Del Ray, Tom Jones), Paul Beavis (Robert Fripp, Robbie McIntosh), Rob Mullarkey (Laura Mvula, Jamie Cullum) and Steve Smith (Sandi Thom, Robbie McIntosh), developing her sound.

Hannah’s songs blend her nonchalant, percussive guitar style with soulful melodies and lyrics full of personal experience and rich imagery owed to her art school education.”

With the likes of Sam Smith and Rae Morris- putting the solo realm firmly into the public consciousness- it is one of the most in-demand and in-vogue sectors of music: the band-led hegemony is in danger of being overthrown.  For that reason, many young (sole) acts are coming through- all keen to win votes and linger in the memory.   Robinson is an artist that strikes my ear immediately.  Having reviewed (female solo acts) Little Sparrow, Jen Armstrong and Annie Drury, she ranks alongside them- armed with as much personality and potential (as that glorious trio).  I prefer my music heavier (the likes of Soundgarden, Green Day and Pixies feature in my record collection) and my configurations four or five-piece.  I have always wanted to fully embrace solo artists, yet seem to be seduced by the band concept- that ageless and overwhelming sound that does something primal and wonderful.  Acts like Hannah Robinson go a long way to changing my views; giving me something fresh and much-needed- a mellifluous and sensual breeze.  This country- in my biased and subjective view- is producing the best music in the world: our solo singers (in particular) are the most agile and effective of them all.  Robinson is taking her very first steps, yet the (initial signs) are very encouraging: her online portfolio and social media numbers are rising; her fan-base augmenting and swelling- this year is going to be (a very prosperous one) for her.

Before I get around to reviewing her music (and the featured song), it is worth looking back at Robinson’s (previous work): seeing just how far she has come.  Over the last few months- leading up to the release of her new E.P. - Robinson has crafted some (original and unexpected) cover versions- adding colour and new spins on old gems.  If you listen to (her take on) the likes of Don’t Think Twice, It’s Alright and Make You Feel My Love (both available on her SoundCloud page), then you can hear what I mean: such vitality and energy is injected into both numbers.  A lot of new artists- when they cover other artists/songs- tend to offer little variation and surprise.  Robinson does not tackle a song, unless she feels she can make it sound new- do something unexpected and different.  I hope that- in addition to her new material- she continues tackling well-loved songs: giving her own inimitable take on them.  A few years ago- back in December 2012- Robinson released her (debut album) Oil and Turpentine.  That L.P. was the introduction of the young star: her first (fully-fledged) movements into the musical world.  That album mixes lo-fi grit with Blues-tinged prowess: the entire album has a great live feel to it.  Opening track Monster swings and sways: tinges of Amy Winehouse linger in (the most sensuous and impassioned) notes.  Songbirds in the Afternoon possesses glorious woozy brass; plenty of emotion and personal insight- the young singer pours her heart out.  Stay Quiet has more of an acoustic heart: it is a track that takes your mind somewhere special; its grace and gentility overcome the senses.  The album is a testament to Robinson’s talent and determination: there are no loose edges and gaping cracks.  The entire collection sounds natural and effortless: there are no nerves or need for improvement.  Although there are signs of Amy Winehouse (and some classic Blues voices) within the music, the abiding take-away is originality: it is the young woman stamping her distinct personality.  Songs crackle with vivid imagery and charming scenes; the vocals are compelling and gorgeous- the compositions are rich and nuanced.

If you a newcomer to Robinson, then you may be looking (towards her inspirations).  On Facebook, Robinson lists her idols/influences as: Sam Cooke, Aretha Franklin, P.J. Harvey, Jeff Buckley, Dan Auerbach, John Frusciante, St. Vincent.  Quite a list there!  To be fair, there is a little (of each) within her glorious notes.  That soulfulness of Franklin comes through (in her most astute and potent moments); St. Vincent’s etherealness and spellbinfing allure (has made its impact) and can be detected during Robinson’s softer times- Buckley’s grace and emotion make their way (into Robinson’s artistry).  Just like all promising music acts, our heroine merely uses her idols as a jumping-off point: she does not lazily replicate their voices and sounds.  Too many modern-day acts lazily toss-off a second-rate version of events- come across as bad tribute acts.  When you want to grip imagination, and ensure long-term appeal, you need to be fresh and distinct- this is what Robinson does.  Whether you look for ice-cool beauty and stillness; red-hot power and lust; some comforting warmer colours- you should look no further.  With a voice filled with potential and range, Robinson is capable of owning any territory she likes- and this means her songwriting can be a lot nimbler and less confined.

The opening (plaintive and romantic strums) of Curious put me in mind of Jeff Buckley: specifically, his album Live at Sin-e.  That album was recorded in New York (the Lower East Side) in a small café: and is one of my favourite things in music.  Tearing through the likes of The Way Young Lovers Do and If You See Her, Say Hello; that distinct guitar sounds comes out- that relaxes the bones and kisses the blood.  Curious peaks my interest (within 10 seconds) as it puts me in mind of my music idol- and the way he could captivate crowds were the mere fleck of his guitar.  Our heroine’s mind- from the get-go- looks towards overcoming mountains; climbing peaks- and overcoming obstacles.  One assumes these words are not to be interpreted literally: she has emotional and personal issues to overcome; determined to side-step and defeat anything in her way.  Not allowing her voice to play second-fiddle, her strong and vibrant tones are right up top- seamlessly mixed into the fold to provide the most evocative emotional punch.  Robinson’s curious travelogue talks the listener (away with her): her breezy alacrity is infectious and hugely additive.  Reminding me of the Folk greats of the ‘60s and ‘70s, Robinson mixes vintage-cum-classic: injecting plenty of modern sounds and relevance into the track.  Having covered Bob Dylan, our heroine clearly adores the Old Master: shades of his 1963 regency (The Freewheelin’ Bob Dylan) come through clearly.  In the same way (as the young) Dylan took you into a very personal and relatable style of music; Robinson showcases a clear talent for storytelling and description: her voice helps to highlight the clarity and detail in her lyrics.  Asking her (unnamed lover) whether he will climb with her- come up that mountain- I started to re-evaluate my (earlier assumptions).  The ambiguity that comes out- two lovers climbing a literal mountain?  A duo sweetheart looking to subsume a difficult situation? - makes me think and assess.  Our heroine looks out at the ocean (“that I’m curious to sail”): her sense of determination is unwavering and deterministic.  Where the waves crash- and the “seabirds wail”- Robinson locks her sights: she knows where she wants to be (and who she wants to be there with).  Whether she is assessing a current romance- or looking into fictional realms- each words drip with conviction and honeyed romance- it is hard to not be teased and shivered by that striking voice.  Allowing her guitar to flesh out and emphasise the mood (and not encroach too strongly) the foreground is dedicated to the voice-and-lyrics combination- there is a U.S. flavor to proceedings.  Like the great Country and Folk acts emanating from the U.S.A., Robinson has a little bit of Nashville in her blood- a distinct twang that comes through in some of the words.  Effortlessly- and naturally- bridging American quirk with British recalcitrance, the young Siren (brings her music idols) into her own work.  Curious is a borderless and indiscriminate song: it is ready for the U.S. markets, as it is the airwaves of Absolute Radio.  Whereas George Ezra set the music world alight (last year) with Wanted on Voyage; Robinson provides a female counterpart.  That album contained songs that took you across seas and countries- Budapest, Barcelona, Cassy O’ even) - Robinson has contours of Ezra.  As much as I adore Ezra’s voice (few have those pipes!) and his style; Robinson is her own woman- it is hard to compare her with too many other songwriters.  The contemporary elements (within Curious) will set her in good stead: and translate to multiple listeners and great approval.  As the song reaches the half-way mark, Robinson is clutching her “ticket to the world”- and rolling onwards.  Rolling the dice, our heroine takes a gamble on the world- she is curious to see the world; get out and enjoy the sights.  Riding a crest of rhythmic lust and pace, the song never loses momentum: subtle shifts and about-turns keep the song unpredictable and mobile.  The track has a terrific live feel to it- as though we are sitting alongside Robinson in a pub or café- yet the sound is full and uncompromising.  The entire ‘band’ performance is tight and impressive: each instrument and note seems well-rehearsed yet loose- that juxtaposition of refined and relaxed adds huge clout to the song.  The most impressive facet (of Curious) is Robinson’s nobleness and humility: she wants to share her curiosity (with her love); not simply set off on her own.  Gripped by the will-they-won-they tug-of-war, the listener is left hanging a little- our heroine keeps everyone guessing for a while.  For an artist so young, there is- towards the two-thirds mark- some sage and learned guidance: issues about mortality and seizing the moment are explored.  It is said- by our heroine- whether you take a gamble in life (and just go for it) or wait for death to shove its hands down your underwear- the end is waiting for us.  In a few words: why wait for the inevitable without making the most out of life (that’s the impression I get at least).  Made bold by the promise of sea, sand (and foreign lands), Robinson seems bright-eyed and eager: she does not want to be hidden away and inside.  Curious lives up to its title: the listener has a cliff-hanger left (at the end).  Our young star has unveiled a tantilising insight- into her upcoming E.P. - and shows just how strong she is- here is a song that is simple yet hugely effective.  In a marketplace with a lot of young artists coming through- it is hard to distinguish oneself from the throng.  With new music providing multitudes of female and male solo acts, how do you separate the wheat from the chaff?  I guess going to see live music (is a good start) and social media/music-streaming sites can be a minefield of webs and knots.  A lot of success (for new musicians) comes when (people and critics) are in the ‘right place at the right time’- a zero-hour approach to success and stardom.  Robinson provides plenty of prowess and personality; bags of quality and strength- I hope she has a (fairly easy) rise to prominence.  Whether it is a few years away- or maybe a little longer- that recognition and accolade will arrive: there is no doubt about that at all.  For all the cold night and dull days, Curious arrives just about the right time- her E.P. will be an early taste of summer (to make even the most anhedonic crack a wide beam).

Hopefully I have gone some way to assessing (fairly) Robinon’s potential and panache- if not, I duly apologise.  Being laden with cold germs and worries, her music has provided me some solace and medicinal support- I have discovered a new artist (I will stick with for many years).  As I stated (near the top of this review) I have always been a band man.  My favourite song is by a band (Steely Dan- technically a duo I guess), my favourite album by a band (Radiohead); my all-time favourite band is, well… a band.  In terms of voices, Chris Cornell and Thom Yorke are in my top-three- the lone warrior rarely features in my ‘all-time best’ lists.  Robinson’s timeless beauty and intuition marks her out as a talent to watch: her songwriting and voice are strong enough to ensure she remains (in the public mindset) for years to come.  With the likes of Laura Marling and James Bay offering something very distinct- the market is filled with lesser talent- the public is always on the look-out for something fresh and exciting.  I adore my bands- and heavier movements- but always look for something gentler and inspirational- especially as we come into spring.  Being in a position to (embark upon my own musical path), I am always looking about for contemporary influence: those acts that can help me with my own songs.  Robinson seems a humble and modest artist: something with no airs and graces; a great respect for her fellow musician.  This modest approach to music-making reflects through strongly.  Curious is a step forward for the young artist: she is at her most confident and assured here.  Whereas her debut album was packed with jewels and glistening tracks- I feel she has grown even larger and prominent.  Cementing that early promise, Robinson (already) seems relaxed and assured- she knows exactly what her voice is; exactly who she wants to be.  This assuredness does not equate to complacency: the young beauty has plenty of ammunition in her arsenal; a surfeit of new maneuvers and territory.  I cannot wait to discover Water, Carry Me: it is going to get a lot of (dormant) tongues wagging.  Having familisarised myself (with her fledgling work), I am deeply impressed by her progress: for one so young, Robinson shows great maturity and confidence.  Before I conclude, I want to raise a key point: this year in music.  With The Libertines promising a new album- if Doherty can keep his veins clean; if Barat can trust his brother-in-arms- and Blur promoting their Magic Whip like a bitch: I really hope it is a lot stronger than Think Tank!  It seems like the mainstream is going to get a lot of credit.  After a somewhat unimpressive 2014- Royal Blood seemed like the only real exciting new act coming through- this year is showing a lot greater promise.  Too many people concentrate wholly on the charts: the radio darlings and the ‘popular’ choices.  The most invigorating and wonderful musicians are plating underground: playing the local venues; rocking-out to a small selection of followers.  Whilst it is impossible to promote ALL of the great musicians coming through; one should pay attention to acts like Robinson- she will be a festival headliner in little-no time (make sure you get involved now).  The sun is shining; the cascading cold germs are starting to relent (slightly) - I do not have to work until Monday.  To top it all off, I have come across a musician that has made me smile: surprised me (in a good way) and is stuck inside my head.  If you are like me- and yearn to seek great solo music- or demand something special (in your music) then check out this young artist.  If it comes down to a gun-to-your-head-decision: wait to see if the mainstream can take your breath away (without looking too hard) or stick with new music (and have to ferret to discover serendipity) then (because of the likes of Robinson), there is no doubt in my mind…

THAT will be a very easy choice.

[youtube https://www.youtube.com/watch?v=yvwCawRO75A&w=560&h=315]

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Follow Hannah Robinson:

 

Official:

http://www.hannah-robinson.com/

Facebook:

https://www.facebook.com/hannahrobinsonmusic

Twitter:

https://twitter.com/HannahRobinsong

BandCamp:

http://hannahrobinson.bandcamp.com/

Instagram:

https://instagram.com/hannahrobinsong/

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Music:

https://soundcloud.com/hannahrobinsonmusic

______________________________________________________________________________

Videos:

https://www.youtube.com/channel/UCDpm3eIWLkwWRi7RsSf-Ybw

 ______________________________________________________________

Gigs:

http://www.hannah-robinson.com/

Track Review: Purple Hill- Six String All To My Heart

TRACK REVIEW:

Purple Hill

 

Six String All To My Heart.

9.4/10.0

Six String All To My Heart is available at:

https://www.youtube.com/watch?v=2XUDLejcPhk&feature=youtu.be

RELEASED: 29^th January, 2015

GENRES: Folk, Punk, Rock

COUNTRY OF ORIGIN:

Canada

The album Top 40 Radio Memory Dream (Oh Yeah!) is available from February 27^th.  The album can be streamed via:

http://purplehill.bandcamp.com/

Jordan Bruce: Drums, Percussion Quentin Ede: Bass, Back Up Vocals- tracks 3,4,6,7,8,10 Brent Hough: Guitar, Keyboards, Backup Vocals Owen Marchildon: Guitar, Vocals Dan Snyder: Bass- tracks 1,2,5,9

Produced by Purple Hill Recorded and Mixed by Jeff McMurrich Mastered by Fedge Photography by Tyler Anderson and Michelle Siu

All songs written by Owen Marchildon

ONE thing that has been playing on my mind (among other things)…

Is how difficult it can be- for the new musicians starting out- to gain necessary appeal.  Many of my musician friends have been in disarray; jaded and angered by (how difficult it is) to get respect.  Many acts have a great sound (and mass of determination), yet competition is high: the time needed (to hit your goals) can take quite a while.  I am always anxious- when new musicians feel down- as all of them deserve respect- and their rightful share.  I am going to be taking a two-week break from reviewing (to launch a charity initiative) but before I take a short pause, I am back in Canada: a country that is producing some of the world’s finest new music.  In fact, I have had to ‘ban’ Canadian artists (from contacting me) for a bit: it seems that most of my requests (for reviews) emanate here- it is great, but the rest of the world needs a chance.  I am not sure what it is about Canada: whether there is more hunger; less pressure perhaps.  Whatever is occurring, I am never surprised by what is coming forth: last year I was lucky enough to witness some tremendous Canadian artists- all of whom can go far.  Before I introduce my featured artist, I will finish (this section) with one point: the year 2015.  Last year the mainstream disappointed me slightly: the very ‘best’ albums produced were not that great.  I enjoyed Royal Blood’s (self-titled album) but grew weary of its flaws: similarly, the best of the rest hardly gave me chills.  This year shows greater endeavor and wonder: the likes of The Libertines and Blur are coming (to show the new breed how it SHOULD be done).  New music has always been (a constant high) - this year something strange seems to be happening.  Bands and artists- whom were working hard during 2014- are starting to get angered: change courses and start afresh.  I know of several acts that are changing their game plan: the ambition and focus is unwavering and inspiring.  It is likely (this wave of reinvention) will herald new sounds; some stunning movements- and guidance for up-and-coming acts.

Purple Hill are an act that have been around for a few years: they have garnered respect among their native land- and are determined to take their appeal across the oceans.  Among their fellow contemporaries, the four-piece offer something different: it is not generic or formulaic in any way.  A lot of musicians (even Canada’s best) tend to replicate existing acts: losing any sense of originality; coming across as rather stale and insipid.  The Purple Hill gang is a lot sharper and spectacular.  Before I bring in some biography, I would offer some advice to the boys: get your social media output growing.  It is only (fairly) recently that the lads have joined- the big and rather anonymous- world of Facebook.  They have a Twitter account, but there is some ground to cover: a few more sites they could (make themselves visible on).   Their social media ranks are modest at the moment: with a bit more shouting and presence, they could reach huge audiences.  In an age where social media has overtaken real-life interaction (sadly), it is vital that it is exploited- I hope the band ramp up their online offensive.  Their music goes a long way to doing the talking; reviews and buzz has been very encouraging.  With their forthcoming album nary a matter of days away, the online community has been pricking their ears up- in-tune with what the group is putting out.  Before I go into more depth, let me introduce the Canadian quartet:.

Owen Marchildon - vocals, guitars, harmonica. Jordan Bruce - drums, keyboards. Brent Hough- guitars, keyboards, backup vocals. Dan Snyder - bass.

“Finally, Purple Hill has joined Facebook country. Yes, I know what you're thinking. How the hell did that computer illiterate, long-haired captain put together such a site? Well, I assure you, he didn't have much to do with it. BUT EVERYONE IS DOING IT. So he thought they'd tag along. I guess there are a couple things that need to be said. They have a clean sound. Except for those god dam chromatic tuners. They sure can give Purple Hill the blues. Especially when trying to reach open spaces. They've released three albums so far, a Self-Titled debut on Escape Goat Records in 2005. Their second effort was self-released in January of 2008. It was titled "I Was Born To Flesh". With the exception of a few rockers, there both pretty much mellow affairs. They recorded their third record "Beechnut St." at Owen's parents’ house during a hot week in July 2008. It was released in October 2009 and received glowing reviews both here and overseas. The band was featured in the Eye Magazine the week of its release. With the exception of a few ballads, it's pretty much an upbeat, jingle jangle, rock n' roll record. The band is set to self-release their fourth record, a 12 song storytelling seducer that lies somewhere between Micheal Hurley and The Feelies. There may have been a side order of Soft Boys in there but the band seemed to be over Underwater Moonlight. They just kept shouting "Give us Jonathan! We want more Jonathan!" The new record is called "Bring On The Macho" There also will be a 5 song E.P. released at the same time called "Leave No Prints Behind" This is all going down at the Silver Dollar on Friday March 18th. 2011. Hope to see you there! So look for Purple Hill in the New Year. Find yourselves amongst the people, check local magazines, go to shows, and for Christ sakes, let's be friends.”

The boys themselves have a clear voice: a unique way of doing things; clear personality ideals.  In terms of ‘influences’- those who have inspired their sound- a few different acts (come under their radar):

The Feelies, Micheal Hurley, Jonathan Richman, The Velvet Underground, Neil Diamond, My Bloody Valentine, Glen Mercer, The Byrds, The Everly Brothers, Big Star, Georg Jones, The Kinks, Chuck Berry, The Travelling Wilburys, The Clean, Wire, Gordon Lightfoot, CCR, Bob Dylan, Alexander Spence, The Vaselines, Bruce Springsteen, Willie Nelson,Beachwood Sparks, Pavement, The Replacements,The Meat Puppets, Freedy Johnston, The Flatlanders, John Fahey, The Raincoats, The Flying Burritto Brothers, Gene Clark, The Turtles, The Pretty Things, Patti Smith, The Soft Boys

Top 40 Radio Memory Dream (Oh Yeah!) is available to stream via BandCamp- the ‘official release’ is a few days away.  I have read a few reviews (of the album) and most are very impressed: highlighting the band’s vitality, inventiveness and fresh sound.  The strong songwriting that comes through (on each track) makes it a nuanced and fascinating collection- something that should be investigated.  When assessing the album, the band surmised it, thus:

“This album was recorded at 6 Nassau Studios between spring 2011 and the summer of 2012 with legendary recording engineer Jeff McMurrich. With the exception of a few guitar and back up vocal over dubs, everything you hear on this record is essentially recorded live off the floor. Working with Jeff was both memorable and rewarding. He's a very adaptable person and this allowed for the band to attack the songs the way we wanted to without jeopardizing quality sound. This was definitely a fun record to make and I think that sense of "fun" and looseness really comes through on the recording. So sit back, put on your headphones and dream a Top 40 Radio Memory Dream. OH YEAH!!!”

The Leave No Prints Behind E.P. - released back in 2012- was the band’s last fully-fledged effort.  The tracks (on that E.P.) showcased a wide breadth of emotions and sounds.  Tracks like Chromatic Tuner Blues dripped with vivid storytelling and wit; gentility and Folk strands- a perfect way to kick-start the set.  I Wanna Kick Your Ass is as vibrant and violent (as its title): a rife and riffling slab of Punk venom.  Old Time Hooligans (in terms of the music) puts me in mind of early-career R.E.M. - the vocals are a real stand-out here.  When We Became Friends has softness and tenderness: its lyrics are as picturesque and memorable (as any on the E.P,).  Throughout the disc, the band never sound compromised or exposed: the songs are tight and unique.  You are hard-pressed to compare them with any other act; their strong songwriting and seamless performances make the subject material engaging and repeatable.  The band has grown in confidence and stature (over the last few years) - their latest album is a testament to this.  Not only have their retained their core elements- strong songwriting and incomparable quality- but have expanded and broadened.  So much colour and adventure (comes out in the L.P.) and it is an album that will draw in a fresh audience.  Six String All To My Heart is a typical slice of Purple Hill: a song that at once is recognisable yet unexpected.  Having surveyed the album, I was impressed by how intent and impassioned (the band sounded) - there are no loose edges or tired moments.  No filler or weak songs to be found: everything on the album deserves its place there.  Being a new discoverer of the band, I was keen to dive into (their latest offering) - see what Six String’ had to offer.

Beginning in a woozy haze- of glorious notes and Blonde on Blonde-esque majesty- Six String All To My Heart gets underway.  Both romantic and intriguing, the intro. builds to a giddying high.  The song itself has its heart set (in the glory days) of the ‘60s: you can practically sense Dylan giving a nod of approval.  That is not to say the song is indebted (to Blonde on Blonde/Highway 61 Revisited at all) as it is very much the work of Purple Hill.  Charming hints and gentle seduction lead you into the first verse.  Like all great songs, there is a sense of literal and oblique (to the lyrics): you are always picturing two different sets of events.  In the video for the song, our moustache-laden hero is in fine voice.  Speaking of something hanging on the wall- a painting?  A gold record?  A photo (of a sweetheart)? - you are at once brought into a very intimate and vivid scene.  Our man is inspired and rejuvenated: keen to pen his thoughts (“The feel I get when it’s in my hands”), you can sense the optimism and passion.  The songwriter elite has been in a midst of what-ifs and sluggishness: he has struck a vein of form and is a man reborn.  Looking around him, our man picks up his six-string; with clear intent (and a girl in mind) you get caught up in the rush of excitement- that sense of renewed hope and intent.  As wrapped-up as you get (with the vocals and lyrical descriptions), the band rustle up a hell of an atmosphere.  I have mentioned Dylan- and two of his finest albums- and there is a genuine sense of the 1960s- an updated version that mixes (the songwriting master) with fresh sounds of 2015.  The band contributes shared vocals; the percussion is particularly sharp and memorable- the keys and bass add plenty of colour, light and strength.  When the entire band unites: that is when you get the biggest hit (and adrenaline rush).  Our hero lets his voice ring out loud and clear: you can tell the song’s messages resonate hard.  Whether inspired by real-life events/romance (or something imagined), you are caught up in the storm.  Looking at the “gold record up on the wall” (I thought that image might feature in the song).  The song itself not only acts as a personal tale; a representation of a man on a mission (to gain fresh musical success) - it is a great statement of the modern (music) age.  So many people I know- who are in the music industry- are lacking that spark and energy: so weighed-down by the pressures of the music business.  I have seen many that have come around again- like Six String’s central message- and many who are in need (of that boost and kick).  I hope this song not only acts as a gem of its own: but gets into the heads of any disaffected musician.  Keeping things simple and effective, the lyrics are economical and catchy: the verse entire track consists of relative few words and sentiments.  Rather than clutter up the song, we are left with a very focused song: it will stick in your head for a long, long time.  If you are a Dylan fan- apologies for the band for bringing his name into things too much- then there is a lovely transition: from the softer and settled romance of Blonde’; to the electric revolution of Highway’.  I was settled in my own presumptions and predications: thinking the song would keep on one course; not deviate or stray from its straight-eyed luster.  Just as the fading light comes to play, the band whip out an electric storm: bringing in some of their Rock-cum-Punk past to the party.  Adding a layer of force and weight, the guitar parable is an effective little thing: it perfectly bridges the two-third marker (and acts as a wonderfully tight middle 8).  Begging for more, the lads keep it concise and to-the-point (the song last 3:31).  When the final notes come into play- and our hero sets on his course of ambition- you are fully into the story.  Rooting for our man, you sit there and wonder: will he make it big this time around?  There is maturity and intelligence throughout the track; simplicity and gorgeous storytelling- something that is lacking (from large portions of the current music scene).  No cynicism or pessimism here, sir: the band is bringing the love back.  The song leaves a big smile on the face: it will resonate with listeners of all ages; inspire new songwriters to try something different.  If you are an acolyte of Dylan’s early/mid-‘60s glory days- when he couldn’t be touched for crap- then you will love (what the band offer).  Their original voice and style overrides any sense of over-familiarity- they inject modern and fresh vitality into their music.  I was left deeply impressed by the band as a whole: the tight performances and seamless intuition is what makes (Six String’) such a golden slice.  Kudos must go to Marchildon particularly, who seeks as much passion and panache (from the subject matter) as is humanly possible- his vocal tones are a perfect counterpart to the uplifting and inspired words.  It would be unfair to single one band member out for attention- as the entire group is on top form- but that is what makes Purple Hill so memorable (that each member is essential and hugely impressive).  Not only does the single act as a guide- as to what the album will contain- but is a step in a new direction: the band has never sounded more intent and inspired.  Make sure you give them a listen (as soon as possible)…

It is clear the Canadian warriors will be forging (a determined and impressive) path this year: hitting the road and reaching new faces.  If they can get their social media portfolio organised and expanded, then they will be onto something: they are no minor league band that are incapable of winning over the masses.  If they sort out a SoundCloud and YouTube account; start pushing their brand more- they will pull in a lot of new fans.  We in the U.K. have few bands (like Purple Hill).  On the evidence they have laid out- their new single and album- the boys are going to be a big sensation.  Too many bands suffer an identity crisis: too keen to mimic or rip-off another act.  Purple Hill has their own voice and sense of direction- their songwriting is among the most impressive I have heard (for a long while).  It is the sense of unity and togetherness (the lads display) that makes their music such a special proposition: that comes out in every note or every track.  I hope they find time to come and play London: it is a city that welcomes in all sorts of artists and musicians.  Too many Canadian acts seem relegated and ensconced in their home locales: few travel across the ocean and seduce continental soil.  Perhaps it is money issues- who can afford to come over on a whim? - or maybe something else- I hope the elite of North America change these habits.  I am stepping back from reviewing until next month- bit tired already- but will be picking up where I left off: discovering something great and unexpected.  If you have not heard of Purple Hill- there may be a few that haven’t- then they are worthy of fonder investigation.  Not your average one-dimensional band, the quartet are some of the most inventive and surprising musicians (I have heard).  It is surely only a matter of time before the four-piece are darlings of the music press: faces that few of us can avoid.  If they continue on their quest and path, then it will be a sure thing.  Have a listen to one of Canada’s best acts…

AND discover something rather special.

[youtube https://www.youtube.com/watch?v=2XUDLejcPhk&w=560&h=315]

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Follow Purple Hill:

Facebook:

https://www.facebook.com/pages/Purple-Hill/29372939270

Twitter:

https://twitter.com/purplehillband

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Music:

http://purplehill.bandcamp.com/

Friday the 13th, Valentine's' 14th: Reflect on the 15th?

Friday the 13th, Valentine's' 14th: Reflect on the 15th.

I am going to keep this one (nice and) brief…

as a lot of words have been expounded (about Valentine’s Day).  Yesterday was the dreading ‘Friday the 13^th’: a day/date synonymous with bad luck.  I have always felt superstition (like destiny/karma) quite a ridiculous proposition: people control their lives/action; the universe has no hand- misfortune does not save itself for an asinine (date on the calendar).  Valentine’s Day has received derision- from singletons such as myself- for its commercialism; forced nature, and well, let’s face it- its smugness.  Lots of happy couples; lots of nascent profferings- a great deal of ‘love’.  I am ambivalent and tumescent (when it comes to today).  Being single- I have been single every Valentine’s Day- the day holds little relevance to me (much like New Year’s Day/Eve).  I guess every ‘holiday’ day is commercial and unnecessary- as an atheist, Christmas’ greatest strength is gift-giving and lack of religious input.  As I sink into the evening with a glass of red wine- and perhaps a beer- I feel this weekend holds great significance.  In so much as I am glad for people (who are in relationships)- who get to have some pre-approved copulation and romance (you can see why I am single), it provides an excellent opportunity for people like me- and many others- to do something good.

This year I have made some bad mistakes.  In addition to fu*****-up a friend’s life- a social media friend- and falling out of regular contact, I have been culpable of other transgressions: chief amongst them is not being a better person.  I consider myself to be quite thoughtful and generous- I give to charity as much as I can.  Days like today ram home some perspective: make me think about what is missing (from my life).  The need to find love is paramount (loneliness can be a serious bitch) but being a more rounded and decent human (is my main aim for 2015).  As Facebook and Twitter fill up with declarations of love; photos of gleaming couples (and some rather saucy remarks), it has a bitter-sweet edge: it makes me feel a little hollow.  If I could go back in time, I would reduce my fu**-ups: stop being so damn eager to please people/’be me’.  I hate the idea of a New Year’s Resolution- because nobody sticks to them; people very rarely change who they are.   I have decided that- for the rest of this year- I am going to be that rarest of lifeforms: the human that changes because they WANT to (and not feeling some need to conform.  My goals for this year are as follows:

Move to London (Soho preferably)

Work in London (in the music industry ideally)

Form a band and record an E.P. (or at least get my voice on tape)

Fall in love (or at least find someone special)

Claim back lost friends

Travel more (I have ALWAYS wanted to visit Italy)

Be as good to my sister (as she is to me)

Fix problems/break-ups I have caused

Donate more (I am giving blood this year; registered as an organ donor)

Do something insane/unconventional (I am seriously considering donating a part of my liver to a stranger)

Try and reduce the impact depression has on my life

Help as many people as possible, and…

DO MORE.  I feel like I have done a lot for others- but am always driven to do more- and see too much heartache and tragedy.  Recently a dear music friend of mine was diagnosed with cancer; a distant relative of mine was killed; a colleague’s son was diagnosed with cancer- I have received some shock news and blows, too.  I look around and see a lot of sadness and inequality and cannot stand it- I am too fidgety; too motivated to stand still.  Today has made me reflect on things that are wrong with the world: the stupidity and iniquities that surround us.

Not as a ‘fad’ or temporary measure, I have been driven- by other people’s happiness- to do more: not just for others, but for me too.  I am switching to vegetarianism (for moral reasons) and eating less sugar and sweets (I am in pretty bloody good shape but my heart sure as hell isn’t); moving to London (and doing what I should have done years ago).  I have grown tired of living a ‘9-to-5’ existence: working for the hell of it; not taking risks; being stressed living where I am.  Other people’s illnesses and misfortune has really got to me.  In the next couple of days- to continue the themes of love/giving- I am donating to several charities; leaving a gift to a local music school; sending flowers anonymously; taking a homeless man (who I know) to lunch; doing a lot of random giving/gestures.  Not for the sake of blowing my own trumpet (I literally have no ego whatsoever), but to feel more like a worthy human being: at the moment I am in doubt regarding my self-worth and necessity on earth.  Outside of that, I want to reach a lot more people: contribute to REAL CHANGE.   In addition to continuing reviewing/promoting musicians (one of my true loves) I want to get something done about the world.  I am proper pissed-off with the gap between the rich and poorer: the (needlessly) deep pockets of tech giants and businesses; the shallow tins of the charities and needy.  In addition to doing some various charity bits- have a new half-marathon coming next month; some older campaigns to re-launch- I am tired of being a minor cog.  The plan I have is ambitious- and I will dedicate a full-length blog to it- but it will be a charity idea (I hope to take viral); involve some very cool ideas- and involve some huge names (such as Google, YouTube, Apple and Microsoft) play a part: make sure that millions is raised (for multiple causes and charities).  It may seem idealistic and far-reaching, but it is possible: I am fed up with feeling like crap every day (and worrying about everyone).

What is the point of this blog, then?  Well, today is a special day for many: for many more, it involves exclusion and emptiness.  I am glad that (so many people I know) are happy (and in love): I wouldn’t sacrifice that for anything in the world.  To me, today has greater relevance (than lazy poems and sugar-coated platitudes): it is the incentive to be better human being.  Friday may have been- if you buy into superstitious nonsense- a horrible one; today may be an awesome one- I can almost detect the far-off orchestra of squeaking bed springs- you know what: make tomorrow (and next week) a bloody EPIC one!  If someone like me (hardly the most spectacular flower in the Garden of Eden) can get up and become motivated then everyone (should and can) do the same.  You don’t have to do huge things, but do something unusual/unplanned: small things can go a long way (to making someone else smile).  As I bid the evening a sweet farewell (and reflect on things) enjoy the evening: those in their lover’s arms, or those comfortable in their solo awesome-ness.  If Valentine’s Day passes you by- with its baffling brevity/specificity- then it could (no: SHOULD) inspire something just as meaningful: that desire to make some (even if they are small) differences.  If you balk at V.D.’s sentimentality, then at least compel your arse to get up and do something GOOD.  After all…

THAT gives today a much greater meaning.

Track Review: The Holy Gasp- A Daily Affirmation

TRACK REVIEW:

The Holy Gasp

A Daily Affirmation.

9.7/10.0

A Daily Affirmation is available at:

https://www.youtube.com/watch?v=ftNRFCAiHYs

RELEASED: 4^th February, 2015

GENRES: Afro-Cuban; Psychedelic; Surf-Punk

COUNTRY OF ORIGIN:

Canada

 

The album The Last Generation of Love is available from February 24^th.  A limited edition cassette (of the album) is available at:

https://arachnidiscs.wordpress.com/

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IT has been a while since I have put (electronic) pen to paper: to review a band/act…

One of the reasons (I stepped away from reviewing) was the burn-out rate: taking on too much; too soon.  At the moment, I am reviewing an act every 2 weeks- that may change in time.  My reviews will be shorter and more ‘to-the-point’: reining it in slightly and… well, I’m waffling now.  It is Valentine’s Day (as meaningful to me as Christmas is to Jewish people); I have decided to bury my head into more important things: namely, discovering some kick-ass new music.  Before I get down (and introduce my featured band), it is worth noting an interesting point: I am back in Canada.  Over last year, I found that Canadian acts made up (a large percentage of reviews): each time I assessed a Canadian act, I was left stunned and surprised.  Britain is producing some varied flavours; some bold colours; some loveable tykes: the music we are putting out is pretty strong.  What I am finding is that the likes of Canada (and the U.S. too) are doing something rather different: they are putting out music of a highest caliber.  Whether it is the local acts (inspiring their neighbours into action); something in the air- or the music scene over there- they are inching ahead of us- in terms of quality and quantity (of great music).   Many of us here tend to ignore international music: we focus too heavily on home-grown artists.  The media are just as culpable: they naturally proffer acts close to home.  If you ignore international acts; you miss out on some rather special sounds.  Today’s act is an example (of such an act); a formation that is sure to seduce: one day they will be making their way across to the U.K.  Let me introduce them.

Benjamin Hacker’s Toronto-based crew has been enlivening and inspiring Canadian artists: among the Toronto music scene, they are one of the most exciting and promising acts of 2015.  In terms of their influences (and who inspires them), they list the following:

“Nick Cave and the Bad Seeds, Tom Waits, Primus, the Cramps, Dead Kennedys, Pete Seeger, the Birthday Party, Os Mutantes, Gal Costa, the theme song from Ren and Stimpy, Primo Levi, Cat Stevens, Groucho and Harpo Marx, but not Chico, the B-52s…”

If you are a fan of (any of the aforementioned acts) then you will love The Holy Gasp.  That is not to say the band is the sum part of their influences- far from it in fact.  The boys have taken sprinkles and twinkles of Nick Cave’; a scoop of Dead Kennedys; a smattering of Birthday Party- to be honest, they are the faintest shades.  It is hard really to describe their ‘sound’- it is such a unique and refreshing blast of sonic goodness.  I urge you- to listen to the song immediately- and get a sense of what they are about.  The band is not that most predictable of thing: an Indie band that have little originality and focus.  Too many times- unfortunately it is a big problem in this country- I hear of a ‘great’ new act come through, and my shoulders sag: they are as formulaic and processed as you could imagine.  If I hear another band (that is a copy-cat) of Artic Monkeys or Oasis, then I may well give up on life.  The most imaginative and original acts are the ones that gain the biggest attention- and will claim the greatest rewards.  It is hardly surprising that The Holy Gasp have won some impressive plaudits: Toronto is a city that has produced a huge raft (over the last year) of stunning musicians.  It would do well for their British counterparts to take note- investigate what is happening over there (and be inspired by it).  Before I conclude my point, it may be worth introducing you to the boys themselves:

Benjamin Hackman (vocals, percussion)

Daveyoso (drums, percussion)

Sebastian Shinwell (electric guitar, vocals)

Christopher Weatherstone (alto saxophone, flute, vocals)

 James McEleney (upright bass, vocals)

“Toronto poet and composer, Benjamin Hackman, formed The Holy Gasp in 2011. He tries to make it all sound like a bunch of hopped-up Latin jazz junkies singing Surfin' Bird with a bad case of the shits. Call it Afro-Cuban psychedelic surf punk. Call it a groove, daddy!”

From their charming biography; to the intriguing influences: it is hard to ignore the potential on display.  It is a shame I neglected the high seas of music reviewing (for so long)- yet it was a necessary chance to recharge my batteries.  Now that I am (un-) semiretired, I am glad that my virgin review (for my second wind) is an exhilarating and soul-touching slice of gold.  I shall get into reviewing A Daily Affirmation (shortly), but for now, let me give you some further information…

The Holy Gasp will unleash their (The Last Generation of Love) in a matter of days: it will be chance for the world to discover a fully-fledged example (of what the band is about).  When assessing/distilling the album, the band explained:

“The album was recorded sporadically between March and November of 2014 by Josh Korody (The Dirty Nil, Dilly Dally, Beliefs) at Candle Recording in Toronto. The album re-contextualizes beatnik aesthetics for the modern listener, and makes a desperate cry for humanity, for change--for people to not only care, but to see that to give a shit is profound.” 

The genre cross-pollination and “giving a shit” has clearly worked wonders: there is a definite buzz (about their forthcoming album).  When looking at the here and now, it is worth taking a step back: to see how the band has progressed.  Last year the boys unveiled Bedbugs- a duo of songs that showcased just what they are all about.  The title track (from the E.P.) is a woozy and stomping hoe-down; a break-neck swing of festivity and dark majesty: a howling execration of the damned.  Tom Waits’ distinct bark and rasp comes in; that same yowl-cum-howl swagger is all there.  Being a fan of Mr. Waits- especially his album Bad as Me- you can hear that influence come in: shades and elements of that album come to the fore.  The track stutters and cries to the heaven- an unholy drunken call.  In the middle of the demented fever comes kick and dance: there is cool rhythm and sexy percussive beats.  Stomp Out The Man: nervy and cosmic beginning; twinkling and curious- a beautiful and brotherly counterpart (to the title slice).  The vocal is determined and strong; swaying and addictive.  The lyrics (of the song) are intriguing, witty and quotable- quite Byzantine and oblique in places.  The album (The Last Generation of Love) is about to drop: a matter of months ago, the band unveiled the album’s title cut.  The song has Antony and the Johnsons shades: Hegarty’s gorgeous croon can be heard here.  Fascinating vocals marry with rumbled congas; horns parp with cowbells (and majestic Folk elements).  Tying together themes of Rock, World Music and Psychedelia, the band crafted a nugget of wonder: a track that is impossible to forget.  The band (on their latest offering) has not compromised their ethics and true sound: so unique, it would be foolhardy and unwise.  Having cracked a rich vein of sound (so early in their career) they have merely adapted their themes- grown in confidence and grown in stature.  You can hear the confidence and authority (in their latest song) - it is a sure-fire indication that the album will be quite a treat.  With that all said, it is appropriate (I give my thoughts) on the ‘birthday boy’ itself…

Having familiarised myself with (the band’s) back catalogue, I sort of knew what A Daily Affirmation would offer.  The song itself is loosely based on/inspired by Jessica’s “Daily Affirmation” (see YouTube to understand the irony in that statement: the crap people will watch!).  Readying myself for a visceral smack in the teeth, I steadied myself for what was to come: and sure as hell there was no messing about!  The track has a slight slow-build: some atmosphere, intrigue and quiet are laced in.  If you watch the accompanying YouTube video- there is a link at the top of this review- it goes a long way (to visually representing) the song’s themes and objectives: it starts with a sleepy head; it explodes into the morning- and has an epic day.  When Hackman’s vocals come into the mix (elongating and bellowing the words “right now!”), he is determined and focused mood.  His life (our hero’s) is on the up: he can do anything; there is a definite soulfulness to the opening stages.  Being backed by a chorus of affirmative voices, our hero is leading a charge: instilled with confidence and defiance, nothing is going to get him down.  Reminding me (of a cross between) George Ezra and Tom Waits, The Holy Gasp clan are in buoyant mood: the song rises your spirits; eradicates the malaise of the day.  Our man loves his family (including his cat: well, you would, wouldn’t you?): he is a man filled with promise; a lease of optimism (the video is particularly smile-inducing).  In the initial stages, the instrumentation is kept fairly minimalist: there are percussive touches; some rumbling in the background- the main emphasis is on the vocal itself.  Not only does Hackman inject some incredibly evocative and memorable vocals- his bandmates do likewise.  Allowing the words and sentiments to proffer unabated, the listener is entranced by the song’s motifs: the unabashed and non-cynical messages being expounded.  Throwing out a f***- you to the world; the protagonist cannot be shackled or held back: he is in fine form, and damned be anyone who tries to hold him back!  Infusing elements of Soul and Gospel (into the vocals and the lyrics) there is a fantastic choral affect created: you are almost compelled to get up and stomp around; wave your arms in a hallelujah chorus- or just smile inanely at the insistency of the track.  With some Tom Waits vocal mannerisms; a little bit of Elvis Presley croon (and vocalisations), you are hooked into the song: this affirmation being played out is undeniably spellbinding.  With so little in the way of jaded irony, (the song) is that rarest of beasts: a track that is optimistic and inspiring.  Right now things are good (for our hero and his band of cohorts); there are no obstacles on the rails.  Gathering up friends and associates, the boys care not for negative grumblings- they may have had bad days but this good day will be celebrated to the full.  Intoxicated and seduced by the video’s simple charms- honestly, check it out- you get enveloped in the rush and urgency: the passion of the performances are second-to-none.  After the imagination-capturing flair and beauty of the vocals- and the incredibly nuanced support from the band, the song transmogrifies: a fire-dancing sonic dalliance erupts.  Ensconced in a blizzard of horns, percussion and guitars, the lads unleash a raga of Jazz-tinged joy: a celebration of the sense, as it was.  Rumba and Latin dance tangos with quick-step promise and hold-me-tight passion; brass blasts implore you to move your arms- get up and get lost in the moment.  Quite a contradistinction from the low-down croon and soulful extroversion- this passage is a rainbow-coloured explosion of sunshine and grace.  The boys have a ball for sure (in the video) and this is passed onto the listener: such is the impact and wallop you get; it is impossible not to be overcome in the riptide.  Desperate for the track to continue for many more minutes, the song starts to fade out- you are left with one hell of a smile on your face.  A Daily Affirmation is a short and sensational burst of wonder; a song that has no hidden agenda: something that is designed to uplift and motivate the listener.  The entire performance is tight and incredible: the band is as close-knit and intuitive (as I have ever witnessed).   Each of the band is at the top of their game; each brings a hell of a lot to the table- there are no weak links or kinks here.  When you mix a dose of liquid joy; a healthy drizzle of dynamic Gospel; a liberal swathe of affirmative belief: you get a hell of a bang.  Not only does (the track) get inside your brain- and demanded repeated listens- it acts as a mouth-watering lead-off (from their forthcoming album).  If this is the sort of thing (the L.P.) is going to proffer: why the hell would everyone not garb it up?  I was transfixed by the soulful and seductive (weird synonym but true) vocals; the jubilant cries and exorcisms; the sheer recklessness of passion and panache- the Canadian lads are determined to bring sunshine and guidance the most pessimistic of bones.  There are few songs- and acts in fact- that are so immediate and vote-winning: the song is that which cannot help but be adored (like a soppy-eyed kitten begging for food).  Do yourself a favour- on this Valentine’s Day- and give your love to one hell of a song.

Their social media ranks are slowly growing: the arrival of their album will surely see them swell.  Across March, the lads will be taking their music on the road: touring around Montreal, Toronto (and near-by locales).  There are so few ‘truly original’ acts out there: bands and artists that betray a debt to nobody.  In this country, we struggle to produce these kinds of musicians: across Canada, there is no such problem.  The Holy Gasp are an act that have a big future ahead; ammunition and ample promise- their sound is sure to get inside of your head.  Mixing snarling vocals with insatiable compositions, I cannot wait to digest their album: I hope that it gets the attention it deserves.  I say this about (most international acts): I hope they get their butts over to London.  It would be good to see them play live; experience the wonder close-up.  The likes of George Ezra have put the vintage back in fashion: he has a low bellow and a treasure chest of classic sounds.  There are too many over-produced, polished and samey acts about: we need more bands like The Holy Gasp.  I shall conclude my review with a quote (from the band themselves): one that perfectly sums them up:

A teacher once told me long ago that "there are two types of people in this world: 'those who make messes and those who clean them up.'"

The Holy Gasp is cleaning up the mess (the bland and predictable swathes of music shards) but need your help…

IT will be worth the investment.

[youtube https://www.youtube.com/watch?v=ftNRFCAiHYs&w=560&h=315]

________________________________________________________________________________

Follow Holy Gasp:

 Facebook:

https://www.facebook.com/TheHolyGasp

Twitter:

https://twitter.com/theholygasp

BandCamp:

http://theholygasp.bandcamp.com/

Songkick:

https://www.songkick.com/users/TheHolyGasp

SoundCloud:

https://soundcloud.com/theholygasp

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Music:

https://www.facebook.com/TheHolyGasp/app_204974879526524

____________________________________________________________________________

Videos:

https://www.youtube.com/user/theholygasp

 

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Tour:

https://www.facebook.com/TheHolyGasp/app_308540029359

Where Words Fail...: The Cover Version

Where Words Fail...: The Cover Version.

A few months ago, I mooted- gaining positive feedback- an idea for a concert: whereby some of the best and brightest (new musicians) would come together- in Chelsea- to perform together.  The concert- entitled Where Words Fail...- is (was) designed to generate funds for (a variety) of charities.  Spending a large chunk of time behind a laptop screen, I find that: I rarely get time to actually connect with people.  I know so many people (across Facebook and Twitter), yet never actually ‘know’ many of them.  So many great musicians; a multitude of stunning artists- I have met a paucity (of them).  The aim of the concert was (not only to raise awareness/funds for charity), but get everyone in one room- and make a great sound.  Unfortunately, financial issues (the high cost of hiring a venue for the night) have pushed this idea (into my hindbrain): it is something that will have to wait until later this year.  It is definitely going to happen: money has reared its head; and stopped the charge in its tracks.  It occurred to me that (a concert) is not the only way (to raise funds for charity) of getting multiple artists together- something simpler could occur.  This brings me to this idea...

Having witnessed (some may say ‘suffered through’) another round of Band Aid (Band Aid 30); it occurred (to me) that so few new/unsigned musicians have been brought together- to do something similar.  You don’t have to be a celebrity to make an impression: a common cause and ideal should bring EVERYONE together (and not be exclusionary).  The finer details are yet to come; yet I have decided a few things- with regards this project.

So...

The Song:

To record on 15th August (hopefully will take one day)

It seemed that (the chosen song) need to have some uplift: was a crowd-pleaser; something that would raise the spirits.  For that reason- and sacrilegiously to Elbow fans- One Day Like This seemed (the best choice).  Not only is it a wonderful song: it is ready-made for a ‘group recording’.  The lyrics are universal and quotable; the composition is wonderful and stunning- the outro. Is one of the finest (and rivals Hey Jude for its chant-at-the-top-of-your-lungs quality).  I know the likes of Sarah Brightman (and I think Peter Kay!) have attempted the song: fine versions; neither I am hugely fond of.  Like Band Aid (and Do They Know It’s Christmas?) and Perfect Day (when various singers contributed their vocals); this track (the cover version) will do the same.  Every vocalist will get to sing a part of the song- when the final coda is repeated; all will combine.  I will work with an arranger/composer, to slightly rework the track- give it a new spin.  Essentially, the (reworked version) will not stray too much from the original.  I hope to incorporate more guitar (especially in the final minutes); brass and Jazz instrumentation- in addition to piano (and softer, acoustic guitar).

The Fundraising:

This is the most important thing: if no money is raised; this cannot happen.  Through a Kickstarter campaign, I hope to get the public engaged: raise money for a worthy cause.  At the moment, the total (money needed to ‘hit the target’) will be around £4,000- that would cover both recording (and music video).  Through the weeks, I will update everyone: how the project is going; what will happen next etc.  In return- for public generosity- gifts and benefits will be offered.  Among these will be the chance to appear in the music video; signed goods (from the musicians involved) etc.  This- and all other details- will be cemented shortly: there is incentive to get involved.  After everything has been completed- the song and video have been released- the track will go online: onto iTunes and Bandcamp.  When a listener wants to play the track, they will have to donate £2; all of the proceeds from the song are divided among the musicians- who then give that money (to their chosen charities).

The Video:

To shoot on August 16th (hopefully will take no longer than one day):

The Video:

You can’t have a song without a video, right?  Rather than a ‘studio video’ (recording the song as it is being performed), something more adventurous is required.  Again, I will be working with others- in this case a director- to come up with the appropriate promotion.  With a restricted budget, we can only do so much- but can still produce something quite memorable.  The video will be shot in London- over the course of an entire day.

The basic idea of the video is this:

The first half (of the video) will be shot using a single camera, and will be a continuous shot- like Alfred Hitchcock's film, Rope.  The scenes will be shot in the streets of London; involving all of the musicians (featured on the track) suffering some misfortune.  Aimed to be comedic, the video will show various mishap and accident: it is a video that aims to be as 'fun' as possible.

As the video progresses- and the camera keeps moving- the musicians will each pick up a glow-stick: that will come into play in the final moments.  Just before the song's (outro./round of choruses) comes into effect, the filming style will change- there will be a time-lapse interjection- before night comes.  Converging to a London park (not sure which yet; hopefully Hyde Park), all of the musicians will be there- having overcome their bad day.  Armed with glow-sticks (and a happy heart), they will all chorus (the song's mantra): "So,throw those curtains wide!/One day like this a year will see me right."  The artists will walk/march in a line- zig-zagging in and out of one another; crossing each other's path- as they sing the lines.

With the shot illuminated with colour- under the night sky- the camera pans up- to see the London skyline (in all its beauty).  The final seconds see the camera pan out- towards the gates/entrance of the park- to end on a comedic shot (keeping it under wraps, as it is cheeky/unexpected/not quite written yet).

I hope the video will be as simple and cost-effective as possible: above all, fun and easy to shoot.  Speaking with a few (local) directors, I feel that it can stick to a slight budget- and still have all of (the details above) included.

The Dates:

The recording (of song and video) will take place towards the middle of August.  As a result, the Kickstarter campaign will end towards the beginning of August.  Exact dates will be confirmed- to ensure all the musicians/directors/producers etc. are available on these dates.

The ‘Guest List’:

Singers:

There will be about 15 in total- maybe as many as 20- that will be contacted (invited) in due course.

Musicians:

In addition to guitarists; drummers and pianists will be needed- and a string quartet.  Sourced from acts (I know via social media) and local musicians, there will be a total of around 15 (musicians).

The Plan Going Forward:

I have had a few people (stating they are interested), and will need to get exact numbers.  Hopefully those who are ‘invited’ will be free- but it is important to get everyone together (and for all to be available on the same dates).  Hopefully- by August- I can have everyone (saying ‘yes’) in and organise the entire details- ready to go.  I will be posting/launching the campaign over the weekend, and will endeavour to post regular updates (as it goes along).  It would be great- when it is ‘live’- to get people donating and involved.  From the perspective of the musicians (who will be contacted): it would be great to have you all involved.

Watch this space...

[youtube https://www.youtube.com/watch?v=QfVejpYc8Zc&w=420&h=315]

The Malaise of the Modern-Day Musician

The Malaise of the Modern-Day Musician

____________________________________________

The music industry is a platform for the ambitious and creative.  With that comes a harsh realisation: many will not have long careers; others will take longer to find success.  In a scene where too many burn out (rather than simply fade away), it is understandable (from a musician’s standpoint) to have niggling doubts.  The music industry promulgates too many reality-star-quick-buck-no-talent-fly-by-night-clowns: true success/respect often arrives later (age-wise).  With so many of my musician friends disaffected- frustrated by their ‘lack of progress’- I have a little story to tell...

__________________________________________

ONE of the biggest joys- and tantamount regrets- is witnessing the plight (of my musician friends).

It is an industry (music) I will be entering soon (with trembling feet and an optimistic heart); getting a band together- and laying down my ‘impressions’ for the world.  I am very excited (about what I can achieve) and feel sure I can overcome some inner-fears- stage fright, nerves; public expectation etc.   When I look around social media (Facebook and Twitter et al.) one thing always strikes me: the struggles (the modern musician faces) to get recognition.  We all have our ideals of life: what we want to achieve; where we want to be (and by what age).  The truth of the matter is this: our expectations are always a little overzealous.  The musicians I know are universally exceptional: each offer something new and genuinely original.  The fact that (the ones who feel short-sold) are not ‘huge stars’ is not a reflection on themselves- their work ethic or talent- more a (hard fact) of consumer culture/the current scene.  When speaking (online) to various musical contacts, they always tell me the same thing: (they) are deflated by the lack of attention (they have received).  I can understand this malaise: true talent deserves reward and acclaim.

I am in the same boat myself: I wanted to be a lot further along (in my life) than I am now- I have not given up on any of it.  It is disheartening to see some lovely people sound so down: stuck in a rut and questioning of their life’s ambitions.  To all those (who have these fears and resemblances), I would say this: keep holding on; do not give up.  It sounds like a trite bromide; yet it is a valid point: those that stick at it will get their just-rewards.  The fact that (the musician in question) feels so under-sold and under-appreciated shows how much they want it (success) - that is the type of passion and dedication that will see them succeed.  Before I expand upon this point- and offer some personal insight- there is something worth mentioning: the cost of being a musician.

From (recently) chatting with a musician friend, I know the financial strains involved in music- an average (no-thrill, holds- barred) song can cost between £200-£300 to get produced.  Considering the average human earns practically sod-all (my business studies background coming into play here!), the tableau (and parable) of the recording process is a fiscal nightmare: how many of us have that sort of money to throw around?  When you look at an E.P. (or an album), the cost runs into four (or five) figures- unless you are raking in some serious gig money- you are not going to accrue a massive stream of revenue.  Social media- and music-streaming websites- make it easier for Joe Public to get tunes for free- adding an extra arrow into the chest of the musician.  Day jobs and savings are often used (to finance musical endeavours); factor out rent, food etc., and the reality is: how realistic is a career in music?  I am immensely proud of ALL my music ‘friends’- the people who have given me so much pleasure and inspiration.  Before I wrap up; offer some solace and (I would hope) ‘pep’- like an ebullient cheerleader chanting for a U.S. football team- I shall get a ‘bit personal’...

Among my (multitudinous) business ideas- I shall touch more on this anon- is (trying to) formulate something for the musician: a fundraising site- like your Kickstarter-s and so forth- that makes it even easier to raise ‘serious’ funds.  The aforementioned site works on the principle of benevolence and mass co-operation: getting the music-buying public to donate to a musician/music project- that can often be a stumbling block.  Having tried (somewhat unsuccessfully) to get charity initiatives and fundraisers off the ground, I know for where I cometh: most people want their music free; few will spend their cash on something like a Kickstarter campaign.  It may be an over-generalisation, but there is some truth: the point of the idea (my alternate slant) would eradicate that side of things- it is in the ‘sketchy/infantile’ stage of development, but I am hoping for an ‘Archimedes moment’ (I shall keep you abreast if/when I get something concrete).  I digress, of course; but the point to my thesis is this: money is the major stumbling block (when it comes to furthering a music career) rather than a lack of talent.  This year I am getting my backside into gear; getting some music ‘done’: turning apathy into ‘hell-to-the-effing-yeah!’  In addition to recruiting various band members, I am looking at a fully fledged E.P.; making a move to London; getting my music out there- I will be exploiting sites like Kickstarter as much as possible.  On that point: I can understand certain reticence- people feel if they use it- and rely on crowd-funding, they are employing some dishonesty; maybe not being as independent as they would hope.  Bringing the public into your musical ideas- from the ground-level- is a great way to ensure long-term support- and detract from the disposable fair-weather fans.

I have quite an ambitious mind: my ‘dreams’ are quite extensive.  In addition to business ideas (music plans and the like), I have heady hopes and aspirations- they including moving to the U.S. for a few months.  Music is- and always will be- right at the top of my ‘to-do list’: few people on earth lionise music as much as I; have that intense hunger and desire (to want to be a part of it all).   Like everyone else, I set the bar high: have a timescale and plan of action; want to be big news very soon.  I feel like many of us assume we have to ‘get everything done’ by a certain age: most of the people reading this blog (and my musician friends) are in their 20s and 30s!  Some professions are a ‘young man’s game’- football, prostitution, child actor, trained assassin etc. - but most aren’t.  Music is an industry that provides a mouth-piece to the middle-aged and old alike (legends like Bob Dylan and Paul McCartney are still going strong).  I am worried about (how I am going to finance) most of my music: one of my songs will take at least £5,000 to produce- what with the studio time; crew of musicians etc.  Not wanting to descend into poverty (or sell my organs), I do wonder where the finances will emanate from: how will I ever afford a music career?  Small steps seem to be the answer: being modest at first and taking things a day at a time.  I understand that ‘your average musician’ does not rake in a lot from their songs- gigs and such only pay so much- so we all have to economise and scale-back to begin.  Ever since the ‘90s (when I was but a slip of thing) I have wanted to hear my songs in the ears of others: it is that realisation that subjugates petty financial concerns.    It is axiomatic to say the music world is over-populated: it seems every week several thousands new bands emerge; all ‘the next-big-thing.’  Making your voice hear (and getting a sturdy foothold) can be a source of anxiety and self-doubt.  Let me leave you with this...

Age and money are twin heartbeats that get slower (the longer they keep beating): the former merely a number; the latter a capricious and unyielding pain in the arse (we never seem to have enough money no matter how hard we work).  Aphorisms aside, my true-cum-basic diatribe should offer some crumbs (of guidance): success and appreciation come to those who keep at it.  It is a hard mistress, music: you slog and work; stardom can seem like a far-off beacon.  Before I sign off- and drill down to the bedrock of my blog- I will throw in some case studies...

Musicians like Ed Sheeran- not a huge fan of the music; fan of the man himself- arrived from a ‘humble’ and fraught background: nary a few years ago he was sofa-surfing and busking to make a living.  With a few pence in his pocket- and rejection calls ringing in his ears- he has moulded himself into one of the U.K.’s most exciting musical prospects.  Without getting fixated around short-term success; pacing his ambitions, Sheeran has bloomed into (one of the world’s) biggest stars- he is not a one-off by any means.  I know too many people who have lots of money; they are privileged and scarcely have to struggle- I know a few online friends who are in this position.  Money, comfort and luxury will come (later in life): the early years will always throw up their share of fiduciary woes and roadblocks.  Legendary artists like The Beatles and Bob Dylan rose from modest- that is to say, hard- backgrounds.  Having had to work themselves raw, they had no easy ride: their determination and talent got them where they are.  I know people get fixated with age: they assume that unless they have ‘cracked it’ by their 20s, then they will never succeed.  Bullshit.  I am 31, and have not even recorded a note- your most inspired days and mature movements happen in your 30s/40s etc.  The songs I was writing when I was in my 20s pale (by comparison to what I am recording now).  The world wants music that is of the finest order: it does not matter if you are creeping towards middle-age; so long as your music is good, you will get the support.  Although the young generation have limited attention-spans- and have shockingly-poor knowledge of ‘older’ music- they have enough savvy to realise a good thing.  So many music careers can be over in a blink, there should be no rush to ‘make it’- patience and limitations can be a good thing.  An historical sweep of the legendary music throws up its own maxim: the best there have ever been (took) years to become legends.  It may not be a world-beating saying, but you get the point: it will happen!  Bryan Cranston- Walter White from Breaking Bad- began his life on U.S. soaps: how many U.K. soap stars can you see being in his position (where he is now)?  It may sound snobbish, but few of our soap regulars can ascend to his heights.  The point is, that he- one of the world’s best actors- began life amidst low expectations.  His career started slowly; he began to get bigger parts- dramas and T.V. shows started to form on his C.V.  From there- doubting his ambitions; questioning his motives- he landed a part (as Hal) on (the criminally under-watched) comedy Malcolm in the Middle (playing a neurotic and happy-go-lucky dad to a clan of hellacious sons.  It was not until his 50s that Cranston scored the role of a lifetime: that of Walter White in Breaking Bad.  Aside from being one of the greatest acting shifts in history- Cranston played a lovable and put-upon man in Malcolm in the Middle; a drug-dealing cancer sufferer in Breaking’- it proved how patience, is indeed, a virtue.  Aside from Cranston’s biblical talent- few actors are as funny and traumatic as him- his biggest role has arrived in the middle of his life (well, we hope at least).  Society is too fixated with youth and (making it) young: the finest music; the best acting- that is (in this day and age) coming from wiser (and more mature shoulders).  Keen not to bore (to the point of rigor mortis), let me conclude:

The last year has seen (me suffering) some pretty f*cked-up things come my way.  In addition to being involved in a car crash, I have had a bad ‘depression year’- shall keep those details clandestine.  Having lost a couple of (good online) friends (under auspicious and ridiculous circumstances) - which has caused immeasurable stress and sadness, I have experienced personal ‘loss’- the death of those close to me.  In spite of all of this, I have never been more optimistic about music: that is thanks to those who provide the music.  From pink (now purple) haired Yorkshire stunners; to Surrey-based singers- I have revelled in the audible joy (they provide).  Over the past couple of months, I have spoken to three separate musicians who have said the same thing: they feel depressed because they are (not as far along in their career) as they had hoped.  Despite the fact that all three are insanely talented, I get what they are saying: we all (that write music) want to be wowing festivals; touring the globe- all whilst we still have energy in our bodies.  The realisations are these: a): those desires will be realised (trust me they will and b): stardom is the accumulation of gig tickets and magazine interviews.  Few will realise (reading this; they who make music) just what an affect they are having.  Set aside- for now- ideations of arena tours and record deals, and consider this: do you realise just what an affect your music has?  If you manage to influence and compel a single human, you have already made an impact: every musician I have review has done just that (and inspired me).  Every album I have heard; every song I have dissected- every new YouTube video that arrives- makes me a more confident songwriter- in words of Sam Smith: “I know I’m not the only one.”  It is the small things- the individual songs and performances- that make a big difference.  I know many will sit there and say: “It’s easy for you sitting there; try being us!”  Fair point, but I will offer this: you will all (those that want it) get success before you know it.  Whether it a spot on Later... (With Jools Holland) or a modest tour of the U.K., depends upon your talent and resolve.

The point of the blog- aside from trying to nullify the haunting doubts of some fine musicians- was to offer comfort and assurance.  Everyone I have reviewed- from Jen Armstrong through to Allusondrugs- will see their standards/hopes realised.  They may not know it (same applies to everyone else) but they have had a HUGE effect on me; they have inspired countless people- they have brought smiles to endless faces.  They are young, they are green (they- to paraphrase Supergrass- “keep teeth nice and clean”) - they should feel fantastic (more than merely Alright).  As for the future: give it time (that is, after all, what the future consists)- and know this: you are doing incredibly well.  Whether it takes a few more years- or you are hitting your prime in your 40s- it is worth sticking around.  Do not give up on music; do not question your career choice: NEVER doubt your talent and ability.  The reason I am optimistic (about music) and hell, even still breathing (no hyperbole needed) is because of the fantastic new music out there- saving someone’s life outranks sharing the bill with London Grammar (it may not to some, but it should).  As for those things that we (in the music-making sphere want): tours, radio interviews; to nestle alongside our heroes- that will all come along (I am not saying it to balm wounds and diminish ‘silly’ doubts).  Stick on a good tune; write a catchy song, and relax: you are doing marvellously.  In years to come- when gig stipends increase and hit singles are seducing the airwaves- all of the anxieties and fears will seem (almost churlish).  I know how you feel; I know how scary it is: we’re all in it together (and I cannot overstate how proud to know all you fine musicians).  Hell people, if the likes of me- procrastinator extraordinaire- are looking ahead (with high hopes), then you will all be fine!  Stay strong, keep playing, and (when next year arrives); keep your diaries well clear...

BECAUSE they will be very busy indeed.

The Thirty Best New Music (Acts) for 2015: 'The Final Ten'

The Thirty Best New Music (Acts) for 2015:

‘The Final Ten’

The Verideals:

Jade Barnett and Mat Jones (make up The Verideals).  An act with immense potential, the last year has seen them develop and evolve.  Having reviewing the group (under their former name Shades of Jade), the way they have adapted is impressive- a musical proposition with a clear future.  Clear chemistry and strong songwriter is backed by Barnett’s inimitable voice- an act that are sure to rise from the underground.

https://www.facebook.com/TheVerideals

https://soundcloud.com/the-verideals

https://www.youtube.com/channel/UCW5avYZupeYeck6AD_OGy1g

https://twitter.com/theverideals

[soundcloud url="https://api.soundcloud.com/tracks/83372223" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Boom Tales (Ft. Eloise Lovell Anderson)

One of my favourite acts from 2014, the unique and unforgettable sounds (from Boom Tales) is a rarity indeed.  When Eloise Lovell Anderson lends her vocals to the mix, that sense of beauty and ethereal entrance is augmented.  Whatever 2015 holds for them, it is clear they will continue to grow- reaching new fans and supporters.  As comfortable relaxed and serene- as enraptured and determined- the group are one of London’s finest.

https://www.facebook.com/BoomTales

https://twitter.com/BoomTales

https://soundcloud.com/boomtales

[soundcloud url="https://api.soundcloud.com/tracks/114924088"]

Allusondrugs:

Their front-man resembles Kurt Cobain: to be fair, their music has hints of Nirvana.  Allusondrugs are stronger than resemblances: catchy, anthemic and insanely hypnotic- the boys are destined for future festivals.  The north (and Yorkshire) has ample wonderful music: these lads rank amongst the very finest (from the county).  Once heard, they are near-impossible to forget.

https://www.facebook.com/Allusondrugs

 http://www.allusondrugs.com/

https://www.youtube.com/user/Allusondrugs

https://twitter.com/Allusondrugs

https://soundcloud.com/allusondrugs

[youtube https://www.youtube.com/watch?v=fSJ7Zvo54_U&w=560&h=315]

The Moth Lantern:

Guided by the stunning songwriting o Dan Clark, the Lincolnshire band is one of the most underrated in the U.K.  Their album (Light Waves) shows just how strong they are: masters of melody, uplift and thought-provoking lines.  Having been backed by the likes of B.B.C. Radio 6, the four-piece will be climbing (new heights) throughout 2015.

https://www.facebook.com/themothlantern

http://www.themothlantern.com/

https://twitter.com/TheMothLantern

https://soundcloud.com/themothlantern

https://www.youtube.com/user/themothlantern

[soundcloud url="https://api.soundcloud.com/tracks/154659926"]

Braver Than Fiction:

Mixing Indie-Folk, Blues and Alternative shades, the Sheffield band have received serious plaudits- include laudatory statements from many.  A phenomenal live band, it cannot be too long before Braver’ are making their way internationally: their sound is ready-made for the U.S.  I know the group is making plans for this year: make sure you are a part of them.

https://www.facebook.com/braverthanfiction

http://www.braverthanfiction.com/

https://twitter.com/braverthan

https://www.youtube.com/channel/UCWR-hWqhw5FA4NYEa1CEfBw

[youtube https://www.youtube.com/watch?v=a7n7Er4MUZI&w=560&h=315]

Bi:Lingual:

Few acts (successfully, at least) mix Hip-Hop and Rock/Metal.  Beastie Boys mastered it: since then, there have not been many followers.  Skillful lyricists; masterful musicians: their stunning songs are backed by raw and scintillating vocals.  Another band (like Allusondrugs) that has grit and panache: they are sure to be regular fixtures at some of this country’s most prestigious music festivals.

https://www.facebook.com/bilingualband

https://twitter.com/bilingualrshit

https://soundcloud.com/bi-lingual

https://www.youtube.com/user/bilingualband

[soundcloud url="https://api.soundcloud.com/tracks/154170396" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Dana McKeon:

Malta is a country that is growing in recognition- having produced the likes of Chess.  Dana McKeon is an exceptional talent: a skilled M.C./rapper; a prodigious artist and intuitive songwriter, she is sure to go far.  Critical praise has been flooding in; fans and supporters have flocked- this coming year is going to provide (her) much opportunity.  When I reviewed (her single) Street Art, I knew we had (an amazing artist) on our hands- see for yourselves…

https://www.facebook.com/DanaMcKeonMusic

http://www.danamckeon.com/

https://twitter.com/Dana_McKeon

https://www.youtube.com/user/DanaMcKeon

https://soundcloud.com/danamckeon

[youtube https://www.youtube.com/watch?v=plpvYkMT24E&w=560&h=315]

CryBabyCry:

The three members of CryBabyCry are a busy bunch- Rosie Doonan has been heard as Rosie and the Howling North and Cissie Redgwick; Jonny Firth has performed solo and as one half as Knuckle; Nici Todd has played with Rose and the Howling North (as has Firth).  The guys are clearly comfortable with each other: this familiarity comes through in their assured and stunning music.  A terrific live act, the Yorkshire crew are building the foundations- to a very prosperous future.

https://www.facebook.com/CryBabyCryBand

https://twitter.com/crybabycryband

https://soundcloud.com/crybabycryuk

https://www.youtube.com/channel/UCwvW8AcNigNMx5FalXuJesg

[youtube https://www.youtube.com/watch?v=CWbwuaRkNXE&w=560&h=315]

Second Hand Poet:

Few (male) solo artists have stuck in my mind (over the last few years): Second Hand Poet is an artist deserving of wide acclaim.  Haunting and introspective; uplifting and passionate: the young artist is not short of inspiration and direction.  Having performed around Surrey and London, Second Hand Poet has garnered appreciative sighs- his fan-base is growing.  In a scene filled with half-arsed solo acts, it refreshing to see someone who has true potential.

https://www.facebook.com/pages/Second-Hand-Poet/417534431620189

http://secondhandpoet.bandcamp.com/

https://soundcloud.com/secondhandpoet

https://www.youtube.com/channel/UCYTgFc0W1bGKSRO1UxqH43g

[soundcloud url="https://api.soundcloud.com/tracks/187473454" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Ivy and Gold:

Drawing comparisons with the likes of London Grammar; Ivy and Gold are a stunning duo: one who will go far.  Mix alluring and powerful vocals; captivating and nuanced soundscapes; universal (yet personal) songs- they are a duo for the people.  The bond and affection (Rachel Wilkinson and Jamie Davies) share is evident: that simpatico comes through in their (glorious) music.  Last year was a good one for them- this year will be even better.  The market is begging (for an act like them): it is easy to see why.

https://www.facebook.com/IvyandGoldBand

http://ivyandgoldmusic.co.uk/

https://twitter.com/ivy_and_gold

https://www.youtube.com/user/IvyandGoldMusic

https://soundcloud.com/ivyandgold

[youtube https://www.youtube.com/watch?v=AfNbUDN4NdA&w=560&h=315]

The Thirty Best New Music (Acts) for 2015: 'The Middle Ten'

 The Thirty Best New Music (Acts) for 2015:

‘The Middle Ten’

Annie Drury:

A young artist who has had her work played on (B.B.C.) Radio Two: the Yorkshire heroine is on a golden trajectory.  Under the tutelage (and management) of Cuckoo Records, 2015 is going to be a pivotal year: expect to see this rare talent coming (firmly into) the spotlight.  Modern music provides much competition and variation- there is something for everyone- so it is tough knowing who to back: Drury is an artist that should be a staple (of your record collection).

https://www.facebook.com/pages/Annie-Drury-music/185837401492957

https://twitter.com/anniedrurymusic

https://www.youtube.com/user/cuckoorecords

http://www.cuckoorecords.com/artists/annie-drury

[youtube https://www.youtube.com/watch?v=EcBe418hDvw&w=560&h=315]

Little Sparrow:

When I reviewed her (Wishing Tree) album last year: I was blown away by the mesmeric vocals; stunningly evocative songs- the beauty that spilled from every note.  Hard-working, determined and passionate- Katie Ware is an artist that is sure to be making music (for many years to come).  Whether wowing festival throngs- or seducing intimate crowds- there is no getting away from the wonder (of her music).  I know how hard she (and her manager) works: it will not be long before Little Sparrow is a huge success.  Do not let her music pass you by.

https://www.facebook.com/singinglittlesparrow?fref=ts

https://soundcloud.com/uklittlesparrow

http://www.littlesparrow.org/

https://www.youtube.com/user/uklittlesparrow

https://twitter.com/uklittlesparrow

[youtube https://www.youtube.com/watch?v=rGuKGx6MfO4&w=560&h=315]

Lisa Marini:

Charming and cheeky; vicarious and vibrant: Lisa Marini’s E.P. from the Bedroom Den is as colourful and alluring (as its cover).  Highlighting the sort of memorable songs (and stunning vocals) that makes careers- the only way is up (for Marini).  Buy her E.P.- and help fund her future creations- and experience an artist with a lot more to say; a special voice (and plenty of ambition)

https://www.facebook.com/marinimusic

https://lisamarini.bandcamp.com/

http://lisamarini.com/

https://twitter.com/LisaMariniMusic

https://www.youtube.com/user/liasmarinimusic

[youtube https://www.youtube.com/watch?v=-D4pCyUlhcE&w=560&h=315]

Sarah Collins:

Having begun (her music life) covering sensational songs (in her own inimitable and stunning way); Sarah Collins has grown and burgeoned- she has assembled her own band; is getting airplay; embarking on tour dates.  Having gained fans and plaudits (throughout 2014), the scintillating singer has impetus and purpose: to bring her warmth, passion and power to the masses.  Seek out her (many) performances- and see what all the fuss is about.

https://www.facebook.com/sallycollinsmusic

https://soundcloud.com/sallyc

https://www.youtube.com/user/diddy5848

https://twitter.com/SazzleCollins

[soundcloud url="https://api.soundcloud.com/tracks/154089282" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Universal Thee:

A band with a stellar reputation: one of the U.K.’s finest rising acts.  Drawing influence from the likes of Pixies; the husband and wife-led group are a force to be reckoned with.  Boasting catchy hooks; insatiable melodies; quotable lyrics- these lot have ammunition in spades.  Few new bands are as assured and confident (as Universal Thee)- expect this to pay dividends as we progress through 2015.

https://www.facebook.com/universalthee

http://www.reverbnation.com/universalthee

https://twitter.com/universalthee

https://www.youtube.com/channel/UC-C70-KSoSJXgNifHO_Ip_A

https://soundcloud.com/universal-thee

[soundcloud url="https://api.soundcloud.com/tracks/119524001" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Alison Levi:

I have always loved Miss. Levi’s cheek and charm; her humour and beauty; her wit and vitality: above all, it is her knee-trembling tones (that capture me most).  The stunning London-based artist is someone we should all keep an eye on.  With possible new releases and gigs afoot; plenty of fresh potential- we will all get to witness the young singer do her thing.   Follow Levi (on social media) to enjoy the witticisms, fun and adventure- and some bloody good music.

https://www.facebook.com/alisonlevimusic

http://www.alisonlevi.com/

https://twitter.com/alisonlevi

https://soundcloud.com/alisonlevi

https://www.youtube.com/user/alisonlevimusic

[youtube https://www.youtube.com/watch?v=hzmxzBv2nCI&w=560&h=315]

Nina Schofield:

Schofield has worked her socks off (over the last year)- playing gigs all around the country.  Her brand of Pop has managed to catch the ear of multiple radio stations, venues and critics.  An effortlessly talented songwriter, Schofield’s natural warmth and strength shine (throughout her music).  With new fans and support behind her: surely this year will see her become a household name.

https://www.facebook.com/ninaschofieldmusic

http://www.ninaschofield.com/

https://twitter.com/nina_schofield

https://soundcloud.com/ninaschofield

https://www.youtube.com/user/ninaschofield

[soundcloud url="https://api.soundcloud.com/tracks/157664486"]

Crystal Seagulls:

After a whirlwind 2014, the boys are embarking on fresh assaults: their music is ready-made for festival crowds and hungry music-lovers.  Anthemic and fist-pumping; subtle and tender, the band has a range and ability (few of their peers possess).  When a new album- or E.P.- drops, it will see the guys win over new supporters and patrons.  In a world of reality T.V. musicians and manufactured idols- this group is the kick in the teeth (that makes you smile).

https://www.facebook.com/CrystalSeagulls

http://crystalseagulls.com/

https://twitter.com/crystalseagulls

https://www.youtube.com/user/CrystalSeagulls/feed

https://soundcloud.com/crystalseagulls

[youtube https://www.youtube.com/watch?v=BOhJQeMMEL8&w=560&h=315]

Lydia Baylis:

We are pretty much spoiled for choice when it comes to female solo artists- few manage to resonate (and stick in the consciousness).  Baylis is that rarest of things: a musician that manages to tick all of the boxes.  Humble and intelligent; talented and beautiful; prolific and inspiring: her music crosses boundaries; unites fans of (multiple genres).  Check out (Lydia’s) SoundCloud channel- and witness some very impresses footsteps.  Few are more excited (than me) to hear new material: it is sure to be very special indeed.

https://www.facebook.com/lydiabaylis

http://www.lydiabaylis.com/

https://twitter.com/lydiabaylis

https://soundcloud.com/lydiabaylis

https://www.youtube.com/user/LydiaBaylis

[soundcloud url="https://api.soundcloud.com/tracks/86926808" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

The Bedroom Hour:

You may notice- that few of my recommendations- feature bands: this London clan is impossible to forget.  Containing essences of Elbow and Doves, the boys are in no shortage of wonder: their body of work is solid and remarkable.  With an album- and several releases- behind them, the group has amassed a dedicated fan-base.  Few bands are as primed for the big-time as The Bedroom Hour- their time as Reading and Leeds headliners cannot be far away.

https://www.facebook.com/thebedroomhour

http://www.thebedroomhour.com/

https://twitter.com/thebedroomhour

https://soundcloud.com/thebedroomhour

https://www.youtube.com/user/thebedroomhour?feature=watch

[soundcloud url="https://api.soundcloud.com/tracks/53173622" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

The Thirty Best New Music (Acts) for 2015: 'The First Ten'

 The Thirty Best New Music (Acts) for 2015:

 

‘The First Ten’

Jen Armstrong:

A woman who had made me reassess life; made me make some big changes- switch to vegetarianism, sign up as a blood and organ donor- and strive for better things.  She is going to be rocking the U.S. (for six months) very soon- and is an incredible talent to watch.  One of the most stunning musicians in the U.K., you would be foolish to pass her by.

https://www.facebook.com/jenarmstrongmusic

http://jenarmstrong.tv/official/Home.html

https://www.youtube.com/channel/UCmzh5aKAJQvyNNvlUsiEuwA

https://twitter.com/JAMusicUK

[youtube https://www.youtube.com/watch?v=Kl5LEN9rvo8&w=560&h=315]

Chess:

From Malta to Surrey, to… who knows where?  Last year was a busy and promising one; her two previous E.P.s- Babygirl and Tuxedo- have shown what a songwriter she is.   We are less than a month in (to 2015) but the signs point to some big things: a new single is just the start of it.  Keep your eyes planted her way…

https://www.facebook.com/chessofficial

http://www.chessgalea.com/

https://twitter.com/chess_galea

https://www.youtube.com/channel/UC7_o9y24Tfl_ZDXXUF0qTeQ

[youtube https://www.youtube.com/watch?v=qkEeqnSR68Y&w=560&h=315]

Marisa Rodriguez:

A young talent that works tirelessly (to promote her music).  One of the most diverse and impressive young songwriters around: her upcoming E.P. will be one of the most anticipated of 2015.  A stunning voice- and stunning artist- it will only be a matter of time (before Marisa) is a big name.

https://www.facebook.com/marisarodriguezmusic

https://soundcloud.com/marisarodriguezmusic

https://twitter.com/marisasingsalot

https://www.youtube.com/channel/UCDsbJj47SZ4UhIE4yMHVfXw

[soundcloud url="https://api.soundcloud.com/tracks/172133533" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Elena Ramona:

In a scene that can be defined (by predictability and limits), Elena Ramona is a singer/songwriter who offers something fresh- a unique voice with a special talent.  Growing in stature and confidence; she is a stunning artist that will be making waves (and impressions) as the year unfolds (with a new E.P. mooted).

https://www.facebook.com/pages/Elena-Ramona/323928237668916

https://www.youtube.com/user/TheStathaki1

https://twitter.com/elenaramona90

https://soundcloud.com/elenaramona90

[youtube https://www.youtube.com/watch?v=5BxYc4ItFgc&w=560&h=315]

Issimo:

A charming and (hugely gifted) Yorkshire duo, these guys are an immense prospect.  Seemingly capable of owning any themes, style (or genre), their effortless and diverse songwriting is a joy to hear- their live performances have charmed and seduced many.  It is only a matter of time before the heartwarming twosome are festival mainstays.

https://www.facebook.com/issimomusic

http://www.issimomusic.net/

https://www.youtube.com/channel/UCS4vlVv1QKYB2qQC9s28wIA

https://soundcloud.com/issimomusic

https://twitter.com/ISSIMOMUSIC

[youtube https://www.youtube.com/watch?v=g3y3wtrqT84&w=560&h=315]

Gypsyfingers:

Over 2014, I reviewed many amazing musicians: few more memorable than Gypsyfingers.  Their album Circus Life was a highlight for me: it demonstrated how naturally they (Luke Oldfield and Victoria Coghlan) unite.  Stunning vocals, entrancing songs; incredible compositions- a Folk duo with a massive future.

https://www.facebook.com/gypsyfingersmusic

http://gypsyfingers.bandcamp.com/

https://www.youtube.com/channel/UCQ1x8RNElu-Zb2_UvrMm9Ag

https://twitter.com/Gypsyfingers

[youtube https://www.youtube.com/watch?v=JsSGFIGZt7U&w=560&h=315]

Ellene Masri:

Alluring and romantic; impassioned and empowering: Ellene Masri creates music for the masses.  Elements of Jazz and Pop fuse into songs which linger in the mind- topped with a voice that can buckle the knees.  Splitting her time between the U.S. and Europe, the young star is a continent-straddling artist with plenty to say: with many ears (more than) willing to listen (and adore).

https://www.facebook.com/masriellene

http://www.ellenemasri.com/

https://www.youtube.com/user/ellenemasriOFFICIAL

https://soundcloud.com/ellenemasri

https://twitter.com/ellenemasri

[soundcloud url="https://api.soundcloud.com/tracks/127264071" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

The Updraft Imperative:

Christian-Rock magic from the Australian wonders.  If you love your music catchy, nuanced and inspiring: these are the guys for you.  Whether you are religious (or not) then they will appeal and entice: their songs are designed to make you smile, think and reflect- few other bands are capable of doing this.  Let us just hope they come and play (in the U.K.) as much as possible this year.

https://www.facebook.com/theupdraftimperative

http://www.theupdraftimperative.com/

https://soundcloud.com/theupdraftimperative

https://twitter.com/TUI_official

http://youtube.com/user/TheUpdraftImperative

[soundcloud url="https://api.soundcloud.com/tracks/162956080" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

Chenai Music:

Strong and defiant; principled and thoughtful- an artist that has the power to inspire musicians and change minds.  One of the most naturally beautiful women (I have seen), her voice and artistry is a glistening treat: her music is some of the most original and innovative around.  With new releases (surely forthcoming) this year- check out a young artist with limitless potential.

https://www.facebook.com/chenaimusic

http://www.chenaimusic.com/

https://twitter.com/ChenaiMusic

https://www.youtube.com/user/ChenaiOfficial?feature=watch

[youtube https://www.youtube.com/watch?v=hFNmrPt5HB0&w=560&h=315]

Los and the Deadlines:

A band I am familiar with: their songs never fail to amaze me.  Hard-rocking and swaggering; cool and detached- these guys can pretty much do anything.  Their order composes multiple nationalities; their songs cover masses of ground- their consistency and prowess is staggering.  Going from strength-to-strength, the London group is one of our finest.

https://www.facebook.com/losandthedeadlines

http://www.losandthedeadlines.com/

https://twitter.com/LosDeadlines

https://soundcloud.com/losandthedeadlines

https://www.youtube.com/user/LosAndTheDeadlines

[soundcloud url="https://api.soundcloud.com/tracks/123435479" params="auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&visual=true" width="100%" height="450" iframe="true" /]

One Language... For All

“One Language… For All”

The Idea:

This year is going to be a lot more positive one.  Last year- and quite a few that proceeded it- were pretty dreadful.  In addition to (very soon) getting a new place, I am doing a few 'good things': donating blood regularly; getting a band together (starting the end of Feb.); 'switching' to vegetarianism (Feb. 14th); doing more for charity; starting Psycoacoustics- the business that includes a music bar/cafe, charity and record label.  In addition to all of this, I hope to do more for 'me'.  Dating and love are big considerations: finding someone to be with; becoming less lonely.  They are all big plans and ideas, but I am making some (small progress)- if you have it all in writing, it is only a matter of DOING it.

This is often a stumbling-block for people.  If something is hard to: often many will not do it.  It is not just sheer effort (that deters ambition) but a great bugaboo: money.  Back in 2013, I posted an idea for a website- I called it Young Universe; considering its connotations and links to creationism, perhaps not a good choice.  The reason I want to start a music cafe; get a band together; do lots of charity work: it is not for my own fulfillment and self-worth- the idea is to try and help others.  There are lots of websites that do particular things: very few that are all-encompassing and all-inclusive.  Social media websites do little to ACTIVELY boost charities and fine endeavours- too vague and concerned with glibness.  Music websites- there are many of them- have their uses: there is not one that takes care of EVERY need/desire.  The same goes with other aspects of society/consumerism: travel websites, dating sites; search engines, film websites- the list goes on...

For that reason, I got stuck on a thought: why has nobody tried to do this (and create a website that takes care of everything).  I search the internet for hours for compartmentalised reasons: why is it not easy for me to find (information and needs) without searching for hours?  I love travel and the world; languages and charity concerns; comedy and animation- and of course, music.  I have to go to dozens of sites (to fulfill my whims, hungers and curiosity).  I am on THREE social media sites- because they ALL have limits and restrictions.  I visit at least half a dozen music sites (on a regular basis): YouTube and SoundCloud are my sites of choice.  I often wonder if it is the pure amount of TIME it will take (to put something so vast together).  Maybe the millions (who knows how many?) of pounds, perhaps?  These are considerations that can be negotiated and rationalised: perhaps the average human is not too bothered about wider issues- or at least not motivated enough?

I don't know.  What I know is, that there are many out there who cannot experience the world- disabled, elderly, socially/financially disadvantaged etc.- whom want to see as much as possible; discover what is out there- without having to save up for it (or get out of the house).  Like all of my 'big ideas'- music cafe; band; charity organisation- it may be a case of ambition over reality: I am not really a fan of scaling-down/small starts.  If anyone would/could have a read, I would love to know what they thought- if the site is realistic/something they would 'visit'...

Interface:  

In addition to the previous details, the interface involve quite a lot of movement. Shooting stars will be animated as well as satellites, and the planets will revolve. The Moon will be represented. It will replace the Sun during the evening. You can click on it, and will give different ‘evening options’ including different music, bar recommendations etc.

There will be a number of galaxies represented in purple, the stars will alternately glow red, and a satellite will be shown. The satellite will contain your music playlists or T.V./film stream, and can be viewed as you navigate the site.

Personal Profile:

This represents a very small section of the overall website. There would be a ‘profile page’ or front screen. This is a single design; there will be bespoke software where you can design various things. You can choose to produce a short animation; upload a filmed piece and edit it, or do similarly with a photo. There will also be an option to ‘produce’ a photo, sort of like an album cover. There will be other options but you can personalise as much as you like. Also included is an option to produce a stop motion piece, upload a song or a showreel, for instance.

Everyone can access everyone’s front page, and like Twitter; you can choose to accept anyone, or on a person by person basis. The social website itself will be a new design. Facebook has too many white spaces; too many icons you don’t need; icons repeated, as well as adverts all over the place. The chat function is basic and flawed; the mail feature is frustrating and limited, and the overall design is colourless, flat and disorganised.

With this website, the design is that of a skyscraper. The design fills the entire screen and utilises video game technology. You will see a tower, and a lift going through the centre, and a set amount of windows. At the base is an Entrance (where you click and see your own profile; more later). To the left is an intercom, and is the Chat feature. There are options to have certain people on the list, and can talk via messenger, or Skype, and is a lot more advanced than Facebook. To the right is a mail slot, and where you can access e mail. It works more like a personal e mail account, where you can save and file e mails, as well as link it with your own personal e mail account. There is animation, so you can see animated people ‘deliver’ mail, as well as ride up and down the lift. It is constant, and makes it more interesting.

The overall design is slick and modern, and you can choose from a different number of buildings/skyscrapers. There are no adverts, and no excess of icons. All space is used, and gets rid of having ‘favourites’ and cannot ‘like’ a band or product. You can create events, but adverts and photo sharing are restricted. If you want to see them you can. If you only want to see certain things, then you can as well. At the top of the skyscraper, is a helipad; so if anyone is a ‘contact/friend’ a helicopter comes down and they arrive into the ‘building’. There are two flags on the roof. The left hand side can be personalised, to either a ‘Diary’ flag or ‘Events’ so you can rotate them as you see fit. The other flag will be a ‘Music Player’ or ‘Film Player’. If you have a Song of the Day or PlayList, this is where you can access it. You can simply click on the flag and play songs, as you would Spotify, for instance. If you choose a Film Player you can watch a film or T.V. show. There is an option to produce a split screen so you can see both at the same time.

In the skyscraper are windows. This is where activities and updates are, but will fill up in each window. I am working on developing this a lot further and making it much more involved, but you can block windows (which draws blinds across); and the whole experience is much more modern, and exciting. You can customise the flag, the building, and choose what you want to see. There is ‘weather’, so when it is morning, the sun rises, and then sets. You can have rain, sun, cloud etc and will change, according to the weather of where you are currently. Unlike Facebook or Twitter it is not pure social content. It draws in all aspects of the site. For instance, if you are part of the Music, Film, Science, and History parts of the site, you can get updates that you want to read, and links the rest of the site into the social part. This means you can be updated of everything you need to know, as it happens. If you want to block out statuses and pictures and just hear about music, local happenings and news, you can do; like having your own website.

The individual profile consists of a hotel lobby; or the inside of the skyscraper. Using a feature where you can create your own avatar, you will walk into the lobby. There will be a reception area where you pick up your ‘mail’ (e-mail). There is a Guestbook where you access to update your basic info and links etc. There is a portrait on the wall, where you can access and update your photos and videos. There is also a T.V. where you can view and update your points and updates. It is simpler and less cluttered than Facebook with the three main icons. In the lobby is a Games Room, Restaurant, Gym, Cinema and Beauty Saloon that takes you to different features and pages. The main other feature is your own personal Room. When you click on it, you go up an escalator or a lift, and go inside. In here is a room with lots of visual props, based on your personal likes and interests. So for instance if you are interested in travel, there is a globe; C.D. player for music etc. This makes it easier to see updates relating to those individual sections.

In essence, the idea is to involve more real life. You can video chat to anyone; get local news etc. and block out anything meaningless or boring. It does not compel you to be glued to it, but gives a much-needed portal to learn things you need to know and keep abreast of things that really matter to you, and connect with people you need to. The idea is to have a core group who you can get along with, and like and less need to be ‘friends’ with any person, just for the hell of it!

Human Profile/Book of You:

This works in conjunction with the personal profile. It is a ‘human representation’ of you. You will create yourself, as an avatar. You can see yourself as a simulation, like Sims. On your personal profile, there is a section, where only you can access it. This shows your body but organs etc are highlighted. If for instance you learn chess or win a few games, it adds a colour/section to the Brain. If you pitch an invention or idea that adds to the brain. If you learn a new language it goes to the Tongue; music/singing to the Mouth; photography in the Eyes; charity contributions in the Heart. If you donate blood that contributes to Blood etc. The idea is to do as much as possible to contribute as much as possible to each organ. There will be points and rewards handed out at certain stages.

Like the body representation, there will be a Book of You. This would be represented in the form of graphs and graphics, inspired by the book Information Is Beautiful. There are various chapters and just chronicles your achievements, updates and work and puts them into the form of charts, graphs, pictures etc.

Other Features:

I am formulating ideas by the day, but are a few of several hundred, that will make their way onto the site.

Technology:

The idea would be, as well as being able to stream the site to T.V. or mobile, it will be touch screen. It works like a mobile where there will be a keyboard, and you can drag icons, sort of like iPhone mixed with C.S.I.! I am hoping it would be able to use 4G too. There will be a way where you can design applications and distribute them for free, or can tie in apps. via your iPhone, so they can be used on this site. Instead of paying users to design apps., points are awarded and mentions made. This way you can get them for free, but the creator is rewarded as well, and inspires future innovation.

Local:

A lot of older users may be more interested in what is happening in their town. For instance, if there is flooding on a particular road nearby, you can find out, and can find out the latest news and goings on where you live. If there is an event in your area, or a charity run for instance, you can distribute it to a wider audience, to raise funds, supporters and exposure. Where there are travel updates for example, or continued problems, such as flooding, you can link with the council. If there needs to be a storm grate, or flood protection on a particular road, you can link directly, based on observations and raise funds for it, via the site.

Science and Beyond:

I am working on an interactive feature with the Science, as well as the Natural History Museum. It will allow interactive exhibitions, as well as many of the features and exhibits to be streamed to the site, either as an animation, or as a video presentation. Sort of like a video game, where you can navigate and interact. Will try to build a 3D element too. This means anyone who cannot visit London or is disabled and cannot get there, will be able to enjoy it.

There will also be sections on astrology where you can ‘visit’ planets and constellations, interactively. It allows forums and discussions to take place, where you can post new theories and discuss topics, as well as science, you can talk about philosophy, dreams, big world issues etc. You can undertake experiments, and will be programmes where you can build vehicles and see how they work. There will be ’00s of options in this section overall. There is also a Virtual Body, which will be yours, literally. You can enter your health info, and can alert you if any problems are detected and can also track blood pressure, sugar levels and information that needs to be monitored. If you have high blood pressure, and have another medical issue, it can alert you to possible future issues or illnesses, so you can beat them. It also links you to medical information all over the Internet. In

Search Engine:

As will as linking the website with a custom search engine (Google, Bing etc.); there will be an expanded search engine. Current search engines have a limit. If you type in ‘songs that sound like Blowin’ In The Wind’, it might struggle to pin down relevent results. Using the various parts of the sites, as well as users, if you need to find out the above query; it uses the search engine, but connects with users and people who would know at the same time, so the results are more accurate and comprehensive. It is more responsive so if you type a sentence that starts ‘which song contains..’ or the query is quite brief, it makes it easier to get an answer. Similarly you can enter soundbites, photos into the search engine if you need to find relevant information, and will give you results.

Dictionary/encyclopedia:

There are comprehensive dictionaries to access, in English as well as over 30 other languages. Also there will be an encyclopedia available for free. You will be able to access information including Space, History, etc. and will have photos, pictures, graphs and video links and will be the equivalent of having a 1,500 page encyclopedia at your fingertips.

Languages:

I am trying to formulate a way of having comprehensive Rosetta Stone style language courses available for free, covering 30 different languages. Over 5 years I am aiming to learn 20 new languages and am aware how expensive it is to learn. I am hoping to employ experts and the site’s users, as well as existing resources, in order to have full and detailed language courses available for anyone.

Everyone Can Live Forever:

Well… in theory. There are options where anyone can upload videos and blogs about their day to do life. Not so much as narcissism but as a record of that individual. I am researching ways of being able to have people’s ideas and thoughts updated without their input, so based on entries and uploads, the site will update. The idea is that when someone dies, many decades in the future, their thoughts, voice and feelings can be accessed, so someone can theoretically ‘live on’ in computer form. It is less advanced than the idea of singularity, but will be a legitimate first attempt at being able to preserve thoughts and personalities in computer form.

Big World Issues:

Take the recent shootings in the U.S. The site is mainly set up to avoid as many of these issues as possible. The issue tends to be the lack of mental health care and help. The plan is to make sure, if someone is in trouble, or thinking of planning something like this, it connects with mental health providers, locally and internationally. Discussions can be had via Skype, appointments made, and information given. Also, people can connect with that person and try to prevent anything from taking place.

Similarly, issues like gun violence, racism, the enviroment, employment and illnesses are brought to a wider sphere, and it is hoped that through information, and productivity by members, issues are averted, and possible problems do not occur.

T.V./Film:

As well as better opportunities and ways to link for actors, there are also sections where you can create films. I have thought of a few short film ideas recently, and love them but not sure what to do. The site will allow for greater connection with filmmakers and fundraising portals, so these visions can be realised. There will be bespoke software where you can create films and ideas, or at the very least, be able to pitch ideas effectively.

There will be an option to write a joke or comical paragraph. It works like Twitter, where you have limited characters but you can submit a line or sentence. At the end of the day, a winner is announced, for the funniest submission and points are awarded.

Music:

It will essentially be this: https://musicmusingsandsuch.wordpress.com/2014/12/14/psychoacoustics-a-one-stop-music-venture/

This is one of the major focuses for me. I am thinking of new ideas but there are a few already. There is a section where you can write lyrics (handwrite or type) and put on the site. If you can’t think of the music, or have them spare, this means somebody can pick them up, pair them together and a collaboration can take place. Or they can be given to a band, points are earned, and helps an act out. There will be software where you can compose music; be it orchestra, or guitars etc.- and either pitch it, or use it yourself.  Existing music can be played, and deconstructed, so you can see what notes were played, and what instruments. Also, I have often heard existing songs and lyrical ideas have come to mind. Here you can play a song, with lyrics playing, and replace them. From there you can compose music and make a new song that would sound different, but be inspired by existing ones! There are also songs that play and I think of a music video to go along with them. Obviously one may already exist. There is an option where you can create your own, and get permission from the band to use the song, or create one inspired by their song. You can create a basic version of the video via the site, copyright it, and pitch to filmmakers or if it is a new song/video, can pitch it to record label.  The site will allow you to merge sounds. For instance you can isolate a Queens of the Stone guitar track, and also play Latin music. You can fuse these, and create a new sound, and can inspire a song idea. There will be options to produce music using bespoke software There will be guitars, drums, pianos, and orchestras etc. where you can practice and learn. It works like Rock Band, where you can play the instrument on the screen, and compose parts directly, to form a song. It helps you to learn an instrument, as well as making it easy to compose and record music or demo ideas.

Life Skills:

Like a Wikipedia source it will categorise everything you could need for life. It includes D.I.Y tips, and thousands of hints, guides and pages that can be accessed, with easy to follow pictures. It encourages people to learn new skills, and improve existing ones.

Inventions and Pitching:

In the last few days I have almost died a few times. Once when the sun was shining and forgot sunglasses and could not see where I was going. A few days later, there was ice on the windscreen and could not get it off without pulling over. I was frustrated. What if new car makers could install windscreen and windows, that at the press of a button could be blackened, to avoid accidents. Also have concocted a way of heating the outside of the windscreen so ice can be cleared on the move. Whilst visiting a sick friend, an idea arose. Have thought of something more advanced than Instagram where you can create your own photo, with any image or detail for free. I thought of an acting website, as well as several others. The idea is that there is a site you can pitch an idea but have copyright to the idea, but be able to connect with people who can move it forward and make it real. There are also discussion sections, so for instance any scientific discoveries or medical ideas are thought of, they can be shared and moved forward.

Love/Relationships:

A lot of men suck as relationships, and sex, and everything else (I’m told). The idea is that there is a more comprehensive dating site. It works like e-Harmony where it matches people more effectively but is a free site. There are articles and tips from publications like Ask Men and Cosmopolitan that give advice about sex, dating, relationships and love. It is like the encyclopedia where it has chapters and employs visual aids, video links and can be edited by anyone and updated with advice and help.

 Motors:

As well as having reviews, advice and archives, there is a function where you can design your own car. It includes everything from the interior, to the name. You can also design or pitch innovations, technology or safety ideas and pitch them directly to car companies as well.

Travel and International:

Get information, photos, videos (and tours) of countries of the world.  You can select any country and get as much information as you need- history, local attractions, recommendations; photos and ‘virtual tour guides’.  Users can leave reviews and stories; share holiday pictures; recommendations- travel tips and insights.  The page is interactive and stunningly designed.

Charity Schemes:

This is a way for people to connect and launch charity schemes. These can include helping the homeless, volunteering at hospitals, or organising charity events. It connects users and people from around the world, making it easier to raise money, organise events and launch innovations to help as many people in need as possible.

Gaming:

As well as being an option to design your own, there is a whole library of classic and existing games, that you can download direct to your laptop or T.V. and play.

Nature:

Provides a full interactive service to everyone. You can view documentaries and simulations of under the sea, Antarctica, the jungles or anywhere in the world. It gives access to nature to those unable to experience it themselves and encourages people to get involved and experience it first-hand.

Thoughts going forward:

As I mention, I am formulating new ideas, simulations and developments by the day and am going to try to make the site as all-inclusive and detailed as possible. I am not trying to bury Facebook and Twitter, but improve on both and have so much more to offer. The idea is not only to get every walk of life involved for free, but push people to be as good as possible. Through designing new programs, making networking easier, and encouraging charity, it is hoped that every individual will make as much an effort as possible to do as much as they can. I am keeping the social element, but trying to make it a small percentage of each person’s experience and introduce people to sports, games, and worlds they have never considered or been unable to experience.

I am hoping that the introduction of 3D and 4G will play a part. I am hoping to have as many 3D simulators, and if possible make everything 3D. Depending on how the technology advances, it is hoped that it will be the ‘norm’ for households thus enhancing the overall experience. With 4D being a future possibility (for all), these, along with touch screen technology makes it simple, and fast- for everyone!

In addition to promoting creativity and charity in everyone, it is hoped the site can change lives and affect change. Given recent developments in employment, gun violence and racism, it is hoped that the site can help to change individuals responsible for crimes and make it easier for laws to be changed.

I have encountered too many awesome people, by accident on social media sites. It should be easier to meet great people and the site encourages and makes it possible. There are too many faults, flaws and limitations with Facebook, Twitter and social media; and the idea is to override this and make for a better, much fuller experience.

Hopefully all of this can be a 'reality': get this site working- I think it could help many; do good (and educate many people).  I would love to hear comments, suggestions, ideas (for features/pages etc.), and above all.

What the hell should (the website) be called?!

Interview: Elena Ramona

Interview:

Elena Ramona

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With the music industry offering so many new (and exciting acts); Elena Ramona is one of the hardest working talents around- and one of the U.K.'s most promising young songwriters

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THE last year has been a busy one for the Surrey-based musician.  In addition to new material and exciting tour dates- the young musician recruited a host of new fans.  With a new E.P. on the horizon (and plans afoot), I talk to Elena Ramona about the release of (her brand-new single) Lying Blue Eyes...

Lying Blue Eyes is your new single (it looks at a no-good central figure). Was there a particular inspiration for the song?

The inspiration for this song was relationships: sometimes they work out and sometimes we get hurt by the people we trust and love the most. The message in this song is (pick yourself up when times are rough, know the heartache is never forever and carry on living life even in the hardest of times)

The song itself is a sassy and brassy number- it differs in terms of sound (from your previous numbers). Does this indicate a new direction/sound for you?

I love experimenting with different sounds and genres. I am yet to find my sound so trying different styles is key for me right now. People have been really supportive regarding this track and the feedback has been great for me to know what direction to take with the next tracks yet to come.

Who has been the biggest influence for you- either musically or personally- over the last year?

My mother- she has supported me through all the ups and downs I have faced last year. She is my rock and I don’t think I would be where I am without her keeping me grounded and always believing in me no matter what.

Will we be seeing a new E.P release?

Yes, there will be a new E.P. release in the very near-future.

Knowing how hard you have worked the last few years- and how determined you are at the moment- what advice would you give any up-and-coming artists?

Find your sound. Your fan base and your own unique style of writing your material which will make you stand out. Enjoy it because the journey is the most fun part; you will meet many amazing people have some great experiences- and above all, do not give up when you feel stuck

[youtube https://www.youtube.com/watch?v=5BxYc4ItFgc&w=560&h=315]

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Follow Elena Ramona:

Facebook:

https://www.facebook.com/pages/Elena-Ramona/323928237668916

Twitter:

https://twitter.com/elenaramona90

YouTube:

https://www.youtube.com/user/TheStathaki1

SoundCloud:

https://soundcloud.com/elenaramona90

2015: A new year; a new cause; a new beginning...

2015:

 

A new year; a new cause; a new beginning…

THIS particular blog- aside from being my 299^th- has some slightly more positive energy…

compared to the outpourings (of a couple of weeks back).  Christmas (and the end of the year) always tends to bring about some reflectiveness and ‘honesty’- this year has not been quite as productive and successful as hoped.  With that in mind, 2015 is going to be a lot more positive: you can only live a particular way of life for so long- before you need to make changes.  In terms of health and diet, I am switching to vegetarianism: a lifestyle choice that is as ethics-driven as health-conscious.  In terms of personal life: looking to find ‘love’; learn new languages; record music- with a view to setting up a band.  I hope to get some music-related business ventures started.  Two of my main aims (for the coming year) is to find independence; to do more for charity…

I shall touch on the second point (further in the post), but have been thinking about home: the goods and the bads.  I am not going to bore/annoy the readership with the issues of my own home- I have burdened too many, too often (this year).  Suffice it to say, my own home life is pretty unhappy- incredibly stressful and somewhere I do not feel relaxed or calm.  It is always hard living with someone you dislike intensely; have to share the same space- it can make life extremely uncomfortable and negative.  I guess I only have myself to blame: I have been spending so much time and money on others, I have neglected to put myself first.  January and February will see an unadulterated hunt for ‘my own space’- somewhere that I can go to- and get away from the unhappiness of home.  As much as I hate (living at home), I understand that I am lucky: there are many out there that do not have a home.  Shelter is a charity that helps to look after the homeless: raise awareness and funds to help reduce a massive illness.  Around Christmas-time (the issue of homelessness) comes into sharp focus: the gap between the homeless and the ‘fortunate’ increases hugely.  When walking around town; when going to London, I always become saddened- there are so many ‘living rough’ and struggling.  Few of us can comprehend the realities of street life: having to bunk in a doorway (or a cardboard box), exposed to the elements- suffering the vicissitudes of public ignorance and scalding tongues.  Whatever leads (to a person) becoming homeless, it seems unnecessary- something must be done.  Each year this country becomes fuller with ‘new life’- quite needlessly, in fact.  In a country that is too crowded and suffocating, I always become angry (when seeing babies and children)- everyone is entitled to procreate, but this nation is not getting any larger and more accommodating.  Considering the number of poor unfortunates (languishing in gutters and alleyways); it seems staggering that we cannot control our population- ensure that those who already have life have somewhere to live.  It is one of those infuriating problems (that seems to be so simple to solve)- so why do not have the remedy?  Charities like Shelter are doing marvelous work: there is still too much to be done.  This brings me to my second point…

One of my biggest regrets (from this year) is not having done enough for others- in fact, it seems, I have done nothing but (give to others).  Aside from supporting new musicians (which is one of my favourite activities) I have been too concerned giving money, time and material gifts to people- or just spending too much money on too many people.  I have realised I can do more good by doing more for charity- doing things for people I do not know (that have less than me).  Earlier this year, I launched a campaign for Mind- an idea that I hoped to get people engaged and talking.  It was a concept that was taken up but a few lovely people- by-and-large it fell a bit flat.  Infuriatingly, Mind themselves failed to promote the idea- God knows why.  For the sake of ‘retweeting’ or sharing (on Facebook), it could have been a big success: they shared so many ‘minor’ charity posts; and completely ignored mine.  It is annoying when a charity does not perform due diligence: take a few seconds to actually help promote their own cause.  There is no guarantee that Shelter (will take to my idea any more vigorously); but I am hopeful- I am hoping more people get involved this time around.  In the coming year I am going to run four half-marathons (the first one is in March); get together my concert (in Chelsea; probably later next year- when finances dictate) and do as much for charity as possible.  There are a lot of people I know that feel the same as I do: the scourge and hemophilia of the homelessness epidemic (is in no danger of being curtailed and slowed any time soon).  With that in mind, here is my idea…

One thing I realised about Time Out of Mind (my Mind charity idea) was it had one stumbling block: the need for (the participant) to be creative.  It sounds cruel, but the average human is lazy and pretty simple-minded- if something is not easy to do; most of the time, they will not do it.  The reason that (the dreaded) Ice Bucket Challenge resonated, was its simple-minded appeal; its lack of any innovation or complexity- it was something even the most facile and bone-idle human could do.  I have reservations about that concept: it was an idea that seemed flawed and weird.  My reservations aside, it did what it was intended to do: raise money for a noble cause.  Although that ice-drenched fad has succumbed, its legacy remains: people seem to be more charity-minded (than they were this time last year).  This new idea (for Shelter) involves no iota of creativity- it is music-based and, well… fun.  I will be ‘getting the ball rolling’ later- showing people how it is done.  Effectively, this is what happens:

The user will compile a mini-playlist on YouTube (consisting five songs).  You would create a new playlist- and call it ‘2015’.  Within that playlist, there is an option (at the top of the page to ‘Add a description’, where the person would type the following:

1. Your favourite song
2. A song that makes you reflect/put you in a better mood
3. A song from your favourite album
4. A song you wish you had written
5. Your favourite track from 2014/A track perfect to kick-start 2015.

Underneath, you paste the link to this blog (copy and paste the U.R.L. from the top of the screen).  Underneath that link, copy this (link to the Just Giving page): https://www.justgiving.com/Sam-Liddicott5/

After that is done, it is down to you: go select your music.  Ensuring that the songs are in numerical order- as listed above- everyone would compile their own playlist.  When a song is added to the playlist, there is an option to ‘Add/edit note’ (hover over the track; there is a drop-down that says ‘More’…).  From there, you would type 20 words (for each track) - either explaining why you have chosen it, or what it means to you.  When it is all completed, there will be five songs chosen; each with twenty words (ascribed alongside).  We are all doing this for one cause, that is why it is called 2015: 20(words)1(cause/goal)5(songs).  Not only does this idea get people to get engage and think about their favourite music- it is a great way to share new music.  Whether it is a song (that nobody has head) or a new band/act, it is a good way to highlight a terrific act- song choice number 5 gives the user a chance to bring a sapling act to the public attention.  We will all get a chance to share some great music an above all, donate.  The most important thing is (is that) the individual donates (by going to the Just Giving page).  I know we are all strapped and clean-picked after Christmas- and its financial woes- but you needn’t donate much- even a pound is a great start.

Once the playlist is completed (and all the pertinent info collated/displayed; money donated), it can be shared to Twitter and Facebook.  First of all, you need to copy and paste the U.R.L. into (Facebook or Twitter).  Then, you nominate three people- to help keep the momentum going.  It may look something like this

https://www.youtube.com/playlist?list=PLHuzJLVjHOwlJ285KRIIt45ETnn1Pip95: I nominate (1), (2), and (3).

Once you have posted online (and nominated your three people) those people have 48 hours to do likewise (and in turn nominate three other people).  It works exactly the same way as the Ice Bucket Challenge- it is the most expeditious and smart way to get a lot of people engaged quickly.    You do not need to be nominated to take part- anyone can take part; any person can get involved.  The two most important things are, 1) DONATE and 2) the people (nominated to do the challenge) comply.  One of the most galling parts of Time Out of Mind was the lack of momentum- the people I initially nominated were brilliant; the people they nominated less-so.  For that reason, it sort of lay there like a dead horse: I guess it is an idea that will take a while to ignite.  I hope that more get involved this way: this concept relies less on creative input; more on simple music selecting/sharing.

You may ask: what does this have to do with Shelter?  It is a fair question, seeing as the challenge does not involve homelessness or trying to touch upon the experiences (of the homeless).  It would seem insensitive or hollow trying to do that; hard to unite a mass audience around something involving homelessness.  Mass appeal and success relies upon the twin pillars of accessibility and ease: making it simple and basic.  That is about it I guess.  I hope that this concept goes global: I see no reason why not.  Of course, it may be asking a lot: so long as it gets a few of us here (on social media) consciously connected and engaged- that is something!  I will start things off later today; I will nominate three people (to take the next step)- I hope that we can get something working.  Share some great music; share some terrific new sounds; but above all, put your pennies the direction of Shelter.

Whilst I long to find my own space- away from the head-aching stresses and upsets- many others do not have the choice: the streets and doorways are all they have to aim for.  Let’s raise some money; help a great cause out- and reduce a widespread (and avoidable) problem.  Take a few minutes to write 20 words; for 5 songs; for 1 common goal…

TO get 2015 off to a great (and charitable) start!