INTERVIEW: Tishmal

INTERVIEW:

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Tishmal

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THERE are very few artists who can provide…

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such a vivid, unique and personal interview. Tishmal tells me about her eponymous E.P. and the themes/stories that inspired it; what it feels like having it out in the open; working with talent like Mason Porter on the E.P. – how her Native background, and family morals, go into the songs.

Tishmal talks more about principles held dear to Native Americans and what it is like living in modern American; if there are going to be any gigs coming up; what the differences are between San Diego (where she grew up) and Utah (where she is based) – and whether she will come to the U.K. this year.

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Hi, Tishmal. How are you? How has your week been?

Hi! This past week was great. I have been preparing for a show at the end of this month and I’ve also been able to do a lot of songwriting. I’m always so happy to be songwriting!

For those new to your music; can you introduce yoursel, please?

I am San Diego native, currently living in Provo, Utah and loving the music scene and people here. My music is ethereal, electronic and raw. People have compared me to Lana Del Rey, Florence + The Machine and Lorde - which I take as humbling compliment. I am a fan of all those artists. 

How does it feel knowing your (eponymous) E.P. is out there?! Was it a fulfilling and exciting experience?

It’s so surreal! Only a small group of people had heard my songs before releasing the E.P. - and it feels good to know the songs are out there for more people to connect with.

What are the main themes explored and tackled throughout?

There are themes and metaphors drawn from my lucid dreams and nightmares that I have. The songs ask difficult questions - a lot of which I don’t have the answers to yet. 

How cool was it working with Mason Porter (Haarlem, Goldmyth) and Christian Darais (The Brocks) on the E.P.?

They are super-talented dudes and I love their work. Mason and Christian are both so easy to work with and they are so creative. We have similar tastes in music: I really trust and admire their production choices. Being in the studio is always a good time. I feel super-lucky to have them on my team.

It seems ‘Tishmal’ is a very important symbol – a Native name given to you by your father. What is the meaning of it? Do you embody a different persona as Tishmal – compared to ‘Rachel Brockbank’?

My dad gave me the name Tishmal when I was about twelve. It means ‘hummingbird’ in Chamtela (A.K.A. Luiseño); the language of my tribe, Payómkawichum, or the ‘People of The West’. We have the tradition in my tribe and in my family to be given a Native name. Having a Native name is one of the many ways we remember, honor and claim our culture. 

I don’t know if Tishmal is a different persona - but I definitely feel like Tishmal comes from a deeper, rawer part of me. Maybe, in a sense, it’s Tishmal who writes the songs. 

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How vital and influential was your San Diego upbringing? Was it easy fitting in there and ‘belonging’? What lessons and memories do you take from the city?

I love Southern California and especially San Diego. I believe that geographical places can hold energies that affect us. Growing up in the ancestral lands of my Native heritage connected me to my identity and the land around me: the plants, the smells; the climate – from a young age. I’m super-grateful for that sense of belonging. I miss it.

I also miss being able to wear flip-flops every day of the year!

Utah is where you are based now. What are the main differences in terms of vibe, music and people?

In San Diego, there wasn’t much of a music scene where I lived. Also, at the time I lived there, I was pretty shy and didn’t perform my songs very often. 

The music scene here is such a supportive and positive environment. I have really felt this team mentality from everyone - and this vibe and attitude that success rises with success. I love it! I think we can all agree that Velour Live Music Gallery in Provo plays a big part in that positivity. 

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Which artists inspired you most growing up? Can you remember the first single and album you ever bought?

When I was like six, somehow, I got a hold of one of my sibling’s Walkman C.D. player. It had The Jackson 5’s Greatest Hits album inside the C.D. player. I went outside and hid in my backyard to listen without anyone finding out. I played it all day, over and over, until I wore out the C.D. player batteries. I was in love with the young Michael. I also grew up listening to The Beatles and Heart - thanks to my dad’s love for Classic Rock.

I grew up having family jam nights, singing and playing through those songbooks.

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IN THIS PHOTO: Kllo/PHOTO CREDIT: Hayley Louisa Brown

Who are the new artists you recommend we check out?

I don’t know if these artists count as ‘new’ or not - but some of the new artists I am loving lately are Kllo, Dark Rooms; Zola Blood, AURORA and Hannah Epperson.

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IN THIS IMAGE: AURORA

If you had to choose the three albums that mean the most you; which would they be and why?

Oh; this question is so difficult to answer! Wow. I cannot pick three, but I will try…

So. Brandon Flowers’ Flamingo album became the soundtrack to a really transformative and hard time in my life as a teenager - this album was my escape.

A compilation album, The Very Best of Daryl Hall & John Oates (by Hall & Oates), taught me a lot about song forms, hooks and Pop music.

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Junk by M83 is a more recent album that I was (and am) enamored with - it has moments that take me back to my childhood and moments where I feel like I am in outer-space; floating in the future. 

Can we see you tour soon? What gigs do you have coming up?

I will be playing shows locally and I am planning a tour through Idaho, Utah; Nevada, California and Arizona this summer with my band. Of course, I would love to go further with touring when the opportunities arise…

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Will you come to the U.K. soon? Have you played here before?

I don’t think I can express how much I love London - and the Tube! Why don’t we have an underground like that here in the States!? I went to the U.K. for the first time two years ago and fell in loves – so, yes; I really hope to play in the U.K. soon! I have this dream of playing an acoustic show with London Grammar and Fyfe. 

What do you hope to achieve, personally, in 2018?

This year, I am planning the release of more music; release another music video, open for some bigger acts and, most of all, just connect with more people. I also hope to really try my hardest in all of this. I don’t want to look back and think: ‘What if I had just worked just a bit harder?’. 

Do you get time to chill away from music? What do you like to do when you’re not creating?

When I am not working on music, I love being outside in the mountains; at the beach, among flowers: any sort of nature. I love yoga. Also, my husband and I have recently gotten hooked on The Great British Bake Off – so, we have been staying up late to binge-watch.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I recently played a show and was feeling really hesitant going back into the crowd: just so shy and nervous. I was hanging out by the side of the stage when this group of super-young kids came up to me and wanted to talk and take pictures. Knowing my music had inspired those young kids meant so much! It helped me remember that my music is for them - and I love knowing people are resonating with the songs.

I wish I would’ve known more local artists when I was in grade-school - but there wasn’t much of a music scene where I grew up. 

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It seems your upbringing promotes peace and connection to nature. Donald Trump, as your President, is the opposite of all that! Do you think he is eroding and pimping-out the land you love and grew up in?

I am sad to say Trump is definitely not the first to take away sacred land. There is a long, terrible; inexcusable, sad history of U.S. government and Native relations. It holds a lot of weight and pain in my heart. I can’t believe some of the things that are happening in history today with Bears Ears, the Dakota Access Pipeline and the other countless battles over stolen lands and broken treaties. Now, more than ever, we need allies and people to speak up for what is fair and right.

This country is still occupied by Native American people - we are resilient and we will continue to fight to protect what’s sacred.

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Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I have been jamming out in my car to Right for You by Lil Silva. Enjoy! Thanks for having me!

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INTERVIEW: Æ MAK

INTERVIEW:

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Æ MAK

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IT has been cool speaking with Aoife McCann of…

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the Irish band, Æ MAK. She talks about their single, Glow, and how that song came together. I was curious whether she grew up in a musical household; whether the guys will be touring at all this year; how important art/visuals are to their music.

I learn more about the band's creative process and what the Irish crowds are like; the albums (Aoife) vibes to; how amazing 2017 was (when the band supported Warpaint); what advice she would give new artists coming through – and why this week has been an especially memorable/tipsy one.

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Hi, Æ MAK. How are you? How has your week been?

Hi. We’re really good, thanks. This week has been a slow one! We’re recovering from a long week of recording in Leeds/a long week of hammering back too many brown ales. It's an exciting week too, of course! Glowin'. 

For those new to your music; can you introduce yourselves, please?

Yes. So we are a four-piece Electronic, Art-Pop band based in Dublin. There’s myself, Aoife McCann, on Vocals; Daniel McIntyre on Production and all things Synth; Peter Kelly and Dylan Povey on Drums and Percussion.

All about that rhythm...

 

Glow is your new single. What is the story behind it?

The creation of Glow was a turning point for Æ MAK. It is the start of a new chapter, sonically, and it is also the first song conceived through a new writing and production process - that started between myself and Dan last summer. It is a beacon for us, embodying what Æ MAK now is after going through a line-up change and a tough year. 

I wrote Glow after an argument I had with someone close to me. It relates to the frustration I, and everyone gets, when you see traits in others that you recognize and dislike in yourself. So; it's about denial, self-acceptance and turning to the ones that you love to accept the good and bad parts of yourself again. I brought the song to Dan and he created the soundscape. He brought it to life. Through our shared musical vision and love of Dance music, we created Glow. The first of many songs we are making together. 

The artwork for Glow is striking and eye-catching! How important is it projecting stunning visuals? Do you think image and music are closely interwoven?

It is so, so important to reflect our music with striking and stylistic artwork - it deserves it. Performance and art are at the core of Æ MAK. You have to make conceptual artwork alongside your music to enhance the world you are striving to create. Through Æ MAK, I aim to build an otherworldly realm for our audience to get lost in; to escape in. 

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Can we expect to see new music? Will there be an E.P. later this year?

We will be releasing lots of new music throughout the year. We can't wait to share it. We're not sure in which form yet - but there is, most definitely, a long rainbow-stream of boppers coming in 2018. 

Your music brings light into an ever-darkening world. Do you feel it’s important to keep that hope and ray of guidance burning?

It certainly used to; dark brooding Æ MAK songs are coming, don't you worry.

But, yes; it is important to exude hope and positivity, of course, as both performer/writer - and the listener needs that getaway. It's also important to write about the upsetting and challenging parts of the human condition. If done through an emotive, bright Pop melody then even better. 

Did you grow up around music at an early age? Which artists made an impact on you as a child?

I did. Both of my parents are massive music fans and taught me everything they know about the world of Rock & Roll and Folk, which is a lot. The Clash's London Calling, The Rolling Stones; Talking Heads and R.E.M. would have reverberated off the walls day in, day out. I loved E.L.O...and Christina Aguilera, of course. 

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IN THIS PHOTO: Sigrid

Who are the new artists you recommend we check out?

You already adore her, I'm sure but...Sigrid. Holy lord. She is a ray of hope within the Pop music industry. What a songwriter! She's going to be an iconic star we all rave about to our grandkids: the real deal. 

Aldous Harding. She's not a new artist but she's new to me. I am giddy over her.  Paving another road for all of us fierce and theatrical female performers. Her songs are so simple and beautiful; her lyrics feel like they're from a hypnagogic land. Someone's obsessed. Check out her newest album, Party.

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IN THIS PHOTO: Aldous Harding

If you had to choose the three albums that mean the most to you; which would you choose and why?

Simon & Garfunkel – Bridge Over Troubled Water (1970)

This was the soundtrack to my childhood and early-teens thanks to my mam and dad - along with countless other iconic albums like Pet Sounds and Sticky Fingers. The melodies and harmonies are ingrained into the lining of my heart. This album, 100%, influenced all my writing when I first began in my late-teens. This is strongly reflected in our first Jungle-Pop E.P., I Can Feel It in My Bones. 

Fleet Foxes – Helplessness Blues (2011)

Toss up with their debut album in 2008.

Robin Pecknold. Tears. Love. Help. Can’t deal...Every lyric. Every melody and harmony-line. Still trying to suss which cog I am, in which great machinery...serving something beyond...okay, sorry. I listen to this album every day. Every day. It fills me with sadness AND hope.

Little Dragon – Season High (2017)

We are all currently in love with this album. It has had a big influence on the synth sounds and production on our new songs. To me, it embodies how I feel about my youth and ours and our mate’s experiences. A yearning for more. It also makes us dance our butts off every day. 

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Can we see you guys tour soon? What gigs do you have coming up? 

We have lots of festivals coming up this summer that we’re excited to announce. We also have some exciting shows in the works. We’ll be baring all soon.

What do you hope to achieve, personally, in 2018?

Me, personally; I’d like to become a real adult person and learn how to cook a nice stew; learn how to pay big important bills and post big, important letters. Soon, I hope: twenty-five is just around the corner. 

2017 saw you support, among others, Warpaint! What did you learn from the gigs and big moments last year?

Yes, that was amazing - very surreal, but I think we learned that we can actually do this and we’re a lot better than we thought. We learned that people connect with our music and performances. People actually want to come and dance at our shows.

So; that feels super-fuzzy. 

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

We played Other Voices festival, December-time, 2016. It was one of the best weekends of our lives, musically and as a band, in the Irish music scene. It’s in the beautiful seaside town of Dingle, Co. Kerry. The sense of community and true love of music is magical there. We were very hungover so were in a fuzzy dreamlike state - this definitely enhanced the connection we had with the audience there. I think I morphed into some kind of tribal witch that night.

That festival is really special.

What advice would you give to new artists coming through?

Find the right people to surround yourself with; people who bring out the best in you, creatively and as a person; be it collaborators, musicians; management…it takes time - but never settle for the wrong fit. Also; f*ck worrying about what people think: in the end, we'll all be dead.

Be whoever and whatever the hell you want to be - and be the best at that.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Ha! Okay. Myself and Dan are drooling over Lorde’s Supercut right now. Spin it! (Smiles).

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INTERVIEW: RubēHill

INTERVIEW:

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 PHOTO CREDIT: Connor Fyfe

RubēHill

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THE incredible RubēHill reveals the story behind…

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his new single, Apartment, and how he manages to create his own style. There are shades of Gorillaz and LCD Soundsystem in his work – the Canadian songwriter talks about those artists. I ask whether there is going to be any more material soon; what tour plans he has up his sleeve – if we might see him in the U.K. at some point.

I ask how his career got started and which musicians made an impression; the new artists he recommends we check out; some albums that have been influential in his life – and whether the name, ‘RubēHill’ signifies a unique personality and persona.

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Hi, RubēHill. How are you? How has your week been?

Hello! My week has been great; thanks for asking. It’s been pretty cold, overall - but I got to put a new song into the world early in the week and I’ve been buzzing since. How has your week been?

For those new to your music; can you introduce yourself, please?

Hello, new listener! I hope you like the music… 

It seems like ‘RubēHill’ is a persona and reinvention. Where does that name come from?

It’s definitely a persona. I did musical theatre in high-school and always felt more comfortable playing a character. I never liked the idea of my personal self being the main representation of the music I made. Using a different name was the easiest way to avoid that. I just happened to be reading Flannery O’Connor’s A Stroke of Good Fortune at the time when I was trying to come up with an alias and, sure enough; I really resonated with the main character, whose name happened to be Ruby Hill. 

You are making leaps to create your own style and sound. Is it important you break from the expected and provide something unexpected?!

Perhaps all too stubbornly, yes. Confronting existentialism for the first time in grade-eleven Philosophy class kind of turned the blender in my brain on for a little bit – and, since then, I haven’t been able to make music without having an intense feeling of ‘Well, if existence is so finite and weird; why not just make your art weird?'. I still like to cling to familiar elements and respect what has come before me: but you can definitely do both. My main goal is to just always be surpassing myself. The break from the unexpected happens as a result of just trying not to be frightened when something sounds a little off-kilter, as long as it has intention and integrity.

Surprise is stimulating.

Apartment is your new track. What is the story behind it?

The first lyric of the song came from a conversation I had with a friend who had been on a partying spree. I remarked “You’ve been on a bender since I met you”, and was suddenly inspired enough by the line that I wrote it down and set it aside for a beat I had been working on. I changed up the lyric and decided that the song would take place inside the head of someone who has just woken up in their apartment.

I wanted the song to represent the way in which thoughts become dangerously limited when we inhabit small spaces. Writing those thoughts into a song allowed me to step back from my own thought patterns and observe them as an outsider - and it’s provided me with a lot of clarity. Songwriting’s great that way.

It brings in shades of LCD Soundsystem and Gorillaz. Were these artists in your mind when creating the song? How easy was it to get the track together?

Astute observation! Yes, both of those artists have influenced me heavily, amongst others. The song started off with a drum loop inspired by LCD Soundsystem’s song, Someone Great, and I had no idea it would turn into the thing it turned into. Frank Ocean’s Blond had just come out and I was blown away with how unconventional a lot of the song structures were. His pairing of this with bare emotional lyrics really struck a chord with me. I had also just begun listening to the Gorillaz and that drove me to realize that I could incorporate Funk and Electronic elements into my songs - while still retaining the melancholic chord progressions that I’ve always used. Blood Orange’s Freetown Sound did a similar thing for me. The final part of the process was the pitched-down spoken-word bit I do at the end, which was recorded after a day of listening the third Run the Jewels album on-repeat.

This song required a very specific convergence of influences at a very crucial time. It was easy to create for the song because it all happened naturally - but difficult in between writing sessions because I battled pretty frequently with whether or not it was any good.

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PHOTO CREDIT: Connor Fyfe

Will there be more music down the line? Can we expect an E.P.?

I currently have a good number of complete or near-complete songs that I plan on putting out sometime soon. It’s just a matter of when and how.

How do you think your music has evolved through time? Do you think you are in a place where you feel most comfortable and free?

I’ve evolved over time mostly through immersing myself in specific musical phases. It’s really helped me to be well-rounded but, at the same time, it made it hard for me to find my own voice for a really long time because I was always trying to be like other artists. I still take influence from other artists’ ideas - but I no longer want my music to sound like anyone else. This acceptance of my own voice and the creation of the RubēHill persona has definitely led to me feeling freer and more comfortable as a creator than I ever have.

Tell me about your musical upbringing? Which artists and albums were you raised on?

Growing up, so many people in my life were such huge music lovers that I was just always exposed to all kinds of music. I’m pretty sure I remember hearing Miles Davis’ Kind of Blue when I was four. My parents exposed me to a lot of really funky stuff. I played trumpet in elementary-school and wanted to be Dizzy Gillespie really badly. At the same time, I was always a sucker for the hits and distinctly remember really hoping Smooth by Santana came on every time I listened to the radio.

When I started playing guitar, it was because my uncle took me to see Roger Waters live in concert - and my twelve-year-old self decided that I wasn’t going to make the Comfortably Numb solo sound cool on trumpet.

Who are the new artists you recommend we check out?

I’ve just recently put Brockhampton's Saturated III into rotation and it’s totally blown me away. Would definitely recommend. Weaves are a band from Toronto that (just) deserve so much attention. Their sound is so gutsy and so wild. I would say the same thing about the band Algiers from Atlanta, Georgia. My friend Sam has a project called Mute Choir - and I truly believe his upcoming debut album is going to change the world; so look out for that one.

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IN THIS PHOTO: Mute Choir/PHOTO CREDIT: @louisa nicolaou

If you had to choose the three albums that means the most you; which would they be and why?

This is so tough. My answer will probably change tomorrow - but I’ll take a crack at it anyway.

Caustic Love by Paolo Nutini

I went through a particularly rough bout of existential dread one summer - and Iistening to this album every night before I went to bed helped get me through it. It’s a great record. 

Channel Orange by Frank Ocean

This record changed the way I looked at music and I don’t really know how to describe it past that. 

In Rainbows by Radiohead

It’s a perfect record. There isn’t a single sound out of place and there isn’t a single moment where it feels lacking or overdone. It’s so lush yet so sparse; so aggressive yet so gentle. I heard it for the first time in grade-eleven and haven’t gotten sick of it yet.

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Can we see you tour soon? What gigs do you have coming up? 

I’m playing a gig in Toronto in February with an awesome artist named Alex St. Kitts, whose been a heavy musician in the scene for quite some time (and whose project is called the Projektor). It’s going to be fun. I don’t have any immediate plans to tour outside of Canada, but that definitely doesn’t mean I don’t want to…

What do you hope to achieve, personally, in 2018?

I hope that 2018 is the year that I get to hold a vinyl version of the first RubēHill record in my hands and go “oh, wow”.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

When I started playing guitar I would frequent local open mics - because I didn’t have a band to play with but really wanted to play with other people. There was this one Blues/Jazz club where I used to get up and jam with a very seasoned Blues singer named Andy Earle, who kind of took me under his wing at the jam and taught me a lot about playing and, more importantly, listening. One particular night, I decided that if my thirteen-year-old self was to sing Every Day I Have the Blues - even though I did not have the blues even every other day. The singing was so brutal.

Andy turned to me after the song, laughed, and said: “Listen, kid; you have to sing it like you mean it. You get up here saying “Every day I have the blues” but it don’t sound like you have the blues’”. I was mortified in the moment: but it was such an important lesson and it has stuck with me to this day.

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PHOTO CREDIT: Con Fy

What advice would you give to new artists coming through?

Encourage your friends: friends prop each other up and create movements. Movements change the world. Stick together and everyone's work will be better and healthier. 

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Brockhampton - Boogie

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INTERVIEW: Aphrose

INTERVIEW:

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Aphrose

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IT has been a wonderful experience chatting…

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with the Canadian songwriter, Aphrose. She discusses her current single, Move On, and the tale behind it. I ask whether there is more material coming; which artists have compelled and shaped her music; whether women have to work harder (in the industry) to get the same acclaim as men – if she is coming to the U.K. to perform.

Aphrose talks about her upbringing and if she feels she’s changed since her debut cut. I ask what it was like working with producer Scott McCannell on Move On; the albums that mean the most to her; how she creates such vivid and genre-straddling music – what she hopes to achieve, personally, in the coming months.

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Hi, Aphrose. How are you? How has your week been?

Hey, M.M.S.! I’m well, thanks. My week has been going really great so far!

For those new to your music; can you introduce yourself, please?

Hello, everyone. My name is Aphrose. I am a Soul singer based out of Toronto, Canada.

Move On is your new single. Is there a story behind it at all? What inspired it?

Yes, there is certainly a story behind Move On...

It was written a little while ago and, though it was a favourite of mine; other songs and projects were prioritized over it. I rediscovered Move On in one of my old song notebooks and knew it was time to record it. The sentiments of the song aren’t directed at any one person in particular - but it’s a story that most, if not all, women can relate to. It’s a song of empowerment, of realizing one’s own self-worth and moving on.

Sonically, I was inspired by Phil Spector’s Wall of Sound, Amy Winehouse’s lyrical honesty and Quentin Tarantino soundtracks.

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I know the song breaks barriers and frees us from limitations! Do you think, as a woman in music, that message is especially personal? Do you think there are too many obstacles placed before female artists?!

Yes! 100%! I genuinely believe that women have to work twice as hard as their male counterparts to ‘prove’ their worth and ability and to be taken seriously - not only in the entertainment industry but in all walks of life. Society has historically objectified women as lesser beings: valued for their desirability over talent and skill. Women, for their part, have mostly been socialized to accept this inequality - but the tides are changing.

The time for remaining passive amidst injustice is coming to an end...

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What was it like working with producer Scott McCannell on the track? What did he bring to the production?

I started working with Scott last year and it’s been such a fun journey so far. Scott specializes in analogue production methods - which give the song a warm, vinyl-like sound you would hear on a record. Move On was the very first tune we worked on together. I played the song on keys and sang over top and told him that I was hearing a Wall of Sound-type aesthetic - and he knew exactly what I was going after. We cut the demo in like, two hours to his four-track cassette recorder! It blew my mind how fast he worked and how many instruments he could play.

When we finished the demo; we knew we had something really cool and couldn’t wait to get the band in to cut it for keeps to tape.

Do you think you have strengthened and changed since the debut single, The Middle? Did you consciously try and create a different-sounding song with Move On?

I feel like I’ve strengthened as an independent artist, definitely. I have learned a lot since the release of The Middle and will continue to learn. But, as much as I’ve grown, there are still some unifying elements that are present within both songs, such as having lots of layered background vocals and heavy bass throughout.

Move On is a tribute to the Soul sounds of the 1960s that I love; whereas The Middle is more of an ode to the Neo-Soul sounds I love from the 1990s/early-2000s. Both those musical eras deeply influence my overall sound.

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I believe a video will be released on 19th February. Can you reveal what sort of themes and ideas will be explored in the video?

Yes. February 19th is the video release-day! I’m so excited to share this visual with everyone. There are themes of defiance and resistance as well as themes of unity and solidarity - all themes that are significant in today’s social climate.

Will there be more material later this year?

Definitely. I am working on releasing an E.P. later this year. Stay tuned!

I hear Soul, Gospel and Pop in your work: music that crosses genders, races and time periods. Did you grow up in a diverse neighbourhood and, as such, have exposure to an eclectic range of sounds?

Yes. I grew up in Scarborough - a borough of Toronto - which is the most diverse city in the world. I feel really blessed to have had the opportunity to connect and learn from people of all ethnicities. My background is Trinidadian; so I grew up listening to a VERY eclectic range of sounds such as Soca, Calypso; Reggae, Chutney; Parang, Motown; Pop, Gospel; Classic Bollywood and even Country music!

As a child, I listened to whatever my parents listened to and, despite how uncool I thought that music was at the time (because all my friends were listening to boy-bands and Alternative-Rock); I’ve grown to realize how much those genres have shaped me as a musician - and I’m eternally grateful to my parents for exposing me to such a wide array of sounds.

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You have worked with names like Daniel Caesar and Nikki Yanofski along the way. Have you learnt quite a lot from these people?

Most certainly. Witnessing the drive, work ethic and teamwork behind an artist’s success has been a cherished lesson - showing me, not only what it takes to get to where they are, but also what it takes to stay there. From Daniel, I learned that it’s possible to find success using unconventional means, such as not signing to a major label. From Nikki, I learned that at the end of the day, after all the bells and whistles, raw talent will always shine through.

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IN THIS PHOTO: Francois Klark

Who are the new artists you recommend we check out?

Francois Klark (@francoisklark) is an emerging Toronto artist that I have had the pleasure of working with. His sound is a mix of Jon Bellion-meets-Kevin Garrett. Check out Spaceman.

Lydia Persaud (@lydiapersaud) is another emerging Toronto artist who I admire greatly. Her sound is a cross between Soul and Folk. Check out Everything.

YUKA is my favourite band in Toronto. They are a Funk/Soul outfit fronted by the incredible Claire Doyle. Check out Make Up Your Mind.

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IN THIS PHOTO: YUKA

If you had to choose the three albums that mean the most you; which would they be and why?

Oooh…this is a tough question! I have so many favourites but, ok - let’s see if we can narrow it down…

Lady Soul by Aretha Franklin

She is my all-time favourite singer and that album has SO many bangers (I mean; ALL of her tunes are amazing). But, my favourite song of hers is Ain’t No Way - and it’s on this album.

The College Dropout by Kanye West

This album is amazing; every song is so dope - even those hilarious interludes! Never Let Me Down is one of my favourite tracks on this album. The spoken-word bit at the end makes me cry, without fail, EVERY TIME.

Channel Orange by Frank Ocean

I am amazed by Frank’s writing and production styles. He is so eclectic and weird (in the best way possible!) and every track is beautiful on this album. My favourite is Bad Religion. I think I listened to this album twice a day, every day for like two-months-straight when it first came out!

Can we see you tour soon? What gigs do you have coming up?

Touring is in the works, for sure. Specific dates T.B.D. I have an upcoming gig in Toronto at Lee’s Palace on February 23rd. I’m opening up for two amazing Toronto-based bands: Yuka and Gold Complex.

What do you hope to achieve, personally, in 2018?

I hope to travel and bring my music to places around the world and reach new fans. I also hope to collaborate with more artists and create new experiences.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Another hard question!

I’ve been really fortunate to perform in some amazing venues across North America and play some really fun shows. One memory that stands out is being the frontwoman for The Daft Punk Tribute: an eight-piece band that recreates the works of Daft Punk live. We had the honour of playing a sold-out show at the renowned Le Poisson Rouge in N.Y.C. - and the vibe and energy that night was next level…and gave me the affirmation I needed to know that music was my calling.

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What advice would you give to new artists coming through?

Keep hustling. It’s a grind; especially when you are self-managing and wearing many hats such as manager, P.R.; social media marketer - as well as creating your own music. It can be so exhausting. Just putting yourself out there.

There is a fine line between persistence and annoyance - and you have to ignore feeling self-conscious about crossing that line. That has been one of the hardest lessons for me to learn thus far. Most importantly: keep creating and believing in your art.

The right people will find it…

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Awesome! City of Angels by Miguel. I love his new record.

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INTERVIEW: Joseph Watt

INTERVIEW:

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Joseph Watt

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THE music of Joseph Watt…

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is exceptional and deep. I was keen to ask him about the new track, FIVE AM, and the story behind it. He discusses how he came to meet Heidi North – who co-wrote the track and supplies vocal power – and whether there is new material afoot. Watt discusses his favourite albums and artists; what gigs he has coming up; whether he has any goals for the year ahead – what his favourite memories from music are.

I ask about self-production – as Joseph Watt handles and produces his own material – and why many artists are taking control back; new artists we need to watch out for; how important London is regarding his creativity and sound – and how FIVE AM is part of an ambitious, multi-genre project.

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Hi, Joseph. How are you? How has your week been?

I’m well, thanks. It’s been my favourite kind of week - with a mix of music stuff going on; with some rehearsals for drums and some studio work on vocals. It’s not always as varied as this, mind you...so I’m making sure I make the most of it!

For those new to your music; can you introduce yourself, please?

So. I’m a twenty-two-year-old multi-instrumentalist and producer based in London. I’ve started a self-titled project, drawing on all my influences, for which I’ve got a busy year ahead.

FIVE AM is your new single. What can you tell me about its story and inspiration?

Well, originally, I was planning to write an album titled I WENT TO BED BUT DIDN’T GET TO SLEEP; based around different emotions at different hours. FIVE AM was initially about that horrible voice you get in the middle of the night that draws on your insecurities. When writing it, I realised that it ran perfectly parallel to the insecurities of an artist - as the voice that tells them they’re not good enough - so FIVE AM became a mix of both, really.

It seems to address a certain sleeplessness and uncertainty. Were you going through fatigue and insomnia before the song came together?

At the time, I was struggling with sleep most nights - and I also found myself doing much of my writing and production in the middle of the night. It seems impossible to write in any other tone of voice at those sort of times for me.

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FIVE AM was written with Heidi North. How did you come to meet her? What elements and aspects did she bring to the writing of the song?

I met Heidi at university - where we were studied together and ran in similar circles. I heard her voice on a track and wanted her involved. However, I was also struggling with writing on the subject - mostly because I was writing about a certain emotion – where, if I’m experiencing it, I can’t write and, if I’m not; it’s not legitimate. I explained this to Heidi and she offered to help write some lines and lyrics - and I loved what I heard.

Over time, we honed down these lines together to form the vocals.

I believe you are releasing more singles this year. What was the idea behind releasing a multi-genre, ambitious project like this?

I listen to a pretty broad spectrum of music, and so, I was concerned that if I were to go ahead and start releasing it wouldn’t sound coherent and it may just be confusing. It was last year that I recognised that these different influences are a key element of my style and that my music can drop into different categories depending on the nature of the song. It’s very much a case of: “I should just go for it because, truly, I’ll never know how it’ll be received until I know”.

FIVE AM is self-produced. I notice a lot of new artists producing their own songs. Why do you think this is? Do you prefer having full control over your own material?

I think that the label-market has really formulised music, at least with Pop, and that has forced the more creative artists to self-promote, self-produce and self-release. Pair that with the increased affordability and accessibility of studio equipment and we have a recipe for endless creation. Personally, I love it. I think, at least in my head, I lean towards the more creative side rather than the commercial (side) of music - and being able to have full control means I’m able to make those exact dreams come to life.

You have produced for other artists along the way. Has that experience given you the confidence to push your own music?

So. I really enjoy producing and I take great joy out of producing other’s music as well as my own. I think, being a part of the process for several artists; then watching them have the confidence to go out and release and gig (and then receive positive feedback) made me recognise that it is pointless waiting until I believe everyone will love my music. That time will never come. These artists have just gone for it and I really admired that: they’ve made me recognise that I can do the same.

Which musicians did you grow up listening to? Can you remember the first song you ever purchased?

I grew up in a relatively Classical household but, at that time, it wasn’t what I chose to listen to. I think, actually, the first song/album I purchased was The Singles by Basement Jaxx. I think, like most kids, I went through phases. It developed through into a pretty even balance of classic Jazz artists, popular Classical; Pop and Rock.

London is your base. How important is the city and its people regards your music?

For a musician, London is the place to be. That certainly is a start…

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IN THIS IMAGE: Albert Man/IMAGE CREDIT: Arnab Ghoshal

Who are the new artists you recommend we check out?

I’m naturally going to have to shout out a few artists that I play for!

Sasha would be one. I think she’s a great artist and it’s always a pleasure gigging her stuff. She’s playing a communion gig on 4th March at Notting Hill Arts Club, so check her out!

Albert Man would be the next. Not so much a new artist but he is an up-and-coming artist! He recently had his new single launch for Say Something Loving and he has some great fans...and no wonder: he’s a great writer and great performer.

Last one I would say is Broadstrokes. This guy is crazy. He plays the piano, sings and plays synth through organ pedals - all at the same time. He’s got a super-chill track out, Clean, and he’s bringing out an E.P. May-time. Definitely, one to watch out for.

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IN THIS PHOTO: Broadstrokes/PHOTO CREDIT: Imogen Forte

If you had to choose the three albums that mean the most to you; which would they be and why?

I’m going to start with saying Opposites by Biffy Clyro

When this came out, I remember planning to listen to it the following day on my walk to school. I put my headphones on, set the album off and my mind was blown. It’s an all-round great album - but it was the drum production that really got me. It was so clear, so punchy and so tight. It’s just one of those albums that really excites me every time it comes on somewhere!

I think, next – which, I guess, in the context is a bit of a curveball - would be 99.9% by KAYTRANADA

When this album came out, I was starting to get into production properly and he put this album out and I loved it. It wasn’t really like anything I had heard before but, following it around, and I was amazed that he just had his style - and he didn’t and doesn’t change it for anyone!

Finally; I think I would choose Continuum by John Mayer

I listened to this a tonne when I was at school and, though I don’t hear it in my music, no doubt it really influenced me in my music-making. What an album.

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Can we see you tour soon? What gigs do you have coming up?

Well. I’m really releasing these songs so I can have a reason to gig and tour! That’s where my passion truly is: in the playing. The thing is, with my own songs, I can do exactly what I want to play; with exactly the set up I want. So, I don’t have anything yet but keep your eyes and ears open - I’m aiming for a headline show at the end of 2018!

Any New Year’s resolutions made this year? What do you hope to achieve, personally, in 2018?

I’m not great at writing resolutions: I find it more stressful that I should. I got pen and paper and the only thing I wrote down was ‘to release four tracks this year’! It’s not quite a personal achievement, I guess.

Who knows; maybe it’ll better me…?

Looking back on your time in music so far; are there favourite memories that come to mind?

I think the most recent was my debut gig back in mid-2017. There were eight of us in the band and, though I really enjoyed rehearsals, there was that stress. I wasn’t really sure what to expect by playing my own stuff for the first time - but there isn’t a feeling that matches looking up and seeing great musicians really enjoying playing your own music.

I thought my enjoyment would come from watching the audience participate in my music but, instead, it was watching the amazing band.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Mentioned above: I’m gonna definitely say Clean by Broadstrokes!

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INTERVIEW: AMiR

INTERVIEW:

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 AMiR

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I have been discovering what makes AMiR tick…

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and why he decided to record the song, Slow Hands – a cover of the Niall Horan track. I ask whether there is new material planned and what he gets up to in his free time. He discusses his musical influences and whether his parents encouraged his talents at a young age.

AMiR looks at the future and reveals upcoming tour plans; what it feels like gaining the support of the BBC Asian Network; what London is like in terms of inspiration and the people – he selects a few albums that have made a big impact.

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Hi, AMiR. How are you? How has your week been?

I’m all good. My week’s been great. I was writing in Liverpool.

For those new to your music; can you introduce yourself, please?

I’m AMiR and my music is Funk/Soul/R&B-Pop.

Slow Hands is your new track. What was the reason for covering the song (originally performed by Niall Horan)?

After One Direction split to do their own thing; Slow Hands was a track, I thought, was my favourite of all of the new stuff from each member.

I just wanted to put my spin on it.

It has already gained acclaim and praise! Have you been surprised by the reaction?

I was surprised. I love the song and loved writing it - and I’m just super-glad that the people out there are enjoying it.

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Can we expect new material? An E.P., maybe?

You can always expect new material. I’m working on a lot of new songs and I’m always writing and trying to create. So, yes; you can.

Has your Asian/Punjabi background impacted your music and sound do you think?

I don't think the fact my father is Punjabi has played much of a part in my music, to be honest. The man, himself, was listening to James Brown and George Michael.

It’s my mum who is the Michael Jackson fan - and he is my favourite. I think, regarding the family background side of things, the fact they never stopped me dreaming of being a musician. That's played the big part - as appose to having a Punjabi father.

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Tell me about the artists that inspired you to take up music. Which musicians made an early impact?

Michael Jackson is where it all starts for me. Later George Michael, then Craig David; Eminem, Oasis; Foo Fighters, Red Hot Chili Peppers; George Benson, James Brown and Bob Marley.

I love all of these guys - but it starts with M.J.

BBC Asian Network has championed your work. How humbling is it to you?

I really love and appreciate how the Asian Network is backing me. I’m very thankful and will continue to push on and make more music.

London is where you are based. What is the city like? Do the people provide inspiration?

London is home. I’ve been to so many places to write music and to get inspired. People are different every city you go to; so, I allow myself to soak up the vibes of that place. I’m not one to stay in one place for too long...

There is no place like home.

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If you had to choose the three albums that mean the most to you; which would they be and why?

Bad by Michael Jackson, Definitely Maybe by Oasis and The Marshall Mathers LP by Eminem. These all had a major impact on my music and life.

Can we see you tour soon? What gigs do you have coming up?

Yes. I’ll be on the road soon. I’m opening for Jocelyn Brown at London’s Jazz Café and I’ll be opening for The Jacksons, in Scotland, at the Royal Highland Centre in July. More shows to be added soon.

What do you hope to achieve, personally, in 2018?

I (just) hope I keep making music - and more and more people listen and like it. I’ll always keep writing - but I feel like people's response is really keeping me going…so more of this will make 2018 perfect.

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Do you get time to hang away from music? What do you get up to? 

When I’m not creating, I love going out with my mates: snooker hall, watching football; boxing and drinking too much. Nothing to do? Get drunk with people you love.

What are your aims and ambitions for the rest of this year?

There’s a few things - but (just) performing, in general, is what I feel I was meant to do. I love to write and create new music. Performing that music is the icing on the cake: that's what makes any struggle worth it.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Bruno Mars (ft. Cardi B) – Finesse (Remix)

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INTERVIEW: Big & The Fat

INTERVIEW:

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 PHOTO CREDIT: Keira-Anne  

Big & The Fat

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EAST London’s Big & The Fat entice with…

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their new single, Crack Crack. I ask them about their start and where ‘Big & The Fat’ comes from; whether there is going to be some new material soon; the music that has inspired each of the members – what gig dates they have come up.

Aside from one or two niggles – baffled by musicians who are not on Twitter! – the hot London band are on the rise and showing immense promise. I learn more about the quartet and what drives them; how last year went for them; what they hope to achieve this year – they recommend some new artists for us all.

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Hi, guys. How are you? How has your week been?

So far it’s been studio, studio, gig; studio, studio…so we can’t complain.

For those new to your music; can you introduce yourselves, please?

Shimon, Constantin; Greg and Alex – A.K.A. Big & The Fat - an Electronica/Krautrock band from East London.

Can I ask where your name, ‘Big & The Fat’, came from? Is there a story behind that?!

They are the two terms we hear people use to describe our sound. We wanted a name that reflected that - so it stuck.

 

Tell me about the new single, Crack Crack. What is the story behind it?

Crack Crack was written within a couple of hours after a show last summer. The verses contain lines overheard in conversation and snippets of something read in the newspaper - which all elude to the idea of someone who ‘could do better’ or being ‘almost there’ but, ultimately, held back by being emotionally unstable.

You are releasing a limited edition vinyl through We Can Do It Records in March. Do you think it is important to keep your music physical AND digital? What can we expect from that release/vinyl?

It’s so much nicer to create something tangible that you can give to someone. In an age where new recorded music is mostly experienced online, it feels right to counterbalance it with something physical. We’re lucky that our label, We Can Do It, also think the same. The 7” vinyl will be pink and feature two tracks, Fruit and Crack Crack.

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PHOTO CREDIT: Jess Newby-Vincent

Last year was a busy one for you! Was it quite nerve-wracking being a new band? How did you all get together as a group?

We’ve been close comrades from an early age: writing together in other bands before we formed Big & The Fat. So, making music together feels normal. Big & The Fat is the way we express the sounds we love to hear and make.

Is there going to be more material later this year?

100%. We’ve got a bunch of other tracks we’re planning to release in the summer and beyond.

London is where you are based. Is the city the best place for the band, do you feel? How does London influence the music you write?

Living in London made it easy to see and play gigs from a young age - which definitely influenced our lifestyle and what we were listening to (if anyone remembers all-ages gigs (circa 2007) you’d know what we mean). Having said that; I’m not sure a city is the best place for a band: I’d imagine you’d probably find more headspace and physical space to make music outside the confines of a modern city like London. But, it’s the only life we know – so we could be wrong. We’ve talked about moving to a smaller European city together…

But then we sober up and top up our Oyster cards...

Can you talk about the music you all grew up on and were struck by at a young age?

Like most young-teens; we grew up listening to British millennial, radio chart-Pop and American MTV Pop/Punk bands. Sometimes, our siblings would show us something better - but we were all generally obsessed with guitar music from a young age.

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IN THIS PHOTO: Human Music/PHOTO CREDIT: Josh Fray 

Who are the new artists you recommend we check out?

Not all new, but: Balothizer, ho99o9; Juana Molina, Girl Band; Re-TROs, A House in the Trees; Zahra O’Shea, Japanese Television; The Amazing Snakeheads and our buddies, Human Music.

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IN THIS PHOTO: Zahra O'Shea

If you each had to choose the one album that means the most you; which would they be and why?

Shimon: Screamadelica – Primal Scream

For breaking the traditional ethos of band music - as well as being a crazy-unique Dance record. This album made me understand pulse and rhythm in a new light.

Constantin: Niagara – Niagara

Four rhythmical geniuses going at it for fifteen minutes without a moment’s paus - and you’re so busy cradling the rhythms in your head you wound up hypnotised.

Greg: Songs for the Deaf – Queens of the Stone Age

The first heavy album I got into; introducing me to so many different styles of music.

Alex: Loaded – The Velvet Underground

I put it on and never get bored. There’s an abundance of amazing tracks on there.

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PHOTO CREDIT: Léo Bodelle

Can we see you tour soon? What gigs do you have coming up?

23/02: Blondies, London

15/03: Birthdays, London

07/04: Lock Tavern (SINGLE LAUNCH PARTY), London

18/05: The Monarch, London

What do you each hope to achieve, personally, in 2018?

To release more tracks and crawl into as many new ears as possible.

Do you all get time to chill away from music? What do you like to do when you’re not creating?

I don’t think any of us take real breaks from music: we’re usually writing or playing in some capacity - even if we’re not together.

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PHOTO CREDIT: Josh Fray

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

S + G: Touring the U.K. as a support band early on in our musical life (under a different guise) was a big eye-opener for us. We were all super-young and it was the most we’d played together up until then - in such a short amount of time. So; it was a good chance to know what it’s like to be on the road performing night after night.

C: Standing in front of a mic'd-up setup in a giant festival tent like Bestival and hearing that oomph.

A: Touring Germany and Czech Republic in our previous incarnation - as that was the moment which encouraged us to move on, musically, and start our new chapter as a band, Big & The Fat.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Ratatat – Loud Pipes

Suuns – 2020

Daniel Norgren - Howling Around My Happy Home

The Fall – Blindness

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INTERVIEW: Sunstreets

INTERVIEW:

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 ALL BAND PHOTOS: Hush Photography 

Sunstreets

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I have been spending time with the awesome-foursome…

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of Sunstreets. They chat about their new single, Only Time Will Tell, and whether there is going to be more material coming. I ask the Southampton band how they found one another and if they have plans regarding gigs and performing. They tell me about their musical upbringings and favourite artists; what Southampton is like for music – they offer advice for new artists emerging.

I ask them about Paul Simon’s performance retirement and whether they have views on that; how important independent venues are; if they struggle to stay optimistic in a busy and hard scene; what this week has been like for them – and whether they get chance to chill away from music.

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Hi, guys. How are you? How has your week been?

Hi. We are all well, thank you - and our week has been great! We were rehearsing hard in the lead up to Icebreaker Festival which was held on Saturday (3rd February). We had such a great a time and had a really lovely crowd; we played lots of new material - which seemed to go down - well so we’re all happy!

For those new to your music; can you introduce yourselves, please?

We are a four-piece Pop/Rock band from Southampton called Sunstreets - made up of Lisa Vibert (Vocals), Matt Cook (Guitar); Jamie Rendall (Bass) and Sam Turner (Drums). To sum up our sound: it’s very guitar-driven with strong riffs stemming from our Rock roots; combined with a rhythm acoustic guitar - to create a unique softer feel to fit alongside female vocals. All our songs have a strong lyrical meaning, which is influenced by the music we grew up listening to - ranging from story-teller songwriters such as Bruce Springsteen and Paul Simon to musical influences like Stereophonics, Goo Goo Dolls and U2.

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How did Sunstreets come together? Do you recall when it all sort of ‘gelled’?

Sunstreets began as a solo project by Lisa - with the ultimate aim of becoming a band. It finally came together as a complete band almost exactly a year ago, when we met Matt. Sam and Lisa had already been playing together in an acoustic setting and we met Jamie, I think, in October/November 2016. Then Matt joined after we put an advert out in February 2017.

I think the first practice we had with Matt was when it all gelled and straight away knew it was right. We didn’t have to explain anything of what we were after: he just sort of did it (much to our amazement!) and it all sounded great. In fact, I think on the very first practice we showed Matt Wildfire and he just came straight out with the riff.

It kind of just fell into place!

Tell me about the single, Only Time Will Tell. Is there a story behind the track?

Lisa: I write all the lyrics for our songs and this one in particular; I feel was a turning point for my writing. I think at some point in everyone’s life things don’t go the way you hope: it feels like you’re just going around in circles or you find yourself at a crossroads in your life where you don’t know what you should do. I try to write songs as open as possible so that people in any situation can relate to the lyrics and make their own connection - and it not be limited to what it means to me. So, without giving too much away; I wrote this song to reassure myself that it’s ok not to know what’s coming and what the future hold. As I was once told; life has a way of working itself out - but it never happens how or when you plan it to. As the chorus says: “Only time will tell, where we all go now/ you don’t need to know where, when or how” which, I think, sums up the message of the song and to the listener.

We live in a very fast world and I think, sometimes, we have to accept that some things are out of our control - and that’s ok. The artwork is a metaphor of this - with something as delicate as a feather being blown around in the wind; just like us through life. The journey it could go on is endless: through all the weather and all the cities or towns and, I suppose; the point is that you never know where it’ll land and if it ends there!

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How do you think you have developed since your debut single, Vacant Eyes? How did it feel having that song featured on BBC Introducing Solent?

Lisa: Vacant Eyes came out when Sunstreets was just a solo project. I wrote the song a long time ago - as it took a couple of years to get the song out. I came across many problems which was definitely a lesson for future releases, but was well worth pursuing. To have my first release played on the radio was something I was very proud of - as that seemed somewhat of a dream. Although the track didn’t exactly do all that well; it was a stepping stone which has been invaluable. I think my writing has come on a long way since then and, since meeting the rest of the band, the sound I was searching for has finally come together. I feel the songs I’ve written since, particularly the latest songs, seem to be falling into place a lot easier now. We know each other better and we’ve started experimenting with ideas together.

I’m excited about the future.

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Will there be more material this year? What are you guys working on?

I hope we’re releasing more material this year: we have been looking into it but nothing is set in stone at the moment. We’ve got a lot of songs which are complete and ready to go; all of which are different in their own way - but we’ll just have to wait and see what happens. For now, we’re just trying to gig as much as we can and, hopefully, we can play some more festivals to get our name around a bit more (and show people who we are)!

What is the Southampton area like for music? Is it as productive and varied as some of the better-known cities?

Southampton has a great music scene. So many amazing original bands are around at the moment and coming out of the area. The city is full of great venues such as The Joiners and Talking Heads along with many others which give local bands the opportunity to play and support touring bands and other local artists. The surrounding areas across the South like Portsmouth, Brighton and Bournemouth all have a great music scene, too; some of which we’re yet to branch out into (we hope to soon) but, unfortunately in this day and age; independent music venues are struggling - not just in Southampton but all over the country (which is a shame).

We’re proud to be able to support the local music scene as it’s a really important part of communities. Eventually, musicians often do end up needing to travel to bigger cities such as London purely to expand audience-reach and build up to playing in bigger venues…but the venues in places like Southampton play such a vital role for music developing and showcasing emerging artists and bands that the country needs.

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Who are the artists that influence you? Do you share tastes in music?

All of our influences are mainly Rock-based; so we all like fairly similar bands and artists. Sam and Lisa are both big fans of Bruce Springsteen, whilst Sam also likes musicians such as Phil Collins, Toto and Billy Joel. Alongside Bruce Springsteen; Lisa is influenced by artists such as Stereophonics, Paul Simon; Bon Jovi, Goo Goo Dolls; U2 and The Killers. Matt has a more Metal and Heavy-Rock influence: so bands such as Muse, Guns N’ Roses; Slipknot and Two Door Cinema Club.

Jamie is particularly influenced by bassists such as Flea from Red Hot Chili Peppers and John Entwhistle from The Who.

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It can be hard staying optimistic in the modern music scene! Does music and the desire to get your songs out there help? What is your opinion regarding mental-health and self-doubt in music?

The music scene, put simply, is tough. This, naturally, will bring in many feelings of self-doubt and often can lead to mental-health issues - particularly with the industry being the way it is now. Musicians have to work exceptionally hard and overcome a lot of rejection on a regular basis - but modern-day advances have caused there to be so much more expectation where you need to be active on social media: posting regularly; showing people, not only your music, but who you are as people (and be engaging all the time). Now times have changed; on the one hand, there is much more opportunity for musicians to get their music out there - because of things like social media and independent distribution. However; the downside of this is that the volume has increased so much so that there are many more musicians doing the same thing. It’s much harder to stand out and actually have your music heard by the right people. You do have to graft away. It’s like swimming upstream against a strong current: you either fight it and adapt to get to the top or it’ll keep pushing you back down.

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But ultimately, musicians keep going purely because of the love of writing and the love of playing music. Being a writer, particularly; you open yourself up and bring to the surface all your emotions - which is a dangerous thing for mental-health as you continually relive moments of your life (good or bad); especially when you then end up playing those songs live for years to come! But; I find I write to help me overcome my worries or fears and use my songs as my own advice which, I admit, most of the time I need to take! I’m just glad to see there’s a lot more organisations about now which are directly aimed towards helping musicians - especially in light of a number of musicians and creatives who have recently taken their own lives.

It’s opened the world's eyes to the struggles creative people go through.

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What gigs does the band have lined up?

So far, we have a couple of gigs lined up in Portsmouth for March and are due to play a gig in Southampton soon, too (date to be confirmed). We just played Icebreaker Festival - which was our first gig of the year - but we hope this to be the start of many more.

This year; independent venues are under the microscope – a music legend, Paul Simon, is retiring from the stage. How important are gigs to you guys? What has been the most memorable gig you have attended?

Gigs are so important for upcoming musicians: it’s where you learn your craft! Even if you’re playing to an empty room or for a few people, it’s experience - and any opportunity to play is worthwhile. If gigging wasn’t possible, there would never be any musicians in the world - as no one would learn how to put on a show, talk to a crowd or what to do when things go wrong (which will happen at some point!). It’s sad when you read about musicians as iconic as Paul Simon calling it a day because touring isn’t the same for him anymore and he doesn’t enjoy it as much. Obviously, he’s accomplished more than most in a lifetime and is iconic for a reason; but I hope, for his sake, he doesn’t give up music completely – as, I think, he’ll realise it’s a part of him and it’s not something a songwriter as great as him can ever switch off.

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Lisa: Sam and I had the opportunity to see Paul Simon live in Bournemouth at the BIC in 2016. He is such an inspiring man with so many stories to tell. I’d love to just sit and have a long chat with him as I am just so in awe of him; the vibrant life he has led and, of course, his natural talent for writing! Growing up with his music being played definitely is the reason for this connection - I especially remember singing along to Homeward Bound as a child! But; seeing him was a dream come true. I was singing my heart out along to all the songs and, although we were right at the back (as we got the last tickets); just being there in the presence and atmosphere of one of the all-time greats will always be one the most memorable gigs for me.

Matt: Seeing Aerosmith live would definitely have to be the most memorable gig for me!

Jamie: The most memorable gig for me would be when I went to see Iron Maiden and all the power went off! It was right at the start and we waited a while before it came back on – but, once it did; it was one amazing concert.

Sam: Seeing Bryan Adams in Bournemouth with Lisa. We managed to get right to the front (all be it, a little tipsy!) and he was just so amazing, live. It was just one great gig.

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If you each had to choose the one album that means the most you; which would they be and why?

Lisa: Bon Jovi - These Days

I think this was one of the first albums I discovered that I started to understand the importance of lyric-writing and how you can connect with certain songs. This album, in particular, has had different meanings to me over the years as I’ve been growing up – which, I think, is why it is the most meaningful to me (as it’s not just relevant to one time in my life).

Matt: Muse – Origins of Symmetry

The song Plug in Baby was the reason I learned to play the guitar!

Sam: Born to Run – Bruce Springsteen

All the songs are about hope, where you’re going in life and about moving forward. Its message is what makes it such an inspiring album to me - and was the start of my appreciation for Bruce Springsteen and his music.

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Jamie: Sum 41 – Does This Look Infected?

This means the most to me as it was the first album I ever bought.

What are your ambitions, as a band, this year? Do you have any goals you want to conquer?

Mainly to gig and get our names around. We’d love to do more festivals to reach out to new audiences and, hopefully, get the opportunity to expand across the South with our gigs. We only formed as a complete band a year ago: it’s been a bit of a whirlwind as we’ve been working so hard getting our music up to gigging standard - as most songs were only written throughout last year; along with releasing two singles already last year. Now we’ve got a good selection of original songs which we can swap between for gigs…we feel we’re ready to give it our all and play where we can.

Is there any advice you’d offer likeminded bands coming through right now?

Play any show, especially when starting out - most will be for no money at all. All gigs are experience and a chance to meet new people who, you never know, might be a very important part of your journey. A lot of musicians are perfectionists – me, included! Perfection is good to a point: but learning when to stop and appreciate a song for what it is (is) very important.

Do you all get time to chill away from music? What do you all get up to when you’re not creating music?

We’re not full-time musicians - and each of us has jobs - so our free time is our music! We’re all very flexible so we can gig and work around anything musical (as it’s important to us all).

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Lisa: Richie Sambora – One Light Burning

Sam: Deacon Blue – Dignity

Matt: Audioslave – Cochise

Jamie: Ben Howard – Keep Your Head Up

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INTERVIEW: Dantevilles

INTERVIEW:

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 Dantevilles

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THE world of bands is a varied and, often, murky one…

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that promises idols and the ‘next big thing’ – without necessarily offering anything original and substantive. When it comes to Manchester’s Dantevilles; I am much more hopeful and primed. The boys chat to me about their new single, Blackjack, and whether there is more gold coming from them; what the Manchester area is like for music; how the band got together – if we can see them play anytime soon.

I ask about musical inspiration and whether they have progressed since their early days; some new artists worth time and study; albums that are important to the guys – and whether they have any goals worked out for the remainder of 2018.

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Hi, guys. How are you? How has your week been?

Yeah, we’re top! Spirits are high after the new release - and first show of the year was a sell-out to follow.

So; not bad at all.

For those new to your music; can you introduce yourselves, please?

(I’m) Connor - Vocals/Bass

Jamie - Vocals/Guitar

Paul - Lead Guitar

Cory - Drums

Blackjack is out now. What is the story behind the single?

Blackjack was written as a demo only a month or so ago. We had a pile of tunes we wanted to put on the E.P. – then, this one came out of nowhere and instantly became a contender. It was written, lyrically, with risk in mind and trying to tap into the struggle that is midweek vs. weekend. We all have a lavish, over-excessive approach to the weekend - and spend the week trying to feel normal again. 

It seems the lyrics nod to a certain dare – going for it and taking a risk. It seems like you adopt a similar tactic regarding composition and styles. Would that be fair to say?

Yeah. We don’t actually try too hard to produce clever compositions as I think we all understand how each other works now, which helps massively when writing. We’re just trying something different to your normal band - music’s a bit boring at the moment - and we’re attempting to spice it up again.

Will we see any new material come down the line? What are you working on?

Yes. There’s plenty more material on its way, finished and recorded and, as for new stuff past that; we’re constantly writing and trying to push ourselves towards what we believe is going to be are best-sounding tunes!

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Do you think your music has evolved a lot since your first demos? Do you think you will incorporate new elements and sounds into future work?

Certain elements have changed: we’re probably all better musicians than we were when we first had a jam a couple of years ago. I’d never picked up a bass before Dantevilles! We’re trying to push our own boundaries and get out of our ‘comfort zone’ - it’s important.

But, then, other aspects are still the same - like the duel-vocal aspect. It was an aim to perfect that from the off! 

Tell me how Dantevilles came to be? How did you all find one another?

There was a voice in heads one night…

We all had the same dream and met on a street In Manchester…it was fate (jokes aside) but, nah, seriously…we met in Fallowfield, Manchester and moved in a house together in Moss Side. Everything clicked and took off from there.

Manchester is where you are based. How influential is the city? Do you hear a lot of local artists who will make an impression this year?

We’ll make an impression this year: our aim is to take 2018 by storm.

The city is a melting pot for music and now more than ever - we love Manchester - bands up here all get on and do like to support each other both old and new. It’s nice to be involved: it’s a proper-passionate city from music to football and everything in-between.

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Did you all grow up on the same music? Which artists did you all vibe to when you were younger?

I think we’re all influenced all sorts. We all love bands like The Stone Roses and The Smiths - but then, personally, we have some random music we’re into: Cory loves Dennis Edwards, whilst Jamie’s partial to a bit of Jeff Buckley; Paul loves Led Zeppelin and Connor (loves) anything out of Manchester.

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IN THIS PHOTO: The Nix

Who are the new artists you recommend we check out?

The Nix from Stockport; Saytr Play and Gathering of Strangers

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IN THIS PHOTO: Gathering of Strangers

If you each had to choose the one album that means the most to you; which would they be and why?

Connor: Oasis – Definitely Maybe

It was the first album I listen to on-repeat from start to finish (still do). You get to an age where you start to understand the meaning behind the music a little more - and this, for me, was that album.

Cory: The Streets - Original Pirate Material

For me; it opened the door to a broader taste in music - which has influenced my personal style and drumming style etc.

Paul: Red Hot Chili Peppers – Californication

Because it made me realise I was into guitar music more than All Saints.

Jamie: Carry on Up the Charts - The Beautiful South

Other than having a great deal of sentimental value; the songwriting - composed by Paul Heaton - really opened the door into getting creative with lyrics and structure - and into The Housemartins. The amount of melody and riffs in their singles was inspiring. 36D inspired me to write my first song - even though I didn't fully understand what the song meant...

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Can we see you tour soon? What gigs do you have coming up? 

We’ve got a gig on 08/02/2018 at Deaf Institute with Sea Girls. Then; we’re back on the writing game for February. A tour is around the corner – though, for spring, we are currently making plans.

Is the stage where you prefer to be? What can one expect from one of your gigs?

We all love performing best part of being in a band. All eyes on us and we thrive on that. We’re experimenting a bit with our live set to create more of a spectacle: a much more intense, exciting experience when you come to a Dantevilles show nowadays.

What has been your most treasured memory from your career so far?

Playing the Kendal Calling Main Stage last year has to be up there.

We got a taste of how it feels to do it properly and we want that all the time - just the treatment you get is on another level as is playing a stage of that size. We feel like that’s where we should be, anyway.

How do you all spend time away from music? Any hobbies or favourite ways to chill?

The pub, mostly - we all like a pint – but, apart from that, there isn’t much time away from the band. It’s 100% most of the time: apart from Christmas. Haha.

So, Christmas must be our collective hobby.

Finally, and for being good sports; you can choose a song and I’ll play it here (not any of your music - I will do that).

Paul: Red Hot Chili Peppers - Californication

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INTERVIEW: Riveira

INTERVIEW:

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Riveira

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MY interviews range from those who are…

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established and well-honed to those artists starting out and making their early moves - Riveira are a case of the latter. The boys talk to me about their debut single, Remember. It is out a week today and a track that – to those who can hear its private link – worth the wait. I ask them about their formation and what comes next for them; what their base of Brighton is like for new music; the artists they vibe to – and, as the interview went out to them a while ago; how they spent last Christmas and whether any resolutions were made.

Their social media presence is a little bare but, from what I learn in the interview; they have ambitions are looking to build their base. They talk about their music and what ambitions the have; a little bit of background on their debut single – an album each that means the most to them

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Hi, guys. How are you? How has your week been?

Hey, Sam!  We’re all good, thank you! Our week has been pretty busy preparing for upcoming gigs and promoting our debut single.

For those new to your music; can you introduce yourselves, please?

We are Riveira! A four-piece Blues-Pop band based in Brighton - who love a good groove. We met at university and have been in a band for about a year now.

How did you all spend Christmas and see in the New Year? Did you have the chance to unwind and relax a bit?

We were all back in our homes having a lovely break and chilling with friends and family. Home was France for Pol, London for Louis and Harlow for Craig and David.

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Your debut single is out on 16th February. Tell us more about it. What can expect to hear?

Yeah. We’re all really excited regards releasing our debut track, Remember! We recorded this back in October at Brighton Electric. This was one of the first tracks we wrote together. We wanted to write a simple but effective track - expect to hear some grooves, bluesy licks and a chorus you can sing along to.

It’s got a simple message: to stop living in the past and live in the now.

That first single is always tough! Have you recorded quite a lot of other material before this – or is this the first thing you have laid down?!

It was pretty tough - but lots of fun at the same time. We spent a lot of time in pre-production demoing different ideas until we thought it was ready to record. We’ve heard the track so many times now, you wouldn’t believe it! But, it’s all part of the process and, when we finally got to record it professionally, it came quite naturally to us.

Now; we are left with a finished product that we’re all proud of.

What is the next step? Do you have more songs coming this year?

We all want to get back in the studio as soon as possible. We’ve got lots of ideas and material we want to record and get out there. We’re hoping for at least two more songs by the end of the year.

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How did you all get together? Were you all friends from way back?

We all go to BIMM Brighton and it all started out by Pol and David meeting in one of their classes. They started jamming together just for fun and then Louis and I (Craig) joined shortly after. I’ve known David for a long time now we met at college back in Harlow - and have been playing in bands together for years. Louis and Pol were in the same classes together and they became good friends.

The band came together quite naturally.

Do you all share the same tastes in music? Which bands/artists did you grow up on?

Yes and no...

We all have a mutual appreciation for bluesy, funky and soulful artists. But; we all have our individual tastes. Me and David are into the heavier side of music. David get’s his influences from the Red Hot Chili Peppers - but he’s also a die-hard Metallica fan. I grew up on bands like Muse - but I’m also a massive fan of Architects. Louis’ big into his Jimi Hendrix and The Rolling Stones. Pol grew up on Neil Young, James Taylor and Gorillaz.

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Brighton is where you are based. Is it a great city to make music in? Why do so many artists go down to Brighton and create?

Brighton has a great music scene. There’s so much variety: it doesn’t matter what you’re into; you’ll find it in Brighton. There are loads of great venues to play and visit.

The market is favouring solo artists a lot. Do you feel bands get a fair shake?! Is it quite daunting going into an industry that seems to put the spotlight on solo acts?

It’s true that solo artists get put in the spotlight nowadays - but that doesn’t really matter to us. We’re doing this for our shared love of making and playing music together. At the end of the day; it doesn’t matter whether or not it’s a band or a solo artist: it’s about the music.

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Who are the new artists you recommend we check out?

Our mates in The Yellow Bellies are doing wonders in the local scene. They’re a Funk-based and put on a great live show. They’re well worth checking out.

If you each had to choose the one album that means the most you; which would they be and why?

My personal album would A Rush of Blood to the Head by Coldplay

It’s such a well-written album - and is my guilty pleasure.

Pol’s album would be Wolfgang Amadeus Phoenix by Phoenix

Amazingly-written Indie-Pop which represents what I aspire to achieve in music.

Louis’ album is Hunky Dory by David Bowie

An amazingly eclectic album that’s been a part of his life from an early age (and has been ever since).

David’s would have to be Stadium Arcadium by the Red Hot Chili Peppers

It’s a perfect blend of all of their previous work - on a double-album - and he’s played the song Wet Sand more times than he’d like to admit.

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Can we see you tour soon? What gigs do you have coming up?

We want to play as many shows as possible this year so, if a tour seems possible, we’ll jump on that opportunity straight away! We’re playing at The Green Door Store on 19th of February with In the Basement. It’s a great line-up of local talent and all proceeds go towards the charity, Mind. We also have our first headline show (courtesy of Scruff of the Neck) on 13th of March at The Prince Albert (which we’re all really looking forward to). 

Any New Year’s resolutions made this year? What do you all hope to achieve, personally, in 2018?

Nope. We just want to make more music and play more shows.

As Riveira; do you have goals as a band? How ambitious are you?

We just want to live the typical musician’s dream: write an album, tour the world and enjoy every second of it. If, one day, we could sell out Brixton Academy we’d of known we’ve made it!

Finally, and for being good sports; you can choose a song and I’ll play it here (not any of your music - I will do that).

Samuel J. Lawrence – Bitter Mind

A beautiful track with lots of soul - by a local artist doing wonders in the local scene

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INTERVIEW: SHE

INTERVIEW:

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SHE

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FROM the mountains just outside of Washington DC…

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it is to the Midlands – and a chat with the up-and-coming band, SHE. I ask them about their new single, Howl, and how it differs from the debut cut, Body Talk. They reveal how they got together and whether there will be more music; the artists, new and old, they are inspired by; what they have coming in terms of gigs – whether the Midlands is a productive and inspiring landscape for them.

SHE have only been around since September. I ask whether the stage is somewhere they feel comfortable and alive; whether it is quite a formative and exciting time for them – they tell me whether (the band) get time away from music to kick-back and relax.

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Hi, guys. How are you? How has your week been?

We are very well, thank you. Tired but still smiling. We’ve had a busy one. Lots of rehearsals, travelling and an awesome show at The Sebright Arms in London.

Not too shabby at all. Lots of fun!

For those new to your music; can you introduce yourselves, please?

We are SHE. We are an Electro/Indie/Pop outfit, fresh from the box. Bex on Vox and Keys; Robin on Guitar and Keys; Edd on Guitar and Keys; Si on Bass and Ricky on Drums. We’re just a happy little bunch, roaming around; playing music and generally having a jolly good time.

Can you tell me how SHE came to be? Did you all know each other from way back?

We’ve been good friends for a long time now. We’ve been writing together under different musical umbrellas for almost ten years - and SHE came about just at the right time for us. Just a shared enthusiasm for making music; developing our sound and having a good laugh along the way. We’re just a group of like-minded people who love making noise and so we do just that.

As often as we can.

Is there a reason for the name, ‘SHE’? Is there a meaning behind it?

It just seemed to click.

We have five people in the band, all with strong minds; throwing ideas about the place all of the time and naming your band…it’s such an important task. Mammoth, really. Not one to be taken lightly…but ‘SHE’ was always there. Popping up. Giving us a little wave and the more we thought about it the more it just felt right.

Sounds cheesy but, once we’d tried it on for size, wore it for a few weeks; stretched it out and relaxed into it a little, we knew it was our name. It just felt fresh and snappy, feminine and a bit sexy, too.

Howl is your new single. How do you think it differs from your debut, Body Talk?

Body Talk was our debut track - and it was rooted in fantasy. It was based on a movie that gave us lots of freedom and creativity when it came to exploring the lyrics, especially. Howl has a lot more sorrow attached to it. It’s personal - so it feels darker and more mysterious, I guess.

Is there a story behind the song? How did it come together?

Howl is about relationships and the damage they can sometimes do. The imprint they leave upon you; good and bad…but that, throughout the hurt and the love and the intensity, you should always listen out for your mother - or the motherly presence in your life. Your protector. Whoever she or he may be. Your guide...because they can be wiser than you think - and much more fearful than any scorned lover.

Will there be an E.P. coming later this year?

Mayyyybe…

We might have something up our sleeves for you. We’ll see what we can do (smiles). We are enjoying writing and gigging. We can’t wait to put a collection of tracks out there for everyone to grab an earful of.

Watch this space!

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You have not been on the scene long (since September) but are already turning heads. Do you think, as a band, you are ambitious? What are your plans for this year?

We’re a passionate bunch, for sure. We like to play good music and give our very best. We work hard and we love to perform so, whatever we have to do to make ourselves heard; then we are always willing to give it a go. Sounds ruthless - but we just love what we do and we love spending time together as friends and musicians. Whatever we can do to hang out and write music…that’s what really bakes our cake.

The Midlands is where you are based. Is the music scene quite active where you are? Are there a load of great local artists?

The Midlands gave us a platform to show gig-goers what we can do and there has been some great talent to come out of Birmingham and the Black Country. There will be even more continuing to creep out of the woodwork in the future, too. I think the venues on our local music scene are brilliant and they do a great job of nurturing new talent; giving newcomers the opportunity to support bigger artists.

There are some proper-quirky little jaunts about town - and we love to pull in a hometown crowd. When a local gig goes well, then that’s something really special. We travel a lot, too; so we’ve seen some great acts up and down the U.K. - and there is new music all over the place.

It’s really exciting when you stumble across new talent.

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Which artists did you all grow up on? Can you all remember the first song to lodge in the mind?

That’s a difficult one to answer - because we all have such different tastes. Some of us are into Electronic stuff and others more into heavier Rock/Pop. I think we look back at old school artists from all eras just as much as we look forward to current bands - and even those bubbling underneath the radar; yet to emerge into the mainstream. We are inspired by a lot of different stuff. It even surprises us, sometimes.

We trust each other’s opinions, though. Even when we disagree on likes and dislikes; we can always seem to pull it together and find inspiration from tracks and artists we wouldn’t usually listen to on the regular.

Has it been hard getting gigs – being a new band? Is the stage somewhere you all love?

I think, the way we see it now; is that it’s not about getting loads of gigs - but it’s about getting the right gigs. Sometimes, you can burn up all your energy playing week in week out and, with experience; we’ve learnt to pace ourselves. We are really lucky to have the support of a fantastic label - Killing Moon.

They give us the best advice and guide us along this path so well. We really appreciate that. I think it’s important to take on-board the experience of certain professionals in the industry. Any little nuggets of wisdom they have are worth taking on board - as well as trusting your own mind and heart. Live is definitely where it’s at, though. We love writing and rehearsing, so, so much - but taking it to the stage is next level.

That’s the thrill.

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If you each had to choose the one album that means the most you; which would they be and why?

Huge question! Again…it’s difficult to just choose one.

I think we’d all need one from each era, from within each genre. This wouldn’t just be five albums here: this would be more like a hundred. One for our nights out raging; one for our tortured teenage souls, another for our sentimental, crying-in-our-bedrooms-alone moments. I think, if we could make one big, love-child album of all of our favourite artists, then that would be a start. We’ll just create one massive Spotify playlist with all of our favourite music - and we’ll ride off into the sunset listening to that, instead. Then everyone’s a winner. If that fails; then let’s go with Now! That’s What I Call Music 1995.

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Is there any advice you’d offer likeminded bands coming through right now?

Support your local music scene! Get out to gigs. Watch live. Play live. Write horrible music and show everyone. Get better. Know your sound. Develop it. Then, just go out and be awesome!

Do you all get time to chill away from music? What do you all get up to when you’re not creating music?

We love down-time with our friends and family. We all have a really supportive network around us - and it’s great to hang out with them. We relish our chill time. It’s rare when the music takes hold of you…but, even when we aren’t on the road or in the studio; we still gravitate back towards each other. These are our buddies; our bread and butter so, if we are away from each other; we do miss each other’s company. Even when we’re sick of the sight of each other; we still love the bones off one another.

That’s really lame, isn’t it?

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

London Grammar - Hell to the Liars

Clean Cut Kid - Vitamin C

Dua Lipa - Be the One

Fickle Friends – Swim

Pale Waves - Television Romance

Blossoms - Honey Sweet

Royal Blood - How Did We Get So Dark?

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INTERVIEW: Ben Mason

INTERVIEW:

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Ben Mason

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IT is not often I get to feature an artist…

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who resides away from the chaos and busy feet of a city! Those who do are usually within a short distance of a busy highway, mind. For Ben Mason; there is something idyllic and isolated that I had to explore. He tells me about his relocation from the bustle of central Washington DC and details regarding his album, Flesh and Bone. I learn about the songs and what compelled them; how his artwork – he is a talented and noted artist – blends with his music; what he thinks of President Trump’s leadership – and whether a trip to the U.K. is planned.

Mason discusses his favourite sounds and new artists; what he has planned for the rest of the year; the memories (from his time in music) that stand in his mind; what advice he would give to new artists – why relocation from the city (and noise) paid dividends regarding his creativity.

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Hi, Ben. How are you? How has your week been?

I’m doing well, thanks. My week has been beautifully hectic.

For those new to your music; can you introduce yourself, please?

I’m Ben Mason and I reside in the foothills of Rappahannock County, Virginia, U.S.A. - about an hour west of Washington DC.   

Tell me about the album Flesh and Bone (your fourth C.D.) and the stories investigated throughout.

There are thirteen songs on the record. They track the last several years of my life - which was a journey for me of darkness to grace. Sunshine speaks to the celebration of a love I discovered and held onto for nine years. Haven’t Met You Yet confronts the reality that I have NOT met a partner yet that connects with me in a full-hearted way. Secret describes a relationship I had with a woman who was a swinger; bragged about it and wanted me to partake. (Which I never did). Not my cup of tea...but I’m not judging anyone here!

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Beautiful Mistakes is incredibly prescient in that it foretells exactly how that woman left my life. It doesn’t describe the bowl of cereal she handed me the morning: she said she’d met a guy in a dog park and had been fu*king him for over a year. 

The Only One is a song I wrote for her; when I believed in an only one. It also is shaded with my spiritual rootedness that has grown in my heart for as long as I can remember.

Born to Believe was a song I wrote for my publisher in L.A. for a movie that never came out - or has not yet come out. Again; the faith that has carried me over troubled waters appears in calm verses of encouragement. Freedom is about a soldier who kills a comrade in Vietnam while that comrade is out beyond the wire suffering hallucinations. The guilt follows him home where he finds solace in a Harley Davidson motorcycle which he names ‘Freedom’. It’s his “horse made of steel” and every year, when I play Rolling Thunder at the Lincoln Memorial in DC; about 600, 000 of these wounded warriors gather to celebrate and chant their courageous cries for recognition of the wounds of war - which cannot always be seen.

I’ve been involved in this POW/MIA cause since my first record back in 1987, River Deep in Me, and I willingly donated my time and proceeds from C.D. sales at Rolling Thunder to their cause. Sweet Satisfaction describes a soldier's dying wishes as he waits in a desert somewhere in Iraq, for a chopper and morphine, talking to his wife/girlfriend the whole time. He is alive, I hope. I met several veteran who tell this tale of chilling connection to death and the opportunity to reach through this veil to those who love them.

Carmelita is about a sweet old man who wanders out into the desert to be with his lost woman, Carmelita - and she finds him, and guides him home. My favorite line is “Beyond the mist across the sage I see the ribbons in her hair”. Hard to get through this one, sometimes. (I started it in 1997 and finished it in 2014). Complicated Stuff is about an ex- girlfriend’s bedroom and the simple truth that one doesn’t always know when love arrives. But it’s “Always simple things like this...never complicated stuff…I used to wonder what love is…but I get this”. Little Girl is about a friend whose daughter struggled with addiction to opioids and followed the lifestyle he’d enjoyed in bars. She ends up losing the child, and yet, my friends are there with at the church - as the “ashes are tossed in the sea”. Because she’s still his “little girl”. She comes to ask his forgiveness as he is on life-support - and she asks him to just “nod your head “if he wants to stay….because she’s still his “little girl…walking the fields to home.

Everything’s OK was written for my sons - one of whom has type-one diabetes and a rare brain condition. He’s brilliant, beautiful and is a body-builder. But, he could die anytime if his numbers turn the wrong way. The song is about how I sang them both to sleep every night using lyrics such as the ones in the chorus of Everything’s OK.  I also advise them that, they too, will need to comfort a “child in the dark”.

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Finally; I’m the One is about a detestable, passionate maniac who offer refuge to a woman and her children at his place in a swamp. He kills the man who comes looking for her and tells her she’s in on that murder. If she tells anyone, “There’s a place out-back where lots of birds will pick your bones”.  He does all this because he’s “the one”. At the very end, he giggles and says “Come here baby, I’m just kiddin’ around”. I’m sincerely interested in disordered minds and wish I’d become a counselor. 

Which brings me to my next answer…

What is your view on President Trump and his style of ‘leadership’?

We’ve elected a grandiose, maladaptive narcissist. The American Psychiatric Association, in their DSM-4, recognizes these disorders: borderline personality disorder; narcissistic personality disorder and antisocial personality disorder. What Trump has is the only disorder which is NOT treatable. He thrives on contention. He despises himself and seeks to avoid exposing this horrid inner-wound to the world and himself by constantly degrading and demeaning those around him. We are ALL his narc. supply.

I opened up for him at Rolling Thunder in 2016. I dedicated my song Heart of the Rebel to him. The crowd of 40k went wild. His people wanted to use it. I said “Talk to my lawyers.” They said: “We’ll use it if we want to…” and that was that. What nobody picked up on was that Heart of the Rebel is about three men - James Dean, John F. Kennedy and Jesus Christ - who lost their lives and left us with a sense of strength. Having the “heart of the Rebel” means being good, courageous and strong. I’d hoped Trump would take that advice. Maybe he has...

Time will tell...

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What was it like working with Steuart Smith on your album?

Working with Steuart Smith is like working alongside Rembrandt, Picasso and Mother Theresa: so pure, so giving…and we go back to 1973 - so I’ve only watched that beauty grow bigger. Steve and Nate are my soul brothers, musically. They are the soul of this record and the Loveland (my third C.D.) Nate is simply my favorite drummer in this reality. Steve is a mind-reading savant who walks my twisted path and catches me when I stumble.    

You live in a ‘unique’ and vivid setting. Tell me about that...

I live here on thirty-acres on a river that the Pawmunkey Indians made pottery from using clay and river mussels. I find their pottery and arrowheads and tools and hear the wind making the same song sounds it made for them. I moved here from the center of the DC area where noise woke me every night - and the air and the water were treated by all that shares that space. I came here for silence. I came here to create my art…without knowing what I’d find. My own Native American heritage (Wampapanoag) called me here in other ways. I live alone but I feel the embrace of what comforts all of us: that this life is a masterpiece.

The stars, the fire; the river. I could not see that masterpiece from the paved mazes I ran through in the city. This is one of the darkest counties on the East Coast of the U.S. I’ve seen unbelievable things above me. I’m a mixed media constructionist - which is just a fancy way of saying I find treasures in the bits of things people walk across every day: on the street or along the river; the burnished beauty appears and I manipulate it to tell my stories. The art in the booklet - which comes with ‘flesh and bone’ - are pieces of some of those stories.

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Do you think your art and music interconnect and are part of the same whole?

My music and my art are the same...

The mosaics I create with lyrics hold the same kinds of brilliant colors that I use to create physical art - and that physical art has a sound as it blends and calls the eyes to hear and see that harmony. I have to do both.

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Have you and your sons made any art together? Is it a lifestyle they are involved with? What are the Blue Ridge Mountains like as a home?

My sons are gone mostly now on their journeys – but, yes, we made many pieces of art together and crafted stories as we rode in the car someplace. The land here gives off such intention; it’s where Pangaea came apart and back together about a billion years ago. The Blue Ridge Mountains are the oldest from that collision. In fact; I live next to the last remaining mountain that was volcanic, Battle Mountain - where Custer got his ass kicked by the Rebels.

But, these mountains were part of the Grenville chain which belted the earth about 1.1 billion years ago. There was a five-mile crack right where I’m living, the size of Yellowstone, about 735 million years ago…so; we have some crazy minerals here: green epidote, blue quartz; red jasper, pink feldspar - and I use those rocks in my art.

Is it hard living in near-wilderness and away from the city?

It’s been challenging to live in such isolation - but it’s fed my art and music as if I’d been starving. So; it’s brought me to life. I’m only seventy-five minutes from DC - and gigs I do there.

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PHOTO CREDIT: Greta Van Fleet

Who are the new artists you recommend we check out?

Check out Greta Van Fleet. They are the rebirth of Led Zeppelin - but apparently don’t even know there ever was a Led Zeppelin!

Do you have any gigs coming? Where can we see you play?

I’m playing at Pearl Street Warehouse on February 7th; Gadino Cellars February 10th - and Griffin Tavern on February 23rd.

Will the U.K. be among your upcoming gigs?

I’d gladly come to the U.K. I love early and current Brit-Rock.

What is your fondest memory of your time in music so far?

Too many memories…

But, one time, we were playing somewhere and a well-dressed woman and her navy captain husband stopped by our table to say their son was in a band. “What’s Jimmy’s band’s name, dear?” she asked her dour, naval officer husband.

”The Doors”, he muttered.

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Is there any advice you would give upcoming artists?

Love your gift and let it lead you…and call me up. Let’s just talk. I’ll convey what typed words always fail to be able to do (540-937-3570).

Can I tempt you to end this interview with a song?

Please play I’m a Man by The Yardbirds: the world’s greatest band

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Follow Ben Mason

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INTERVIEW: LAOISE

INTERVIEW:

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LAOISE

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THIS is the second time I have…

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PHOTO CREDIT: Lucy Foster

included LAOISE on my blog. I spoke to her last year and, a few months on from that; she tells me about her new single, Bother – and how it differs from her previous track, Rich. I ask what we can expect from her forthcoming (second) E.P.; what the scene is like in E.I.R.E. (where she resides); why the people of Dublin are very important to her; whether we will see her play in the U.K. – the artists and albums that have inspired her.

I wanted to know what it was like working with producer Chris Bubenzer on her current number; whether she has a standout memory (memories) from her career to date; how she spends time away from music; why artists like Kate Bush and David Bowie are important to her – and why this week has been a busy one!

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Hi, LAOISE. How are you? How has your week been?

Hello! I’m so great, thank you.

My week has been crazy; exciting getting ready for my next release on 7th February!

For those new to your music; can you introduce yourself, please?

I am LAOISE. I’ve just turned twenty-one - and I’m an Electropop artist from Ireland.

Bother is the new single. Can you reveal what inspired that song?

Out of all my songs; Bother was probably the hardest for me to write. I wrote it about a relationship that went horribly sour and it really messed with me. It took me a while to get myself back - and it was when I bumped into that person a while after we had ended that I realised I was me again…and that they couldn’t hurt me anymore.

Chris Bubenzer produced the track. What was it like working with him?

Yes! Myself and Seán (A Place Called Kai) were so excited to work with Chris on this track. He is so talented. I can’t get over how much he changed this song for me: it feels so much more celebratory now. Working on a track that is quite personal with someone new can feel daunting. But; Chris and I just clicked instantly - and I think you can hear that in the track.

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Bother follows the track, Rich. Your music is getting a lot of love in Ireland! How humbling is it knowing your new music is getting such love?

Ireland has been the sweetest and most open-armed community to release my music. All the support has been so humbling, definitely, and I really notice it when I play live shows; people are there for the love of music and it’s obvious.

At the end of the day; Ireland is my home - and it always feels that way.

You are getting passion from U.K. sources, too. Any plans to come here later in the year?

I’m dying to play in the U.K. again! I may have a few little plans to visit during the summer. You’ll have to keep an eye out. Hehe.

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I know an E.P. will follow this spring. What sort of themes and ideas will you be looking at? What was the creative process like?

The creative process for this E.P. has been so different to my debut. I’m still finding myself delving into deeper themes like expressing my anxiety and such but, more than anything; I feel such a sense of clarity and peace in my writing today that I’ve never experienced before. I think stepping into adulthood has really shifted my perspective on life and it’s made me see the world in a new bright light.

My songs have become more alive, energetic even, and I’m really enjoying it.

It will be your second E.P. Have you noticed a shift in terms of sound and confidence since Halfway?

Completely. When writing the Halfway E.P., I was a little timid at times: maybe worrying about how people would think of my music. But, with this new E.P., every decision I’ve made has felt very authentic to myself. I’ve really just been challenging myself to further develop my Electropop sound.

So; I guess you could say this E.P. has become a little bigger and better.

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You grew up in Galway. Was there a music scene there at all? What sort of music were you exposed to?

The music scene in Galway is great. I got to see many acts like James Vincent McMorrow and Little Green Cars there when I was younger - and they’ve always stood as my favourite live experiences. But, away from that; I grew up playing traditional Irish music and would play in small pubs with other musicians. I think, because I was exposed to other musicians at such a young age; I learned that music was something I was unquestionably going to pursue...

I hear shades of Kate Bush and David Bowie’s enigma and changeable creativity. Are these icons people you were influenced by at a young age?

I’ve always loved Kate Bush. I still remember the first time I heard Wuthering Heights’ chorus and I had never heard anything like it before: it completely transcended little seven-year-old me to a new world. With David Bowie; well, I had never seen anything like that before! I was a little older when I started listening to Bowie - maybe fourteen - but his creativity on stage truly inspired me to find my own sound and style.

They both really taught me how to express myself in my own way; be it through fashion or music…

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IN THIS PHOTO: Bülow

Who are the new artists you recommend we check out?

Oooh…so many. I’ve been listening to German-Canadian artist bülow a lot lately. Her voice is gorgeous. Also; SHY Martin. She’s an incredible songwriter.

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PHOTO CREDIT: SHY Martin

If you had to choose the three albums that mean the most to you; which would they be and why?

Ah. I always think of this - and I always change my mind!

So; I think Lorde’s Melodrama is very important to me right now. Being the same age as Lorde: I feel so much of what she’s purging - and the album really does purge you. It’s fresh and courageous music and it’s really inspiring me to write more.

Secondly; Warpaint’s self-titled (2013) album has made a lasting impression on me because of the originality and personality in their music. Their voices are so expressive and you can feel such a vigorous sense unity in their songs.

Lastly; The Altar by Banks has massively impacted my crossover from writing Folk songs to Electropop songs. I love that she’s balanced her emotion so well with her production: every song feels so carefully thought-out and her lyrics really hit home for me.

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Can we see you tour soon? What gigs do you have coming up? 

A small tour later this year is definitely on the cards. I’m announcing a very special show in Dublin super-soon and I’m SO excited for it.

Looking back on your time in music so far; are there favourite memories that come to mind?

I think playing Forbidden Fruit Festival last summer stands out the most when I think back on the past year. We arrived at the festival early to set up, and we were only a few metres away from Bon Iver soundchecking (I’m a HUGE fan, so that was crazy) but, when it came time to play our show, the tent completely packed-out.

It was the first show I played where I felt such a strong connection with an audience.

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How do you spend time away from music? Any hobbies or favourite ways to chill?

There’s a small island off the west coast of Ireland called Inishbofin. I used to travel there every summer with my family. It’s pretty remote so it’s a great way to take a break from my laptop or my phone.

I haven’t been in a while - but it’s the most beautiful place to refresh my mind and relax.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Just because it’s way too much fun to say: Babooshka by Kate Bush (“BABOOSHKA")

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Follow LAOISE

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INTERVIEW: Whitney Rose

INTERVIEW:

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PHOTO CREDIT: Jen Squire 

Whitney Rose

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THE incredible Whitney Rose chats to me about…

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her album, Rule 62, and the themes that inspired the music. It was released last October – I ask whether there will be more material this year. She discusses recording in Nashville and working with The Mavericks’ Raul Malo (on her album); why last year was especially productive; the three albums that mean the most to her – and some great new artists to investigate.

I ask whether Whitney Rose will come to the U.K. soon and what her tour dates are looking like; what advice she would give to new artists; whether she has any ambitions/resolutions for this year – what the music scene is like in Austin, Texas (where she is based).

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Hi, Whitney Rose. How are you? How has your week been?  

It's only Tuesday...but good so far! Bowled a really good game last night, which never happens; so feeling pretty damn fine.  

For those new to your work; can you introduce yourself, please?

I'm a singer/songwriter based in Austin, Texas. I write songs, record them and then travel the world to play 'em live - for folks who like the above-mentioned recordings.  

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Rule 62 is your latest album (released in October). What were the themes and inspirations that compelled the album’s creation?

Rule 62 means ‘don't take yourself too damn seriously’ - and that's the major theme in the music. A number of the tunes approach shit*y situations in a light-hearted way.  

It was your second release of 2017. Was that a year you felt especially productive and driven? Was there a lot you needed to get off your mind? 

2017 was definitely an ambitious year…

We released the two albums and played almost 200 shows - but 2018 is turning out to be pretty similar. I like the hustle and I appreciate every opportunity that comes my way.  

Which songs stand as highlights from Rule 62? Is there one that stands above the rest, perhaps? 

My favorite song on the album is probably Trucker's Funeral. It's just a really fun story to tell. I never get sick of it.  

The album’s title is a rule from Alcoholics Anonymous: a pronoun-adjusted point of reflection that urges one not to take things too seriously (more-or-less!). Was there a lot of turmoil and disconnection around the time of the album’s conception? 

Nah.

What was it like recording in Nashville and working with The Mavericks’ Raul Malo? How does that setting differ from Austin (where you are from)? 

I love spending time in Nashville (and then coming home to Austin). They're both great music cities but I find that Nashville is more a city where sh*t gets done; whereas Austin is more a city where art gets made. I like taking advantage of both of those things.

Working with Raul is always great - he's a master musician and a good friend.  

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PHOTO CREDIT: Jen Squires  

Is there a productive and varied music scene in Austin? How influential are the people in regards your signwriting? 

You can't turn a corner without stumbling upon some incredible live shows. I've met and befriended some of my favorite songwriters in the world here - and they inspire me and drive me to get better every day.  

Your music and voice projects images of Nancy Sinatra and Bobbie Gentry. Who are the artists you grew up on? What kind of music was played in your house as a youngster? 

When I was a toddler; I fell in love with Hank Williams, Dolly Parton; Keith Whitley, Kitty Wells and Johnny Cash (to name a few). When I got a little older (grade-school age-ish); I discovered Doo-Wop and fell in love with that, too.  

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IN THIS PHOTO: Margo Price

Who are the new artists you recommend we check out? 

I really like Margo Price; Lindi Ortega, Nikki Lane and Aubrie Sellers.  

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IN THIS PHOTO: Lindi Ortega

If you had the chance to select the three albums that mean the most to you – which would they be and why? 

Just three?! This answer would probably change from day to day, but three albums that I have listened to a million times and always come back to are:

Pieces of the Sky by Emmylou Harris; Heart Like a Wheel by Linda Ronstadt and Diamonds & Dirt by Rodney Crowell.

The vocal performances on all three slay me.  

Is there any advice you would give to fellow artists coming through right now? 

Don't read the comments. When you find yourself about to read the comments, go write a song instead.  

What gigs do you have coming up as we head through 2018? Will you visit the U.K.? 

So far, I've just been playing shows at home in 2018 (I have a weekly residency at the Continental Club in Austin when I'm not touring) but we leave on a West Coast run in a couple weeks for about a month. Then, we have a few weeks back in Austin before we head to Europe for a couple months.

We'll be in the U.K. in May! 

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PHOTO CREDIT: Rob Norris

Do you have any ambitions of resolutions for this year at all? 

I've been trying to exercise more frequently and eat better. It's not easy to stay healthy on the road - so that's something I'm working on.  

Can we expect more material this year soon, perhaps? Are you working on anything new? 

I recorded a version of a song I've been covering for years - at the end of 2017 - which we'll be releasing soon. L.P. four is in its creation stage (which is always fun). 

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that). 

How about How to Forget by Jason Isbell. I love that song

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Follow Whitney Rose

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INTERVIEW: Fabich

INTERVIEW:

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Fabich

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I have been speaking with Fabich and asked him…

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about London and its appeal (he was born in Germany and recently moved to the U.K.) and working with producer A-Minor on the song, Naked Lines - that track joins Fabich and Aaron Pfeiffer together. I was curious whether this is the start of a new vein of creativity and whether there are any concentre plans; the experience of recording at Bob Marley’s former house; how it felt gaining success in the U.S. – Fabich picks some great new artists worth checking out.

He discusses his tastes and whether there are any tour dates coming; if there is a standout memory from his time in music; the three albums that mean the most to him; why Fabich takes a very head-on approach to music and writing – and how he got into producing/music to begin with.

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Hi Fabich. How are you? How has your week been?

Hey. I'm fine, thank you! My week has been awesome. I just arrived in L.A. three days ago and I'm loving it so far! Good weather and cool people. I'm very excited about the music scene here!

For those new to your music; can you introduce yourself, please?

Yes. I'm a music producer and D.J. originally from Germany - and I'm currently living in London working on new music! I released my debut single, Hold On, on Island Records last year - and I'm currently finishing my upcoming E.P. and second single...

Naked Lines is your new track. What was the inspiration behind its creation?

Before making Electronic music, I was actually producing a lot of Hip-Hop and R&B artists – so, with Naked Lines as well as my other recent work; I combined both of these styles into something that's a lot of fun to me and feels like my own.

Tell me how you hooked up with Aaron Pfeiffer. What do you think he brings to the song?

I actually met Aaron in London - and he's just an amazing talent and really fun to work with. We have a couple of new stuff in the works together - and Aaron is also singing on my upcoming track, Back to Life (as ‘PHAT’; together with the singer, Sedric) and Jafunk!

Producer A-Minor helps elevate the song. Are you going to be working together on any future material?

Yes. A-Minor is a good friend of mine and we already have a few ideas for upcoming tracks together...

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Tell me how you got into recording and producing. Did you grow up around Dance music and a house that fostered that passion? When was the moment you decided THIS is what you want to do full-time?

I got into recording and producing through D.J.-ing at local school events and parties! So, at some point, I wanted to make my own music instead of just playing other people's tracks. I bought a keyboard and tried to make my own songs. As a kid growing up; I liked all kinds of music from 1990s: Love Parade Techno to American Hip-Hop. I always knew that I wanted to have a job in the music industry because it has always been my biggest passion!

Previously; you enjoyed U.S. success and recorded at Bob Marley’s old house! How different were your experiences there and those in London (where you are now)?

I think the experiences don't differ that much, to be honest! I love exploring new cities and cultures; so, moving somewhere new is always exciting for me! London is a lot colder, though…so that’s a bit tough. Haha

Is there quite a productive and varied scene there? How easy is it to get exposure in the English capital?

Yes. The scene here in London is amazing - and there's a huge amount of talented people from all kinds of genres (and all around the world). One of my favourite places in town for live music is a Jazz club in Soho called Ronnie Scott's - the talent there is so good and I haven't really seen this anywhere else in Europe. To get exposure here is not easy - but everyone has been very welcoming so far.

I'm happy to have met a lot of humble and talented people in the scene here!

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It appears you embrace the daring and immediate. Is music a way for you to tackle the world head-on in your own style?

Yes. Self-expression is very important to me!

When making music; my main goal is to have fun and do something authentic. Of course, I hope that other people also enjoy it but I almost feel like that's out of one's control - so, I'm very happy about the positive reactions I get!

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 IN THIS PHOTO: Jafunk

Who are the new artists you recommend we check out?

If you don’t know them yet check out Jafunk, Just Kiddin; Pat Lok, Cabu; Young Franco and Mokoa. They all make sick music and are unique, in my opinion! I also love an artist called Frits Wentink - who is probably a bit lesser known, but his stuff is amazing. 

I do a monthly mix series called 12 Tracks Tape which you can find on my SoundCloud page. I invite a guest every month, whose music I really like, to do it together with me. Check it out (smiles).

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IN THIS PHOTO: Pat Lok

If you had to choose the three albums that mean the most you; which would they be and why?

N*E*R*D – In Search of...

This is my favourite album - and I never get tired of it.

Justin Timberlake – Justified

Partly produced by The Neptunes and Timbaland; this is a modern classic to me: a lot of great and timeless songs on there, in my opinion!

Frank Sinatra - Live at the Sands

This is my favourite live album of Sinatra's. It (just) puts me in a good mood. I especially like it during the colder days of the year

Can we see you tour soon? What gigs do you have coming up?

Yes. I have two big tours planned and I'm very excited to perform more this year. I spent most of 2017 in the studio - so I can't wait to play the new music live!

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What do you hope to achieve, personally, in 2018?

I wanna keep on working hard to bring you new music - and also enjoy life while doing it… (smiles).

Have you got a favourite memory from your time in music – the one that sticks in the mind?

There are so many good memories…so it’s very hard to choose one…

Among my favourite moments; spending the Winter Music Conference in Miami with my whole team (is definitely one) – that's always a lot of fun!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Let's go with my favourite one, then: Pharrell (ft. Jay-Z) – Frontin’

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Follow Fabich

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INTERVIEW: Port Cities

INTERVIEW:

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 ALL PORT CITIES PHOTOS: Mat Dunlap

Port Cities

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IT is great to have the Port Cities guys on my blog.

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They chat to me about their new single, Back to the Bottom, and what the tale behind it is. I ask whether there is new material coming and what tour dates they have coming; which U.K. dates (they are playing here in March) they are looking for; whether they are fans of British music – how they all got together in their home province of Novia Scotia.

The trio looks ahead and tell me their aims for 2018; the artists and albums that have made an impression on them; how all the myriad sounds and textures they project come together in their superb music; a new artist definitely worth checking out – how they all like to spend time away from music.

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Hi guys, how are you? How has your week been?

We’re great. Been busy working on music and video content all week - and are now en route to Ontario for some shows this weekend.

For those new to your music; can you introduce yourselves, please?

Our band is called Port Cities and we are Dylan Guthro, Carleton Stone and myself, Breagh MacKinnon. We're all from Cape Breton, a little island on the East Coast of Canada, and we write Pop songs in a Roots-Rock style.

Back to the Bottom is your latest single. Can you reveal its background and inspiration?

Back to the Bottom was written about five years ago when the three of us were still solo artists who collaborated together. The song describes being in a toxic relationship-cycle with someone; realizing there are serious issues but still (always) coming back to them for better or worse.

How did Port Cities come together? Did you all know one another long before you started playing together?

We all met at a co-writing camp for young songwriters in our home province of Nova Scotia. We had all heard each other's music beforehand - but that was the first time we got to meet and collaborate. From there, the three of us really hit it off personally and creatively and, over the next few years, started playing in one another's solo projects and writing together more and more frequently.

We did that until early-2015 when we decided to put a name on the project and make it our focus.

It seems your music balances Nashville (where a lot of it is recorded) and Nova Scotia (where you are based). That seems like an eclectic mix! Do you think you take a bit from your local sounds and Nashville’s brimming scene?

Nashville was an amazing city to work on our record. Our producer, Gordie Sampson, is a Grammy award-winning songwriter from our hometown - but has lived and worked in Nashville for the past decade or so. Gordie knew us so well, individually, as solo artists: he was the perfect fit to help us find the ‘Port Cities sound’ and hand-picked some of his favourite studio musicians in Nashville to be the rhythm section on the album.

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At Nova Scotia Music Week; you scooped five awards (in November). What was your reaction to winning so many awards?! Did you expect to scoop so many?!

We were definitely honored to win!

We were on the road a lot this year, so it meant a lot to be recognized by our peers and feel the love and support from home. I don't think anyone can really predict how those award things will go, so we were pleasantly surprised when the winners were being announced.

Can we expect some future material? Might there be an E.P. along the way?

Yes! Our debut album is out in the U.K. in early-March; so we really hope you like it! Meanwhile, between tours, we will probably spend every spare moment writing and recording our next album.

Your music matches Jazz-schooled timbre and R&B sounds; together with some acoustic sensibilities and calm. Does this diverse range of sounds reflect your personalities and musical upbringings?

I definitely do think our band is an interesting fusion of our musical upbringings: Dylan is a huge fan of Hip-Hop and R&B music - and has been making beats and writes in that style (his father is also a well-known Folk singer in Canada and fronts the Scottish band, Runrig). Carleton played in various Rock and Americana bands since he was a teenager - and I have a degree in Jazz Piano.

I think the common ground we all discovered when working together was our love of a well-crafted Pop song - and that "the best song wins" mantra has been our focus since we started working on this project.

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IN THIS PHOTO: Leif Vollebekk/PHOTO CREDIT: Getty Images

Who are the new artists you recommend we check out?

Leif Vollebekk is an amazing Canadian singer-songwriter. His last album, Twin Solitudes, is absolutely beautiful. We had a few of his songs on-repeat over the course of two cross-Canada tours last year.

If you each had to choose the one album that means the most to you; which would they be and why?

Breagh: Blue by Joni Mitchell

It's the first album that made me want to write songs. I think I literally wrote my first song after listening to it top to bottom in high-school.

Carleton: Born to Run by Bruce Springsteen

I (just) remember discovering this record when I was about twenty-years-old and it started my long love affair with The Boss' music. So many of his songs come from this very masculine point-of-view while still revealing sensitive inner-thoughts.

I'm not sure if anyone does it better than him.

Dylan: Chronic 2001 by Dr. Dre.

I’ve never stopped being so amazed by the perfect blend of organic and electronic elements that give every song its own unique feel where you can’t stop bobbing your head. The explicit songwriting may not appeal to all but I can only respect how fearless it is and it makes the album unforgettable. It opened my mind to another style of music production that I’d never really heard - and I’ve been addicted ever since.

You are coming to the U.K. to play in March. Which dates are you most looking forward to? Do you all love being over here?

This tour will be our third time in the U.K. (and we love it there). Outside of the major cities; it has a lot of similarities to Nova Scotia - so we all feel pretty at home while we're there.

We're looking forward to playing some shows in towns we haven't been before. London and Manchester are always great crowds; so we excited to play those places again.

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You have compiled a Spotify playlist of your favourite new British music. Are you a big fan of our artists? Are there favourites from the playlist?

Some of our all-time favourite artists are from the U.K. so, for the playlist, we tried to mix some classics with some of the newer artists that we love. Jessie Ware, James Bay and Troy Sivan are three current artists that we're especially digging in the van right now.

Shura is someone we both have affection for. What is it about her music that captivates?

I came across her music when I saw her music video for Touch. I thought it was so cool and then, when I found out she filmed and edited the whole thing herself; I was super-intrigued.

I love the Jessie Ware Say You Love Me remix, too. I'm definitely a big fan (Breagh).

What has been your most treasured memory from your career so far?

We got to open for k.d. lang at a big arena show in Halifax - so that was a major highlight. I was a huge fan of her music growing up; it was such an honour to share the stage with such a legendary performer. Honestly, just getting the chance to travel to different parts of the world and sing songs for people is something we don't take for granted; so it's always a highlight when we travel somewhere new and we can share our music with people.

How do you all spend time away from music? Any hobbies or favourite ways to chill?

When we’re not playing music, we love spending time with our families, friends and girlfriends: trying to compensate for all the times we are away.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Breagh: Vincent by James Blake

Carleton: John Wallace by The East Pointers

Dylan: That Far by 6lack

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INTERVIEW: Screech Bats

INTERVIEW:

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 PHOTO CREDIT: Derek Bremner 

Screech Bats

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THE mighty Screech Bats are one of…

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the most exciting and tightest bands around. I have been speaking to them about their new single, Get Better, and what the story behind the song is. The band’s lead, Esme, breaks down the songs on their forthcoming E.P., Wish You Were Her (out on 30th March), and the emotions that go into each track. The band talk about their formation and the artists/albums that inspire them – and how they are feeling about a future gig at Camden Rocks Festival.

I ask how important independent venues are in terms of their growth and exposure; what it was like recording with James Routh (of Sonic Boom Six) in a Blackpool for their E.P.; some of the new talent we need to be aware of – what Screech Bats’ ambitions/goals are for the rest of 2018.

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Hi, Screech Bats. How are you? How has your week been?

This week has been equal-parts exhausting, exciting and disorienting - as our tension and anticipation, that has been building for the last two years, waiting to release some new music climaxed and spewed into the world in the form of Get Better: the single from our newly-announced E.P., Wish You Were Her.

For those new to your music; can you introduce yourselves, please?

We are Screech Bats: Esme on Vocals, Lexi on Drums; Kit on Guitar and Rio on Bass. The best way to describe our sound would be ‘Melodic-Punk-Rock’ - swaying more towards the Rock side of things.

(Think Alkaline Tri-meets-Against Me! with a ladle-full of uncomfortable emotions). 

There is natural closeness and understanding in the band. How did you guys all get together? Was there a mutual attraction and mindset from those first rehearsals?

Yes, we are close. Lexi brought us all together having played in a band with Kit - another band with Rio - and then introduced Esme through a mutual friend. The first rehearsals were definitely a little nerve-racking because you have no idea whether it’s going to work; whether you’re even on the same page musically or whether you’ll have that chemistry when writing. We were lucky and we gelled quite instantly - most probably because none of us takes ourselves, or each other, too seriously.

In fact; Esme is probably the most ridiculous person you will ever meet…in the best way possible! (Esme adds the edit: ridiculous, yet charmingly witty and devilishly handsome).

 

Get Better is your new single. Can you talk about its inspiration and how it came together? Do you all pitch in with the songwriting process?

Usually, Kit will demo an idea of a song then we take it to practice; change bits here and there and adds in our own parts etc. Esme tends to take care of the lyrics and melodies – occasionally, with help from us lot. Overall, it’s a collaborative effort, no matter who brings the ideas to the table.

Get Better, put simply, is about suffering with mental-health (issues) and the road to recovery. It is based on a personal experience of Esme’s and appreciating the value of a certain doctor who, quite literally, helped save her life.

I know there is a spotlight on mental-health and recovery. Is the capriciousness of mental-health something that has affected you all? Do you think it is vital to raise these issues through music – and, hopefully, de-stigmatise a rather dark and ‘taboo’ issue?

Yes, 100% - and this is not a point we can stress enough.

Issues with mental-health have certainly affected us all, in very different ways, but it’s probably one of the reasons why we are so close. We believe it’s beyond-important to raise these issues and it needs to be de-stigmatized for sure. Lexi, in particular, is still upset over Chester Bennington’s death…because it was preventable.

Although, in light of tragedies like these; we are stoked to see more and more people with notable fame using their platform to openly discuss their own battles with mental-health - and also to see it becoming an issue much more seriously addressed in our National Health Service - and an issue employers and workplaces are beginning to take as seriously as ‘physical’ illnesses.

Still; so many people suffer in silence and these are the people whose lives are at risk. We want to destigmatise this topic and put out messages of comfort in the knowledge sufferers are not alone and, moreover, the message that there can be a light at the end of the tunnel and a happy future…even when this feels impossible.

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The E.P., Wish You Were Her, is out on 30th March. How does this E.P. differ from your debut? Do you think you’re more confident and experimental as a band this time around? 

We’ve really grown these past two years from our first E.P. and feel that we have finally established ‘our’ sound.

Our first E.P. was loads of fun: the topics we wrote about were often whimsical and the whole thing was pretty polished sounding. It was perfect for us at the time but now our boots are a bit scuffed - and that’s how we like it. We’ve tried to capture a much darker side to the band with this E.P. - and, definitely, think we’ve achieved that.

I understand the E.P.’s title refers to various women who have made an impact in your life, Esme. Are there particular figures that influenced particular tracks? Were all the experiences (with these women) positive – or were there some negative interactions/relationships that had quite a profound effect on you?

Writing the lyrics to this E.P. has been incredibly cathartic for me and, even before the idea that I was going to use these words for songs; I just wanted to get some of these words down and out of my head to help me process some big life-changing events in my life.

Get Better is a thank you to the doctor who completely rewired my brain from someone who was just waiting for the next time to be alone so she could kill herself…to someone who wants to live life to the full and enjoy every second of it. I have suffered from myriad mental-health issues for as long as I can remember and we have a history of severe mental-health issues on both sides of my family; so I don’t remember a time where depression wasn’t part of my life. I never thought I could be the person I am now: if you had shown me a snapshot of my life as it is today to me four years ago I would not have believed it.

Of course, there are other factors that helped me on this road to recovery: my family for their constant love and support - even when I felt like I didn’t deserve it - my friends who have stuck by me when my behaviour was unforgivable and utterly abhorrent and, of course, our band - having this creative outlet and the camaraderie with my band-mates has helped more than I ever thought it could - but this song is for the catalyst of the biggest change in my life; without whom I honestly believe I would not be here: my doctor. I wanted to get these words out; not only as a thank you, not only for myself; but on behalf of everyone she helped and continues to help through the course of her career - but also as a way of reaffirming to myself that I was doing better and I will continue to work at being better…

Finally; as a way of showing people that, yeah, recovery is tough but it happens…and even in the absolute depths of despair; I want to give people living proof that there is a light at the end of the tunnel – and, hopefully, that serves as a reason not to give up. 

Blood in My Hair is about the death of a friend - who died suddenly and was far too young to go. It’s hard to quantify this relationship with words like positive or negative: our friendship was immensely positive; the loss of this person was immensely negative. I was at the age where you feel invincible - late-teens, early-twenties - riddled with drink, drugs and parties: death simply wasn't part of our lives.

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The only people I had known who had died had died old…and that felt a long way off from all of us. Losing someone the same age as me with no warning made me really have to consider the reality of what death was. At the time, I was too immature to deal with it and this is why. At the stage of life I am at now; I feel strong enough to look back and think about death and grief - and really think about what it means. Of course, I have no answers. I have been on this Earth a blink of an eye, like the rest of us, but it was an oddly enriching experience to look at death from all angles. During the song, I revisit the night where we all found out - who I was the - but I also try to think about the idea of Heaven and Hell and how this girl had died so young…and as we were all such f*ck-ups, if there was a Hell, we would all be going. Alongside this; I tried to look at the idea of death just being a part of life and does anyone really want to live forever? Should we want to live forever? Perhaps the knowledge that we are finite isn’t scary and we can breathe a little easier knowing that we are just here to enjoy the ride: at some point we will return to nature, dust; the universe, nothing…or whatever we were before we were something. Despite yelling “I’ll see you in Hell” several times in the song; it is intended as another positive-message-one. Haha!

Just Like You is about a one-night stand: an entirely different interaction to the aforementioned tracks. I had a hard situation where, for me, I fell pretty hard for someone who saw me just as a bit of fun. I was enormously hurt and focused all my attention on working out what was wrong with me; why was I so unlovable. But, to get over these feelings, I tried to focus on the situation with her. Knowing this person well; I came to realise that she just needed the self-esteem boost. She was ageing…and not ageing well. She had always only relied on her looks, her party lifestyle and sexual (or romantic) attention to feel validation - and now her looks were waning; she was just clutching at vulnerable, lonely people to feel better about herself.

Realising this helped get over the rejection and, the more I look around me; the more I see other people in the same kind of situation: facing rejection and hating themselves because of it rather than seeing it as the rejecter’s loss (that they are missing out on someone rad). Although; I guess the song is a bit of a ‘f*ck-you’ to this person - and it feels good telling her that I now KNOW there are plenty more fish in the sea…and I now KNOW I’m great and worth something

In the end, the message of the song is: don’t give a damn about people who don’t treat you with respect. Just because one person doesn’t see how awesome you are doesn’t mean the next one won’t…  

What was it like recording with James Routh of Sonic Boom Six - often until the early hours in a Blackpool rehearsal room? Did that configuration progress your music and provide fresh impetus?

We absolutely LOVED it!

We had free-roam of the studio (which was inside a rehearsal room complex). There was an upstairs with a kitchen and dining area - where we could go and make ourselves proper meals, get some downtime and crack on with other work (Esme, being a tattooist, had a lot of drawing to do). It was our temporary home. There's something quite special when you take the band into a studio - especially in a completely new environment -; it's really inspiring; ideas are flowing and you're all in the zone.

We've known James for a long time so it was all pretty natural: everyone was pretty chilled and we were able to discuss and try out new ideas without anyone getting irritated or rushing us through the process. 

Your palette of subjects ranges from ageing and sex to gender-balance and relations; death and life through to depression. How much of your own relationship experiences go into the songs?

The lyrics are entirely based on our own experiences. We find the music is much deeper, more passionate and easier to perform with conviction; when we are performing work we can relate to, believe in and have lived through. Esme says that, in her personal experience, songwriting (just) can’t happen for her if she’s not sticking to the old rule of ‘write what you know’. 

Do you think it is important to keep fresh and depart from the fatigue of the mainstream – the same commercial songbooks that have appeal to Spotify punters - but not those who want to dig deep?

It's a difficult one…

In the end; I think we just write what we write, we write what pleases us; what makes us feel good and what we personally would like to listen to.  We all come from different musical backgrounds, and when different influences infuse, people tend to put you in a bracket - but I don’t think we are actively trying to kick back against the mainstream and, to be honest, we don't even think about it!

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This week is Independent Venue Week - it is an exciting time to highlight the best spaces in the U.K. How important are these venues to you guys and your music? What feeling do you all get from performing your songs to a willing and hungry crowd?

SO IMPORTANT! Independent Venue Week is frickin' awesome. It just highlights how many awesome venues are up and down the U.K. We're so lucky here. Music is rife and we have so many amazing U.K. bands. Without these venues, we wouldn't be able to play shows, tour or, probably, even be a band. We want to share our music with everyone - and these venues enable us to do so. It's always heartbreaking when you see another of your favourite venues shutting down for some twat to build flats on.

Performing is an incredible feeling; nothing beats it - especially when the crowd are into it. When people like your music you connect on a whole new level.

It's beautiful.

It seems, in the industry, female bands are seen as a novelty and genre on their own. Does it annoy you there seems to be this rather sexist and ignorant attitude?! Do you think there will be changes in attitude as fantastic new female-based/led groups come through?

It's draining that we still have to talk about this: it's 2018; who gives a fu*k what gender your band members are…either you like the music, or you don't.

We still get heckled so, unfortunately, it is a subject we still have to address. People ask us ‘who’s girlfriends we are’. If we are backstage; people book us as a novelty. One of our favourite comments to date, when we were loading our gear into a show, was: "Oh, look: the strippers have arrived!” 

 Attitudes have been changing thanks to lots of strong artists/bands of all genres and genders - particularly since the Riot Grrrl movement (God bless Kathleen Hanna). It's just a shame they haven't changed quickly enough.

Anyway…attitudes will continue to change; we have lots of hope…

I hear hints of the great Punk bands of the 1970s in your sound. That mixes, in my mind, with great Alternative/Indie U.S. bands of today. Who are the artists you are all inspired and bonded by?

We are heavily influenced by Punk-Rock bands who, in turn, have been influenced by bands in the 1970s - such as X-Ray Spex, Crass; early-Adam Ant, Bad Religion (yes, they're officially a 1970s band) etc. We have certainly taken our own influences from 1970s Punk, it would be stupid not to; but a lot of our influence has come from Against Me!, Alkaline Trio; Blink-182 and The Distillers, to name just a few.

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IN THIS PHOTO: Calva Louise/PHOTO CREDIT: John Mo Photography

Are there any exciting new artists you recommend we check out? Which hot acts should we get our ears around?

Calva Louise: easily one of the most exciting bands on the circuit right now. Excellent people, incredible music - and a mind-blowing live show.

Petrol Girls. Although they are not ‘new-new’ – still; not enough people have heard of this band -and EVERYONE should stop what they are doing and have a listen…

Youth Man. Again; they have been making waves in the Punk scene for a while but deserve a bigger audience. We have been lucky enough to support them a few times now - and they put on absolutely electrifying live shows. 

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IN THIS PHOTO: Petrol Girls/PHOTO CREDIT: Isha Shah

If you each had to choose the one album that means the most you; which would they be and why?

Lexi: Good Mourning - Alkaline Trio

Esme: By the Throat - Eyedea & Abilities

This is a DAMN hard question - and I had to make a shortlist; but I have picked this album because it’s one I always come back to. I have never related to words like I relate to Michael Larson’s lyrics - they are life-changing and this album, his last collaboration album before his death, serves as a constant and heartbreaking reminder of the pain it can be just to live. This is an intensely philosophic album, addressing a huge range of topics with such morbidity and, still, so much wisdom and hope. It seriously affected my approach to lyric-writing - and still influences me heavily today. 

Kit: Take Off Your Pants and Jacket - Blink-182

As ridiculous as it sounds; this album really taught me to play the guitar. I spent all my teenage years in my bedroom playing along to my Blink’ records by ear. This album came out when I was thirteen - and that's when I started my first band. I really did fall in love with a girl at the rock show (a lyric from Blink-182’s Rock Show) - and married her! 

Rio: Live in Munich 1977 – Rainbow

It’s an incredible moment in musical history featuring some of my favourite musicians at their peak. It gets me every time. I’m such an anorak when it comes to live albums, especially around that era - as all my favourite bands were at the top of their game, then, it would seem. The calibre of music then was something else. 

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You have a big gig at Camden Rocks Festival on 2nd June. How excited are you about that?! Have you decided on the set-list for the date yet? What other gig dates are you looking forward to this year?

We haven't decided on the setlist yet. We'll decide nearer the time in case we've got a new tune we wanna throw in there, too.

Yes, we are extremely excited - Dublin Castle, 4 P.M.! We're putting together a tour in April, actually, so keep your eyes peeled.

Hopefully, we will confirm some more festivals later on in the year also.

What are your ambitions, as a band, this year? Do you have any goals you want to conquer?

Goals this year would be to play some of the 'bigger' festivals such as Reading, Leeds and Download, etc. We also want to complete our debut album this year. 

Is there any advice you’d offer likeminded bands coming through right now?

Be resilient and have thick skin. Remember why you're doing it in the first place and run with that. Decide on your morals, your message; what you believe in and stick to it: don’t let the bastards keep you down. 

Do you all get time to chill away from music? What do you all get up to when you’re not creating music?

Absolutely not: we never chill. Haha! Esme is the owner of a busy tattoo studio (Boileroom Tattoo) where she and Kit are both tattoo artists - and they also do regular conventions and guest spots around Europe. Rio plays in other bands and Lexi works full-time in music - as well as another band.

It's relentless!

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Lexi: Skyscraper - Bad Religion

Esme: I'm Mandy Fly Me - 10cc

Kit: Borne on the FM Waves of the Heart - Against Me! 

Rio: Anti Love Song - Betty Davis

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INTERVIEW: DEMAR

INTERVIEW:

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DEMAR

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ONE of my favourite places to visit is…

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the city of New York. I have never physically been there: I have learnt a lot about the people and place through the musicians I interview. DEMAR talks to me about her E.P., Rebels, and the stories that go into it. I ask her about the song, Not Afraid – it is a standout whose background I was keen to discover. She tells me about future gig plans and whether there will be new material – and whether we can expect to see her in the U.K. soon.

DEMAR discusses her upbringing and the music she was raised on; the albums that mean the most to her; how the scene in New York differs from that in Florida (where she started life); if she was surprised by the reaction to her cover of Kendrick Lamar’s Swimming Pools (Drank) – she provides advice for new artists emerging.

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Hi, DEMAR. How are you? How has your week been?

Hello! I’m doing great, thanks. This week has been incredible. I just finished my first tour supporting Howie Day. It was so fun meeting new people and playing for new ears.

For those new to your work; can you introduce yourself, please?

Sure! I’m DEMAR; a singer-songwriter from Miami, FL. I’ve lived in N.Y.C. for about four years and play shows around the city pretty regularly. I would describe my music as Alternative-Pop: a bit moody with some R&B flavour.

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Rebels is your new E.P. Can you tell me about the subjects and inspirations that go into it?

Rebels tells the story of a relationship I experienced that was pretty intense and had a lot of ups and downs. It was really draining and definitely took a toll on me - until I finally decided to walk away. The E.P. explores the different sides of the relationship - and how messy it can be when you’re so drawn to someone but so damaged by them at the same time.

I am especially interested in the song, Not Afraid. It is one of the most emotive and touching songs on the E.P. Is there a story behind that song?

Thank you! That means a lot that you connect with the song. Not Afraid was one of the easiest songs for me to write because the lyrics kind of poured out of me - but it’s been one of the most difficult to share with people because it’s so self-reflective. The song touches on how much control this person had over my thoughts and emotions: the smallest action of his would dictate my emotional state for the next week or more.

It also talks about how in a way I feel drawn to that sadness and I’m not afraid of it. As long as living that way meant I was with him, I was ok with it. That’s a scary thing to admit to yourself, let alone other people.

Your cover of Kendrick Lamar’s Swimming Pools (Drank) went viral last year. Were you surprised by the reaction it got?

I definitely was taken aback by the reaction. When I recorded it, I wasn’t thinking about it reaching people at all: I just did it because it was fun and I love the song. But, the love people have for it is an added bonus!

New York City is your base. What is the city like for a new artist? Are there particular venues you love to play there?

I think New York City is the best place to be if you’re a new artist and trying to find your footing in the industry. There is so much opportunity here and so many great people you can meet just by being present in the scene. Some of my favorite places to play in the city are Pianos and Rockwood.

They’re both great venues.

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How does it differ from Florida – where you were raised? Is it a lot more exciting and ‘you’ in New York?

Miami and N.Y.C. are extremely different; totally different lifestyles, people and surroundings. I will always love Miami because it’s home - but New York suits my lifestyle much more. There is more opportunity here for artists and songwriters. The craziness of the city used to get to me but now I’ve become used to it.

I still escape to Miami every couple months for a weekend, though.

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You spent time in London. What was the decision for moving there – and what was it that forced you back to the States?

I moved to London because I wanted to experience something out of my comfort-zone and put myself in a place I would grow as a person and an artist. I always knew I would love London - and moving to another country by myself was scary and exciting. I absolutely loved my time there and it helped shape me as a songwriter and as a person. I eventually had to move back because my Visa expired. Otherwise, I would probably still be there! It’s still my favourite place I’ve ever been to...

It still feels surreal that I was lucky enough to have that experience.

You worked with Ben Hobbs whilst you were here – and a lot of other talented folks. Do you see yourself coming back here? Do you love the music of Britain?

I’ve been so fortunate to work with Ben Hobbs. He’s really talented - and I feel like we’re always on the same page. He gets exactly what my music is about and the sound that I’m going for. I will actually be back in London for about a week in July and can’t wait! It’s been too long. I LOVE so many British artists from Rock to Hip-Hop/R&B to the poppiest of Pop - and I’m hoping to catch some of them in concert while I’m there.

Give me a sense of the artists you were raised on. Who were your early heroes and heroines?

I was raised on a wide variety of artists - which definitely shaped the range of influences I pull from in my own music. My dad’s favourite band is Steely Dan; so I grew up on them and that’s where I formed my love of harmonies and that layered sound that they so perfectly crafted. When I was young, I also loved the Spice Girls (obviously) and artists like Aaliyah and J. Lo - which influenced the confidence and sassiness I inject in some of my songs.

Adele and Joy Williams from The Civil Wars influenced the bit of soul and emotion I put into my music.

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IN THIS PHOTO: The Aces

Who are the new artists you recommend we check out?

Someone I can’t stop listening to right now is The Aces. They are great. I love their music, their look…everything. Their music is infectious and catchy but has a Rock feel to it - and they’re effortlessly cool. I also really love an artist called pronoun. She’s got Emo/Indie-Pop down to a science - and kills it on every song.

Also, check out Frances Cone. Their song, Unraveling, makes me cry every time I listen to it.

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IN THIS PHOTO: Frances Cone

If you had to select the three albums that mean the most to you; which would they be and why?

This is such a tough question…

One is Phantoms by Acceptance

They were one of my favorite bands in high-school and really influenced me regards wanting to write songs. That album is still one of my all-time favorites.

Second would be Born to Die by Lana Del Rey

I listened to that album so much before I started writing my E.P. and really connected to so many of the songs.

I think the third would be 21 by Adele

Every song on that album is perfect. When I was going through the relationship I wrote the E.P. about; I listened to 21 all the time.

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What advice would you give to artists coming through right now?

I don’t know how qualified I am to give advice…but I guess I would say you really need to know yourself; who you are as an artist and a person before you get into this - because there are people who will try to impose on you what they think you should be.

It’s easy to be influenced by that.

Where can we see you play this year? What dates do you have coming up?

I just finished the Howie Day tour. I’m playing a show in N.Y.C. on Feb 8th and working on some other dates and possible tours. Stay tuned and follow my social media for those announcements! My Instagram and Twitter are @demarmusic and my Facebook is ‘Demar’.

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Do you have plans for 2018 already? Is there any new material in your mind?

I’m always writing and am starting to work on new songs. I don’t know yet if that will be another E.P. or a full-length but, right now, I’m just going to work on music and see where it takes me. I have a music video coming very soon and more live videos coming!

Finally, and for being a good sport; you can name a song and I’ll play it here (not one of yours as I’ll do that).

Hmmmm…El Amante by Nicky Jam. One of my favorites!

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INTERVIEW: DYGL

INTERVIEW:

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 DYGL

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MY mind has been working overtime trying…

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to recall the last Japanese band featured on my blog. I am not sure there has been one! Maybe I am wrong: what I do know is DYGL, from Tokyo, have provided me a glimpse into the Japanese music scene. They discuss the single, Let It Sway, and what comes next for them. I ask how they got together and what the scene is like where they are; if there are any new artists to look out for – and whether they are coming to the U.K.

Nobuki (from the band) talks about their style and evolution; what the highlights from last year are; why British and American bands have proved instrumental to them; what they hope to achieve this year –some great albums that the band hold close to their hearts.

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Hi, DYGL. How are you? How has your week been?

Hi. This is Nobuki from DYGL. It's been kinda-chill week. We’ve started doing pre-recordings for a new track (that's supposed to be the next single).

For those new to your music; can you introduce yourselves, please?

We are four-piece Indie-Rock band based in Tokyo. It's been almost five years since we formed DYGL. It might look little tricky but it comes from the actual English word ‘Day-Glo’ - meaning a fluorescent colour. Lately, it seems like fewer and fewer people are trying to do Rock music - but we are still so attracted to the sounds of the guitar along with a tight drum; the rhythm of the bass. We might be (kinda) the last Rock band in the world…

Actually; there must be thousands of "last Rock bands" in the world, though.

Tell me about the song, Let It Sway. How did that song come together?

I wrote this song by (just) singing along whilst strumming an unplugged Fender Stratocaster. Maybe it was three years ago, already. (Lyrics came later). I think it's interesting that the lead guitar phrase takes the chorus part instead of the vocal. We actually hadn't released this as the single when we recorded it - until we released the limited cassette tape including this and Let It Out when we went to London and Brighton last year.

But; we made the video for this one a little while ago - so I think people recognised this as the single...

The video looks kind of funky. Tell me about its creation and how the concept came together.

We asked our friend Mitch to make the video for us. Actually, it's a little hard to find a good video creator in Japan who can share the same tastes and vibes with us. We're lucky that we can find and work with him. We wanted to make a retro-oldies-type video; so he used Super 8 film camera for the main scenes. Actually; it's was quite a relaxed one: hanging out and filming, then done.

It was fun shooting.

Since your 2015 debut E.P., you have produced a string of fantastic tracks. Is there more material coming this year? What are you working on?

Now, we're preparing for the next single and getting warmed-up little by little for the next album as well. It’s the second album - as DYGL, of course, but, also, personally - I haven't released any ‘second album’ so far, even with the other bands that I had been in. So, I'm really excited for that. Hope we can release it around summer, I guess? We'll try our best to make one that's worth waiting for.

We wanna write more songs, more lyrics: more of something new.

You are one of Tokyo’s fastest-rising bands. What kind of music scene is there in the capital? Are there quite a lot of great bands coming through?

Tokyo is hectic. There are too many scenes - and bands are doing their own things here and there.

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But, basically, Indie-Rock music scenes are not that popular. It actually exists but even the Indie music scenes are contaminated by the commercial music market. There's worthless hype, as well - and a few good bands are ignored often. Sometimes; we're categorised in some nonsense genres that the Japanese media have made up - but we honestly felt isolated in the Japanese music scene. But, of course, we're not American nor British (band), so, sometimes, we feel really strange not being part of anywhere. But, I guess that's the good thing: for us to focus on what we wanna do. Ther are some interesting things going on as well. There's a Noise/Avant-garde scene in the city called ‘Koenji’ - and I think it's worth checking.

Koenji is the centre of Experimental music. Historically, many bands are involved with this city like Melt Banana, Boredoms; Yura Yura Teikoku (which Shitaro Sakamoto was in). But, generally, the Japanese music market is all about commercial music; even the bands who are called ‘a Rock band’ care more about business and the market too much. These domestic scenes have been really boring for more than ten years but, recently, some young lads started trying to create something new - inspired by the old Japanese legends like はっぴいえんど (Happy End) or 山下達郎 (Tatsuro Yamashita).

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The young bands seem to get bored of all the commercial bands and try to revive some authentic sounds. Still; it's hard to find the really good ones from those scenes, though. There are the other bands who are singing in English in an Indie-Rock style. Tawings are cool. They're gonna play for SXSW at Burger Records' showcase. I like Boys Age, as well. Not too many foreigners stay here to record music - but I met the guy from the U.K. who's doing music in Japan under the name of Harley and the Hummingbirds. He's cool, too.

My friend Ian Martin recently researched and analysed almost the WHOLE Japanese music Indie scenes in unbelievable detail and published a book. It's called Quit Your Band! (You might wanna check that out if you're interested in Japanese music scenes now.

How did DYGL come together and discover one another?

We were in the same university called 明治学院大学 (Meiji Gakuin University) in 2011 and found out we shared the same taste in music: Oasis, The Smiths; The Beatles, The Kinks; The Strokes, The View; The Libertines and these kinds. (Believe me; it's not that easy to find the guys who REALLY like these ones - especially The View!).

In Japan, each university has a community called ‘Circle’; in which people are doing some club activity stuffs: sports, music; volunteers etc. We were in the same Circle called 現代音楽研究会 (Gendai Ongaku Kenkyukai means ‘Contemporary Music Club’, of which the guy from Salon Music used to belong) and we formed DYGL in 2012. Actually, almost everyone was doing Hardcore, Noise; Avant-Garde or Ambient – so, Indie-Rock bands like us looked so weird in there.

It was a really interesting experience being in the club.

I hear elements of The Strokes and Arctic Monkeys in your work. Are British and American bands (like them) a big source of inspiration?

Yeah, it's huge. I've been listening to a bunch of music from overseas since I was thirteen or so - the bands you're mentioning as well. Personally, I've really been into U.K. Rock music - especially from the 2000s. Also, some of my favourite ones are from Sweden, France and Australia. But; I wanna say we're all just looking for good music: all we care about is the music itself. If it's good, it's good no matter where they come from. But, yeah, I definitely recognise that I was influenced by the music from the U.K. (all the time).

I don't know why - but I am really attracted to the British sounds.

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Which artists did you all grow up to? Did you all bond with music fairly young?

I think we all started listening to music around elementary-school or junior-high. None of us was trained at Piano School or anything. We started listening to Japanese Pop or Rock bands, first, when we were nine or ten and gradually began to find some more interesting Rock bands from Japan - or even from outside of the country. Each of us used to be in another band when we were in high-school (before we all met). We did have similar tastes by that time, already. To me, the first experience was the View's first album, Hats Off to the Buskers.

I was fourteen when I first listened to the album at an instrument shop in Jiyugaoka - which is the city between Shibuya and Yokohama. At the corner of the shop, there was C.D. section and I had been hanging out there often to check some new music. At that time, I started listening to some foreign bands and realised it's quite different from Japanese bands – but The View's first album blew my mind and I quit listening to all the bands I was listening to at that moment - and rapidly fell into this kind of music. I read the liner notes inside the C.D. and found out that the guy, James Endeacott, who found The View also found The Libertines and The Strokes - and I thought, like, ‘I really need to check these bands’.

Last year, you played so many gigs and countless new fans flock your way. What were your highlights from the year? Was it a quite a tough and challenging 2017?

Yeah. 2017 was a really busy year. It was the tour-life. The number of the shows we've played is the largest ever. We went to many countries to play gigs. Most of them were Asian countries and they are way more beautiful than we've expected - especially China. We've done seven shows there and it was a really huge experience. We spent many crazy nights hanging out. Everything is huge, audiences got so excited: it's beyond imagination. We quite enjoyed Thailand as well. I love the atmosphere there.

It seems like there are many music fans and they’ve got a cool taste for art and music. We always appreciate how Taiwan’s people are welcoming to us! I think we’ve been there over five times - but we're always happy to come back there. We could only do one show each in Korea, Indonesia and Malaysia - but can't wait to come back to all of the countries that we've been to. Playing in London and Brighton was totally epic. I've been dreaming of that for centuries - since I got really into Indie-Rock music when I was thirteen or fourteen-years-old.

Really glad that one of my dreams come true.

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LOGO DESIGN: Kieran Riddiough

Who are the new artists you recommend we check out?

We all are into the young Liverpool band called Trudy and the Romance these days. Shame are also cool. As I mentioned before; you can check Japanese four-piece girl band, Tawings. They are a Post-Punk band and sound tight.

The Districts from Philadelphia are really amazing as well! (Maybe you might know, though). We recently covered Buzzcocks’ Ever Fallen in Love (You Shouldn’t’ve) for the compilation album called Rhyming Slang Covers (released in Japan). There are so many local Indie bands in this - so it'd be cool if you check it out.

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IN THIS PHOTO: Tawings

If you each had to choose the one album that means the most; which would they be and why?

For me; I wanna name The View's first (and best) album, Hats Off to the Buskers

This one opens my entire music world - to know a bunch of indie rock bands – and are all classics. This one is massive in my life.

Yotaro:  For me; I wanna name Atlas Sound’s Parallax

Yosuke: To me; the album that means the most is Dog Man Star by Suede

It has been my favourite since I saw them on Japanese T.V. when I was a teen.

Kohei: Figure 8 by Elliott Smith

Because this brings back memories and bums me out.

Can we see you tour soon? What gigs do you have coming up?

The closest show we're playing is the Beach Fossils tour in Japan (in March). We're planning to record our album around April; so we wanna do the tour in the second half of this year! We might be going all around including Asia, Europe and North America…we're thinking Australia and Canada as well. It'd be even greater if we could come down to Brazil and South Africa, but let's see.

Will you play the U.K. anytime soon? Might we see you gig here?

We're coming to the U.K. this February to record the single - but we're be coming back for some shows and festivals soon! It's on our list to do the festivals in the U.K.; so, it's a great honour for us. Actually, we recognised there are so many good music cultures in each city in the U.K. – so, we hope we could do a U.K. tour by driving around in the tour van!

That'd be awesome.

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Any New Year’s resolutions made this year? What do you all hope to achieve, personally, in 2018?

Because of the tight tour schedules; we couldn't really focus on writing new songs last year. We're gonna try to focus on songwriting this year – do it even harder than before. That's the main thing, I guess. (As much as we can). To me; maybe learning Spanish and Chinese is (still) on my list. As a band, we wanna try to find some new style of Rock music.

Also; we want to find a good label or record company who’ll understand and support our music.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Ok, sounds cool. I'll list these up down below. Enjoy!

Nobuki: Yura Yura Teikoku - Kudo Desu (Hollow Me)

Yosuke Shimonaka: Psychic TV - White Nights

Kohei Kamoto: Elliott Smith – Happiness

Yotaro Kachi: The Velvet Underground - Pale Blue Eyes  

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INTERVIEW: The Broken Islands

INTERVIEW:

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 The Broken Islands

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IT has been at least a few days since I…

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last featured a Canadian artist. I get a bit nervy being away from the country for that long, you know! Luckily, The Broken Islands are out in force to tell me about their (2017) album, Wars. The video for No One Left to Kill is out – a great opportunity to ask about the song’s creation and the themes that went into the album. I discover how the band came together and whether they are coming to the U.K. soon – and if there is a cool story behind their band-name, too.

I discover what the music scene is like in Vancouver; the new artists worth a second listen; the artists they all grew up on; if they are going to be busy this year; what it is like getting love from the critics – the guys each choose a song to end the interview.

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Hi, guys. How are you? How has your week been?

We’re great, thanks for asking. So far, our week has been fantastic. We arrived on Saturday afternoon and spent the rest of the weekend drinking - it feels like home already!

In all seriousness, now that it’s Monday; hopefully the real fun begins. We’re here to, literally, pound the pavement to get our new L.P. into as many hands as possible (and book some shows). If all goes well, we’ll be back this spring/summer to play a few gigs and do some more drinking.

In all seriousness…

For those new to your music; can you introduce yourselves, please?

We are The Broken Islands from Vancouver B.C. (Canada).

If we’re doing roll-call, we are…

Rachelle Boily (Vocals)

Kurtis Sheldon (Guitar)

William Macdonald (Guitar)

Stephen Cameron (Bass)

Rachel Ashmore (Keyboards, Vocals)

Mitchell Williams (Drums)

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Sorry to ask but is there a special reason behind the band’s name, ‘The Broken Islands’?

You don’t have to say sorry. We’re Canadian: that’s our job. Sorry.

Initially, and for the longest time, we were called ‘The Sluts’. There are a lot of reasons behind that name - but that is for another day. Then, one of our members had a beautiful little girl and we collectively decided that the name needed to change. That decision was obvious and easy: finding a new name was not. Not at all. Being a democratic band; we were all able to passionately put forth one really shi*ty name after another. It was embarrassing, really.

We would come to the jam space three times a week and everyone would have the BEST (worst) name for the band. It went on forever. Then, one day, Stephen - who is an avid sailor - was going on and on about some trip he took up the west coast of Vancouver Island. At some point during our extended geography lesson; he mentioned ‘The Broken Islands’:  six small, uninhabited islands in the Pacific that just get thrashed all day and night.

Ding Ding!

Vancouver is where you play out of. How productive and varied is the music scene there? Is it a pretty cool place to live in?

The music scene is incredibly varied in Vancouver right now. There are some really great venues in East Van. that put on nights full of bands you’ve never heard of - that will leave it all on the stage and completely blow you away. It’s a very supportive scene full of socially-conscious, hard-working; honest gems of human beings. To be fair, from all of the over-priced condo developments; leased cars and generally shi*ty people as well in this city, the Pop scene must be doing great, too.

As for how productive is it - that’s a very broad question, isn’t it?!

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Is the music scene being productive in making a difference? Overall, no. Not at all. We’re just the ones on the left going on about all of the things you can’t fix with a fuc*ing meme, aren’t we?! But, to us and our friends, yes...it’s made a world of difference. Like in any city, the underground music scene is where anyone can feel comfortable in their own skin - and being Canadians in the new world of Trump; finding a place where you can be yourself is harder and more important than ever.

Is it a cool place to live? Outside of the ridiculous cost of living, it’s pretty fantastic.

No One Left to Kill is in the ether. Can you tell me about the song and its background?

Oh, that one! 

No One Left to Kill came about relatively quick after a lifetime of completely fuc*ing up every relationship ever.

The video looks pretty cool! Whose idea was the concept behind it?

The video really just created itself. As lame as that sounds, it’s just a stream-of-consciousness-while-exploring-the-idea-of-finding-comfort- in-being-alone.

That song is taken from the album, Wars. What are the main themes and ideas you explore on that record?

We could give a whole bunch of bullsh*t answers about wanting to go into the studio and make this album or that album - but we didn’t. We just went to our jam space, turned everything up as loud as possible and let it all go. Day after day; month after month; over and over and over until Dave ‘Rave’ Ogilvie hit record.

No master plan. Just an honest record.

It was well-received by critics! Has that given you drive to create new material? Will we see more material this year?

The kind words from critics have been great for sure - but we’ve never stopped writing. We have twenty-or-so new songs at various stages that we are working through. Some are still just colours and shapes: others are more or less ready to kick you in the teeth.

How did you all get together? Did you know, when you started jamming, you would make a load of music together?!

Like we mentioned earlier; the music scene in East Van. is a very social, very tight; very loving community. Most of us have been friends for years: the others were only one degree of separation away the whole time.

When we formed the band, it was definitely done with the intention of creating something we would be proud of: something we could share with the people closest to us at the very least - since none of us seems to communicate very well in real life.

Or so we’ve been told...

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Do you all share similar tastes? Which artists do you source from?

Hahaha! Similar tastes?! Yeah, right...

What artists do we source from? Well; we personally think we wear our influences on our sleeves. That’s not the proper answer that we’re supposed to give, of course; but one day it’ll be MC5 and another it’s Jackson 5 - and that’s for just one person!

There’s bloody six of us.

You source from a lot of genres and styles. It seems you have invented your own sound. Has it been hard crafting such a heady and eclectic sensation?

Let’s just say everyone having such different musical tastes definitely created some very ‘lively’ conversations in the beginning. Now, after countless hours of slowly letting tracks find their own way; we trust each other to just let it go. No one intentionally plays a particular style - but everyone definitely plays their own style (and it works).

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IN THIS PHOTO: Actors

Who are the new artists you recommend we check out?

Without a doubt, check out Little Destroyer*

You have to listen to Actors*

Oh, and The Corps, for sure!*

*East Van. handshake. Xoxo

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If you each had to choose the one album that means the most to you; which would they be and why?

Rachelle: Ulrich Schnauss - A Strangely Isolated Place

Because it tells a story without words; it transports me to a fantasy world and calms me and every single time I listen to it - whether it’s my thousandth time; I hear a new instrument or sound I didn’t notice before.

Kurtis: Howlin’ Wolf – The London Howlin’ Wolf Sessions

I grew up listening to Blues and Jazz. The riff for the opening track, Rockin’ Daddy, was the first riff I learned to play. Still number-one 'desert island record' for me.

William: Joy Division - Unknown Pleasures

Reminds me I’m not alone.

Stephen: Led Zeppelin - Led Zeppelin II

My sister gave it to me when I was eleven because she hated the music I was listening to - and it changed everything, musically, for me from that point forward.

Mitch: Around the Fur by Deftones

When I started playing the drums, I was addicted to this album. I would play along with it for countless hours. I still love it.

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Can we see you tour soon? What gigs do you have coming up?

Yes, absolutely...!

No idea…!

Let us update this next week…!

Haha!

Will the U.K. be part of your touring plans?

Right now the U.K. is our main touring plan for spring and early-summer: maybe in late-summer, we’ll fly back and hit the continent.

Looking back on your time in music so far; are there favourite memories that come to mind?

Selling out our favourite club, The Cobalt, twice has to be up there but, without a doubt, recording with Dave ‘Rave’ Ogilvie takes the cake. The guy is a genius who’s worked with a hundred of our heroes – but, over and above, he’s the nicest guy in the world. You rarely meet people like that or have the pleasure to work with them. He’s on the top of our list for sure.

How do you all spend time away from music? Any hobbies or favourite ways to chill?

Well…sometimes, we drink…

Oh, and Rachelle walks her dogs - while drinking.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Rachelle: Massive Attack - Paradise Circus (Gui Boratto Remix)

Kurtis: Tom Waits - Come on Up to the House

William: DJ Shadow - Building Steam with a Grain of Salt

Stephen: The Police - Invisible Sun

Mitch: Grizzly Bear – Aquarian

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