INTERVIEW: Towers and Trees

INTERVIEW:

 PHOTO CREDIT: Foxx Foto 

Towers and Trees

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ADRIAN of Tower and Trees…

has been telling me about the band’s new single, Head Down/Heart Up. I ask how they got together and why they went on a hiatus. Adrian discusses their tastes and a fond, recent memory; what gigs they have coming up; if there is going to be more material coming this year – if the U.K. is going to be part of their touring plans.

I was curious to know why the band got back together (after their break) and, if they could choose any artists to support, which would that be – the guys each pick a song to end the interview with.

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Hi, Towers and Trees. How are you? How has your week been?

Great! Any week you release new music is a good week - and the response from our fans, and others, to Head Down/Heart Up has been really inspiring.

For those new to your music; can you introduce yourselves, please?

Towers and Trees is an Indie Pop-Rock band from Victoria, British Columbia on Canada’s Pacific Coast. We are Adrian Chalifour (Lead Singer-Songwriter), Dave ‘Shredlinsky’ Zellinsky (Lead Guitar); Dave Arter (Bass) and Jesse Boland (Drums).

...This is Adrian answering the questions today…

T&T started in 2013 as a solo, home-recording project but quickly ‘grew up’ into a full-band when our first single, Montreal, became a surprise local radio hit and we played our first live shows. Those early performances were electric with raw energy and chemistry - and we all quickly realized there was magic in the collective.

Head Down/Heart Up is your new single. Can you reveal the background of the song?

That phrase, ‘head down, heart up’, started as my mantra of sorts during a time of change and uncertainty: we had just decided as a band to go on indefinite hiatus; Jesse (our drummer) announced he was moving across the country; literally, days later; my girlfriend and I found out we were expecting our first baby and, meanwhile, the entire world seemed to be going a little bonkers with Brexit, the refugee-crisis; the Trump presidency, etc.

It was a lot to process at once - and my head became a very unpleasant place for a while. Head Down/Heart Up was my reminder to turn the damn volume knob in my head down and trust my heart to take the wheel. I hope in these noisy, uncertain times; that's a message that resonates with a lot of people.

It seems like the band was not going to return – a hiatus compelled by life events and changes. It seems like you were all in different places. Did you all feel there was no option but put things on-hold?

Putting the project on-hiatus was the best decision we could have made. For a number of reasons, we were all burning out: constant line-up changes in the band, the rollercoaster of making a deeply personal album and watching it fail to gain industry or commercial traction; all the simple, practical challenges of being a professional band on the far West Coast of Canada.

When you start taking out the frustration on each other, at some point, you have to ask: ‘Is this worth it? Is there a vision here?’. The short answer was ‘no’, but there was a sense that, if we put it down now before the damage was permanent, maybe we’d find a reason to pick it up again...

PHOTO CREDIT: Steve Leung

What provoked the decision to come back together? Do you feel renewed and repurposed now?

The hiatus was like releasing a valve - and a lot of those big life changes came bursting out right after the decision. Jesse moved to Toronto, Shred started his side project, MIND, and launched a sex app called BedBeats (seriously); Dave went back to school - and I became a father. Quite quickly, after that initial release, the creative chemistry just drew us together again. I started sharing demos from Germany to Jesse in Toronto (and the Daves in Victoria) and, eventually, there was enough there that it was like: ‘Okay…do we do this?’.

The break was important, but the piece that really makes a next chapter possible is a renewed vision. Vision is what can keep you on course when it gets hard or crazy or messy, which it will and fast.

Is there more material coming along? May we see an E.P. soon?

We’ve recorded three songs with producer Ryan Worsley that we’re very excited about. Our hope is to use those three to find a label, grant funding: whatever we need to finish making the record. We decided to release H.D.H.U. now to give our fans a sense of what this next chapter is about and make some new fans along the way - but we may sit on the others for a little while until some of those other pieces land.

Do you remember when music came into your lives? What made you all realise music was where you wanted to be?

Each of us will have a different answer but, for me, I remember hearing U2’s Joshua Tree album for the first time at twelve and thinking: ‘This is what music can be’. I realize U2 is quite a polarizing influence to cite but the fact that they could create songs that felt so big, and yet so earnest and close to the chest, felt very important and vital to me.

Every T&T song starts from the heart and, if it can inspire people to lower their guard and connect in a meaningful way, even just for a moment; I feel like it’s done its job.

Can we see you tour soon? What gigs do you have coming up? Will you come and play over in the U.K. at all? Do you like British music?

We have tour dates here on our home turf of Western Canada and a fly-out to Canadian Music Week in Toronto - but nothing on the International map quite yet. Touring Western Europe and the U.K. is an explicit high-priority for us…so we’re casting a lot of lines across the pond right now and hopeful one will catch soon.

If you had the chance to support any artist, and have any rider, who and what would that entail?

I think we’d have to go with Peter Gabriel.

Our guitar player, Shred, is responsible for properly introducing me to his genius and, while we represent a wide and disparate range of musical influences in this band, I think Peter Gabriel is one we could all land on musically, creatively and as a songwriter. Our rider would contractually obligate Peter and Tony Levin to have beers and jam with us every off-day of the tour.

PHOTO CREDIT: Adam Lee

While it may not be obvious on H.D.H.U.; a lot of the new music we’re working on is, actually, heavily influenced by mid-late-1980s Peter Gabriel.

What do you all hope to achieve in 2018?

If we can keep our heads down, hearts up - and keep working hard to get our music in front of people - we’ll be happy (smiles).

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

There was this great moment on day one of this latest recording session. We’re back in the band van together for the first time since going on hiatus; it’s five-thirty in the morning and we’re heading to catch the ferry boat from Vancouver Island, where we live, to the recording studio in Vancouver. Our guitarist, Shred, pulls out a Go-Pro; mounts it on the dashboard and declares, with gravitas, to the group: “Guys, I’ve decided to shoot footage of this entire weekend for a mini-documentary I’m working on…”

Suddenly, the Go-Pro beeps loudly and the light turns red and, without missing a beat, he adds: “At least I was until the battery died just now.” We all started laughing that uncontrollable, sleep-deprived bell-laughter - and I realized I hadn’t laughed this hard since the last time we were together in our van. It was a simple, yet brilliant, affirmation that we’d made the right choice to do this.   

What advice would you give to new artists coming through?

As under-qualified as an obscure, fully-independent Indie band from the far corner of Canada is to give advice… (Smiles).

I suppose I’d encourage new artists to define and own the ‘why’ of their music; define and own the parameters of your success. In the absence of that, you can become like straw in the wind in this business.

I’ve watched a number of peers contort their art to fit some industry mould-of-the-day; get no further ahead (by it) and lose their identity in the process. We may not have ‘made it’ - but, every time we pick up our instruments, we know exactly why we’re doing what we do.

IN THIS PHOTO: Luca Fogale

Are there any new artists you recommend we check out?

Luca Fogale is an artist from Vancouver B.C. who we participated/competed in a big radio contest a few years ago. Luca’s another artist who puts his heart at the very forefront of his music - and it’s lovely to experience. We occupy very different spaces, musically, but I feel like our hearts speak the same language.

Do you all get much time to chill away from music? How do you unwind?

We’re lucky to live in one of the most beautiful places on the planet on Vancouver Island; so, you’re never more than fifteen minutes away from a hike in the woods, a jog along the ocean or even a swim (if you’re brave). Our last album was called The West Coast - and draws heavily from this place.

That said; we could probably stand to ‘chill’ a little more than we do right now.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Shred (Lead Guitarist): The Man by The Killers

I can attest to this, definitely, being Shred’s jam lately

​​​​​​​

Dave Arter (Bass): Want You Back by HAIM

This album will get played a LOT in our tour van (starting next week).

Jesse (Drums): Knocking at the Door by Arkells

Arkells are, probably, the best live band in Canada right now - and have worked hard to earn every bit of that title

Adrian: Okay; so, everyone went with party jams but, since I pumped his tires earlier, I’m sticking with Luca Fogale and his latest: I Don’t Want to Lose You

Thanks!

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Follow Towers and Trees

 PHOTO CREDIT: Foxx Foto  

Official:

http://towersandtreesmusic.com/

Facebook:

https://www.facebook.com/towersandtrees

Twitter:

https://twitter.com/towersandtrees

 Instagram:

https://www.instagram.com/towersandtrees/

YouTube:

https://www.youtube.com/user/TowersandTrees

Spotify:

https://open.spotify.com/artist/3zdjzc65ABpa19hemstNC6

INTERVIEW: OYLS

INTERVIEW:

OYLS

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THE sensational duo of…

OYLS have been talking about their eponymous E.P. – and the video for the single, In the Light. I ask how they got together and whether David and Michael have a favourite cut from the E.P. They look ahead at gigs and a possible trip to the U.K.; some of the new artists we need to listen to – and, what they hope to accomplish this year.

I ask whether OYLS get chance to unwind away from music; what the scene in L.A. is like right now; whether they have favourite memories from music – providing useful and constructive advice for new artists coming through.

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Hi, OYLS. How are you? How has your week been?

Pretty good: like, a seven-out-of-ten. Maybe a little better, but I don’t want to bring decimals into this interview…kind of in a weird mood. I don’t have the words to explain it, but I hope we don’t come off as d*cks or as disinterested. Just feeling a little preoccupied - that’s all. We’re mostly very nice people...

Mostly.

For those new to your music; can you introduce yourselves, please?

We are David and Michael. We’ve been best friends since high-school and we started making OYLS music together about five years ago. We’re both really neurotic/anal people; so it took us a really long time to make this E.P.

We’re gonna try to be faster next time...

In the Light is your recent single. What is the story behind the song?

Hmm…there isn’t really a story behind the song: there’s no real narrative there. The verses are a bunch of reflections on being detached and heady - and then a chorus that reflects moments of clarity and joy.

The video interests me. Whose concept was it? What do you think of it?

Haha. We’re glad you found it interesting.

One of our best friends is a really talented filmmaker (Alex Median). The concept was his. We really love it. We can say that because we didn't make it. It’s a really incredible feeling to have made something that inspired someone else to make something.

Your eponymous E.P. just came out. Are there stories and themes that in inspired the songwriting?

There’s a lot of coming-of-age stuff in there. We were recently out of college when we started making it (five years ago). It has a lot to do with uncertainty - and the self-talk that gets you through such uncharted waters of new adulthood.

The debut track, Maps, was a huge success. Did that surprise you?! Why do you think so many responded to it?

Oooof. Don’t know about huge success, but it’s definitely been our biggest track so far. It totally surprised us. We went from having under one-thousand streams to 40,000 in one night. It was out of the blue, about a month after the track was released. So; we’re not totally sure why this song connects the way it has. It’s really hard to have perspective on our own songs.

But, we do have memories of first writing it and feeling like we had struck something really special.

Do you each have a standout track from OYLS? Which one stands out for each of you?

Michael: I come back to 10th Song the most.

David: Ghosts is a favorite of mine, in a kinda self-indulgent way.  We make music we love but, at the same time, we always do our best to remain aware that, ultimately, the music we make is for everyone else to, hopefully, enjoy. Ghosts is where we just let loose. We have a chaotic guitar solo, weird harmonies; heavy percussion and a pervasive angst that we just rolled with. I still hope everyone likes it though!

Take me back to the start. How did you meet and form the duo? What were you each doing before you found one another?

We first met at the end of high-school through mutual friends. I was getting ready to leave for my freshman year of college and David had one more year of high-school. We really clicked, both as friends and as musicians. It took another four years before we would start making OYLS music, though.

L.A. seems like a great place to make music. Is the city constantly compelling and influential?

Definitely, definitely, definitely.

Well; we live in pretty opposite parts of L.A. (We’re about an hour from each other on a good day). David lives out in the West Valley surrounded by rolling hills and a lot of untouched nature. It’s quiet and suburban. I’m in Koreatown, which is close to downtown Los Angeles - and is the most densely-populated part of the city. Developers are currently building three-hundred units next door. So; we get two very different versions of L.A.

The city offers a lot creatively - and takes a lot, too. There’s an incredible amount of art and creativity everywhere. So much to be inspired by. But; there’s also a manic energy to the place that can be overstimulating.

Do you share the same tastes in music? Which artists did you grow up on?

Michael: Nope. Hahaha. There’s some overlap. But, I grew up on Funk/Motown/R&B/Jazz.

David: Jazz is definitely an overlap. (Charles) Mingus is a personal favorite. My mom introduced me to (David) Bowie, and my dad, the Ramones, The Clash etc. I listened (and still do) to a lot of Cursive, of Montreal; Wilco, Deerhoof and The Mars Volta. They balance chaos with moving melodies and that’s always impressed me.

Then, there’s Dr. Dre - who’s just an incredible producer and a huge inspiration.

What gigs do you have coming up? Where can we see you play?

We’re currently focused on writing our next E.P.; so the live shows are on a little pause. We’ll be back at it soon though.

Do you think you’ll visit the U.K. at all?

Oh, hell yeah. That would be a dream.

What do you hope to achieve in 2018?

We’d be really happy if we could finish another E.P. and do some touring. Would also be really nice to make some fat $$$$.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Michael: When our computer fried mid-show and the audience sang the words through the end of Maps…

David: Every time we’re provided a parking spot at the venue we’re performing at. After five years, it’s the little things.

What advice would you give to new artists coming through?

I don’t think we’re quite qualified to give advice. Can we touch base in a couple years?!

IN THIS PHOTO: The Marias

Are there any new artists you recommend we check out?

Loving The Marias and Disco Shrine - both out of Los Angeles. Also super-impressed by Ezra Furman and Gus Dapperton.

IN THIS PHOTO: Disco Shrine

Do you get much time to chill away from music? How do you unwind?

Michael: Definitely. I just got a puppy - so I’m spending a lot of time with him. Also, I just got engaged; so I’m spending some time planning wedding stuff. Not sure if that counts as unwinding, though...

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Parliament - P-Funk (Wants to Get Funked Up)

David: Paranoiac Intervals/Body Dysmorphia by of Montreal is my jam right now. So fun.

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Follow OYLS

Official:

http://oylsband.com/

Facebook:

https://www.facebook.com/oylsband

Twitter:

https://twitter.com/oylsband

 Instagram:

https://www.instagram.com/oylsband/

YouTube:

https://www.youtube.com/channel/UCpS2OkE30PLrslKyJ1J1RLw

SoundCloud:

https://soundcloud.com/oylsband

Spotify:

https://open.spotify.com/artist/6Y6otYolYU5dUV798fTmgj

FEATURE: The March Playlist: Vol.4: I Am Not Sure Who That ‘Someone’ Is

FEATURE:

 

The March Playlist

IN THIS PHOTO: Rae Morris 

 Vol.4: I Am Not Sure Who That ‘Someone’ Is

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SOME big albums are out this week…

but that shouldn’t distract from the terrific singles in our midst. Rae Morris and Two Door Cinema Club provide new music; Queens of the Stone Age and Sigrid have brand-spanking videos out; Noga Erez and AJ Tracy have some treats out in the ether – Sunflower Bean and Jack White have produced exceptional and packed albums!

As the days get longer – and warmer! – it is a good time to delve into the heady and calming waters of music. Settle down, open your ears and prepare yourself for an assault of fantastic sounds...

ALL PHOTOS/IMAGES (unless credited otherwise): Getty Images

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IMAGE CREDIT: Jim Mazza 

Queens of the Stone Age – Head Like a Haunted House

Isaac Gracie – Last Words

Two Door Cinema Club – New Houses

Rae Morris – Someone Out There

Pale Waves – Heavenly

PHOTO CREDIT: @shaifranco, @chumipolak

Noga Erez – Sunshine

AJ Tracey – Mimi

Gaz Coombes – Walk the Walk

 

Joan Armatrading – I Like It When We’re Together

Panic! At the Disco – Say Amen (Saturday Night)

The Vaccines – Your Love Is My Favourite Band

Picture This – This Morning

Snow Patrol – Don’t Give In

PHOTO CREDIT: Laura E. Partain

Courtney Marie Andrews – Border

George Ezra – Sugarcoat

ISLAND – Horizon

Lissie – Crazy Girl

Sunflower Bean – Memoria

Post Malone (ft. Ty Dolla $ign) - Psycho

Kacey Musgraves – High Horse

Blue Americans – Free Champagne

Toni Braxton – Deadwood

Nadine Coyle – Something in Your Bones

Jack White - Ice Station Zebra

Thirty Seconds to Mars – One Track Mind

Hinds – The Club

The Go! Team - The Only Thing New Is U Finding Out About It 

Amber Mark – Love Me Right

Shawn Mendes - In My Blood

Let’s Eat Grandma – Falling Into Me

Alexis Taylor - Oh Baby 

Sigrid - Raw (Live)

Okkervil River - Pulled Up the Ribbon

PHOTO CREDIT: @jonnyrowley

Beth Rowley – Forest Fire

Kelly Clarkson - I Don't Think About You 

Lily Moore – 17

Luke Sital-Singh – Afterneath

Kodaline – Follow Your Fire

TRACK REVIEW: Titus Makin - Suicide

TRACK REVIEW:

 

Titus Makin

Suicide

9.5/10

Suicide is available via:

https://www.youtube.com/watch?v=tZW5J2kpSnY&feature=youtu.be

GENRES:

Pop; Soul

ORIGIN:

Los Angeles, U.S.A.

RELEASE DATE:

31st January, 2018

_________

THIS time around…

I am looking at an artist who has made big impressions in the music industry already – despite the fact he is pretty young himself. Titus Makin is a hot name in L.A. - and one of new music’s most interesting artists. I will talk about his latest song, Suicide, in a minute but, before then, a few sides of his persona that warrant conversation. I wanted to talk about black artists in the music industry – and the fact they have to fight harder than their peers. I will move on to look at songs that tackle addiction, concerning love and affection; how that can come alive and get inside the head. I’ll also look at actors-turned-musicians and how the disciplines interlock; from there, a chat about L.A. and its always-fantastic scene; artists who are growing in confidence and can make changes in the music industry. I have featured Makin before and was drawn, last time, to his infectious music and gripping personality. He is a bold and arresting artist who can command the listener’s attention and get his music into the brain. His songs, Rope and So Good are his previous cuts, get right where they should: lodged in the heart, mind and soul. It is an effective and physical sensation one gets. I am excited seeing where the American can head and how his E.P., I’ll talk about that at the end, will get him onto the world map. I wanted to look at race in music because I feel, like gender, there is imbalance and division happening in music. Some will argue racial disparity is nothing new: there has always been a bigger platform offered to white artists. I am noticing, as movements come through and voices ring; people are noticing the splits and compelled to d something about it. Maybe Makin does not feel a musical segregation in L.A. – perhaps he has been afforded the same chances his white colleagues have. I feel, still, we are living in a world where the colour of one’s skin is an issue. Music is fairer than some issues: there are still problems regarding certain genres and how black artists are promoted. For instance; mainstream Pop still had that very clean, white and commercial sound.

We have genres like Hip-Hop, Rap and Soul where, for the most part, black artists get a chance to shine. The problem with that is (those genres) rarely assimilate fully into the mainstream. The most popular forms of music – Pop, Rock and Alternative – are largely composed of white artists. I feel there is a lack of respect for black artists that should be tackled and purged at this time. We are seeing gender play a role in music right now: campaigners and artists speaking out against injustice and abuse. One cannot help look around music and, not only notice there are fewer black artists on our screens and promoted in music; their music, I feel, has extra depth and quality. Titus Makin has made a success of his career and not had to battle too much discrimination. I wonder, though, whether his race will be an issue as he attempts to move into the forefront of music. It is conceivable he will be in a position to transcend into the mainstream and make a difference – will he be delayed, slightly, because of his race?! It is interesting to consider but, in many ways, Makin’s success and progression is hugely inspirational for fellow black artists. I wonder whether real change and equality will happen in my lifetime. We are making steps towards gender-equality and some form of improvement. When it comes to race, we can feel and see problems. Award shows are nominating fewer black acts; artists of colour are overlooked in favour of white artists. With big new names like SZA, Cardi B and Chance the Rapper providing exceptional music and fire – things really do need to change in the industry. Titus Makin is a fantastic artist whose songs transcend genre and racial barriers and have struck the collective consciousness. Let’s hope, as music looks inwards and ways it can change, the L.A.-based artist is elevated to the spotlight. There are other aspects of Makin’s music that catch my eye.

Love is a topic explored thoroughly in music. I have seen a trend happening in music. Artists are looking inwards more and concentrating on personal confessions. Solo artists of Pop are taking a more introverted and emotional approach to songwriting. Many songwriters, still, look at love and its various sides. It is a hard subject to get right, mind. I am hearing so many clichés and tropes when it comes to relationships. How many songs, that look at love, have remained in the mind lately? It is impossible adding anything genuinely new to love. You can explore similar lines but, in the case of Titus Makin, he takes a unique approach and, with it, draws the listener in. Suicide takes a rather physical and unsettled approach to relationships. I will talk about the song soon but, for now, a look at the downsides of relationships. The track explores the toxic nature of bonds and how a bad bond can make an impression on a person. I am not sure how many relationships (of this kind) Makin has been involved with. We have all been in the situation where a relationship, we thought was good, has gone sour and taken its toll. It is brave talking about love and putting that negative spin on it. Most of us want to explore something positive and hopeful. We want to look at love and know it is going to be okay for us. If we are to make improvements and become stronger; music needs to give us that drive and impetus. What Makin does, in his latest song, is to explore a dangerous love and how that can take all rationale away. He has been, I assume, in a position where he’s been out of control and guided by a vixen. That poisonous bond has turned his mind inwards – he is looking at himself and how he can climb out of things.

The reason, I feel, the song is addictive and necessary is it looks at the way we can learn from situations like this. Many songwriters revel in love and paint positivity all over the place. It is all well and good talking about the fine aspects of relationships and how good it can be. As I said; we need to have that hope and find something constructive in music. The reality of love is, at times, it can go wrong and mislead us. It is challenging and risky putting a song out there tackling the spiked and harsh elements of relationships. Titus Makin has been through a bad love and changed as a person. Rather than spit hatred and accusation on the page; he has turned his experience into something forward-looking. He does not want to change as a person and become harder. He has had a tough time, sure, but wants other people to learn from his experience. I know many people have been in ruinous relationships and been hooked by that seemingly perfect taste. They get engrossed and invested and, before you know it, the truth comes to light. Songs such as Suicide, on paper, sound bleak and hopeless. The fact remains: one can hear the song and find sympathy for the songwriter. You are braced by the urgency and emotion of the song. Rather than come away from the song feeling drained and suffocated; the listener, instead, is guided and enriched. That may sound odd – you have to hear the song to understand, I suppose. I am looking for artists who stand out and can talk about things like love in a fresh and exciting way. Makin knows the value of relationships and discussing something we can all relate to. If you provide stereotype and common themes; people will get bored and wander off. To grab the mind and remain in the memory; artists need to go further and project something original. Titus Makin is an artist who understands this and provides something fantastic and nuanced.

Many people might recognise Titus Makin already. If you have seen Glee or Star-Crossed (on CW); you might have come across him. He has been in Pretty Little Liars and NCIS. He is currently appearing in Hulu’s The Path – a successful and busy actor who has covered a lot of ground and is making a name for himself. There is more acting to come but, in that Hulu show, he has a chance to learn disciplines he is bringing to music. I have often said how acting and music have a very close association. We watch great dramas and comedies and there is a sense of theatre and performance that we hear in music. The finest songwriters and singers have that acting discipline: the ability to project with verve and conviction; getting under the skin and ensuing your sounds remain in the mind. That is one of the hardest things in music: ensuring listeners remember your music and come back to your stall. In a time when people are less attentive and looking for that new thing – keeping people coming back is very hard indeed. I have heard a few songwriters, today, that have the ability to remain and endure: there are far too many who slip by and do not linger too much. Titus Makin has been in some great shows and learnt a lot as an actor. He has performed in some big scenes and performed in some epic set-ups. He has used his talent as an actor and brought that to the people of music. Listen to a song like Suicide and the fact it is so packed and addicting is the fact Makin has learnt a lot from acting. You hear the song and are immersed in a performance. It is like being in a dramatic encounter where a lover is manipulating the hero. The two are embraced and involved in something deceptive and fraudulent. Makin does not rattle the words off and ignore the bigger picture. He ensures every line registers and the listener is taking every step of the way. It is difficult keeping people focused and involved with a song.

I will move onto other areas soon but, before then, a last look at acting and how that integrates with music. L.A., especially, is a huge market where there are many hopeful actors – all trying to ‘make it’ and get their faces onto the big screen. I know Titus Makin will get there but, rather than put all his eggs in the acting basket; he is a great artist who uses his skills to get ahead of his peers. I know he has trained hard and been in some great productions. We have seen some actors step into music – with shaky results – but the very best balance the different forms. The reason I feel actors can make great musicians – or the other way around – is the fact the best music, in my view, is a performance. Even if a song is subtle and careful – you listen to it and feel a degree of drama, excitement and physicality. There is something in the notes that filter into the senses and remain long in the memory. Makin wants listeners to take his songs to heart and share them; to learn something from them that enriches their lives. As an actor, Makin aims for the same things. He wants every performance to stand out and make an impact. There is a close relationship between his acting work and what he does in music. The danger of working in both fields is the risk of burn-out and fatigue. It is stressful enough making a career in music and trying to be successful. It is wonderful watching someone like Titus Makin making a surge and find success in acting and music. We see him on the screen and revel in his skills and authority. We listen to Titus Makin’s music and feel the same things. He has learnt a lot from both areas and, if anything, has learnt a lot from music and brings that into his acting roles.

It is interesting seeing how L.A. has shaped and changed over the decades. I am based in London and can see how the scene has evolved through time. It is wonderful seeing great bands and Pop artists come to the capital. Rock bands are playing here but there are far fewer decent ones than, say, the 1990s. Rap and Hip-Hop are making a stand; Soul and R&B is fairly strong – Electro-Pop is, perhaps, the fastest-growing sector. The same, to an extent, is true of L.A. The Californian city is burgeoning and overflowing with fantastic music. I have not scratched the surface but there is so much life and activity coming from the city. Pop is still a big market and, over the years, it has grown and changed. We think of L.A. and associate it with constant sunshine and light. Because of that; we have a very limited scope of the place and assumption. Titus Makin is part of a group of people who challenge conventions and take Pop in new directions. Makin brings Soul in and R&B; he integrates various genres and decades of music. One gets that modern blast – but there are aspects of classic Soul and some vintage undertows. I am wary of the impressions we have regarding cities and the type of music they provide. L.A. is such a vast and dominating landscape. I have seen a move happening and a fresh breed taking to the stage. The city is alive and moving; it is bustling and engaging. I hear a lot of great Rock bands coming out of L.A. but, for the most part, it is the Pop sector taking the most ground. Rather than commercial and predictable stuff; artists like Titus Makin and pushing boundaries and creating something fuller and more rewarding. It is not surprising we think of L.A. and think of acting. Hollywood is one of the first things that comes to mind when we think of L.A. If anything; the music coming from Los Angeles is more dramatic, full and fantastical than ever.

I am not saying musicians have tried to create something filmic and ‘Hollywood’. My point is (music of L.A.) is more rounded, colourful and substantial than previous times. I feel the city is more competitive and challenging than it ever has been, too. More and more people are located there and, because of that, it is harder to stand out. I feel that is another reason why the music is so good. Musicians know they need to step their game up and provide something extraordinary – if they want to stand aside and get some success. Like London; L.A. is a wonderful area with an incredible music scene. Titus Makin is making big steps and creating a blossoming fanbase. His acting work – and the fact we recognise his face – has helped bring his work to new audiences. I will end the piece by talking about gigs and whether he will come to the U.K. Although Suicide has been out a while – I meant to come to the song earlier; a bit buried in other stuff – but his E.P., Lean, is out later this year. I know it will gain a huge amount of respect and mark him as a name to watch. It is interesting, given he is an actor, seeing Titus Makin in music videos. The one for Suicide was directed by seventeen-year-old filmmaker, Jake Williams. The head-spinning shots and colour-saturated visions create this dizzying and spellbinding look. Makin pulls out a great performance and brings his skills to the screen. The strong video has drawn people in and seen the song gain fresh kudos and appeal. I wonder whether L.A.’s musicians are so strong and varied is because of the close links with Hollywood. It is easier, I guess, making your music bolder and more electric, if you are surrounded by filmmakers and actors. I am excited seeing how far Titus Makin can take his music – and, whether he will get to the door of the mainstream very soon.

One notices the smoothness and seductiveness of the voice. I have mentioned how Titus Makin, and Suicide, is a Pop affair. If anything; the opening moments portray a Soul king with a heart of silk. The delivery is fine and flowing; the richness and chocolate-like nature of his voice bring the words to life. The tears are running down his face and his heart is stopping. He has to hold on and find strength in a bad situation. The hero wants to remain in the game – even if the sweetheart is messing him around and taking him for granted. Maybe it is the drug-like aspect of the love; perhaps there is a draw and allure that is hard to walk away from. Whatever it is; Makin cannot quit and forget what he is involved with. I wonder whether this hard love, and its damaging candour, is too deep and important to relegate and delete. Makin’s love is worth “its weight in gold” and, although his lover will never realise that; he is not stepping aside and letting it melt. Makin delivers his words with such flow and seduce. The lines race and rise; the voice goes high and the composition remains light. There are beats and electronics but, for the most part, the voice is framed and in the centre. The video sees Makin against a wall with his hands held high. He is almost in a prayer as he pleads for a new chance and appreciation. The colours strike and the visuals portray a confusion, drunken realisation and sobering thought. This relationship is causing strain and creating scars. It has turned and, rather than this wonderful thing; he is being let down and overlooked. Our man has a pure heart and his intentions are good. Rather than value this and keep him safe; his lover is manipulative, cold and calculated. This has caused all sorts of pains but, rather than cut loose and get out – we see the hero stay around and try and see a brighter side. Makin has given everything since the start – his heart has almost committed suicide, as it were – and that counts for nothing, it seems.

Makin is pleading and imploring the gods for some sort of clarity and strength. I am surprised someone would cause Makin any stress and concerns. The reason why the relationship is breaking is not explained right from the start. The listener is free to imagine and wonder what has caused this rift. The chorus sees the voice skip and strike; the beats tighten and it gets bold and invigorating. That blend of Soul and Pop comes to the fore as Makin’s voice is, at once, silken and strident. He rides the beats but pours sugar and spice onto the speakers. I was caught by the waves and the way the song transforms. It kicks up a gear and we wonder whether the duo is going to be reconciled. The chorus is a fantastically ripe and wonderful thing to behold. The voice is so beautiful and soothing; the music alive and alert – it all gets into the heart and causes it to beat faster! The hero is unwilling to depart and wants to know why things are not working. He is a good man and has a kind spirit. It seems like this is the first time that has been ignored and questioned. In a way; Suicide is a rare blow to a human who has given his everything to people. Maybe it is a bad one-off that will never be repeated. I have looked at the song from different directions and wonder why Makin wants to remain with someone who seems so callous. I guess that is part of his nature: never willingly submissive and cold enough to walk off. There is something deeper that means, against sense in a way, the hero clings and stays with his love. They have been through a lot and there is an aspect/ingredient he cannot get anywhere else. It is that stirring and memorable chorus that draws me in. I love the delivery and its juddering, catchy sound! The way the song goes from that fiery and burnishing chorus to the smoother, soulful verses keeps the listener guessing, engaged and hooked. You are involved in the song and feel empathy towards Makin. He has been through the mill and, rather than cast blame and accuse; he is willing to stay true and give his all. It would be easy to walk away and find someone new. Rather than forget everything he has been through and erase it from the mind; he wants to give the relationship another shot and gain some perspective. I wonder, by the end, whether they worked things out or, as I fear, there was no way to heal the cracks evident. Suicide is a terrific song that shows, even this early in his career, Titus Makin is like nobody else. His previous couple of singles have shown what he is truly capable of. Suicide is a wondrous offering from a young man who will go a long way in the industry.

I have mentioned how his E.P., Lean, is out later in the year. Makin has made strides and established himself as one of the brightest young musicians out there. Suicide tackles something tough – toxic love and its effects – and makes it accessible and embracing. You are never put off by the song: one is involved with Suicide and follows it every step of the way. I am excited about the E.P. and will make sure I get involved with it. Titus Makin is busy with acting but, as his music career takes off; he will be looking around the world and getting his music to the people. I wonder whether he will come to the U.K. and play for us here. I would love to see him perform, for sure. There are few out there, like him, who provide such intense and deep music. I have been engrossed in his latest work and questioning my initial thoughts – whether I was right about its origins and qualities. The song has been explained by its writer but, when you listen, you’ll have your own views and interpretations. I have chatted about race in music and how it can be harder, as a black artist, getting respect. Titus Makin might have faced those barriers – in acting and music – but, if anything, he acts as a role model and guide. I want to see changes in the music industry. We have too much racism and sexism in an industry that should promote equality, love and togetherness. It is hard seeing some artists overlooked because of their gender and race. Titus Makin is a stunning and evocative songwriter who is going to do big things in the industry. Suicide is proof he is one of the best young talents around. A captivating voice that ensures every word pops off the page – you listen to his music and are helpless to resist its power. I will leave the review here but want to recommend people get involved and follow Makin. He is making steps and has big plans right now. Whether it takes a few years – or is sooner than that – you know, one day, he will be rubbing shoulders among the biggest names in music. Every new release shows he is growing and building in stature. Suicide is a typically solid offering from an American artist who wants to put his music to as many people…

AS possible.     

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Follow Titus Makin

Official:

http://www.titusmakinmusic.com/

Facebook:

https://www.facebook.com/titusmakinmusic/

Instagram:

https://www.instagram.com/titusmakin/

Twitter:

https://twitter.com/titusmakin

YouTube:

https://www.youtube.com/channel/UCNdmJYe4jqvRX7oUX5_G7ug

SoundCloud:

https://soundcloud.com/titusmakinmusic

Spotify:

https://open.spotify.com/artist/45IRcapz9TBzNbgHwRIZSN

INTERVIEW: FRANKIIE

INTERVIEW:

FRANKIIE

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ONE can sense a real closeness…

and intuition in the camp of FRANKIIE. The Vancouver quartet talks to me about their current song, Glory Me, and what it was like putting it together. They tell me what comes next, material-wise, and what it was like working with Jason Corbett on their latest cut; if they have any touring dates cemented – if the U.K. is part of that...

They reveal how they came back from a possible break-up and why, now, they feel stronger than ever; why Vancouver is producing lots of great music; whether, they feel, there needs to be a greater focus on female artists – they take me back to the first days of FRANKIIE….

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Hi, guys. How are you? How has your week been?

It’s been a great week! Lots of good band hangs. We’ve been in the studio finishing off the last tracks for our upcoming album.a

For those new to your music; can you introduce yourselves, please?

We are a four-piece Dream-Rock band from Vancouver who has been at it for four years. We’ve got Francesca on Vocals and Guitar; Nashlyn on Vocals and Keys, Samantha on Bass and Zoe on Drums.

Glory Me is your new track. What is the background/story of the song?

That song was written by Fran after she got home late one night - and the words just kind of came flowing out. It’s really (just) a contemplation between being present and anticipating the afterlife.

The album of the same name is completed. Are there certain themes that tie the album together?

The album is actually not quite completed…

We are in the final stages of recording and mixing the last tracks. All the songs tend to centre on the feelings of a loss in direction, or contemplating meaning and purpose.

Is it true you worked alongside Jason Corbett on the record? What did he bring to the record?

He really brought a lot of laughter and fun-lovin’ times. Haha. He’s also got a really great ear and very awesome intuition about what to add or take away from each song. He also has a great sense of how we want to sound.

He can capture our true vibe while also pushing us to get it to the next level.

How did FRANKIIE get together? When did you all meet?

We came together as a band two weeks before our first show. Fran had a solo show booked and did a jam with Zoe. They realized it would be more fun to have keys and bass as well - and brought in Nash and Sam.

I understand you drifted apart and, after several E.P.s, wondered whether the group would survive. Was that a particularly tough time? What brought you all back together?!

After we put out our E.P.; we played a lot of shows around our hometown and did a bunch of D.I.Y. tours. It was really fun but, after a while, it got tough to keep the momentum up. We all had other things we wanted to explore as well and took some time to travel without each other. It turned out to be a very valuable time for our individual lives and, ultimately, re-energized us when we did start going for it again.

We never really stopped playing together entirely: we, mostly, (just) had a lull in momentum. Looking back at that time; it is probably a natural part of band life - though it was confusing at times.

You must be all looking ahead now. Do you feel you are stronger than you have ever been?

Yes, definitely! Working with Jason Corbett has really given us some fresh energy - as well as our new managers at Tiny Kingdom. Realizing that our team is building and that our songs are sounding better than they ever have before…we are really looking forward to getting back into playing again.

There is loads of great music coming from Vancouver. What is it about the city that produces so many great artists?!

Vancouver has a small community of artists but the ones that are in it seem to be really dedicated.

Our scene could probably, still, use some more collaborative energy - but it is definitely, slowly developing. More and more people are coming out to each other’s show and co-writing or co-producing. It’s really great. Plus; we also have the best mountains and ocean. If we ever need inspiration, it’s not hard to find it out in nature…

It was, recently, International Women’s Day. How important is it to raise awareness of female artists? Do you think there are changes coming into the industry?

It’s definitely an interesting time for women in the entertainment industry, overall. We haven’t really had a lot of issues so far being women in the music industry - and have actually found that people generally treat us as equals.

But; it is nice to have open conversations about some of the awkward things that do happen from time to time. It’s just a nicer environment for everyone when people are able to talk openly about what’s cool and what’s not cool.

Can we see you tour soon? What gigs do you have coming up?

We are not planning extensive touring until we put out the full album in the late-summer/early-fall. Though out the summer, we will be playing shows and festivals around our home province and planning out the album release.

Will you come to the U.K. and tour here soon?

I really hope so! If any bookers out there are into some Dream-Rock vibes, please get in touch (smiles).

What do you all hope to achieve, personally, in 2018?

Mostly, we all seem to want to find balance and presence in both our individual lives and in our band lives. Sometimes things can seem overwhelming when we are working on both band life and on our own individual projects. For example, Zoe is recording drums this weekend and opening a new clothing store next week. We have to remember to stay in the moment when good things are happening (and not get ahead of ourselves).

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

It was pretty fun playing at the Todos Santos Music Festival in the Southern Baja of Mexico. We stayed for a week and rented out a place by the beach - did some surfing, sun tanning and drank a bunch of margaritas! The bands at the festival were so great. It was a rare opportunity to meet great bands from Mexico City as well. We hope we can get back down there someday!

What advice would you give to new artists coming through?

Our advice would be (just) jump in and start doing it! We definitely were not perfect when we first started - and we still aren’t. The only way to have fun playing music is to forget about perfection and go for it.

IN THIS PHOTO: Art d'Ecco

Are there any new artists you recommend we check out?

Art d’Ecco, Peach Pit and LEATHERS!

IN THIS PHOTO: Peach Pit/PHOTO CREDIT: Lester Lyons-Hookham

Do you guys get much time to chill away from music? How do you unwind?

We still all have day jobs or business to run right now. Haha. So, between that and music; there is not much time left over. We’re really hoping, at some point, we can take some time away from jobs and make music our full-time thing. Seems like we are getting closer to that reality…

At least for a while...

Finally, and for being good sports; you can choose a song and I’ll play it here (not any of your music - I will do that).

Glory Me is the only one out so far! We have a new single coming out the last week of April as well, so stay tuned!

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Follow FRANKIIE 

Facebook:

https://www.facebook.com/frankiietheband

Twitter:

https://twitter.com/frankiietheband

 Instagram:

https://www.instagram.com/frankiietheband/

YouTube:

https://www.youtube.com/channel/UCqt-mCLKKMpkrl9Sp2MFa-A

SoundCloud:

https://soundcloud.com/frankiietheband

Spotify:

https://open.spotify.com/artist/0iZJ9pd8Ld6jzdPYEXegYD

INTERVIEW: Lauren Ruth Ward

INTERVIEW:

PHOTO CREDIT: Mara Stusser  

Lauren Ruth Ward

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THERE is a train of thought that suggests…

PHOTO CREDIT: Victoria Craven

solo artists, for the most part, try to fit into crowds and handy boxes. Whilst that might be true for many out there; songwriters like Lauren Ruth Ward defy convention and predictability – offering something truly special and spirited. I have been speaking to her about the video for Blue Collar Sex Kitten – a song that has garnered a lot of praise and focus. She talks about her debut album, Well, Hell – and, with tour dates forming, she plans on coming to the U.K.

Ward talks about the scene in L.A. – where she is based – and how it feels being compared to artists like Janis Joplin; what she has planned for the rest of this year; new artists worth a shout – ending the interview with a great song choice.

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For those new to your music; can you introduce yourself, please?

I am Lauren Ruth Ward; a musician from Baltimore, MD; currently residing in Los Angeles.

Blue Collar Sex Kitten is your new track. I like the video a lot! It mixes black-and-white vintage with a modern urgency. What is the background of the song?

We actually released (the track) Blue Collar Sex Kitten on May 1, 2017 - we recently released the music video. This song was very stream-of-consciousness for me. Its meaning is about who I am and how I see the world, mixed with some lighter lines. Everything came thru while allowing myself to just write and not think (too hard).

Well, Hell is your recent album. Were there particular events that influenced your songwriting? Is there a song from the album that stands out above the rest?

Well, Hell is our debut album. No particular events triggered the songs: my life, in general, fed the stories. All the songs play a part in the finished product. If I had to single out one song: Staff Only; because it's, currently, my favorite to perform/opening with - I love my band's harmonies in the intro.

Really gets me into it.

Which musician did you grow up on? Can you each remember the first album you ever bought?

I grew up predominantly listening to music from the ’60s and ’70s; Classic-Rock, Motown; Disco etc. The first C.D. I bought was Hanson - Middle of Nowhere.

PHOTO CREDIT: Hattie Watson

I hear tones of Janis Joplin and Florence Welch! It seems you are compelled by strong female voices. What is it about artists like Joplin that speak to you?

Being compared to Janis is an honor. I don't necessarily pull inspiration from her or one person (or woman). I've always loved to perform. As a child, I danced, cheer-leaded; sang/played guitar in talent shows. My live show is still me loving performance. When I have people’s attention, I feel I need to give them all of me. (I often hear it’s my live performance that makes them think of Janis).

You are based in America. What is the scene like where you are? Are you mostly based in L.A. at the moment?

I live in L.A. The music scene is alive and thriving. I go to two-seven shows a week. The energy is palpable. It’s very special.

PHOTO CREDIT: Lexi Bonin

Will you come to the U.K. and perform this year? Are you a fan of British music?

I WOULD LOVE TO! I am a huge fan of British music (The Beatles - hello!) (Smiles).

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Many. Opening for my partner (LP) in Italy and France, April of 2017. The crowds were massive and loving. Though it was only four shows, I imagined how great life would be to tour together - doing what I love and being able to be with her.

What advice would you give to new artists coming through?

Believe in yourself. Create something that is true to you. You will never have to ‘reinvent’ or (decide) ‘what to do next’. Just do you.

IN THIS PHOTO: Jen Cloher/PHOTO CREDIT: Tajette O'Halloran

Are there any new acts you advise we check out?

Jen Cloher, The Blank Tapes and Vista Kicks.

Do you get much time to chill away from music? How do you unwind?

No.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Jen Cloher - Forgot Myself

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Follow Lauren Ruth Ward

PHOTO CREDIT: Mara Stusser   

Official:

https://www.laurenruthwardmusic.com/

Facebook:

https://www.facebook.com/laurenruthwardmusic

Twitter:

https://twitter.com/laurenruthward

 Instagram:

https://www.instagram.com/laurenruthward/

YouTube:

https://www.youtube.com/channel/UC8dfUJJ-3op3B5wF5uono0w

SoundCloud:

https://soundcloud.com/laurenruthward

Spotify:

https://open.spotify.com/artist/6RFGwX2bAZqXSeXfdqzXUY

INTERVIEW: Of Good Nature

INTERVIEW:

Of Good Nature

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BASED out of North Carolina…

Of Good Nature are an incredible band that deserve more acclaim. The U.S. group discuss their single, Take Me Anywhere, and its story of frustrated love. The guys give me a glimpse into their upcoming plans and what music they were raised on – and how Reggae has moved on over the years.

The Reggae-Rock-Funk band reveal whether they’ll play the U.K. soon; what it was like working with producer Danny Kalb on their latest track; what the scene is like in North Carolina – they share their best memories from music so far.

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Hi, guys. How are you? How has your week been?

Great! Just got off the Sail Across the Sun cruise - which was completely insane.

For those new to your music; can you introduce yourselves, please?

Sure! Hi. We are Of Good Nature. It’s hard to pin us down, musically, but we have great influence from Rock to Jazz/Funk to Reggae. In the studio, we try to wrap that into a good radio edit – but, live, you might catch us extending the song into a high-energy jam. We like it all!

Take Me Anywhere is your new single. What is the tale behind the song?

The lyrics speak about a female who is looking for more in life - but, the story can be relatable to anyone striving for more in life and feeling stuck in their passion (ourselves included).

It was recorded at White Star Sound with legendary producer Danny Kalb. How important was the studio space and Kalb to the overall sound?

Danny was a great leader in the whole process. He recommended White Star because of the comfort and space out there. Everyone in the band was relaxed and pushing out their best performance. 

Is there going to be more music coming? Will there be an album out before the end of this year?

Yes! We have three more singles finished and dropping in the upcoming months. This leads us into another recording session with Danny in the summer.

Expect a lot of content coming from us in 2018...

How do you feel you have changed since your debut album, Just Add Water?

We’ve matured as writers and players, for sure. We’ve put in a lot of time on the road, on stage and (with) writing and recording. Also, we are a different larger lineup than the debut album. It’s awesome to feel we are hitting a real stride in the recording and touring processes. 

You guys are based out of North Carolina. Is there quite a big and varied scene there? How did Of Good Nature come together?

North Carolina, and our hometown of Charlotte, has built quite the scene the past years. Bands like Simplified and Sun-Dried Vibes are based in the area - and we have a cool community that is great to be in when off the road. Of Good Nature began (just) playing around in different parts of the town and then just grew from there.

We’ve learned a lot along the way - from working alongside, and looking up to, our friends and bands from the area.

Your music fits with the new wave of East Coast style of Reggae – drawing in other genres and styles. Do you have a close connection with like-minded bands in the area? Is there quite a tight-knight community regarding the type of music you play?

The community of our scene is the best. We have met so many friends - and continue to do so.  Surrounded by the Sound Music Festival is a total capture of the East Coast Reggae scene. (It’s Labor Day weekend in Long Creek, S.C.).

How do you think Reggae has changed and evolved over the past few decades?

Just like all music; Reggae has shaped, shifted and taken many different forms. It has popularized the genre, which is great. I think it’s also very important to recognize the real Roots-Reggae bands and groups who keep true to the Jamaican sound. We are not one of those, nor claim to be, but it’s been great to play alongside bands like The Expanders, Steel Pulse and many others.

Which musician did you all grow up on? Can you remember the first album you ever bought?

Most of us grew up in this transition from radio to the digital age. I think that really shows in our music. I remember buying Offspring (Americana) and Eminem (The Slim Shady LP) at CD Warehouse as my first personal purchases.

What gigs do you have coming up? Where can we catch you play later this year?

Were currently touring all over the U.S. We'll visit the East Coast through spring - and play across the country in the fall.

Will the U.K. be part of your plans? What do you think of the music out this way?

The U.K. is definitely on our wish-list. We would love to get a festival or something out that way. Music out in the U.K. has deep influences - which we relate to.

What do you each hope to achieve in 2018?

We want to get our music to more and more people, all over the world. Our new and upcoming releases are songs that, we believe, are attainable for all types of humans. The Internet is a beautiful way to connect. Through spins and streams, we can reach listeners and get them out to a live show - which is what we love the most.

Have you all got a favourite memory from your time in music – the one that sticks in the mind?

The two Sail Across the Sun cruises we’ve done are, probably, the most memorable for us. It’s a five-day music festival packed onto a cruise ship. Train, Robert Randolph; Michael Franti and Gym Class Heroes were there, to name a few. The fans and energy on the boat are unforgettable. We hope to get on many more - and highly recommend any kind of cruise festival Sixthman puts on. 

What advice would you give to new artists coming through?

Learn to manage time for all parts of the business. Put out good content and figure out how to be unique. Talk with your friends, A.K.A. other artists, and do cool stuff!

IN THIS PHOTO: The Ries Brothers

Who are the new artists we should keep our eyes on? Give us some recommendations...

The Ries Brothers are some young talent. They're a two-piece band that consists of a lead guitarist and a drummer/key bass/lead singer.

Do you all get much time to chill away from music? How do you unwind?

Cooking and spending time with family and friends is a good way to unwind. Music is always around, though.

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Passafire - Growing Up

Trombone Shorty - Here Come the Girls

Bootsy Collins - I’d Rather Be With You

VULFPECK – Dean Town

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Follow Of Good Nature

Official:

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Facebook:

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SoundCloud:

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Spotify:

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INTERVIEW: Phebe Edwards

INTERVIEW:

Phebe Edwards

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I have been spending time with Phebe Edwards…

who reveals the story behind her latest cut, Space. Edwards talks about working with Cameron Bloomfield and Kadeem Clarke on the song; whether it all came together quite quickly; the incredible artists she has worked with in the past – whether forthcoming gigs with Gabrielle are getting her excited!

I ask what producer Luke ‘G-kid’ Grant brought to her current single; how her tour schedule is shaping up; if music allows her any spare time to reflect – she recommends a new artist we need to get involved with.

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Hi, Phebe. How are you? How has your week been?

It’s been good, thank you. Apart from tackling the flu; I’ve enjoyed seeing the response to my new track, Space - so that has, somehow, helped me keep my mind off the achy joints and blocked nose!

For those new to your music; can you introduce yourself, please?

Hey there listeners and readers. My name is Phebe Edwards and I am an independent singer-songwriter from London. I’ve worked in this industry for a long time as a backing vocalist and featured for various artists - and now, finally; I have the chance to release my own music...

Can you name some of the other artists you’ve worked with?

I’ve worked with Liam Gallagher, James Brown; Rita Ora, Jessie J and Stormzy, to name a few. Most recently; I featured on the song, Focus - it is on Craig David’s latest album.

What can you tell me about the single, Space? What is the tale behind it?

Space was written about three years ago and features Cameron Bloomfield. It expresses the sentiment of being trapped in a stifling relationship - from both a female and male perspective.

From past performances, I’ve I have been known to sing high and with power. Space shows a very different side of my voice: it’s an emotional ballad that was written from life experience.

It sounds quite natural and personal. Was it easy putting the song together?

It started from talking about different phases people go through in relationships. The process was very organic: the lyrics developed alongside the music.

Cameron Bloomfield and Kadeem Clarke are on the track. What was it like working with them?

These guys are a joy to work with. Such a laugh! Every time we’ve been in a session together, it’s been hard to finish and actually go home as our vibes are so cool. They are so lovely and funny, too! 

Luke ‘G-kid’ Grant produced the song. What, do you feel, he brings to the song?

I’ve worked with Luke on a few songs now and there’s something about his production that excites me. Every time I go to Luke with an idea and he says “leave it with me”; it’s guaranteed that, the moment you hear what he’s put together, you're going to be happy with it. Listening to the growth of the song, from the initial writing session to the production of the track…I couldn’t wait to sing on it!

Is there going to be more material coming before the end of the year?

There sure is! I’m working on the next release as we speak - and keep your eyes peeled for the E.P. 

Which artists did you grow up around? I hear shades of Mary J. Blige in your tones. Is she a big idol?

I have a few idols: Mary J. Blige is one of them! Along with Fantasia Barrino, Coko from SWV (Sisters with Voices) and the great Aretha Franklin. I was brought up listening to a lot of Gospel. I’m a massive Whitney Houston fan, also... 

Her songs, vocals and lyrics are a great inspiration to me.

I believe you are opening for Gabrielle soon! Are you a big fan of her work?!

I’ve worked with Gabrielle for a long time on numerous occasions - and I sure am a big fan of hers! She is a phenomenal artist and a lot of her songs hit home for me, lyrically and emotionally. I’m so excited to have been invited back to the iconic Jazz Café in Camden to open for her album launch on 8th May!

What do you hope to achieve in 2018?

Personally; 2017 was a massive learning curve for me, which taught me so much about myself and, also, my music. 2017 redirected my purpose for 2018: take my music to the next level (of what I promised myself and my listeners).

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Seeing my first single hit number-fourteen in the R&B charts in 2014 was a memorable moment for me.

What advice would you give to new artists coming through?

From personal experience; consistency, persistence and patience are key. Try not to miss opportunities to showcase your talent, no matter how big or small. Keep pushing and networking and, with all the highs and lows, keep believing in yourself.

IN THIS PHOTO: H.E.R.

Are there any new artists you recommend we check out?

To be honest; I love H.E.R. at the moment. I was gutted that I missed her recent show in London. Love H.E.R. - check her out.

Do you get much time to chill away from music? How do you unwind?

Everyone knows I love a cup of tea. I’m actually a tea-a-holic, in fact!

I also enjoy a good boxing session at the gym. Fitness has become a new focus of mine and, recently, I have gone through a big transition with my health - and I aim to maintain it.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

I’ve currently got H.E.R.’s Focus on-repeat – enjoy (smiles).

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Follow Phebe Edwards

 Facebook:

https://www.facebook.com/phebeedwardsmusic/

Twitter:

https://twitter.com/phebeedwards

Instagram:

https://www.instagram.com/phebeedwards/

YouTube:

https://www.youtube.com/user/officialphebemusic

SoundCloud:

https://soundcloud.com/phebeedwards

Spotify:

https://open.spotify.com/artist/5Phxu6UZtHHfEHNPDwyqpo

INTERVIEW: Liz Asaro

INTERVIEW:

Liz Asaro

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WITH a new single out…

on 16th April; I was eager to talk to Liz Asaro about Take Me Home – a song that announces her as a serious talent to watch. She discusses her path into music and the artists who influenced her; whether there is going to be more material following; how important New York, and its people, is to her creativity and sound – and, whether she is coming to the U.K.

Asaro talks about her Irish roots and her songwriting process; whether she has a favourite memory from her time in music; how she unwinds when she isn’t recording – ending the interview with an Arctic Monkeys-scented closing song.

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Hi, Liz. How are you? How has your week been?

Insane, really…and great! My E.P. is being mixed this week and I am really excited about it! I went to see Bruce Springsteen on Broadway and that was a treat. Nothing more inspiring than going to see one of the world’s best songwriters perform in such an intimate venue! Also; I went to a Broadway show with my kids - so a lotta good stuff!

For those new to your music; can you introduce yourself, please?

I am an Alternative-Rock artist. I live in New York City and I am a mom of three! As an artist, I am influenced by anything from Classic-Rock, to Grunge; to Metal, to Pop. I love writing lyrics and I try to make them meaningful without being too contrived. I, obviously, have a message I want to convey, but I like to leave room for the listener’s own interpretation. I love cool percussive sounds and a little edge to my music - with the vocal floating on top; often contrasting the instrumentation.

Take Me Home is your new track. What is the story behind it?

This song is about my good friend Mark Martinez, who passed away a few years ago. He embraced life like no other and touched so, so many lives. He always followed his dreams and challenged himself; while he constantly inspired everyone else in his life to do the same. It is about him and his passion for all that this life has to offer.

The track, clearly, has emotional relevance. Was it challenging putting it down on paper and hearing it back?!

Writing it was not hard: it was amazing once I finally had an arrangement, and even some remixes, that I liked! I wrote it in the shower one day and it took a bunch of instrumental arrangements to finally, stylistically, get to one I liked. Now, it makes me smile every time I hear it - and I do hope Mark likes it; wherever he is.

What comes next in terms of material?

I have a five-song E.P. coming out very soon! It’s being mixed as we speak! I’m shooting a video in London in April and booking gigs in the U.S. and U.K.!

Did music come into your life early? What got you hooked on it?

Not really! I mean, I have always been a huge music lover and it’s always been a part of my life that way. Music satisfies whatever emotion I need to be addressed - and I have always been good at utilizing and enjoying it in that capacity. But, I didn’t grow up in a family of musicians or anything like that. I was pretty timid about entering the realm of making music until later in life...

Once I found the first few people that helped me start writing, I just kept networking and pushing forward; working with as many people as I could. I realized, quickly, how attainable this was for me because I was so driven to do it…so I just kept going. I love it.

How inspiring is Manhattan when it comes to writing? Do you take a lot from the people around you?

I love people and I love understanding what makes them tick. So; Manhattan is very inspiring, for better or for worse! It’s a crazy place; it’s infectious and there is nothing like it. I love being surrounded by so many cultures, opinions; tastes, activities etc. I write a lot about human nature - so it works for me!

I know you have Irish roots. Does that heritage play a part in your music would you say?

I think so. Funnily, when my current manager David Rowell heard my music for the first time, he immediately said: “Oh, she’s Irish!”. So, I guess there must be something in my vocal tonality and, also (perhaps), in some of the instrumentation that might make you think that. I love cool percussive beats - and some of them may lean toward Celtic. My music has been likened to The Cranberries on many occasions, which I take as a big compliment!

Which musicians did you grow up on? Can you each remember the first album you ever bought?

The first album that I remember buying was In My Tribe by 10,000 Maniacs! I loved Natalie Merchant’s voice and I am honoured that people often tell me I sound like her.

Overall, I am a Rock girl. My favorite music, growing up, was 1990s Rock: Soundgarden, Stone Temple Pilots; Alice in Chains etc. I am also a huge Led Zeppelin fan and I love most Classic-Rock. I have so many favorite female vocalists: Debby Harry, Doloros O’Riordan, Alanis Morissette and Shirley Manson. I love music. It’s impossible to name all the bands I loved growing up!

Can we see you tour soon? What gigs do you have coming up?

I will be booking gigs soon! Just got finished recording an E.P. and it's being mixed. I will be putting together shows very soon!

Do you reckon you’ll come to the U.K. and play? Do you listen to a lot of British music?

Absolutely! We are looking into that soon! I listen to all music! I have been spending a lot of time over there writing and recording - and I love my team in the U.K.! I am happy to be exposed to even more British artists than I would have otherwise been.

What do you hope to achieve in 2018?

I am so excited about getting this E.P. out. I can’t wait to play live again with a full band because it’s been a few months focused on writing. I love networking and meeting people, so I hope that the promotion and performances of this new music will help build a bigger audience. I love the give-and-take of music. I love this industry, as nuts as it can be! I’m also not slowing down with writing. I am very inspired right now and I am writing with as many people as I can!

Have you got a favourite memory from your time in music – the one that sticks in the mind?

So many - but one of those would be the first time I worked in the studio recording with Gerry Leonard; long-time guitarist and M.D. for David Bowie. It was the first time someone of that calibre had played on my music - and it was my first body of work. Gerry is a phenomenally atmospheric player and he adds layers upon layers of beautiful sounds to a song. When we took a minute to play back the takes over the speakers in the studio; there were some moments of ‘Wow, I really have some awesome songs here. Big sounds that will truly move people’.

Never mind the simultaneous feeling - that I had become worthy of people of that calibre working with me and becoming my friends and supporters.

What advice would you give to new artists coming through?

Two important things that stick with me, as I move through this journey, are this. First: you have to mean it. You have to be genuine. If you are making music from a genuine place, people will believe you; they will want to work with you and they will want to listen to you. Music reaches people when it is genuine. All humans know this in their core.

Secondly: be in it. Be around music, go to shows; talk to artists…not just about the technical stuff, but about life. Watch shows, learn what you want to do and what you don’t want to do. Absorb it all and give back what you can from your soul.

Do you get much time to chill away from music? How do you unwind?

Time away from music: yes! Chill: not so much! Tons of kid’s activities to keep me occupied and in reality! I love being with them!  I also work out. I box and I snowboard.

In the summer, I try to be at the beach or wake-surfing as much as I can! I am also just a huge fan of being with my friends and family: gatherings, dinners; dancing, live music - whatever social stuff I can do with them makes me happy!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Today, I pick….

Arctic Monkeys - R U Mine?

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Follow Liz Asaro

 Official:

http://lizasaro.com/

Facebook:

https://www.facebook.com/lizasaromusic/

Twitter:

https://twitter.com/LizAsaroMusic

Instagram:

https://www.instagram.com/lizasaromusic/

YouTube:

https://www.youtube.com/channel/UC8VzaAD2Uv-B7Fy1LwXi1Ug

SoundCloud:

https://soundcloud.com/lizasaro

Spotify:

https://open.spotify.com/artist/7sbCtOgXksqHjOPTlfy21v

INTERVIEW: Jaafar

INTERVIEW:

Jaafar

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RUNNING a music blog…

means, at times, speaking to an artist who hails from a part of the world, one assumes, has a very narrow music scene. I have been talking with Jordan’s Jaafar about his career and the musical culture of his country. He opens up about his latest track, Yara, and the story behind it; how it differs from the mega-successful, Sixteen, and whether more material will come – and the tour dates he has booked.

Jaafar tells me about his influences and why Peter Gabriel is a big draw; whether there is a moment to reflect outside of music; if he will come to the U.K. and see us at some point – also; if he can recall the first album he ever bought!

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Hi, Jaafar. How are you? How has your week been?

Hello! It’s been great so far. Tiring but great. We’re half-way through a press tour to promote my new single.. so there’s been a lot of traveling.

For those new to your music; can you introduce yourself, please?

Sure. My name is Jaafar. I’m a singer and songwriter from Jordan. I think the best word to describe my sound is ‘fusion’. Listen to my song, Dalia...that’s the best introduction to my music.

Yara is your new track. Can you reveal the story behind the song?

Yara was written very quickly.

I went into the studio with the verse and melody and, within an hour, we had written the whole song and completed the demo in the same session. Sonically, it’s a fun song that’s very much a fusion of World sounds with different Pop and Rock elements. I wrote the song about a girl who I was in to at the time. There are all the themes of a new love interest: declaration, longing; confusion, frustration...

It follows the hugely successful, Sixteen. Was it intimidating following that song?! What has been your reaction to its success?

Sixteen was a turning point in my career. It opened doors for me and introduced me to a much broader audience. Even within the industry, people started to take notice. I guess I was more excited to follow that up than nervous. Now, when I put new music out, people are eager to take a listen.

That song looked at the refugee-crisis in the Middle East. Are the politics and social strife of the area something that compels anger and creative drive?

Injustice is aggravating - especially where youth is involved. When I wrote Sixteen; I was really affected by everything going on - and by what I was seeing on the news. I was living in America at the time and I think, being far from home and far from the region, intensified that feeling.

I was not in a headspace to write love songs….

Will there be an E.P. or album later in the year, perhaps?

Yes - a full-length album. My first one! I can’t wait to share it with everyone.

You are a Jordanian songwriter. Is there a lot of good new music in the country? How much of the music scene is comprised of Western sounds?

Sure; there’s good music. It’s not necessarily at the forefront, though. It’s tough to be a musician in Jordan. There’s still not a fully-formed industry. Hopefully, I can be one of the people who helps change that.

How much of the scene is comprised of Western music? Very little.

I hear hints of Peter Gabriel in your music. Which artists influence your own sounds?

I love Peter Gabriel!

The list is so long and varied: The Police, Cheb Khaled; Sayyid Darwish, Cat Stevens...to name a few.

Can you each remember the first album you ever bought?

No; but I can remember some of the very first records I listened too - they were my dad’s. Like, for example, 1, 2, 3 Soleil (Live à Bercy) by Khaled, Faudel and Rachid Taha.

Can we see you tour soon? What gigs do you have coming up?

Yes! I can’t wait. We’ll start touring early-summer. We’re doing a mixture of festival dates as well as headlining shows - and I’ll also be the opening act at a couple of shows.

Do you reckon you’ll come to the U.K. and play? Do you listen to a lot of British music?

Yes. We’ll be playing in London in June! I’m very excited. I’ve never played the U.K. before.

What do you hope to achieve in 2018?

I hope, just, to be able to be on stage and share my music with the world...and have a good time doing it.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

There are so many. Most of them are (of) memories on stage or preparing for a show. I love performing live and putting together a show. I also have so many great memories traveling the world in order to perform or promote my music. That’s one of the blessings of this job: it takes you around the world and you get to experience so much.

What advice would you give to new artists coming through?

This is a brutal industry and, so, be honest with yourself. Refine your craft and surround yourself with people you can trust - and who give you positive energy and tell you the truth.

Do you get much time to chill away from music? How do you unwind?

Yes, I do. I think it’s important.

At the end of 2016, I was completely spent because it had been, like, three years of non-stop work. So; I took some time off and recharged. I unwind by doing nothing! Just hanging out with friends…

Traveling anywhere there’s a beach.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

This Is the Picture (Excellent Birds) - Peter Gabriel

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Follow Jaafar

Facebook:

https://www.facebook.com/jaafarsound/

Twitter:

https://twitter.com/jaafarmusic

Instagram:

https://www.instagram.com/jaafarmusic/

YouTube:

https://www.youtube.com/user/Jaafarsound

SoundCloud:

https://soundcloud.com/jaafar-music

Spotify:

https://open.spotify.com/artist/4Svx0xgoS8UA2ldqxmxG4L

INTERVIEW: Charlie Grant

INTERVIEW:

PHOTO CREDIT: Cristobal Rey 

Charlie Grant

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I have been talking to Charlie Grant…

about his move to Berlin - and why he decided to head to the city. Grant talks about his new work, The Astronaut EP, and some of the themes that go into it; what sort of music got him started and hooked; how he transitioned from writing songs for big names (including Melanie C) and embarking on his own career – and what tour dates we can look forward to.

I discover how The Astronaut EP differs from his past work; what advice Grant would give new musicians; what his treasured memories of music are; how he spends time away from music – and what the next steps of his career will entail.

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Hi, Charlie. How are you? How has your week been?

Hi! I’m good, thanks. I played a gig in Berlin last night and did a couple of new songs that went down a storm. So, I’m still buzzing from that. I’m also recording a song for my next E.P. next week, so was rehearsing it with my band. It’s a very energetic and up-tempo tune where everyone gets to rock-out - so that’s going to be a lot of fun.

For those new to your music; can you introduce yourself, please?

I guess the obvious phrase to describe what I do is ‘singer/songwriter’, but I’d say there are also elements of Rock, Blues; Americana and straight-up Pop in there, too. I’m a fan of the craft of songwriting and I like storytelling in songs. Being able to work with great musicians never fails to be exciting and inspiring for me. Especially great drummers - I’m in awe of them.

PHOTO CREDIT: Danny Feng

Tell me about your new work, The Astronaut EP. What themes and ideas compelled the creation?

Well. The song, Astronaut, was inspired, lyrically, by becoming a dad for the first time. I wrote it with two other artists, Jonathan Kluth and Flavian Graber from the band, We Invented Paris. Flavian has a daughter - and I’d just found out I was going to be a father. It’s about how it can be hard not to let the disappointments and losses that come with life shut down the part of you that can be touched by simple things. That kind of innocence and joy that is natural for children: everything is new and amazing to them.

Other than that; there is a song about wishing you could talk to the future version of yourself and get some reassurance that everything is going to be ok - and one called Blood Don’t Lie that talks about how, sometimes, your body won’t let you keep secrets, in the context of being around someone who you have strong feelings for but they doesn’t necessarily know about it. I think my favourite song on the E.P., lyrically, is Born Broken. It’s inspired by those times when someone you care about is in a weird relationship. Like, when a person, deep down, doesn’t believe they are worthy of being loved; so they keep choosing people who treat them badly.

How do you think the E.P. differs from your previous work? Are you more adventurous as a songwriter would you say?

I’d say I’m getting more adventurous as far as experimenting with different sounds goes but, in all honesty; I’m not that interested in trying to reinvent the wheel when it comes to songwriting. I am interested in breaking free from traditional song structure more but it’s hard - and the trouble is it (just) works brilliantly; so it’s a bit of a case of ‘if it ain’t broke, don’t fix it’…

The more I write, I feel (like) simplicity is the ultimate form of sophistication, so I don’t know how that fits in with being adventurous yet.

The single, Astronaut, is out. It is an uplifting and compelling track. What was the decision behind releasing the track to the world?

It connects with me a lot because it’s inspired by a huge recent event in my life; so it resonates with me at the moment - and I felt that it could do that with other people too. I like the energy of the track and, yeah, I think it has an uplifting quality to it and a kind of innocence to it in a way. Maybe people could use some of that with all the grim stuff going on in the world…

I know the 1970s plays a part in your tastes and music choices. What sort of music were you raised on?

My parents were both, mostly, into Classical music but really loved a few 1960s and 1970s bands like The Beatles, Simon & Garfunkel, ABBA: things like that. I remember being five or six and (just) wanting to listen to A Hard Day’s Night and Help! over and over again. It was overwhelming in a way: the energy and the amazing melodies. We lived in a remote part of Scotland with an ancient T.V. that could only pick up two channels in black-and-white, but we watched Top of the Pops religiously and enjoyed passing judgement on who was great and who was crap.

Later on, my dad lived in the U.S., so my brother and I would visit him in the school holidays and I got exposed to lots of the greats from the 1980s like Prince and The Police via MTV – and, really, that’s when my music obsession started properly. Much later on, I got really into 1970s Soft-Rock: stuff like Fleetwood Mac, Bread; the Eagles and Tom Petty and the Heartbreakers.

Also, The Beach Boys - stuff that came after Pet Sounds. I don’t know why it speaks to me so much; it’s just undeniable somehow. It’s funny that Yacht-Rock is finally considered cool nowadays. I consider the fact that my daughter Coco asks to hear Steely Dan to comfort her if she’s upset (to be) a huge parenting achievement.

You started in the U.K. - and wrote songs for big names such as Mel C! Was that quite an enjoyable time? Do you feel you were honing songwriting skills whilst penning for others – or was it quite a stale time?

It was great because, when I got my first publishing deal as a songwriter in London, it was the first time I’d ever felt acknowledged, and actually got paid...so it meant a lot. I could finally give up the day job. It was definitely a time of honing my skills, working with some great people and learning all the time.

It did get stale though in some ways, eventually. I made the mistake of neglecting the part of me that is an artist by nature.

What was the reason for embarking on your own music? How come you decided to move to Berlin?

When you are writing for others, you are more there to provide a service than to satisfy your own muse. It’s rewarding in its own way, but I missed the freedom of being able to express myself without having to think of anyone else. That, eventually, led me to start work on my own artist project, though; so I guess it was all part of the big picture. I also had a stockpile of songs that I really liked that were kind of just sitting around - so I thought I’d do them my way and have some fun with them.

I came to Berlin for a songwriting camp in 2010 and had an amazing time here. I met enough like-minded musicians and writers to start coming back a few times a year. Meeting my now-wife here in 2012 sealed the deal as far as moving over goes…and I’ve never looked back.

PHOTO CREDIT: Cristobal Rey 

Is there a very different pace in the German capital? Would you advise other artists to come over there?

Compared to London; I find Berlin actually very laid-back and the music scene is on a much smaller scale - in a good way. It’s kind of more manageable and everyone knows everyone. It feels pretty friendly and communal in that way. London is way more competitive, as surviving there as a musician is bloody hard - which makes people more ruthless almost by necessity. That pressure can push people to do their best work, though: things being too cushy isn’t always conducive to digging deep.

Generally, though, I do prefer it here and it’s an exciting time to be part of it as Berlin is, more and more, becoming a creative hub on a global level. So, yeah; I would recommend it.

Which musicians did you grow up on? Can you remember the first album you ever bought?

Apart from the ones I mentioned before; I went through a massive Rock and Metal phase. My older brother got me into Led Zeppelin and I loved some of the poodle-hair bands of the 1980s like Van Halen and Def Leppard and, then, eventually Nirvana and lots of 1990s Alternative-Rock bands. Also, Beck, Jeff Buckley and Elliott Smith…I got heavily into soul artists like Stevie Wonder and Bill Withers at some point, too.

The first album I bought was Queen’s Greatest Hits on cassette.

PHOTO CREDIT: Diogo Castro

Can we see you tour soon? What gigs do you have coming up?

I’m in the early planning stages of a German tour in the autumn but, right now, I’m mostly focussed on getting the next E.P. ready to release – it will come out in late-May. I do have some Berlin and London gigs coming up, though:

24th April: Prachtwerk Berlin (with Dorothy Bird and Adam Wendler)

18th/19th August: London Express Live (support for Lee Mead)

23rd August: Artliners Berlin (with Mike Featherstone)

20th September: Be’kech Berlin

What do you hope to achieve in 2018?

I’d love to keep building on the great start we’ve made getting Astronaut out there on the radio in Germany; start playing more gigs further afield and getting some songs on some well-known Spotify playlists. My big dream for this year, though, is to put out a fourth E.P. and, then, compile them all together on a double vinyl album. That would feel like an amazing way of wrapping up all the work I’ve done so far as an artist.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

That’s a tricky one: there are lots…

One of the best was a couple of years ago when I was touring in the U.K. as support for my friend, Ben Montague. We played at a venue in Newcastle called The Cluny and it was packed. I was, basically, unknown to everyone there but the reaction when I played was overwhelming. People really got it and were singing along with songs by the last chorus - it was magical. It was such a great feeling and it gave me a huge boost in confidence to keep doing what I’m doing.

What advice would you give to new artists coming through?

Don’t be too precious about your work: all artists are in love with what they create to an extent and that can blind them to whether it’s actually any good or not. Play live a lot. Open mic nights are a brilliant way to start. I still enjoy doing them pretty regularly. If you are an introvert like me, it can be hard to put yourself out there and risk being criticised (or worse); no-one giving a sh*t either way, but you have to be seen and heard.

You end up meeting like-minded souls along the way and you can support each other - it can feel like a lonely path, but it doesn’t have to be. Feeling like you are part of a community of fellow musicians can really sustain you through difficult times when it feels like nothing’s working out, I think.

Everyone’s been there at some point.

Do you get much time to chill away from music? How do you unwind?

Um; not really, to be honest! My daughter is two so, the last couple of years have been full-on. It’s wonderful, though, and I love my life. I still have a lot I want to achieve - so chilling out is hold for a while longer, I expect.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

One of my favourite songs of last year was For What It’s Worth - from Liam Gallagher’s solo album. It’s great to have him back - and it’s got everything going on that a great song should do, in my opinion

__________

Follow Charlie Grant

PHOTO CREDIT: Cristobal Rey   

Official:

http://charliegrant.co.uk/

Facebook:

https://www.facebook.com/TheCharlieGrantPage/

Twitter:

https://twitter.com/charlieltgrant

YouTube:

https://www.youtube.com/channel/UCIS4AOc6tn4TdMrd4_c96ew

SoundCloud:

https://soundcloud.com/charliegra-1

Spotify:

https://open.spotify.com/artist/1A6CZx7bZ5M0E1y65KsKc7

INTERVIEW: Bend Sinister

INTERVIEW:

Bend Sinister

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IT might be obvious to most…

but I was not too sure where that name, ‘Bend Sinister’, came from. I ask the guys about the derivation and what the new single, Heard It All Before, is about. They talk about their music and how it comes together; when they found one another – I ask if there is any new talent we need to get our ears around.

Bend Sinister chat about gigs and whether politics affects their songwriting; if the Canadian band will come to the U.K. soon; what sort of music drives and compels them – and, whether, they ever get a chance to de-stress away from music.

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Hi, Bend Sinister. How are you all? How has your week been?

We are SO good! Spring is in the air; Rock ‘n’ Roll is in our soul…can’t complain!

For those new to your music; can you introduce yourselves, please?

Why, hello those who are new to our music. We are Vancouver’s own Bend Sinister! (We’re) a Rock ‘n’ Roll-fueled, music-making machine filled with classic and modern tones to delight your ears! If you enjoy the ’70s with modern Pop sensibility, look no further!

Can I ask about that name - and where ‘Bend Sinister’ comes from?

It comes from a Vladimir Nabakov novel titled, you guessed it, Bend Sinister!

Heard It All Before is your new one. What is the tale behind it?

It’s a tale as old as time! Living life is always a beautiful challenge; everyone has their demons knocking at their door - and Heard it All Before follows that internal monologue, struggling with the constant conversation in your head; trying to find a way out; looking for answers and attempting to be better every day.

Do you think, given the political climate, there is more cynicism levied towards leaders right now?!

With social media taking a forefront (of how) we digest our news; it’s hard not to feel a bit cynical, watching politics unfold like a bad reality show. But, with cynicism comes great art and a push for change. I think we are already seeing that blossom as we wade through the swamp.

Do you guys plan on releasing more material this year?

BIG TIME! We have a brand-new record coming out around May 25th-ish, titled Foolish Games. We are very excited to share this record with the world as it has a lot of gems we are proud to call our own!

How did you all get together? What attracted you to one another?

We all (just) couldn’t resist Dan Moxon’s dreamy vocals and savvy eye for vintage furniture (smiles).

I think great music attracts great players - and the vicious cycle of touring in a Rock ‘n’ Roll band caters to a certain type of person and, luckily, we are all cut from that rug!

Do you all share similar musical tastes? Which artists did you grow up around?

‘Yes’ and ‘no’. I think, what makes us such an interesting band, is we do share similar musical taste to a point - but we all have such a wide spectrum. Each of us brings a unique flavour that pushes the music in a new direction.

Our van playlists usually consist of everything from Queen, Supertramp; Elton John, Huey Lewis and the News; Hall & Oates, to Kendrick Lamar; Dr. Dre, Daft Punk; Vulfpeck, BadBadNotGood; Shania Twain, Nick Cave - all the way to the Jurassic Park score; massively slowed down to weirdness. We will listen to anything once!

Can we see you tour soon? What gigs do you have coming up?

Of course! We haven’t stopped touring in years!

We will be hitting up Canadian festivals and cities throughout the summer, supporting our new album, Foolish Games. I believe we are working on a West Coast tour of the U.S. and are, very much, hoping to be back out in Europe by the end of the year…the key-word is ‘HOPING’, on that one!

Do you think you’ll come to the U.K. and play here?

I sure hope so. We love the U.K. - the crowds, fans; venues and atmosphere. We are dying to get back as soon as possible!

What do you hope to achieve in 2018?

World domination, obviously!

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

There’s so many! I imagine playing to Dave Grohl, John Paul Jones and Josh Homme in Toronto for a private show is up there! We’ve had the pleasure of touring around Europe with the legendary Mike Portnoy, which was a blast. Having a fifty-six-piece symphony behind us playing a set was surreal...

We’ve definitely had our fair share of great memories - especially while creating the music!

What advice would you give to new artists coming through?

Write good music…or go be a dentist.

IN THIS PHOTO: The Lemon Twigs

Are there any new artists you recommend we check out?

The Lemon Twigs. Couple of young dudes killing it right now!

As for local Vancouver bands we love: Youngblood, Little Destroyer; Peach Pit and JP Maurice to name a few!

IN THIS PHOTO: Youngblood/PHOTO CREDIT: Mandy-Lyn Antoniou

Do you all get much time to chill away from music? How do you unwind?

Dan has a hot-tub in his backyard; Matt golfs and walks his dog; Nick is vegan (I heard it’s the best way to unwind) and Joseph finds a spike to sleep on!

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Matt’s Pick: Steve Winwood - Valerie

Nick's Pick: The Garth Experience - Papa Loved Mama

Dan’s Pick: Loverboy - Turn Me Loose

Joseph’s Pick: Black Sabbath - It’s Alright

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Follow Bend Sinister

Official:

https://www.bendsinisterband.com/

Twitter:

https://twitter.com/Bend_Sinister

Instagram:

https://www.instagram.com/bend_sinister/

Facebook:

https://www.facebook.com/bendsinister/

YouTube:

https://www.youtube.com/user/BendSinisterBand

Spotify:

https://open.spotify.com/artist/0M8upUM1eHBV8q34qCbqSq

INTERVIEW: spudd cannon

INTERVIEW:

 spudd cannon

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THERE is another band…

out there with a very similar spelling to that of spudd cannon. To be fair; their (the other band) music is not as fiery, interesting and full-on as the lower-case-spelt alternative. I have been talking with the trio – Mikey and JJ take up most of the answers – about their E.P., Dude, Where’s My Boat, Man?, and the themes that inspired the songs. They talk about their formation and where they head next; new artists worth a shot; whether, they feel, too many groups are avoiding a D.I.Y. approach to music-making – they provide advice to new artists.

I discover what music makes them tick; how they spend their time away from music; the sounds and artists who made an impact on them growing up; what the inspiration behind their name is – and what the vibe is like in their part of the world, Bishop’s Stortford.

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Hi, guys. How are you? How has your week been?

Mikey (Vocals/Guitar): It's been good. Well, mixed, I guess. We did a photoshoot and made a video at the weekend but, then, it's back to the harsh reality of day-jobs until, hopefully, someday we can do this sh*t full-time…

JJ (Bass): …But, on the whole, it's been quite productive, actually.

For those new to your music; can you introduce yourselves, please?

Mikey: We're spudd cannon. We like to play energetic, no-nonsense Punk-Rock music. Our sound has been likened to early-Green Day; Cheshire Cat-era Blink-182; the Sex Pistols and FIDLAR. To be honest: we're pretty okay with that.

Can I ask whether there is a special story behind the name, ‘spudd cannon’?

JJ: Mikey came up with the name…

Mikey: It's from a video game called Bully that came out years ago. The protagonist is a teenager attending boarding school and a ‘spud cannon’ was one of the weapons you could use. I just thought it sounded kinda cool for the band.

Dude, Where’s My Boat, Man? is your new E.P. What sort of themes inspired it?

I guess you could say that In My Back Yard is written a little tongue-in-cheek - but it's primarily about boredom. Shy Guy Says follows a similar theme: although, more specifically, it describes social anxiety as well. Magic Stars is about having good memories of a relationship; albeit you're glad it's over. A to Z is a song about lust.

JJ: Our best work is usually based on events or people.

Life is pretty swell right now, so the songs are generally uplifting. We've written songs in the past with quite a sour taste - but they're not working for us right now. 

Will there be any singles from the E.P. arriving? 

Shy Guy Says is, probably, the single we'd pick. We've just shot a video for it that we're super-excited about. We do have a couple more tracks on the way, though, that we are planning on releasing as singles

The E.P. was recorded in a basement and has that D.I.Y. feel. Was it important to keep things raw and ‘proper’?!

It was important to keep it cheap...!

Mikey: Seriously though: incredibly important. In previous bands, I've gone down the route of paying for people who claim to be engineers or producers; doing hours upon hours in studios and thinking the end result/mix sucked. By recording and mixing our E.P. ourselves, we gave ourselves the freedom to showcase a handful of songs that properly replicate who we are and how we sound live: three guys, one drum track; one bass track, one guitar track and one vocal: no dumb effects, no Auto-Tune; no bullsh*t.

Sometimes, that feels lost in music today

JJ: Mikey was the main guy behind mixing. He has no training or experience as such - but we're stoked with how it turned out

Bishop’s Stortford is where you hail from. How did you find one another? What is the scene like where you are?

Mike's dad used to be Charlie's cricket coach and knew Charlie was a drummer. Mikey was starting up his first band at the time. Me and Charlie went to high-school together and started doing bits and bobs musically there. I met Mikey through him. Our eyes met across the room; instantly there were sparks. 

Mikey: Unfortunately, we're at a point where we feel the local music scene is dissolving. We've seen a lot of our favourite venues close in recent years, such as The Square in Harlow.

I can hear Punk bands like Green Day and Ramones in your sound. Which artists did you all grow up with?

JJ: There was a time when I exclusively listened to AC/DC. They're a huge Rock influence of mine. I guess the Punk side of things came from when I was an angsty teenager…and it never really went away.

Mikey: None of our parents really listened to Punk. My dad played a lot of Genesis and things like that when I was growing up; so there was always music in the house. But, discovering bands like Rancid, Sum 41; Nirvana and Silverchair when I was a teenager was a huge eye-opener. 

What do you think of the band scene right now? Do you think the best band-made music is coming from the underground?

JJ: I think I've seen a lot of 'underground' bands that I think should be making headlines. I don't think the majority of this generation enjoy going to small gigs like I used to when I was growing up - so these new bands aren't getting the recognition.

Which is a damn shame. 

Can we see you tour soon? What gigs do you have coming up?

Mikey: We've been so focused on getting the E.P. finished and our material up-to-scratch that we've stepped away from the live scene for the time being… 

Charlie (Drums): …We will always primarily be a live band, though.

JJ: We have been known to throw our own shows in the past. We're looking to play as much as we can this year. 

How does your music change when you bring it on the stage?! Is it somewhere you all feel very comfortable?

Mikey: Our music doesn't change that much: we intentionally recorded our E.P. fast to replicate the live sound. We keep things simple in recording: plug in and go.

JJ: It took me ages to get comfortable on stage. It's always harder when it's your music - because you're worried about what people will think.

Mikey: Being on stage isn't something that fazes me, personally. I have confidence in our music and our songs. It is nice when a new audience seems to appreciate it as well, though. 

Which new artists do you recommend we check out?

Charlie: Us...

Mikey: Any band looking to do things a little differently to what currently seems to be mainstream Rock. I'm really into WAVVES, SWMRS; MT. EDDY and THE FEVER 333 at the moment.

IN THIS PHOTO: SWMRS

What do you all hope to achieve, personally, in 2018?

In terms of music; I think the sky is the limit for all three of us. But, personally? Not sure. Maybe I'll finally get a decent haircut. 

JJ: I compete in powerlifting. I'd like to hit some big numbers this year.

Charlie: I'd like to successfully orbit the sun. Just once.

Have you each got a favourite memory from your time in music – the one that sticks in the mind?

Mikey: The bad ones, as well as the good, seems to stay with you. Playing the O2 Academy in Islington was a cool experience a few years ago. But, then you have times like when the stage collapsed mid-show at a festival gig. 

JJ: I got thrown out of one of our gigs once - for shenanigans. That memory will stick with me. I think my favourite memory would have to be the first time we played live together. I wasn't new to gigging at that point; it was just really comfortable on stage. We had a lot of fun.

What advice would you give to new artists coming through?

Pick a sound you love. Don't go with the trend. Don't necessarily be in a band with someone just because they're talented.

It's tricky to explain but you need to find people on the same wavelength as you. Me and Charlie have so much chemistry that we complement each other and know what direction we're going in when we play together. We can look at each other and know what to do next to give a song a twist.

Mikey: I would also say not to believe all the people who claim they can promote, grow or better your band - especially if there's money involved. There's nothing you can't do on your own.

Do you get much time to chill away from music? How do you unwind?

JJ: Music is probably how I unwind, actually. Work is frustrating. My other hobbies are frustrating. When we're all in a room together, it just works. 

Finally, and for being good sports; you can each choose a song and I’ll play it here (not any of your music - I will do that).

Social Distortion - Don't Drag Me Down

Charlie: Sham 69 - If the Kids Are United

Mikey: Wavves - No Shade

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Follow spudd cannon

Twitter:

https://twitter.com/spuddcannon

Facebook:

https://www.facebook.com/spuddcannon/

SoundCloud:

https://soundcloud.com/spuddcannon

BandCamp:

http://spuddcannon.bandcamp.com/

INTERVIEW: Matt LeGrand

INTERVIEW:

Matt LeGrand

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IT is rare…

that I get to go to America and chat with an artist there. In digital terms; I have 'driven' to Chicago to talk with Matt LeGrand about his track, All Good. It is now up on Spotify – a perfect excuse to talk about the song, future material and how music came into his life.

I ask LeGrand whether we will see him in Britain soon; how his songwriting has changed since 2015; why he moved from France to Chicago; how this week has been treating him; whether he spends any time away from making music – he ends the interview with a classic anthem!

__________

Hi, Matt. How are you? How has your week been?

Hello! I’m fantastic! I have had another week filled with music - so I really can’t complain! Thanks for having me!

For those new to your music; can you introduce yourself, please?

Absolutely! My name is Matt LeGrand. I love what I get to do every single day! Being surrounded by sounds and music is the only way I see myself living my life. I love being a student of music and taking pieces from my favorite artists to create something that I can call my own!

Look for me on Spotify and you’ll know what I’m talking about!

Tell me about the track, All Good. What is the background and inspiration behind it?

So. The funny thing about All Good is that the song wasn’t really intended for me...

We had been invited to a studio session to listen to some ideas for my project. The atmosphere of the studio was great! As we were walking out the door, All Good was playing softly in the background and we stopped in our tracks. We asked what that was - and the rest is history!

All Good became my first single in almost two years! I didn’t write the song, but I did connect with it immediately! I loved the message. I find it to be a song about self-care and self-love. 

What was it like putting the song together in the studio?

This song was an absolute breeze because it was easy for me to catch the emotion that was needed. I feel that the song found me in certain ways. I was going through a period in my life when everything that this song was saying (just) made complete sense. I almost felt that I could have written it, but…. I didn’t!

Recording (the song) was a great time!

I believe you grew up in France. Was there a lot of music around? What sort of music did you grow up on?

I was in France at a very young age - almost from birth to six-years-old. I was born in Chicago and moved across the pond right away. With that said, I have very faint memories of my time there. I was able to pick up some of the language, which I try to hold onto as much as I can today! I’ve been asked before if I would do a song in French - and I said that I couldn’t wait for that day! I know that it’s on the horizon and I am really looking forward to having a musical connection with my French heritage!

I do love the classic French jazz from La Belle Époque! (Also, the musical geniuses, Daft Punk!).

Why did you relocate to Chicago? How different was the city and its vibe (compared with France)?!

We relocated to be with family. It was a culture shock for me. Again, I was young; so I have faint memories - but I do recall having my older brother translate everything I said. I didn’t know a word of English. Looking back on it now, I loved growing up in Chicago. It has everything! The winters are brutal, but we are rewarded in the summers! Freshwater beaches, which are, sometimes, completely frozen - and tons of great music waiting to be discovered! Doesn’t really get better than that...

Go Blackhawks!

What comes next in terms of new material? Are you working on stuff right now?

We have a BRAND NEW SINGLE AND VIDEO coming very shortly that I’m extremely excited for! It’s going to be a very fun Dance, feel-good record! Perfect timing with spring and summer rolling around! We are planning to release an E.P. this year as well - so I can get out on tour to see all my fans!

Do you notice a change in your music and songwriting? What are the main changes you have brought in since, say, 2015’s Spring Break Girl?

To me, the changes are night and day...

Not only have I matured and grown as an artist, but as an individual. That’s the great thing about evolution: we are always learning, changing and growing. We have the freedom to try different things and make mistakes. We have the opportunity to experience new things and learn from them. Most importantly, we get to have the opportunity to live and spread good, positive love (and I value that).

The only change that I have made is, simply, (just) accepting things for what they are.

Can we see you tour soon? What gigs do you have coming up?

The goal this year is to perform, perform, perform - and then perform again! We will have tons of performance lined up very shortly! Stay connected on my Instagram for details!

Do you think you’ll play the U.K. at all? Have you been over here before?

I love the U.K. so much! I have been plenty of times, actually! One of my favorite places to go in the world is the Cotswolds! To play a gig in England would be surreal - and I would have to continually pinch myself to wake up!

What do you hope to achieve in 2018?

I hope to continue developing myself, personally, and as an artist! Taking it one day at a time. I’d love to tag onto a tour and gain tons of performing experience! I will be recording much more music (hoping one HITS it big!). I hope to (just) keep doing what I’ve been doing: work hard.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I was in a three-piece band with my brother when I was in middle-school! We played the talent-show. I played bass and, at the time, I so small that if you stood the bass upright, it was taller than me.

I felt so cool playing Rock and Roll in front of my whole school.

What advice would you give to new artists coming through?

This is a strange question for me because I’m a new artist myself - but I will gladly answer it to the best of my ability. Be patient or you’ll end up being one yourself; have your values/morals set in stone; accept the things you cannot change…and learn how to say 'NO'!

IN THIS PHOTO: Charlie Puth

Are there any new artists you recommend we check out?

If we can, maybe, consider Charlie Puth to be a new artist, then I would definitely say go check him out if you haven’t already. Extremely talented guy - and I hope to work with him one day!

Do you get much time to chill away from music? How do you unwind?

I don’t really want to chill away from music, to be honest: it’s part of me and it’s part of every single day. I love learning new things and playing as much as I can. Don’t get me wrong, though: I do love my free time where I can, maybe, rock-climb; practice some yoga or go to the movies. It’s all about balancing the ‘work and play’ so you don’t burn yourself out.

Though, in my case, I am a very lucky person - because my work is my play as well! If I were to choose one thing to do for the rest of my life, it would simply be music. I love what I do!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Thank you very much for the great questions! I really enjoyed answering them and thanks for having me!

With or Without You - U2

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Follow Matt LeGrand

 Twitter:

https://twitter.com/MattyLeGrand

Facebook:

https://www.facebook.com/MattLeGrandMusic/

Instagram:

https://www.instagram.com/mattlegrandofficial/

YouTube:

https://www.youtube.com/channel/UC2s4ow3SCxccbldznztzJcw

Spotify:

https://open.spotify.com/artist/6ZfqkdkPxHt2dRMwQBRSZh

INTERVIEW: Nikhil D'Souza

INTERVIEW:

Nikhil D'Souza

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WE move on to investigate and expose…

a great young artist with a lot of talent. Nikhil D'Souza tells me about his new single, Silver and Gold, and what the story behind it is. The Indian-born artist discusses his upcoming album and what we can expect from it; when music came into his life – and what it was like working with producer Jonathan Quarmby on his latest song.

D'Souza discusses future gigs and recommends new artists to watch; how he spends his time away from music; if there is a favourite memory from his time in music – how important Bollywood in regards his cultural outlook and musical creativity.

__________

Hi, Nikhil. How are you? How has your week been?

It’s been crazy with the new single release, Silver and Gold, and the work around that; coupled with traveling halfway across the world to play a gig. Crazy.

For those new to your music; can you introduce yourself, please?

I’m a singer-songwriter from Mumbai, India. My music, if I had to describe it, occupies a place between Alternative and Pop - with some influences of where I’m from. As a soundscape, imagine Jeff Buckley, Damien Rice and Ray LaMontagne - and then some more...

Silver and Gold is out now. What is the story behind the song?

At one point, a lot of the conversations I was having with friends were about how modern-day relationships are hard to sustain. The song is a hopeful cry out to falling, and staying, in love; about making it last, knowing there will be problems - and a tribute to the ones who have made it last over the years.

It was produced by Jonathan Quarmby. He has worked with, among others, Benjamin Clementine. Was it a fun experience working alongside him?

Jonathan is probably the hardest working producer I have ever seen. It was amazing working with him because he has a rare talent. He takes a song that you feel is lacking something and then he figures out what it needs - either a new chord progression or a new lyrical part. Also, he’s a super pianist; which is what I’ve wanted to work with for a while now.

Can you explain the video and how the concept came together? How involved are you with video treatments?

We worked with Toby Warren of The Blind Club before for the Beautiful Mind video. It was his idea to shoot at this fantastic, abandoned palace in the middle of the jungle. Old, but still standing strong, which in a way reflects the sentiment of the song: growing old but staying together despite the cracks. I liked the idea and, when I visited the location, it was obvious that this was the right visual approach for the song.

I’m usually involved with my video treatments - but I left this one in Toby’s very capable hands.

I know you have an album out later in the year. Can you reveal any songs and subjects that will feature?

Love, as a theme, is the common thread – sometimes, about the innocent and wide-eyed, simplistic hope of new love. Also, you’ll hear some notes on a secret relationship I was in and the resulting heartbreak. Beautiful Mind, already released, is about being torn between someone you’re in love with and your best friend (who’s seeing her).

When did music come into your life? What sort of sounds did you grow up around?

I lived in an area of Mumbai where there were a lot of musicians and there were talent contests – that’s where I first started singing and playing. I remember my older sister would play tapes of the music popular then - mostly Pop princesses! Then, the boys in my apartment building would come by and play other stuff: Heavy Metal…anything. Tom and Jerry - I grew up watching that and fascinated by the musical score – I would remember every note. Later on, I got into Sting and the Police, U2 and many others.

How important is Bollywood, and your heritage, to your musical direction and creativity?

My musical direction was more influenced by Western music through my early years, although we would watch Bolly films every other day and, by default, we would hear the songs that played in those films and sing a few of them.

Of course, since 2010, I’ve been singing in Indian films and some elements of that style have made their way into my overall singing style – every now and then you will hear in a subtle vocal inflexion (or musically). Instrumentally, we’ve used a few ethnic instruments in the recordings.

Can we see you tour soon? What gigs do you have coming up?

A little gig at The Social, London on 26th March; then a support tour with Lissie in early-April,  followed by Live at Leeds on 5th May; The Great Escape, Brighton in mid-May - and a headline show at The Waiting Room, London on 21st May

You have played to all sorts of crowds. Is there anything that compared to the thrill of being on stage and watching people react to your music?!

Few things in life can compare with the feeling of singing to a huge crowd and having them sing your lyrics back to you. I guess it’s the full-circle feeling: from writing the song in your little bedroom, to playing it to a big crowd at a festival.

What do you hope to achieve in 2018?

My goal is to have as many people as possible listen to my songs and hear (from them about) what it means to them. The achievement would lie in hearing that it changed someone’s life in some way, big or small.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Spending time in Nashville with my co-writer Jeff Cohen: our aim was to eat as well as we wrote. So, we would reward ourselves with eating out at some of the fantastic restaurants over there every time we thought we’d written a great tune...

What advice would you give to new artists coming through?

Write songs based on what you honestly feel. When you’re singing them on stage every other day for a year; that is the only thing that’ll keep it fresh.

IN THIS PHOTO: Isaac Gracie

Are there any new artists you recommend we check out?

Quite enjoying some music by Isaac Gracie and Matt Maltese. Check them out!

IN THIS PHOTO: Matt Maltese

Do you get much time to chill away from music? How do you unwind?

Over the last few weeks, my friend and I discovered the best pub for ales in Barnet. L.O.L. I quite look forward to that most evenings. I also like (just) walking around London with some good music in my ears…it’s beautiful.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Last Words – Isaac Gracie

or

YAH. – Kendrick Lamar

or

Motel Blues – Loudon Wainwright III

_______

Follow Nikhil D'Souza

Official:

http://www.nikhildsouza.com/

Twitter:

https://twitter.com/nikhilmusic_

Facebook:

https://www.facebook.com/nikhilmusicoffic

Instagram:

https://www.instagram.com/nikhilmusic/

SoundCloud:

https://soundcloud.com/nikhildsouza

YouTube:

https://www.youtube.com/channel/UCrbBeVd3nSxnKqOG9B5N-fA

INTERVIEW: INBAL

INTERVIEW:

INBAL

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IT is about time I had a female artist…

back on my blog! I get so many requests from male artists – as the rest of the week will attest – so I am very pleased to chat with INBAL. She discusses her latest single, Right Mistakes, and why the filming of its video was a memorable, if cold, experience. I ask about the E.P., INBAL 1, and its multi-city recording – and what she has planned in terms of future gigs.

INBAL talks about her hometown of Tel Aviv (Israel) and what the people are like; how her life has changed since she moved from there (to London); what she hopes to accomplish in the remainder of the year; the artists she grew up around -  whether there is any time to relax away from the demands of music.

__________

Hi, INBAL. How are you? How has your week been?

Hi, there. I’m great, thanks! It’s been quite of a hectic week, but can’t complain too much (smiles).

For those new to your music; can you introduce yourself, please?

I’m INBAL; a London-based singer-songwriter, originally from warm and sunny Tel Aviv. I’ve recently released my first two singles from my debut E.P. - which is exciting.

Right Mistakes is out. Can you reveal the story behind the song?

The song refers to the mistakes we make with us often knowing we’re making the wrong decision, and yet, choosing to do it anyway. The song takes the relationship angle of the subject; though, I do feel that this can be applied to many situations in life (or at least in my own!)

Tell me about the video. Where was that shot? Was it a good shoot?

The video was shot at the beginning of February this year, on a boat on the South Bank. It was one of the coldest days of the year and it was, obviously, shot outside - as you can see from the video. Although I couldn’t feel my feet, it was one of (the most) hilarious days as the cold really was insufferable, which led us to massive laughing fits.

Aaron Dolby, Alon (Didi); Danan and Gonçalo Malafaya Almeida were really lifting my stone-cold (literal) heart.

Right Mistakes is from the E.P., INBAL 1. Are there connected themes that go into the E.P.? What was it like putting it all together?

I’d say the connection between the four songs is that they evoke autobiographical experiences and stories from my day-to-day life - each revealing different elements of the various genres that inspired my songwriting. I really wanted to create a versatile E.P. that wouldn’t be bound to (just) the mainstream Pop structure - and play within the Prog. and Alternative genres melody and structure-wise, but with a more Indie-Pop attitude to production.

The E.P. was produced, mixed and made in a few different cities. Did you get to travel a lot whilst creating it? What was your highlight destination?

The E.P. was composed, produced and mixed in Brazil, Helsinki; London, Tel Aviv; Seoul and the United States.

So it happens that, at the time, I was going back to visit my hometown, Tel Aviv, and had to go to the States for a good few weeks as well; while Andreas, my producer and dear friend, was moving from London to his hometown in Brazil and, shortly after, followed his heart (and his girlfriend) to South Korea. While I returned to London, he was moving to Helsinki. Although it was physically challenging to work apart, I think it contributed a lot to the song and its production overall. 

My personal highlight was definitely Austin, Texas. It was my first visit in the city and I absolutely fell in love. I’ve got a lot of family living in the area and seeing the city through their eyes really made me feel like spending more time there. The dancehalls, Tex-Mex; the thriving music scene and the Barton Springs are just a few of my recommendations. 

Tel Aviv is where you hail from. Is the city quite busy with great new music? Do you take a lot from the people there?

Tel Aviv, like the rest of Israel, is quite of a ‘young’ city. It, therefore, carries the influence of many cultures from which inhabitants past and present arrived from - mostly European and Middle Eastern combined. This also reflects on the music scene, too. I take a lot of inspiration from local artists, as I believe this middle ground between culture enriches both sides and lets you have some sort of freedom to spice things up and experiment. 

Which musicians did you grow up around? Can you each remember the first album you ever bought?

My biggest influences are Jeff Buckley, Radiohead and Björk, but I think the first album I purchased by choice was Sgt. Pepper's Lonely Hearts Club Band. I just really liked Lucy in the Sky with Diamonds (at the age of six, I didn’t exactly know what it talked about...).

What do you hope to achieve in 2018?

I hope the third single and the E.P. will get as much support as the first two singles got - and I plan to gig a lot and start working on the second E.P.! 

Have you got a favourite memory from your time in music – the one that sticks in the mind?

When I was living in Tel Aviv, I joined one of my best friend’s tours around the country. We drove for hours and, basically, spent the summer around Israel gigging from the South to the North. It’s such a strong memory as, retrospectively, I think that was the moment I had a deep realisation that music is my path. Meeting new people; that music was the only thing in common between us was a really engaging experience.

What advice would you give to new artists coming through?

The biggest (piece of) advice I can personally give is to trust your instincts. The more you grow, the more you’ll hear lots of different and contradictory opinions. At the end of the day, it’s your creation and you should follow your guidelines.

The best route for someone isn’t necessarily best for the other.

Do you get much time to chill away from music? How do you unwind?

I do, actually. I believe part of the creation process is also knowing when to put it aside to gain a fresh perspective. I really enjoy photography, playing with my pooch, Daisy (she’s the real famous one in our family - her Instagram is more popular than mine!) and practising Yoga.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

One of my latest musical obsessions is a band called ANIMA! The song, Blood, is a real gem in my opinion.

_______

Follow INBAL

Twitter:

https://twitter.com/inbalofficial

Facebook:

https://www.facebook.com/Inbal.music/

Instagram:

https://www.instagram.com/inbal_croi/

SoundCloud:

https://soundcloud.com/inbalofficial

Spotify:

https://open.spotify.com/artist/32dqNoPndQFsNPyoqNqQd7

YouTube:

https://www.youtube.com/channel/UCAUeGuMA8x_Ero4Crwjbs2A

INTERVIEW: Hospital

INTERVIEW:

Hospital

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THIS must be another first…

in terms of my interviews and geographical exposure. I do not think I have ever featured a Russian band on my site! As it is; I have been finding out about Hospital and their stunning single, In the Evening. They talk about moving on from their past material and why they have changed their sound; whether there is a healthy music scene in Russia – and whether we might see them come over to the U.K. and play here.

I ask about their upcoming third album (Memory Waves); what it is about the 1980s that inspires a lot of their music; what it is like supporting huge artists like Lana Del Rey; if the band has ambitions for the rest of this year – how Hospital came together and started making music.

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Hi, guys. How are you? How has your week been?

Hey! I just came back from short vacation in Helsinki. It was kinda a ‘buy-as-many-vinyl-records-as-you-can’ tour. But, a pretty nice city, though.

For those new to your music; can you introduce yourselves, please?

Of course. We are a four-piece Russian Indie-Rock band. Crazy about 1980s synths and guitars - and songs with melodies. Because; there must be something you can do while taking a shower...

In the Evening is your latest single. What is the story behind the song?

Well. In the Evening is the first song we started to record for the Memory Waves album. It was (recorded) back in 2016. Not the best time for the band, because we were not sure if we should record anything at all. We were at the edge of a split, to be honest...but after the first half of the song was done, we decided that it might be the right sound for us.

A little bit noir kind of stuff.

It is taken from your third album, Memory Waves. Can you reveal the stories and ideas that go into the album? Is there a song from the album you would highlight?

It’s all about escapism, I guess. Of course, there are a lot of ‘typical’ love songs. But, love could be the best way to escape your fears, you know? For us, this album is about being strong whatever road you take in life. It’s about the value of friendship and fighting your demons. It’s a kind of escape from the modern world which, we know, is rubbish.

Cheers, Damon!

How did ‘Hospital’ come to be? When did you meet one another?

The three of us knew each other from a very long time ago.

Me and Aleksey met when we were about fourteen. I first met him at the bus-stop in our hometown, Komsomolsk-on-Amur. He was standing there with a pile of books and we just started talking about these books and, then, about bands. So, that was it: we became friends. We then met Andrey while we were studying at uni. and Vova joined us when we moved to Moscow.

That was in 2007 - and we started playing together in 2011.

I hear the 1980s in your music and ethos. Is it a decade you all relate to?

Well. It’s not because we were born in the 1980s: we are actually (more) children of the 1990s. I think it all started from our love of The Cure and 1980s Space-Rock. We are all pretty tired of some of the faceless bands of the ’00s; you know I mean? To be honest, on our first two albums, we were one of them...

It’s like when you press 'play' and have no idea who the hell is playing in your headphones. So, we decided that it does not matter if someone thinks our music is sh*t – we just want them to know that this is OUR music (smiles).

What sort of music did you all grow up around? When did you decide music is what you wanted to do?

I grew up listening to my father’s huge vinyl collection. There was a lot of Hard-Rock in there: stuff like Black Sabbath, Led Zeppelin and Deep Purple but, also, a lot of things like Ray Charles and Elton John. Then, after I watched the T.V. version of The Beatles Anthology, I became a fan of their music, too.

But, what really change my mind was The Doors…my heroes! From the first seconds of Break on Through (to the Other Side), I decided that I wanna be a musician. Then, when I was a teenager, I discovered all this Britpop and New-Wave bands and Grunge and so on.

Now; I prefer to listen to something like Chet Baker singing. Ha-ha.

Is Moscow quite up-and-coming in terms of music? What is the scene like there?

Oh, you know; I feel a little bit out of modern Russian scene but, as I see it: Garage-Punk-Rock and Lil-Peep-kind-of-Rap is very now.

Can we see you tour soon? What gigs do you have coming up?

We have planned only one small gig in Moscow - just to test the new material. We don’t have any concrete plans beyond that, for the moment.

Will you play the U.K. at all? Do you get out this way a lot?

We hope so! Maybe someday. Hope our politics will not fu*k everything up. We don’t want another Iron Curtain situation: we wanna tour all over the world and play our music. This is all we want, actually: to love and play music.

You have supported huge artists like Lana Del Rey! Do those big shows give confidence and teach you things as a band?!

It was such a great experience!

The main thing is how much energy you can get while playing in front of 7000 people. It’s an unbelievable feeling.

What do you hope to achieve, personally, in 2018?

Me, personally: I want to present a vinyl version of our new album to my parents - and see The Capuchin Catacombs of Palermo.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Those three gigs with The Neighbourhood. Oh, man; it was terrific!

What advice would you give to new artists coming through?

Prepare to be refused!

Do you get much time to chill away from music? How do you unwind?

Not as much as we want to - because we all work in our day jobs. Me, personally; I love to read and ride my Kick scooter. PS4 is good stuff, too. Haha.

Finally, and for being good sports; you can choose a song and I’ll play it here (not any of your music - I will do that).

Let it be Leaves - Catch

_______

Follow Hospital

Twitter:

https://twitter.com/wearehospital

Facebook:

http://wearehospital.com/

Instagram:

https://www.instagram.com/wearehospital/

SoundCloud:

https://soundcloud.com/we-are-hospital

Spotify:

https://open.spotify.com/artist/3mvlLH4BFzVbLsaR4ytBjP

YouTube:

https://www.youtube.com/user/hospitalband

BandCamp:

https://wearehospital.bandcamp.com/

INTERVIEW: Thayler Rhys

INTERVIEW:

Thayler Rhys

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MY mind has been on the hunt…

for an artist who has the qualities and fabrics of Thayler Rhys. I have been chatting with the Toronto-based artist about his debut single, 10K Post Up, and how a rat-infested flat proved to be conducive, somehow, to songwriting – and what it was like living in such conditions.

The talented newcomer talks about his process and how his influences impact his own sound; whether we will see him in the U.K. at all; if there is time for him to relax away from music; how important Toronto and its people are – ending the interview with some great song choices.

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Hi, Thayler Rhys. How are you? How has your week been?

Hey, Sam. It’s been exciting and stressful, but well worth it. My first single is out!

For those new to your music; can you introduce yourself, please?

I’m a twenty-four-year-old artist from Montreal, Quebec – now, a four-year native of Toronto.

10K Post Up is your new single. Is there a story behind the song? How did it come together?

I made the song with the producer, friend and old (rat-infested) crib mate of mine, Quin. It’s one of many songs we have cooked up together. Some took hours; some aren’t even close to being done and it’s been months - and a few were did in less than fifteen minutes.

10K Post Up was one of those few.

It was a rainy day; I came over to work on some heat, did that. Quin played this beat near the end. I was like: “JHEEZ”. I got up and he looped it for a few minutes until I started to put together some melodies and words. I left not long after and, when he sent it back to me, we were like: “Hey; damn, this last thing we did is pretty sick, man”.

Things started to come together in 2016 – when you were living in a rat-infested flat with a friend! How did that environment and condition lead to songwriting impetus?!

Rats, mould; non-functioning electro. The best yet was when the kitchen ceiling flooded…and not drops, like…I’m talking shower-game-level. We lived in a house with all the familiar symptoms of a trap house.

Consequently, we had to make some dope beats.

It seems music has been a constant – but you have tried a number of jobs and lifestyles. Did you always know, when going through these phases, music was what you were meant to be doing?!

No, I didn’t: I still don’t. But, f*ck it, I love it - so let’s do it, ya know.

Was there a moment when a lightbulb came on and you focused?

When I saw Wiz Khalifa’s Name on a Cloud video in my senior year of high-school, I knew I needed to mob with my homies and make music I would, hopefully, release some day…

Is Toronto a great city to make music and perform? What are the people like there?

Toronto is great! People are confident, hub-committed; open to all kinds of music and proud about Toronto! I really have enjoyed it here. I have been progressively meeting a lot of up-and-coming talent and everyone is really supportive of whatever your vision may be - as long as you’re passionate about it.

Can we see any more material from you later in the year? Will there be an E.P. or album down the line?

Yep; all of those…and more!

Which musicians did you grow up on? Can you each remember the first album you ever bought?

Jheez. Uh…

Pink polo-backpack Kanye (West) had me shook, so I think that was my first album purchase on that lucrative pocket money and chores-for-change-income back in the day! My big brother got me on the 1990s classics: Pack (Tupac), Biggie (Smalls) etc. My sister was on soulful stuff: TLC and more. 

I’m pretty sure Quin would say Radiohead and more Radiohead - and Frank Ocean, since his first project.

Can we see you tour soon? What gigs do you have coming up?

Gigs are being planned for the summer! All are Toronto-orientated for now.

Do you think you’ll come to the U.K. this year? Have you played over this way?

Hell, yeah! When the expansion allows it.

Not sure if that will be this year but my mom was born in London, so one has to represent and come to show love! (Smiles).

You are quite ‘new’ to social media, it seems – Facebook and Twitter accounts are fairly recent. Was there a reason for being away from these sites for a bit?! How important are they, do you think, regards exposure and recruiting fans?

Ya. Just thought I’d hop on the social media thing when we started the wave. Wave be small now, but stay chuned (sic.). Social media also requires a lot of effort, engagement-wise, so I’ve heard, when you’re starting out. So; I figured, when I’m ready, I’d get to it…

I’m ready!

What do you hope to achieve in 2018?

A very clear sense of direction of where the wave is heading and a happy fan-base to ride the wave with (Q and I and the close group of amazingly supportive and talented artist were working with) (Smiles).

Have you got a favourite memory from your time in music – the one that sticks in the mind?

Yeah. When I first sang at my high-school talent show and had ladies, who didn’t know I existed beforehand, come see what’s really good with me right after I performed...

What advice would you give to new artists coming through?

I mean; I’m a really new artist, so for all the hella newer artists: patience, bare patience; then much more patience…and even more; a good work ethic (while working in a state of patience).

Do you get much time to chill away from music? How do you unwind?

I’m still a student for a little longer - and I work as well. When Quin sends me something we’ve done and I can listen to it – and think up more ideas – well…that’s my unwinding!

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Never by Dear Pressure

…or Roaches (Punken) by Maxo Kream

_______

Follow Thayler Rhys

Twitter:

https://twitter.com/ThaylerRhys

Facebook:

https://www.facebook.com/thaylerrhys/

Instagram:

https://www.instagram.com/thayler_rhys/

SoundCloud:

https://soundcloud.com/thaylerrhys

INTERVIEW: Coralcrown

INTERVIEW:

Coralcrown

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I have been investigating Coralcrown auteur Luis Gotor…

and asking about his move to the U.K. (Gotor was born in Spain). I learn more about the new track, Between the Lights, and what we can expect in the future. Coralcrown discusses the vintage sound of his music – and how he mixes that with modern ideals.

I learn more about his debut E.P., Birth (where his latest single is from), and the artists who inspire him; what gigs are coming up; if there is time away from music to detach and reflect – Coralcrown provides some handy advice for new artists.

__________

Hi, Coralcrown. How are you? How has your week been?

Hi! This is Luis. Feeling good! My week is been busy. Trying to get some time in-between my job to sit down and write some new music and ideas (locked in my bedroom).

For those new to your music; can you introduce yourself, please?

My name is Luis Gotor. I am from Spain. I moved to London in 2014 and, since then, I have been writing lots of music and trying to find my sound - coming from a bunch of different styles.

Can I ask where ‘Coralcrown’ came from? That name seems rather intriguing…

Haha, well, to be honest; I spent weeks trying to find a name...

I am terrible with that stuff and none of them convinced me...and then I asked Dani - the keyboardist - what he thought about a few and, with half of a name that I had he suggested (Coralcrow – ‘all together’); that’s it: one of the best gifts that I have ever had. At first, I felt a bit disappointed not be able to find the name by myself - but now I love it and I wouldn’t change it.

Between the Lights is out. Can you tell me about the story behind the song?

I think it was in a time when I felt a bit down and I needed a story to believe in love in a certain way. That kind of feeling when you want to be with someone and, when you get it, nothing else is important - and that becomes your unique and real world.

The production gives the song a vintage-cum-modern vibe. Was it important giving the song that balance and mix?

Wow, thanks. Well. It wasn’t premeditated really: my head gets bits from everywhere and makes its own mix. It seemed natural to me doing it that way. I love both and I think it’s rewarding to combine them.

The song is from your debut E.P., Birth. What sort of themes and ideas can we expect to see in the E.P.? Can you tease any others songs that will appear on it?

Birth is, you can figure from its name, all about a beginning.

It’s the start of all I want to share with people; it’s a selection of the songs that I think represented - by the time that I recorded it - the kind of sound that I wanted to show. They all are very dreamy and talk about desire. I haven’t thought much about it but, yeah, they all talk in a different way of wanting someone (in this or that way).

Whoever is coming out soon and it is a bit creepy but very true (not the murderer thing. God).

Luis. You started Coralcrown after the end of your former band. Was it quite hard transitioning from life in a band to a solo existence?

I was terrified at first with the idea of being alone and exposed - but it is a relief when nobody is stopping you and you can let flow all your ideas and, if you have to change everything a hundred times, you just do it and nobody is gonna get upset. Also, I must say, I am very particular (a pain) sometimes and I like to do things on my way.

There you go: pure honesty.

How important was London, and its nightlife, to your decision to keep going with music?

Well. When I first came, it all seemed a bit overwhelming because everyone was having fun and all these bands were playing gigs. I thought I wouldn’t be able to do that anymore but then, as time passed, I was feeling more and more excited about the idea of coming back. Then all my passion took over and I recovered the energy to pursue it.

Which artists did you grow up listening to? Did music arrive in your life early?

I grew up listening lots of Spanish bands (Pereza, ECDL...) at first and then I became more interested in English-speaking music. I used to listen to British and American Pop-Punk bands (Blink-182, Busted...) like every teenager in the 2000s - but then I discovered the R&B from the 1950s (Chuck Berry, Elvis Presley…) and the Pop from the 1960s (The Beatles, The Rolling Stones; Pink Floyd, The Who...) and that blew my mind and put me on the road to where I am now.

However, at this point, I am a bit obsessed with the Disco-Funk from the 1970s – especially the Synth-Pop from the 1980s.

Can we see you tour soon? What gigs do you have coming up?

Yes. We’ll be at The Finsbury on 4th May presenting Birth. We can’t wait.

How important is the stage and performing live? Is there a big difference between your studio sound and live set?

I am extremely perfectionist and I like to work hard to get the best possible sound performing live.

I, personally, do like to notice the difference between studio and the live set when I go to gigs and I like to do it as well. But, at this early stage, we are happy to reproduce the songs as they are recorded.

What do you hope to achieve in 2018?

I’d like to play as much as we can, maybe in a few small festivals. Obviously, I’ll see people liking the songs and share them with their friends: I love the idea of the songs being passed by word-of-mouth.

Also, I am planning to record a few more songs at the end of the year.

Have you got a favourite memory from your time in music – the one that sticks in the mind?

I do, and it is not a particular one: it is more a feeling that, when you are performing live with your friends (and musicians), there is a sort of magic and connection that is really addictive.

What advice would you give to new artists coming through?

I’d say do not ever give up if you believe in it.

Do you get much time to chill away from music? How do you unwind?

I don’t chill away much, really: it is a bit unhealthy and, yeah, I should. I should leave the cave more often than I do.

Finally, and for being a good sport; you can choose a song and I’ll play it here (not any of your music - I will do that).

Me and Michael – MGMT

_______

Follow Coralcrown

Official:

http://www.coralcrown.com/

Twitter:

https://twitter.com/coralcrownband

Facebook:

https://www.facebook.com/coralcrownband

Instagram:

https://www.instagram.com/coralcrownband/

YouTube:

https://www.youtube.com/channel/UCgbHrnMR9MAM8g3vApLFJ8A

SoundCloud:

https://soundcloud.com/coralcrownband

Spotify:

https://open.spotify.com/artist/2L9WacV7BTGXOzgf3Rd0fi

FEATURE: April Showers: The Best Albums Due Next Month

FEATURE:

 

April Showers

IN THIS PHOTO: Janelle Monáe

The Best Albums Due Next Month

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EVERY month has those albums that…

IN THIS PHOTO: Kylie Minogue

will challenge for the end-of-year medal places. April is no exception, for sure. Janelle Monáe, Manic Street Preachers and Laura Veirs release albums, I feel, will wrestle for the high positions come the end of 2018. I have been looking through the announced releases and collated the ten records you need to put in your April collection – guaranteed to put a smile on the face and remain in the memory.

Despite the fact there is snow on the ground and a chill in the air: some big April releases will get the spirits up and warm the heart, for sure…

ALL PHOTOS: Getty Images

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Eels - The Deconstruction

Release Date: 6th April

Label: E Works Records

Genres: Alternative; Indie-Rock

 

Hinds - I Don't Run

Release Date: 6th April

Label: Mom + Pop Music

Genres: Garage-Pop; Alternative; Indie-Rock

Kylie Minogue - Golden 

Release Date: 6th April

Label: Liberator Music

Genre: Pop

Manic Street Preachers - Resistance Is Futile 

Release Date: 6th April

Label: Columbia Records

Genres: Rock; Alternative

Unknown Mortal Orchestra - Sex & Food

Release Date: 6th April

Label: Jagjaguwar

Genre: Alternative

Confidence Man - Confidence Music for Confidence People 

Release Date: 13th April

Label: Heavenly

Genres: Indie; Alternative; Pop

Laura Veirs - The Lookout 

Release Date: 13th April

Label: Bella Union

Genre: Folk

Kimbra - Primal Heart 

Release Date: 20th April

Label: Warner Bros. Records

Genre: Pop

Janelle Monáe - Dirty Computer 

Release Date: 27th April

Labels: Bad Boy Records; Wondaland Arts Society; Epic Records

Genres: R&B; Soul

Twin Shadow - Caer 

Release Date: 27th April

Labels: Warner Bros. Records; Reprise

Genres: Synth-Pop; New-Wave