INTERVIEW: DiRTY RADiO 

INTERVIEW:

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DiRTY RADiO

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SHADI and Waspy (A.K.A. DiRTY RADiO) have been talking with me…

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about their single, Pleasures, and its story. They tell me what it was like working with Jafunk on the track and whether there is more material due; where they started recording music as a duo; the albums that are most important to them – I ask which upcoming artists we need to show some love for and get behind.

The guys reveal which artists they grew up listening to; the advice they would give to musicians emerging; whether they get chance to unwind away from music; what the music scene is like in Vancouver – they end the interview by selecting great tracks.

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Hi, guys. How are you? How has your week been?

Our week has been excellent, thanks!  We’re currently working on a new track with our friend Saint WKND and rehearsing for an upcoming festival performance.

For those new to your music; can you introduce yourselves, please?

Although we’ve experimented with a ton of different sounds in the past, we like to currently describe DiRTY RADiO as a mix of Pop, Dance and R&B. We love making hype, feel-good music. 

How did DiRTY RADiO get together? When did you start performing as a duo?

Although Shadi and Waspy started performing as a duo in the last couple of years, DiRTY RADiO began experimenting in the studio around 2012 with our third member, Tonez (smiles). We still consider ourselves a trio at the core and continue to work on everything together. 

Pleasures is your most-recent single. What is the story behind that one?

We’ve been a fan of Australian producer Ja Funk for a while now and would always play his music in our D.J. sets. He seemed to like our vibe as well and sent us an early beat for what Pleasures would become. We messed around with melody and lyrics and continued to send the song back and forth until we were all happy with it. It’s essentially about staying true to yourself by following your excitement and reaching all your pleasures one by one (smiles).

Was it cool working with Jafunk on it?!

Yeah. He’s super-cool and really talented. We enjoyed the process a lot! Hopefully, we can meet him in real life one day and party it up. 

Is there going to be more material this or next year?

We are gearing up to drop a fifteen-song album (!) this year. We’ve spent the last twelve months working on it and can’t wait to share. 

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Which artists inspired you both to get into music? Did you have musical idols growing up?

Shadi grew up listening to all kinds of stuff: from Michael Jackson, Prince; George Michael and Steve Wonder to peeps like Jonny Cash, Led Zeppelin; Jimi Hendrix and the N.E.R.D. Shadi is definitely inspired by anything and everything! 

Waspy grew up listening to lots: Nine Inch Nails, Red Hot Chili Peppers and Led Zeppelin before really getting into Electronic music and Hip-Hop in high-school. He then got obsessed with Chemical Brothers, Daft Punk and Fatboy Slim. His biggest inspiration for pursuing music is probably Pharrell.  

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Vancouver is where you are based. What is the music scene like there at the moment? Is it a great place to create music in?

Vancouver’s music scene is better now than it’s ever been. There is a ton of undiscovered talent and we’re constantly blown away by all the young, up-and-coming producers/artists. Check out Giuliano Rascan, Juelz, Nxsty; IMUR and Harrison Brome (to name a few).   

Do you think there will be touring dates? Can we catch you play?

We are currently working on putting together a tour and can’t wait to announce the dates!

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Might you come to the U.K. and see us here? Do you like the music here?

We would love to come to the U.K. We’re definitely inspired by the music! It’s our goal to nail down a European booking agent so we can perform there as much as possible. 

If you each had to select an album that means the most to you; which would they be and why?

Shadi: Michael Jackson - Thriller and Bad were very special to me! I wanted to be M.J. so bad that I would dress like him as a kid, emulate his moves; his voice and his falsetto. 

Waspy: N.E.R.D - In Search of… or Daft PunkDiscovery

They inspired me to pursue my passion to become a music producer and inspired me to blend different music genres together. 

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Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Shadi: Can’t really choose one but it’s definitely a highlight when I see fans recording their own covers of our songs (smiles).

Waspy: Too many to mention, but I’m constantly blown away by meeting people who we’re huge fans of and then working with them to create something greater than what we could have alone. 

What advice would you give to artists coming through?

Try to write a song every day - and don’t listen to the haters. 

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IN THIS PHOTO: Cosmo's Midnight/PHOTO CREDIT: @alxjohnstone

Are there any new artists you recommend we check out?

Shadi: Right now, I’m super-into the new Cosmo’s Midnight record, What Comes Next. Fun fact for ya: they actually mixed our collab., Drop Your Love, with our boy Young Franco!

Waspy: I just got introduced to a dope producer named, J.robb, I’ve been feeling lately. Also loving the new album, Hive Mind, by The Internet and Cosmo’s Midnight’s new album, What Comes Next, is perfection.   

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Do you get much time to chill away from music? How do you unwind?

We’re both huge fans of videogames; going to shows and the gym - and movies are pretty important!  

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Shadi: Cosmo’s Midnight (ft. Jay Buddy, Jay Prince)Lowkey

Waspy: Patrice Rushen - Remind Me (this is a classic that will make your day better whenever you hear it) 

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INTERVIEW: Giulia

INTERVIEW:

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Giulia

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IT has been great learning more about Giulia

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and her latest track, Trippin’ Out. I discover the story behind it and whether there is more material coming; what she hopes to achieve before the end of the year; the three albums that mean the most to her – the songwriter suggests a rising artist we need to check out.

I ask Giulia whether there are any particular artists/sounds that inspired her; if she gets time to chill outside of music; the advice she would give to artists coming through – Giulia selects a great song to end the interview on.

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Hi, Giulia. How are you? How has your week been?

Good! Busy…but happy, thank you!

For those new to your music; can you introduce yourself, please?

I am a very creative person and everything that happens in my life I love to write about and put into my art. To me, everything is personal and real. I have lived in South America so the Latin and Country music scene is a very big part of my life and my music.

Trippin’ Out is your new single. Can you reveal its story and inspiration?

It was actually a really fast process this time. I was running outside and I had the inspiration of writing a song about that feeling between two people when they first meet and lay eyes on each other; that incredible attraction where it makes you almost dizzy.  

Do you think there will be more material coming later this year? What are you working on?

For sure! I just finished my new album, Bother Dimension. So, a lot of new material I would say…

As an Italian-born artist; how much of the Italian music scene, and its people, do you bring into your sounds?

For the moment, not very much I would say…but they do have a very big Trap music scene in Italy going on right now that I really like. 

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You moved to Argentina but I believe tensions between protestors and the Government forced you back to Italy. How did that time affect you as a person?!

I think I was too young to be really affected by it. I only knew one thing: that we were going home and I was very happy about that.

Which musicians and styles of music did you grow up around? Were you exposed to a lot of different music?

I have been influenced by a lot of different artists and genres in my life. A lot of artists have inspired me in different ways and helped to build me as an artist.

What do you hope to achieve by the end of 2018?

I hope that my album gets a good reception and that I’m able to do lots more live performances!

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

Every memory is great! I love to perform live so every show I've done. But, also, I love the time in the studio creating. I am a very creative person. 

Which three albums mean the most to you would you say (and why)?

Of course…

…Baby One More Time from Britney Spears (like every girl born in the '90s); Shania Twain's Come on Over from 1997 and, of course, Eminem’s The Slim Shady LP.

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Can we see you on tour soon? What dates are coming up?

For sure. Hopefully, in October in the U.K

What advice would you give to new artists coming through?

Make sure you really want this - it is a huge business full of competition. Work hard and hope for some luck!

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 IN THIS PHOTO: Two Feet

Are there any new artists you recommend we check out?

Right now, I’m loving Two Feet’s album. I love his voice and sound.

Do you get much time to chill away from music? How do you unwind?

Well. I try to make sure I have time for my personal life, family and friends. That is always my priority.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Love Is a BitchTwo Feet

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INTERVIEW: Ponytails

INTERVIEW:

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PHOTO CREDIT: Kelli Anne 

Ponytails

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THE boys of Ponytails have been telling me…

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about their new song, Cherry Pie, and filming its video. I ask about the song’s origins and how they will follow it up; which artists are important to them; the new breed we should be keeping an eye out for – they reveal tour dates and where we can catch them play.

I was eager to discover how the band came together; whether they get chance to relax away from music; if they each have an album that is particularly special to them – the guys each select a song to end the interview with.

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Hi, guys. How are you? How has your week been? 

We're good, thanks! Our last couple of weeks have been pretty busy! We played a little show at Patagonia Vancouver on Thursday; we played Vancouver Mural Festival on Saturday and immediately after went to the Little Red Sounds studio with our good friend Felix (Fung) for a few days to finish up some music! We all work full-time jobs and just added a new member to our band, so we've been practising a lot for our upcoming release party. We just released a music video and two songs, so it’s been an exciting week!

For those new to your music; can you introduce yourselves, please? 

We are Ponytails from Vancouver, BC. We are Harvey (Vocals), Liam (Bass); Graham (Drums), Travis (Guitar) and Jasper (Guitar, Vox and Keys).

Cherry Pie is your latest song. Can you explain how the song started and what it is about?   

We started this band about two years ago and our debut E.P. was essentially the first six songs we ever wrote. We were just learning to write and the curve was challenging at times but it helped us to grow. Cherry Pie went through a few changes before becoming what it is now. It originally was a lot slower and had a 1950s Doo-Wop vibe. Harvey is very direct with his lyrics: he writes what he feels in the moment; it's very concise. With Cherry Pie, he wrote it for his girlfriend, Michelle; although, at the time, they weren’t in a relationship. She’s a very independent woman and taught Harvey a lot about patience and wasn’t going to jump into a relationship quickly.

The song is about loving someone without expectation and allowing them to be whomever they want even if it doesn’t completely satisfy you. I know that it's not a new theme for a bunch of guys to write about their girlfriends – like, "I've heard that before?" But I feel, if you saw them together either at the show or even their personal life, you'd realize it's honestly a perfect song for their crazy love. 

What was it like making the video for it? Was it a lot of fun?! 

We made it with our talented friend Lester who has made all of our friends in Peach Pit’s videos - and they actually helped out too. We had a pretty small budget so they acted as Lester's assistants to help make things less expensive which was great. Plus, we just love hanging out with them; they’re great guys. It was essentially the Peach Pit guys; Lester and our band hanging out for two days and filming. Each take we were trying to get Lester and the boys to laugh and commit to the role.

There's a lot of hilarious extra footage that will hopefully make it out there one day. We could do a live recording and add it. The live version is like seven minutes I think? It's a great feeling that we were able to make something that we love with our good friends! That's the best part of this, isn't it? We genuinely love the people we work with! From the jam space to the show; to the studio, to the shoot we have been having a party.

Might we see more material next year? Are you working on more stuff? 

Yes! We decided to spread out the six tracks we recorded over a few months and release two at a time, one or two videos (depending on how each goes) and then we're taking November and December off of playing shows and ironing out all of the songs we've written - and recording a full-length album to be released probably this time next year. We've taken a lot of time into writing the new songs and I think people are going to be stoked on what we're making together!

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How did Ponytails come together? When did you all meet? 

Pretty much, we're all branches of Harvey's friend group…we've had a few people join afterwards but myself, (Travis) Liam and Harvey have been there from day one; Graham joined before we went to the studio to record Cherry Pie, Twilight Heat and a few other tracks. His first show with us was in September when we opened for Widowspeak at The Biltmore.

Jasper joined the band in July when Ponytails and his band (Jasper Sloan Yip) played a music festival together and had a heart to heart at an after-party. His first show with was at our release party at the Fox Cabaret on 24th of this month. It was a magical night! 

Which artists are you all inspired by? Did you grow up around a lot of different sounds? 

We love everything! 

Between the band, though, everyone has different stylistic flavours that pop out when we're writing and arranging. We have trouble breaking down what genre we belong to as we have pretty diverse tastes. It's such a great question that, at the same time, would take forever to answer...

Do you think there will be touring dates? Can we catch you play? 

We are going on the last leg of the Peach Pits American tour. We will be in Seattle (October 27th), Portland (October 30th); San Francisco (November 1st) and Los Angeles (November 2nd)…and select Vancouver dates as well. We will be touring more in the future to promote our future releases.

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If you each had to select an album that means the most to you; which would they be and why?

Travis: On the Beach by Neil Young

It's so beautifully disorganized. Off-pitch harmonies, live band; bad notes, raw honesty and emotion...the second solo in Vampire Blues is literally one note and it's so amazing! I can't explain it; it brings me to tears.

Harvey: Beach House - Teen Dream or Animal Collective - Merriweather Post Pavilion

Both albums came to me at a sentimental time in my life and when I heard them for the first time it was unlike any music I had experienced before. I feel like both are groundbreaking for the genre and just beautiful to listen to.

Graham: Anderson .PaakMalibu

Liam: It’s so hard to select the one album that means the most to be because there are so many records that have impacted me but there is one that stands out because it was the first record I ever fell in love with and obsessively listened to. That record is Sgt. Pepper’s Lonely Hearts Club Band. When I was six, myself and my two best friends would always end up at my place and gravitate to my brother’s record collection.

We would put on that album, grab tennis rackets or anything else that we could pretend was a guitar. We would then stand on the couch and air-guitar the whole album. I think, at that age, the reason that album first stood out from all the records in my older brother’s collection out was the album art. It was so bright and fanciful and engaged my young imagination. After listening to the record I felt the same way about the songs on the album. I knew all the words and still do. The album in its entirety is where is magic is for me. 

Jasper: One of my favourite albums of all time is Wilco's Yankee Hotel Foxtrot. It had a huge influence on the way I write, record and listen to music. I love everything about that album and could talk about it forever. Perhaps what makes it really special to me is that it still reveals new sides of itself every time I go back to it; even after, literally, hundreds of listens. 

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Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Maybe not a favourite for Harvey, but this one time we were playing a show and Harvey leapt up on stage from the crowd to start the first song and the crotch of his pants exploded. He wasn’t wearing any underwear and the band didn’t stop playing so he had to finish the set as it was and make sure not to expose himself to the audience. You could tell that he was unsuccessful as I could see some people taking photos…to date, I've never seen any. 

As the band is hair-named; which members, facial or head-wise, has the best hair?!

Graham has the best hair; Harvey has the best beard.

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If you could support any musician alive today, and choose your own rider, what would that entail?

The Grateful Dead.

The rider would be your own bed to sleep in every night of the tour.

What advice would you give to artists coming through? 

Play what you like not what's popular. 

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IN THIS PHOTO: Babe Corner

Are there any new artists you recommend we check out?

Yes! I am really loving Vancouver's music scene. A short list of my favourites are Peach Pit, Leisure Club; The Prettys, Jasper Sloan Yip; Harlequin Gold, Blue J; Booty EP, Babe Corner; Necking and Frankiie

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IN THIS PHOTO: Frankiie/PHOTO CREDIT: @ldzbar

Quick non-Vancouver shout-out:

Bad Animal, Port Juvee; Astral Swans, Layten Kramer and Peach Pyramid!

Do you get much time to chill away from music? How do you unwind?

Music is actually all of our outlets. It is the most amazing thing in the world to play songs you love to people who love what you play. Harvey is a dedicated rock climber. He leaves the city and does it every opportunity he has. It’s a little obsessive in my opinion but I’ve seen the positive influence it’s had on his life. It’s a huge outlet for him.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Travis: Layten Kramer - The Void

Graham: D'Angelo - Feel Like Makin' Love

Harvey: George McCrae - Rock Your Baby

Liam: The Beatles - Lucy in the Sky with Diamonds

Jasper: WilcoJesus, etc.

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INTERVIEW: Kerri Watt

INTERVIEW:

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Kerri Watt

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I have been speaking with Kerri Watt

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about her new song, Never (written by Danny from Embrace), and whether there is more material coming down the line; why artists like Michael Jackson are important to her; how she finds the energy to keep recording and performing – she highlights some artists to look out for.

I ask Watt if she has anything she wants to achieve before the end of the year; if there are albums she holds especially dear; if she has a favourite memory from her time in music; when music came into her life – she ends the interview by selecting a great track.

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Hi, Kerri. How are you? How has your week been?

Hey! I'm great and have had a brilliant week, thanks. It was my birthday this week; the release of my new single and in a couple of days I go on holiday, so all good things here. 

For those new to your music; can you introduce yourself, please?

Hi! I'm Kerri, a music artist from Scotland. I write songs from the heart drawing influences from the likes of Sheryl Crow, Bonnie Raitt and The Rolling Stones. I play piano, guitar and host a radio show, The Americana Show with Kerri Watt, on Pulse FM here in Glasgow. 

 

Never is your new track. Can you reveal the story behind the song?

Never is the first song I’ve released that I didn't actually write: it was written by Danny - the singer from the band, Embrace. Danny and I had been friends for a while and I’d worked with his brother and bandmates in various capacities, so it felt right to sing a song written by him. It's quite simply a love song about always being there for someone. The lyrics are extremely powerful. 

Is it true Embrace played you the song and you added your own spin on it?

Absolutely. There have been a few versions of the song - Embrace ft. me (the duet); the orchestral version and now my own solo version. Interestingly enough, my version was first to be recorded and last to be released. The main difference between the duet and my version is the key...the vocals in mine start much lower and end at the top of my range. Need a good warm up before singing this one! 

Do you think there will be more material coming next year?

Totally. I'm recently back from a month-long trip to Austin, Texas where I recorded a whole new body of work...due for release 2019. 

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You have been busy touring and recording the last few years. How do you find the drive and energy to keep going?! Do you feel you are at your most confident right now?

You know there are so many ups and downs. Last year, I played my first stadium show and a month later played to a handful of people in a pub. Keeps you grounded, though. I'm just so passionate about music and also entertainment; if I ever have a dip in energy it doesn't take much to get re-inspired. Plus, my best friend always gives me a good kick up the butt if I ever have a moan. I feel so fortunate to be living out my dreams daily and, with every new experience, I grow and feel more confident in my work. 

When did music come into your life? Which artists did you fall for at a young age?

Music, for me, started with Michael Jackson. As a baby in my cot, my parents would put on the VHS of the Bad Tour and there are videos of me bopping my tiny bald head along. My first self-expression through music was actually dance. I just heard these rhythms and melodies that made me feel good and, for a long time, I trained and planned to be a dancer. Singing didn't come until much later...about fifteen/sixteen years old. And, not until I was twenty-three did I actually take it seriously and start writing. 

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What do you hope to achieve by the end of 2018?

At the start of the year, I set myself five goals. And now, towards the end of August, I have achieved three - writing an album, presenting my own radio show and getting in great shape for a Spartan race I’ve got coming up. So, I have two goals left to complete and can't reveal until I’ve achieved them...but I’m on track!

Besides those goals, I have lots of work and preparation going into getting the new music ready for release next year. This involves music videos, band rehearsals and website make-over amongst other things. 

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

The most obvious is opening for Coldplay at the Cardiff Millennium Stadium last year with Embrace. We played two nights and it was pretty surreal.

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Which three albums mean the most to you would you say (and why)? 

Astral Weeks by Van Morrison

He's my favourite songwriter of all time. His lyrics seem to transport me to another time and place. Maybe a place that only exists in the mind, I’m not sure…but the lyric content of this album is very ethereal. One of my favourite things to do is to daydream. I could get lost in the title track for hours and not know where the time went. 

Eagles by Eagles

I lived in California for a time when I was growing up and have spent much time there since. In my mind, I live in 1970s Southern California, surfing; playing music on Sunset Strip and living the dream. This album takes me to that place...and can always snap me out of a bad mood within that first guitar chord.

Bad by Michael Jackson

As mentioned earlier, this was the start of music for me - not only music but dance, creativeness and the world of entertainment. It has everything to do with why I decided at a very young age I was going to be a performer. 

If you could support any musician alive today, and choose your own rider, what would that entail?

Bonnie Raitt. I think she's the greatest and could teach me a thing or two about how to stay such a strong independent female artist for decades.

And rider...a personal Taco chef, ummm; some Cholula hot sauce and lots and lots of Haribo. 

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Might we see some tour dates coming up? Where might we be able to catch you play?

Yeaaa! I'm playing some dates in October round the U.K. opening for Tom Speight.

5th - Manchester, Gullivers

6th - Birmingham, Ort Cafe

11th – London, Thousand Island

More dates always being added so keep an eye on my website.

How important is it being on stage and performing? Is it the place you feel most comfortable? 

It's the best place in the world. I feel comfortable and confident to be myself; to engage with an audience and bring together total strangers to share a moment. 

What advice would you give to new artists coming through?

Work hard. Some of it is luck but you need to be prepared when that luck finds you as you often only get one shot. Spend time figuring out what you like, what inspires you and what makes YOU feel good. If you stay true to that, other people will feel it too. 

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IN THIS PHOTO: Izzie Walsh/PHOTO CREDITDawncast

Are there any new artists you recommend we check out?

Mmmhmmm, always. Izzie Walsh is my fave right now. Check out her song, Not Today. A fresh and cool spin on Bluegrass and Folk. 

My brother, Fraser Watt, is a super-talented EDM producer and artist. His latest track, Corona & Lime, is such a summer vibe. 

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IN THIS PHOTO: Fraser Watt

Do you get much time to chill away from music? How do you unwind?

Yes. It's important to turn off sometimes and go out into the world to get re-inspired. I love hiking and exploring. I recently moved home to Scotland after twelve years away and have been loving adventuring in the hills and mountains any chance I get. I also love anything '70s-related and recently launched a collection of '70s retro clothing pieces I’ve been collecting from my travels around the world. The label is ‘killawatt’ and can be found on Instagram.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Kaleo - Way Down We Go

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INTERVIEW: Masa Diora

INTERVIEW:

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 Masa Diora

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THE chaps of Masa Diora

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have been telling me about their upcoming single, You Don’t Love Me. I ask what we can expect from the song and what comes next for them. I wondered how the band got together and whether there are some upcoming artists we should follow.

The guys reveal the albums most important to them and what sort of artists they grew up around; if tour dates are a possibility; what advice they would give to musicians coming onto the scene – they each pick a song to end the interview with.

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Hi, guys. How are you? How has your week been?

Hey! We’re all really good and immensely excited to finally share our music as a band – the countdown has officially begun! It’s been a productive week for us - but no different from any other as we‘re constantly writing and recording new tracks.

For those new to your music; can you introduce yourselves, please?

I’m Jonty. I play the lead guitar and produce alongside Callum.

I’m Callum. I play the keys; I sing, write and co-produce the songs.

I’m George. I sing, I play the rhythm guitar and I’m also a songwriter for the band.

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How did Masa Diora get together? Is there a story behind that name?!

Callum: Me and Jonty met whilst studying Music Tech at college and bonded over our love for experimental music and art.

Jonty: The band then came together after I contacted George asking if he fancied making some music. Once he was down, I asked Cal the same question. We’d previously made music together in the past but never thought of forming a band until later on.

As for the name; we wanted something that simply sounded cool! The name is an anagram of 'dioramas' which are those 3-D model things you had to make in high-school for art/history classes – where you had to create a little scene - a moment in time - to tell a story which is exactly what we are doing through our art. After we had ‘dioramas’, we then made ‘Masa’ – a wordplay of N.A.S.A. (we love space) – and ‘Diora’ simply followed to create ‘Masa Diora’ (pronounced: may-sa dee-aura).

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You Don’t Love Me is coming soon. What can you reveal about the inspiration behind the track?

We spent some time creating a story of our own – a tragic fiction about an unrequited love and how one's mind can become so disillusioned by the obsession of a 'perfect world'. Y.D.L.M. is where this psychedelic journey begins. You gain the first glimpse of our character and how he deals with the emotion of loving someone who does not love him back, which inevitably takes a turn for the worse.

What might we expect in terms of forthcoming material and future plans?

Expect something (very) unique. We’ll be dipping our toes into the streams of Jazz, R&B and Rock as we experiment with our predominantly psychedelic sound. The story in which we’ve crafted continues throughout each track and each release.

Do you think there is a U.S.P. the band has that singles them out from others?

Certainly. We’re a band with a story and an emphasis on art. We take time and effort to focus on every aspect of our presence - that being our music, visuals and look. Our music is hard to compare to anyone currently out there which stands us out from the crowd.

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In terms of artists and music; what did you all grow up listening to?

Jonty: I grew up listening to a range of music, from Sam Cooke to the Wu-Tang Clan. The biggest inspiration for me to learn the guitar and get into music was listening to artists such as Van Halen, Jimi Hendrix; Pink Floyd, Guns N’ Roses and the ELO.

Callum: I can remember the first ever song I played on guitar was Mr. Tambourine Man by Bob Dylan, followed by Cat Stevens’ classic Father and Son. It was tracks like these that also got me into songwriting and, also, realise my passion for creating music of my own.

George: I grew up listening to a lot of Fleetwood Mac...and I absolutely loved Bobby Caldwell; picking some taste in music up from my dad who loves Jazz, and my mum, who just loves music in general. Names like Jimi Hendrix and Metallica really set me on the right path to begin learning guitar; artists such as Frank Ocean and Frank Sinatra got me into singing (my two favourite Franks).

Do you think there will be touring dates? Can we catch you play?

We would love to tour! After we have a few releases under our belt, the live music scene won’t seem so far away at all.

What could we expect in terms of your stage show? Is the stage somewhere you all love to be?

We have so much energy when writing and we soon want to take that energy to the stage. Our shows are something that we want to make really memorable, as much an audio experience as a visual one to match our psychedelic sound and retro sci-fi vibe. We also have a keen eye for detail and a love for tech – so expect something a little ‘different’.

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If you each had to select an album that means the most to you; which would they be and why?

Jonty: I’m stuck between The Dark Side of the Moon by Pink Floyd and Rodeo by Travis Scott as I remember just loving the production on both albums – they both really inspired me to develop my music and production and skills.

Callum: Although it’s not exactly an iconic album, nor is it necessarily my favourite, + by Ed Sheeran stands out as one of the most influential for me in terms of realising my passion for music. It just reminds me of how I started out and brings back a lot of good memories.

George: I love the Another One by Mac DeMarco. It really inspired me to start learning guitar and made me realise that music was the thing for me. And, still to this day, it helps me to focus on that passion and mute all the stressful things in my life.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Sounds corny but our favourite memories have always been sitting down with each other and creating a completely new piece of music as you just don’t know what you’re going to make or where it’s going to take you. It’s a thrill which is very addictive.

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If you could support any musician alive today, and choose your own rider, what would that entail?

George: I’d actually love to support someone like Mac DeMarco as he’s another big inspiration for both me and Jonty.

Callum: In terms of who has inspired me to create something different and experiment with music, I’d probably say Bon Iver. Wait…am I allowed Fleetwood Mac?

Jonty: For our rider, we’d request a bottle of wine (quite likely to be more than one) for each gig so that, hopefully, by the end of our career we’ll all be professional wine connoisseurs. And, if we had butlers, then we’d have them dressed in some retro-looking space uniform and address us all as ‘captain’. Oh…and we’d have to have a few beanbags – like, big ones.

What advice would you give to artists coming through?

Just keep working on what you love; experiment and continue to craft your own sound. There will be someone out there who appreciates your music as much as you do...don’t give up on it!

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Are there any new artists you recommend we check out?

Yes! Two bands from our old college are also releasing some bops too: The Zangwills and Delights.

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IN THIS PHOTO: Delights

Do you get much time to chill away from music? How do you unwind?

Music is how we unwind. Haha! But, music aside, we’re all huge T.V./film buffs so if we’re not out chilling with our mates, then we’re either at home binge-watching a T.V. series on Netflix or at the cinema watching the latest sci-fi.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Thank you for having us; it’s been a pleasure!

Jonty: Little Wing by Jimi Hendrix

Callum: Little Lies by Fleetwood Mac

George: Johnny B Goode by Chuck Berry

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INTERVIEW: Lemzi

INTERVIEW:

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Lemzi

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IT has been a real thrill speaking with Lemzi

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IN THIS PHOTO: Lemzi with Tonia Soulbird

who tells me about the E.P., Ton x Lemz. He discusses working with Tonia Soulbird and putting the E.P. together; what is coming next for him and his music; why artists like Eminem were influential and important to him growing up (and now) – I ask whether there are some upcoming artists we need to investigate.

Lemzi reveals what he hopes to accomplish before next year and which three albums are most important to him; what he thinks of the British Grime scene right now; how he has improved and developed since his early work – he selects a pretty ace tune to finish the interview with.

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Hi, Lemzi. How are you? How has your week been?

Yo. All good, man. Nice, relaxing week so far. What about you?

For those new to your music; can you introduce yourself, please?

I call myself an artist as opposed to a musician. I don’t have any music theory knowledge and can’t play any instruments but I can make my words sound good! I have my own event, Hidden Gems LIVE, which has been successful in getting a lot of the best U.K. acts on stage and I also go into schools as a Rap music tutor!

You hook up with Tonia Soulbird on the Ton x Lemz E.P. How did you two meet?

We met a little a while ago at an open mic in Stratford called Newham Nights that took place every last Sunday of the month (shout out Abena the Actress for organising the show as long as you did!). It was a really good vibe down there generally and we just came together naturally. We rated each other’s music and, more than that, each other’s character.

In the open mic, we saw a batch of talented artists as well such as Kemi Sulola, Diamantina; Jay Scriptz and a lot more! The first thing we worked on together was Hidden Gems the single and that involved meeting up in Leytonstone Tesco Costa; writing the bars and a few signs that told us it was something to continue and spread...

What do you think Tonia brings to your work that elevates it? Do you plan on working together again?

Some soul…and that powerful female energy that matches what I bring to a song/performance etc. Before anything, we’re good friends with a lot of mutual interests and outlooks on life so, because of that cohesion, we tend to find it an enjoyable process working together. We’ve got tours, shows and videos all to do so we’ll definitely be working closely!

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Your 2011 mixtape, LemziFreeBies, spawned a series of lauded and impressive works. How do you think you have developed as an artist since then?

In pretty much every way, without sounding arrogant. I’m still developing and progressing and working with new artists challenges me to approach things differently. However, I’ve found my base sound and the mixtape series of LemziFreeBies was just me growing in front of a small audience. Learning how to operate in a studio, watching how some of my peers executed their ideas; working out finances for the studio!

Everything I do now comes from that mixtape phase of my life. I keep all of those songs up there so, wherever someone joins on the journey, they have a reference to note how much progression has taken place.

What do you think of the British Grime/Rap scene right now? Is it as relevant and strong as it was back when Dizzee Rascal shot onto the scene?!

There are two ways I look at it: talent and reception. The talent, to me, is the best the U.K. has ever had and we have a genuine spectrum from the Grime scene, to Drill; Afro-Swing, U.K. Hip-Hop etc. Even the R&B scene is really coming into fruition with artists like Rebecca Winter, Ella Mae; Kemi Sulola etc. I’m proud to feel a solidified part of this scene.

However, from my perspective, reception is still far too imbalanced. The Hip-Hop/Neo-Soul/R&B scene gets a fraction of the attention that Afro-Swing, Drill or the other more contemporary genres have. But, it’s all a process. I feel the more the aforementioned genres develop a credible scene in their own right: with events, D.J.s; radio shows and collabs etc. all between these artists, the Hip-Hop scene will get its proper recognition...

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Do you recall when you got into music? Which artists did you grow up around?

I remember the first artist that really captivated me and I can remember being really into Eminem. I saw Lose Yourself on the T.V. a lot and I learned all of the lyrics - at around ten years old – then, from there, I wanted his album (which introduced me to other artists like Dr. Dre, 50 Cent; The Game etc.).

This completely switched in 2004 when I got into Grime. Grime music and the whole scene genuinely shaped my perspective on the world at that age (around twelve years old when I was first introduced to it). I was suddenly a lot more aware of my surroundings; picking up on reference points, postcodes and clothing etc. It was a mad time. A lot of energy and huge characters, especially in East London where the majority of the M.C.s were from. I was most into Kano, Dizzee; Roll Deep...to be honest, almost anyone that was doing grime between 2004-2008 got my interest at some point. It was a lot.

It was interesting for me in particular because I was in a private school, not like Eton or anything, but it was a good one. We had people from all over the East - Beckton, Mile End; Leyton etc. - but just a few of us from these areas. So, I didn’t even grow up around loads of other people really into Grime; just a small group of us. It was only during uni that I really started meeting other artists and discovering even more music.

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What do you hope to achieve by the end of 2018?

Man...it’s only a few months but I want to do a lot in this time. I said, at the start of 2018, this year will be phenomenal so I’ve given myself no chance but to end it well! Ton x Lemz E.P. is out now, so we are working on getting at least one video arranged; doing a headline show, other shows and maybe more.

I’ll also have a solo demo album finished, depending on how everything is going. It will be out before the end of 2018. I will definitely release a couple of the singles before then as well as a documentary...

I’m currently trying to create a syllabus that I can take to these schools; something more structured that will hopefully inform the students about the music, history; social implications and everything around the music too. Hopefully, I’ll have at least one, if not two Hidden Gems LIVE events in this period; get some new artists on the stage sharing their gifts. That’s a chunk of the plans but God moves so let’s see how everything envelops.

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

There’s been a lot, you know. A lot of not great memories from the earliest days but they were all learning curves rather than actually bad experiences…

One of my favourites was the first full live band set I did in Rich Mix in October 2017. Between me, The Bandem; Tells & Tonia we brought my E.P., Autumnal Aura, to life. It was a whole process and being on the stage with such a good audience made it feel special.

Which three albums mean the most to you would you say (and why)?

Dr. Dre - Chronic 2001

This album to me is the best-produced Hip-Hop album of all time. A lot of the topics and viewpoints wouldn’t even be recorded in this day but it works as a great timestamp of the turn of the millennium with mad performances from Hitman, Dre; Snoop Dogg, Eminem and more. The composition, structure and production – as well as executive production – was phenomenal.

Jill Scott Who is Jill Scott? Words and Sounds Vol. 1

Nostalgia...an album everyone in my family enjoys. Jill Scott, through this album, was one of my introductions to Neo-Soul (and assimilating this with Hip-Hop and Spoken Word). The esoteric messages, the lyrical prowess; vulnerability mixed with self-confidence and production is timeless.

Kano Home Sweet Home

Stuck between this and Dizzee Rascal - Boy in da Corner but I give it to Kane here. Home Sweet Home showed me how to spit, had bangers; smooth songs and I had both Nobody Don’t Dance No More and Signs of Life as my most-played songs for a looong time.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Alicia Keys. I want to see Butterflies and Diary live myself but I think we could make some great music together too. Especially if she brought Swizz Beatz.

In fact; my rider would be that we would have to create some music between the three of us and she would need to give me a whole folder of samples (royalty-free) to send to my producers.

What advice would you give to new artists coming through?

Do this for the right reason. Someone should be able to ask where do you see yourself in five/ten years and music still being a big part of whatever you’re doing. I love music and have done since I remember hearing Eminem, who galvanised me to express myself through words. Passion is key as is patience but the journey is special. Don’t overlook it just because you’re not doing the O2 and Wembley after what you thought was ‘the hit’.

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IN THIS PHOTO: Kemi Sulola

Are there any new artists you recommend we check out?

My team, the EXCLUSIVE Collective (Ferns, Wyllis; Timmy B & Jerome Leetz); Tonia, Tells; Kemi Sulola, Melvillous; Choze, Sharna Cane; K The Infinite, Boy Nash; Amelia Poamz…and I’ll stop there or this will be my longest answer...

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IN THIS PHOTO: Choze

Do you get much time to chill away from music? How do you unwind?

Yeah. I do music full-time, including going to schools/institutions and my events but I have a great family that I spend time with. I have a girlfriend who’s almost always around and my closest friends don’t do music, so I’m in and out of the scene in that regard.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

WyllisBaka! Boom issa (sic) banger!

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INTERVIEW: CAGGIE

INTERVIEW:

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CAGGIE

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THE wonderful CAGGIE has been telling me…

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about her new single, Thinking About You, and how it came together. She shares her experiences of L.A. and reveals whether there is more material coming; which artists and albums have been most important to her; if there are any gigs coming up – she recommends some emerging artists to watch.

I ask her about her time in Made in Chelsea and whether music was always her calling; what her favourite musical memory is; what she wants to achieve before the end of this year; the advice she would give to artists coming through – CAGGIE ends the interview by selecting a great modern cut.

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Hi, CAGGIE. How are you? How has your week been?

It’s been good, thank you. My second single has just come out and was on New Music Friday, so I am pretty happy...

For those new to your music; can you introduce yourself, please?

I’m a singer/songwriter from London. I tend to focus on writing about past love. I’d describe my music as 'romantic nostalgia'.

You have just released Thinking About You. Can you reveal the story behind it?

It’s about when I first moved to L.A. I was feeling a little bit lonely - and it was the first time I felt ready to tell my story.

Might we see an E.P. next year? Are you always working on new material?

Absolutely. I would love to go straight in for an album. But, let’s just see. I’m always working on new stuff, whether that’s just writing down ideas or being in the studio. I like it to be dispersed when I am in the studio - I enjoy going in when I am filled with ideas so it’s always a special and exciting experience. It can feel redundant if I am in there every day.

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Many will recognise you from Made in Chelsea. Was that desire to go into music always there? Do you feel more yourself and free to express your true personality through music?!

Yes; very much so. I have always loved music. In fact, I’d say it’s my one true love. It’s taken me a while to be able to admit that. Because, for a really long time, I felt like it didn’t love me back. Music can be incredibly cruel in ways but, in the moments when it does work - however fleeting they are -, it’s magical...and, yes, I feel freer. It’s a question I think about a lot in a lot of detail...

But, in an attempt to give you the shorthand, I think I tried to be someone else for many years; in order to feel safer and to fit in in ‘life’. I have always felt like a bit of a loner - and found that my favourite moments are often in isolation when my only companion is a notepad. I rather enjoy my own loneliness…which is quite reflective in my music; probably not the first single so much but my other material. A friend mentioned it recently and said: “How can Caggie be so sad and what does she have to be sad about?!” which I found quite funny. I definitely project a certain version of myself to the world.

I recently found a journal from when I was twelve and, in it, it said: “What is your favourite thing about yourself?” and I had written: “That I am always a little sad.” I found it amusing; almost paradoxical. I can pretend to be a lot of different people but you’ll always find my truth in my music.

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How important are London and the people regarding your inspiration? What is life like there for a young artist?

I wrote my favourite songs in L.A. But, perhaps, that’s because I was lonelier there. But, in the same breath, coming back to London as I am today does have the essence of a new beginning at the moment…which I am enjoying.

Which artists compelled you growing up? What sort of music were you raised on?

I was raised on Oasis, Madonna; Whitney Houston and Michael Jackson. My house wasn’t musical, so it was really what any other kid was hearing on the radio or obsessing over at school. I was always very into film soundtracks like The Wedding Singer or Moulin Rouge. What was compelling about '90s Popstars is that they were this full package, almost cookie-cutter-persona that I think is about to come back...they were untouchable. I don’t necessarily think that connects to me but I think we are about to see a resurgence of that with the likes on Nina Nesbitt.

What do you hope to achieve by the end of 2018?

To bring out more music and to establish a musical family around me - and to have things ready for 2019. I think it’s gunna be a great year.

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

There was one when I was singing this song that I had rehearsed to the bone; I have never worked so hard on anything in my life. And, when it came to record, it was like it wasn’t my voice coming out: it felt like something else; something entirely effortless…like it was just happening. I was able just to feel the emotion. I learnt a lot from that experience, that the homework is crucial. It’s the groundwork you do first then the emotion comes in and decorates.

It’s a highly emotional song and was a very moving experience for me. I recently performed it on radio and someone watching said whatever happened just then, whatever you tapped into, hold onto that.

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Which three albums mean the most to you would you say (and why)?

I’d say Imogen Heap - Speak for Yourself

This album was sort of the soundtrack to the first summer I first fell in love. I remember listening to it over and over again. And, when I listen to it now; I feel like I am sixteen all over again.

Then; I’d say Damien RiceO

It’s such a phenomenal album. Beautiful songs filled with so much emotion. It also takes me back in time a little…  

And, third; India ArieAcoustic Soul

I remember me and my best friend listened to this album so much growing up. I would just sit in her room playing the guitar and writing songs.

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If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to support Lana Del Rey. My rider would involve sage and gin.

Can we see you on tour soon? What dates are coming up?

I’ve got a show at Hoxton Square Bar & Kitchen on 13th September called Gold Dust.

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What advice would you give to new artists coming through?

Just be true to yourself. Don’t be concerned with what’s coming out now: work hard to get to the core of what is going to make you special. I am not the most musical. I don’t play, I don’t speak musically either - but I have a natural ear and a way with words that is unique to me. So, figure out what your strengths are.

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IN THIS PHOTO: King Princess

Are there any new artists you recommend we check out?

King Princess and Sasha Sloan.

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IN THIS PHOTO: Sasha Sloan

Do you get much time to chill away from music? How do you unwind?

Yeah, a lot. I like watching T.V. shows. I have just been watching The Innocents on Netflix. But, I like to chill and do music stuff like practise singing like other singers I like. Or, just play around on the guitar...

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I think one of the best songs out at the moment is Grace Carter - Why Her Not Me

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INTERVIEW: RAIGN

INTERVIEW:

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ALL PHOTOS OF RAIGN: Miranda McDonald 

RAIGN

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I have been given the chance to chat with RAIGN

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about her new track, Out of Time, and what its story is. She discusses moving from the U.K. to L.A. and what the scene is like in Los Angeles right now; what themes and ideas inspired her album, SIGN, and what she hopes to achieve before the end of this year.

RAIGN shares her favourite memories from music and what sort of sounds she grew up around; which three albums are most important to her; how vital and special it is being up on the stage – she ends the interview by selecting a great live performance.

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Hi, RAIGN. How are you? How has your week been?

Incredible. So fun, positive and exciting, thank you. You?

For those new to your music; can you introduce yourself, please?

Hello. My name is RAIGN - but you can call me Rachel (smiles). 

Out of Time is your new single. Can you talk about its origins and how it came together?

Out of Time was the first song Robbie and I wrote together - and the start of a magic collaboration. It started off as us writing an Indie-Rock song for fun, because we both loved bands in that genre, but became a doorway to the more uplifting, guitar-infused sound I wanted to explore on my album. 

It is from the L.P., SIGN. What sort of themes and ideas inspired the music?

Yes! It’s track-one, actually! SIGN is really a life’s work coming together. Some of the songs started their journey five years ago and have kind of guided me through. Musically, it's a blend of orchestral, darkly-dreamy and cinematic elements mixed with my favorite euphoric synths and half-time back beats and, since the guitar was my gateway instrument to songwriting, we’ve infused my Rock and Blues roots in there too. Lyrically, I often disengage my brain and write from a subconscious place and, sometimes, what comes out actually has multiple meanings that even I have to work out.

There’s a lot of soul-searching, looking for answers or love; a journey into the unknown and coming out the other end with the euphoria you feel when you’ve found what you were looking for; found the higher perspective and gotten a much-needed sign on the road (all very deep) –but, occasionally, there’s a bit of carefree fun because life shouldn’t always be serious!

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You have collaborated with a few producers and musicians on the record. How did you select the people you worked with?

My publishers and other managers and creatives I know often suggest new collaborations - the industry is supportive in that way. Sometimes, I step out of my comfort zone and work with new people but I love to work with the same handful of people and really craft something over time. I wanted to be really hands-on with the production on this record, being a musician myself, so we did this the old-fashioned way whenever we could; recording musicians live in a studio. All the strings and guitars on this record are real, not programmed, and it makes such a difference. 

Is it pretty cool being based in L.A.? What is the music scene like there right now?!

L.A. is an amazing city. It’s a paradisiacal enigma full of magical opportunities but it also has its trials and I’ve seen many people come and go. I often miss London and my family and there have been times when I've wanted to go home but, every time I do, L.A. pulls me back and I’m so grateful for that. The music scene here is super-fun, very eclectic. I LOVE that you can go to the same venue to hear a rapper one night and an Indie-Rock band the next but I still have a special place in my heart for the grit and purity of the London music scene.

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Do you recall when you got into music? Which artists did you grow up around?

Well. It started with my mother singing opera arias and my father playing Rhythm ‘n’ Blues, Big Band and Soul when I was very young - and so I first learned to play the violin and then the clarinet. Then, the '80s kicked in; I woke up to Wham! and Michael Jackson and sang and danced my way through the '90s listening to Pop music and '90s House.

Then, I got into the band scene and found Psychedelic-Rock, Pink Floyd; The Beatles, Eric Clapton; Bob Dylan, Oasis; No Doubt and local bands on the London scene. Let’s not skip past my short stab at mixing Drum ‘n’ Bass and U.K. Garage on vinyl decks and learning about grooves and tempos - “Enough, enough is enough already...

But, in the end, it was Amy Winehouse’s record that got me to pick up a guitar and write my first real song and I spent the next few years playing in bars in London; sometimes making up songs on the spot. Music and singing have been at the center of my life, literally, my whole life but it didn't occur to me that I could make it my career until my mid-20s.

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What do you hope to achieve by the end of 2018?

Well. I truly hope the fans enjoy the new album and that the energy, passion and soul-searching that went into this record radiates in a positive and inspiring way; an escape of sorts. Because that’s what music has done for me through the years: it’s kind of saved me at times and that’s what I want to give back. If, by some magic, we can defy the system and get some of this music on the radio that would be a huge blessing. 

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

I have two standout memories - getting the call that Bob Dylan had listened to and approved of my version of Knockin’ on Heaven’s Door was magic and sitting in my old Vauxhall Corsa in London two winters ago (which I still have rusting away at my mum’s house in London) and hearing my vocals played on the Annie Mac chart show on BBC Radio 1. That was an amazing moment for me as a Brit.

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Which three albums mean the most to you would you say (and why)? 

Pink Floyd - Dark Side of the Moon

That record rocked my world. It’s poetic, cosmic; abstract and incomparable thirty years later.

Michael Jackson - Bad

The first album I ever owned and played repeatedly in my bedroom until the cassette wiped clean. 

Amy Winehouse - Back to Black

Amy’s talent, authenticity and voice are incomparable. She sang about her deepest, darkest feelings with a sense of humor and soul and I love that. 

If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to support a brooding stadium Rock band like Nine Inch Nails or even Bob Dylan - It would be a totally incredible dream come true to do a duet together of Knockin’ on Heaven’s Door!

My rider would be very un-Rock 'n’ Roll and very food-orientated. I’m always hungry after I perform. Well, I’m just always hungry…

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How important is it being on stage and playing? Is it possible to describe the emotions you feel when connecting with fans in the audience?!

Being on stage is the moment you live for; the opportunity to really feel what the music you’ve shared is giving the audience - because they send it all right back to you. It’s love. Before you sing a ballad, there is a split second when you can literally feel the silence and anticipation radiating through the room like you’re all floating in the crystalline darkness of outer-space together and, when the verse starts, it’s as if the sun comes up and warms the room. That feeling right there never gets old. Driving all night with a sweaty band in a small bus does though. Haha. 

What advice would you give to new artists coming through?

Forget logic: take intuitive steps. Be 100% authentic, be prepared to work really, REALLY hard; be patient, don’t be afraid to hustle; remember, if you are really meant to do this, the universe will help you in ways you cannot fathom - you only need that one moment to change everything but, when it comes, you must be prepared. Keep learning, keep training; keep networking - even if it’s not in your nature – and, most importantly, always put the MUSIC first. NOTHING can happen without the music (smiles).

Are there any new artists you recommend we check out?

I’ve been hibernating to make this record and try to stay as authentic as possible so I’m really out of touch with new music - but I'm trawling the music blogs as we speak!

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Do you get much time to chill away from music? How do you unwind?

There is so much other work that happens around making and releasing music that sometimes, for me, writing a new song is my chill time. But, other than that, I love to walk my dog, go for a good meal with friends; binge-watch T.V. shows. But, my fave hobby is making clothes: I have a whole sewing studio in my garage now. I love clothes!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

YES. Please play Amy Winehouse - Take the Box (live at the BBC)

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INTERVIEW: RAYLO

INTERVIEW:

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RAYLO

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THE guys of RAYLO

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have been speaking with me about their latest track, So Gone, and what it was like shooting the music video. I ask what we can expect from the E.P. of the same name; they discuss London as a base and their views on the British Rap scene – I ask which artists inspire them.

The guys each choose an album that means a lot to them; whether there are going to be any tour dates soon; what they would say to artists coming through – RAYLO recommend some rising artists we need to get behind.

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Hi, guys. How are you? How has your week been?

Busy, busy, busy!

For those new to your music; can you introduce yourselves, please?

Hey. We are Reece, Teni; G & Bobz. Collectively known as RAYLO.

How did RAYLO get together? When did you start making music?

Our paths crossed two years ago at The Boom Room Studios in Ladbroke Grove, working on a very strange project. There was some mad serendipity going on that day. Haha. We’ve all been making music for years.

So Gone is your new track. What is the inspiration behind the song? What was it like shooting the video?

The inspiration for So Gone was sparked by the beauty of a journey towards success. Taking elements from our surroundings wherever we go; understanding steps we had to take to get to the level we are at now.

Shooting the video was a great creative experience. Sourcing locations and working on how we wanted it to look wasn’t easy but the product is priceless. We wanted people to see London in its real unique way with an array of short snappy composition shots - and convey the grittiness of our home. It was hard work putting the video together but the sense of achievement was overwhelming.

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It is taken from the E.P. of the same name. I believe you produced it as a band. Are there particular themes that inspired the music? What was it like putting it together?

The music is inspired by everything around us; urban artists from both sides of the pond (Skepta, Bryson Tiller; The Weeknd, Kanye West...) but also great cinematic writers like Jóhann Jóhannson, Zimmer and JXL and inspiration from our own individual stories and journeys. We put emphasis on sound and feeling.

What do you think of the current Rap scene in the U.K.? Is it as healthy and strong as the U.S. would you say?!

I like the rap scene in the U.K. Artists have taken it to a new level. I believe we can be as big as the U.S. provided we keep pushing and showing the world what we have. 

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How important is London as a base and fountain of inspiration?

London is such a melting pot of cultures, ideas and creativity. It’s still one of the hearts of music in the world. So yeah it’s a huge part of our sound.

Which artists are you all inspired by? Did you grow up around a lot of different sounds?

We’re Inspired by so many artists but, to name a few: N.E.R.D, Miguel; Calvin Harris, Frank Ocean; Travis Scott, James Blake; Drake, Gnarls Barkley; Tame Impala, Kendrick Lamar; Kano, Craig David; then everything from Michael Jackson to Deadmau5 to UB40 to Chase & Status…we’re inspired by many styles of music in different ways.

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Do you think there will be touring dates? Can we catch you play?

Course! I feel we have a lot to offer when performing live and will be performing our E.P. as much as we can, so keep your eyes peeled.

If you each had to select an album that means the most to you; which would they be and why?

Reece: Plan B - The Defamation of Strickland Banks

It’s the best body of work ever.

Teni: N.E.R.D - Seeing Sounds

It changed my creative outlook.

Bobz: Inception: Music from the Motion Picture - Hans Zimmer

He makes everything sound epic

G: System of a DownToxicity

Such an awesome team-up for me, with Rick Rubin producing. Sick album.

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Have you each got a favourite memory from your time in music – the one that sticks in the mind?

R: Headlining the Big Freshers Icebreaker U.K. tour last year. It was an amazing experience playing to crowds like that!

G: Recording B.B. King, back when I was working at Olympic Studios was a pretty magical session!

T: Laying down my first track at sixteen…it  was a banger.

B: Kicking a ball around in Studio One at Olympic Studios with G.

If you could support any musician alive today, and choose your own rider, what would that entail?

Supporting N.E.R.D and SNES Super Mario Kart rider. Maybe a cheeky Brandy and Pussy (the drink!) on the side.

What advice would you give to artists coming through?

Just really master your craft and learn to do everything to push your music as far as possible.

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IN THIS PHOTO: Spooky Black

Are there any new artists you recommend we check out?

R: I love Spooky Black. He’s sick

T: Oh…and RAYLO. RAYLO!

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Do you get much time to chill away from music? How do you unwind?

T & B: Going to the gym or playing Xbox.

R: I’m obsessed with photography and make a lot of visual art.

G: It’s rare that I’m not in the studio or D.J.ing but, aside from that, tennis, gym or good old-fashioned partying.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

B: Respect - Aretha Franklin

(Just to pay tribute to the legend - and that track makes anyone feel good)

R: Maria MariaSantana (ft. The Product G&B)

G: Gett Off - Prince

T: Ghostface Killah (ft. Raekwon, Cappadonna) - Daytona 500

Thank you!

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INTERVIEW: Zjál

INTERVIEW:

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PHOTO CREDIT: Ryan Postas 

Zjál

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I have been speaking with Zjál

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about her upcoming E.P., Home. That is dropping very soon and, in the coming weeks, its title-track will be unveiled. The Australian-raised artist talks about themes that inspired the E.P. and how she got into music; which albums are important to her and why she idolises artists such as Michael Jackson.

I ask what advice she would give to artists coming through and whether she has a favourite musical memory; what she hopes to achieve by the end of the year; if she gets time to chill away from music – she selects a great song to end the interview with.

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Hi, Zjál. How are you? How has your week been?

Hi, guys! My week has been amazing, thank you! I just recently had a single release party in my hometown of Adelaide, Australia. It was such a special night finally being able to share everything I've been working on with my family and friends who have been there from the get-go. It's all very real now. I’m preparing for the release of my first single, Home, next month and I couldn't be more excited.

For those new to your music; can you introduce yourself, please?

I'm an R&B singer/songwriter of Middle Eastern descent, born and raised in Australia. My name, Zjál, is actually an Arabic word which describes the ancient Lebanese art of poetry slam. I love to be lyrically meaningful in what I do because I appreciate anything of substance and love to contribute a sort of ‘essence’ in my music. Everything I write is close to my heart or born out of experience or something I’ve witnessed.

I have been building this dream for years working under my previous name ‘Yasmine Amari’ but recently underwent a rebranding and a rebirth discovering my voice and realizing my current sound. My musical style, which has emerged in the last few years, is something I’m really proud to share. Music is about connection, for me, and I hope it reaches people on a deeper level.

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Home is your debut E.P. What sort of themes inspired the songs? Do you have a standout cut from the E.P.?

My standout track would be my first single, Home. There is something about it that just hits the right spot, not only for me but with everyone who has heard it thus far. There is a variation of themes throughout my E.P.: I love to mix it up and have a bit of everything. There are some soulful tracks on the ‘love’ theme. Then, I have some more upbeat Hip-Hop feels which showcase my sassy side and attitude.

There are also some more cheeky and fun vibes. I've honestly been through a range of emotions in the last few years which I’ve incorporated into this E.P. All the smiles, tears; struggles, victories in discovering my worth, falling in love; moving from place to place and finding my purpose. It’s the first time allowing myself to be this transparent and bravely expose my sensuality. This is only the beginning.

I get the impression poetry and Hip-Hop’s use of language, in addition to Pop and Soul, is important to you. Would that be a fair assumption?

Yes: that is a perfect assumption. I admire the art of poetry and I respect Rap just as equally when used in the form of poetry and storytelling as it originated. I appreciate learning and connecting through music and lyrics. I'm more likely to be listening to music with meaning because I’m someone who yearns for depth. I’m an old soul and feel as though, if something isn’t stimulating me emotionally, then it’s not really for me. I believe life is about sharing and using art as a form of elevation. I am someone who longs for authenticity and honesty so when I need to express myself or want to feel connected I’ll most likely pump some music and let my pen move freely. 

You were born in Australia but spend a lot of time in London. What compelled the move to the U.K.?!

My heart is the boss of me…I do what she tells me.

I was at a point in my life where I was in transition, I felt stagnant; I felt suffocated. I had to let go of everything which was no longer serving me and needed to just be free for a while. I wanted to take a risk. I had always felt a connection to the U.K. since I was a child so my heart led the way and I followed it.

To me, it just felt like a new beginning; somewhere I felt like I could build my new foundation, so I decided to stay. I’m a traveller by nature. I love immersing myself in new cultures, new places/experiences and I feel travelling goes hand in hand with my creativity. It brings out a passionate side of me and inspires my music and writing. Looking back now, moving to another country on my own was a bold move, but I am extremely proud of it. 

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Which artists compelled you growing up? What sort of music were you raised on?

I was raised on mostly Rock music growing up so I have a great appreciation for it. My parents listened to a lot of '80s American and Australian rock which has rubbed off on me in ways but, when I first saw Michael Jackson, I was utterly mesmerized. He pretty much took over my speakers from the moment I heard him sing. Then it wasn’t until around high-school that my love for R&B and Hip-Hop emerged - Lauryn Hill, Tupac and Erykah Badu. I love being open to all styles of music as long as it reaches me on some level. 

Do you recall when you got into music? Was there a time or moment when you knew you had to chase it?

To be honest, I can't seem to recall a single moment where it just hit me because I’ve always been so innately drawn to music. Every time I lose focus, I return to the understanding that I can’t see myself doing anything else. It’s strange…it wasn’t until I joined the school choir, when I was about seven or eight, and we sung Heal the World by M.J. that I became the instigator of dance performances and singing groups with my friends. I'd organize performances in assembly for no reason at all and my teachers would just allow it! 

As a child, I was always singing and dancing but then, as I got older, I became really shy and introverted. There was a phase where I wouldn’t sing in front of anyone by myself…then, it was in high-school that I worked through the shyness and became a lead singer in the school band. When I realised people’s positive reactions to me singing, I was shocked into confidence and that’s when I started feeling as though I could actually build a career out of this and I have not stopped since. 

Which three albums mean the most to you would you say (and why)? 

This is one of the hardest questions ever! It always changes but, for right now...

Lauryn Hill - Miseducation of Lauryn Hill

It would definitely be one of them. Lyrically, she expresses EVERYTHING that I’ve always wanted to say. It’s the closest lyrically to what I express in my poetry. 

Tupac - Greatest Hits

I mean…this was on-repeat throughout my life. He’s such a special truthful and authentic soul; I connect with him on so many levels. 

Michael Jackson - Thriller

Of course! Choosing one M.J. album is torture - because I’m in love with every single one.

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What do you hope to achieve by the end of 2018?

I hope to continue to build a loyal following and reach people across the globe. I'm really looking forward to promoting my E.P. and furthering my career. I hope my music is received well. I’d also love to be travelling and performing.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

My favorite memory so far would be being nominated for an Australian Independent Music Award in Sydney a few years ago. I knew that was just the beginning of amazing things to come. Being one of two women in the Urban category was an unforgettable moment! Walking the red carpet that day brought a sense of pride, especially being an independent artist. I'm focused on making many more memories like that and much bigger. 

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If you could support any musician alive today, who would you choose?

The legendary, beautiful and powerful Janet Jackson. She is someone who has maintained the longevity any artist would dream of. No limitations, brave heart and soul. I love her.

How important is it being on stage and playing? Is it possible to describe the emotions you feel when connecting with fans in the audience?

Live music is healing. I believe it’s one of the most important things as an artist. For me, it's all about a vibe and connection. When I get onstage, it unleashes parts of myself which I would usually keep reserved. It’s my ‘high’ since I don’t drink or take any mind-altering substances. For me, being on stage and expressing myself authentically is my freedom...my euphoria.

I get overwhelmed with gratitude for being able to live my dream and have people appreciate it…but it is also the place where I feel I’m completely in control. That is priceless. 

What advice would you give to new artists coming through?

Don’t ever feel like you need to be more than who you actually are to be unique. Everyone seems to try so hard to stand out but when you are authentic in who you are all you have to do is show up.

Always trust your own intuition above all! Never allow anyone to tell you how things have to be done: always listen to your instincts. If it doesn’t feel right, it’s not. Allow time to build a solid foundation. Define your purpose. For me, this is not about fast fame, it’s about longevity. Trends aren't necessarily always healthy, so always do what you believe is right regardless of what everyone else is doing and don’t compare yourself to anyone. Ever. And know how amazing you are.

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IN THIS PHOTO: Russ/PHOTO CREDIT: Instagram

Are there any new artists you recommend we check out?

These guys have been grinding for a while but, at the moment, I'm bumping: Russ, Gallant; Raury. Oh, and I love Sabrina Claudio. Loving their lyrics and they are all really unique and genuine.

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IN THIS PHOTO: Sabrina Claudio

Do you get much time to chill away from music? How do you unwind?

I make sure to get enough ‘me time’ because, if I’m not good, nothing else will be either. I can turn into a savage otherwise! I do a lot of winding down. Things that might not seem ‘fun’ to many people but are necessary for my wellbeing. Meditation and alone time is a necessity for me; after all the energy, adrenaline and excitement of traveling performing and meeting people...my favorite thing to do is be alone. I lavishly indulge in anything which makes me feel relaxed and balanced: good food, long baths; candles, incense.

Sometimes, I need absolute silence and won’t even listen to music. It's crazy. I like watching films to take my mind off of life and I love immersing myself in nature. And, when I've had my time to center and reground myself, I love being with those that I love.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Thanks so much for having me, guys! Right now, I'm feeling: Killem with Kindness - Dizzy Wright

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INTERVIEW: Delroy Matty

INTERVIEW:

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Delroy Matty

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IT is rare I get to chat with a photographer…

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so it has been nice to chill with Delroy Matty as he talks about his career and highlights. I ask how he got started in photography and what advice he would give to those wanting to follow his footsteps; which musicians he recommends we check out – he reveals what he wants to achieve by the end of this year.

The photographer gives insight into his process and equipment he uses; what it was like hearing French Montana wanted to use one of his shots in his collection; whether Delroy Matty gets a chance to chill away from photography – I ask him how he feels British Rap and Grime are faring right now.   

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Hi, Delroy. How are you? How has your week been?

All good, thanks. Just got back from Germany; I was on tour with Chase & Status.

For those new to your work; can you introduce yourself, please?

Yes. My name is Delroy; I’m a photographer, DM Official Photographer - or others will know me as ‘DMOP’ which stands for 'Delroy Matty Official Photographer'.

Many might recognise your photos of Rap artists. How did you get into music photography?

It started in around 2002 when I first bought my first Sony Handycam DCR-PC5E Mini DV Camcorder from the Loot paper. It was a paper where you could buy local, used items - it was like Gumtree. It could record and take stills. I also had an Olympus C-920 ZOOM camera, 1.3 megapixels. To put it into context, my iPhone 7 is 12.0 megapixels. I started filming and taking photos of local M.C.s rapping in my area like Wiley, Dizzee Rascal; Tinchy Stryder,  Sir Spyro etc. that have now gone on to have successful careers in music.

I had a friend, Roony ‘Risky Roads’, that also use to film around that time. In 2006, I went to college to study Photography but soon realised, after finishing college, that there was not a big demand for photographs so I went and got a job in retail. In 2014, I went back to college for two years to brush up on photography and get back up to speed…which brings me up to now. I have worked with French Montana, Post Malone; MoStack, Hardy Caprio; Sir Spyro, Adidas London; Arsenal FC, Nike Footasylum; BBC 1Xtra, Hector Bellerin of Arsenal; Not3s, DJ target; Laughta, Paigey Cakey etc.

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Is there a shot or gig that defines your work would you say?

Yes. French Montana, Post Malone and Lil Uzi Vert at Wireless Festival 2018 - showing the world the best moments from an artist on and off stage.

Some claim, because of technology, music photographers are less sought-after. Would you say, in fact, the industry has a huge demand for great photographers?! How has the business changed over the past decade? 

In my opinion, I would stay the technology is what has saved photography and I say this because of technology such as Instagram (also, The Dots allows you to show the world your work). I find there is a big demand for photographers: I can only base this on my experience I’ve had. I get contacted by music artists, record labels; brands etc. every week and this reflects in my work that I post.

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Rap and British Grime seem to be in the background at the moment. Do you think, given the political times and tensions abound, their voice and place in the forefront is just around the corner?!

I believe that British Rap and British Grime have now set a precedent and it has gone from strength to strength and I love seeing this. What British Rap and British Grime have done is unprecedented: we now have American artists playing British Rap and British Grime music (and working with British Rap and British Grime artists) and this is amazing and a real game-changer.

Is it expensive taking up photograpy and making a go of it?

No, it’s not expensive. You can even start out on your phone, i.e. iPhone or Smartphone. I would say learn photo composition and the rule of thirds - there are lots of videos on YouTube this will help instantly.

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One of my biggest gripes is artists without good photos. Do you think great music relies on striking visuals? How many words, in fact, can a picture/photo say?!

Photos and visuals are so, so important as it helps people to recognise you, the artist or the brand. Look. If there was a shelf with two rows of Coca-Cola; one row had the Coca-Cola branding on the can and the other row was still Coca-Cola but had nothing on the can; what one would you pick up? It would be the one with the visual because you know what to expect inside the can but both rows were Coca-Cola but the one with the better image looked more appealing. So, yes, image and visuals very important.

How did it feel to see French Montana and Lil Uzi Vert add your snaps to their collection?

I was really happy to see they both liked what I’d done and it was a really nice thing for them to do. When I spoke to French Montana after the show, he said he really liked the photos and wanted to post them.

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What do you hope to achieve by the end of 2018?

To inspire others that want to get into photography or become creative. 

Have you got a favourite memory from your time in music – the one that sticks in the mind?

On tour with Chase and Status in Germany and the Reebok shoot I did for them out there in Germany. They are amazing guys and have a great team.

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Which three albums mean the most to you would you say (and why)?

I don’t have favourite albums: more books such as The Power of Now, The Third Circle Theory and Beyond the Lens.

What advice would you give to anyone wanting to follow in your footsteps?

Stay focused and practice, practice, practice. Don’t be afraid to work for free when starting to get content out there and, remember, people won’t pay for a service if they can’t see what you have done so good content is key.

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 IN THIS PHOTO: Litty Lightz

Are there any new artists you recommend we check out?

Litty Lightz, Laughta; Vital and D Dark.

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 IN THIS PHOTO: Laughta

Do you get much time to chill away from photography? How do you unwind?

I don’t get that much time chill at the moment but I like to read books and just chill with friends.

Finally, and for being a good sport; you can choose a song and I’ll play it here.

(Laughs) Surprise me...

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Follow Delroy Matty

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INTERVIEW: Ricky Rebel

INTERVIEW:

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Ricky Rebel

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THE fascinating and candid Ricky Rebel

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talks with me about his new single, The New Alpha, and what its story is. He tells me about his experiences with Michael Jackson, Britney Spears and Adam Lambert; being inspired by Madonna and the albums mean the most to him – the songwriter talks about his future and what we can expect going forward.

The American sensation discusses his bisexuality and support of the L.G.B.T. community; a gender-fluid society and not subscribing to the myth of ‘men need to be men’ – he ends the interview by selecting a classic Madonna cut.

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Hi, Ricky. How are you? How has your week been?

I am doing well. My week has been productive. 

For those new to your music; can you introduce yourself, please?

I am a Billboard Top-40 recording artist who has toured with Britney Spears. Notable tracks on the Billboard charts include Boys & Sometimes Girls - a bisexual anthem - and If You Were My Baby - an '80s-inspired love song that has Prince’s actual synth on it. I am also a strong advocate for freedom of speech and expression and L.G.B.T. rights. 

 

The New Alpha is your current single – it is from the album of the same name. What can you reveal about the song’s stories and the themes address on the album?

The New Alpha is a record about freedom.

On the album, I sometimes express myself in a way that can be seen by some as politically incorrect. The New Alpha doesn’t live in a box of labels that society tries to impose on him: he lives outside of the box. The themes I explore on The New Alpha are sex, power; materialism and love. My favorite track is called Magic Carpet. It’s a sexual song with Middle Eastern undertones. 

Style and creating your own image is important. We have had some great musical style icons like David Bowie and Madonna. Who do you draw inspiration from?!

I draw inspiration from the two artists you just mentioned. I am lately inspired by political figures who are out there speaking their minds for free speech. I think it’s important that we fight for speech that we disagree with just as hard as speech that we agree with. One day, it might be your speech that is repressed. 

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 PHOTO CREDITKentö

I believe you are friends with Adam Lambert. How did you two meet? Is it true you raised Adam’s closet when you needed a stage outfit pretty quick?!

Adam and I met at the clubs in Downtown L.A. We used to gather a group of friends, dress in wild outfits; wear makeup and dance the night away. One night, I was headlining at the Roxy in West Hollywood and had nothing to wear. I called Adam for help and he let me raid his closet. He is a very generous guy. In return, the only thing I had to do was re-feather his jacket. 

Do you think society wants ‘men to be men’ and not show their feminine side?! What do you think about that and the rise in gender fluidity?

I think society doesn’t even know what a real man is. A real man is a man who can be authentic with who he is. A real man tells the truth. I identify as all-male, all-man every day. I can wear makeup, high heels; a dress, stockings; a suit and tie (sometimes at the same time) and it has nothing to do with my gender. These things are an expression of my creativity. I am absolutely not gender-fluid. I do not turn into a woman when I impersonate one. I’m acting. 

Has your bisexuality ever caused issues in music? Have you been told to hide your sexuality away?!

Absolutely. I was told, at the beginning of my career, to stay in the closet or else I would never make it. I was even locked into a sound booth while someone read Bible verses to me informed me that I was going to Hell. I knew that, one day, being honest and open about my bisexuality would be seen as a strength, not a weakness. 

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Do you recall when you got into music? Which artists did you grow up around?

I started singing professionally immediately after I started taking dance classes at eleven-years-old. Before that, at five-years-old, I would sing Annie and Grease every single moment of every single day. Growing up, my mother and father loved The Beatles and Queen. They were always playing great music like that during my childhood. 

I am a big Madonna fan. Is it true you have worked with her label? (My favourite cut of hers is Take a Bow). Do you have a personal standout Madonna song/style period?

I was signed to Maverick - Madonna’s record label. My favorite era was The Blond Ambition period. I remember taping the entire show and performing it on-repeat in my room. I loved the fact that she would miss notes and not perform some of the dance steps perfectly, but she did everything with beauty and confidence. She was my hero when I was growing up. 

Is it true Michael Jackson gave you some advice? What did he say to you?!

Before I signed to Madonna’s label, I was signed to Michael Jackson’s label MJJ records. He told me that I should stay away from girls because they break up bands..

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What do you hope to achieve by the end of 2018?

I want to headline a ten-city West Coast tour in the U.S.A. with other talented artists. 

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Learning that I charted on the Billboard chart was an amazing day! I loved being invited to perform at the Cannes Film Festival. The whole trip was like a dream. The people were beautiful, warm and welcoming. They loved Boys & Sometimes Girls

Which three albums mean the most to you would you say (and why)?

Prince - When Doves Cry

That album is the closest thing to perfection.

Madonna Music

That album taught me how to produce. It’s simple in its production style. Mirwai is a genius.

David Bowie - Reality and Low

David Bowie taught me to love my voice. He sings in a lower register like mine. He was the first rock-and-roller that I could identify with vocally. 

If you could support any musician alive today, and choose your own rider, what would that entail?

I would love to open for Britney Spears again. She was such an amazing person to be on tour with. She’s a lot of fun. Plus, we could talk about memories of being on tour together. On my rider, Britney and I would have to do Pilates together in my dressing before every show. 

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How important is it being on stage and playing? Is it possible to describe the emotions you feel when connecting with fans in the audience?

Performing is everything to me. I feel most alive when I am on stage. The connection you feel is the closest thing to oneness. When I performed at New York City Pride this year, people were exuding so much love. It made me cry. The L.G.B.T. community has fought so hard to be where we are.

What advice would you give to new artists coming through?

Stick to your original idea of who you are and what you stand for. People in the industry will push and pull you in many different directions and waste your time. Don’t let them. Stick to your first version of who you set yourself out to become. That is the best way to succeed. 

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 IN THIS PHOTO: Saint Heart

Are there any new artists you recommend we check out?

Every week, I go live on Instagram, Facebook and Periscope (@RickyRebelRocks) at 12 P.M. P.S.T. for all of my fans on a show called #TuesdaysWithRebel. I have featured some great artists that I am currently producing and/or just great friends with like PrettiBoiRoq, Glass Battles; DJ Hector Fonseca; Davis Mallory, Saint Heart; Twinkle Time etc. - all people that I love and admire. Elena Nazaroff, my stylist, also gives them a mini makeover. It’s a lot of fun. 

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IN THIS PHOTO: Glass Battles

Do you get much time to chill away from music? How do you unwind?

My chill time consists of working out, doing Pilates; listening to political podcasts (relaxing to me, believe it or not), getting facials; eating, napping and having sex. That’s a great way to unwind.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Erotica - Madonna. That’s my spirit animal song

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INTERVIEW: Em Hoggett

INTERVIEW:

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Em Hoggett

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MASSIVE thanks to Em Hoggett

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for opening up for me regarding her latest single, What I Want to Say to You, and its emotional story. The E.P. of the same name is out and Hoggett talks about the music and themes running throughout; the artists and albums that inspire her; moving from the U.K. to Los Angeles – she tells me what the scene is like in L.A. right now.

Hoggett provides advice to upcoming artists and those who have been through the same experiences of rape as her; what we can expect from her going forward; a rising artist to look out for – she ends the interview with an epic song!

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Hi, Em. How are you? How has your week been?

Hi. I’m great thanks. It’s been a busy week. I’m working on the new album.

For those new to your music; can you introduce yourself, please?

I’m a singer-songwriter and pianist. My music is soulful, sensual; dense…James Bond-esque in style. I trained as a classical pianist since I was four, so it’s all rooted in piano. What I Want to Say to You has a unique sound - partly because of subject matter, but expect Bond in the next album.

What I Want to Say to You is your new single. Can you reveal its story and how it came together?

What I Want to Say to You is a single that developed into a four-track E.P…

I was raped when I was sixteen. I suppressed it for years until it finally began to take over my life at eighteen. I couldn’t sleep, eat; work…do anything at all. My mum suggested I write a letter to my attacker, not necessarily to send, but just to get the feelings out on a page. Naturally, for me, this came in writing a song. 

I wrote What I Want to Say to You in about ten minutes; the words were just there…waiting. A few days later, I posted the song on social media; therefore, letting all of my friends and family know what had happened. This was the hardest thing I’ve ever done but it was so important. At the time, I was suffering with denial a lot. It was so easy for me to pretend it had never happened because nobody around me knew that it had. Once I posted the song, I couldn’t hide anymore and I finally had to begin the process of acceptance and healing. 

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I entered a pretty rough few months after that, during which time I wrote Anger, which expresses the pure emotion of anger that is felt when you realise you’ve been abused. It was really important for me to put this song on the E.P. to let other survivors know that it is a totally normal and healthy feeling and not something to feel ashamed of or alone with. I then wrote Will It Always Be Like This, which questions if the rest of my life would be consumed by a painful dark cloud...(which it isn't, by the way - it does get better). The final song, Get Out, describes the feeling that this person and experience will live inside your body forever. I wrote this in the wake of the Harvey Weinstein scandal. 

Meeting producer Bruce Witkin was the essential ingredient that brought it all together. We got into the studio pretty much straight away and everything just came together. I couldn’t have asked for a better producer to work with. 

 

You survived a brutal rape and are using music to heal, not only yourself, but others. What is your message to other women (and men) who have been in the same situation?

If you feel able to tell someone what happened to you, do it. I think you will be surprised at the response…

Telling my family and friends was the hardest thing I’ve ever done but it literally changed my life. I no longer walk around with an unbearable weight inside of me. I was believed and supported. Once you tell someone, you begin to realise the truth: that this was not your fault. From this place of understanding and acceptance, you can begin to heal…you realise that this weight isn’t yours to carry around; you can begin to let go. If you don’t feel able to tell someone, try expressing your feelings around it. Expressing through writing, painting; singing…creating in any way and even just talking is SO important. Get these feelings OUT of you or they will eat you up inside. 

If you feel like you’d like to tell someone but are afraid you won’t be believed or you don’t know who to tell, you can contact me at the ‘Contact Us’ button on www.WhatIWantToSayToYou.com - I WILL believe you.

Might we see more material next year? How far ahead do you look as a songwriter?

Yes. I have another album ready to go; I’m hoping to get back in the studio as soon as possible.

I look pretty far ahead: I’ve got a lot of material to work with. I’ve been writing since I was thirteen and I have around four-hundred songs on my phone. I’d like to record some of those too…but this next album will all be songs I wrote in the past year.

You were born in the U.K. but live in Los Angeles. What is life like out there? Is it a great place as a musician?!

I love it! I feel so at home here. The sun, the relaxed atmosphere; the creativity…I feel like everyone I meet in L.A. is doing something artistic…they’re a writer, a model; a musician, a photographer; an actor.

It’s incredible to be surrounded by such creative energy all the time. Being a musician here is awesome. There are so many amazing musicians to play with, listen to and learn from. I’m an actress as well, so this is literally the perfect place for me…the creative juices never stop flowing.

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Do you recall when you got into music? Which artists did you grow up around?

I was trained as a classical pianist since I was four, so music was a huge part of my life from a very young age. 

My music taste is incredibly broad. I grew up with a lot a variety. I listened to a lot of Soul/Jazz. I’m a total Motown lover. I also listened to a lot of Rock - and a lot of Alternative. Honestly, all sorts. One of my big influences is Jamie Cullum; Pink Floyd was big for me, Nina Simone; Marvin Gaye…also, Birdy…I think I took a lot of inspiration from her. Kind of all over the place here.

What do you hope to achieve by the end of 2018?

I’d love to get back in the studio and record a few singles for the new album - and to get W.I.W.T.S.T.Y. out there more. This E.P. needs to be heard. 

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

Wow…tough question. Honestly; recording with Bruce (Witkin) was such an incredible experience. Recording the piano and vocals was really special. I love performing too…so, a few of my live performances for sure.

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Which three albums mean the most to you would you say (and why)?

I think I’d give a different answer to this question every year. Right now, I’d go with these.

Pink Floyd - The Final Cut

The emotion in this album is like nothing else. Pink Floyd have such an incredible way of using sounds to tell a story. I think they’re the filmmakers of the music industry. It’s amazing how you can listen to one of their albums from beginning to end and be taken on a total journey - and not just musically.

Bill Laurance - Flint

Bill Laurance on keys is just WOW. This album really speaks to me because it has so much skill, so much Jazz influence and a lot of upbeat tunes but still remains super emotional. I’m really into emotional stuff if you hadn’t noticed.

Frank Turner - England Keep My Bones

I’m a huge Frank Turner fan - it’s hard to pick one album. But, his lyrics are just incredible. I think he’s one of the most talented lyricists out there.

If you could support any musician alive today, and choose your own rider, what would that entail?

Jamie Cullum. What a musician. 

A lot for the rider…starting with a white grand piano.

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How important is it being on stage and playing? Is it possible to describe the emotions you feel when connecting with fans in the audience?

It’s super-important to me: there’s nothing quite like live performance. When you’re with a band and you’re all on the same wavelength, just vibing together…it’s an incredible thing. You learn a lot from live performance too.

You really have to listen. 

What advice would you give to new artists coming through?

  1. Don’t give up.
  2. Write about what speaks to you.
  3. Play more! Meet musicians. 
  4. ENJOY. Have fun. That's why you're doing this, right? 'Cos you love it.
  5. Be kind.
  6. Stick with what’s true to you. NEVER feel like you have to do anything or have to be anything for an opportunity. Always stick with your instinct and the right things will flow to you. Don't get pressured into stuff you don't feel good with.
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Are there any new artists you recommend we check out?

Not particularly new, but if you don’t know Tash Sultana, check her out. Jungle is an awesome song to start with. 

Do you get much time to chill away from music? How do you unwind?

I do have time away from music because I’m an actress too, but that’s not exactly chill. When I do get to chill, I journal a lot; meditate, hike; travel, go to the ocean…all soul-cleansing stuff. I love to dance too and explore the world.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Truth - Kamasi Washington. Wow. What a song

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INTERVIEW: Miki Fiki

INTERVIEW:

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Miki Fiki

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THE awesome Miki Fiki

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have been talking with me about their single, Scrub, and how it came together. Their lead, Ted, takes up most of the questions and tells me about that unique moniker; what Nashville is like as a base; which artists they are all inspired by – he recommends some new talent to watch out for.

I ask whether there will be touring dates and the possibility of U.K. dates; what advice Ted would give to artists coming through; whether he and the band get time to unwind away from music – each of the band members chooses a song to end with.

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Hi, Ted. How are you? How has your week been?

Hey. Nice to digitally meet you! It’s been good. Just bopping between coffee shops and half-working, half-people watching (alongside everybody else).

For those new to your music; can you introduce yourselves, please?

I’m Ted and I sing and play keys for the group. Julia plays sax and Hunter plays bass. We all met in college at Belmont in Nashville and we’ve been putting out music and touring as Miki Fiki since early-2017. We’re based in Nashville but have been all over the eastern half of the U.S. in a blue truck.

Is there a story behind the band name ‘Miki Fiki’? How did that come to pass?!

My Facebook bio was “I’m one bad mickey fickey” for the longest time. I’ve forgotten what that’s from but, when picking a name, I wanted something that didn’t really mean much. I changed the spelling to ‘Miki Fiki’ because it looks nice stacked. It’s also slang for ‘motherf*cker’, but you don’t have to put that in.

Scrub is your new song. Can you reveal the story behind the song?

It’s an angry song! I was feeling a lot of things at the end of college but anger kept returning and I couldn’t find a way to process it. The song is literally about a relationship but, while the attitude of previous songs is a desire to learn, loneliness or missing someone sweetly, this one is bitter.

I don’t recommend latching onto this way of operating but, for a couple minutes, I was able to write down a few cheap shots I could never say to the person. That time is long gone - maybe in part because I put it to music.

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It is your most energetic song so far! Do you think it is a logical move from your initial single, Stranger?

It’s definitely in the same vein in terms of communicating hurt through somewhat more aggressive/bitter language than I’m accustomed to in daily life. That’s where I was at the time; trying to live measured and well-behaved to an extent. But, there was a lot, mentally, that needed to go somewhere and, in both songs, that extreme pressure found some space.

Which artists are you all inspired by? Did you grow up around a lot of different sounds?

We have some overlap but all three of us have fairly different musical upbringings. I was fully engulfed by Usher then The Avett Brothers. Julia’s people are Jeff Coffin and the late, great Aretha Franklin. Hunter’s are Alvvays, Whitney; Crumb and Shintaro Sakamoto.

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Nashville is where you are based. What is the city like in terms of its scene and diversity?

I’m still trying to sort that out myself!

There are all kinds of scenes to fall into here but I more often find myself where my friends are. I could break them down into genres but the benefit usually comes from doing what you love around people you love who are trying to do the same thing. I haven’t hit a ceiling here by any means and, every time I’m ready to get rolling, there are people around to help me do that.

Do you think there will be touring dates? Can we catch you play?

We toured heavily the first half of this year and are headed out for five dates in September up north. All dates are announced on our website and social media: 9/13 - Grand Rapids, MI: Tip Top Deluxe; 9/14 - Detroit, MI: New Way; 9/17  - Chicago, IL – Sofar; 9/18 - Appleton, WI - Stone Arch Brewpub; 9/19 - Minneapolis, MN - Nomad World Pub.

Might you come to the U.K. and see us here? Do you like the music here?

We would love to make a European trip someday. All we need are enough good friends!

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If you had to select an album that means the most to you; which would it be and why?

Emotionalism by The Avett Brothers means a lot to me

I found it right around the first time I got REAL sad (fifteen) and the songwriting/messages hold up the older I get.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

The first Miki show still stands out in my mind: there’s something special about being able to communicate in a way I’m proud for the first time in a long time.

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If you could support any musician alive today, and choose your own rider, what would that entail?

Anderson .Paak. The rider would include Reese’s and Arnold Palmers.

What advice would you give to artists coming through?

The same thing I tell myself - which is to pay special attention as to whether or not you’re enjoying it and whether or not it’s growing you.

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IN THIS PHOTO: The Pressure Kids

Are there any new artists you recommend we check out?

The Pressure Kids, Katy Kirby and Rand all come to mind. While they may not necessarily be new I believe they deserve to be appreciated by as many people as possible!

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IN THIS PHOTO: Katy Kirby/PHOTO CREDITKelsey Cherry

Do you get much time to chill away from music? How do you unwind?

I’m working on not thinking about it 24/7 because it can really start to feel like work. I unwind by getting wound up in other things - be it running, reading or both. Still trying to figure out where to put a lot of this energy but, for now, it resides in one of those three places!

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Fever - The Pressure Kids

Juniper - Katy Kirby

Only Rand

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INTERVIEW: Makk Mikkael

INTERVIEW:

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Makk Mikkael

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IT has been cool catching up with Makk Mikkael

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as she tells me about her latest track, Use Me. I was eager to know what its story is and whether we might see more material down the line – the Canadian artist talks about some of her favourite artists and albums.

I ask what Toronto and its scene is like right now; how her current material differs to her older stuff; how she unwinds away from music; what she would say to artists coming through right now – the songwriter ends the interview by selecting a cool track.

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Hi, Makk. How are you? How has your week been?

Hey. I’m feeling great, thanks! New music is out, so been super-busy with that.

For those new to your music; can you introduce yourself, please?

Hi, guys. My name’s Makk Mikkael. I’m a singer/songwriter. I’m back and forth between Calgary and Toronto currently working on my debut album. I’ve been writing since I can remember and been passionate about music from a young age. I want people to feel anything they need to when they listen to my songs, to be transported to a different world and escape their day-to-day life. Music is so emotional: it’s therapy for many, myself included, so just to feel free, I think, is so powerful.

Use Me is your latest song. Can you explain the inspiration and backstory?

Use Me is my third single. We wrote this one based on of a girl being obsessed with a drug (more specifically, heroin). She’s dealing with withdrawals but always ends up going back to it needing it in her veins at all times. It’s completely controlling her life. Use Me definitely takes a darker turn; we wanted to portray something so real for today, whether it’s heroin or alcohol. We use these substances to escape reality.

How do you think it differs from your earlier material? Do you feel you are at your most confident right now?

I feel super-confident right now. I’ve been in the studio making lots of tracks with my producer Jody Tompkins. We’re experimenting with going darker and taking the music somewhere that the first singles were hinting towards. Everything that we’re creating is so cool. I’m excited to release this album.

Might we expect some more material next year? Are you looking ahead to an E.P. or something similar?

My album will be released, yes!

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What is the Toronto music scene like right now? Are there are a lot of cool local acts emerging?

I love the Toronto music scene and feel like there’s a lot of space for creativity right now. The city is filled with talented individuals doing their own thing. It’s cool to get out and see what everyone is up to.

Do you recall when you got into music? Was there a time or moment when you knew you had to chase it?

From a super-young age, I had an experience on stage with my mom and I was hooked. I feel like that night something clicked in me and I’ve been chasing it ever since. The hunger has only grown with time and I can’t wait to release more music.

What do you hope to achieve by the end of 2018?

I’m currently working on my debut album so I hope to get that all wrapped up and released. From there, start touring…

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

When I was young, my mom brought me onstage to sing a song at this bar. I was super-underage (like seven. Haha). I sang Twinkle Twinkle Little Star and the way people were watching, the lights; everything about that night…I fell in love with it and knew I had to pursue this no matter what.

Which three albums mean the most to you would you say (and why)?

SZA - CTRL

It’s insane. I haven’t heard an album like this ever. I love that there’s a story top to bottom; each song completely flows into the next and expands on the story. She’s amazing.

Lykke Li - So Sad So Sexy

Totally different lane for Lykke Li. I’ve been a fan of hers for a while. I love how dark and twisted her lyrics and her new image is on this album. The colours and words are so vivid and Dream-Pop-sounding. I feel like this album is so necessary for millennials right now.

The Japanese House - Saw You in a Dream

Super-nostalgic vibes. It’s a short E.P., but listening top to bottom; it makes you feel lost in the best way. You can sit with your emotions and feelings and be still. Amazing.

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How important is it being on stage and playing? Is it possible to describe the emotions you feel when connecting with fans in the audience?

Making the music is half of the puzzle piece: the other half is playing live. You need both. When I watch one of my favourite artists live It’s almost closure for me and I feel like I fully understand them and what was going through their heads when they wrote that song/album. I have yet to perform live. As of right now, I’m building the album and getting everything in order to play live. Very excited for it.

What advice would you give to new artists coming through?

I feel like, if you've found your sound, you're golden. It’s all about what makes you and your music unique. In an industry where so many artists blend together, what makes you stand out and makes you different is your ticket.

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IN THIS PHOTO: Lou Val

Are there any new artists you recommend we check out?

I’m really into Lou Val. I like the low-key Toronto R&B a lot.

Do you get much time to chill away from music? How do you unwind?

I honestly don’t need time away from music. I love when I’m fully consumed by it, always. Maybe that will change later on but, as of right now, it’s my passion. I’ll write/read to chill when I need a little break.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Did We Lose Our Minds - Sabrina Claudio

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INTERVIEW: Zyles

INTERVIEW:

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Zyles

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I have been chatting with Zyles

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about his single, Sundresses, and what its story is. Zach reveals how the moniker ‘Zyles’ came to be and what his plans are regarding material and gigs. I ask the U.S. songwriter which artists are important to him and albums that have made an impact – Zyles selects some new musicians to follow.

I ask what it feels like (for Zyles) being on stage; when he got into music and started playing; what he wants to achieve before the year is through – the songwriter gives useful advice for those coming through at the moment.

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Hi, Zach. How are you? How has your week been?

Hi! Thanks for having me.  It’s been a balanced week: working on some new content, staying engaged in the tech world. Things are moving.

For those new to your music; can you introduce yourself, please?

Zyles is my artist project. It’s accessible Pop music and a wrapper for my worldview, with a focus on the themes that are particularly compatible with that packaging. The melodies are catchy, the production is lush; the guitars are funky. The focus is often on relationships, with a bend towards what I find aspirational as a twenty-something city-dweller.

How did the concept/moniker of ‘Zyles’ come to? What does it embody?

When I was in college, I studied Chinese and spent a semester in Beijing in a language program. We signed a language pledge, had all of our classes in Chinese and traveled around the country. My Chinese name sounds somewhat like Zyles. Zyles today doesn’t have much to do with China necessarily, but, for now, it’s coupled with experiences I’m happy to associate with a public-facing identity.

Sundresses is your new single. Can you reveal the story behind the track?

A summer ago, I had an opportunity to spend many weekends in Wine Country, only about an hour north of where I live in San Francisco. There was a particular vacation mindset that struck me, where not only were visitors there for a weekend off, but there was usually a special occasion involved - weddings, milestone birthdays. These converging groups were often from metropolises all around the country, on the opposite side of young adulthood, but shared a cosmopolitan experience.

Sundresses portrays some romantic fantasies of these vacationers. Some of the attraction is traditionally sexy: “Bikini for the hot tub, nothing when she exits”; and some of it is more about shared class and stage of life: “You might make more depending on the year, my dear”.

I believe more material will follow. What can you say regarding future singles and their story?

Summer is almost over. We’re going to move into more pensive territory. Then, we’re going to get a little bit naughty. The settings will be closer to home, rather than the vacation destination of Sundresses. But, it’s going to fun and it’s going to provocative - and you’re going to want to move.

You are based in the Bay Area. Is it a good area to record in? How does the setting and dynamics of the place influence how you write?

I don’t think it’s an exaggeration to assert that the Bay Area is among the most relevant locales in 2018. It’s teaming with themes worth writing about and these themes definitely show up in the music:  fancy vacation destinations; today’s new money billionaires; people convinced (rightly or not) that they’re going to change the world.

But, these reasons are outside of music production. It’s worth noting that these reasons aren’t outside of music in general: through Instagram and YouTube, Google and Facebook control a large part of the distribution. I’ve thoroughly enjoyed meeting a lot of today’s few Bay Area artists but I have N.Y.C. and L.A. roots these days and tend to travel to produce final versions of the tunes. 

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You were born and raised in Manhattan. What sort of music did you grow up around and were influenced by?

I was lucky enough to have exposure to virtually every type of music up close while growing up. Field trips to Carnegie Hall in elementary school; family visits to musicals on Broadway. My first concert was Cream’s reunion tour show at Madison Square Garden. The Jazz scene was perhaps the most differentiating. Events at Jazz at Lincoln Center was particularly spell-binding for me. At least as important, I had friends and family to share these opportunities with.

Do you recall when you got into music? Was there a time or moment when you knew you had to chase it?

I had been exposed to a few instruments since a very young age. When I picked up the guitar for the first time around twelve or thirteen, songwriting opened up for me…and that was it. It’s not a huge exaggeration to say that, for me, methods of diving deep into music like learning theory, exploring different genres; playing with arrangement and producing have all been tools to enrich those songs I want to write.

What do you hope to achieve by the end of 2018?

There are a few modest venues on the West Coast I’d like to play as a headliner. Finding an audience to fill those venues and turning it into a cohesive tour is the dream for me this year.

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Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

When I was in high-school, I interned for the Jonas Brothers’ business manager. I would go backstage at the concerts and, when I wandered into the crowd wearing my pass, I would get mobbed by fans insisting I was distantly related to them.  It was pandemonium. I was just an observer but it gave me a sense of the power of the music; the palpable energy where everyone is just in suspense for the next moment. Even the parents were into it.

Sometimes, I encounter the phenomenon on a micro scale: when the audience is hanging on a note of a solo, or responding to that jump into falsetto. But, to have it simply in anticipation? I’m still searching for that…

Which three albums mean the most to you would you say (and why)?

There are too many to say which are most meaningful. But, here is a meaningful set of three:

Oh Mercy Bob Dylan

I could have picked any number of Dylan records: there is a dozen of them that means a lot to me. The Daniel Lanois production on this record was haunting and new to me when I first heard it. And, like so many Dylan records, he nails so many emotional states that each of these songs connected with me at one time or another.

The Royal Scam Steely Dan

I aspire to have something in common with Steely Dan in my songwriting - and this is their quintessential guitar record. It rocks, it gets funky and it’s so tastefully jazzy. I had the opportunity to see them perform the album in full at the Beacon Theater in high-school.

Fever by Kylie Minogue

I heard some songs on this record when it came out and found it terribly catchy. Then, my parents bought it for me and I was so embarrassed after seeing Kylie wearing no pants on the album artwork. I was something like nine or ten years old. I come back to it occasionally as an adult and simply enjoy the Disco-style production.

If you could support any musician alive today, and choose your own rider, what would that entail?

I’d play with The 1975. First of all, their fans are intensely into the music - I’ve experienced it firsthand at one of their shows. They also have great musicianship, truly interesting songs and I imagine I’d learn a bunch from them.

For the rider, I just want to have some bananas with my name on them. There have been too many gigs and sets in my life recently with banana shortages.

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How important is it being on stage and playing? Is it possible to describe the emotions you feel when connecting with fans in the audience?

In the case of playing for an audience already familiar with the music, the live show is a celebration of a song well-written, well-performed. It’s important in the sense that it’s an opportunity to offer fans a more intimate experience with the music.

However, as an artist in the early stages, I’m sometimes playing to an audience that doesn’t know the music very well, if at all…and that’s tough. Step one is to get the audience dancing. Step two: having them connect with the song on first listen a live setting is quite the feat. As a musician, it’s fun to get lost in making live music.

What advice would you give to new artists coming through?

Go for it, but not until you’re ready. I sang one of those falsetto Prince song at a showcase recently and there were some As and Bs above tenor C. I had been recording that week and not practicing in that range and coming up against my ceiling in our single rehearsal. One of the producers discouraged me: “Don’t go for it.” He had a point. It was risky. I would have had to put in my time to pull that off on stage with high confidence.

It’s the same with music generally: put in the time and perfect the craft because, when you go for it, you’re going to be vulnerable; burning that social and literal capital and you want to do that at the right time. But, when that time comes - and it will - put everything you have into that note, that release.

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 IN THIS PHOTO: Merci Raines

Are there any new artists you recommend we check out?

I’ve met some exciting new artists that intersect with the group of producers I work with: Merci Raines and Livia Blanc are a couple I’m excited about. 

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IN THIS PHOTO: Livia Blanc

Do you get much time to chill away from music? How do you unwind?

Finding an afternoon to visit a park. Leaving everything at home but my keys and a book is one of my preferred ways.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I read the other day that Elon Musk is losing his edge. And, buried in that article is that he’s dating Grimes. What? She’s probably having a tough time. And then I Googled to confirm and it looks like they unfollowed each other on various social media platforms. What a world. Let’s play Flesh without Blood

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INTERVIEW: Cha:dy

INTERVIEW:

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Cha:dy

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THE superb Cha:dy

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has been chatting about her latest single, Like a Boi, and how an unusual source of inspiration led to its creation. I ask her where she heads next in terms of material and whether she might tour; the artists and albums she is influenced by – she highlights an artist to look out for.

Cha:dy reveals why she moved from Paris to London; what she wants to achieve before the end of the year; how she chills away from music; the advice she would provide artists coming through – she ends the interview by selecting a great track.

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Hi, Cha:dy. How are you? How has your week been?

Hello! I'm very well, thank you. I just came back from Budapest and I was lucky to be able to attend Sziget Festival, which was amazing.

For those new to your music; can you introduce yourself, please?

My name is Cha:dy. I was born in France, near Paris. I am an artist, I make music; sing and write. My style is a mix of Alt-R&B, Urban Jazz and Caribbean flavours.

Like a Boi is your new single. Can you describe when the inspiration struck?

It came from this guy I was seeing - who was kind of insecure about our relationship. He once said to me that I was behaving ‘like a boy’ - probably referencing the fact that I am very social, outgoing and confident and, for some reason, that particular phrase really bothered me and stuck in my head! It was as if he was implying that confidence was reserved only for men and he made it a gender thing...

So, I wrote a song about it!

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Like a Boi looks at the patriarchy and how women can be strong and inspirational. Do you think more men, in fact, should be putting the same message out into the world?!

Oh yes, absolutely. I love hearing my male friends saying out loud that they're feminists. It's always great when men spread the word about equality, privilege and feminism. It definitely helps the movement. Men are our allies in that fight. 

What comes next in terms of material? Are you looking ahead at an E.P. right now?

I'm definitely looking to release a second E.P. soon but, for the moment, I want to focus on singles.

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PHOTO CREDIT: @everythingart1998

You started in Paris but moved to London. What was the reason behind the move? How does the music of both cities compare/differ?

I've been to London a few times - when I was still living in Paris - and always loved how the city was always busy and, culturally, very rich and very youth-orientated. London is the music capital of Europe so it made sense to me to come and develop here. 

Can you reveal which artists played a role in your early life? How did you get into the industry?

Artists like Amy Winehouse, Lauryn Hill; Beth Ditto and P!nk were huge inspirations in my life. I've always been amazed by their vocals, their songwriting and stage presence. Moving to London and focusing on music definitely helped get a foot in the door. In the music industry, you really need to hustle, put yourself out there; release music and you get a chance to have a little place in this crazy industry.

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What do you hope to achieve by the end of 2018?

I’d really like to go on tour and actually meet people. Today, we focus a lot on our presence on social media platforms and, yes, it’s a great way to share music and connect with the audience. But, I want to go out and meet them, talk to them about my journey; my songs, add a couple of bad jokes; laugh and cry with them and really connect. That's why I love doing live gigs.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

When you're performing live and people know the lyrics and start singing your songs is such a great feeling! One of my favourite gigs was when my band and I headlined a very small festival in Milton Keynes called Rixonbury. We started our set and there were only ten people by the stage and, after a few songs, you could see all the people leaving the other tents to join our stage - and we had an absolute blast.

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Which three albums mean the most to you would you say (and why)?

Back to Black by Amy Winehouse

For the jazzy melodies and the heartbreaking lyrics…it’s just a beautiful album.

Comedown Machine by The Strokes

It was the soundtrack to my late teenage years and soothed a few heartbreaks back then!

Telluric by Matt Corby

I mean; this album just speaks to my soul. The production, the songwriting; incredible vocals. Great for a rainy day - or just any day, really!

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Can we see you on tour soon? What dates are coming up?

I don't have dates just yet but I’ll be sure to let you know!

What advice would you give to new artists coming through?

To get out there and release that song that they've been working on for ages. As artists, we are such perfectionists and we never think a project is finished or ready but, more often than not, it is ready...so go share that great song!

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IN THIS PHOTO: Ciscero

Are there any new artists you recommend we check out?

Ciscero. He is killing it right now. He's been featured alongside great artists like GoldLink but, boy, it's his time to shine.

Do you get much time to chill away from music? How do you unwind?

I've started to exercise four times a week and it changed my life - making me more positive and productive; just happier in general. It has really helped me get through quite low times too. I highly recommend it. It's good for the body and the mind.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Stay by Ciscero (ft. Devin Tracy). It's my tune on-repeat right now.

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INTERVIEW: Matt LeGrand

INTERVIEW:

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Matt LeGrand

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IT has been great speaking with Matt LeGrand

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about his new track, 12:00 AM, and how it came together. He tells me whether there is going to be more music coming down the line; what the music scene is like in Chicago right now; which artists made an impression on him growing up – he selects a musician we need to look out for and follow.

LeGrand gives some advice to artists coming through and tells me which three albums mean the most to him; if we might see him tour this year; how he relaxes away from music – LeGrand reveals what he wants to achieve before the year ends.

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Hi, Matt. How are you? How has your week been?

Hey! I am doing fantastic! My week has been pretty good. It has been filled with music (as usual) and I’ve gotten to spend time at home with my family!

For those new to your music; can you introduce yourself, please?

Sure! I am Matt LeGrand; a recording artist hailing from Chicago! My life is pretty normal except for the fact that I get to do music professionally. I am a shy and introverted person but all of that seems to go away when show time comes! I really just love what I do and I want to do it for the rest of my life. Connection through music is where I am the happiest and, more importantly, it’s where I’m the most myself!

 

What can you reveal about your new single, 12:00 AM? How did it all come together?

It’s out in the open now so it has all pretty much been revealed! (Laughs). No, I’m kidding. There are still things to be revealed - like, there might be a music video coming out soon! We did this record about a year ago and I am so happy that it is finally out. The release process can feel like a strange limbo sometimes! I recorded this song with a great team down in ATL.

One of the producers goes by the name of Blac Elvis and his discography truly speaks loudly! It really felt correct and organic because we wrote and recorded it to completion in only three hours. 

It is an emotional and powerful song. How long did it take to nail those emotions and passion in the studio?

Like I said in the last question, it only took me three hours to track all of my vocal parts. It just flowed so easily. I was in a good headspace, personally, and I was just happy to be there! I think the song reflects that joyous emotion. 

What comes next in terms of material? Are you working on further material?

An E.P., more videos and touring! Keep your eyes open in October!

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Being based out of Chicago; what is the music scene like there? Is it a great place when it comes to songwriting/creating?

Chicago has always had a great music scene. One thing I love is that you can find live music every night anywhere! Even when the brutal winter is present you can still find some live music. I live in one of the most fun, creative neighborhoods in Chicago - and being a musical individual in this area is the best. I’m finding inspiration everywhere! Meeting other creators in a city like this is so special because, somehow, I seem to find something new about myself in another!

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How did you get into music? Which artists compelled you growing up?

I got into music when my mother took me to my first concert which was The Rolling Stones! That is where I fell in love with the attitude, emotion and power of it all - the idea of being on a massive platform and the freedom to share your stories.

Classic-Rock was a genre that made me fall in love with playing; bands like The Stones, The Beatles; Cream and Led Zeppelin took over my spare time away from school. I was gifted my first guitar two weeks after that concert and I’ve been studying ever since!

What do you hope to achieve by the end of 2018?

I hope to achieve my first tour and a better understanding of who I am.

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Have you got a favourite memory from your time in music – the one that sticks in the mind?

I don’t think a favorite memory has happened yet: I think that is still ahead of me. My favorite thing to do is to perform for people. Each time is new and exciting. The way the audience reacts is very fun to see for me. If there weren’t people to share this music with then I would be lost. It means the world to me that people just take time out of there day or they decide to spend their evening with me. That is my favorite thing about doing this!

Which three albums mean the most to you would you say (and why)?

American Idiot by Green Day

It had such a massive impact on my decision to pursue music as a career. I started in Rock bands in high-school that were influenced by Green Day and other similar acts. This album is a Rock opera. It’s a story from top to bottom and I just really appreciate the time and effort that was put into that piece of music. 

The Joshua Tree by U2

I grew up listening to this everywhere. My mother had it playing in the house, in the car and everywhere else that music can be heard. Each song is special and brings me back to a time of easy living. 

Let It Be by The Beatles

Because, who hasn’t been impacted somehow by them?! Even if you’re aware of it or not, everyone has most likely been influenced by them someway or somehow. Let It Be is one of the greatest songs of all time - and that’s all there is to say about that!

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If you could support any musician alive today, and choose your own rider, what would that entail?

I’d open up for Ed Sheeran.

My rider would entail cats to be in my room and a writing session with Ed at least once a week!

Can we see you on tour soon? What dates are coming up?

Yes; soon! It’s coming. I’m not sure about dates yet. Stay tuned on my Instagram.

What advice would you give to new artists coming through?

Be prepared, be nice; work hard, don’t take yourself so seriously and don’t get caught up in the illusion of it all. It’s truly not worth it. One of the best things I’ve ever been told was this: “Its sad to be ready and never be called, but its tragic to be called and not be ready”.

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IN THIS PHOTO: Nate Fredrick

Are there any new artists you recommend we check out?

I had the pleasure of meeting a great new artist while he was passing through Chicago. His name is Nate Fredrick and his storytelling is really quite good. He has a folky, acoustic vibe and a humorous attitude. I really suggest that you check him out. My favorite song from him is Latoka Drive.

Do you get much time to chill away from music? How do you unwind?

I get more time than you think. It’s a patience game for me right now. I have a lot going on that just needs to fall into place. It’s sometimes very lonely as well, I won’t lie, but I can’t picture myself doing anything else. I tend to nap a lot so that’s my favorite method of unwinding.

Also, picking up things that have nothing to do with music helps me find new energy and inspiration. Sometimes, I’ll just unwind by picking up my guitar just for fun. 

Finally, and for being a good sport; you can choose a song and Ill play it here (not any of your music - I will do that).

Smile - Nat King Cole. Thank you very much for having me!

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INTERVIEW: Josh McGovern

INTERVIEW:

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Josh McGovern

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THE excellent Josh McGovern

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has been telling me about his new single, Weight, and how it came together. He reveals his favourite albums and the artists who have inspired him; what it is like being based down in Brighton – McGovern tells me whether more material will be arriving.

I ask the songwriter whether he has a favourite memory from music; if he gets time to unwind at all; which rising artists we need to seek out; whether there will be touring dates – he ends the interview by selecting an awesome cut.

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Hi, Josh. How are you? How has your week been?

Hi. My week has been great thank you. Me and my band just got back from playing The View Stage at Boardmasters. So tired but happy!

For those new to your music; can you introduce yourself, please?

Sure. I’m a singer-songwriter from Brighton who makes Folk/Americana music.

Weight is your new single. Can you reveal its origins and story?

Weight is one of my more honest songs. It’s a fairly dark piece about loss and mental-health. You know; the real things people face every day. I wanted to make something real people could relate to, so I wrote Weight

Listening to it and I can tell it means a lot to you. Was it emotional and tough recording the song?!

For me, each song represents a different period of my life. I mostly tend to write autobiographically about experiences I’ve had in my own life or those around me. Weight was written about a particularly hard time for me so recording it and singing it, especially, was quite an emotional experience.

Will there be more material before the end of the year? What are you working on?

I have lots of songs written and recorded. I hope to release a proper record as soon as I can. I’m also planning a winter tour.

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Brighton is where you are based. Is there a pretty eclectic and interesting scene down there? Where should we visit if we head down?

Brighton is an amazing thing. Everything, including the music, has always been eclectic. There is a growing community of Folk musicians down here; we all get together and play shows with each other at nights like Folklore Sessions - it’s starting to become a real community. 

Which artists compelled you growing up? What sort of music were you raised on?

My dad brought me up on artists like Neil Young, Joni Mitchell and Leonard Cohen. Although, he wasn’t a musician himself he made sure I understood the importance of music and the value it holds.

Do you recall when you got into music? Was there a time or moment when you knew you had to chase it?

For me, it was being a kid watching videos of Neil Young perform. I remember watching a video of him playing in his twenties at Massey Hall; he was singing Ohio, I think. I kinda knew then that it was something I wanted to do; I haven’t really looked back since.

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What do you hope to achieve by the end of 2018?

Having just released my third single, Weight, I’m still caught up in the excitement of that. I plan to put my debut record together as a lot of people keep asking me to release one after hearing the singles.

Have you got a favourite memory from your time in music so far – the one that sticks in the mind?

It’s all been special. It’s hard for me to say but, if I had to pick, I would say the time me and my band spent at Retreat Recording Studios. It was a seriously humbling experience to record in the studio. Some of my favourite records have been made there – and it was good to work with Ben Thackeray, who has been a part of so many amazing projects.

Which three albums mean the most to you would you say (and why)?

That’s a hard one!

Nathaniel Rateliff - In Memory of Loss

This record will always be in my top-three. For me, it was the sound to my late-teens and will always hold a special place in my heart - if you haven’t, you gotta hear it, man. 

Neil Young - Harvest

Growing up, I always used to pretend I was in my own movie. Everyone’s got their theme music: this album was mine growing up. It’s my bread and butter.

Marty Robbins - Gunfighter Ballads and Trail Songs

This is a bit of an obscure choice I realise, but my grandad in Ireland used to sing songs from it all the time. When I got older and listened to it properly, I realised it was a masterclass in Country harmonies and songwriting. I’ve been fascinated by it since. 

I could go on with Johnny Cash, Bon Iver; Leonard Cohen etc. but those are my top three (I think...).

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If you could support any musician alive today, and choose your own rider, what would that entail?

It would be a dream to support so many artists but, if I could pick any artist in the world, it would have to be Laura Marling. Forget the rider; opening up a show for her would be enough!

How important is it being on stage and playing? Is it possible to describe the emotions you feel when connecting with fans in the audience?!

It’s everything. I always find it hard to put into words: there isn’t anything in the world quite like it. Even if it makes a difference to one person, it’s so worthwhile for me.

What advice would you give to new artists coming through?

Don’t give up. Write as much as you can, write all the time.

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 IN THIS PHOTO: The Hungry Mothers/PHOTO CREDIT: Bess Hildick Smith

Are there any new artists you recommend we check out?

There are a few artists really sticking out for me at the minute. The first one is The Hungry Mothers, a band local to Brighton. The second is Deirdre Faegre; an incredibly talented female singer-songwriter from California, originally, who now lives in Brighton. Deirdre was kind enough to join me on harmonies for some of my records. She has an incredible vocal.

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 IN THIS PHOTO: Deirdre Faegre

Do you get much time to chill away from music? How do you unwind?

I unwind with my headphones on. For me, that’s a good escape. I also love cooking; I used to work as a chef.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Neil Young - Ohio (Live at Massey Hall, 1971) 

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INTERVIEW: Baby Jey

INTERVIEW:

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Baby Jey

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IT has been cool speaking with Baby Jey

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ARTWORK CREDIT: Molly Little

about their new single, Someday My Space Cowboy Will Come, and what its story is. I ask the guys what we can expect from their album, Someday Cowboy, and how they managed to complete the record in only two days!

I discover how Baby Jey formed and what sort of music they are inspired by; the upcoming artists we need to get behind and support; if there are going to be tour dates coming up – they each select a song to end the interview with.

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Hi, guys. How are you? How has your week been?

The week’s been great. We’re getting ready to drop the second single off the record this week so that’s exciting. It’s called U Don’t Have 2 Go Alone.

For those new to your music; can you introduce yourselves, please?

Sure! We’re Baby Jey; a Canadian band currently based in Edmonton. We’re getting ready to release a new record called Someday Cowboy on Maintenance Records on September 14.

Someday My Space Cowboy Will Come is your new single. Can you tell me how it came together and what inspired it?

When we wrote these songs, we were listening to all kinds of different stuff: lots of Country music from the '80s like Tanya Tucker, Keith Whitley and Johnny Lee; lots of Soft-Rock like America and Carole King, lots of Prince. I guess our first single - Someday My Space Cowboy Will Come - is a play on ‘Someday My Prince Will Come’. It’s a fun little tune about having a mirage in the desert.

Someday Cowboy is your upcoming record. What sort of themes inspired the songs that will feature?

Jeremy: There’s a certain feeling of nostalgia to a lot of the album’s lyrics - we reminisce about tobogganing as kids and dreaming about cowboys. It’s fitting that I was able to play the same piano that I first learned on.

Mitch Holtby is in the mix for your new record. How did you meet him?

Mitch started playing shows in Edmonton in 2007. That was long before any of us were even old enough to go to shows but, once we got older, we definitely started seeing him at shows. Mitch came out to one of our shows in the spring of 2017 and asked us to open for him later that year. He seemed like a good fit to work with because we knew we wanted to go for a poppier sound.

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Is it true the record came together in two days?! Why did you decide to home-­record and lay it down so fast?

Jeremy: Mitch had been moving back and forth between Edmonton and Montreal. He had a bunch of his gear in Edmonton but no studio and no piano. We realized we could use the piano at my parents’ house and pay Mitch to build a temporary studio in their living room.

The band had played a bunch of shows leading up to the recording sessions, so we were able to just track the record live-­off­-the-­floor. Of course, we did do some synth and vocal overdubs after those sessions.

How did Baby Jey get together? When did you meet one another?

Jeremy: Both Dean and I had been active in other projects in the Edmonton music scene from 2012­-2015. Then, I left Edmonton to go to school in 2015 and a lot of my musical interests changed. When I came back, Dean and I started jamming. Then we went for lunch one day and I asked him if he wanted to start a band.

Is there more material coming next year? What might we see next?

Jeremy: We have at least another twenty songs written - so we definitely plan to keep recording and keep putting stuff out.

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Do you think there will be touring dates? Can we catch you play?

We’re playing a send-off show in Edmonton on August 24th at the Kasbar in the basement of Yianni’s on Whyte Avenue. Then, the full record drops on September 14. By then, we’ll be in New York so we’re hoping to secure a New York show that week.

You have achieved a lot over the past year. What do want to tick off the to-­list before the end of this year?

Shoot a music video if possible!

If you each had to select an album that means the most to you; which would they be and why?

Dean: Bryan Adams ­- Reckless

Classic Canadian album with timeless songwriting and dated drum sounds. ­

Jeremy: JT ­ - James Taylor

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PHOTO CREDIT: Mitch Holtby

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Not just yet: the best is yet to come (smiles).

If you could support any musician alive today, and choose your own rider, what would that entail?

Paul McCartney.

Two bottles of sparkling water; one bottle of tequila; a bag of all dressed chips and a V.H.S. of the season recap of the 1992 Toronto Blue Jays season.

What advice would you give to artists coming through? ­

Hope for the best, expect the worst.

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Are there any new artists you recommend we check out? ­

Lovelet! Ghost Woman! Perpetuals!

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 PHOTO CREDIT: Ghost Woman

Do you get much time to chill away from music? How do you unwind? ­

I think, for both of us, playing music actually helps us unwind!

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music ­ I will do that). ­

Dean: I Am In LoveJennifer Lara ­

Jeremy: Miami, My Amy ­ - Keith Whitley

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